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Tag Archives: Tatiana Maslany

Celebrating the 75th Golden Globes with Bold Print and Color

16 Nov

It is mid-November and Golden Globe nominations are just around the corner—they will be announced Monday, 11 December—and as it is the 75th anniversary of these awards, there is of course a party.

And many of the people vying for nominations attended, because of course. A lot of them also happened to give some of the best performances of the year. Big trends of the night include bold prints and color, much to my delight. There are several late entries into the best profiles of 2017 category and Kyle Buchanan’s Vulture interview with Armie Hammer is so good that it warrants its own outtakes article. I saw Call Me by Your Name twice in the space of a week and I am still thinking about it. 

Also incredible is his choice of Paul Smith suit and floral T-shirt; this event is casual enough to eschew a collar and I love this fun red carpet take. Another Ilaria Urbinati winner.Alison Brie’s Instagram is a gift for any GLOW fan right now. There are so many good BTS moments from the set, particularly with her hair. Here she has scraped it back and gone with minimal makeup, which makes sense when you’re wearing a Hugo Boss green leopard print velvet dress.  Keeping with the Community cast theme and everything about this Yvette Nicole Brown frock is perfect winter florals.Also going with a botanical print and Tatiana Maslany mixes masculine and feminine styling with aplomb. There is a reason she is a style icon around these parts.Alias Grace is one of the best shows I have seen this year and star Sarah Gadon is a revelation. Gadon is currently doing the talk show circuit (where she is charming as hell) and hopefully she will get some awards love.

And she looks pretty fabulous in Giambattista Valli at this Golden Globes celebration.On and off screen, Yvonne Orji crushes it in the sartorial stakes. An appropriately festive dress by Phuong My and a dramatic bow that doesn’t swamp her.Insecure creator/star Issa Rae goes in a different direction to her co-star and this block color Brandon Maxwell halter neck dress is making me want an afternoon cocktail. Cute without being too saccharine is Saoirse Ronan in a girlish Teresa Helbig frock and I am still desperate to see Lady Bird.13 Reasons Why star Katherine Langford in lipstick print Valentino Resort is giving off super fun vibes, but would it have been too on the nose for Langford to wear lipstick as well?I would be thrilled if Tara Lynne Barr got recognized for her performance on Casual (I still think about the stripped down rendition of “Landslide”) and season 3 of this show is probably my favorite so far.

Barr also gives great party frock and colorful pumps; I would like all of this in my own wardrobe.Director Dee Rees continues to wear some of the best jackets on the red carpet and I cannot wait to see Mudbound (which arrives on Netflix tomorrow).Jessica McNamee ticks three of my favorite style boxes; the ladysuit, heritage prints and a bold lip color. More ladysuit treats from Zoe Lister-Jones in Dion Lee and I am also a sucker for the stripe long-sleeve tee with a suit thing, which Adam Scott is doing so well.More Valentino Resort and a very different look for Aubrey Plaza as she dips her two in the Little House on the Prairie pool. It looks pretty damn good.Block color and kooky shoes for another TV Ate My Wardrobe fave. Julia Garner has had a very good year and I am already excited to see what she does in 2018. Namely the Waco miniseries and how much Kimmy will be in the final season of The Americans. I should probably also watch Ozark.Oh, hello. Turtleneck with a suit achievement unlocked and I am now currently casting Sebastian Stan in my as yet unwritten 1970s set movie. It is going to be a doozy.

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Out of the Box: Look of the Week

10 Nov

The trickle of film celebrations has turned into a stream and this is a bumper Look of the Week. Fabulous frocks, ladysuits and stunning December issues celebrating the good things about this year. Yes, there are some good things among the garbage.  At the 21st annual Hollywood Awards, Zoe Kazan’s Gucci botanical frock is a delight. I can see Kazan in a lot of the new Gucci pieces and this is right in my style wheelhouse. Also to file under outfits that I adore; the ladysuit! Noomi Rapace mixes a lace cami with menswear inspiration and not only picks a great color suit, but doubles down with her pumps.And for an entirely different take on the ladysuit. Kate Mara’s metallic Burberry number is giving futuristic retro vibes.I can’t see a slip dress and not think about the ’90s. Throw a white baby doll tee under it/cardigan over it with Cons for that season 1 Felicity vibe and then heat things up without one a la Felicity in the season 2 premiere.

Tatiana Maslany has opted for the latter at the Hollywood Film Awards in Diane von Furstenberg. Throwing all the flame emojis in Viola Davis’ direction because this iridescent Alberta Ferretti gown is smoking hot.Emily V. Gordon continues to impress with her range of floral frocks and this Saloni London number is another hit. As are her shoes. And as a fan of a suit outside of the usual black/grey/brown/navy spectrum, I am very much here for Kumail Nanjiani’s choice here.

Hopefully we will continue to see the Big Sick team getting fêted and it is one of my favorite films of 2017. Wearing vintage Balmain to the SAG-AFTRA Foundation Patron of the Artists Awards is Tracee Ellis Ross and once again her love of fashion goes deep and far back. Love the pop of red on her bag and pumps.
The LACMA Art + Film Gala was presented by Gucci so it is ruffles and lace for Kerry Washington, in a distinctive look. I continue to be enamored with everything Gucci is doing right now.

Also a good time to mention that I spoke to Scandal costume designer Lyn Paolo last week and you can read that here.

Love ya NY NY 🌈 rg @weallwantsomeone #yeahyeahyeahs

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Karen O spits rainbows and this Yeah Yeah Yeahs reunion is giving me all those undergraduate feelings. *digs out “Pin” poster*Drawing hearts around this photo of Greta Gerwig and Saoirse Ronan at a screening of Lady Bird and Ronan is driving my desire to get some velvet pants.

I mentioned on Twitter that when I saw this photo of Allison Janney, my jaw hit the floor. Two days later and it is still having the same effect. Everything I love about a women in a tuxedo is on display here. The Cut continues their run of excellent profiles of women I find very interesting and this Aidy Bryant one is now different. The shoot itself is also fabulous and just because Bryant is not a sample size; it doesn’t mean she shouldn’t look as high fashion as anyone else who appears in these editorials. Something she discusses in the interview and she recalls having to wear her own clothes when she did a shoot with her SNL co-stars:

“It was just humiliating. The other girls had racks of clothes to choose from and were wearing these thousand-dollar dresses, and I had two sacks or like one matronly mother-of-the-bride dress. Those were the first times where I was like, Something is different here and this isn’t fair. This is a fucked-up situation, and it’s purely because of my body. Not because I’m less funny — it’s my body. It’s the only reason that I’m treated differently right now. And it lit a fucking fire in me.”

The original reason behind starting this blog was to discuss costume influence on my own style and Bryant’s costuming in The Big Sick ticks all those boxes. Fuck having to compromise on what you wear just because you’re not a size 6. Teen Vogue will cease to have a print copy next year and while it is the digital platform that has made this magazine one to watch for, I am still sad to see this one depart the print landscape. Over the years there have been some stunning covers (this Amandla Stenberg made a huge impact on me) and this Hillary Clinton cover (HRC is also the guest-editor of this issue) is pure art.
Another case of my jaw hitting the floor this week and Edward Enniful’s first edition of UK Vogue as the new editor-in-chief, is making a huge impression with this stunning shot of Adwoa Aboah. I can’t stop staring and I cannot wait until I get my hands on a copy.

There is a scene in Call My By Your Name that takes place in front of a bunch of magazines and I ended up in a Google image hole of Vogue Italia covers from 1983 and it reminds me of that period. The Samira Wiley Out 100 cover from three years ago is still one I think about. Such a stunning image and again this annual issue delivers. Jonathan Groff has had another really strong year and he gives great casual sweater pose.Also having an incredible year is Emmy award winning Lena Waithe. This cover is fabulous and I love how confident her gaze is here.

Best of the Emmys 2017 Style: Awards, Couples and More

18 Sep

Another year, another Emmys and there was not a whole lot to be mad about when it comes to the winners. The same cannot be said for one particular part of the opening.

But, I am here to talk red carpet and for the first post I’m going in reverse with some outfits getting an extra special boost by some hardware, a few moments from the show, feathers, some of our fave couples and some classic black ensembles.

For the best in sparkles and more bold color, head here. No award or speech made me happier than Lena Waithe winning for writing with Aziz Ansari for the Master of None Thanksgiving episode. She is the first black woman to win for writing in a comedy category and in the speech she thanked her LGBTQIA family:

“I see each and every one of you. The things that make us different – those are our superpowers. Every day when you walk out the door and put on your imaginary cape and go out there and conquer the world, because the world would not be as beautiful as it is if we weren’t in it. And for everybody out there that showed us so much love for this episode, thank you for embracing a little Indian boy from South Carolina and a queer black girl from the South Side of Chicago.”

Waithe always gives great ladysuit and this custom Alba is incredible. In other Emmy firsts; Donald Glover is the first black person to win in the comedy directing category. And Ira Madison III has written about why we should we way beyond these diversity milestones in 2017. He also deservedly won in the acting category for Atlanta and was also the best dressed guy of the night in purple Gucci.

Oh and he also gave the best “we’re pregnant” announcement while accepting his second award of the night.

We here

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This is also a very special and also super swoony photo. Sterling K. Brown won for Best Actor in a drama and he was giving a great speech until he got cut off. Luckily he got to continue backstage and finish what he started. Looking super suave while doing so. The Handmaid’s Tale was one of the big winners of the night scoring actress, supporting and guest star (which Alexis Bledel won last week). They all look lovely and Elisabeth Moss’ Prabal Gurung has the all important pocket factor.

Ann Dowd gave one of the loveliest speeches and I am also feeling a lot of things thanks to this Justin Theroux’s Instagram post. Yes I am pretending she also won this for The Leftovers.Three Queens getting their rightful standing O.Sparkly tuxedo delights for Rachel Bloom as she performed and she really needs to host this thing.On the red carpet Rachel Bloom wore Gucci and mentioned that she bought it herself. Again, it is very dumb that a lot of designers don’t cater for actresses who are not a sample size. Bloom looks great and she mentioned that she can afford it. And yet it is still a frustrating part of this whole awards circus.There were a lot of feathers this year and while some were sadly a big miss, everything about Zoë Kravitz in Dior is divine. From every single angle of this dress is different and amazing.

And such a great night for Big Little Lies.Keri Russell gives great witchy vibes in ostrich feathered J. Mendel—I do prefer her red J. Mendel look from the previous night—and alas, it was another awardless Emmys for The Americans.

But at least Russell and Matthew Rhys have each other so they have already won, really. Next year. Otherwise that gif from the pilot is getting used again. Tiers of black and white tulle for Mandy Moore in Carolina Herrera and this is where a bold pink lipstick really works wonders.Judith Light, always.They were an Emmy couple fave last year and while Orphan Black missed the nomination window, last year’s winner Tatiana Maslany was on hand to present this year and I love everything about her very classic Reem Acra gown. The blue GLAAD ampersand pin is available here.

Emmys Round 2

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Maslany and Tom Cullen also gave great pre-Emmys and a nod to last year.

Out of the Box: Look of the Week

15 Sep

After I talked up last week’s bumper “Out of the Box” this one is slightly longer and all the events, they keep on coming; TIFF, NYFW and the Creative Arts Emmys. We have a fun mix of fancy red carpet, daytime attire and even an airport look.

Plus, The X-Files celebrated its 24th anniversary and I wrote about Dana Scully’s influence on TV work wardrobes for The ObserverYou should know by now how I feel about Tatiana Maslany’s style—strongly positive—and she gives great casual and fancy. At the Stronger TIFF premiere, this J. Mendel is of course the latter and the color/ruffles are fantastic. As is Maslany’s dark lipstick choice.

And as I mentioned on Twitter the other day, I am so excited to see her post-Orphan Black career and that her extraordinary talent will reach a wider audience. Mohair sweaters are a quiet obsession of mine and everything about Elisabeth Moss in Rochas, at a screening for The Square is ’50s inspired perfection.

Another fabulous pick from super stylist Karla Welch and I cannot wait to see what Moss will be wearing at the Emmys on Sunday.

Under HER Eye! Executive Producer / Star of @handmaidsonhulu @elisabethmossofficial #tap

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See also this incredible tailored look.

Even if Brie Larson’s directorial debut wasn’t called Unicorn Store, I would applaud her airport ensemble—fluffy whimsical sandals aside—and both Larson and fiancé Alex Greenwald look cool af.

Getting ready for @BravoWWHL Tonight at 11 With the brilliant @justinepurdue and @seijinyc @thevampireswife

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The Vampire’s Wife is a brand that has been doing very good things of late and Maggie Gyllenhaal’s silver frock continues this trend. Maggie has been crushing it during this press tour for The Deuce.

Also, Maggie addressed one of the important issues of our time (and you get to see how great the sleeves are in this Watch What Happens Live clip).At the New York mother! premiere before this happened with a T-shirt swap, there was a whole lot of couples coordinating between Keri Russell and Matthew Rhys. Also on the highly anticipated Emmy red carpet list.
The prelude to the main event and the Creative Arts Emmys—for costume wins head here—delivered with Niecy Nash looking divine in a figure hugging and puffed sleeve scarlet dream.Also in red and giving me so much life is Angela Bassett in Romona Keveza. I’m sad she didn’t win her guest actress in a comedy category for the amazing Thanksgiving episode of Master of None.Serving up super sexy drama in gold and black Mikael D is Laverne Cox. Currently fantasy casting a movie with Cox and Margot Robbie based on their red carpet looks.I was already enamored by Emily V. Gordon’s style and then I watched The Big Sick and fell further in love—the red brain sweater was based on something Emily wore. This is another great red carpet look in floral Self-Portrait and Kumail Namjiani scrubs up well in a midnight blue tux.Moving on to NYFW and it has been a very busy week/month/year for Elisabeth Moss. And another 50s-adjacent look at Kate Spade New York. A brand I very much enjoy (and can almost afford).Florals continue to dominate and at the Refinery29 29Rooms: Turn It Into Art event, Issa Rae and Gabby Sidibe looks like they are having a blast.

Insecure wrapped up its second season with a very strong finale and it has been another season full of great costuming.Obligatory “I still miss The Carrie Diaries” mention because here is Austin Butler—wearing a Radiohead tee—at Jeremy Scott with girlfriend, Vanessa Hudgens. Two mohair sweaters in one week! Skai Jackson pairs hers with a burgundy pleated skirt and this outfit at Libertine is pretty much an ideal fall ensemble. Jackson is only 15 and definitely way cooler than me.The Outlander premiere was an emotional watch for me, but I am very glad to have it back and switching out ’50s Boston maternity style for a very cool and colorful look at Delpozo is Caitriona Balfe. Balfe has been having a very good NYFW.Chunky ankle/calf boots are here to stay it would seem and I am more than fine with this dip back to the ’90s trend as previously seen from Louis Vuitton last year. Michelle Monaghan is at Oscar de la Renta and I love the edged up glam of this look.Obligatory “I still miss Selfie” mention and Karen Gillan’s super cute romper at Self-Portrait looks like something Eliza would wear. Plus, more ankle boots to covet.The Christian Siriano front row looked the most fun and I want to have a boozy lunch with all four of these women. And if Leslie Jones could lend me her cape then that would be a bonus.

I’m looking forward to seeing who will be wearing Siriano on Sunday. I’m all about the Emmys right now.In more great fabulous front row news; Nicole Kidman and Naomi Watts in coordinating and yet contrasting florals at Michael Kors. Naomi Watts continues to be an Instagram fave.

We found a dock. WHERE YOU AT DAWSON? #wedontwanttowaitforourlivestobeover

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It is no secret that I am a long time Michelle and Busy fan and I was very excited when Michelle popped up on Busy’s Insta last week. Even more so when they did a whole Dawson’s Creek thing a couple of days after. Which also included this amazing photo.

 

Best of InStyle and Entertainment Weekly TIFF Party Red Carpet

11 Sep

As mentioned in last week’s “Out of the Box” there is A LOT going on right now in terms of fashion — film festivals, NYFW, fall TV and the Emmys — and this calls for a Monday morning TIFF party showcase. And because fall is here, bold color and patterns that dominated the summer are a tad muted. But there will always be floral.

To kick-start this week, we’ve got a rundown of our favorite looks from the HFPA & InStyle TIFF Party and Entertainment Weekly’s Must List shindig. A playful spin on the ladysuit from Evan Rachel Wood in pinstripe Dolce & Gabbana with floral lapels and accents. Looking forward to seeing what she will be wearing on Sunday at the Emmys. Tatiana Maslany won the Emmy last year for Best Actress in a drama series and while Orphan Black was not eligible, there is still plenty of Maslany to look forward to as her performance in Stronger is getting quite the buzz.

I am a fan of Maslany’s red carpet approach and she crushes both fancy and the more casual approach.

At the InStyle party she opted for the latter and this look is the most ’90s. Yes, I love it. For more Maslany sartorial triumphs with bonus Jake check head here and there will be more later in the week. Serving up power shoulder goals in Saint Laurent Fall 2017 and Margot Robbie looks like she is playing the villain in an ’80s drama. Drinks will be thrown.And Emma Stone is giving some witchy vibes — much to my joy — in Chloe Resort 2018. Just add a berry lipstick.Imogen Poots in an iridescent dream of a frock and this is giving me so many retro space age feelings. The most Nicole Kidman look in a beautiful embroidered Valentino and if it ain’t broke…Frances Ha was my favorite film of 2012 and I can’t begin to tell you how excited I am for Lady Birdif you follow me on Twitter you will already know.

Giving great floral ladysuit is Laurie Metcalf and Greta Gerwig’s Sophie Theallet frock looks like fancy wallpaper I’m decorating my imaginary drawing room with. Tracy Letts sadly switched this tee for a button-down.Idris Elba put a bird on it in Bruta and move over flamingos as ducks are what I want on my clothes right now. Idris as always, looks amazing.Also, Jake got to meet Idris and this is delightful. Someone make a movie with them as the leads. Please and thank you.The best hangout that I will never get invited to.

Saying Goodbye to Orphan Black

11 Aug

On Saturday night (August 12) the last ever episode of Orphan Black will air and I am not ready to say goodbye to all the Tatiana Maslanys — and the rest of the incredible cast — even though it probably is time for it to end. You never want a show to spiral particularly when it has this level of mythology (see also The X-FilesAlias and Fringe).

Sometimes the story has threatened to drift, but the performances have always held it together and there are not enough words of praise I can throw at Maslany and the entire supporting cast (including Maslany’s double Kathryn Alexandre).I’ve written about the Orphan Black costume design many times over the past five seasons and the work of Laurie Drew and Debra Hanson has been incredibly important at helping establish just who these characters are. And giving plenty of Wish List suggestions including the Cosima coat, which I ended up getting a much more affordable version of.

This isn’t even including Tatiana Maslany as style icon who also makes me want to wear sports leisure clothing.

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The way this show delved into ideas of identity spawned several pieces including this Helena-centric essay, the time I got to write about Orphan Black and The Americans and a recent deep dive into my fave thing this show does to showcase just how amazing Tatiana Maslany is; clones playing clones.

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Below is a piece I wrote after the fifth episode of this season — “Ease for Idle Millionaires” — and it centers on one of the best ever Orphan Black costumes; Cosima in a tux. It felt like a fitting way to say goodbye to this show, which means so much, with a moment that made me gasp.

“Frock That:” Dressing in a Doll’s House on Orphan Black

Each clone on Orphan Black has a sense of self and individual traits separating them from the ones who share the same face. When the situation calls for it they are very good at imitating each other and they share the same genetic materials, but these clones are much more than an experiment to unlock secrets of existence. The house up on the hill resembles a doll house stuck in a time warp, with its dress up rooms, taxidermy animals and servants pouring wine. What lurks beneath is a reminder of the facade presented by P.T. Westmoreland and it is a mix of smoke and mirrors with disturbing experiments on human subjects.

Cosima and her sisters were created in a lab, but they are not doll parts to be pulled apart and reassembled at the whim of the person playing with them. Each of them is defying their origin and fighting for survival in ways which showcase their individuality. Sarah is all about the hustle and is helping shape her own mini-hustler in the form of her daughter, Kira. Kira is at the heart of the next stage of this grand experiment, but even though Westmoreland thinks Rachel is the most deserving clone of Cosima’s inoculation he is yet to encounter the full wrath of Sarah. Particularly when it comes to her daughter.

Being the only clone that has been self-aware throughout this process might explain Rachel’s cold and detached demeanor toward her bio-sisters. Her costume color palette reflects this iciness and doesn’t stray from neutral tones; it is an expensive wardrobe that always looks immaculate. Whether recovering from a pencil to the eye or confronting her mother in a bloody battle nothing is out of place. Perfection is what she strives for in the way she dresses and in her life’s work (that is also her life) and while Susan told her the other clones are better than her, it is Westmoreland’s approval that matters most. And now she has the power to turn up late for dinner in a super sultry frock that definitely did not come from the P.T. Westmoreland collection.   Science is where Cosima lays her battle and she can’t quite help but push and prod to see what results she will get. First she invites herself to this exclusive dinner party and then she defies the dress code. Mixing science of the future with etiquette of the past is Westmoreland’s jam and Cosima and Delphine are led to a room filled with clothes that look like they are almost as old as Westmoreland’s so-called age. That or P.T. has been sneaking in a Downton Abbey binge between experiments and wants to live it up like he is a Crawley. In “Ease for Idle Millionaires,” Cosima and Delphine’s current contemporary outfits are not fit for dinner and they either get changed or leave.

Cosima’s response to this forced change of clothes mirrors her resistance to her body as intellectual property. A point that is reinforced with a flashback that acts an extended scene from the season 1 finale; when Cosima discovered their bodies are effectively patented and she told Delphine about her sickness. A low ebb for Cosima, who was not only dealing with her mortality but this idea of self. Because if your body isn’t yours then what is? This was a major turning point in Cosima and Delphine’s relationship transforming an act of deception into a true partnership. Trust is hard to come by and further complicated by corporate science. Delphine continues to shares scraps of information to make it look like she is towing the company line, but her heart is with Cosima.Whereas Cosima chooses to wear a tuxedo to dinner rather than one of the many available dainty looking dresses because “frock that,” Delphine mirrors her seemingly passive response to the demands of her boss by wearing exactly what she is told to. Her power comes from nodding and doing her due diligence, while Cosima is about poking and prodding her way to defiance.

The fancy attire reveal is an all-time Orphan Black costume highlight and costume designer Debra Hanson delivers the perfect menswear look for Cosima mirroring Westmoreland’s tuxedo. They are effectively both Delphine’s date and Cosima is the interloper here. She gets told that her choice of clothing is not appropriate, but this is what happens when you try to dress her like a doll. It is also just the tip of Cosima giving none of the fucks as she still gets to make a choice; the decision to opt for menswear is all hers. Cosima is defying, while Delphine protects and this balance is just as delicate as the material of Delphine’s white frock. Dressing up for dinner to this degree is a tradition that has long since passed and the marriage between old and new ideas comes up at the dinner table.

What sets Cosima apart from the other scientists at the table is her deep connection to family; whether it is the parents she fears finding out her truth because it will make what they had a lie or the seestras she is working to save through science. Love is important as it can’t be replicated or forced and neither can the integrity, humor, intellect and passion that Cosima has in spades. Cosima has curiosity when it comes to her own biology, but ultimately she is not willing to do whatever it takes to unlock these secrets. There are lines and the attributes that make her so much more than intellectual scientific property will stop her from crossing that ethical barrier. She still has her humanity.It is also why she ends up locked in a cage at the end of the episode after she refuses to shoot Yanis. By this point she has removed the trappings of this dinner costume; the tie, waistcoat and jacket have gone. All that remains are the suspenders to hold the pants up and it is a shame she left her Canada Goose coat upstairs as this basement looks like it could get a little cold.

Before Cosima loses her freedom she shares an intense moment with Delphine and they both double down on their commitment to each other; intercutting between kisses of past and present as the camera circles around them is intoxicating. This takes place in the creepy dress up room of a bygone era and as Delphine takes off the dress of playing along with Westmoreland’s plan she once again reveals her true intentions to Cosima. Acknowledging the cycle of their relationship problems, which are intrinsically linked to the overall clone conspiracy – Cosima pushes too hard, Delphine withholds – and realizing how dividing women is all part of the grand scheme. They will not be divided. But they will at least pretend they are.

Whether dressed in a tuxedo, as a soccer mom drowning in Lululemon, wearing a band tee and leather jacket, a slip straight out of the Courtney Love playbook or in designer threads for the office; each and every one of these clones has agency. Despite the best efforts from the powers that be to exert control, they can’t even make Cosima wear a frock. They can trap her in the basement, but as we have seen from five seasons of this show you can lock a clone up (and boy have they tried), but the support network is just too strong to crush.

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Gonna miss you guys and I’m off to read this Orphan Black oral history to prep for the finale.

Tatiana Maslany Gives Great Style and Couple Goals

26 Jun

Originally this post was titled “Tatiana Maslany Continues to be the Best” and I definitely stand by that sentiment. The most recent episode of Orphan Black was an emotional journey for Alison and Donnie Hendrix and it is worth repeating on a loop that Tatiana Maslany’s performance as all the clones on this show continues to leave me in awe. My recent Observer column talked about clones playing clones and how costuming plays its part.

Also now is a good time to give a big shout out to the supporting cast and Maslany’s double Kathryn Alexandre; who you can see here in Tatiana Maslany’s Insta post dressed as Rachel.

Tea with my sestra. New episode of Orphan Black tonight, 10/9c on @spacechannel & @bbcamerica

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Last week Tatiana Maslany was on Jimmy Kimmel Live! and this is a few days late, but thank you YouTube for putting this on my homepage as a video I would want to watch. Because this is exactly how I want to kick off my Monday.

Maslany looks great and I would like to know what eye makeup she is wearing. So much sparkly dress and tuxedo jacket goodness.

This is Maslany leaving the show in a much more casual look. Also fabulous. Seriously look at her eye makeup. No one makes me want to wear sportswear more than Maslany.I digress. The interview is also super fun and she talks about moving to LA with boyfriend Tom Cullen (#CoupleGoals) and yep she is a delight.

Related to the moving story and also more #CoupleGoals

Cozy

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There’s more chat including Maslany’s very visceral reaction to finishing Orphan Black and a reminder of how Kiefer Sutherland pronounced her name when she won the Emmy. He is way off.

And because I am invested in this relationship now. Serious #couplegoals

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The fifth and final season is currently airing on BBC America or if you are in the UK you can watch on Netflix.

Out of the Box: Look of the Week

9 Jun

Another busy week for “Out of the Box” featuring summer events, returning shows and Emmy campaigns. The latter already delivering on roundtable discussions bringing joy to my award season loving heart. There was also the CFDA Fashion Awards, which I covered here and June has started well on the fashion front. There was no Americans this week, but Keri Russell and Matthew Rhys did go to the Veuve Clicquot Polo Classic on Saturday and this event always delivers on sunglasses chic and splendid outfits.

Russell goes for another difficult striped Johanna Ortiz once again and once again she pulls it off in effortless style. Pairing it with a crisp white sleeveless shirt is the ideal balance and I’m also applauding the sandals, hat and shades. It is all very cute and seeing this pair outside of their concerned faces on The Americans is always welcome. In more good hat news at the polo is Priyanka Chopra and this whole look feels the most ’90s and I am here for it. Also we all know how happy polka dots make me, so this Altuzarra frock is an instant win.For more on polka dots look no further than Nicole Kidman in Alessandra Rich and this manages to be the most Nicole Kidman and perfect for this summer event.

Missed these dingdongs

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Orphan Black returns tomorrow (June 10) for its fifth and final season and let it be known that I am feeling a lot of things about this show ending. This cast is always a joy and also I see you retro Strokes tee. And now I’m also sad that I just referred to 2001 as retro.The Emmy FYC events they keep on coming and I love how different the Master of None cast style choices are. Aziz is giving great blazer game, Lena Waithe is continuing this week’s good hat theme and Angela Bassett is Angela Bassett. Stunning as ever.

Bassett also spoke to The Cut about For Your Sweetheart and also about the excellent Master of None Thanksgiving episode she appeared in:

“It was an important episode in terms of young people who are expressing themselves and their sexuality and their acceptance within family, community, or whatever the case may be. I was proud to be able to be a part of that dialogue and express it through art. [Lena and I] didn’t know each other before, but now I’m her mama. I mean her co-mama. I mean her second-in-line mama. All props to her actual mama, because she is a beautiful young lady. The woman that raised her has got to be stunning in her own right. I’m getting chills now, I love her so. It’s a wonderful friendship that emerged from that.”At the Dear White People Emmy FYC event Antoinette Robertson is looking the most ’90s in the best possible way. Extra points for going blue strappy sandals instead of the usual black.Rami gonna Rami (with a shout out to Ilaria) and he does it so well on the red carpet in the perfect example of smart/casual, wearing Burberry at a Mr Robot Emmy event.

Out of the Box: Look of the Week

7 Apr

Award season is never truly over and the GLAAD Media Awards delivers on some fantastic black and white ensembles. Plus a whole lot of stripes, IRL friendships and some heartbreak in this edition of “Out of the Box.”Judith Light serving up her usual red carpet domination thanks to the drama of the shoulders/abs and that fabulous ring at the GLAAD Media Awards.White gowns were on trend for the Transparent cast and Trace Lysette looks fabulous posing with Moonlight writer Tarell Alvin McCraney as he switches out his white Oscar tux for this dashing number. Moonlight won Outstanding Film and Transparent was awarded Outstanding Comedy Series. While we’re on the subject of dashing and Moonlight here is Trevante Rhodes giving great floral and patterned tie at the GLAAD Media Awards.Tatiana Maslany has done the post-show ending hair chop and I love this length on her. Going for a fun spin on the ladysuit with a tee and fancy shoes; plus some pins supporting great causes.

The ‘&’ pin is from GLAAD and was worn by many in attendance. The other is for Planned Parenthood and can be purchased here; there’s a lot of great pins at the moment and ones which raise awareness and funds are even better.

Conqueror. @tatianamaslany

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In keeping with the Planned Parenthood theme as this tank by Otherwild also includes a donation. This photo was taken by Tatiana Maslany’s Orphan Black co-star Kristian Bruun and is classic casual Maslany. Also her hair continues to look great.More in the co-stars hanging out department with the Mr Robot siblings at the Montblanc and UNICEF gala dinner at the New York Public Library (what a location to have a dinner). Rami Malek takes his shirt game to the next level and once again Ilaria Urbinati gives him a great suit to wear.

I also sometimes forget that Malek and Carly Chaikin aren’t really brother and sister because look at them. Good work Mr Robot casting team.

Big Little Lies is all I can think about (for my deep dive into the Audrey Hepburn costumes head here) and the IRL friendship between Reese Witherspoon and Laura Dern is everything. Reese gifted us with four different shots of them on the beach and yes this is my current phone lock screen photo.Sarah Steele makes everything better and I’m so glad they brought Marissa Gold back for the The Good Fight. At the Speech & Debate premiere Steele does the whole casual cool vibe and this is a fun take on stripes that I now definitely want in my closet.

You can think clearly only with your clothes on.-Margaret Atwood #handmaidstale

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I am very excited about The Handmaid’s Tale adaptation and all the Elisabeth Moss this is going to give us on the promo tour. Not to mention that we’ve got a second Top of the Lake season to look forward to. This Michael Kors ensemble gives great stripes and also showcases how great stylist Karla Welch’s eye is.At Kimmel (not in the outfit she wore on the show) and Jenny Slate is clearly loving her Rachel Comey shoes (the TV Ate My Wardrobe jury is still out). The rest of Slate’s outfit makes me want to drink cocktails somewhere in Cape Cod and I’m also thrilled to see a regular looking shirt after reading this recent Racked piece. And as the Fug Girls like to say; everyone looks hotter in sunglasses.The end of this week’s “Out of the Box” is sponsored by all the feelings and great outfits. Both in Dolce & Gabbana (they are both clients of other stylist fave Ilaria Urbinati) and both fantastic. Anyway, I’m gonna go reread Jada Yuan’s Vulture profile of Slate because it really is the best.

Out of the Box: Look of the Week

24 Mar

Spring is in the air (kinda) and there are a lot of great outfit ideas for transitional seasons thing including chunky cardigans and sweaters. It is also PaleyFest and this means panel attire! Always one of my favorite categories as it is open for interpretation and there tends to be some fun looks.

There’s also some sparkle and a great magazine cover from Allure.Kicking things casual with TV Ate My Wardrobe fave Yara Shahidi on her way into Jimmy Kimmel Live! Mustard yellow cardigans along with all things stripes is my big clothing catnip so this look is instant heart eyes and coveting.

And here is Shahidi on Kimmel switching out mustard for Marni ruffles and talking college applications including what this means for her character on Black-ish.Kiernan Shipka in stripes is an instant hit (see earlier remark) at a screening of The Blackcoat’s Daughter and this tiger emblazoned Gucci sweater is super cute. This whole look is playful including pairing bold socks with strappy shoes and it works because we have seen on numerous occasions that Shipka likes to have fun with fashion.

On this week’s Feud, Shipka gave good bad actor acting as well as showing she is her (former onscreen) mother’s daughter in the manner in which she smokes.Tatiana Maslany looks great on a super fancy red carpet (see the Emmys), but where she really crushes it is at events like SDCCSXSW and heading into talk shows where she can add some laid back flair into proceedings. The same can be said for PaleyFest and at the Orphan Black panel she mixed stripes and ruffles with metallic sneakers.

One of the first things I saw this morning was an Instagram story showing Tatiana Maslany reacting to co-star Kristian Bruun wearing Snapchat Spectacles (there’s a lot of cross branding in this sentence) and it is delightful.

Don't think we forgot that it's #NationalPuppyDay.

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Keeping up the delightful theme at this Orphan Black panel with Tatiana Maslany and Evelyne Brochu; plus a good mix of black and white ensembles with Maslany wearing a suede/leather bomber jacket over her ruffled dress.More fun PaleyFest outfits and at the Walking Dead panel Lauren Cohan delivers on the high-waisted pants trend paired with a mix of stripes. The flash of red with both pumps and lipstick is a fabulous touch. At the Empire Awards, Ella Purnell gives great season transition awards wear in a different take on florals in a long-sleeved Chanel mini-dress with some fabulous Jimmy Choo sandals; chunky heels are in.If you’re playing the villain in the new Power Rangers movie then this super sparkly Zuhair Murad jumpsuit is exactly the way to go and once again Elizabeth Banks knows how to match her outfit to the film she is promoting (see The Hunger Games for more).Allure magazine shows how to do a diversity issue cover and this is a beautiful shot featuring models Dilone, Imaan Hammam and Aamito Lagum. Fashion magazines have not always had a good track record with diverse cover stars, but on the whole they did improve last year and this is a good sign that they are listening to readers and the very valid criticism being leveled at them.

Over at Lainey Gossip writer Kathleen Newman-Bremang goes in depth about colorism and this issue of Allure.

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