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Archive | August, 2017

Out of the Box: Look of the Week

25 Aug

We’re in the end of summer, pre-September everything is happening space and that means there’s not a great deal going on right now. But there are still events including the last vestiges of the Emmy campaign dance and more fabulous magazine editorials/covers. An Emmy cocktail reception going by the name Television Academy’s Performers Peer Group is the perfect place for Tracee Ellis Ross to show up in a Chanel embroidered ensemble and finishing it off with a simple white tee. Bonus lip color delight and this is all Tracee Ellis Ross in application (as per her Insta).

WHEN YOU FEEL LIKE 🔥 ~ @chanelofficial By @karlawelchstylist

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Also serving up great poses on her Instagram and this shot is even better. Karla Welch shout out and she continues to do her amazing thing. Cannot wait to see all of her many nominated clients’ — including Elisabeth Moss, Sarah Paulson — at the Emmys. This Monique Lhuillier frock is perfect end of summer florals and I love that Kathryn Hahn has gone with a shoe this pink. I also still need to watch I Love Dick, so thank you Kathryn Hahn for this reminder. And another Karla Welch picked ensemble!Looking classic in black Marc Jacobs with a hint of gold sparkle is Alison Wright and while The Americans has not had the award recognition it deserves, this show always does well in the guest actress category. Fingers crossed for Wright and that Poor Martha gets to drop the first part of that moniker. Always thrilled to see the RuPaul’s Drag Race judging team (accompanied by Delta Work) and RuPaul’s leopard print suit is divine. Also here is a really good behind the scenes look at the rise of RuPaul’s Drag Race.

On a personal style note, I have decided this will be the fall where I finally get a leopard print jacket. Watch this space.For the newly redesigned The Cut which looks amazing btw — Julia Garner is here to make me lust after this Louis Vuitton jacket and sweater. And apparently I now have to watch Ozark because I didn’t realize Garner is in it and I think she is wonderful.

As this profile by Anna Silman mentions, the reason why Garner is so compelling is because she can play so many things at once including the role which has been discussed many times on these pages:

“As Kimmy, she harnessed that singular mix of vulnerability and toughness that has become a Garner trademark.”

It sounds like Garner is delivering on the contradictions in Ozark and I’m also looking forward to seeing how Kimmy will play a part in the final season of The Americans as Philip’s only spy operation.I’m so excited about Maggie Gyllenhaal being on TV this fall and all the profiles coming our way to discuss The Deuce, including this one from Time Out. Gyllenhaal discusses this new David Simon show and her dual role as actor/producer on this project, including what level of creative input she had:

“David [Simon] would come down to my trailer and ask for my thoughts. I told him early on that we get to see so much performative sex as a financial transaction, watching women dressing and coming in the way men want, with little to do with their own desire. I said, “Maybe you could have a scene where I masturbate?” And he wrote it beyond what I could have imagined.”

There is also a discussion about her brother and their different experiences in this industry. Keep these Maggie Gyllenhaal profiles coming.Cue my Almost Famous rendition of “Cover of Rolling Stone” and I’m so thankful that Gal Gadot is wearing a moth-holed white tee instead of the standard white tank — someone at Rolling Stone has obviously invested a lot of money in this garment. The bonus appearance of the Wonder Woman cuffs really makes the cover and I’m happy that we’re talking about this movie still. Ignoring James Cameron, of course.I love a good pun and this headline ticks those boxes and then some because Caitriona Balfe looks stunning on this Entertainment Weekly cover. New Outlander is coming soon (September 10) and the thirst most definitely is real.

EW loves a good steamy shoot and this time they are paying homage to From Here to Eternity; switching beachwear for some Outlander appropriate threads.

 

 

 

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TV Ate My Soundtrack: The “Look What You Made Me Do” Edition

25 Aug

Taylor Swift has a new song out — news I’m sure you are aware of — and while I was far, far from blown away, I have had the line “Look what you made me do” playing on a loop in my head since. And I’ve only listened to it once. Even a mediocre song can create an earworm.While this is no “All Too Well” or “Out of the Woods” it will make for a good TV soundtrack moment and my first thought after pushing aside those underwhelmed feelings was “What TV show will use this song?” Well, the TGIT ABC line-up was quick out the gate proving this song might not be a banger, but it works well alongside Shonda dramas. The Right Said Fred beat has a lot to do with that.

TV show playlists pretty much make up a good 75% of my Spotify playlists — current and old shows — and so here are the shows/scenes both past and present that I think this new Taylor track could accompany.

Sidenote — I just remembered Taylor has both been referenced in New Girl and has appeared on New Girl as an entirely different character. Here is the fantasy soundtrack casting of this song:

Felicity – Meghan finally reveals the contents of her box. She is not very happy about doing so, but we do get another Twilight Zone style episode so it is a win/win.

Game of Thrones – Taylor guest stars as Arya Stark, or rather a version of Arya as part of the acting troupe we met last season. And after hearing Arya recite her list of names actress Arya turned it into this song. It does not go over well with viewers.

Girls – Marnie sings a cover version of this song to absolve her from any wrong doing. It is simultaneously the best thing I have ever heard and the most cringe worthy moment. Classic Marnie.

Gossip Girl – pre Dan is Gossip Girl reveal, Dan feels conflicted about a Serena blast he sent to Gossip Girl after seeing her with a mystery new guy. Later on, when it is revealed that Dan is Gossip Girl, this is one scene of many that makes no sense

How to Get Away with Murder – we find out how not to get away with murder and I can still only name two characters by name (other than Annalise).

Mad Men – occasionally Mad Men would delve into contemporary music for the closing credits and I like to think this would follow on from when Pete tried to get his revenge on Don by revealing his real identity (and it failed).

New Girl – a montage of Jess attempting to appear a little edgy to her students because she wants them to think she is cool. It does not work and she instantly reverts back to all things twee. Sounds like a plan someone else should stick to.

Revenge – Emily Thorne red sharpie of doom montage. A tad on the nose, but sometimes it is best to keep it simple.

Riverdale – After a fight with Jughead, Betty sticks on red lipstick, brunette wig and bralette and goes to some dark, dark places at a nightclub while Veronica looks concerned. Yes, this is sort of a repeat of last season. But with added Tay.

Scandal – one of the main characters kills someone, but it’s handled. Red wine is consumed and cardigans are coveted.

Wonderfalls – a plastic snake tells Jaye to blow up her relationship with Eric and this song plays as Jay drowns her sorrows with a lot of shots.

You’re the Worst – Sam makes a remix version of “New Phone, Who Dis?” with the line “I’m sorry, the old Taylor can’t come to the phone right now.” “Why?” “Oh ’cause she’s dead!” It is a surprise hit and now Gretchen has to do a lot more work.

Taylor, look what you made me do.

Out of the Box: Look of the Week

18 Aug

This has been quite the week and not in the way I normally open “Out of the Box” with a list of what has been going on in the sartorial world of TV, magazines and red carpets. Writing about the frivolities of fashion when such horrific events are going on can feel futile and pointless; having a respite while staying informed about the big picture can also be helpful.

So here are some of the style highlights from this week including the Teen Choices Awards, more magazine covers and Emmy FYC events.Zendaya in formal pajamas at the Teen Choice Awards is pretty much perfect and Ashish menswear pajamas at that. Looking effortlessly cool and this is the perfect event to mix things up on the red (blue) carpet.

A big shout out to Zendaya’s stylist Law Roach, for yet another solid outfit choice.From formal bedwear to formal track pants and again this is the ideal award show to switch out the usual frock for something slightly more fun. Yara Shahidi mixes athleisure with a sparkly top, heels and a Fear of God jacket and looks fabulous. Much to my delight the Emmy FYC campaign events continue because I love all things about the awards season circus. Especially when you get IRL besties Sterling K. Brown and Brian Tyree Henry getting to hangout on the red carpet, as the This is Us push continues.Another big drama contender is The Handmaid’s Tale and they are also out in force with their Emmy campaign. Cast members Samira Wiley, Elisabeth Moss, Ann Dowd and Alexis Bledel are joined by director Reed Morano and they are crushing it with their panel attire. Prints, pussy bow blouses, pants and killer red dresses are all winners.Amandla Stenberg’s 2016 Teen Vogue cover was one of my favorites from last year and her September issue appearance is another hit. This is such a good mix of textures and the direct gaze is once again full of self-assured confidence.

The interview is conducted by another TV Ate My Wardrobe fave, Janelle Monáe and they talk about her new project Everything Everything, the current volatile political climate and why Stenberg has ditched her iPhone for an old school flip phone as a way to disconnect and preserve her mental health.More from Teen Vogue and Stranger Things star Millie Bobby Brown giving great pattern clashing (with some more stripes to covet here). Brown is interviewed by former child star Drew Barrymore and they talk about the E.T. comparisons and working in this industry at such a young age.For Mr Porter, Justin Theroux gets to look moody in denim and knits. Pretty much the ideal fall fashion combo and he’s still rocking the Kevin Garvey beard.

He also gives good career that also doubles as life advice, “The key to continuing to work is don’t be a jerk. Because you’re infinitely replaceable.” And this excellent romantic nugget “Why would a man be intimidated by a funny woman? In a perfect world, a relationship is two people laughing together.”

 

Saying Goodbye to Orphan Black

11 Aug

On Saturday night (August 12) the last ever episode of Orphan Black will air and I am not ready to say goodbye to all the Tatiana Maslanys — and the rest of the incredible cast — even though it probably is time for it to end. You never want a show to spiral particularly when it has this level of mythology (see also The X-FilesAlias and Fringe).

Sometimes the story has threatened to drift, but the performances have always held it together and there are not enough words of praise I can throw at Maslany and the entire supporting cast (including Maslany’s double Kathryn Alexandre).I’ve written about the Orphan Black costume design many times over the past five seasons and the work of Laurie Drew and Debra Hanson has been incredibly important at helping establish just who these characters are. And giving plenty of Wish List suggestions including the Cosima coat, which I ended up getting a much more affordable version of.

This isn’t even including Tatiana Maslany as style icon who also makes me want to wear sports leisure clothing.

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The way this show delved into ideas of identity spawned several pieces including this Helena-centric essay, the time I got to write about Orphan Black and The Americans and a recent deep dive into my fave thing this show does to showcase just how amazing Tatiana Maslany is; clones playing clones.

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Below is a piece I wrote after the fifth episode of this season — “Ease for Idle Millionaires” — and it centers on one of the best ever Orphan Black costumes; Cosima in a tux. It felt like a fitting way to say goodbye to this show, which means so much, with a moment that made me gasp.

“Frock That:” Dressing in a Doll’s House on Orphan Black

Each clone on Orphan Black has a sense of self and individual traits separating them from the ones who share the same face. When the situation calls for it they are very good at imitating each other and they share the same genetic materials, but these clones are much more than an experiment to unlock secrets of existence. The house up on the hill resembles a doll house stuck in a time warp, with its dress up rooms, taxidermy animals and servants pouring wine. What lurks beneath is a reminder of the facade presented by P.T. Westmoreland and it is a mix of smoke and mirrors with disturbing experiments on human subjects.

Cosima and her sisters were created in a lab, but they are not doll parts to be pulled apart and reassembled at the whim of the person playing with them. Each of them is defying their origin and fighting for survival in ways which showcase their individuality. Sarah is all about the hustle and is helping shape her own mini-hustler in the form of her daughter, Kira. Kira is at the heart of the next stage of this grand experiment, but even though Westmoreland thinks Rachel is the most deserving clone of Cosima’s inoculation he is yet to encounter the full wrath of Sarah. Particularly when it comes to her daughter.

Being the only clone that has been self-aware throughout this process might explain Rachel’s cold and detached demeanor toward her bio-sisters. Her costume color palette reflects this iciness and doesn’t stray from neutral tones; it is an expensive wardrobe that always looks immaculate. Whether recovering from a pencil to the eye or confronting her mother in a bloody battle nothing is out of place. Perfection is what she strives for in the way she dresses and in her life’s work (that is also her life) and while Susan told her the other clones are better than her, it is Westmoreland’s approval that matters most. And now she has the power to turn up late for dinner in a super sultry frock that definitely did not come from the P.T. Westmoreland collection.   Science is where Cosima lays her battle and she can’t quite help but push and prod to see what results she will get. First she invites herself to this exclusive dinner party and then she defies the dress code. Mixing science of the future with etiquette of the past is Westmoreland’s jam and Cosima and Delphine are led to a room filled with clothes that look like they are almost as old as Westmoreland’s so-called age. That or P.T. has been sneaking in a Downton Abbey binge between experiments and wants to live it up like he is a Crawley. In “Ease for Idle Millionaires,” Cosima and Delphine’s current contemporary outfits are not fit for dinner and they either get changed or leave.

Cosima’s response to this forced change of clothes mirrors her resistance to her body as intellectual property. A point that is reinforced with a flashback that acts an extended scene from the season 1 finale; when Cosima discovered their bodies are effectively patented and she told Delphine about her sickness. A low ebb for Cosima, who was not only dealing with her mortality but this idea of self. Because if your body isn’t yours then what is? This was a major turning point in Cosima and Delphine’s relationship transforming an act of deception into a true partnership. Trust is hard to come by and further complicated by corporate science. Delphine continues to shares scraps of information to make it look like she is towing the company line, but her heart is with Cosima.Whereas Cosima chooses to wear a tuxedo to dinner rather than one of the many available dainty looking dresses because “frock that,” Delphine mirrors her seemingly passive response to the demands of her boss by wearing exactly what she is told to. Her power comes from nodding and doing her due diligence, while Cosima is about poking and prodding her way to defiance.

The fancy attire reveal is an all-time Orphan Black costume highlight and costume designer Debra Hanson delivers the perfect menswear look for Cosima mirroring Westmoreland’s tuxedo. They are effectively both Delphine’s date and Cosima is the interloper here. She gets told that her choice of clothing is not appropriate, but this is what happens when you try to dress her like a doll. It is also just the tip of Cosima giving none of the fucks as she still gets to make a choice; the decision to opt for menswear is all hers. Cosima is defying, while Delphine protects and this balance is just as delicate as the material of Delphine’s white frock. Dressing up for dinner to this degree is a tradition that has long since passed and the marriage between old and new ideas comes up at the dinner table.

What sets Cosima apart from the other scientists at the table is her deep connection to family; whether it is the parents she fears finding out her truth because it will make what they had a lie or the seestras she is working to save through science. Love is important as it can’t be replicated or forced and neither can the integrity, humor, intellect and passion that Cosima has in spades. Cosima has curiosity when it comes to her own biology, but ultimately she is not willing to do whatever it takes to unlock these secrets. There are lines and the attributes that make her so much more than intellectual scientific property will stop her from crossing that ethical barrier. She still has her humanity.It is also why she ends up locked in a cage at the end of the episode after she refuses to shoot Yanis. By this point she has removed the trappings of this dinner costume; the tie, waistcoat and jacket have gone. All that remains are the suspenders to hold the pants up and it is a shame she left her Canada Goose coat upstairs as this basement looks like it could get a little cold.

Before Cosima loses her freedom she shares an intense moment with Delphine and they both double down on their commitment to each other; intercutting between kisses of past and present as the camera circles around them is intoxicating. This takes place in the creepy dress up room of a bygone era and as Delphine takes off the dress of playing along with Westmoreland’s plan she once again reveals her true intentions to Cosima. Acknowledging the cycle of their relationship problems, which are intrinsically linked to the overall clone conspiracy – Cosima pushes too hard, Delphine withholds – and realizing how dividing women is all part of the grand scheme. They will not be divided. But they will at least pretend they are.

Whether dressed in a tuxedo, as a soccer mom drowning in Lululemon, wearing a band tee and leather jacket, a slip straight out of the Courtney Love playbook or in designer threads for the office; each and every one of these clones has agency. Despite the best efforts from the powers that be to exert control, they can’t even make Cosima wear a frock. They can trap her in the basement, but as we have seen from five seasons of this show you can lock a clone up (and boy have they tried), but the support network is just too strong to crush.

[Source]

Gonna miss you guys and I’m off to read this Orphan Black oral history to prep for the finale.

Out of the Box: Look of the Week

11 Aug

Florals are here to stay — much to my delight — and this is the final week of the summer TCA press tour, which means more panel attire and some fancy awards threads. TCA is not the only celebration this week as there is also Black Girls Rock! and Variety’s ‘Power of Young Hollywood’ event.

Plus the excellent magazine covers continue. It is September (in magazine terms) after all.

Unrelated, but check out my interview with Defenders costume designer Stephanie Maslansky here.At the American Horror Story: Cult panel, Sarah Paulson looks stunning in a watercolor adjacent lace Monique Lhuillier frock (as always tipping my hat to Karla Welch) and I’m happy to kick off this week’s “Out of the Box” with something this bold.

As always I am intrigued by the new season of AHS, but I tend to lose interest halfway through a season and the only one I have made it to the end of was Coven. And that isn’t even the best one. So there is a high chance this will happen once again. But the cast is always very good and I am here for all the promotional time with Sarah Paulson. One of my best makeup purchases last year came courtesy of Aya Cash (also at TCA) and once again Cash is the lipstick queen of TCA. Yes I have shamelessly asked her on Instagram what shade it is (as she is sadly no longer on Twitter).

This Christine Alcalay top is also another fabulous take on the floral trend and I cannot wait for You’re the Worst to come back. Even if that season 3 ender was a full on heartbreak.Sterling K. Brown is a man of many talents — and surprise cameos — and at the TCA Awards he sang For Good” from Wicked with former Wicked star and host of the TCA Awards, Kristin Chenoweth. So many swoons. Also a great sparkly mini frock from Chenoweth.

💚💚💚#HandmaidsTale #TCAS

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Not quite the usual hotel corridor pose from Elisabeth Moss, but just as fabulous pre-TCA Awards and another amazing Vampire’s Wife pick from Karla Welch. This color is stunning.Issa Rae was honored at Black Girls Rock – airing on Tuesday, August 22 on BET — and I am digging this whole ’70s vibe. Oh hey, Jay Ellis. Loving the choice of pants/jacket.

The video for Jay-Z’s “Moonlight” — directed by Master of None’s Alan Yang — is now available for non-TIDAL subscribers to watch, so that portion of pop culture FOMO is over and it is just as good (if not better) than the clips suggested it would be. Yara Shahidi once again proving she is a Magical Fashion Unicorn in a very hard to pull off Philosophy peplum floral jumpsuit at the ‘Power of Young Hollywood’ Variety celebration.If you know how I feel about ’70s styling — strongly positive — you will not be surprised to hear that I yelped with joy when I first saw this Zendaya cover for Variety, which leans hard into the whole disco vibe.

As with her recent Vogue profile, I read most of it pretty much nodding along and saying “fuck yeah” out loud. She’s great and I’m so glad she continues to get a large platform to speak out to fans both old and new.

She articulates why her Spider-Man character was so interesting and I hope this continues in the second movie “It was nice to play a character who wasn’t a damsel in distress but actually very smart, quirky, different and outspoken.” And on her fashion line she notes the importance of not having specific plus size sections “I don’t think thicker, curvier women should have to shop on a different section on my page or feel excluded.” Zendaya is the best and a solid choice from Variety for their ‘Power of Young Hollywood’ issue. Donald Glover wasn’t there to pick up the Atlanta TCA Award on Saturday as he is still shooting the new Han Solo movie, but it is clear he is having a very good year. And as this Hollywood Reporter cover notes he is quite the multi-hyphenate. A good use of millennial pink, aviators and the Gucci tiger collar here and inside the issue.

In the piece Glover discusses the success of Atlanta — which I’m gonna do a rewatch of soon —and what it is like starring in an iconic franchise as the younger version of an iconic character (and some of the behind the scenes bumps that have occurred). There’s some great additional quotes from Tina Fey, Dan Harmon and his brother Stephen (who is also a writer on Atlanta) and the whole profile is a fascinating insight into Glover’s process while also remaining enigmatic when it comes to his personal life.The September issue of Nylon used to be their TV special and there is still that element, but I’m not gonna be too mad about the lack of TV star cover when forever fave Kirsten Dunst is here. And she is wearing the same amazing polka dot Alessandra Rich number — minus the black belt — that Beguiled co-star Nicole Kidman wore to the Veuve Clicquot Polo event.

I haven’t bought Nylon in ages, but I will definitely pick up this issue as both the shoot and interview are great. This profile is written by one of my favorite culture writers, Molly Lambert and while this piece is about Woodshock, it also acts as a great career retrospective of an actress who has been around for what feels like forever and has done a number of very different projects. Plus what she looks for now as “A lot of the choices I make are director-driven. I’d rather do a tiny little whatever in a good film.”

The Crown Season 2 Trailer: Fabulous Coats, Beards and Scandal

10 Aug

For most of season 1 of The Crown, whenever Prince Philip opened his mouth I found it hard not roll my eyes and I joked that my alt title for this show would be “Shut Up, Philip.” If this new trailer — an Entertainment Weekly exclusive — for season 2 is anything to go by, it is going to be more of the same from me. Yes he now has beard and I am Claire Foy’s withering look.

What I am very excited about is everything Margaret, a position I also had during The Crown’s first outing (as you can see from my article here). Costume wise I can’t seem to find out who has taken over from the incredible Michele Clapton, but this preview shows there is plenty to look forward to on this front. Particularly when it comes to Margaret and coats as this image from EW shows. Mohair is my weakness so this is an instant heart eyes shot before even factoring in the sunglasses and lipstick.

There are more shots over at Entertainment Weekly and the first trailer gives a sneak look at a blonde Matthew Goode; he is playing photographer Tony Armstrong-Jones and a love interest for Margaret. Vanessa Kirby also shared a better look at his character (and more A+ Margaret style) on Instagram (where you will find some fun season 1 outtakes).

Season Two…. @thecrownnetflix

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The Crown returns Friday, December 8 for season 2.

 

Out of the Box: Look of the Week

4 Aug

A very busy style week, which is why there is a separate TCA sartorial catch-up here. Although, as it is still in full flow there is more TCA below. Plus premieres and some September issue offerings that not only give great photos, but also deliver on the interview front.At the Defenders premiere Mike Colter looks suave af in custom Michael Andrews Bespoke – they also do a lot of the menswear tailoring on The Defenders – and this is how you wear a three-piece suit.

I’m very late to Luke Cage (I’m about halfway through the season) and am thoroughly enjoying Mike Colter in his mix of henleys and hoodies with the occasional suit. I don’t tend to love a cut out, but Krysten Ritter looking hot as hell in siren red Julien Macdonald. She stands out on her own and in the group shots with the guys. Love that she’s not toning it down on the lipstick front either.

Thankfully I am not left wondering what brand/shade it is because Ritter’s makeup artist, Nick Barose shares the Lancôme details on Instagram.Elisabeth Moss has gone all in on patterns while promoting Top of the Lake and super stylist Karla Welch is all about floral Kate Spade at the moment (see also America Ferrera below). And they are working like a charm.
Regular readers will know how much I obsess over yellow, so of course I am head over heels for Aja Naomi King’s Reformation frock that she wore to the HFPA Annual Grants Banquet. A strong week for strong lipstick.Also at the HFPA Annual Grants Banquet is Zoe Lister-Jones in a ’70s inspired Longchamp pattern dream that would look great in my closet. Lister-Jones also keeps with the lip color theme.  So much happiness in this photo of Rachel Bloom and Albert Tsai at the CBS TCA Summer Soiree. Also sadness because I miss Bert and Trophy Wife. Bloom is also wearing an ideal patterned frock for this event.As I mentioned yesterday, Louboutin red soles are perfect for TCA panels because you’re gonna see the flash of red. The same applies to striped socks for guys as Sterling K. Brown expertly shows at the This is Us session. Also, oh hey Sterling K. Brown. Looking good.America Ferrera gives great floral frock at the NBC TCA day, in a poppy covered Kate Spade and I am so here for this sleeve length. There’s a couple of looks this week that point to the changing season (yes I know it is still August, but fashion is very much thinking fall right now).September issues are being rolled out and magazines are gifting us this week with some amazing interviews/editorials. This really is my favorite time of year.

One of the best comes from Town & Country with Billie Lourd as the cover star. Lourd is about to star in the new American Horror Story and original Ryan Murphy muse Sarah Paulson is the one who conducts the interview. Murphy is not the main link between these women as Lourd’s mother Carrie Fisher, took Paulson under her wing when Billie Lourd was just 10-years old. The interview is funny, sad and insightful delivering a look into what it is like to grow up with such an iconic mother and grandmother. Plus dealing with the heartbreak of losing both women within a couple of days of each other.

It is very much worth your time and the accompanying shoot is just as fabulous. Paisley frocks and ladysuits; my ideal combination.Aziz Ansari is a stylish guy so it makes a lot of sense for him to appear on the cover of GQ Style and go to Paris Fashion Week as part of the profile. The interview itself covers everything from creative process to Ansari unplugging completely from the internet, which made me think of the Parks and Rec episode where Tom is banned from looking at screens. But a voluntary version. It goes to some very personal places and I do like an interview that doubles as an almost therapy session.

The clothes are a lot of fun and considering how much I liked the coats on season 2 of Master of None it was impossible not to pick this mustard yellow dream.Jenny Slate always gives great interviews even when she is trying to be a little more guarded than in the past as you can see in this Marie Claire profile while Slate discusses Landline (I spoke to costume designer Elisabeth Vastola about the project here).

One of my favorite profiles from this year is this Slate’s unfiltered interview with Vulture and this is something Slate brings up in terms of when only a few soundbites from a long convo spread far and wide across entertainment/gossip sites:

“It seems so naïve: You’re just talking to a nice person, and you have a really honest, beautiful conversation, and she writes about it in an honest, beautiful way. But then, it goes through all these other outlets and gets distilled. And then it can be made to seem like you were being cheap.…I didn’t mean to do that. Especially not with an experience that was so precious to me.”

Also these matching REDValentino stripe shirt and shorts are fantastic.

Prints, Jumpsuits and Red Dancing Lady Dresses at Summer TCA

3 Aug

The Television Critics’ Association 2017 Summer press tour is currently in its second week and to stop “Out of the Box” from being super long, I’ve decided to do a separate post dedicated to the panel attire that has caught my attention.

One key thing when picking out an outfit for TCA is how it will look sitting down because that’s what you’re gonna be doing and most of the pictures will be from this angle. Occasionally there will be the entrance, arrival or party shots, but the only guarantee is that sitting down one.

Also you don’t want to be going too formal; think perfect daytime attire such as fancy office or even something that would be wedding guest appropriate. There aren’t strict rules for these kinds of events and there is plenty of scope for getting it right. As you will see from looks below.Outlander is back next month (!) with Jamie and Claire separated by time and at the panel they revealed when you can expect to see them reunited. Caitriona Balfe chose my favorite kind of look for TCA – see also here – in a fabulous print. This Marni frock looks great sitting down and a bold pattern is always a winner.Balfe’s onscreen Outlander daughter Sophie Skelton also went the print route and one issue with the whole sitting down panel wear is that it can be the ultimate tease; sometimes we only get a glimpse. But this is where Instagram comes in.

#BTS with @msayles and @terria_beauty #Outlander

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Because we get behind the scenes swishy shots like this one and it turns out what I thought was a blouse and skirt is actually this dress by Maje. Instagram really has made hunting down pieces of clothing/make-up that much easier.
Confession; I have never seen Everwood so the big reunion panel didn’t have the same emotional effect on me, but I do appreciate a cast that likes each other this much. And Emily VanCamp’s pajama-adjacent floral jacket paired with skinny jeans and heels gets two enthusiastic thumbs up from me.Crazy Ex-Girlfriend’s Vella Lovell gives great jumpsuit in this bold green number and yet I still haven’t acquired my first jumpsuit. Still a 2017 style goal.

I fell down a Crazy Ex-Girlfriend song hole on YouTube a couple of weeks ago and it was wonderful and after reading the panel highlights I am now even more excited for season 3. It feels like Sonequa Martin-Green is giving me that look because she knows I’m gonna moan about the color of her shoes, which I was going to. But also red Louboutin soles are great for sitting down shots because generally you will see that flash of color.

Also that floral dress is delightful and I would love to know what shade/brand of lipstick she is wearing.
Speaking of red soles and Hayley Atwell demonstrates my point perfectly at the Starz panel for the Howard’s End miniseries. A co-production with the BBC and this cast is fabulous; I will follow Atwell wherever she goes and Matthew Macfadyen and Tracey Ullman definitely make this an enticing project.

There is of course another very famous version of Howard’s End and while I’m not a huge Merchant Ivory fan it will be interesting to see if the mini-series can step out of shadow of the 1992 Oscar winning film. Girlfriend Experience co-creator Amy Seimetz shows how a bold color pump can brighten up any outfit and I’m very into the whole shirt buttoned all the way up thing at the moment. And of course ladysuits.First of all I think this shot is pretty funny in that it looks like Ioan Gruffudd and Joanne Froggatt are being proclaimed as liars.

This is of course the name of their new Sundance show and I also love that Froggatt’s red Johanna Ortiz frock is giving off serious dancing lady emoji vibes. Gruffudd scrubs up very well and his beard game is strong. Also I miss his show where he couldn’t die. That was fun.The women of Top of the Lake: China Girl did not coordinate as well Nicole Kidman’s other co-stars from The Beguiled and this covers the spectrum of panel attire with Elisabeth Moss leaning into pattern delights in Camilla and Marc, Gwendoline Christie wearing menswear inspired cool, Nicole Kidman doing her usual ruffled frock thing and Alice Englert leaning maybe a little too casual.

For more summer TCA style head here and come back tomorrow for another bumper “Out of the Box.”

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