Lines are blurry on The Americans and rules are constantly being broken with each side doing what they believe they have to do in order to protect their country; however there are certain things that neither would do, right? This is one of the main questions at hand with Russian grain supply (that comes from the U.S.) being at the heart of Philip and Elizabeth’s new operation as they move from biological weapons that could cause mass casualties to a potentially more insidious tactic by their enemy.
Targeting food is something Philip never thought the Americans would do and after a long night of digging and delivering both the sample and bad news about Hans, when Gabriel tells them what this new plan might be Philip can barely contain his horror through his exhaustion.
There are rules in combat no matter how cold this war actually is and it seems like both sides are feeling at a loss with some of the tactics at play. For Stan he feels it is his duty to stop Oleg from getting caught in the cross hairs of another operation; the CIA wants to recruit him no matter what. If they were to just let him be then they might see that he is doing important work back home as he investigates the corruption that threatens to destroy Russia from within. Patience is a virtue and the CIA want something to work with now and they believe Oleg is their guy. To them he is another cog in the machine, but – and to borrow from Crazy Ex-Girlfriend – for Stan it is a lot more nuanced than that.
It also is not a coincidence that the establishing shots of the FBI and KGB buildings show just how similar each looks in all its concrete glory. Chris Long directs once again and he also gives the Jennings house exterior the same horror feeling as he did in the season 4 finale and last week’s premiere only this time it is daylight as the camera pushes in.
Stan has already lost one agent who he was working (in more ways than one) and Nina is the tie that binds him with Oleg. He pleads his case to the deputy AG and this is where the notion of rules and good/bad comes into play. Everyone has to have a code and he believes Oleg already gave them this huge gift and he should be allowed to go home and be free from the burden of that treason admitting recording. And it looks like his plan has worked to some extent as Oleg receives a message from Stan and a map of where to meet to discuss further. Although a big part of me thinks this isn’t really from Stan; instead it is the CIA using his name to secure this meeting and they will attempt their original plan that Stan so vehemently opposed.
Difficult conversations take place over friendly beers as Stan talks to Philip about his Paige concerns; concerns that he can’t quite verbalize beyond asking if everything is okay in Paige-land. The Beemans and Jennings are entangled in friendship and this burgeoning romance making this a ticking time bomb that Philip and Elizabeth know could go off at any minute. So far strong arming Paige to stay away from Matthew is of course doing the opposite; Philip has tried and now it is time for Elizabeth to have a go at explaining why this relationship cannot happen.
Elizabeth opts for talking while training and as with last week’s garage defense lesson scenario it is about giving Paige a sense of control while also emphasizing why Matthew as a boyfriend is a bad idea. The rhythmic sounds of Paige hitting her target as Elizabeth still dressed in her work attire coaches her adds to the tension and fraught nature of this conversation. This is also part one of ‘the talk’ and when Elizabeth asks if Paige is having sex she quickly follows up with pointing out that she doesn’t care if they are. Not what you would expect to hear from a mother as she talks to her daughter about sleeping with her first proper boyfriend, but Elizabeth has other concerns beyond the usual teen sex worries.
The Elizabeth/Paige dynamic continues to be fascinating as for the first time Elizabeth can be seen for who she is by her daughter. So much of Elizabeth’s decision to become a KGB officer and take on such a long deep cover mission is tied to her mother; the sacrifices she made (which were reiterated in terms of food last week) and her mother’s beliefs that mirror her own. With the training sessions she now gets to show her how to build on her strength and there is a deep sense of pride amidst the concern that Paige might inadvertently ruin everything by spilling their secret.
Tactics to keep Paige and Matthew apart are not working and when they return home from their digging expedition to find Paige’s bed empty, Philip and Elizabeth fear the worst. Where they find Paige is a concern for another reason as she was asleep in her closet as she continues to have post-stabbing sleep issues. There are no set parenting rules for dealing with first boyfriends and really they are no different from any other parent trying to work their way through first love. Except for that whole enemy spy thing.
Marriage strength between the pair comes in telling each other exactly what is going on; something Philip and Elizabeth have not always done and these bathroom confessions while applying night cream and brushing teeth reinforce just how good things are in this relationship even if everything else falls apart around them. This week’s conversation includes bonus heartbreaking Hans chat with Elizabeth telling Philip how excited Hans was about his sister’s forthcoming visit. The sighs and silences that punctuate all of their scenes speak just as much volume as any dialogue. Philip relays his chat with Stan while Elizabeth informs him of how unsuccessful her attempt at the Matthew problem was. The question of how long before Paige slips up hangs in the air with no immediate solution.
Babying Paige or even laying down threats (if only Paige knew how dangerous her parents are) is doing nothing and after a painful dinner out as the Eckerts with their new Russian defector friends – if Elizabeth could stab Alexei with her fork she would – Elizabeth comments that she is fed up with treating Paige like a “goddamn kid.” The scene that follows is up there with the stomach churning levels of when they first told Paige who they really are because Philip and Elizabeth aren’t your average parents and this isn’t your average sex talk.
In fact they approach this conversation as if Paige is an asset rather than their daughter and they are far more successful at relaying their message because of this change of tactic. They have both trained a lot of people especially when it comes to sex and while they’re inexperienced as parents in this particular arena they very much know how to manage feelings and not let them muddy things. It is a practical conversation and while we have seen just how fucked up the training they had was in this department there is a whole lot of compartmentalizing on their behalf.
This is also an incredibly sad scene because they’re viewing sex through this lens of their work, but it is also a weirdly bonding experience that gives Paige a practical tool and her parents’ piece of mind. In a weird way this is them teaching her about protection, but instead of a condom over a banana it is a way not to reveal their secret. Also I now want to go back and watch previous episodes to see if either of them ever use this technique.
In other big developments of the heart Stan finally mustered the courage to ask out the gym woman – Renee – and things are going well here. She’s the female version of Philip! Oh, Stan. It is also interesting to see Philip viewing her with suspicious eyes, but I guess he is always accustomed to looking at these things with spy eyes and Stan could be a target for this.
Also there are bugs aplenty in the greenhouse Elizabeth breaks into and because I’ve watched The X-Files my first thought went to bees that interrupted an all important Mulder and Scully moment. Thoughts of X-Files also courtesy of Stan’s new love interest. Instead Elizabeth ended up with a whole lot in her hair (despite the wig) and she tells Philip they need Alexei to help figure out what is going on with this agriculture business.
We also spend some more time with Tuan and find out that he really was adopted by an American family; a family who treated him well but who were also very pleased with themselves for this seemingly altruistic act. This might be where some of his resentment comes from along with the fact that his entire family (save his grandma) were killed by bombs in the Vietnam War. There’s a bit of a bond already with Philip and we see more of Tuan than both of Philip’s actual sons as Henry says he is at the library and the look on Elizabeth’s face when Paige tells her this is one of “yeah right.” Paige agrees and suggests he’s probably at the arcade. Meanwhile Mischa continues to make his voyage off screen.
Tension continues to build and deciding to open further to Paige will mean drawing her in closer; both to who they are and the job they do. The lines continue to blur.
Outfit I Would Wear in 2017
I’m so happy whenever Philip hits the court with Stan as this means retro sportswear. While not quite hitting the levels of this Dunlop tee, I would still be happy to have this stripe polo or Stan’s Adidas in my closet. Got to remember to keep an eye out on Etsy as costume designer Katie Irish suggested.
This is also another week of wanting to wear all the high-waisted pants and silk blouses a la Elizabeth and the outfit she’s wearing when they have the talk with Paige is the ideal version of this. And I have never related so much to Philip as him halfheartedly throwing his jacket in the direction of the coat hooks by the door.
Tags: "Pests", 5.02, costume design, Holly Taylor, Katie Irish, Keri Russell, Matthew Rhys, Review, The Americans
By now you will probably know how I feel about Evan Rachel Wood in a ladysuit – strongly positive – and this Cavalli is no different. The ruffled shirt is a fun twist and this overall vibe is a killer look that never gets old.
Erdem florals for Thandie Newton mixing delightful levels of print (she put a bird on it) with a good level of shimmer and sparkle. This is a hard level of whimsy to work without falling into the too twee trap, but Newton is doing just that. Excellent PaleyFest panel attire from my fave Westworld robots.
More botanicals and both Kirsten Dunst and Charlize Theron are in Gucci at CinemaCon; they’re different enough prints to not feel like they’re matching and yet there’s an element of coordinating (especially when you factor in the strappy heels). Kirsten Dunst also went to a Britney show this week and this Instagram post is everything. 
This week’s column includes a whole lot of the TV Ate My Wardrobe style ultimates and Jessica Chastain is ticking the rocks a lot of polka dots box in Givenchy with added ruffles. The real bonus here is the yellow pumps, which are fabulous.
Uzo Aduba gives great black and white ensemble at the 2017 Garden Of Laughs Comedy Benefit; her clutch is very cute, but I would love to see Jessica Chastain’s yellow pumps with this look instead.
A very busy time for Alison Wright at the moment as she’s crushing it (and me in the process) on Feud, making surprise appearances and performing on Broadway. At the Sweat opening night party she looks incredible in a Balmain mini dress and continues to give me so much eyebrow arch envy.
Wednesday afternoon involved a whole lot of feelings when Entertainment Weekly unleashed their Buffy the Vampire reunion cover story and this shot of Amber Benson, Alyson Hannigan and Seth Green is too much to handle without taking a moment.
#Slay
TV Ate My Wardrobe 
