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Best of TV Costuming 2016: Work in Other Places

22 Dec

So 2016 has been bit of an emotional roller coaster on a large global scale and a personal one with moments of so much joy and immense sadness.

Writing wise this has been my best year yet as I finally got over my pitching fears (well, mostly) and have a weekly TV and Style column at The Observer where I have discussed numerous shows and costume moments beginning with Girls back in February. I have also contributed to Collider with several Americans essays and a TV themed gift guide (still time to buy!).

Here is a selection of my favorite pieces of work from 2016 including a personal essay, topics I have been obsessed with for a long time, discussing so many different shows from this year (with a dash of the ’90s) and I also got to interview two amazing costume designers.Outlander Season 2 2016Kicking off with the essay that was incredibly hard to write, but also gave me great comfort after my father passed away in July. I got married in September and in the lead up I knew it would be a very happy day tinged with sadness and writing about Outlander, my father and our shared heritage helped.

I don’t tend to be someone who is good with sharing my deepest feelings and personal essays are an uneasy prospect: however connecting to the work of Terry Dresbach and the Outlander team led to an outpouring of words.the americansI wrote about The Americans a lot in 2016 both here and other places. I spoke to costume designer Katie Irish at the start of the fourth season about Coach, the many coats and other costume design disguise secrets.

For Collider I went deep about Elizabeth Jennings and motherhood, why the teens on this show don’t fall into the usual annoying obstacle trap and looked at how the Cold War is making a comeback on TV (this was before other significant events).westworldOne of the most fulfilling experiences of 2016 was talking to Westworld costume designer Ane Crabtree after the season finale. Part of this is because I have been writing about Crabtree’s work since TV Ate My Wardrobe started with Masters of Sex and because of all the anecdotes and insight I got from this phone conversation.fleabagOne of the first pieces I wrote on TV Ate My Wardrobe was about lipstick on TV/film and I expanded upon this idea while discussing the Empire CoverGirl line and how powerful make-up can be.

Other key lipstick essays include two of my favorite shows of the year with how Fleabag paints over the cracks and the portrayal of women working in the tech industry in the ’80s on Halt and Catch Fire. And the time jump on Halt and Catch Fire allowed me to address my own nostalgia and one of my favorite style decades.img_4381In a similar vein, but at the end of the scale the build up to new Gilmore Girls was the perfect time to address all the fashion mishaps of the early ’00s.

BrainDead is one of my favorite shows of the year for being fun, weird, having so much flames chemistry and rethinking how to do a “previously on.” Plus it gave me so many outfit goals and I got to expand on this further heregame-of-thronesAnd now for my most viewed article, which also happens to be one of my favorite costume moments of the year when Sansa made sure Jon knew he was family by making him a very Ned fur.

Also on the subject of Game of Thrones I previewed the “Battle of the Bastards” with a ‘Who wore it better?’ competition and went all in on Cersei’s power move ensemble.

On the pieces I have wanted to write about forever track; Angela singing on Mr. Robot let me go all in on the sadness karaoke essay that has been itching to come out since Eliza sang “Chandelier” on Selfie.

The second season of Mr. Robot was messy in places, but the women delivered and it gave me plenty to write about from a costuming perspective. Oh and everyone looks hotter in sunglasses as the Fug Girls always say.felicity-and-marciaA tale of two haircuts and I am very proud of finding a very strong link between Keri Russell’s infamous Felicity haircut and Marcia Clark’s mid-trial makeover. American Crime Story’s “Marcia, Marcia, Marcia” is one of my favorite episodes of TV this year and exploring the legacies of a style change was incredibly fulfilling.

I binged the first season of Crazy Ex-Girlfriend the week after my dad died and it was a much needed distraction so I will forever be grateful for Rachel Bloom and Rebecca Bunch. Season 2 has also provided some very interesting talking points including portrayals of lady friendships and makeovers. Plus Rebecca’s imagination delivers on plenty of fun costume changes.

Here’s to more in 2017 and for my author pages at The Observer and Collider head here and here.

For individual costume highlights check out Best of the Rest Parts 1 and 2.

 

 

 

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Work in Other Places: Talking Underwear on TV and the Best Shows of the Year (So Far)

9 Jul

Shameless self-promotion time and if you can’t shamelessly self-promote on your own website then I don’t know where you can.

Over at Flavorwire I had the pleasure of talking to costume designers from Masters of Sex (Ane Crabtree), The Americans (Jenny Gering) and You’re the Worst (Wendy Benbrook) about the importance of undergarments and how both period and contemporary costuming reflects on and can impact current trends.

Masters of Sex 2.03 Fight The Americans 2.06 You're the Worst 1.01Here is an extract and you read the whole thing here

The Americans is a bridge between period and contemporary fashion — the ’80s don’t feel so long ago — and it helps that The Americans‘ costuming isn’t what you might typically expect from this decade (lurid neons, shoulder pads). The show keeps a toe in the ’70s, and that’s reflected in Elizabeth’s everyday underwear choices.

While a visible bra strap might have been an extremely telling costuming choice even in The Americans‘ era, shows set in the present day are likely to use this detail far more casually. For sitcoms featuring young women —  Youre the Worst, Broad City, New Girl, Girls — warmer weather means, “What kind of bra can I wear with this?” dilemmas.”

And over at Complex I wrote about why The Americans is one of the “Best TV Shows of 2015 (So Far)” focusing on the complicated relationships at the heart of this Cold War era spy show: “Disguises, wigs and missions create tense and fraught moments, but the heart shattering action takes place in the most mundane of locations as these characters reveal who they actually are. In a world where secrets protect, the truth is a loaded weapon and The Americans is not afraid of pulling the trigger.”

 

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