Tag Archives: The Americans

The Americans 5.04 “What’s the Matter with Kansas?” Review: Meet Cute

29 Mar

It has been a long time since Philip and Elizabeth had a new honey trap mission on The Americans and in “What’s the Matter with Kansas?” they both get to give their seduction skills a workout with varying results.

There is reluctance from both husband and wife when Gabriel gives them their objectives at the start of the episode and each comes up reasons as to why this is very bad timing; the travel to Kansas, how intense things are with Paige, their other ongoing operations. And while Gabriel has been accommodating in the past to their calls for space and time, this is not one of those occasions and it is full steam ahead.
Philip is particularly reluctant and his heart really doesn’t seem in the flirting game. He gives it a good go though and the gym has proven to be a great dating ground for others recently (see Stan and he’s already at the double date stage). Deirdre does give Gus Alexander his number, but is pretty non-committal when Philip rings to make a dinner date. There’s the work excuse as she seems pretty invested in her job, but there’s also the Philip factor of not being quite as effective as he tends to be in this arena.

Maybe he’s out of practice and his most recent new mark before Deirdre was Kimmy and he was even less enthusiastic about that one. Martha was long term and that started just prior to the new phase of the Jennings marriage where pretending turned into reality and the same goes for Annalise. Maybe Philip just doesn’t have it in him anymore

The marriage at the heart of the story is stronger than ever; they are on the same page when it comes to Paige (I’ll get my coat) and this is evident in how in sync they are with their similar reactions to Paige’s snooping at Pastor Tim’s. When talking about this new operation there is reinforcement from both about how reluctant they are. Philip jokes about how he might die of boredom with Deirdre (although this could also be good deflection if he strikes out) and Elizabeth brings Philip a gift from the plane. A drink that another guy bought her, but she made sure he knew who she would be giving it to.Philip waits up for Elizabeth to get back from Topeka and one thing the Americans does very well is use spaces throughout the home for these intimate moments. Even if the outside still looks like a looming house of horrors, inside it is nothing but warmth.

This is also where this show excels at the marriage aspects and despite the overall content of their conversation being very different from the average “How was your day?” back and forth this is very much a husband/wife chat. Along with the miniature bottle gift, Elizabeth tells Philip that her guy is “full of himself” and doesn’t go into much detail beyond the hiking date she has set up. Even without mentioning how hot he is (he is very hot, hello beard) Philip’s jaw clenches in a way that would suggest just how unhappy he is with this whole scenario. This is also time for my weekly praising of how good Keri Russell and Matthew Rhys are at saying so much with just their faces.

Other than the hotel manager in season 3 it has been a long time since Elizabeth engaged in some extended extra-martial spy seduction shenanigans. The whole Don set up was faked and all of her other recent operations have been friendship based. Post-end of season 1 reconciliation the only other honey traps Elizabeth has been a part of were during season 2 and this is ground they haven’t had to cover while their marriage has been this strong. It clearly makes Philip jealous and his comments about her liking this new guy after she mentioned that he’s funny are met with a stern rebuttal and this previous scene from season 1 would work wonders here as a response.

Instead of getting angry she instead points to the big picture of the why they are doing this and how she actually feels about Ben. Those jokes are something she has to laugh all while he is trying to starve their country.

Earlier in the episode Philip quips “Think we’re going to get fired” and she points out to him that this isn’t funny (he knows) so the mention of Ben’s humorous qualities strikes a nerve that is already frayed. This is tension that hasn’t been felt since the Martha stuff came to a head mid last season and with all they are doing right now it isn’t surprising that emotions are high even if they are both experts in control.Elizabeth’s meet cute at the health food store is way more successful than Philip’s lukewarm gym attempt and Elizabeth plays the awkward clumsy girl to perfection. Not only does Ben get to show off his knowledge of all things health food, but he also gets to play the hero sweeping in to help with the dispenser she purposefully can’t quite figure out how to use. Elizabeth works the ego element well – all the while a store worker awkwardly sweeps up – and her look as Brenda might be my favorite yet. Yes even more so than Patty last season.

Brenda works in fashion selling women’s clothes and her look is more edgy than Patty’s. It’s all about the various blacks and this is Elizabeth’s first foray into acid wash denim territory; a hard look to pull off and of course Keri Russell does just that. The shorter black bob looks cute on her and the glasses are not quite the full ’80s covering half your face horror show that Philip’s guy is wearing (which I actually love).

After a fun hiking date, Elizabeth goes back to Ben’s and before things go too far she makes her excuses to leave; she has him on the hook and wanting more. There’s also a sense that she’s doing this not only for the mission, but because of the complicated emotions at play. Or maybe Elizabeth is just better at separating the work from her marriage, even if her marriage is intrinsically entwined with her work. In the same way Elizabeth felt insecure about Martha, Philip is leaning into this state and she shuts him down pretty effectively at the end of “What the Matter with Kansas?”Paige also gets let in on some of the aspects of this mission after she asks about their separate time away. Elizabeth is vague on details explaining that sometimes they have to work sources on their own. She asks about her cover name and profession and is rightly weirded out by the thought of her mom pretending to be someone else. If only she knew the whole story and then her mind would be really blown. In this sharing session Paige also reveals she found Pastor Tim’s diary while she was babysitting. Elizabeth is more concerned than proud as she points out that Paige could easily slip up and act different if she was even almost caught in the act. This is the same point Philip makes and there is worrying amount of cavalier attitude with Paige as she points out to her mother that she wasn’t there.

Not to completely shit on her achievement and Elizabeth does call her brave and smart for finding it; later she also raises the point that there might actually be something useful in the diary to use against Pastor Tim and Paige is very much her mother’s daughter. Blackmail is very much a central theme in the other major thread this week with Stan finally figuring out what he can use as leverage against the CIA and that’s public embarrassment. He threatens to go to the press about that time he gave Vlad a burger and then shot him in the back of the head, but is it too late? Aderholt gave him the idea after he mentioned a very successful operation in which blackmail was used and everyone came out a winner. This is not something that typically happens on The Americans and all’s well doesn’t tend to end well.Oleg is deep in his investigation and this one also uses weak spots to exploit for the so-called good of the country. He’s not really into this line of reasoning and he wants to find another way and this further reinforces the idea that he’s not that different from Stan. Except he thinks Stan has betrayed him and he tells his mother about his big dilemma.

So far we have only seen her as a weeping mess, but this week we get to see an entirely different side to Oleg’s mother. Unknown to him and before Oleg was born his mother was sent to a camp for five years. She explains that she survived by doing what she had to and now he should do the same.In other son news Henry is now really tall and delivering on teen sass. He’s pissed that his mom doesn’t put enough jam on his toast and instead of simply putting on more he throws it in the trash; a very significant point considering how much food or the lack of is at play this season. Henry is also in trouble at school and Elizabeth thinks his old friend Doug is actually code for a girlfriend. Just who is he on the phone to for hours? Meanwhile the other son makes his dangerous trip across the border and arrives at JFK. I figured Mischa’s travels would take a lot longer than that and the speed of his venture is welcome rather than dragging it out.

Philip goes for a beer with Alexei and is far more successful with him than his other mark. They talk about how everyone sees Alexei as a genius here as he’s giving them a lot of information about Russian infrastructure. Alexei notes how similar the two countries are in terms of land and yet how backward they are with their methods. This plays into the discussion in the motel room last week and there’s a push/pull at play between the very real things that are wrong with the corrupt system at home and loyalty to country.

Outfit I Would Wear in 2017

I don’t think I can pull off acid wash, but I would definitely give this jacket and those glasses a go. A+ costume work from Katie Irish and her team. Looking forward to more Brenda.

Felicity Flashback

Halloween on Felicity was an early look at how good Keri Russell looks with a short bob.

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The Americans 5.03 “The Midges” Review: Even Cowboys Get the Blues

22 Mar

When Philip and Elizabeth first told Paige their big spy secret towards the end of season 3 of The Americans they left out a lot of the details about what they did. How do you explain to your teenage daughter that not only are you a Russian spy, but that you also pretend to be other people to get the information your country requires?

This is already a confusing and difficult conversation and let’s not even consider the ramifications if Paige found out about all the other stuff they do all in the name of their country.Everything changed when Paige saw her mother act in self defense and kill a man in front of her; while she had already figured out that the breadcrumb details she was given didn’t tell the whole story, this was a real eye opener. The questions they keep on coming and by dating an FBI agent’s son Paige has put herself in an even more precarious position from an emotional point of view. Dealing with parents who are spies is one thing and throwing in all of these first boyfriend feelings just makes things even more complicated.

If I was talking about vampires on The Vampire Diaries I would be throwing around the phrase “heightened emotions” and this is exactly what Paige is experiencing. But instead of learning that she can live forever, Paige has found out that her parents are nothing like your regular mom and dad.

The reason why Paige confronted them in the first place was because she could sense that something was off with their behavior and by withholding they are still keeping her at an arm’s length. Of course there are things they can’t reveal and aspects such as sleeping with assets would not be the best way of keeping her on side. Or the fact that they have destroyed lives (see Young Hee and Martha *sob*) and killed a lot of people in the process. If Paige thinks it is gross lying to people with ease, can you image is she knew how often her parents have to resort to bullets and back breaking as a way to protect their identity/work.The latter happens at the end of “The Midges” after their investigation at the lab is interrupted by someone who works there. Another case of ‘wrong place, wrong time’ and Randy gets added to this growing list which also includes security guards, guys returning for a left behind wallet and delivery drivers. Randy at first attempts to lie about his position at the lab and while he’s high up, he also doesn’t know a whole lot about why they are breeding this type of pest. The information he does give shows that this is linked to Stan’s investigation and the FBI and KGB are going to be crossing paths again soon. As Elizabeth informs him “You should’ve asked.”

Philip has a bad track record with the cowboy hat and the last time this was part of his disguise his wig got ripped off and another innocent bystander paid the price. This time it is a double team effort and despite being much shorter than Randy, Philip and Elizabeth easily intimidate him. First Elizabeth hits him from behind against the glass and then she pushes him toward Philip who quickly ends things by breaking his back. Pretty fucked up date night and when Philip mentions telling Paige about this aspect of their work it is a super dark joke I was not expecting, but considering how much terrible stuff they have done as part of their job it isn’t surprising that morbid humor is the way to go. It is either that or go to the dark place that Philip has been circling since season 2. And I’m not even sure Philip intends it to be funny.It is his idea to tell Paige about what their current operation is because it clearly shows Russia as the victim; attacking food supply and starving a country is something Paige will understand as bad. What they also do is reveal part of their cover telling her about having fake identities while leaving out their fake son. They mention that they are pretending to be a pilot and flight attendant and how hard it can be. Throughout this scene Elizabeth looks pleased that they are sharing this with their daughter and there is a sense of pride that they can talk openly with her about this stuff. Well, not entirely and as with Elizabeth’s later conversation with Paige she talks about the importance of not sharing everything.

Not that Elizabeth is maybe the best at giving romantic advice considering how closed off things were with Philip when we first met them. They are of course a lot better at sharing with each other than they have ever been, but because of the nature of their arrangement and how they had to compartmentalize their original lives there is always going to be some aspect of holding back. They’re experts in emotional manipulation and yet they are often stumped at how to deal with their own feelings.

Communication has vastly improved and there is no one better than having a conversation without saying a word than Philip and Elizabeth; they say so much to each other in their glances and this is a point I could make on a weekly basis (and probably do) as Matthew Rhys and Keri Russell are so good at saying so much without saying anything at all. This brings me to the scene in the motel room where Elizabeth recognizes how much the weight of what they are doing is burdening Philip’s soul.

Targeting food has brought up a whole lot of shit about his childhood and as we saw in the very brief flashback as Philip stares into the bathroom mirror his upbringing was not an easy one and the thought of anyone going through that again back home is too much to think about. Philip ponders on the notion of why can’t they grow enough grain to not have to rely on the US when home looks similar to the fields of Oklahoma.So when Elizabeth turns on the radio and “Old Flame” by Alabama plays, she takes this as a moment to distract him from the big picture stuff. Plus they have time to kill and she takes the cowboy hat part of his disguise first wearing it herself making a joke about being queen of the rodeo and then places it on his head.

Instant thoughts of Philip in the pilot giving great embarrassing dad while dancing in the department store wearing cowboy boots and in the past Elizabeth has mocked him for liking this part of American life. Here she does the opposite and in an incredibly romantic moment she sees his hunched over sadness and turns this into a fantasy moment for him; she places the hat on his head and they slow dance to the song. For a moment everything else gets blocked out and it is just them in this motel room. It is also the first time I’ve realized just how tiny Keri Russell is height wise as in the wide shot you can see she is on bare foot tippy toes. But real life is coming for them and later these disguises turn from romance to just another day of an operation not quite going to plan and someone else paying the price.

Philip and Elizabeth’s relationship instantly improved when they were finally open with each other and the same can now be said for how they are with Paige; even if this burden is huge and it comes with a new set of worries. Those worries do not extend to where exactly Henry is and I have a feeling that Henry’s absence is going to bite them in some way this season. All of their focus is on Paige and Henry is getting the classic teen son in a prestige drama treatment right now. Chris Brody says hi BTW.

Meanwhile, Philip’s other son continues his long journey to meet his papa stopping off at an address in Yugoslavia where he finds his contact has been arrested and so the cost of crossing the border into Austria has gone up. Oh, Mischa.

And while we’re over in that part of the world; Oleg has started his corruption investigation while also finding out that he really should’ve gone to that secret meeting. Now he has a tape of the conversation with Stan and a map and it looks like Stan is not the one behind this attempted contact as I suspected. When Oleg walks through the supermarket with its barely stocked shelves – despite all the amazing produce out back – the camera lingers on someone looking at a can. It is none other than Martha! I’m very excited to see Alison Wright again. Will she somehow cross paths with Oleg?

All the pieces are slowly coming together and as crisis looms the Jennings family could be getting even closer – well, not Henry – but at what cost?

Outfit I Would Wear in 2017Very much in love with Elizabeth’s plaid jacket and considering my go to outerwear at the moment is a red and black Levi’s jacket this comes as no surprise. Great sweater game from Elizabeth this week in a purple turtleneck and the teal number you can see below.

Felicity Flashback

This isn’t Keri Russell’s first rodeo.

Bonus Wig Cave!

I love it when we see their place of disguise prep so I was very pleased to see their post Tuan dropping off changing back from Dee and Brad to Philip and Elizabeth.

Bonus Song Choice!

The musical moment of the episode is quite clearly the country slow dance, but I was also thrilled to hear the dreamy Roxy Music’s “More Than This” playing over the opening bowling scene and as things go to shit at the lab and they have to clear up their mess. It is also interesting to note that while this plays Philip goes to check on the woman keeping watch – their Hans replacement? – to make sure she was okay after seeing them bring out the body. She says she is, but the look as she sees them with her would suggest otherwise.

The Americans 5.02 “Pests” Review: Playing By the Rules

15 Mar

Lines are blurry on The Americans and rules are constantly being broken with each side doing what they believe they have to do in order to protect their country; however there are certain things that neither would do, right? This is one of the main questions at hand with Russian grain supply (that comes from the U.S.) being at the heart of Philip and Elizabeth’s new operation as they move from biological weapons that could cause mass casualties to a potentially more insidious tactic by their enemy.

Targeting food is something Philip never thought the Americans would do and after a long night of digging and delivering both the sample and bad news about Hans, when Gabriel tells them what this new plan might be Philip can barely contain his horror through his exhaustion.There are rules in combat no matter how cold this war actually is and it seems like both sides are feeling at a loss with some of the tactics at play. For Stan he feels it is his duty to stop Oleg from getting caught in the cross hairs of another operation; the CIA wants to recruit him no matter what. If they were to just let him be then they might see that he is doing important work back home as he investigates the corruption that threatens to destroy Russia from within. Patience is a virtue and the CIA want something to work with now and they believe Oleg is their guy. To them he is another cog in the machine, but – and to borrow from Crazy Ex-Girlfriend – for Stan it is a lot more nuanced than that.

It also is not a coincidence that the establishing shots of the FBI and KGB buildings show just how similar each looks in all its concrete glory. Chris Long directs once again and he also gives the Jennings house exterior the same horror feeling as he did in the season 4 finale and last week’s premiere only this time it is daylight as the camera pushes in.

Stan has already lost one agent who he was working (in more ways than one) and Nina is the tie that binds him with Oleg. He pleads his case to the deputy AG and this is where the notion of rules and good/bad comes into play. Everyone has to have a code and he believes Oleg already gave them this huge gift and he should be allowed to go home and be free from the burden of that treason admitting recording. And it looks like his plan has worked to some extent as Oleg receives a message from Stan and a map of where to meet to discuss further. Although a big part of me thinks this isn’t really from Stan; instead it is the CIA using his name to secure this meeting and they will attempt their original plan that Stan so vehemently opposed.

Difficult conversations take place over friendly beers as Stan talks to Philip about his Paige concerns; concerns that he can’t quite verbalize beyond asking if everything is okay in Paige-land. The Beemans and Jennings are entangled in friendship and this burgeoning romance making this a ticking time bomb that Philip and Elizabeth know could go off at any minute. So far strong arming Paige to stay away from Matthew is of course doing the opposite; Philip has tried and now it is time for Elizabeth to have a go at explaining why this relationship cannot happen.
Elizabeth opts for talking while training and as with last week’s garage defense lesson scenario it is about giving Paige a sense of control while also emphasizing why Matthew as a boyfriend is a bad idea. The rhythmic sounds of Paige hitting her target as Elizabeth still dressed in her work attire coaches her adds to the tension and fraught nature of this conversation. This is also part one of ‘the talk’ and when Elizabeth asks if Paige is having sex she quickly follows up with pointing out that she doesn’t care if they are. Not what you would expect to hear from a mother as she talks to her daughter about sleeping with her first proper boyfriend, but Elizabeth has other concerns beyond the usual teen sex worries.

The Elizabeth/Paige dynamic continues to be fascinating as for the first time Elizabeth can be seen for who she is by her daughter. So much of Elizabeth’s decision to become a KGB officer and take on such a long deep cover mission is tied to her mother; the sacrifices she made (which were reiterated in terms of food last week) and her mother’s beliefs that mirror her own. With the training sessions she now gets to show her how to build on her strength and there is a deep sense of pride amidst the concern that Paige might inadvertently ruin everything by spilling their secret.

Tactics to keep Paige and Matthew apart are not working and when they return home from their digging expedition to find Paige’s bed empty, Philip and Elizabeth fear the worst. Where they find Paige is a concern for another reason as she was asleep in her closet as she continues to have post-stabbing sleep issues. There are no set parenting rules for dealing with first boyfriends and really they are no different from any other parent trying to work their way through first love. Except for that whole enemy spy thing.


Marriage strength between the pair comes in telling each other exactly what is going on; something Philip and Elizabeth have not always done and these bathroom confessions while applying night cream and brushing teeth reinforce just how good things are in this relationship even if everything else falls apart around them. This week’s conversation includes bonus heartbreaking Hans chat with Elizabeth telling Philip how excited Hans was about his sister’s forthcoming visit. The sighs and silences that punctuate all of their scenes speak just as much volume as any dialogue. Philip relays his chat with Stan while Elizabeth informs him of how unsuccessful her attempt at the Matthew problem was. The question of how long before Paige slips up hangs in the air with no immediate solution.

Babying Paige or even laying down threats (if only Paige knew how dangerous her parents are) is doing nothing and after a painful dinner out as the Eckerts with their new Russian defector friends – if Elizabeth could stab Alexei with her fork she would – Elizabeth comments that she is fed up with treating Paige like a “goddamn kid.” The scene that follows is up there with the stomach churning levels of when they first told Paige who they really are because Philip and Elizabeth aren’t your average parents and this isn’t your average sex talk.

In fact they approach this conversation as if Paige is an asset rather than their daughter and they are far more successful at relaying their message because of this change of tactic. They have both trained a lot of people especially when it comes to sex and while they’re inexperienced as parents in this particular arena they very much know how to manage feelings and not let them muddy things. It is a practical conversation and while we have seen just how fucked up the training they had was in this department there is a whole lot of compartmentalizing on their behalf.

This is also an incredibly sad scene because they’re viewing sex through this lens of their work, but it is also a weirdly bonding experience that gives Paige a practical tool and her parents’ piece of mind. In a weird way this is them teaching her about protection, but instead of a condom over a banana it is a way not to reveal their secret. Also I now want to go back and watch previous episodes to see if either of them ever use this technique.

In other big developments of the heart Stan finally mustered the courage to ask out the gym woman – Renee – and things are going well here. She’s the female version of Philip! Oh, Stan. It is also interesting to see Philip viewing her with suspicious eyes, but I guess he is always accustomed to looking at these things with spy eyes and Stan could be a target for this.


Also there are bugs aplenty in the greenhouse Elizabeth breaks into and because I’ve watched The X-Files my first thought went to bees that interrupted an all important Mulder and Scully moment. Thoughts of X-Files also courtesy of Stan’s new love interest. Instead Elizabeth ended up with a whole lot in her hair (despite the wig) and she tells Philip they need Alexei to help figure out what is going on with this agriculture business.

We also spend some more time with Tuan and find out that he really was adopted by an American family; a family who treated him well but who were also very pleased with themselves for this seemingly altruistic act. This might be where some of his resentment comes from along with the fact that his entire family (save his grandma) were killed by bombs in the Vietnam War. There’s a bit of a bond already with Philip and we see more of Tuan than both of Philip’s actual sons as Henry says he is at the library and the look on Elizabeth’s face when Paige tells her this is one of “yeah right.” Paige agrees and suggests he’s probably at the arcade. Meanwhile Mischa continues to make his voyage off screen.

Tension continues to build and deciding to open further to Paige will mean drawing her in closer; both to who they are and the job they do. The lines continue to blur.

Outfit I Would Wear in 2017

I’m so happy whenever Philip hits the court with Stan as this means retro sportswear. While not quite hitting the levels of this Dunlop tee, I would still be happy to have this stripe polo or Stan’s Adidas in my closet. Got to remember to keep an eye out on Etsy as costume designer Katie Irish suggested.

This is also another week of wanting to wear all the high-waisted pants and silk blouses a la Elizabeth and the outfit she’s wearing when they have the talk with Paige is the ideal version of this. And I have never related so much to Philip as him halfheartedly throwing his jacket in the direction of the coat hooks by the door.

The Americans 5.01 “Amber Waves” Review: Protect Yourself

8 Mar

Home is meant to be where you feel safe, but at the end of The Americans season 4 finale the Jennings house loomed like a visage from a horror movie as Paige was escorted home and told she couldn’t see Matthew Beeman anymore. Chris Long directed both that finale and this premiere episode so it is not to see a repetition of this foreboding shot and for Paige there is no escaping the night she saw her mother stab a guy in the throat in self defense.

Paige is having nightmares and there is something comforting about hanging out across the street while her parents are out working doing who knows what (we know). She might not get food with any good nutritional value at Stan’s, but it is the only place she can go where the scary images don’t follow.“Amber Waves” throws us back into stories long established such as the Paige problem; how do they manage what she knows without destroying her a piece at a time? There is also a new mission, loose ends from an old one to tie up and the matter of what is going on back home. Ah home, you can never really go back and Philip and Elizabeth are forever caught between two worlds. Forcibly smiling through dinner with a defector who spouts on about how much he hates the homeland puts them to their acting test and of course they pass with flying colors. The car ride home provides plenty of time to spew venom about his treacherous opinions and reflect on their past lives.

It is rare to hear Philip and Elizabeth talking about when they were Mischa and Nadezhda and as with previous conversations this one reveals just how hard things were in post-war Russia for both of them. There is also a sense of guilt, particularly from Elizabeth with regard to how much her mother sacrificed for her and it goes a long way to explain why she is so hardened to everything. But they also haven’t been home in a long time and they don’t know just how bad it has got; the post credits montage shows just this by juxtaposing the impressive American crops with the disaster that is taking place in the USSR. Followed by those long lines for food that looks inedible. Philip might remember a time when onion soup tasted just like hot water, but as we are reminded of in this episode the amount of food available to them is endless.


Food is plentiful and it isn’t like The Americans is suddenly remembering that their characters eat; food scenes have played a big part as well as an everyday part with Stan often popping over for dinner (as we can see from his cooking skills there is a reason why). Elizabeth often offers to cook eggs for Philip when he has had a shitty day and there was also that time I found out that tuna noodle casserole is a thing people ate. Oh the ’80s. There was also that time Elizabeth ate bacon after Paige had walked in to her parents’ bedroom at an unfortunate time and a variety of kitchen items were used to conceal Keri Russell’s IRL bump last season including crock pots, unpacking groceries, salad bowls and the refrigerator door. What I’m saying is they aren’t changing the amount of produce being consumed, but by focusing on the issue Russians are facing it puts this endless supply of food into focus.

Oleg is now back in Moscow; returning at his mother’s request as she is still deep in grief about the son she lost at war and his new role within the KGB is also about the food supply issues at hand. Bribery is a huge part of the problem and his new boss wants him to get to the very top of the matter, which might include some very powerful people who know his very powerful father. Oleg is quick to accept and his guilt about what happened to Nina has already led to him helping the FBI; when he sees just how corrupt the whole system is will this further push him toward Stan? Stan for his part is concerned about why Oleg has flown back home and whether he has been burned with regard to his part in the William.


Speaking of William as he makes a surprise appearance in “Amber Waves” and he gave me a reason to yell “What’s in the box?” at the screen, which I am always happy to do. Before this comes Gabriel telling Philip and Elizabeth about William’s fate; how he wished he could’ve given him the fantasy ending of returning home and having a family. Instead he died a painful death and after Elizabeth calls him a hero, Philip bitterly responds that maybe they can put him on a stamp.

This isn’t the end of their association with William and deadly pathogens as the last quarter of “Amber Waves” involves a whole lot of digging in a dialogue free sequence that involves the biggest team we have seen them work with. They break into Fort Detrick and dig a very deep hole to retrieve an important tissue supply from the now deceased William – oh hey Dylan Baker in a bag – and the exhausting nature of the task is shown in how long it takes. The team is so big because this mission is so arduous; digging in February is not easy and between the beanie hats (which I talk about at length here) and their visible breath this only adds to the extremes they are going to. At one point when Philip and Elizabeth are taking a break and sharing a flask it looks like a bleak picnic.


Everything looks like it is going according to plan, but as this is The Americans something goes wrong and Hans slips and falls into the hole landing on the open metal coffin cutting himself and exposing his blood to the Lassa virus. I was going to tweet how happy I was to see Hans again as he is now a vital part of their team and it is a good job that I didn’t. After a wordless exchange between Philip and Elizabeth – Keri Russell and Matthew Rhys are incredible at saying so much to each other with just their eyes – Elizabeth pulls out her gun and shoots Hans in the back of the head. They then dispose of his body in the same metal box as William and that’s another death to add to their list of bad feelings. We have seen Elizabeth kill without hesitation in the past, but I think this one is going to take its toll. As we saw Philip grappling with the weight of their job in season 2 after a whole lot of collateral damage, Elizabeth could be headed in the same direction.

The fact their daughter now knows who they are and is continuing to ask questions about what they do could add to this burden of guilt. Elizabeth is also in full training spirit and while Philip is having no luck with detracting Paige from spending time with Matthew, Elizabeth is trying a different tactic. As they circle around the awkwardness of a sex chat, Elizabeth teaches Paige that she needs to know how to protect herself; spy training 101. The Esprit sweatshirt that made an appearance in the promo is worn by Paige in the premiere and it is fun seeing such a fashion touchstone moment like this (also for more costume details check out my interview with costume designer Katie Irish here).


Philip and Elizabeth also have a fake new son. Someone they spend more time with than their actual one (poor Henry). Posing as a couple who are an airline pilot and flight attendant with an adopted Vietnamese son, Tuan (who is also an agent) this new mission is all about crops. Whereas biological weapons and the insidious nature of threatening a population with a disease was at the heart of season 4, food and stopping the supply of it is the weapon of choice this year. At the heart of it is always family and protecting that unit at all costs.

Speaking of family as Philip’s son has made his way out of Russia on the first part of his journey to meet his father. Much like the biological weapons last season that posed a threat throughout; there is also something unnerving about what Mischa’s trip to the U.S. is going to do for Philip and Elizabeth’s whole cover. He is the ticking time bomb headed their way and it’s not like they already have a lot on their spy and parental plate already.

As with the season finale this is a slow burn and it does what The Americans does best; somehow raising the stakes and tension levels to new heights. Setting up new stories, while threading the ones from the past and all while adding another layer to this intricate and complicated world. As we head into the almost final stretch with this penultimate season it looks like there is a still a lot of story to be told and I am excited to see how Philip and Elizabeth will handle the new and deep rooted challenges.

Outfit I Would Wear in 2017


Henry got tall and he’s also wearing another ski like jacket that I am coveting hard. Elizabeth is still up their with her strong coat game and I’m glad to see a return to silk blouses and high waisted pants now there is no IRL bump to cover up. Also Philip’s still got the best dad sweaters in the business.

The Americans Season 5 Key Art and Dining in Disguises

15 Feb

The Americans returns next month and talk has already centered on the very different political landscape we’re now experiencing than when the show debuted in 2013. Season 5 might be set in 1984, but right now The Americans seems more and more relevant and it will be interesting to see how/if this alters the viewing experience and how the creative team/stars will discuss these aspects while promoting the new season.

For now we can let the series of trailers FX has released focusing on “Best Show on TV” aspects (I concur) speak for themselves, about what we can expect from season 5 and if they are any indication then somehow the tension and stakes are going to be raised even further.

The first full promo focuses on Paige and how she is being brought further into the family business with self defense classes from her mother and the boyfriend who happens to be the son of Philip’s FBI Agent bestie. And here’s another of Philip and Elizabeth in full disguise playing a different couple at dinner discussing how they got together.

You will never suspect them. Beware of #TheAmericans when the new season premieres March 7 on @fxnetworks.

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Now for the key art and every season takes on a new color palette. This is no exception and it is as bold as it is fabulous.img_0606A color scheme that will standout on billboards/taxis/buses/subway stations and as per co-showrunner Joel Fields the inspiration behind this season 5 poster comes from Rosie the Riveter.

Yellow is such a striking and often ignored color when it comes to marketing unless there is something that points to the sun in the title; see It’s Always Sunny in Philadelphia, Eternal Sunshine of the Spotless MindLittle Miss SunshineOr if the main characters are also this color; see Minions.

Combining it with two other primary colors is an immediate way to take notice and it is also somewhat jarring visually using such a cheery palette for a show that is this steeped in darkness. But it is also super effective and like a lot of Americans artwork it does read as propaganda and techniques from both countries have been utilized over the last five years (hence Rosie).

There is a sense of unity here and it is impressive that the FX marketing department has found ways of bringing out something different each year – season 2 is still my fave – even though it is always just Keri Russell and Matthew Rhys that feature on these posters.

This also strikes me as a smart idea as rather than throw in Paige training or Stan lurking there is always a sense that at the center of The Americans it is Philip and Elizabeth as spies and husband and wife.

Guns tend to feature making sure you never forget the nature of their work and there is always a sense of unity between them. Here in his hand clasped around her wrist – wedding band clearly on display – which could read as an act of control, but we know this to be sign of togetherness/partnership and their unbreakable bond. Plus Elizabeth is the one holding the gun.

To hammer (accidental USSR related pun) this point home they are dressed in matching blue and the blue of their eyes has been enhanced to complete this mirroring/togetherness. And even though they were physically apart in the final scene of the season 4 the look they share and everything that came before it reinforces just how strong they are as a unit. As does this poster.

The Americans returns Tuesday, March 7 on FX.

 

 

The Americans Season 5 Trailer: Gonna Need a Training Montage

8 Feb

The Americans returns for season 5 next month and somehow things look tenser than ever before. I don’t know how they manage this every year, but the threat levels look higher and also there is some training to be done.

After seeing her mother take out two dudes – including killing one of them – at the end of last season Paige has even more questions about what her parents do and she’s ready to help with the family business. This includes her relationship with Matthew Beeman in The Americans version of Romeo and Juliet and getting self-defense lessons from her mother.

The net continues to close in around Philip and Elizabeth and there is concern that their position is more precarious than ever. Here is the trailer and the ticking clock does a very good job of setting my frayed Americans nerves on fire. Great music timing with the punches too.

Prepare for the all new season of TV's most acclaimed drama. #TheAmericans returns March 7 on @fxnetworks.

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And here is my breakdown of some notable moments.img_0460Henry is still excluded from all important family conversations for obvious reasons. Costume wise Elizabeth is back to silk blouses and not worrying about hiding Keri Russell’s IRL pregnancy. Philip still does dad sweaters better than anyone.img_0488Disguise cave! It is always fun to take a sneak look at their getting ready process and even more so when they’re discussion domestic issues. Philip has concerns with regards to Paige and I don’t blame him tbh.img_0489Maybe all Stan needs is some red string to connect the dots. Or the Carrie Mathison color coding method.img_0466Mischa Jr. is coming! His voyage to the US is far from first class with the trunk of a car providing the non-luxury conditions. I had to double check this wasn’t Matthew Rhys so good casting guys!img_0486Philip and Elizabeth tend to have their most intimate conversations in the bathroom (for anyone who has read my teen TV pieces they will know how happy this makes me) and Philip is also great at miming the clusterfuck they are now in.img_0490Getting every Buffy/Alias training montage vibe.img_0491If this was 2017 Paige would probably be wearing an Ivy Park hoodie. As it is 1984 she is in ESprit. And it is also worth noting her cross necklace is still on display.img_0492A very proud mama.img_0501Stan has very strong concerns about Oleg’s safety as he is still giving the FBI information and this is probably wrapped up in the fact that he already got one informant killed. Oleg looks every level stressed. img_0478This is a tad on the blurry side as this shot is very quick, but here are two new disguises. The last time Philip wore a hat like that it did not go wellimg_0494A gentle stroll in the park or really a difference in opinion about Philip and Elizabeth; Claudia thinks that nothing scares them, Gabriel believes the opposite.

Considering how broken they were at the midpoint last season I am definitely inclined to side with Gabriel on this one.img_0495They definitely just did something bad. Bonus points for the eerie mist and pensive stares.img_0496A brief look at the new flight themed disguises which debuted in Entertainment Weekly at the end of last year.img_0498And I am always thrilled to see Elizabeth in huge frames.

The Americans returns Tuesday, March 7 on FX.

 

Best of TV 2016: The Best Songs

29 Dec

End of year lists can focus on various things – performances, costumes, episodes, overall show – and one of my favorite things to look back at is the best use of music on TV. Song can transport us to those all important standout moments or introduce us to new music; over the last few years I have compiled playlists from TV to celebrate this. Last year I focused a single show as You’re the Worst is particularly strong in the end credit department, whereas in previous years I have done a general playlist of the year in TV music.

For 2016 I have returned to the latter format going all in with 28-tracks and you can find the full breakdown and playlist over at ColliderfleabagSongs and music from 21-shows were chosen with some getting two tracks (including the above Fleabag) because I just couldn’t chose and a variety of genres feature. There are songs to dance to, induce tears and all other kinds of emotions and I’m really happy with how it turned out.

You can find instrumental pieces from Westworld and Game of Thrones, tracks that have appeared on “Music Monday” from the melancholy to fun cover versionsMr. Robot was messy in season 2, but nailed the soundtrack once again and shows like Atlanta and Crazy Ex-Girlfriend have music ingrained into the very fabric. You will find songs from The AmericansHalt and Catch FireGirlsBlack Mirror and American Crime Story as well as a literal earworm from BrainDead. Plus many, many more.

Costuming is my first love, but soundtracks is a close second and I am so glad I got to compile such an extensive playlist and discuss the best of 2016 over at Collider. Check it out here and get your dance on.

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Best of TV Costuming 2016: Work in Other Places

22 Dec

So 2016 has been bit of an emotional roller coaster on a large global scale and a personal one with moments of so much joy and immense sadness.

Writing wise this has been my best year yet as I finally got over my pitching fears (well, mostly) and have a weekly TV and Style column at The Observer where I have discussed numerous shows and costume moments beginning with Girls back in February. I have also contributed to Collider with several Americans essays and a TV themed gift guide (still time to buy!).

Here is a selection of my favorite pieces of work from 2016 including a personal essay, topics I have been obsessed with for a long time, discussing so many different shows from this year (with a dash of the ’90s) and I also got to interview two amazing costume designers.Outlander Season 2 2016Kicking off with the essay that was incredibly hard to write, but also gave me great comfort after my father passed away in July. I got married in September and in the lead up I knew it would be a very happy day tinged with sadness and writing about Outlander, my father and our shared heritage helped.

I don’t tend to be someone who is good with sharing my deepest feelings and personal essays are an uneasy prospect: however connecting to the work of Terry Dresbach and the Outlander team led to an outpouring of words.the americansI wrote about The Americans a lot in 2016 both here and other places. I spoke to costume designer Katie Irish at the start of the fourth season about Coach, the many coats and other costume design disguise secrets.

For Collider I went deep about Elizabeth Jennings and motherhood, why the teens on this show don’t fall into the usual annoying obstacle trap and looked at how the Cold War is making a comeback on TV (this was before other significant events).westworldOne of the most fulfilling experiences of 2016 was talking to Westworld costume designer Ane Crabtree after the season finale. Part of this is because I have been writing about Crabtree’s work since TV Ate My Wardrobe started with Masters of Sex and because of all the anecdotes and insight I got from this phone conversation.fleabagOne of the first pieces I wrote on TV Ate My Wardrobe was about lipstick on TV/film and I expanded upon this idea while discussing the Empire CoverGirl line and how powerful make-up can be.

Other key lipstick essays include two of my favorite shows of the year with how Fleabag paints over the cracks and the portrayal of women working in the tech industry in the ’80s on Halt and Catch Fire. And the time jump on Halt and Catch Fire allowed me to address my own nostalgia and one of my favorite style decades.img_4381In a similar vein, but at the end of the scale the build up to new Gilmore Girls was the perfect time to address all the fashion mishaps of the early ’00s.

BrainDead is one of my favorite shows of the year for being fun, weird, having so much flames chemistry and rethinking how to do a “previously on.” Plus it gave me so many outfit goals and I got to expand on this further heregame-of-thronesAnd now for my most viewed article, which also happens to be one of my favorite costume moments of the year when Sansa made sure Jon knew he was family by making him a very Ned fur.

Also on the subject of Game of Thrones I previewed the “Battle of the Bastards” with a ‘Who wore it better?’ competition and went all in on Cersei’s power move ensemble.

On the pieces I have wanted to write about forever track; Angela singing on Mr. Robot let me go all in on the sadness karaoke essay that has been itching to come out since Eliza sang “Chandelier” on Selfie.

The second season of Mr. Robot was messy in places, but the women delivered and it gave me plenty to write about from a costuming perspective. Oh and everyone looks hotter in sunglasses as the Fug Girls always say.felicity-and-marciaA tale of two haircuts and I am very proud of finding a very strong link between Keri Russell’s infamous Felicity haircut and Marcia Clark’s mid-trial makeover. American Crime Story’s “Marcia, Marcia, Marcia” is one of my favorite episodes of TV this year and exploring the legacies of a style change was incredibly fulfilling.

I binged the first season of Crazy Ex-Girlfriend the week after my dad died and it was a much needed distraction so I will forever be grateful for Rachel Bloom and Rebecca Bunch. Season 2 has also provided some very interesting talking points including portrayals of lady friendships and makeovers. Plus Rebecca’s imagination delivers on plenty of fun costume changes.

Here’s to more in 2017 and for my author pages at The Observer and Collider head here and here.

For individual costume highlights check out Best of the Rest Parts 1 and 2.

 

 

 

Best of TV Costuming 2016: Best of the Rest Part 1

16 Dec

Welcome to TV Ate My Wardrobe’s “Best of 2016” costuming series and rather than doing a straightforward countdown we’re going to do a variety of posts that look at which costumes and shows have made a huge impact this year. From items we want in our own wardrobe to pieces that got everyone talking; we want to celebrate the work of television’s best costume designers.

This week we kicked off our end of year coverage with a deep dive into the Jennifer disguise on The Americans and how it encapsulates the vulnerability that is creeping in.

Today we’re going to switch things up and take a broad look at some of the individual costume standout moments with entries from Game of ThronesPreacherBroad CityGood Girls Revolt and more.

Stay tuned for part 2 next week.img_4802img_4801Most on Point Family Accessorizing 

Sansa and Jon Snow did not appear on screen in conversation with each other before season 6 and yet when these two Stark children (cousins not siblings) were reunited the room got very misty all of a sudden. Starks finding each other has been a long time coming as there have been so many near misses over the seasons. To show loyalty Sansa gifted Jon with a fur just like their dad/uncle wore and made herself a fetching new dress complete with wolf sigil. The Starks are back and their little sister/cousin is also hopefully on her way home too.

Okay so things got a little messy with Sansa withholding important information, but in this moment at Castle Black they were at one with each other and their family heritage. For more on this Game of Thrones season 6 moment check out my essay at The Observer.

img_2888The Most Ilana Wexler Use for a Dog Hoodie

I remember seeing this dog hoodie in American Apparel about two weeks before this Broad City season 3 trailer came out and also initially thought it was for an adult (I put the small size down to it being American Apparel). This sight gag was perfect; right down to Ilana thinking the ear holes were for her hair and this sums up Ilana’s carefree (and cropped top loving) attitude toward fashion.

img_4411Best ’90s

The big ’90s fashion resurgence continued with gusto this year and Halt and Catch Fire delivered on a very time specific ensemble that wouldn’t look out of place in a current Topshop display. Ah, the cyclical nature of style.

Also this shot is great as it shows that costume designer Kathryn Morrison linked Cam and Joe together in black and white, but put distance between them as their outfits are the negative image of each other.img_3326 img_3325The Felicity ‘Queen of Sweaters’ Award

There is no doubt that Felicity Porter is the Queen of Sweaters and Keri Russell takes this title once again on The Americans. As this is a winter set show the knitwear levels are high and when I spoke to costume designer Katie Irish she explained that cable knits were one bump concealing solution. And for when the Jennings family go bowling, Elizabeth looks like she borrowed this one straight from Felicity’s closet.img_4617Bringing the Black Turtleneck Drama

Everyone needs a black turtleneck and Queen Judith Light (official title) delivers on the drama in this black turtleneck in front of a black backdrop on this season of Transparent. Yes I would buy tickets to her one-woman show (both IRL and Shelly Pfefferman’s).good-girls-revolt-1-02Cape Most Coveted

I love a cape. I love late ’60s fashion. I love knitwear. It is not surprising then that as soon as I saw Cindy’s green number in the second episode of Good Girls Revolt I wished for knitting skills. Amazon sadly hasn’t renewed this show and I’m hoping it will find a new home elsewhere; it still feels like there is a lot of story to tell and it was only just getting going. Plus I need my fashion fix from this era (especially as Masters of Sex has now also come to an end).tulipSunglasses I Need in My Life: The 2016 Edition

This year I picked up some very Gretchen sunglasses and there is another shades wearer to look to; Tulip from Preacher joined my list of TV style icons and Ruth Negga is also high up on the IRL style icons list after a run of red carpet and Vogue sartorial highs. Part of Tulip’s cool as fuck look is down to her choice of frames and her mix of feminine florals, cropped tops, cute formal wear and edgy leather makes her a costume standout in 2016.img_3965

Teen Bedroom Photo Accuracy 

N.B. This is more an interior/production design award, but definitely worthy of a mention here.

There are a couple of reasons this very small moment in Stranger Things stood out to me; in part it is down to the very teen bedroom photo collage thing that always hits those nostalgia points and the other is because they took photos and didn’t just rely on stilted promo shots. There is nothing that takes me out of something quicker than awful photoshop on a picture (see Spectre for a recent offender) or if they have just taken a still from the promotional department; it really doesn’t take long to get results like this. Although I am now wondering why Nancy has two identical sets of the same photo booth shots. Oh hey, Barb those orange framed sunglasses are cute.

Best of TV Costuming 2016: The Americans, Vulnerability and the Jennifer Disguise

14 Dec

Welcome to TV Ate My Wardrobe’s “Best of 2016” costume series and rather than doing a straightforward countdown we’re going to do a variety of posts that look at which costumes and shows have made a huge impact this year. From items we want in our own wardrobe to pieces that got everyone talking; we want to celebrate the work of television’s best costume designers.

Kicking off with the show which would be top of my list (and has been for the last few years) and The Americans continues the impossible task of somehow getting even better each season and upping the stakes/tension levels. In previous end of year essays about this show we have discussed wigs, the marriage disguise and the act of removing and revealing the truth.

This year is a combination of all of those things as we take a closer look at costume designer Katie Irish’s work with a focus on Elizabeth Jennings, the Jennifer disguise and where we find her at the mid-point of season 4 in the episode “Travel Agents.” 

Performance wise it doesn’t get much better than what Keri Russell, Matthew Rhys and Alison Wright are doing this season (and the ones before) and this episode showcases the best of this very complicated dynamic.

the-americans-4-07The implications of Philip removing his Clark cover in the penultimate episode of season 3 (discussed in detail here) are huge; for whom Philip and Elizabeth are as partners in both the professional and personal. By showing his real face he risks the identities they have crafted and lived over twenty years and this act could be read as one of betrayal. It doesn’t help matters that Elizabeth finds out what Philip did when she turns up at the safe house all dressed up as Jennifer (Clark’s sister) – lovely Jenny – and sees her husband without his disguise on.

What he did was an in the moment choice, but he could’ve at least given her a heads up rather than reveal it in this bombshell manner. Three weeks is a long time to be sitting on this secret and Philip’s sheepish reaction is very much their version of getting caught in the act.

Without Clark, Jennifer is nothing and it becomes apparent to Martha that their relationship is definitely not brother and sister; but the Jennifer disguise stays on because they can’t risk her face being seen by someone who has no love or loyalty toward her. It is a humiliating moment for Elizabeth and not just because the Jennifer cover isn’t entirely flattering.jennifer-the-americansAs the seasons have progressed Elizabeth’s tough exterior remains tough, but through falling in actual love with her arranged suitor she has become emotionally vulnerable and the Martha situation brings all these feelings of jealousy to the surface. This isn’t a conventional love triangle and the last time Elizabeth showed outward signs of Martha curiosity/envy was back in season 2 when Martha referred to Clark’s bedroom prowess (not a good conversation point with a sibling or as it turns out in this case his wife) and yet this is about more than just sex. They have both slept with so many other people as part of their job and this goes much deeper than that.

Sex does play a role and it is a form of communication when the words are hard to find or speak; Elizabeth does attempt to stamp her position as wife (and give them both a much needed release) and yet there is a nagging feeling that can’t be subdued.

The thing about the Jennifer look is that she is meant to be unassuming and like a lot of the spy costumes she is meant to be unmemorable. The glasses swap her face and her clothing is pretty ‘Plain Jane’ and she is very much the original Barb. These granny frames are all kinds of endearing, however there is no glamour here; which is in strong contrast to Elizabeth’s other main cover from this season as the super ’80s stylish Patty. The Americans 4.08 Young Hee and ElizabethAlso RIP to this look as Patty ‘killed herself’ and I am looking forward to whatever new creations costume designer Kate Irish comes up with for the forthcoming season (check out Irish’s Instagram for shots of her research and more BTS from The Americans).the-americans-4-07-travel-agentsSo not only does Elizabeth have to watch her de-wigged husband interact with this woman who he also calls his wife, but she has to do so all while dressed in a confidence crushing appearance (Keri Russell talks about the Jennifer disguise as part of 92Y Americans panel and explains that it is a “little rough” on her self-esteem).

Plus she gets questions like this from Martha “Are you sleeping with my husband?” and rather than go for an “Actually” truth response she takes the much easier road of lying to prevent a figurative gut punch. Quickly followed by a literal one.The Americans 4.07 ElizabethEmotional devastation comes in many forms over the course of this season and The Americans level of romance isn’t one coated in chocolates and flowers. However as a show about marriage it nails the ups and downs of romantic love with Elizabeth uncharacteristically laying out her fears for Philip to see, all while dressed as Clark’s sister Jenny. She is so exposed and it doesn’t matter that her mane of hair is stuffed in that wig (another amazing feat).

The glasses are removed because you don’t want to have a conversation like this with half your faced covered, but the wig and ill fitting pink coat remains (the coat and layers is pure Jennifer, but also act as an IRL bump concealer). Elizabeth poses a hypothetical question where she wonders if Philip would go with Martha if he could; she dreads he’ll say yes because he wants the easier life with a more emotionally available woman, but of course this couldn’t be further from how Philip actually feels and he responds with a hint of confused anger at such a thought.

So much gets said with a look and one of The Americans’ strengths is economy of words; this scene delivers on the complexities of this marriage, how hard it is to show this level of vulnerability and how you can be mad that the person you love could even consider such a thought. Ending with a passionate embrace as Elizabeth still clutches her glasses and the realization that he needs to stay cements what we already knew; these two are made for each other and there is no hypothetical situation Philip would be happy with that doesn’t involve his wife. The first one.The Americans 4.08 argumentIt is also fun viewing this scene in juxtaposition to the very honest marriage discussion (okay screaming match) in the following episode. Here Philip is reassuring his wife that this is the life he wants and she is the one he loves, cut to their big hallway blowout which brings up the names of betrayals and former lovers they haven’t forgotten. The Martha situation is a sticky one, but this has nothing on Gregory or Irina. No wigs or glasses present in this trip down romantic rival memory lane.

This episode directed by Matthew Rhys is the best of the season, but this scene in “Travel Agents” is the one which is the true standout for me; the fact that it involves Elizabeth dressed as Jennifer answering a question she won’t be able to take back and Philip is so emphatic with his answer underscores how good every level of The Americans is from the acting, writing, directing to the costuming and hair/makeup.

Watch the scene below and The Americans returns for season 5 next year and if I had to guess I’d say March again, but I’m sure we’ll find out the date next month during TCA.

For more essays on The Americans by me in other places from 2016 check out:

Big Coats, New Disguises: Secrets From ‘The Americans’ Costume Designer

Personality Crisis: How ‘The Americans’ and ‘Orphan Black’ Blur Identity

Born to Run: What TV Characters Reveal While Working Up a Sweat

‘The Americans’: Motherhood, the Motherland, and Elizabeth Jennings

How ‘The Americans’ Portrayal of Teenagers Puts Other Dramas to Shame

‘Stranger Things,’ ‘The Americans,’ and Why Cold War Fears Are Making a Comeback

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