Tag Archives: Mad Men

Blake Lively, Preserve and the TV Character Lifestyle Site Wishlist

15 Jul

Blake Lively’s lifestyle site Preserve is launching soon (rumored to be July 23) and other than having a name that conjures up images of jam or something to be looked at and not touched, it promises to “focus on artisans and products, many hand-made one-of-a-kind items all selected by Blake. Items will be available for purchase through the site. Preserve is all about story-telling through video. Blake will be in some of these videos.”

Serena GG bloggingNow as someone who subscribes to the Goop newsletter (who doesn’t want a Hamptons summer update in their inbox?!) one ridiculous and extravagant lifestyle blog from an actress is probably enough. Blake disagrees and told UK Vogue last year that “the main element of it is that it’s about storytelling and it’s about living a very one-of-a-kind, curated life, and how to achieve that. There’s nothing like it out there – it’s without a genre.” Ah, it’s “without genre” other than being a lifestyle blog, which I *think* is already a genre. Flashbacks to Serena’s blogging storyline on Gossip Girl is not helping and for some reason I’m contemplating a Gossip Girl rewatch. Send help.

I wonder if Blake will go the way of Goop offering aspirational and mostly unobtainable (for the average consumer) items and vacation suggestions or will she shock us with more affordable pieces. The phrase “one-of-a-kind, curated life” highly suggests the former. So while this doesn’t sound all that original, it has inspired this list of which TV characters I would like to see with their own lifestyle websites. Even if computers don’t exist in their world, parchment also works.

Broad CityAbbi and Ilana, Broad City: From their incredible style, money making schemes, phone finding solutions, dating antics, city travel alternatives and general lady friendship awesomeness I would definitely want a weekly newsletter from this duo.

Sally DraperSally Draper, Mad Men: Surviving boarding school, philandering/judgmental parents and pointers on late 60s teen fashion is what I would expect from this blog. And snark. So much snark and it would be glorious.

MindyMindy Lahiri, The Mindy Project: Dating advice, rom-com New York City tour spots and an endless supply of bright and bold clothing suggestions. Oh and a gym plan that involves celebrity saving scenarios. Mindy Kaling did have a lifestyle blog that she started in 2006 called “Things I’ve Bought That I Love” and it isn’t just crazy expensive items.

Olivia Pope white trenchOlivia Pope, ScandalTeach me how to wear white and not spill red wine down it and how to one might rock a white hat (metaphorical and literal) and still look stylish. Also includes sections on how to handle difficult parents and complicated relationships. And recipes for jam and Vermont vacation locations.

CerseiCersei Lannister, Game of Thrones: How to survive a patriarchal society, manipulation skills, insults to use while drinking copious amounts of wine and intricate braid hairstyle solutions. Also tips on how to accentuate any gown with some armor. Dating advice should be ignored.

Hannibal 2.02 H kill suitDr. Hannibal Lecter, Hannibal: How to look exquisite no matter what the activity with a whole host of fashion advice like “How to wear a three-piece suit while partaking in your favorite hobby.” There is also a cooking section, but you might want to change the ingredients. Take special care to read the etiquette section as rudeness will not be tolerated.

Which TV character would you take lifestyle advice from?

2014 Emmy Nominations – Costumes (Updated to Include Winners)

10 Jul

The 2014 Emmy nominations were announced this morning (for the full list head here) and while I have many thoughts regarding the omissions – The Americans, Tatiana Maslany and The Good Wife in the drama series category just for starters – I wanted to highlight the shows that have been nominated for what we like to talk about a lot here and that is costume design.

There are two costume categories; Outstanding Costume Design for a Series and Outstanding Costume Design for a Miniseries, Movie or a Special and those nominees are below. I would have loved to see Masters of Sex, HannibalThe AmericansSleepy HollowThe Mindy ProjectScandal and The Good Wife feature in the nominations -yes all the shows I write about regularly – however it is a very strong field and some of my favorite costumes from this year are featured on this list of nominees.

Updated! Find out who won below.

GoT

Outstanding Costume Design for a Series

Boardwalk Empire – John Dunn, Lisa Padovani and Joseph La Corte

Downton Abbey – Caroline McCall, Heather Leat, Poli Kyriacou

Game of Thrones – Michele Clapton, Sheena Wichary, Alexander Fordham, Nina Ayres – WINNER

Mad Men – Janie Bryant, Tiffany White Stanton, Stacy Horn

Once Upon a Time – Eduardo Castro, Monique McRae

American Horror Story

Outstanding Costume Design for a Miniseries, Movie or a Special

American Horror Story: Coven – Lou Eyrich, Elizabeth Macey, Ken Van Duyne – WINNER

House of Versace – Claire Nadon, Nicole Magny

Sherlock: His Last Vow – Sarah Arthur, Ceri Walford

The Normal Heart – Daniel Orlandi, Gail A. Fitzgibbons, Hartsell Taylor, Maria Tortu

The White Queen – Nic Ede, Raissa Hans, Elizabeth Healy

The 66th Primetime Emmys will take place Monday, August 25 and will be hosted by Seth Meyers.

Not Letting Go of the Bad Ex: How Don Draper Changed in Season 7 of Mad Men

2 Jul

Last year there was Don Draper fatigue here at TV Ate My Wardrobe and I was joined by Kerensa Cadenas to discuss Don Draper’s bad habits and tiresome antics. Kerensa is back to talk about the more optimistic first half of this final season of Mad Men as we take a look at this excellent run of episodes and how both Don and this season surprised us with its generally optimistic outlook. We also address how this season compares to the previous one and how our predictions matched up (I don’t think they did). In a similar vain we talk about the second half of the final season and where we would like to see these characters end up.

Mad Men 7.06 Burger ChefEmma: I had a quick look back at our last Mad Men discussion and boy was the end of season 6 bleak as Don bottomed out in the Hershey’s pitch going a bit to far into the old memory bank. Nope, no one wants to see a grown man cry over chocolate in 1968 (the same can probably be said for now). One thing we both said we wanted for the final season was to see Joan and Peggy running the show, now while that hasn’t happened entirely, “Waterloo” included a huge professional victory for Peggy and Joan is going to be getting a sizable amount from the deal Roger has struck, so they’re both doing rather well.

Now, before I get into specifics of either of their storylines (and I could basically spend this entire time talking about Peggy and I already have) I want to ask about your general overall feelings about this season. How are you finding Don now as I know we both had reservations about his super shitty behavior last season. Has this season panned out how you expected? Or are you like me and go into Mad Men with no preconceived notions or expectations?

Mad Men 7.07 Peggy and Don hotelKerensa: I think, as we could tell, from last season’s discussion, I was having a bit of a Mad Men burnout. I was frustrated with Don, his actions and his inability to change. And I try to go into a season without expectations but I totally went into this season with completely expecting that Don would be continuing the same old shit that we’ve become accustomed with. And I was totally wrong!

I don’t think Don is totally vindicated yet (which I’m sure we’ll discuss) but overall I enjoyed this season and especially these last two episodes more than I’ve enjoyed Mad Men in a while. And a lot of that does have to do with the character development that Don had–which was not what I expected from this season at all. I really thought I would get more of the same and I’m so glad I was wrong.

What did you think?

Mad Men 7.04 DonEmma: I should add a slight caveat to my no expectations proclamation as Don screwing around was something I fully expected to happen, especially with Megan out in LA. Instead we see Don turn down offers from Neve Campbell – please show keep casting from the 90s teen pool, Rayanne would be my next choice – and a woman in a bar who claims to know him. This is not the Don Draper we have seen in any of the previous seasons and I wonder just why he can suddenly keep it in his pants. He could be trying to make it work with Megan, but I actually think it has more to do with Sally walking in on him with Sylvia and exposing him for the man he is. There is one non-Megan dalliance, however Megan is also there as he responds to a threesome in the most lackluster way I think I have ever seen on TV going from “I’m tired” to “I guess.”

We’ve seen Don hit rock bottom on multiple occasions, this is a whole new subterranean level of shit as he’s been put on leave and is essentially living his life vicariously through Freddie Rumsen. Not that Freddie is the rock bottom signifier and he is the exact person who Don needs in his life. It’s a big surprise seeing Freddie in this role and it is something Mad Men excels at as there is such a wealth of supporting characters from the previous 6 seasons and I like the idea that any of them can pop up at any one time. The opening scene of the premiere is so jarring with Freddie in the pitching seat and yet I never clued in that he had become Don’s mouthpiece.

Freddie plays a pivotal role when Don acts like a big baby when he first goes back to SC&P and this is the episode where Don has been at his most loathsome and pathetic all season – there’s nothing quite like the sight of him emptying out his coke and pouring vodka in to replace it. Freddie has been in Don’s position and like anyone else who has been put on leave he never returned, Don is a special case and it’s when his dick swinging and inability to quit works in his favor. I’ve really enjoyed seeing Don both falter and walk into a room like he owns everything, finally he has some humility and yet the cocksure attitude is also an important attribute. We needed to see him truly fall to appreciate those often unsavory parts of his character.

The first half of this first half of season 7 (or 7a which is less of a mouthful) deals with bridge mending. On the surface everything is fine with Megan and their reunion at LAX is gorgeously shot and she looks amazing in the blue mini baby doll dress. It’s a marriage that has always been superficially fine, underneath it’s like they’re strangers. I do want to talk more about Don and Megan, but first I’d like to take a look at one of the fractured relationships and that’s with Sally.

Oh Sally, what to do with you and your supremely disaffected view on everything. Actually, to be honest Sally is well more adjusted and together than I was expecting and I figured there would be a lot more spiraling and teen rebellion. There’s smoking of course and holy shit is her stance the exact same as her mother, it’s uncanny and once again I would like to bestow all the plaudits on Kiernan Shipka – I would also like to see the Sally college spinoff that Molly Lambert suggested on Twitter. Other than that her greatest act of defiance has been shopping after the funeral (or during maybe) of her roommate’s mom, getting a nearly broken nose while ‘sword fighting’ which leads to some incredible Sally sass at her mother – “It’s a nose job, not an abortion” – and probably her biggest rebellious moment is smooching the nerdy kid instead of the stud. Her mother would not be happy with that last one, though I did worry they were heading towards a Betty going for the young guy story. Maybe Sean’s stripy pants (which are so Felix from Orphan Black) and moon landing bad mouthing put her off. Or she realized how gross it would be.

Wow that was a tangent and what I really wanted to discuss is the Don/Sally road trip that finally allowed Sally to rail against her father. Don finally showed his children where he came from at the end of season 6 and Sally is still justifiably angry at him for all those other secrets he kept. The anger and hurt in her voice as she spits out the word hairspray in reference to Sylvia is another astonishing delivery from Shipka and Sally’s rage at this shattering moment – I would say it took her innocence but seeing Roger getting a blowjob gets this unfortunate crowing glory – is what Don needs to hear to wake up to the asshole he has become. After the good, but not great season premiere this second episode delivered and Sally telling Don that she loves him at the end of the episode is one of the several scenes over this season that I suddenly found myself tearing up at. Before I dive too far down the Sally/Don rabbit hole, I want to ask what your thoughts are regarding this sequence of Don and Sally scenes?

Mad Men 7.02 Sally and DonKerensa: I think that after the last season–Sally’s come to see her father in a much different light. I think especially after seeing his childhood home, that it puts some of Don’s behavior in a context to her. I think Sally (and Kiernan’s always awesome performance) is at that point in teenager-dom where you being to recognize that your parents aren’t infallible which is always a cocktail of emotions–angst, respect, disbelief–and I think that’s where Sally is at with Don. Which I think echos in that final “I love you,” is that she appreciates that he’s opened up but does that change that much?

Mad Men 7.06 Megan and DonEmma: Yeah I think you’re very right and in a way Peggy’s experience with Don has echoed that of his daughter; realizing how fallible he is and how at times he can be downright awful. This season has been about Don proving to those closest to him that he isn’t a lost cause and he has certainly won me over. Contrition is important and it’s why his whiny baby drunk antics when he first went back to SC&P felt like an ‘uh oh’ moment. Luckily Don does have some capacity for change and Freddie Rumsen has been vital in Don coming to terms with his limitations and bull shit.

With Megan, the dissolution of their marriage seemed inevitable as no matter how hard either of them tried and how great they look together (and the shot of them on the balcony together is stunning). It’s all a facade and it always has been in a way; was the only time they were happy on screen when they were on their first trip to Hollywood and have they been trying to mimic that ever since? As a self-confessed Megan lover (and I’m pretty sure you feel the same way) I’m going to be sad if this is the last we see of her (in part because think of all the outfits we’re going to miss out on), but I’m also glad to see how they ended things. Not with shouting and screaming, instead with quiet resolution and acceptance this over. Or as Pete affirms that marriage is “a racket.”

We’ve barely seen Don interact with Betty all season, she refers to him as being like a bad ex-boyfriend and a fleeting memory and the strongest relationship he has with a woman is Peggy and to be honest I quite like it like this.

How do you feel about Don and Peggy this season?

Mad Men 7.06 Don and PeggyKerensa: I’m going to really miss Megan as well. I do kinda think that it will be the last time we see her though. I mean, what ties other than being Don’s wife does she really have with him now? She’s in LA, he’s in NYC. They don’t have kids. I’d be very happy to see her, but I think the resolution that their relationship came to felt perfect and in the changing scope of Don, felt adult.

I think your thoughts about the Peggy/Don relationship echoing the Sally/Don one are spot on. Don lashes out and Peggy and she to him because they know that deep down they are the two who truly understand one another. You can see that in the ways they both work, live and even love to a degree. I think that Don, especially during Peggy’s pregnancy, functioned as such a formative figure in shaping who she has ended up becoming. I think we can argue that at times that can be detrimental, but when you see her give her pitch to Burger Shack, it’s great to see that she’s beat the king.

Mad Men 7.07 hugEmma: I’m so glad we got to see Peggy get a win this big after how she started the season on her hands and knees crying in her apartment. When season 6 ended with that glorious pantsuit it seemed set for Peggy’s moment of triumph, but of course this isn’t that show and she still has many hoops to jump through. So to see someone like Lou in Don’s office rather than Peggy wasn’t a surprise and yet it was still disheartening.

Peggy hasn’t been completely innocent this season and I’m glad they haven’t shied away from how difficult and even awful she can be at times – the Valentine’s incident with Shirley is the best and most cringy example of this – she is Don Draper-esque in quite a lot of ways. Peggy pushes everyone away and her closest relationship is with a 10-year-old boy, which is incredibly depressing considering the child she gave up and just how alone she is. And yes I really want her to hook up with Stan still. We got that very cool scene of Joan joining Peggy for a drink and a Don bitching session and as always I want these two to rule the world.

What did you think about the power shift in the office first with Don’s absence and then with his return? Oh and Ginsberg’s breakdown – did you see that coming?

Mad Men 7.05 Peggy and GinsbergKerensa: I’m not totally surprised re: the power shift. Part of me obviously hoped that they would put Peggy in charge but of course Lou was brought in. And he’s the worst.

With Don’s return the skittishness of the office towards him made a lot of sense, especially for Peggy, cause I know I’d live in continual fear that Don would outshine me yet again which I felt a lot of her contempt stemmed from. But Peggy is really Don’s girl–so many of her actions echo his behaviors.

I actually wasn’t expecting Ginsberg’s breakdown. At first, I actually read it as he was trying to come out? But that SCENE, totally shocked me. It was very upsetting. Were you expecting it?

Mad Men 7.07 PeteEmma: The work place set up and power shift has been one of my favorite aspects this season even if the bi-coastal set up meant a whole lot less Pete Campbell as I love the weasel that he is. The conference calls and technology issues with this was fun as was seeing how well Pete took to the LA lifestyle as he always seemed like such an East Coast guy. Every outfit he wore in LA pretty much made me scream (with joy) as did his receding hairline and awful tan. Just how did he get a woman like Bonnie? (this of course also applies to Trudy and every other woman he has hooked up with, aside from hookers as the answer there is obvious)

Roger taking the death of Bert to step up and get his scheme on is magnificent as is how much disdain everyone has for Harry Crane and I was so happy that his path to power was cut down – even if he has good ideas and tipped Don off I can’t help but despise him.

My Twitter feed was full of a lot of “Holy shit, Ginsberg” before I saw the episode so I knew something was going to happen and as the episode progressed I figured he was going to trash the computer and cost SC&P a whole lot of money. Never did I expect what actually happened and my first reaction upon seeing the box was of course horror, but I also thought it was his ear at first because in terms of what people cut off that seems like the logical (if you can call it that) answer. It’s yet another occasion this season where Elisabeth Moss nails her reaction as she is terrified, shocked and heartbroken.

Hats off to Ben Feldman who has given Ginsberg this skittish energy since day one and didn’t play it as an “I’m so kooky” quirk or go way over the top with these moments of madness. I also got major character whiplash going from his performance in Mad Men to his one on Silicon Valley and even though it looks kinda terrible from the preview I will be watching A to Z purely for Cristin Milioti and Feldman. Like the lawnmower incident this is going to go down as one of those incredibly weird and fucked up Mad Men moments.

Last year we talked about how Betty got her groove back and this season Betty got the best line of the season – “I’m not stupid, I speak Italian” (closely followed by Sally’s “It’s a nose job, not an abortion”) – what did you think of Betty this year?

Mad Men 7.03 BettyKerensa: Ben Feldman has always been so great as Ginsberg and I’m totally looking forward to A to Z–even if it does look kinda terrible. He always played Ginsberg from a place of compassion when he, like you mentioned, could have gone the “I’m kooky” route.

Betty was Betty as always for me. Her trip with Bobby made me feel so bad for him. And I felt for her when she felt like she was being underestimated. But I would argue that her best line of the season was when she was looking back as Don as a “bad boyfriend” someone a “teen anthropologist would marry.” I feel like we didn’t get enough of her for me to fully form anything. What about you?

Mad Men 7.07 Sally as BettyEmma: The problem with the Betty storylines is that other than their shared children, the link to Don and the overarching story is tenuous and so it doesn’t always make sense to see what’s going on with Betty other than the fact that she’s a fascinating character. You’re right about that line, it is fantastic. The trip to the farm was heartbreaking because she really doesn’t understand anything when it comes to her own children; Bobby clearly adores her and yet she thinks the only one who still loves her is Gene. Bobby’s sandwich trade was a dumb move, but then again his mother’s relationship with food is a complicated one that he doesn’t understand. He probably thinks that cigarettes are her lunch now that she is thin again.

Betty’s standard position is envy – of her children, friends, neighbors, husband and ex – and while she can be unpleasant I never tire of seeing how she reacts to these situations. So with Francine (yay!) she sets out to show she’s a fantastic mom by going on a school trip she had absolutely no interest in previously, with Sally they bicker about everything and I was convinced she was going to go after Sean and his stripy pants just because Sally had shown an interest in him. Luckily Sally went for the more age appropriate Neil after he showed her the stars and went against the type of dude her dad is (which is not a surprise after the Sylvia incident last season).

For me, Betty’s crowning moment was standing up for herself against Henry – no she doesn’t want to go outside just because he does and yes she will give her opinions on Vietnam if she is asked. Betty had a habit of repressing everything when she was with Don in true WASP fashion and throwing up on her pretty dress was the way she showed her sadness and dissatisfaction. With Henry she’s not going to be a shrinking violet.

Have you got anything else to add about the first half of season 7? What would you like to see happen in the final 7 episodes?

Mad Men 7.06 Bob and KevinKerensa: I appreciate her standing up for herself with Henry as well which I think also speaks to the type of relationship that they have.

For the final 7, I want all the best things to happen for Peggy, Joan and Megan. I’d love to see the show actually explore what was happening with Stonewall and the beginnings of the LGBT rights movement but I don’t think that will happen. I’d love to see Don continue to grow but I don’t know if I think that will happen either, I really think he’s gonna backslide.

What are you hoping for?

Mad Men 7.05 SallyEmma: With the portrayal of the LGBT rights movement I wonder if the Bob Benson stuff in “The Strategy” is all we’re going to get when it comes to that. Hopefully Bob will be back for the final 7 for this reason and James Wolk reasons. His proposal to Joan was so ill-advised but I do understand where he was coming from and there’s no fairy tale ending for him in 1969 sadly, Joan still believes in love which is something I  didn’t necessarily expect considering how pragmatic she has become since having Kevin. Like you I want all the good things for the women of this show. I want to see Sally rule the world or at least get through school without a drug addiction; I have high hopes considering how well she is doing at the moment and how her rebellions have been pretty atypical of a teenager without veering into excess territory. Don’t fuck with Sally, Weiner.

This season ended on such a hopeful note that it’s making me feel somewhat optimistic for Don and I’m not sure if Matt Weiner is lulling us into a false sense of security with this. He is always teetering on the edge of oblivion and I have a friend who is convinced he will kill himself. I think this is maybe too nihilistic and I have hope that Don Draper will be alive at the end of the final episode. I’m not sure what state he will be in, but what I’m picturing is similar to how it started – a dude smoking and drinking alone.

I’d like to see some folks return, but I also don’t want it to turn into a blast from the past parade. Sal would be number one on that list, just to see where this character is now (and this also fits in with the LGTB rights movement) and yet I do understand why they might shy away from bringing back certain people just because they’re a fan favorite.

I’m also very excited to see more psychedelic styling and all things polyester from the end of this decade. It’s going to be pretty sad when this show is over and while I was ready to let Breaking Bad go because of how draining that show is to watch, I’m not sure I’m ready to say goodbye to these characters and for that reason I’m somewhat glad they split the two seasons up.

Kerensa:  Looking forward to what’s next–and I agree. Don’t fuck with Sally, Weiner!

Kerensa Cadenas is a writer living in Los Angeles. She is an Editor for Snakkle. She also writes for Women and HollywoodThe WeekThis Was TelevisionForever Young Adult, and Bitch magazine. She was the Research Editor for Tomorrow magazine. You can follow her on Twitter and read her ridiculous thoughts about teen television at her website.

A Very Cool Behind the Scenes Mad Men Photo of January Jones (from 2009)

25 Jun

January Jones’ Instagram is a treasure trove of Mad Men related antics, party shots, old modeling jobs, throwback Thursday childhood photos and everyday pictures (well as everyday as the life of an actress can get). Jones is also a hashtag maestro with the likes of #comeonbettysaycheese, #bitchesbebossesnow and #poemstohelpmefindBetty (following a Sylvia Plath quote). I was maybe a bit lukewarm to Jones prior to following her on Instagram and this is one case of social media changing my mind about someone for the better (so often with celebrities, especially on Twitter it is the other way around).

This recent photo comes courtesy of Lisa Guerriero, a photographer who has taken some Mad Men behind the scenes shots and she specializes in street photography. This shot comes from 2009 and Jones offers up more hashtag wisdom with #ladiesalwayssitsidesaddle.

Guerriero also recently posted this shot from the season 3 episode “Seven Twenty Three” of Kiernan Shipka (who looks SO young) and Abigail Spencer.

Aaron Paul, Christina Hendricks and Allison Williams Cover Variety

18 Jun

Earlier this week the role of guest star was in focus as part of the SAG “Conversations” series and now Variety is showcasing supporting actors. We’re in the somewhat protracted period of pre-Emmy nominations as the recent season of TV is being discussed and analysed by various sites; trade publications like Variety and The Hollywood Reporter have delivered extensive roundtable conversations and print/digital articles.

Variety has chosen three actors who play supporting characters on critically acclaimed shows; one of these shows is over (Breaking Bad), however it is still very much in contention for the Emmys this year. Aaron Paul’s current stint on TV is no more and Christina Hendricks’ is coming to an end relatively soon as they are shooting what I believe is the last episode of Mad Men. I am sure this will feature heavily in the awards discussion this time next year as we won’t get to see the final 7 until 2015.

The third cover is occupied by Girls’ Allison Williams and I expect her inclusion might be met with some eye rolls and questions of “Why her?” There are of course plenty of other supporting actors who could take her position who are more likely to receive an Emmy nomination (pretty much all of the OITNB cast), but I would also argue that Williams has been incredible on the latest season of Girls as Marnie experienced a steady stream of humiliation (YouTube videos) in her portrayal of a character who is so incredibly unaware of her many awful qualities. The comments Williams makes in the interview might not endear people any further as she mentions that Girls was the first audition she did upon arriving in Los Angeles, while both Hendricks and Paul discuss their long journey to success.

The cover themselves are pretty cool as they show a double exposure like shot of each actor – the ladies get a close up and a body shot, whereas Paul looks like he is dancing – and while the article itself focuses on how strong supporting roles can lead to greater opportunities, characters like Joan, Jesse or Marnie should not be scoffed at. Not that this article is necessarily doing this in an overt manner, but it does have a hint of movies over TV to it and by now we should be at place beyond this outdated value judgement, even if it is in the subtext.

Christina Hendricks

Aaron Paul

Alison Williams

 

The Hollywood Reporter’s Women in Drama Roundtable

2 Jun

Roundtable season is here and I was waiting for the full video to be available on YouTube before I discussed the drama actress Hollywood Reporter session. The full transcript can be read here, but some of the points don’t come across in the same amusing tone and you’ll also miss out on Sarah Paulson’s John Travolta impression.

One aspect I find fascinating is seeing who out of the group is the most vocal and who only really speaks when specifically addressed. This isn’t to say that some of these women are trying to steal the spotlight from others, it’s just some of them are much more experienced when taking part in these types of discussions or they are naturally more talkative. Having a balance between those who take charge and the more shy participants is a good roundtable attribute as it means there is always going to be someone sharing, but it doesn’t descend into talking over each other chaos.

THR drama actress

The lack of diversity on the cover is troubling and as this excellent piece points out, Jessica Paré (who I adore, definitely not a Megan hater here) is far from being a lead actress on Mad Men. Of course these roundtables are subject to who is available and this automatically rules out Kerry Washington (new baby). Washington shouldn’t be the only flag bearer of diversity and other figures such as Nicole Beharie, Lucy Liu, Danai Gurira and Archie Panjabi are a few that spring to mind. This isn’t just a Hollywood Reporter issue as the forthcoming Variety drama actress panel has a similar problem.

THRLet’s get the other negative talking point out of the way and there is an insistence when it comes to the styling of drama actress covers to go for a pastel color palette (Vanity Fair is another offender), neutrals or monochrome; bold color is seemingly reserved for comedic actresses and this coding is rather tired Also why are they all looking so timid? They all portray women who would not stand for this nervous approach so it’s disappointing to see The Hollywood Reporter go for a shot like this.

Oh and Keri Russell somehow makes the Burberry Prorsum lace and granny panties look work; this is an incredible skill as I recoiled when I first saw this on the runway last September.

*End of rant*

The actual conversation manages to skirt around the “having it all” trap – a man will never get asked about juggling family and work – with children only coming up while they discuss paparazzi intrusion and scenes that have been difficult to shoot. Julianna Margulies’ tip to get rid of paps is to wear the same outfit to the gym as it looks like the photos are from the same day and Claire Danes talks about how aggressive they are when she is with her son, which is super shitty. The difficult scene Danes shot on Homeland occurred when she was seven and a half months pregnant and she was portraying a kidnapped Carrie Mathison. Also shooting love scenes while pregnant are as awkward as you can imagine, especially when the baby is kicking super hard. Baby Danes is not a Carrie/Brody shipper.

One fascinating part of the conversation deals with career lows and while this could end up being rather trite, there is a good cross section of success/failure stories. Both Keri Russell and Claire Danes experienced success in their first shows at a young age (and both won Golden Globes for these performances) and have followed a similar career trajectory. Although Russell doesn’t seem to have experienced the same low points as Danes and seems rather content with how it’s all turned out so far. Danes talks about her acting transition period and how doing Temple Grandin changed her acting outlook “I really didn’t have any tolerance for a limited kind of secondary role. I had to wait for Carrie on Homeland. She was the first character who could match Temple’s dynamism. It was the first time I was scared into action, and that felt great.”

Julianna Margulies has also been on not one, but two hit shows and also had a large period of time between both. Whereas Sarah Paulson was on a show that was expected to do well (Studio 60) and it was canceled after one season “It was not only my expectations I was dealing with; I was dealing with everybody else’s expectations about something that was disappointing for them, too.” Jessica Paré is currently experiencing what it feels like to be on a cultural phenomenon that is coming to an end and it sounds like she’s pretty terrified at the prospect as “I’m going back to that place of not having work and not knowing what’s next.”

Awards success doesn’t always translate into an influx of fascinating offers as Vera Farmiga can attest and after her Oscar nomination for Up in the Air she didn’t get a whole lot of work. With Bates Motel she initially resisted, but after reading the script she realized there was something to the part and reimagining of this story. Later on Farmiga refers to the “sophistication in the writing of female characters on TV” and this group reinforces the notion that there are far stronger and varied roles for women on TV as opposed to film. This also translates to the creative forces behind the camera with Julianna Margulies listing all the women who work on The Good Wife “My unit production manager is a woman, two of my executive producers are women and three of the writers.” Female directors have worked on all of these shows with the exception of American Horror Story.

As I’m currently watching Felicity for the first time and I’ve written about the love triangle in a pre-social media era, a question about this show and how its defining moment in pop culture would have been received on social media is going to peak my interest. Of course it is haircut related and Keri Russell is pretty shoulder shrug about the whole thing as a shocking TV moment “You think a haircut’s going to beat out blow jobs? That’s so tame compared to what’s going on now.”

For more including a bakery venture I want to happen and unfiltered thoughts on John Travolta’s Oscar mispronunciation watch the whole discussion below.

 

Out of the Box: Look of the Week

30 May

Switching things up this week for “Out of the Box” with a Mad Men mid-season finale special. My favorite look from this episode is what Peggy wore for her triumphant Burger Chef pitch and you can see that here. Janie Bryant continues to deliver a range of exceptional costumes that stay true to a particular character’s evolution and here are my other standouts from “Waterloo.” These include some ensembles that I’d like to have in my own closet and not just for a 1960s fancy dress party.

Mad Men 7.07 Peggy mint greenStarting with Peggy and I adore this mint green crew neck dress. The horizontal pattern is vibrant without ever edging into anything ‘typically’ 1969 and Peggy’s never going to go down the psychedelic route. Peggy’s worn some great things in the office this season and this is a dress that wouldn’t look out of place in 2014.

Mad Men 7.07 MeredithMeredith’s two piece is far less contemporary and her attempts at comforting Don are hilariously off the mark. The zigzag trim is very distracting, but the daisy pin can stay.

Mad Men 7.07 MeganIt’s the mint green phone which has played such a pivotal role in this long distance relationship and this is now coming to an end. Megan as always looks like no other character on this show and all season she has been embracing LA style distancing herself further from her life with Don. She’s relaxing in a super cool blue and orange bikini with a floral bathrobe that reads way more casual than her previous pink one – I guess bathrobes can fall into fancy and non-fancy categories.* I love that their relationship ends not with fireworks, but with a sad and accepting realization that this is dunzo. They’ve been done for a long time really and this season has been about going through the motions. This could in all likelihood be the last time we see Megan and yet as a fan of her character there’s part of me that hopes there will be an organic reason for an appearance during the final seven episodes.

*Update! It’s not a bathrobe, but a bathing suit cover up over the turquoise blue bikini with orange vinyl trim that Janie Bryant designed for Megan. Thanks to Janie Bryant for clarifying this on Twitter and solving my robe quandary.

Mad Men 7.07 Betty and SallyMoving onto summer suburban fashion back on the East Coast and Betty is as polished as she ever was. Sally’s plaid shirt and khaki shorts rejects her mother’s feminine style and it’s another example of plaid persevering through the ages; turn those shorts into denim and cut them a little higher – no underbutt please – and you’ve got a perfect summer look for now.

Mad Men 7.07 Sally as BettySally can’t escape her mother that easily and while Betty would never wear something like this as it’s far too modern, Sally’s hair and especially her smoking pose have an eerily similar quality to the person she has been sassing all season. The purple ensemble is cute and flirty without straying too far into ‘sexy sexy’ territory and all I want from this show is a happy ending for Sally. OK, add Peggy and Joan to that list.

Mad Men 7.07 PeteBack to the office and Pete’s tie perfectly matches the coffee cup that will always remind me of Bob Benson. Pete, you can’t escape the memory of Bob that easily.

Mad Men 7.07 Mad JoanThe red of Joan’s dress matches the anger on her face. It’s a great dress and I think I finally understood why Joan has been so mad at Don all season as her priorities as a single mother are different to the other partners. Plus when you factor in what she had to do to get a seat at the table her rage is explainable, I just wish they had done a better job with laying this out.

Mad Men 7.07 Ted and JimThis is more for the giant light bulb lamp in the background and Roger’s office is an interior design delight. Look at those curtains!

For more on this season of Mad Men head here.

 

Peggy Olson, Don Draper and the Shared Experience on Mad Men

26 May

Television has the ability to stir an emotional response in us and it’s one reason why so many of us write about it, whether on a blog like this one which talks equal parts style and plot, or with the plethora of excellent sites that produce astounding work on a daily basis. Mad Men has explored notions of shared experience and isolation for seven seasons now and as we reach the break this comes into focus through Don and Peggy. It is significant they made such inroads on their formally fractured relationship last week, followed by a passing of the baton of sorts in “Waterloo” just as mankind took a giant leap (sorry I couldn’t resist).

Mad Men 7.07 hotel roomThe build up to the moon landing plays a significant role in this episode and it hinges on the excitement of a potentially grand achievement rather than the previous shared experience TV has delivered of death; the JFK assassination being the defining first televised moment like this. There are daily death notices as the Vietnam War ticks on in the background (according to a Gallop Poll in 1969 52% of Americans personally knew someone who had been killed/wounded in Vietnam) and there’s a general atmosphere of uncertainty hanging over the nation. The moon landing is a joyous moment anticipated by many; however fear and cynicism still hang in the air. Fear they might not make it and another tragedy will play out in front of the world (it will also impact their pitch if something horrible happens). The cynicism angle is voiced by the disaffected youth with Sean – the son of Betty’s friend – referencing how much this mission is costing and the problems back on Earth. Sally mimics this later to her father, but hope is not something you can put a price tag on (even if Sean has a point).

Everyone is doing the same thing as they sit with their family – or in the case of Pete, Peggy, Don and Harry their work family – glued to the screen together; cynics and believers as one. Let’s take a moment to marvel at Sean’s pants in this scene. They look like they come from Felix’s closet on Orphan Black.

Mad Men 7.07 the Francis FamilyDon rings the family Francis to experience this with his kids and it’s significant that we only see him interact with Sally because by this point that’s the only relationship we’ve seen cultivated. Though I would have loved to see his chat with Gene, just to see this kid talk and Bobby’s also become somewhat endearing thanks to his bad bartering and stress stomachaches. However, Sally’s sass complete with her scarily accurate Betty smoking posture is what we’re really here for. Plus she kisses the boy least expected and is doing her civic duty by being a lifeguard. For all my worries about Sally, I think she’s going to be ok in the end.

Mad Men 7.07 Peggy and DonLast week Anne Helen Petersen wrote a terrific and terrifyingly accurate essay entitled “What Peggy Olson has Taught me About Doing it My Way” and like both Petersen and Peggy, I am in this same age bracket (I turn 32 in September *shudder*). Both this essay and Peggy’s sentiments rang true (so much so that even thinking about that scene makes me teary) demonstrating how TV can be a shared experience on a whole other level. Watching Peggy struggle and flounder in her interactions with others this season (the Shirley/Valentine’s Day mix-up is the lowest Peggy got for me) has been hard because Peggy for me has always been the one I want to succeed the most.

In “Waterloo” we get our Peggy victory as she pushes past her insecurities and uses the huge event from the night before to forge an association going way beyond the “voice of moms.” It’s an incredible performance from Peggy as she taps into the hope from the night before and spins it in a way to sell burgers through togetherness. For Don to finally understand Peggy’s worth he had to be reduced to a position of nothing. By handing over the pitching reins Don is giving Peggy the one thing she has always desired; his approval and confidence in her abilities. So while she panics and laments the lack of liquor, this fear also gives her strength.

Don uses his personal life to inform his pitch and Peggy does the same as she discusses the 10-year-old at home. At no point does she refer to Julio as her son, even if he has become a surrogate of the child she has given up and Pete visibly flinches at this reference (their child would be slightly younger). Earlier in the episode when Julio tells Peggy he is moving, she weeps silently as she will lose one of the few real bonds she currently has (which is depressing in itself) and if anyone is starved of human contact on this show it is Peggy.

Mad Men 7.07 Peggy and Don hotelIgnoring Harry – which is on point – in the hotel room is a trio who have deep insight into each other thanks to the secrets they share. Family is a vague term that Pete doesn’t like; Pete’s real family is a closed off dysfunctional mess so it’s no wonder he’s not too fond of this concept. There is another family and this one has been just as complicated (if not more so), however they’ve also been a lot more accepting of his flaws and often undesirable personality traits.

Pete is the one with the most information as he knows about Don’s past and that he is the father of the baby Peggy gave up, Don knows about the baby, but not Pete’s involvement (I doubt he would be as favorable to Pete if he knew) and well, Peggy of course is aware of her baby secret and is in the dark about Dick Whitman. The connection between these three characters exists not just because of these secrets, but it certainly adds subtext and a bond that doesn’t exist with anyone else at SC&P as Bert was the only other person to know about Dick and now he’s dead. So long Bert and your no shoe wearing policy, I’m glad you got to see the moon landing even if I wish you weren’t such a horrific racist. Cool song and dance number too. Bravo.

Mad Men 7.07 BertYeah this happened. It was delightful and bonkers. Plus it fits in with Don seeing the ghosts of those who know about his past. This is the first time singing and dancing was part of it, but hey it is 1969 and everything is a little off-kilter.

Mad Men 7.07 hugBack to Peggy and she lands the account; there’s little fanfare as everyone is busy with multimillion dollar making (and Don Draper saving) business deals and saying farewell to Bert Cooper. There will be celebrations and these will come off camera as I’m sure time will have passed when we return next year, instead we get this moment instead and it feels just as good. Peggy did it and the relationship she has with Don is the closest either of them have. This might sound depressing, but remember where they both were at the end of last season. Jon Hamm and Elisabeth Moss continue to deliver exceptional performances revealing the pain and potential happiness these characters can achieve and both have a place on the ultimate glassy eyed Olympics team I am forging (see also Aaron Paul, Julianna Margulies and Caroline Dhavernas).

Don appears to have lost Megan for good this time as his suggestion of moving to LA was met with silence and then a sigh; it’s been a facade for a long time as they’ve essentially been playing husband and wife, rather than living it. Instead Don now has a confidant again – yes he has always had Roger, but their friendship is something else all together – and for Peggy it is important that she is no longer adrift either. Who knows what they can achieve together and like the moon landing there is now hope for a happy ending.

Mad Men Music Monday: “I Know, They’re Playing it all the Time”

19 May

Just like that, Mad Men takes what could be considered a really obvious and cliched song choice and turn it into a moment that near on had me sobbing. It’s on the nose and yet like any classic/overplayed track, there is a reason why it has been played so much. In this scene it becomes about these two people who fear they have nothing and despite how out of sync they have become, they circle back to each other.

One of my recent complaints about relationships between men and women on TV is there is rarely a middle ground for friendship and there is always temptation to turn it into a “will they/won’t they.” Regular readers of this blog will also know how much I enjoy this storytelling device, but there are limits and I’m glad Mad Men understands these parameters when it comes to Don and Peggy.

Mad Men 7.06 Don and PeggyPeggy is struggling with the Burger Chef pitch and part of this is down to Don’s return as she’s now questioning her work against the Don Draper standard. There has also been a push/pull between these characters since he has come back to SC&P and conflict has always existed between them; it has just been magnified this year. Peggy’s confidence has been shaken and she’s been slipping all season and the promise of the plaid power pantsuit we saw her wearing at the end of last season feels like a distant memory. What transpires between Peggy and Don while they brainstorm in the same location as “The Suitcase” is another version of this episode and those conversations. This time Don isn’t screaming “That’s what the money is for” and instead he is actually actively helping Peggy with her problem.

Mad Men 7.06 My WayParallels exist between Peggy and Don from the secrets they harbor to the way they are both searching for a connection and the really special episodes of Mad Men are when they connect with each other. Pete thinks the word ‘family’ is vague, but so is the concept they are replicating and Peggy asks Don “Does this family exist anymore?” when the real question is whether it ever existed in the first place. Age and specific years are mentioned in “The Strategy” with Don and Peggy mentioning 1955 (a great year for Don) and 1965 (a great year for Peggy) and we are reminded of the first point of major upheaval on Mad Men with a newspaper from November, 1963. Peggy mentions that she just turned 30 and she kept it a secret; this age signifies her lack of achievements, despite her professional success story. From personal experience, I had the “shit, I’m turning 30” tremors and I can’t even imagine what it would have been like in 1969 with a whole other list of expectations focusing on family.

With Joan, Bob sites her age (nearly 40) as a reason to settle with him but she’s still after true love, no matter how fanciful and ridiculous that sounds. Bob mentions that GM expect a certain kind of executive and he is looking at things through the heartbreaking reality of this era. They would be the perfect family, except it would all be a lie.

Mad Men 7.06 Dancing“I worry about a lot of things, but I don’t worry about you.”

Offering Peggy a handkerchief is a kind gesture, offering her a hand and a dance is so much more and it’s one of the most intimate moments this show has produced. Peggy rests her head on Don’s chest, he kisses the top of her head and I sit here and get teary about how illuminating this exchange is. Elisabeth Moss and Jon Hamm are electrifying in these scenes and this could easily be an Emmy submission episode for either actor. For every awful and self-pitying Don Draper action, this makes me forget it all and by reinforcing this relationship gives me a reason to cheer for a Don success story instead of last year’s figure of loathing. Another show might have gone in for a kiss, this is not that show.

Peggy and Don to sing “My Way” at a karaoke bar in 15 years time, please.

http://youtu.be/8m0dJXtwwiY

 

Mad Men: Keep me Hanging on the Telephone

12 May

Continuing this look at Mad Men’s final season through a variety of essay topics, soundtrack observations and style pieces (both personal and general costume design).

There is a new computer at the offices on Mad Men, but it occurred to me while watching “The Runaways” that because so many of the characters are in scattered locations there’s not much keeping everyone connected. Except for the telephone and so I present to you my look at this week’s episode in the guise of phones and those making the calls.

Mad Men 7.05 MeganLong distance relationships are hard and long before there was Skype; phone calls were the way to stay in touch beyond the written word. It’s not surprising to see a chunk of Megan/Don’s interactions over the phone this season and last time we saw them chatting things weren’t so swell:

Megan phone 7.02Megan sobbed into the mint green receiver unable to hide her resentment and rage tears at Don’s latest deception. Being on the phone means we can mask our feelings as the person on the other end can’t see those eye rolls or blah blah blah expressions and on this occasion Megan’s emotions poured out. It’s all good between Don and Megan again, well it’s mostly good except the gulf between them continues to grow and there’s new points of deceit. This time it’s coming from Megan after she was given a window of opportunity to dispatch Don’s kinda niece Stephanie back to where she came from with a check for $1000. Megan’s insecurities are showing and there’s a competitive streak with this beautiful blast from Don’s past and who he really is.

Mad Men 7.05 Stephanie Mad Men 7.05 Stephanie part 2Enter Stephanie and she goes from one grimy phone booth to another. This is a connection to Don’s Dick Whitman life and it’s the first time the name ‘Dick’ has been uttered this season. You can conceal a lot on the phone and Stephanie doesn’t rat Megan out for pretty much pushing her out of the door.

Mad Men 7.05 kitchen phonePost threesome morning after phone calls from a pregnant girl who is sorta your husband’s niece but not really, takes some of sexy sheen off the whole thing. Actually that’s the hangover sweats and I love that both Megan and Don kind of look like shit, well as shit as you can look when you look like them. Megan’s pink dressing gown is becoming quite the focal point and it takes on a different appearance for any situation; she looks so sad and Betty like when she’s sobbing into the phone (not that Betty would sob “I’m not stupid. I speak Italian”), Stephanie had a whole new glow in it, which in turn prompts Megan’s bratty reaction and here it signals booze and sex.

Mad Men 7.05 Megan and DonIs it rather extravagant to have two phones in an apartment this small?

Mad Men 7.05 AmyAmy is comfortable enough in Megan’s world to answer her phone with a bit or just whenever and the phone rings a lot. This is very much Megan’s apartment, so when someone from Don’s world enters it shifts the balance. As it does when Harry Crane showed up and I laughed so hard when I remembered how much Megan despises him. Harry does have his uses as he spills some rather important information to Don. Everyone in this firm is so divided with both the West/East Coast aspect and where loyalties lie. Harry might be a chump, but he’s also been very helpful on more than one occasion. This is a chance meeting that could only happen in person.

Mad Men 7.05 BettyBetty has to deal with more Sally drama as she broke her nose “sword fighting” and like her mother I don’t buy this BS story. Anytime Betty gets a call and pulls this face you know it’s because Sally fucked up somehow.

Mad Men 7.05 PeggyIn the most heartbreaking moment of “The Runaways” Ginsberg suffers a full on psychotic break that has been in part triggered by the new computer. Ginsberg once told Peggy the story of how he came to be and he turns to her once again with these new fears. After a semi-spiral where he ends up at her apartment he appears lucid when he comes to her office with a gift and a solution to the computer’s presence; he has cut off his nipple and all is clearly not well. Peggy’s reaction is one of horror and she manages to make it to the nearest phone, cradling it as she calls the necessary people with the computer looming large in the background. It looks like Ginsberg is heading to a psychiatric hospital and Peggy looks understandably heartbroken by this turn of events.

So yes phones are an important connection tool on Mad Men and yet they also help conceal a multitude of things, it’s why Don could spend so long lying to Megan about his job situation even if she assumed he was having an affair because he was never in the office. It’s why things get so fraught between the two offices as the conference calling technology is still super glitchy; phones are aiding communication and alienating in equal measure.

And if you want your very own 1960s phone there are plenty on eBay.

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