All the pieces are moving into place as we enter the final stretch of this final Good Wife season and “Unmanned” shifts things further forward with some big declarations of the quitting variety. Over at the firm yet another reshuffle is in the works and the enthusiasm with which Cary is fighting it mirrors how tired this particularly plot point is and it is one the writers acknowledge in his conversation with Alicia. The staring at the ceiling is another good indicator of how tiresome this game of musical firms has become. In fact the word ‘tired’ is in frequent use this week from Cary’s demeanor and general feelings to Alicia’s reaction to her visit from Peter at the end of the episode; she is too tired to fight him on this whole divorce thing.
Oh yes about that and it was pretty wonderful to hear Alicia utter those four magical words as she continues to give none of the fucks this season. Peter has cockblocked her one too many times and now she isn’t going to stand for this charade they call a marriage, but Peter being Peter is in political and legal trouble so he needs a favor. That favor being quite a big one as he is willing to grant Alicia’s divorce wish with a caveat; it will take place after the whole indictment business is over. If anyone gets a whiff of Alicia’s plan then it will look like she is leaving him because he is guilty and as with where The Good Wife started he needs her standing by his side.
We don’t get to see Alicia’s answer this week and in the past I would have automatically assumed it would be a yes. While I am still inclined to believe that Alicia is likely to stand by Peter (for the sake of the kids), there is part of me that thinks she will heed Ruth’s recent advice; if Peter goes down then he might end up taking her down with him and she has worked hard to get to where she is now. The Florrick name has opened many doors and in fact this name is part of Diane’s argument as to why Alicia should become a named partner. That name might become poison, but a divorce might protect Alicia from the fallout.
Not that this is why she has finally got to this point and it isn’t about Peter interrupting her very happy sex schedule either; she’s just tired of this shit that comes with being married to Peter even though they haven’t lived together in years and as with Cary’s decision she just can’t be bothered any more. For Cary he can just walk away and think about his options, it is slightly more complicated in Alicia’s case because of this very real indictment that isn’t just going to go away. Excellent use of a black trench with Alicia making her entrance and feelings very clear when she walked in unannounced into Peter’s office. It has been a good week for this classic garment.
Last week I discussed how The Good Wife is not going to end with Alicia in love; that isn’t what this show is about and if it was well that all ended when Will died. In fact Peter scoffs at what he believes are Alicia’s romantic notions delivering the low blow of “This must be true love. Again.” That knife twist doesn’t get the response he was probably expecting as Alicia tells him “This is me not caring” and I love it when Alicia is in this kind of mood. Love has nothing to do with what has been going on with Jason. Instead this is Alicia having fun for the first time in 20 years with a man that she doesn’t have deeper ties to. It isn’t like Will with their bad timing and complicated work/life setup and it isn’t a Peter repeat having to perform the role of ‘the good wife.’ Currently there are no strings other than the really amazing sex they are having right now.
Striking the work/life balance comes into focus with the return of Anna Camp as former Lockhart/Gardner junior associate Caitlin. Caitlin left back in season 3 to start a family and she has just returned to practicing the law, coming up against Diane and Alicia in court this week. Way back when Alicia advised her not to make the same mistakes she did by focusing on family instead of work and she tells Alicia “I guess you were right. I never should’ve left.” Caitlin is now separated from her husband (who she mentions is in Las Vegas with a telling nod) and she is raising her daughter alone, but Alicia disagrees with this sentiment now. And I’m wondering if this is just a one off appearance from Camp or whether Caitlin will be asked to join the new yet to be re-titled firm.
One costuming aspect to note with Caitlin is that she has taken style cues from both Diane and Alicia.
Both black and white and the floral is distinctly Diane. The first one is more Alicia and reminds me a little of one of my ultimate fave Alicia costumes.
One person whose style is very much her own is Lucca and this week’s Lucca outfit delight comes courtesy of this RED Valentino cherry print number.
Excellent clothing aside, Lucca is in the less than fun position of being caught in the middle between what is going on at the top of the firm and she gets to hear David Lee emphatically declare “I outrank Alicia” when he tasks her with a huge (and probably pointless) assignment. Cush Jumbo works wonders with the tiny amount that she has been given in this latter half of the season, but would it be too much to ask for her to get a something more to do than being Alicia’s sounding board?
David Lee’s plan evolves this week from challenging Diane’s all lady power structure to welcoming it with a twist; he now wants to rinse the firm for everything they have and leave it in pieces. Cary has had enough of this power play structure and with four episodes to go he quits the firm. This season has not been good to Cary what with his battle with Howard and whatever the hell else he has been up to and it is unclear what these final few episodes have in store for him. One thing is Peter’s indictment as he has been subpoenaed – most likely because of his time working for him – and he warns Alicia this is “not good.”
Someone else who is feeling the heat with this case is Eli who has been put in the ultimate catch-22 situation; either he helps bring Peter down or Marissa will be forced to testify against Eli regarding that little bit of warning a judge about a bribery sting operation. Awkward. Eli enlists Diane as his lawyer and she works her magic for now, but this is not going away. The case against Peter was why Eli originally came on board the Florrick train and it is fitting in a way that this is how the series is playing out for Eli.
The question is who will stand by Peter; Alicia, Eli, anyone?
Tags: "Unmanned", 4.18, Anna Camp, Chris Noth, Christine Baranski, costume design, Cush Jumbo, Daniel Lawson, Julianna Margulies, Matt Czuchry, The Good Wife
At the God’s Love We Deliver Golden Hearts Awards (click here for more on this charity) there was a whole lot of Michael Kors on display (the charity is based in his SoHo building) and standout is Cynthia Erivo in a fantastic patterned number. Great lipstick and shoe choice for this look.
Cush Jumbo is a longtime Michael Kors aficionado and this is another hit striking a cute/sophisticated balance. I am also very excited for The Good Wife spinoff for costume and all the Diane/Lucca reasons. Plus Sarah Steele is coming back! 
It is hard to look at Sutton Foster’s ensemble at not sing “Gold” by Spandau Ballet and this is shiny delight. 
One final dress highlight from this year’s London Film Festival and Gugu Mbatha-Raw serves up major in the rain drama with her big umbrella, a beautiful plunging Burberry gown and a fantastic berry lip color.
Good Girls Revolt lands on Amazon next Friday and like I don’t have enough shows to catch up on still (seriously, don’t go away at the end of September). For costuming, story and cast reasons I am looking forward to this and Anna Camp looks great in this very Giambattista Valli cute dress at the premiere. Excellent detail to warm my collar loving heart.
At a Hillary Clinton fundraiser event in New York a whole lot of handsome took to the stage and when can we get a movie starring Jake Gyllenhaal and Jon Hamm? Now would be great. Please and thank you. Preferably a comedy, but that is not a dealbreaker.
The first of three magazine covers that delivered on every level this week and this T Magazine dedication to Michelle Obama was pretty much 50% of what was on my Instagram feed on Monday. Every single time it popped up it still had the same impact and that is one of pure wonder. Such great simple and effective styling; those triangle earrings are making me wish I had pierced ears.
When this cover of Vogue first popped up on my Twitter TL on Friday afternoon my jaw hit the floor; this is the best cover Vogue has done in a long, long time (Teen Vogue you are still crushing it on the cover front). It manages to be a different approach for Emma Stone – love the pixie – while still managing to actually look like her. I am a sucker for all things stripes and I love this cover so much that I’m even fine with the whole cropped element. 
The November Vogue is also crushing it inside the magazine with a series of stunning photos of Ruth Negga and Joel Edgerton promoting their new movie Loving. Negga’s direct stare is disarming in the best possible way and the styling of this shoot is excellent. 
Also giving great face and style as part of The Hollywood Reporter cover story this week. And if this dress looks familiar it is because the pussy bow version was worn by Keri Russell on The Today Show a few months ago.
TV Ate My Wardrobe 