Archive by Author

Behind the Insta-Scenes: Photos from the Set

11 Mar

Welcome to another midweek edition of Behind the Insta-Scenes with a Gossip Girl reunion, snowy weather, guest stars and a lot of very funny people.

 

Beyoncé tickets are her birthright and Gina’s flawless style is giving me denim jacket and striped skirt ideas.

 

Rumor has it that Kelly Rutherford and Matthew Settle have done what Rufus and Lily could not; I am a sucker for cast members being romantically entwined or besties after a show is dunzo. Here they are joined Caroline Lagerfelt who played Rutherford’s on screen mother and CeCe was not one of Rufus’ biggest fans. It looks a lot cozier IRL.

https://instagram.com/p/0Ed_Fft6v6/?modal=true

 

After appearing at the Night of Too Many Stars live telethon Abbi and Ilana are hanging out with Jon Stewart again – this time at The Daily Show.

 

Jane the Virgin returned this week with yet another fabulous fantasy infused setup.

 

The final season of Kroll Show continues to draw all the names in comedy and some super slicked back hair from Aziz.

https://instagram.com/p/z1SWgnuqTP/?modal=true

 

Adam Pally is a very good gift giver. Their coat and scarf game is also v. strong.

 

Spring is upon us but not before the snow has one last final hurrah. Here is the very pretty and albeit very cold looking trailer area on Elementary.

 

DVD sets that don’t come with any episode commentaries don’t quite fulfill their boxset potential; this is not the case with Looking as Frankie J. Alvarez captures one session in action.

 

And here is Daniel Franzese post recording session and a very busy day. Franzese is killing it as Eddie on Looking this season and here is the excellent Buzzfeed article he mentions in the caption.

https://instagram.com/p/0CCrPcP__S/?modal=true

 

Taking the crown for guest star related joy from The Mindy Project is The Good Wife with Lawrence Gilliard Jr. and Arvin Sloane (Ron Rifkin).

 

The Wish List: Mimi-Rose’s Pajamas and Khaki Jacket on Girls

10 Mar

When Girls shot its fourth season over last summer it became clear that Gillian Jacobs would be playing a love interest of Adam’s and we were left pondering how/why Hannah and Adam would implode. The pap shots showed Jacobs wearing what first appeared to be a pair of hospital scrubs with a khaki paint splattered jacket over the top while holding a bouquet of flowers. Was she just getting home from the night shift? On closer inspection the scrubs are in fact pajamas and Gillian Jacobs is definitely not playing a medical professional on the show.

Gillian Jacobs

[Source]

Instead Mimi-Rose is an artist as the paint splatter might suggest, but nope that was already part of the Zara jacket – thanks to Girls costume designer Jenn Rogien for answering this mystery on Twitter – and it’s part of this well crafted minimalist look for Mimi-Rose.

Girls Mimi RoseThis jacket makes a repeat appearance in the following episode “Ask Me My Name” pairing it once again with pale blue (of the double denim variety) and shows reusing pieces in the same way a person would in real life always makes me more thrilled than I probably should be.

Girls ask me my nameAlas the Zara jacket is no longer available – these episodes did shoot back in June so it is not surprising – but there are some on eBay. In better news Mimi-Rose’s classic J Crew pajama set is still on sale for all your comfy bedtime/flower shopping needs.

J Crew pajamas

For more from the TV Ate My Wardrobe wish list series including Jane the Virgin and the final season of Parks and Recreation head here.

The Night of Too Many Stars – Broad City, OITNB and Jessica Williams Take Your Calls

9 Mar

Oh hey it is Monday and here is a bunch of delightful photos from the Night of Too Many Stars including Broad City’s Abbi Jacobson and Ilana Glazer, Jessica Williams and some of the Orange is the New Black ladies to kick things off.

Abbi and IlanaJon Stewart hosted the fifth Night of Too Many stars airing on Comedy Central last night with a live telethon. The event raises money for autism programs, schools and services; since its inception in 2006 the biannual show has raised over $18 million. Ilana and Abbi were just two of the many comedy stars on hand to take your call and here they are with Stewart. Perhaps they are showing him some Kirk Steele.

Abbi, Ilana and Jon StewartJohn Oliver returns to his old stomping ground.

John OliverWhile current Daily Show correspondents Jessica Williams and Aasif Mandvi do their part.

Jessica WilliamsUzo Aduba and Natasha Lyonne give good chatting on the phone face/gestures.

Uzo and NatashaOf course Susan Sarandon is fucking fantastic.

Susan Sarandon

And Aidy Bryant and Ilana Glazer are the most adorable. My love for Aidy’s outfit/lipstick color is strong.

Ilana and AidyTo find out how you can donate to Night of Two Many Stars head here.

 

Seeing into the Mind of Alicia Florrick on The Good Wife – “I Just Had a Thought”

9 Mar

The last time The Good Wife used this approach to show the inner thoughts of a character it was more contained focusing on Will (*sob*) and his preparation for cross examining Alicia showing his feelings of being betrayed by Alicia when she left the firm coupled with a memory of an intense romantic experience. By exploring one single experience in “The Decision Tree” that two people shared the Will/Alicia dynamic played on another level as Will could reveal a vulnerable side in this moment of private space. With “Mind’s Eye” they up the ante by making it about everything; the SA race, romantic feelings for loves past and not yet occurring, Peter, Kalinda, Bishop, Alicia’s kids and Louis Canning. It is all on the table and at several points throughout the episode these different concerns intersect and overlap.

The Good Wife 6.14 AliciaAlicia has a lot on her plate and she has been performing a juggling act all season with work and her campaign. Throw in family and we can ask (with an eye roll of course) can Alicia have it all? With just a week until the election this storyline is in its final stretch as John underlines the importance of this interview. There are plenty of skeletons in Alicia’s closet that could hurt her in this campaign defining interview – an interview Prady has already done and charmed his way through rather successfully – with where her PAC money comes from, Zach’s abortion and the Canning lawsuit. Alicia is left on her own to clear her mind and rest her voice; instead more gets thrown in her direction and she doesn’t take any of the remedies Marissa has bought for her. Alicia is typically a restless person when told to rest especially as there is so much going on for her at this time and for once we are allowed to venture into her thought process.

Where Marissa has no filter and will say everything that is on her mind including telling Grace that she isn’t trying to replace her (and even though Grace has lost her annoying edge I’m sure many viewers myself included would be more than happy if Marissa became a regular fixture in the Florrick family), Alicia is typically all filter. Sometimes Alicia lets her guard down and does not what she thinks she should do, but what she wants to do such as the car park kiss a few episodes ago. Generally she sticks to the ‘good girl’ Saint Alicia brand that has been crafted for her by the media with the occasional push back. Will was one of these push backs when she finally engaged in the romantic affair she had been longing for and yet the reason why this stopped was because of that one time she thought Grace had gone missing (*shakes fist retroactively at Grace*).

The moral/ethical lines are forever blurred and murky on this show and it is why there have been several debates about religion including this week’s Richard Dawkins infused one. When a credit card pop up ad sounds like Will it is like a gut punch memory for both Alicia and the audience. First because I was trying to figure out if I was also imagining that voice and second because we leap into a sex memory. Will’s face is never shown as it is either in shadow or just out of profile; it is just his voice which assures us it is him and it is a deeply affecting. The setup is the same as in Will’s memory from “The Decision Tree” with the trip to New York being a centerpiece and it is the moment they were both at their happiest mixed in with their most contentious. This is the first time this season where Alicia has explicitly dealt with Will and having him spring up when she is already juggling so much is the kind of self-sabotage you would expect Alicia.

Just look at how she is addressing her attraction to both John and Finn with the former looking more likely as she admits in her mind that she does want to sleep with him; the look she gives him at the end suggests something is going to happen sooner rather than later. Finn pops into her fantasies so randomly as he isn’t even mentioned nor does he appear in the episode aside from this moment and I think it is safe to say there are strong feelings there. While John looks like a sure thing I still think this is more fling material and Finn is for long term (this could also be shipper wishful thinking). Her marriage status complicates matters of course and the internal debate she has matches everything we have seen her say out loud about Peter, to Peter and with any other potential suitor.

Peter has of course had several lovers both when they were ‘happily’ married and since the agreement was verbally drawn up last season and the one that still gets to Alicia is Kalinda. Kalinda and Alicia have not shared any scenes that haven’t been on the phone since season 4 and “Mind’s Eye” goes some way to try and justify why this has been a thing; when Alicia thinks of Kalinda all she sees is the woman (and her friend) who slept with her husband (even though they weren’t friends when it happened). When ‘Peter’ says “We don’t talk like this and you know it” of course she knows it but that still doesn’t stop her from tormenting herself with these scenarios. Alicia’s process for working through cases and what questions she might get asked during the interview is methodical taking into account a variety of scenarios; however she can’t be all logical and her usually filtered emotional side reveals insecurities and niggles we have long suspected are there.

The Zach question is one such niggle as she repeatedly sees him dressed as if he is destitute even though she knows he is at college in Georgetown. Why does she keep freezing up at the Zach question? It isn’t the fact that there was an abortion more that she didn’t know about it and this loss of trust is huge. It is also notable that while she eventually tries to ring Zach after making up with him in her mind she doesn’t get through and they are still left without an actual reconciliation. The Grace story this week is interesting (I know, right?!) using her beliefs or in this case wavering beliefs to prompt a frank conversation between mother and daughter while also showing a hilarious vision of Grace as Alicia’s biggest fear – pregnant, sniffing glue and wearing tons of eyeliner/lip gloss. Alicia receives a text meant for Grace (this has happened with my phone after an update linking to my fiance’s phone) and it shows Grace’s beliefs are not as certain as Alicia thought they were. This leads to Alicia’s fear spiral for what might become of her daughter.

As with last week’s interaction between mother and daughter it feels like The Good Wife has finally figured out how to utilize Grace and she might even be nearing Paige from The Americans for the teen character who doesn’t annoy (plus if these shows were set in the same decade these two would definitely be friends, see also Alicia and Elizabeth). The question of faith with Grace weaves into the Canning story as Alicia has been asked to pray for Louis to live through the night by Sandra Beeman (The Good Wife and The Americans manage to intersect here) and while she agrees, she knows it would be hypocritical to do so; Grace is her prayer proxy. It gives Alicia the chance to address what she sees as a concerning text while also following through with her promise in a roundabout way. Unlike Elizabeth Jennings, Alicia doesn’t want her daughter to lose her faith because of her influence and even though Alicia doesn’t believe in it she can also see the positive influence it has had on Grace.

The Canning lawsuit could make Alicia look bad in the press even though she is pretty sure he is spouting bs regarding his dying status, something I thought he was doing right up to Alicia’s visit to the hospital. On one notepad Alicia is working through this lawsuit and every time she comes up with a seemingly winning move something else counters and a settlement looks likely. On the other side of her laptop sits a white pad which has notes for her interview relating to Prady’s interview – does likeability matter? – what she knows about Lemond Bishop’s contributions and her family. The Bishop question is the murkiest as she knows much more than she should let on if she wants to win and at times one train of thought with Canning feeds into her Bishop notes; this is multitasking at its best.

Alicia wants to tell the truth about the Bishop money and she sees a version where she is praised for this honesty as opposed to the usual politician response; luckily for Alicia she has an imaginary Eli to tell her this is a fairy tale and instead she will lose if she comes clean like this. John to an extent also does this in a non-imagined conversation as they debate what the truth actually means with John giving her a politicians answer that lets her avoid the actual truth.

With “The Decision Tree” it played with notions of memory and perception on a singular past event feeding into current emotional conflict and “Mind’s Eye” successfully takes this even further. By giving us a glimpse into Alicia’s mind in this stylized manner it allows The Good Wife to have fun with their format while delivering an episode that is funny, heartbreaking and pushes the storyline forward. Alicia is all about control and this episode is both focused and all over the place in how she is dealing with everything in her life at the moment, while also exploring emotional turmoil from the recent and long ago past. It doesn’t matter that we don’t get to see Alicia’s interview as we have seen plenty of these this season and it is the negotiating in her own mind between these various concerns that really makes this episode a recent standout.

Out of the Box: Look of the Week

6 Mar

Now award season is over (until the summer when the TV awards kick in) we’ve got a mixture of magazine covers, fashion campaigns and movie premieres for this week’s style highs. Michelle WilliamsMy Michelle Williams style crush goes way back and the April UK Elle cover is a fashion delight. Sometimes actress fashion house pairings don’t quite mesh from print ads to the red carpet (*cough Jennifer Lawrence/Christian Dior cough*), but Michelle Williams and Louis Vuitton has worked on every level. This is twee without being too cutesy using leather and lace; the orange is spectacular and it is just a fun cover. With Williams, editorials often lean on fragility with a hint sadness, sometimes a wisp of whimsy and I am glad this moves beyond that.

Gummer sisters and other storiesMamie and Grace Gummer join their model sister Louisa in the new & Other Stories campaign and this Co-Lab collection by Clare Vivier is a mixture of French chic with Cali cool. The range of bags, cropped denim and silk shirts on display here is making me clamor for spring and I’m already adding items to my wish list such as this leather shoulder bag Gillian Jacobs showed off on Instagram and the red one Louisa carries in the shot above.

Mamie GummerOne more shot from the new & Other Stories campaign and while I am not entirely sold on the quasi-fanny pack leather belted bag, Mamie Gummer’s slight 70s flare and shirt styling is giving me all the Jamie Lee Curtis in the first Halloween feels. The jeans aren’t as high in the waist and the shirt is a slightly different color, but it still has the same effortless quality.

Lily James and Richard Madden CinderellaLily James goes full Disney princess in Elie Saab at the premiere of Cinderella, which is surely the ideal time to embrace ethereal pretty. Ol’ King of the North (or that should read former *sob*) Richard Madden is playing his part well and if only he had been allowed to be a beardy Prince Charming.

Karen GillanRemember when Henry lent Eliza his coat on Selfie and she fashioned it into a super sexy funky outfit? Karen Gillan’s Burberry trench look is giving me a whole bunch of Selfie feels at the LA Cinderella premiere. I am still in mourning for this charming, funny and cancelled too soon delight; this outfit only adds to the Eliza and Henry sadness while looking cool at the same time. Now might be the ideal moment to pour one out to Selfie while singing along to the most heartbreaking version of “Chandelier.”

The Americans 3.06 “Born Again” Review: Got to Have Faith

5 Mar

Telling Paige the truth is one constant talking point on The Americans this season; we’re now hitting the halfway mark and Elizabeth has still yet to pull the trigger on this potentially life ruining plan. Different kinds of faith are discussed at length in “Born Again” from Paige’s baptism to Philip using this as a reason why he can’t sleep with Kimmy and still keeping her close at the same time. As with pretty much every episode of The Americans there is layer on top of layer of what is real and what is fake, intersecting so much that at times it is hard to separate the two. Real experience informs the ‘characters’ they take on to deal with their assets and this duality leads to a whole lot of messiness that could blow up at any moment.

The Americans 3.06 Born AgainLast week I spoke at length about this idea of making it real and one way characters achieve this is by using a personal experience and extrapolating what might help in their current situation; this is where religion comes in and saves the day for Philip from both an ethical perspective so he doesn’t have to sleep with Kimmy and on a more spiritual one so he can work through the bombshell Gabriel has dropped on him. Anyone else starting to get the feeling that Philip is starting to miss Claudia right about now?

Gabriel continues to be a sneaky bastard by playing all the angles with Philip and Elizabeth as he tells Philip about the child he thought his first love had made up back in season 1. Does this Mischa exist or is it all part of the big push to get Philip to continue down this extremely compromising path? The cause isn’t necessarily working as a tactic to get Philip to do whatever it must take but Gabriel knows how strongly Philip feels about his children and this includes one he has never even met. With Elizabeth he pushes her button relating to action and while she claims she is handling all things Paige he notes she has done just as little as Philip in this area. By prompting Elizabeth in this manner she starts laying the seeds by taking Paige on a trip down an edited version memory lane so. Gabriel also tells Elizabeth that Philip is losing faith in him and that she can deceive Philip is he is holding Elizabeth back on the Paige plan. This is definitely not going to cause issues…

Control is key and Gabriel has returned to the position of handler with a very different relationship dynamic in front of him and so he is exerting weakness in them where he can to aid the cause. At the moment this does appear to be working and despite the united front Philip and Elizabeth present and deeper bond they share, there are still fundamental differences between them and Gabriel knows this. Kimmy is one such tool as the window for how often Philip has to get in her house is much shorter than he expected; once a week rather than once a month. The whole spiritual excuse for not wanting to sleep with Kimmy is not going to cut it and Kimmy is noticeably cold with him when he approaches her post school. Enter the real part of Philip’s life in the fake story and something he hasn’t told Elizabeth yet – I’m pretty sure he was going to but Elizabeth started talking about Paige – about his 20 year old son as the reason he has gone back to church. He asks Kimmy to pray with him and not only does she do it, but she adds on her own part showing her compassionate side. And I think we now need to switch Poor Martha for Poor Kimmy because this is only going to end in heartbreak.

The Americans 3.06 Elizabeth and PhilipPaige is pretty certain of what she wants and who she is; the baptism goes ahead without any upset. Well the only consternation comes from her parents and Matthew Rhys and Keri Russell give a master class in subtle facial expression changes moving between distaste and fake smiles at what they are witnessing as Paige takes the plunge (echoing the opening scene from the season premiere of Elizabeth in the bathtub). After the baptism Philip asks Paige if she feels any different to which she replies “more at peace.” On the surface this is just one of those awkward conversations between a teenager and her father as he tries to explain to her that she never has to do anything she doesn’t want to and she should just be herself. Paige reads this as being about drinking or drugs, which of course it has nothing to do with (plus Philip is becoming well versed in this end of teen rebellion thanks to Kimmy). This is all about suggestion and he is laying the groundwork in his own way pushing Paige away from this spy path without her knowing.

Bonding time isn’t just set to father/daughter and Elizabeth gets to influence in her own way first when Paige walks in on her having a sneaky cigarette. This is a funny scene as Elizabeth goes to hide her habit and then is all ‘fuck it’ about the situation (I have been here, but with the roles were reversed). Paige reveals to her mother that they know about her secret habit (last season she did have a late night cigarette which Philip rightly suggested the kids would be able to smell) and she remarks that neither she nor Henry is clueless. Oh if only you knew Paige, if only you knew. And soon you might as after this late night discussion about praying – Paige thinks Elizabeth should try it – at the end of the episode Elizabeth opens up partially about her activism past. This includes the first mention of Gregory in a long time and when Paige asks if her dad knew Gregory it acts as a reminder of how messy things were between them back in season 1. I mean it is still messy now, but this is a very different notion of complicated.

Elizabeth doesn’t mention any real particulars other than saying that some of what they did was illegal, but for the greater good and when Paige asks if she has ever been arrested Elizabeth slyly mentions she never got caught. This is another case of The Americans giving the audience a relatable moment as it is normally in your teen years when you realize your parents are people who had lives before they were parents and Paige’s response is the perfect mix of confusion and wonder. Of course there is so much more to tell and I can’t imagine Philip will be thrilled to find out what Elizabeth has done even though she hasn’t really done anything at all. This is also a good point to mention how incredible Holly Taylor has been this season as the role of teen complication on a show like this is a hard line to walk without stepping into frustrating obstacle territory (see Homeland and 24). The writing is also important here and while they have given Paige a storyline that is a teen rebellion of another kind I love that she still asks for a later curfew when Elizabeth mentions how proud she is of her; she is still a teenager after all.

The Americans 3.06 smokingSneaking about is part of their everyday life, however the most surprising act of this kind was not spy related as Philip and Elizabeth shared a sneaky joint out of their bedroom window. This scene was so unexpected and so delightful that I kept imagining something awful would happen to kill the laughter. It did end on a slight buzzkill with Philip mentioning if the operation dragged on and Kimmy got older then yeah he probably would have to sleep with her and yet this was far more chilled out than last week’s disturbing sex training montages. Philip suggests the whole thing in a very cute, simple pulling the joint out of his pocket and gesturing they smoke it way and it doesn’t take a lot of convincing to get Elizabeth on board.

Last week being stoned led to an incredibly devastating and important conversation between the pair. By sharing the spoils with Elizabeth it opens them up in a different way and we get to hear them making a sound that is far too rare with uncontrollable laughter. I want to bottle up the giggling noise Matthew Rhys makes because it is Amy Poehler levels of magic. Yes they are still talking about serious matters and yet they can find the humor as Philip points out how Jesus came through for him with Kimmy and Elizabeth tells Philip about Paige suggesting she tries praying. This scene really is everything.

We cut from this moment to the next day with an appearance from mail robot! Mail robot no longer carries classified files and Martha’s oh fuck expression foreshadows exactly how Clarke is going to feel about this. Also in the FBI office Stan finds out that one of his very close FBI friends has been killed in a plane crash and as this doesn’t connect to the overall story it comes across as somewhat disjointed. Stan is also still feeling all the feelings for Sandra even with a new woman in his life and the whole EST business is an extension of this idea of finding something to believe in. Plus it provides us with another super awkward dinner at the Jennings house as Henry doesn’t know when is the right time to stop asking questions. Oh, Henry.

The Stan/Oleg team-up is absent in “Born Again”, instead we see Nina using the same technique as Philip and Elizabeth inserting her real life story into one that will help get what she wants. In prison Nina’s objective is to get Evi to talk so Nina can get a lighter sentence and she goes about it like a pro first with the nightmares we witnessed a couple of episodes ago followed by recounting her two loves – the communist and the capitalist – and how both loved their country more than her while talking about the differences between men and woman. Nina earns Evi’s trust and then betrays it as quickly as she can wolf down a proper meal and glass of wine. Is this going to be enough or has Nina got another cellmate she will have to break first?

Shot of the Week

The Americans 3.06 ElizabethWhat this resembles is the key art from the first two seasons which played heavily on the red of Russia and while it is just the utility room turned darkroom Elizabeth is striking bathed in red light.

Disguise of the Week 

The Americans 3.06 Kimmy Pink FloydNo new disguises this week sadly and instead here is Jim trying to distract Kimmy long enough to get the operative into the house to plant the briefcase bug. His first attempt involves pot and Pink Floyd, but Kimmy wants to take a bath. With Jim. And thankfully Philip convinces her to go in solo. I love how pissed off the bug lady looks when Philip asks for her earrings as a distraction tactic.

Outfit I Would Wear in 2015

The Americans 3.06 Elizabeth and PaigeThis doesn’t give us the full smart/casual outfit Elizabeth is wearing combining slight flared jeans, heels with a waistcoat, scarf and this fantastic long coat. Also so much hair envy right now.

Music Monday: The Midweek Edition – Lily & Madeleine

4 Mar

The Sunday night HBO shows all closed their episodes with excellent music choices and while both Girls with Chet Baker and Looking’s Spiritualized offering are both A+, I am going with Togetherness as this midweek edition of Music Monday. TV has introduced me to plenty of bands and artists I might not have heard otherwise and this morning has been spent listening to Lily & Madeleine.

First up “Come to Me Now” and the song which introduced me to this wonderful duo as it played during the final emotionally heavy scene and credits of “Party Time.” Punctuating Tina’s “I’m not really good at anything” declaration it offers some semblance of hope in Tina’s moment of despair; a moment I know I have experienced where you can’t figure out what the fuck you are meant to be doing and feel pretty garbage about some of your life choices.

And because I have spent the morning in this semi-productive state while also having flashes of creative self-doubt (standard Wednesday behavior) here is something from Lily & Madeleine’s new “Blues Blades” Acoustic Sessions EP. The song is a cover of Alex Turner’s “Stuck on the Puzzle” from the excellent coming of age movie Submarine. I love both versions and they manage to capture this feeling of being lost.

TV soundtracks forever helping to serve up new music to listen to.

Behind the Insta-Scenes: Photos from the Set

4 Mar

Guest stars, saying goodbye, a premiere date for one of our favorite shows and more behind-the-scenes action in this midweek TV Instagram roundup.

 

The answer to “Where is Clyde?” is quite easy this week.

https://instagram.com/p/zspjsbCtGc/?modal=true

 

It turns out that people don’t hate laughing as the numbers for Last Man on Earth’s debut are rather good. Hopefully it continues this way as I enjoyed the heck out of these first two episodes and Will Forte is still a dreamboat even with the super grizzly beard (his beard level in the photo above is pretty great).

https://instagram.com/p/zvmXoOzRFa/?modal=true

 

On Monday Netflix announced when season 3 of Orange is the New Black will be available (June 12) allowing us to plan ahead and book the day off work. The cast of OITNB has a huge presence on Instagram and Dascha Polanco went for this cute inventive way to announce this date.

 

Slightly less artistic but still getting the message across is Laura Prepon with hashtags at the ready. And the bonus news for Alex/Piper fans – or anyone who watches the show really – is that Larry will not be showing up.

https://instagram.com/p/zwHIs3pQ1m/?modal=true

 

LAURA DERN IS MINDY’S OB/GYN?! Yeah I’m pretty excited about this and the guest stars on The Mindy Project this season have been A+ (which is why so many of them have featured in this column).

 

There is so much bad photoshop used on both TV and in movies when it comes to splicing two photographs together and it has a habit of taking you out of the moment (see also using promo photos for what are supposed to be framed family shots and The Americans triumphs in this area by not doing this). Not so on Looking and I totally believe that this is a photo of Doris and Dom from their teen years and not two separate photos of Lauren Weedman and Murray Bartlett. Dom + Doris = ❤

 

This episode (and season) of Looking is fantastic and so here is bonus dudes being all adorable photo.

https://instagram.com/p/zxwsF0tMy3/?modal=true

 

Yep Damon Wayans Jr. is leaving New Girl and I agree with Hannah Simone. I also think this might be another jumpsuit I might like.

Tatiana Maslany Covers Flare and a New Orphan Black Season 3 Promo

3 Mar

The lack of Emmy nomination caused outrage, but not every awards body is making the same mistake and on Sunday Tatiana Maslany won Best TV Actress in a Drama at the Canadian Screen Awards for her portrayal of all the clones on Orphan Black. The show returns next month and this means more Maslany as every clone ever (okay not quite every clone ever and in season 3 she will share the clone load with Ari Millen). Magazine covers and promos with a heap of new footage ahoy!

Maslany is on the cover of Flare and as with recent runway shows there is a 70s theme going on; with Maslany as their face for the April issue they have produced 3 different covers each depicting a look from this era and this amount of outfit/hair switch-ups is probably what Maslany calls every day of the week.

Tatiana Maslany FlareAnd here is a look best suited to a Runaways gig:

Flare Tatiana MaslanyInside the issue Maslany discusses one bonus of playing multiple and extremely varied parts all on the same show “I never want to be one thing. As an actor, I never want to be the girl who was that. Which is why Orphan Black is so exciting. I’m never going to be typecast because I get to play all of these different characters.”

And here is a shot from the editorial that ditches the 70s theme and instead looks like a throwback to 90s Calvin Klein ads and now I really want to see a huge CK billboard with Maslany’s face on it.

Tatiana MaslanyThe way Orphan Black examines body horror and so many different types of women (all played by mostly one woman) is one of its major strengths and when Maslany is asked about Strong Female Characters she bristles at this terminology because of how narrow it is “I think the scripts for strong women have been warped into this idea of strong women as unemotional, in power suits—a kind of men. Or they acquire masculine qualities in order to mask the feminine qualities.” Instead she gives an insight into what her dream kind of role would be citing John Cassavetes’ A Woman Under the Influence starring Gena Rowlands:

“She [Gena Rowlands’ character Mabel] is so unwilling to be defined by her gender. She’s ugly, funny, weird, vulnerable, very needy. She goes everywhere with no fear. I find fearlessness—which doesn’t mean not being scared; it’s like you’re scared, but you still go—those are the characters I’m interested in. I think strength is being able to reveal the grossest sides of yourself without apology and without a wink to the audience or fear of being ugly. That, to me, is strength.”

Between the multiple parts she plays on Orphan Black we have seen Maslany embody all of these things and it is testament to her work that I still forget she is playing all of these various characters. Speaking of which, here is the new season 3 promo and the shit continues to hit the clone fan. Instant feels at Sarah getting super mad at Mrs S for what has happened to her sister Helena.

Orphan Black returns Saturday, April 18 and for more from Tatiana Maslany’s Flare cover story head here.

Feeling Bad on The Good Wife

2 Mar

The Good Wife deals with constantly changing moral grey areas and the word ‘good’ is in the title after all. The notion of what this means has been present throughout whether in the way Alicia is perceived as a woman who ‘stands by’ her husband or in her job that sees the blurring of ethical lines at times. Now as candidate for State’s Attorney Alicia has a brand which suggests moral order of the highest with her Saint Alicia nickname, but behind the scenes she makes compromise after compromise; first with her position on religion and this week with the money she will take to give her campaign the boost it needs to keep up with Prady.

Alicia FlorrickThis is far from the first time we have talked about this idea of being good nor is it the first time Alicia has discussed it in such an overt manner as she does at the end of the episode, however The Good Wife manages to discuss this same topic in new and interesting ways as Alicia continues to wrestle in private with how far she will go to get what she wants. With the State’s Attorney race it polarizes the previous quandaries Alicia has faced from her personal relationships to how she conducts herself as a lawyer.

In the past she has more than happily – okay she has been super skeezed by Sweeney on countless occasions – represented Colin Sweeney whereas now she knows she can’t be seen with him in court without negatively impacting her SA chances. Alicia has no time for Sweeney in “Dark Money” openly dismissing him until he calls her bluff and threatens to tell the press where her PAC money is coming from. A compromise in an endless stream is met and she gives him legal advice but refuses to appear in court. Sweeney is cool with this and she does indeed give him something to use on the stand. After the big blowup between Alicia, Cary and Diane at the end of the last episode I was surprised that none of this tension was present this week especially as Sweeney is essentially running to Alicia at any given opportunity and sidelining the lawyers who are actually representing him in court. It does position Alicia on one side with Cary and Diane on the other but there aren’t any repercussions from this screaming match, in fact it is like it never happened.

The version of Alicia on the show Sweeney is suing over – ripped from the headlines “Call it Murder” – is “not for sale” and while this a little on the nose it is something Alicia has to deal with this week. Alicia’s relationship with Prady is cautiously friendly and it would have been so easy for the show to have made Prady another distasteful opponent. It is far more interesting this way and I feel like I’m cheating on Alicia by saying this but I don’t think I would even mind if Prady won this thing, especially as Alicia’s PAC keep stooping to new levels of awful with robocalls targeting areas who might be put off by the rumors suggesting Prady is gay and that he supports gay rights. Alicia is constantly battling her team and calls them out for the West Wing themed Twitter accounts – yes I yelped with joy at the Twitter handle @TobyZiegler44 although I am disappointed the profile pic is the egg of sadness – and the negative campaigning. This is all well and good, but Alicia still takes the ‘dark money’ on offer and money she only found out was available after seeing Prady receive a call from someone called Redmayne.

Guy Redmayne is very wealthy and he has a substantial amount of cash to give to either Alicia or Frank. Redmayne spends most of his chat with Alicia inappropriately pawing at her legs and hands which she fake smiles through, but it is when they get onto the topic of her opponent that things shift from sleazy to horrifying as he uses homophobic slurs to describe Frank Prady and his opinion of Prady has been shaped by the robocalls Alicia complained about to her team earlier in the episode. She is complicit without being complicit. What she could have done is tell Redmayne that his money is not wanted and instead she stays quiet rather than objecting. When Redmayne talks to Prady he refers to Alicia as a sex object suggesting all kinds of degrading he would do to Alicia in bed – which Redmayne is using as some kind of litmus test to see if Prady is gay or not – Prady does not stay quiet and voices his disgust and is greeted with a shoulder shrug comment from Redmayne “right, but I’m rich so it really doesn’t matter.” The moral high ground is won by Prady and Alicia’s campaign just got the financial boost it needed.

Both politics and the law can be shady; we’ve seen Alicia wrestle with dilemmas in both arenas going back to the first season when she removed a hairbrush that could be considered evidence against their client (in 1.14 “Hi”). Saint Alicia is far from saintly and it wouldn’t be all that compelling if Alicia always chose the moral high ground. Money makes a campaign stronger and Alicia wants to win, which is why sucking it up and smiling at this asshole was the right call for her campaign. But she can still feel like shit about it and it would be a concern if she didn’t question the lengths she is going to.

The Good Wife 6.13 wine cardiganCue an Alicia sized glass of red, a wine cardigan and a good cry with a comforting hug from her daughter. Grace immediately contradicts her mandate that “everybody is bad in some way” by telling her teary mom that she can’t be bad “because you’re the best person I know.” I will give Grace a pass on this because she probably believes this to be true and she is trying to make Alicia feel better about her moral crisis. This is the season where they have finally figured out how to use Grace effectively and I wonder if this is because there is only one Florrick child to deal with.

The Good Wife’s portrayal of both its legal and political arms shows murkiness throughout offering up a variety of paths these characters might take that could lead to victory despite a dodgy background or could land the least complicit person in jail. Even in the Lemond Bishop story he has to deal with everyday problems and not resort to his usual illegal methods; for him the dilemma between really doing something to the bully who is hurting his son versus doing the responsible adult thing is one of the hardest decisions he has made. Also how dumb do you have to be to bully the kid of a notorious drug kingpin? Kalinda has to decide whether to protect herself or the child in question and it is unnerving to see her so unnerved; Bishop’s kitchen continues to be a hotbed of terrifying tension. If only Marissa Gold could be a bodywoman to everyone (myself included) and point out when there is an awkward silence. She will also bring you milk and cookies.

Variety

Entertainment news, film reviews, awards, film festivals, box office, entertainment industry conferences

Julie Hammerle

Nerds Need Love Too

Sofa and Remote

I love talking about TV as much as I love watching it

Ellie Writes Stuff

About this and that

Twitter Music Club

A rotation curation music club, based on Twitter, mainly for Kiwis

INTO ROW Z

If you enjoy a challenge, like Claude Makélélé, read my blog. Its about sport.

lost somewhere in new york city

We rock a lot of polka dots

sankles

We rock a lot of polka dots

frocktalk.com/

Just another WordPress.com site

Cultural Learnings

Television Reviews and Analysis

judgmental observer

film, tv, popular culture, higher ed, unicorns

Rookie

We rock a lot of polka dots

The Frisky

We rock a lot of polka dots

Tell Us a Story

stories about true things