Home or the idea of returning back to Russia has been humming away in the background throughout season 4 of The Americans as the risks keeping stacking up and the chance of getting caught increases with every move. Gabriel tells Elizabeth and Philip that they have always been in danger and yet when they get this offer to return home they are both stunned into silence rather than action.
At the start of the year when Philip’s inner voice was telling him to “run, run, run” he knew this wasn’t an option because Elizabeth didn’t feel the same way and even with everything that is going on with William’s arrest, Pastor Tim and managing Paige there is still something holding them back. 
We’ve found out a lot more this season about Philip and Elizabeth’s origin story; the places they grew up and the hardships they faced. Elizabeth tells Philip about her Smolensk chat with Paige and her wistful pondering about how much has changed. Philip is far less romantic about the state of home suggesting that it probably isn’t that much different from how they left it; despite this slight rebuttal it is a really nice moment between the pair as they contemplate their home that once was.
Everything about Russia in the present is an abstract to them and later on as they contemplate Gabriel’s offer they both struggle to picture their kids in the USSR, which is hardly surprising considering just how American they both are. Paige underscored a lot of the issues a couple of weeks ago when Russia was on the table with the language being a primary concern. Despite their loyalty to their country they are accustomed to this American way of life and the idea of moving is hard to fathom; what exactly will they do when they get home?
Philip and Elizabeth are not the only ones who the Motherland is calling back for one reason or another and they might end with Oleg and Arkady as seatmates. Oleg is choosing to return to his family because his mother is still in a bad way after the death of his brother and he is told twice in “Persona Non Grata” that he is a good son. First by Arkady, then by Tatiana. The pull of America has always been strong for Oleg and as with Philip there are certain pop culture and lifestyle aspects he is drawn to.
Unlike Philip, Oleg had a comfortable upbringing and lived in relative wealth but when he returns he will also have to find a position for himself in a place with fewer resources. Arkady’s reasons for departing are not his own and he is given 48-hours to leave thanks to what happened to Gaad. Even though there is no proof he had anything to do with the hotel room tragedy Gaad’s replacement still has the sway to get him kicked out. Perhaps we will see Oleg and Arkady working together from Russia next season. Here’s hoping as both characters are vital to the Russian portion of The Americans.
There is someone who will be making the trip from the Motherland to the United States as Philip’s other son Mischa is on the hunt for his American travel agent dad. We first meet Mischa locked up in an institution because he has been saying some anti-Soviet things about the war in Afghanistan; a war he fought in. Luckily for Mischa he has some powerful friends and his release is secured and he heads to his grandfather’s home.
Irina’s father has a low key looking Jason Bourne package of passports and money for him from his mother and it turns out Irina is also in prison. She ran, but they don’t know why. We learn that Mischa’s grandfather didn’t meet Philip, but he did see him with Irina once and they looked happy; this idea of auspicious beginnings runs throughout this Americans finale in a season which has been looking back and dealing with consequences.
EST has helped Philip explore his feelings about this line of work and it is worth noting that this season began with a vital moment in Philip’s journey; the explosive act of violence at the age of 10 that sent him down the path he is now on. The versions of his stories are of course edited and yet the feelings are still the same. So in the first one the bully moved away rather than “oh I killed him” and this week we see him telling the group about how much he hates his job as a travel agent, but can’t quit. The sentiment is still the same as he describes the ‘sick feeling’ in the pit of his stomach that he experiences every morning and how he has commitments and responsibilities to the people he loves. 
The difference between most careers and the one line of work Philip has found himself in is how consuming it is; he isn’t just a KGB agent from 9-5 and this job is his entire life. It is why he married Elizabeth and had two children and his family and work are forever entwined. So while the EST coach suggests that he can quit, it is far from the simple “you ain’t that important.”
Philip also focuses on this idea of picking a job before you know who you are and while Elizabeth has remained steadfast and unquestioning of her commitment Philip has long been staring into the abyss. Gabriel notes his heart hasn’t been in it for a long time (while highlighting Elizabeth’s length of service as a way to get her to quit) and despite his reservations there is no way Philip is quitting without Elizabeth.
Change and the way things can turn in an instant is something Philip has long been concerned with; when they were fighting about Paige getting pulled into this world Philip argued that something always changes and he doubles down on this sentiment here. Over the last four years we have tracked these changes with the most significant coming in the central relationship as they have fallen in love for real – or rather Elizabeth fell in love with Philip because he was already there – and the impact this has had on everything.
Their relationship is unique in this world which seems to drive everyone else into being alone; Gabriel discussed this last week with Philip and all season we have seen William watch Philip and Elizabeth with a mixture of wonder and envy. William ends up in the custody of the FBI, but before he is caught he infects himself with the Lassa virus sample that he was going to pass onto Philip. The KGB has no idea that William has sacrificed himself in this manner and the concern for the Jennings cover comes directly from William’s capture.
As with Philip we get to hear about William’s changing opinion about the job he took on years ago; at first it was exciting and this commitment to something drove him. William also talks about being invisible and how special this made him feel at first, but his secret power became his curse.
It is a sad tale of a lonely life and this absence of closeness meant that all he had left was his commitment; this is why Gabriel knew to target this last week when he convinced him to do this one last job. The unnamed friendship William had with Philip is one he views as at a distance and that there was always a barrier between them.
Later as the oozing begins – Dylan Baker’s delivery of what will happen to him is a thing of wonder and I’m going to miss him – and William starts to slip he reveals the relationship he had long ago; that they were always fighting and how he wishes they could have been like them. In the vaguest of terms he talks about Philip and Elizabeth; “she’s pretty, he’s lucky” and how with their two kids they are living the American Dream. Will Stan equate this to the couple who have been on their radar since season 1?
For now they are safe from arrest as Elizabeth notes the lack of FBI cars when Stan finally comes home after days at work and all is as it was and yet this sleepy suburb is no longer the refuge it once was and their house looms like a warning as Philip marches Paige back home after finding out she has been smooching Matthew while Henry has been left to watch the Super Bowl by himself (making this January 22, 1984). Poor Henry.
In a very awkward dad to dad moment Stan is kinda giddy about Matthew hooking up with Paige. Ew, Stan. But this shows the difference between a dad of a son and a daughter in this situation and also everything else that Philip knows so good job laughing off the father of the bride joke that Stan makes. Philip is angry at Paige because of just how complicated this whole situation is already as he forbids her from seeing Matthew. When she starts to sass back he simply tells her “you have no idea” and let’s just see what happens if he mentions the move to Russia considering the shit fit she threw last time.
Relationship wise beyond the one they have with each other Philip, Elizabeth and now to some extent Paige are likely to understand exactly what William means by the barrier he felt when he tried to reach out to people. Paige asks Elizabeth how long it was after she gave birth before she wanted people to come visit and she answers that she didn’t really have any friends. Bleak.
The same can be said for now and even the friend she made this season was built on a foundation of lies and torn down by deception. I’m still super bummed out about Young Hee. The same goes for Philip as Stan might be his BFF on the surface, but he is always holding back and withholding and he sure does not want Stan’s son to date his daughter. For reasons. Paige talks to Matthew about trust and this idea that parents are just people and here she is also unable to completely be herself. The same goes for when she held Pastor Tim and Alice’s baby as her smile soon shifted to sadness as the strains of Leonard Cohen’s “Who by Fire?” plays.
The season ends not so much on a cliffhanger, but with this feeling that everything is somehow going to get harder. There is no vacation coming the Jennings way and even if they keep up appearances the net is closing in. Dealing with consequences both on a grand scale and the personal toll has made this season the best The Americans has done yet and with every move the knots in my stomach get even tighter; the following of William in tandem with Philip going to his drop location involved very little action, but it is sequences like that that elevate this from other spy shows.
Everything that has gone on in the core relationships this season including Paige’s evolution which has led to junior spy like actions – this week she also asks her mom for some self-defense lessons – has strengthened what was already incredible. Philip and Elizabeth continue to grow as a couple even when they disagree and it has been the emotional changes in Elizabeth that is the true standout for me this year. The bold moves with Martha and her devastating arc has been another high point in a season of highs.
Performances have been incredible across the board with Holly Taylor delivering wide eyed horror and confrontation in equal measure and Alison Wright giving off far than just Poor Martha as she took her fate with strength and resolve. Come Emmy nomination day I would love to hear both Keri Russell and Matthew Rhys’ names getting called out for the acting masterclass they have delivered on a weekly basis and there is so much they say even when there is no dialogue.
There are two more seasons to follow this one and it definitely feels like we are approaching the final act. And I cannot wait.
Shot(s) of the Week
Going for three shots this week; first up is Arkady contemplating his return home while looking up at the bust of Lenin.
Last week I mentioned how well the painting of Lenin is utilized in the Rezidentura for dramatic effect and I’m glad to see them playing on this theme with this different imposing version of Lenin.
Mirroring the end of season 3, but Elizabeth is in the seated position and instead of contemplating a murder she has just committed as Philip did at that point they are instead weighing up their running options.
They are very much on the same page rather than at a distance with Ronald Reagan delivering a grand speech.
This looks straight from a horror movie.
Disguise of the Week
A repeat of the Philip disguise which reminds me of my dad has led me to a non-disguise disguise with Philip wearing his travel agent hat and a giant name badge at EST. It was also fun hearing Elizabeth describe EST to Paige as she attempted to be non-judgmental (and failing) of her husband’s outlet.
Outfit I Would Wear in 2016
One final shout out to the Coach trench Elizabeth has been sporting all season and the ultimate in the roll call of coats from this year. Also shout out to Keri Russell for wearing stiletto boots while this pregnant or any time really because while they look amazing this would be incredibly perilous if I was to wear them in any condition.
Thanks for joining me on this season 4 Americans adventure and I will be back to talk about the show later in the year.
Tags: "Persona Non Grata", 4.13, costume design, Dylan Baker, Holly Taylor, Katie Irish, Keri Russell, Matthew Rhys, Noah Emmerich, The Americans
Danai Gurira is a TV Ate My Wardrobe regular and she did not disappoint in bold yellow Rosie Assoulin.
Satin is tricksy because creases, but Danielle Brooks slays in Derek Lam and I just remembered that OITNB is back this week! 
More midnight blue and a Narciso Rodriguez dress that is very 90s; throw on a plaid shirt and Claire Danes is more than halfway to Angela Chase.
The windy evening gives Hamilton star Phillipa Soo an extra dramatic walking and posing boost in a Prabal Gurung frock which is just the right side of bridal. Mixing textures is definitely a big look of the night.
From bridal to bridesmaid, which sounds like it isn’t a good thing; however I think Sara Bareilles looks fantastic in an ethereal Gomez Gracia frock with a metallic bodice. Waitress is on the list of things I want to see on my New York trip in the fall. You can watch the cast performance here.
Entering the red zone with Jane Krakowski in custom Michael Kors and another triumph on the texture front with a hint of sparkle.
I’ve gone back and forth so many times on Keri Russell’s Monique Lhuillier crimson dress and I’ve come to the very surprising conclusion that it would work better as a jumpsuit (something I have never said before).
Fave couple alert and Rose Byrne is also doing the front split thing in red sequin Thakoon. Bobby Cannavale wears a silver ribbon (as did many others) as a way to acknowledge the Pulse shooting victims and the show also opened with a tribute to the gay club victims of this still hard to fathom extreme act of violence. 
Another dress I found myself going back and forth on and I suspect that Cate Blanchett’s inherent ability to make anything work is why I am drawn to her in this patchwork Louis Vuitton frock. Blanchett also wears a silver ribbon as a show of support to the Pulse victims.
TV Ate My Wardrobe 
