New Girl 3.19 “Fired Up” Review: Firing Your Friends

12 Mar

The New Girl Abby Day arc is over, Schmidt is back in the loft and so is all of his stuff. “Fired Up” deviates from the potential problems that Schmidt’s return might cause the overall dynamic, namely that Nick and Jess are now sharing a room and instead focuses on two different work related stories.

NewGirl-Ep320_FiredUp-Sc10_0542This is really a follow up to “Clavado En Un Bar” – where it was revealed how everyone ended up in their current jobs – and details such as Nick actually passing the bar exam are instrumental in the events of the episode. The reason Schmidt moved back in is because he sunk all his money into a store front for Abby and now he’s broke. The store front becomes a storage facility for Schmidt and when it gets mistaken for an actual retail outlet Schmidt sees a way of making his money back (everything is “100% full price”). Nick points out that legally this isn’t something he can do and before the lawyer pressure is on, Nick sounds pretty knowledgeable. It of course leads to disaster as the furniture is stacked like Jenga and the guy who comes in for the lamp breaks his arm – cue amazing dramatic piano sounds from Winston, he once again wins the episode.

It’s been a while since there has been a Winston/Schmidt/Nick storyline and because this is sitcom and not a crime procedural I’m not going to look quibble over any plausibility issues that could be raised from the speed at which any of this happens. Plus everything is always expedited on those shows anyway. Like Winston (and everyone else), I have watched a lot of lawyer shows so there’s part of me that feels like I could sit there and say the right things. Winston is the only one who manages to play the part well, even if his business card turns out to be just a baseball card. I totally cracked up at his “it’s all billable, am I right gentlemen?!” as did their fake firm being called Cooper, Bishop & Ferguson.

Nick can legally represent Schmidt, but Schmidt fires him when it becomes clear that like riding a bike, Nick has forgotten a lot of what he learnt at law school. This doesn’t stop Nick and this is Nick at his worst; he’s belligerent and doesn’t really pay any kind of attention to those around him. It becomes a point scoring thing so Nick can prove the preppy dicks that he went to college with wrong. He also spent $19 on a briefcase that he really wants to use. This all comes up while he is speaking to Jess and she’s also after some advice. Nick doesn’t listen to her and he’s far too concerned with how to make the briefcase look sexy.

The scene is out of character for Nick and the only reason why it doesn’t feel like a massive reach is because Nick is insecure about the whole law school thing, even though he was the one who made the decision not to pursue it. It’s a chip on his shoulder and it brings out Nick’s self absorbed side. Oh Nick, if you weren’t so delightful in the tag as you call yourself a power couple and smile at Jess asleep surrounded by work then you’d have really pissed me off in this episode. I’m worried that they’re going to head down a communication issue route between Nick and Jess as we near the end of the season just to raise the stakes.

It’s not a Nick and Jess episode, this is a good thing as while I am very much in the pro Nick and Jess camp it’s refreshing to see these different dynamics take center stage. The Schmidt/Nick dynamic is one that has been lacking for most of this season (“Keaton” aside) and by hooking Jess and Nick up this soon, it has of course had an impact on how much screen time both Nick and Jess share with other characters. For all of Nick’s pigheadedness, he does have Schmidt’s best interest at heart, it’s just he’s got a terrible way of showing it and his way to stall the deposition by getting them to read the transcript out is pretty hilarious. As is all the references to them getting physical with each other and at one point I figured a slap fight was on the cards. Instead Nick has a plan and it’s a dumb plan, but it works “What do you call a lunatic who’s only got one case and no hobbies? You’re worst nightmare.”

Over at Jess’ school, Coach has become the new volleyball coach despite his feelings about the profession “I don’t like kids, I don’t like teaching. I just like pay checks.” That swiftly changes and he is soon enamored with the kids and they adore him, even if he yells that he’s going to murder their families. Coach is now very much part of the cast and Damon Wayans Jr. has really great chemistry with everyone, he’s probably had the least to do with Jess so I’m very happy with this development that will see him working at the same school. “Basketsball” laid the groundwork of their friendship and he gets to use the skills that earned him that nickname with both the pupils and Jess as he pushes her to ask for a promotion. It’s a job she gets, not because she’s good at her job (which she is) but because she’s the only one who asked. It also means that she gets a heap of work dumped on her that results in the discovery that they’re over their budget. As Coach is the last one in he’s also the last one out.

There are a whole lot of tears, first when the kids present Coach with a “Coach Coach” Letterman jacket just as Jess has fired him and later in the bar as they talk about the volleyball team. Jess gets hit in the face a couple of times by a volleyball and Coach shows what a good friend he is by stating that he’s not going to laugh, ok he laughs a little bit but who wouldn’t?! Now that Coach is working at the school it gives them more reason to use this location and this band of merry teachers. It definitely did take a turn for the dark with what is on the biology teacher’s laptop and the weird with his book burning suggestion – everything but The Da Vinci Code. The phrase “you frost my cookies” uttered by Principal Foster has entered the (imaginary) creepy phrase journal I keep.

Cece gets her own story while she is at work at the bar and Ben Falcone’s surly bartender Mike makes an appearance, more from him please. Same goes for Buster, an Australian with a fake ID (he’s only 20) and an eye on Cece. Buster is totally charming and the age difference is not an issue when it comes to asking her out, though I suspect that if this continues it’s going to get brought up. Nicely cheered on by the guys at the bar, as they celebrate their deposition win.

Overall this is a pretty strong episode and it’s a nice return to form after the somewhat unfocused Abby episodes. This has been a patchy season, but I’ve still been really enjoying New Girl overall and I’m happy that it is ambitious, even if they don’t always stick the landing. There’s a True American game on the horizon and hopefully it will be just as memorable (ok I don’t think anything can top The Kiss) as the first two.

This week’s wish list comes courtesy of this episode and can be found here.

The Wish List: Sneak Peek at Jess’ Wardrobe on New Girl

11 Mar

Zooey Deschanel’s much anticipated Tommy Hilfiger collection is not available until next month, in the meantime her character Jess will be wearing a Tommy Hilfiger sweater on New Girl tonight and it would make a great addition to any spring closet. It’s finally getting warmer so hopefully the chunky knitwear will soon be replaced by items like this and in true Tommy Hilfiger fashion it is all about the classic red, white and blue color palette.

NG_320-22_0459A mini a-line skirt and black tights is a Jess staple and the windowpane pattern is a fresh twist on the usual polka dots and stripes her character tends to favor.

NG_320-6A_0213Also catching our eye from tonight’s episode “Fired Up” is this super cute navy Dear Creatures “Erynn’s Flair for the Classics Dress.”

ModCloth

The belted bow detail is very Jess, though it’s might not be the ideal volleyball attire. Looking through the Dear Creatures collection at ModCloth and I think I’ve found a new brand for spring.

Orphan Black Season 2 Trailer: “There’s Only One of Me”

11 Mar

Orphan Black featured on TV Ate My Wardrobe’s Best of 2013 Series and so any new trailer is going to cause a stir here, especially one with this much new footage. The teaser released in December was pretty much a who’s who of the clones with no new information; this trailer reveals a whole lot more. It’s still incredibly vague and it hints at the wider conspiracy at play with Sarah going up against blonde bobbed Rachel. Rachel is the most recent addition to Tatiana Maslany’s ever expanding character list and she is the one who appears to be near the top of this network. We only met Rachel in the season finale so we don’t know a whole lot about her yet, but don’t worry as Alison and Cosima both feature in this trailer alongside Felix, the latter who is voicing his concerns. Hot Paul also makes an appearance, a new dude Sarah is smooching and Beth’s former partner Detective Bell.

The big question for me is raised at the end; which clone is on the table at the end? Expect answers and more mystery when Orphan Black returns Saturday, April 19 on BBC America.

First Look at The Normal Heart

10 Mar

Here’s your first look at HBO’s The Normal Heart and Ryan Murphy’s TV movie adaptation of the Larry Kramer play of the same name has devastating written all over it (Kramer also wrote this screenplay). Covering the HIV-AIDS epidemic in the early 80s and focusing on events in New York City, this project features Mark Ruffalo, Taylor Kitsch, Matt Bomer, Julia Roberts, Jim Parsons, Jonathan Groff and Denis O’Hare (this is a whole lot of TV Ate My Wardrobe favorites).

If this teaser is anything to go by, stocking up on tissues is a must as my screen is already blurry thanks to Ruffalo’s (playing Ned Weeks) shouted plea – “I am trying to understand why nobody gives a shit that we’re dying!”

The Normal Heart airs Sunday, May 25.

It’s All About Peggy: Elisabeth Moss Covers New York Magazine

10 Mar

The Mad Men cover parade began last week with Jessica Paré on Stylist and as we’re now only a month away (!) from the season premiere, the profile pieces are rolling in. This one comes courtesy of New York magazine and I’m so happy with who they declare is the star of Mad Men. Of course Mad Men is the Don Draper show, but it’s also become just as much about Peggy Olson and so much of this has to do with Elisabeth Moss’ performance.

Mar10-23ElisabethMoss.jpgAs with Jessica Paré’s recent cover story, she doesn’t look a whole lot like the character she portrays on Mad Men – this is a bigger deviation than Paré’s Stylist wardrobe. The dungarees/nothing else combination is not necessarily what I would expect from an editorial of this kind – there is an alternate cover with Moss wearing nothing but a towel standing on top of a drinks trolley – and it’s playing on the impish quality that we witnessed when Moss turned hero, flipping off mani cam at the Golden Globes.

The shorter hair is serving Moss well and she looks really great; while I’m not totally wild about the styling, it’s definitely a departure. In fact this feels like something that someone lacking in imagination would give to Lena Dunham (she’s semi-naked, right) and it works because it’s not necessarily expected from the actress who plays Peggy Olson. To steal a line from Steve Carell in Crazy, Stupid, Love it is also the perfect combination of sexy and cute.

Willa Paskin’s profile is fantastic and it’s this description of why Peggy is so important that stands out “TV has many ambitious women, but Peggy stands out among them for navigating a working world—with glass ceilings, boys’ clubs, and take-me-seriously work clothes—that feels, despite its period detail, remarkably contemporary.” Peggy is the one character I really care about on this show; the one I want to see get a win when the whole thing wraps up.

One element of these kinds of interviews is finding that point where the subject is ‘just like us’ and of course this can come across as manufactured, with Moss it doesn’t feel contrived. She mentions her love of celebrity gossip, even though she has experienced it herself “I enjoy a little gossip. I like looking at photos of celebrities going to Starbucks.”

Another observation that made me smile comes courtesy of the moment where we find out Moss is wearing (“a loud fluorescent-pink-and-green zip-up hoodie over a short-sleeved peasant blouse, jeans with holes in the knees, and flip-flops”) as Moss tells Paskin “That’s my favorite part of ­articles. I always want to know what they’re wearing. I want to know what Amy Adams wears to lunch.” Count me in.

To read the full interview head here.

Mad Men Season 7 Artwork and Jessica Paré Covers Stylist

8 Mar

Mad Men returns for the first half of its final season in just over a month (Sunday, April 9) and the new artwork uses the classic Don Draper illustrated image from the opening credits with a psychedelic twist. Milton Glaser, the man behind the iconic “I ♥ NY” campaign and co-founder of New York magazine designed the poster and it’s treat for the eyes. The theorizing begins when a new Mad Men image is unveiled; last season’s double Don Draper is the most ambiguous and provoked a huge response, whereas other key art has been more straightforward like Don standing in an empty office for season 4 (and seem to have inspired the 50 Shades of Grey teaser). This is definitely the most colorful of the Mad Men campaigns so far and as always a drink is never far from Don Draper. With a trippy image like this it has me wondering whether Ken will be tap dancing again and whether Don will sink into oblivion.

Mad Men season 7It’s likely that there will be several Mad Men cast members covering magazines in the run up to the new season and kicking things off is Jessica Paré on Stylist.

photo1This is a departure from anything Megan related and there is always a push pull with magazine editorials between dressing the actors in clothes you would see on the show or embracing something more in tune with the current year we are in. Paré discusses her personal style “Truth be told I’m a pretty practical person so I do like the idea of mixing more accessible brands with designer” as well as what we already know about “Zou Bisou Bisou” –  “That song really stays in your head. It’s so catchy and you can’t get it out.” Don’t I know it; currently The Good Wife’s “Thicky Trick” is wrestling for its place for biggest earworm. Well, that and “Let it Go.”

Of course she doesn’t spill any secrets about what’s going to happen to Megan in season 7, though the much talked about Sharon Tate t-shirt is brought up “As far as I know it’s just a T-shirt; just a costume.” You can read the full interview here and Stylist is now available on the iPad (and it’s totally free!).

So there’s a little Mad Men taster and we will have much more coverage as April 9 approaches.

Scandal 3.12 “We Do Not Touch the First Ladies” Review

7 Mar

Scandal is constantly shifting the pieces and the players who are in control; you would think Fitz as the President is top of this long chain, but he’s just as much a pawn in the machinations of the show as much as anyone else. Jake currently sits in the prize B613 chair and he has access to everything, including Tom the ‘loyal’ secret service agent who delivers video from inside the Oval Office. Jake doesn’t have all the power as Quinn so smugly demonstrates and he’s also taking part in the boyfriend charade with Olivia.

What of Olivia? Olivia used to hold all the cards, however as the show has expanded her ability to control her surroundings has waned and at this moment she’s pretty much in the same position as Fitz. This has been a problem for Scandal and even though this is a much stronger outing than last week, it’s Mellie that comes out on top.

Scandal 3.12 Olivia and FitzThe episode opens with a post-sex argument between Olivia and Fitz – hey guys isn’t it meant to go argument followed by makeup sex? – as Fitz is pissed about the Jake of it all. This is where Olivia delivers a very powerful statement that is repeated throughout the episode and I’m glad that Olivia has finally laid out her feelings in this manner:

“I did not do this for you! I did this for me! So I could work on the campaign. So I could walk down the street and not be whispered about! So I could stop being known as the woman who screwed the president! So the scarlet “A” on my chest could be invisible! So I’m not a joke. I am a person. I am not a hen, I am not a prize and I have a business to run, people to support, a life to lead a desire to wake up and face myself in the mirror every day.”

One problem with this is that she has lost a lot of her agency and so while she claims she is now doing this for herself, there are others who are in control of her fate. The black and white geometrical jacquard Marni jacket is Olivia Pope at her most frantic and the uncontrolled nature of the pattern reflects her current situation.

Scandal 3.12 Mellie in coralMellie is the star of this week and this is a sequel of sorts to “Everything’s Coming up Mellie” as we find out what happened after Fitz’s father raped her. In the present Mellie is once again all about the bold colors (I think they’re working through the color spectrum) and this coral Melinda Eng frock is beautiful. This scene with Olivia is problematic as it suggests that Mellie is better because she didn’t give into temptation with Andrew and it pits these two women against each other once again.

Scandal 3.12 MellieThis color palette of the present is in contrast to the muted tones of her past as we see the bond between Mellie and Andrew Nichols develop. As far as we know Andrew is the only person that knows what really happened to Mellie and he protects her now as he did back then. Mellie finally succumbs to temptation as they discuss the portraits of the first ladies and plants one on Andrew and it looks like the best kiss of her life. So of course she bolts and leaves Andrew to touch the painting of Jackie Kennedy that he’s really not meant to touch.

Scandal 3.12 AdnanIn sleeping with people you probably shouldn’t with news, Harrison is still hooking up with Adnan and she’s now got him buying seats at fundraisers for him. All the power she has over him is linked to another mysterious name – this time Clearwater – and apparently it is totes bad. Adnan looks stunning in silver, but Cyrus is less than thrilled when he finds out who she is. If only he knew that she’s also in cahoots with Mama Pope. What’s their big plan? This is another reason why it’s no longer the show run by Olivia as there are too many other players who are 5 steps ahead with their diabolical schemes.

Scandal 3.12 Abby DVFIt’s an eventful week for Abby as she opens up to David and tells him she loves him, she also hacks his email (true love does this) and saves his life (with Huck’s help) and she does so while wearing another fabulous DVF wrap dress. David finally says his “I love you” all while fearing for his life; the big takeaway here is to never pause to look into a trunk that has just randomly opened. Oh and tell your girlfriend when you’re doing something dangerous.

Other things of note that occurred this week; Olivia is unsure if she has feelings for Jake, Cyrus continues to freak about who the leak is and is completely unaware that it’s James. Cyrus should look at little closer and realize his husband is sweating a lot. Sally sees red on the carpet and it triggers flashbacks to killing Daniel Douglas; she’s pretty much a loose cannon and Leo is trying to rein her in. Some stuff happens with Quinn as she tells Olivia that Huck licked her face. Thanks for that memory, show. Huck blames Olivia for what happened as he is a monster on a leash. Oh and Jake really wants beer and burgers, not red wine and popcorn. Maybe that’s a sign this fake relationship is doomed. James really should have said his cover name out loud before sending the first text and it gets funnier the more Publius is uttered.

The gallery below includes Olivia in this amazing Dolce & Gabbana tweed jacket, flashback and present Mellie in bold and somber tones  (including this Michael Kors frock), David Rosen rocking a beautiful silk scarf, the delightful power clashing of Harrison and Jake shirtless (because I couldn’t resist). Enjoy!

Out of the Box: Look of the Week Oscar Special

7 Mar

Award season has come to a close and we’ve got one final post to look at the best looks from the annual post-Oscars Vanity Fair party. We’ve already covered the Oscar red carpet, but the real fun and japes come afterwards as everyone can finally relax and know there are no more tight fitting gowns to wear for months. Plus there’s a whole host of faces who didn’t appear at the awards and who are also letting loose, just because.

2014 Vanity Fair Oscar Party Hosted By Graydon Carter - ArrivalsEvan Rachel Wood’s emerald green Elie Saab Couture gown is simply stunning and this is my favorite look from the entire night. It’s elegant and striking and this dress paired with red lips and the short curly bob makes her look like a 1940s star.

US-ENTERTAINMENT-FILM-OSCARSThere is a lot more color on show at the VF party (the less nude metallics the better) and Leslie Mann’s gorgeous yellow Jenny Packham frock is on point. It’s got an ethereal quality that comes with this designer and the detail is in the delicate beading along the neckline. It’s really very pretty and the kind of dress I’d want to run through a meadow in, if there was a meadow nearby and it wasn’t muddy.

2014 Vanity Fair Oscar Party Hosted By Graydon Carter - ArrivalsHere is Zooey Deschanel in an Oscar de la Renta dress that comes from the same Spring 2014 collection that I suggested would be perfect for Jess in a New Girl fantasy costuming piece last year. This is the more formal version and unsurprisingly I think Deschanel is killing it and I’m a big fan of the curly hair approach; it adds a romantic quality to the look.

Amy Poehler VFHere’s another sunny floral appearance with Amy Poehler in Peter Som. The halter neck gives it a relaxed feeling without detracting from the fancy pants event and she looks fantastic.

Amy PoehlerBonus Poehler being held later at the party by an all star comedy line up including Bill Murray, Paul Rudd, Bill Hader, Adam Scott, Nick Offerman and Andy Samberg. Megan Mullally is also rocking an amazing floral gown (and grabbing a handful of Poehler at the same time).

Olivia Munn and Jane Fonda

While I’m not overly enamored by Olivia Munn’s Alexander McQueen boob harness (the rest of the dress is beautiful), I do love this shot of Munn with her Newsroom co-star Jane Fonda. Munn’s expression says all it needs to as Fonda is showing just how it’s done in Nicholas Oakwell.

2014 Vanity Fair Oscar Party Hosted By Graydon Carter - InsideKaren O and Amy Adams both feature on the best of the red carpet and this shot of them celebrating with Spike Jonze with his Oscar for Best Original Screenplay for Her shows off their change of clothes for this party. Still coveting Karen O’s amazing red lipstick.

2014 Vanity Fair Oscar Party Hosted By Graydon Carter - InsideIt’s Jennifer Lawrence and Larry David (JLaw and LD if you will) and if they do any more Curb Your Enthusiasm, then this is one guest star I want to see. Lawrence also changed for this party into this super shiny mirror ball like Tom Ford, proving once again that this Dior contract is good for no-one (well maybe her bank account).

The Americans 2.02 “Cardinal” Review: “How are we Going to Live Like This?”

6 Mar

There is a strong ripple effect reverberating through this week’s episode of The Americans as a result of the still unexplained murder of Emmett, Leanne and their daughter Amelia and the tension has increased ten-fold as they try and figure out the why of it all. Part of this is because they could fill a book with how this family is ‘just like us’ right down to the number and gender of their children. It’s a huge wake up call for both Philip and Elizabeth, even more so than the events at the end of last season that has already seen Elizabeth return with a slightly less rigid belief system. It’s not just Philip and Elizabeth who are taking note of these murders as they are all over the news (with no mention of course of their real profession) and Martha’s getting a gun for protection because of it – an early front-runner for Chekhov’s gun if there ever was one.

We are going to be looking at this episode once again through the lens of costuming and how this heightened paranoia is impacting the framing of certain shots.

The Americans 2.02 cream topWe open with Elizabeth still in full surveillance mode with everything and everyone posing as a potential danger; even the woman picking up children could be more than she seems. It’s all too close to home now and Elizabeth’s overall concern has switched from her duty to her country to her role as a mother. This ensemble is in tune with Elizabeth’s at home clothes and it’s the parallels it draws with another character which is why it stands out.

The Americans 2.02 NinaLike Elizabeth, Nina is leading in a double life and there is a noticeable difference in their styling. Elizabeth is playing the all American mom, whereas Nina is still very much a Russian in her surroundings and clothes. This cream sweater is not revealing in any way and the bow adds a hint of femininity. Nina does exert her sexuality outside the Embassy with Stan, but inside she is very much about toeing the company line, complete with the right look. Last season she also had to resort to sexual favors in the Embassy for information, however she holds her ground with Blondie loving Oleg with steely and determined fashion. White tones reflect innocence and both Elizabeth and Nina know how to work this angle to their advantage. There is also a level of detachment that Elizabeth has lost in light of recent events and yet Nina is still in possession of this; for how long?

The Americans 2.02 brown trenchAny good spy has a trench coat and Elizabeth is no different, she is rocking the slightly shorter length and as with a lot of clothes in the early 80s the color brown is very popular. Bold patterns and neon doesn’t come in until later and we’ve got the ’70s to thank for all the beige tones.

The Americans plaid and spotsPhilip’s taking the Harrison from Scandal approach with plaid and polka dots and this emphasizes not the slick tailoring as it does in Scandal, but rather how unassuming Philip is at work. Philip’s a travel agent not a threat, right?

The Americans 2.02 PhilipWell that’s when Philip’s not donning this delightful wig and moustache combo as he goes for a workman look and as I’ve seen mentioned elsewhere, he looks like he could play 2012’s Rust Cohle’s brother with this getup. Philip definitely gets the skeezier looking disguises and this is reminiscent of his revenge outfit from the pilot. This is far removed from Philip in dad gear as evidenced by Fred not recognizing him from their moment at the theme park, though that was incredibly quick and there was probably very little eye contact.

the Americans 2.02 playboyTo get some 1980s context here is a Playboy that Philip found on his Fred house search and Fred must be a Bo Derk fan as this issue is almost two years old (the date on it is March, 1980). Other headlines of relevance to today is the debate to legalize marijuana and this is when it still probably sounded cool to call it grass.

The Americans 2.02 LifeMore 1980s references ahoy as Elizabeth plays Life with Henry and Paige, I used to love this game and I’m pretty sure the spinning wheel was the reason why. Henry is less interested and wants to watch TV because that is real life. Henry is oblivious to everything once again and earlier in the episodes he explains his theory as to why two tests in one day is a bad idea. Paige is still suspicious and what she witnessed last week hasn’t deterred her snooping.

The Americans 2.02 Elizabeth phoneElizabeth’s wearing more from the brown color spectrum and here comes another ’80s pop culture reference as she suggests a trip to the movies to watch Raiders of the Lost Ark. Despite having come out in the summer of 1981 (we’re now in January 1982), it’s not all that surprising that a movie this huge is still playing in theaters; it didn’t get a VHS release until 1983.

The Americans 2.02 baseball capThe movie decision is so Elizabeth can respond to a call and rather than leave the kids in the house alone, the movie works as a suitable ruse. This is a dark shot, but Elizabeth’s only disguise is pulling back her hair and sticking on a baseball cap. She is dealing with a friend of their cause and this woman is also high on a range of substances so it’s unlikely she will remember much of anything, but it still feels like a bold move when things are at this heightened state of danger.

The Americans 2.02 leather glovesThere are so many tight shots throughout this episode, none tighter than Philip as he talks to Elizabeth, followed by Martha. He’s meant to be going back to Martha’s but down to a combination of what is going on at home and the mark that has been left on his hand after he’s been electrocuted there’s only one place he wants to be. It’s worth noting that Philip puts on the leather gloves while he is on the phone to Martha, as if he is trying to cover the mark even when she can’t see it.

The Americans 2.02 mirrorThis is another interesting use of framing as the closing shot of the episode features Elizabeth and Philip off to one side, shown in the reflection of the mirror. This discussion has Philip once again lamenting his decision to use Henry last week and Elizabeth tells him he didn’t have a choice. Philip’s response is that he did and it’s another occasion where the camera pushes in hard on their close up and it’s like everything is closing in around them.

It’s an incredibly intimate and telling conversation as Elizabeth brings up Jared, Emmett and Leanne’s surviving son and Philip reveals he saw him and heard his screams upon discovering his murdered family. “Taken care of” is a phrase that is lacking any real empathy, it sounds cold and like a transaction. There’s no real answer to this mess and Elizabeth has only just realized the impact that this could have on their children. She asks “How are we going to live like this?” Philip thinks they will get used to it and this is where the question of choice comes up. Elizabeth and Philip decided to become what they are, but Paige and Henry are a product of this and they have no agency of their own. We end on this shot and this line of thought knowing it’s going to have implications for the rest of the season.

Gillian Jacobs talks Community and Julliard on the Speakeasy with Paul F. Tompkins

5 Mar

Paul F. Tompkins Speakeasy series where the drinks are flowing as much as the conversation is a TV Ate My Wardrobe favorite, as is this week’s guest Gillian Jacobs. The Community star talks about why she got into acting (it’s kinda heartbreaking, but she seems over it), the rigorous training at Julliard and why she was on probation there and her foray into independent film making. She also discusses the pop culture references on Community and which ones she didn’t get when they first shot a now iconic episode. They also cover the return of Dan Harmon and Jacobs reveals what she wouldn’t do again. It’s a really fun conversation and there’s a good rapport between Jacobs and Tompkins.

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