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Abbi and Ilana’s Best Broad City Style Moments

25 Mar

The first season of Broad City comes to a close tomorrow (Wednesday 26) and it’s going to be a strong contender for best of 2014 (yes we’re only a quarter of the way through the year). We talk about TV in comparison terms all the time – the “it’s like x meets y” mantra – and thanks to the setting and gender of its stars Girls became the instant benchmark. Broad City is very much its own show with Abbi and Ilana paving the way for a brand new kind of voice; one that doesn’t feel trapped by general comedic conventions. It helps of course Broad City has been going since 2010 through their web series and this is an extension of those characters – I’m so happy to see the denim vest print t-shirt made the leap.  Even with this early start, Abbi Jacobson and Ilana Glazer’s show took time to go from what it was to what it is now and as it’s the season finale (it’s already been picked up for a second season) I want to celebrate this show by taking a look at all the incredible style moments.

Broad City 1.02 t-shirt denim vest printHere at TV Ate My Wardrobe costume and style is something that stands out when watching TV and the costume designer Staci Greenbaum has gone for isn’t all that different from the original web series. From all of the wish lists and posts on TV costuming there are many character closets I would like to pore over and share; quite often when I find out how much an item of clothing costs it’s clear that it is out of my budget. With Broad City it doesn’t feel this way and Greenbaum tells The Cut this is her aim “We try to keep it real-real not TV-real, you know what I mean?” The characters don’t have a crazy amount to spend on clothes so neither does Greenbaum.

Outfits are repeated and Abbi’s boots are on the more expensive end, but she wears them constantly. Same goes for her brown shoulder bag; shoes and bags tend to be where I spend more money on a single item as these are items you use daily. Ilana hasn’t met a pair of short shorts she doesn’t like and Abbi is all about the Lindsay Weir army style jackets. Both use layering to maximum effect and while casual attire accounts for about 75% of their wardrobe, they’re not timid when it comes to dressing for an occasion.

Here are some of my favorite looks from season 1:

Broad City 1.01 fursThey didn’t get paid for their humiliating cleaning experience in the pilot, so they paid themselves in furs, fancy looking booze and hats. I mean who wouldn’t?!

Broad City 1.01Also from the pilot and the many layers that are required for the sometimes cold New York City climate. Ilana’s brown leather jacket is one of her most worn items and it has plenty of space for any office equipment she wants to exchange – no liquid money, plenty of bartering power.

Broad City 1.03 judith lightA shirt the size of a napkin might not be considered as appropriate work attire, nor are the boy shorts or ripped jeans. Judith Light doesn’t seem to mind and neither do I.

Broad City 1.04This is their super casual look and the amazing Abbi boots. These outfits go through the ringer in this episode and this is part of the Broad City charm; there’s no vanity here.

Broad City 1.06 lost phoneAbbi is a girl after my own heart with how many stripped items she owns. I wish I could say the same for short shorts, but alas I lack the Ilana confidence (and legs). Maybe one day.

Broad City 1.08 wedding“Destination Wedding” delivers on the fancy frock attire; well for Abbi it does as Ilana thought they were wearing their old cater waiter uniforms. The backpack is what really makes this look.

Broad City 1.08Later Abbi ditches her fish drenched dress and changes into Lincoln’s tux; both are giving off cool as fuck vibes and a trip to a gentlemen’s club called Thrusts is the only course of action.

Broad City blue dressShopping for an exclusive rooftop party outfit is also covered and instead of a super long shopping montage Abbi is happy with the first dress she tries on and yes her ass does look amazing. Here’s Ilana’s cool girl look, complete with a super long fake ponytail – I love how many different looks Ilana can achieve just by altering her hair. Both women are exuding body confidence and it makes me SO HAPPY that this is a thing.

Broad City 1.08 drawstring hoodieSweaters with drawstring ties come in extra handy when your (still unseen) roommate’s boyfriend is going into extreme detail about his masturbation technique that you walked in on the previous day (also poor Julianna Margulies).

Broad City 1.08 Abbi and LincolnIt’s pretty cool before it’s over Abbi’s head as well. Ditto the red bag and Lincoln who I adore.

Broad City 1.06Ilana is not shy about her sexuality and while I’m a total Ilana and Lincoln shipper, I’m also glad we get to see a woman who is sexually liberated and whose bar pickup outfit is skinny jeans and a vest; there’s nothing too try about this look.

Broad City 1.03 mustard cardiganMore stripes and Abbi’s trusty brown shoulder bag, plus I haven’t met a mustard cardigan I don’t want. This is one of the many outfits that looks like someone on Abbi’s income would wear.

Broad City 1.09 balloonsIlana’s rage face while holding balloons is perfect (she is finding out if she could have herpes so the rage is understandable) and this is an extension of Ilana’s short shorts collection, this time with a pair of mini dungarees. This outfit is topped off with Ilana’s staple brown leather jacket and the repeat piece of clothing I love the most.

I will leave it to Abbi and Lincoln to show how happy this show and the costuming make me.

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Summer Rewind: The Comeback Episodes 10-13

24 Mar

Big things are maybe happening with The Comeback and there’s a chance Valerie Cherish may grace our screens once again. The timing of this announcement is pretty perfect as we’ve finally finished our “Summer Rewind.” That majority of this discussion with Kerensa Cadenas took place long before this announcement and it’s something we only address at the end. We’re both pretty excited about this possible return as we’ve become pretty attached to this character. We’re looking at the final four episodes; “Valerie Gets a Magazine Cover,” “Valerie Stands Out on the Red Carpet,” “Valerie Shines Under Stress” and “Valerie Does Another Classic Leno.” For more from our Summer Rewind head here.

The Comeback ep 10 bathEmma: So it’s been a few months since we last talked about The Comeback as various other projects/moving house/all the TV that is on has got in the way but we’re finally back to talk about the last four episodes of The Comeback. I’m pretty devastated that unlike Valerie’s own reality show, the actual Comeback didn’t get a second season and I completely understand why it is put alongside Freaks and Geeks and My So-Called Life as the one season wonders we wish there was more of.

In the final four episodes Valerie’s long standing battle with Paulie G comes to a vomit filled head (did not see that coming), her reality show premieres, the cast head to the People’s Choice Awards, Valerie gets a magazine cover and a Scandalous publicist. One thing I want to note is how each episode title is pretty much the Valerie version of what happens – “Valerie Saves the Show,” “Valerie Demands Dignity,” “Valerie Stands Out on the Red Carpet,” “Valerie Shines Under Stress” – Valerie tends to ignore negative aspects and tries to make the best out of a situation. We see this time and time again throughout The Comeback and instead of making things better, the opposite occurs. This is why her actual reality show is such a hot mess and a hit.

The first of our four episodes is all about Hollywood/celebrity fakery when her new publicist Billy (Scandal star and long time Lisa Kudrow producing partner Dan Bucatinsky) gets her the cover of “Be Yoga.” It’s not Redbook like Valerie wants, but it’s a step and the only issue is Valerie doesn’t really do yoga no matter how much she says she does. Thanks to Mark’s painkiller truth bombs Valerie has to keep correcting him on camera. Drugged up Mark is wonderful and I really like his character now after being so unsure for the first half of the season. He’s pretty genuine which is unusual in the world of reality TV and he’s not trying to be someone that he isn’t. In this episode he is even more blasé thanks to the painkillers and it makes Valerie’s sudden interest in yoga more transparent.

Turning the gym into a place of sanctuary involves a whole lot of remodeling which costs a fortune and this also feels like the show is passing judgment on the ridiculous amount of money people will spend on tranquility. It is a fad after all and after this magazine shoot how much time will Valerie spend with a $12000 Buddha?

Of course Valerie is doing this as a reaction to Juna’s very Rolling Stone Rolling Stone cover, the mock up looks like an actual issue and they’ve perfectly captured what kind of wet t-shirt image they would use for someone like Juna. And there’s a terrible pun to boot “Got Millken?” Valerie’s been saving all of Juna’s press clippings and this is part supportive co-star and part wish fulfillment. Hollywood’s such a breeding ground for competitiveness and longing, particularly when it comes to who is in demand that Valerie’s actions probably aren’t all that uncommon when there is someone who is considered the hot new thing versus someone who is in the second half of their career and it’s probably really hard to maintain a healthy, balanced attitude towards these things. This is why they need yoga and this also turns into a Juna thing as she’s invited along to Valerie’s yoga session. Juna of course ends up in US Weekly’s Stars They’re Just Like Us feature – this is my favorite part of this magazine because of how damn ridiculous it is. Valerie isn’t included and so her shining moment gets usurped by the younger star once again.

Valerie brings in a poster of when she posed in a barely done up shirt, super cleav and undone jeans from her It days and I’m glad that it didn’t come across as this desperate attempt to hold onto her youth. I think she just wanted to show that she is more than just a frumpy tracksuit. What did you think of this scene and particularly Tom and Paulie G’s reactions to it?

The Comeback ep 10 Rolling StoneKerensa: I really like the relationship between Valerie and Juna–while it does have those undertones of Valerie being jealous of Juna’s newly minted “it” girl status (I wonder if the show has got a second season if they would have explored this) it does seem based in a pretty genuine place.

I think that Valerie bringing in her poster to the set kinda straddles the line of that. She looks great in the picture (although I loved the line about her hair being 90s–when it looks exactly the same) and Tom and Paulie G’s reactions were pretty priceless. I thought Paulie G’s was creepy and condescending seeming per usual. I can’t with him, especially in these last episode. Holy crap.

What did you think about this scene?

The Comeback ep 10 posterEmma: The Juna/Valerie dynamic is one of my favorites on The Comeback as it really wasn’t what I expected, this notion applies to a lot of this show. I’m not sure if Malin Akerman’s work on Trophy Wife has influenced my feelings (because I love that show), but I’ve really grown to love Juna and all her naïveté. She could have been the bitch of the show and her super sweet persona feels pretty genuine. I’m really sad that we won’t get to see if success and fame would change her, from the looks of things I’d say probably not and she’s always been very supportive and thankful for Valerie’s presence.

It’s the writers after all that play the role of mean girl and their reaction to Valerie’s poster is typical of how they have been in every other way – Tom is sheepish and Paulie G is repulsive and yet he can’t quite bring himself to admit that he finds Valerie attractive. Paulie G has consistently used silence as a way to put her down.

After watching the penultimate episode I said on Twitter that Paulie G would feature on a most despised list and his systematic bullying has been the hardest aspect of this show to watch. When Valerie finally loses it and punches him in the stomach I definitely cheered, even when it was followed by the double vomit comet. I mean this also becomes her reality show defining moment even if it’s for the wrong reasons.

We’ve got a lot to talk about when it comes to these writers and especially Paulie G, what do you think they were intending to say with Paulie’s nice guy routine in his one on one?

The Comeback ep 11 JunaKerensa: I agree with you on everything about Juna and Trophy Wife which I love so much. It was really great that Juna’s character didn’t fall into the stereotype that it very well could have.

I cheered so loudly with the punch scene as well. It was just SO satisfying to see Valerie stand up for herself against him after everything she’s taken from him.

Honestly, with Paulie G’s sudden “nice guy” transformation in his one on one, I didn’t believe it for a second. My first thought was that he got paid to say that or threatened/told that the Room and Bored ratings would suffer–pretty much anything along those lines. While we’ve been aware that Valerie’s show would be spun into something unfavorable towards her, it sucked to see her witness it and Paulie G’s sudden respect for Valerie really was another double vomit punch in the gut. What did you think?

The Comeback ep 12 cupcakeEmma: I just hope Trophy Wife doesn’t go the way of The Comeback with one season only.

That’s a really great way to describe how Paulie G’s kind words felt and it highlights how these testimonials are the most fake aspect of reality shows.

As soon as Jane returned from doing Paulie G’s interview it was obvious that something was up and one aspect we haven’t discussed too much is the role of Jane and this final episode shows that as a producer Jane is here to interfere when it helps the narrative like asking Valerie to start a sentence with “I feel” but she also withholds information as she doesn’t tell Valerie that Paulie G was nice about her. This is why Jane prentends she’s sick for Valerie’s viewing party as she’s aware of all the behind the scenes aspects, no she didn’t edit the piece but she feels complicit.

For a brief moment I thought Jane was in cahoots with Paulie G, especially when she wouldn’t let her in her apartment, but then I remembered that Jane has been just as repulsed by Paulie G as we have been. The relationship between producer and reality star is a complicated one I’m sure and of course the timeouts that Valerie implemented are timeouts on her end only. I think Jane probably thought Valerie was an idiot at first, but she’s definitely grown to like her. It’s little things like Valerie giving her the gift bag she got at the People’s Choice awards (how I would love an wards gift bag) or how Jane tears up as she hears Valerie’s story about her scoliosis – I definitely want to talk more about this in relation to Valerie.

Despite being screamed at by Valerie and Mark, Jane looks really happy for Valerie at the end of the final episode and if there had been a second season *sob* I would have liked to see them explore Jane and her relationship as producer with Valerie. What do you think of the whole Jane aspect?

Also have you seen any of Kroll Show? PubLIZity nails everything about these kinds of reality shows.

The Comeback ep 13 Valerie and JaneKerensa: I love Kroll Show and PubLIZity is the best! Jenny Slate should be in everything! And it really does.

I think the relationship between Jane and Valerie is really interesting. And it became apparent that they bonded in small ways throughout the show. The first moment of that to me was when Valerie got her that gift bag from the People’s Choice Awards. I never thought that Jane was in cahoots with Paulie G. because she obviously hated him so much too. So I do think Valerie’s betrayal felt kinda justified especially because Jane disappeared because she had seen the final cut and felt ashamed. But I know Valerie plays herself off as being naive, but I mean how could she not have expected the show to turn out like that? I know that we are jaded with the amount of reality television we’ve both seen and by now we are aware of the editing tricks used, but did Valerie really think that it was going to portray her in a positive light?

And then when she kinda at the end of the show seems to accept this new public persona of Valerie–I wonder if the second season would have explored her doing the kinds of things she refused to do in this season? Would have it turned Valerie into a monster? I do hope that Jane would have stayed on in the second season to explore that relationship between the two of them because it became SO apparent how much Valerie ended up relying on her especially when the creepy mic guy showed up again.

The Comeback poster ep 12Emma: Now I want to take a look at the evolution between reality shows first and second seasons – how they evolve because of what the audience responded to in the first season. I mean it goes for scripted shows as well – the first season is written in a bubble of sorts as it hasn’t been seen by anyone so at that point no one knows what people will like/dislike. I mean Girls is a prime example as cable shows tend to have most of their season written/filmed before any of it has aired so they can’t respond to criticism until the second season. Network is different as they can tweak as the season goes along and this can be very beneficial. With reality shows I’m guessing it’s more of the cable model in that it’s all filmed prior to airing. With something like the Kardashians I find it so surreal that they make a huge deal about plot points that we already know the ending to – like the big engagements/breakups. In fact this is a show I’d like to watch S1 of just to see how different it is to the way they are now.

So slight digression there and my favorite Valerie moments are the ones where she is truly herself, like all of the smoking scenes in the finale are hilarious, as is every single time that Mark mentions the coke they did that one time. Speaking of Mark, I really changed my opinion of him over these last four episodes and think he’s really pretty great. He goes all protective over Valerie whenever Paulie G is mentioned and offers to come to the studio and when she turns him down he doesn’t go all macho man and let’s her deal with it herself. He’s also pretty hilarious when he’s high on pain killers. Mark isn’t part of the Hollywood scene and so his reticence at the start is totally understandable, especially when you factor in his own career as a lawyer. I don’t think he’s more reality TV savvy than Valerie, I just think it’s his natural instincts as a lawyer to not trust anyone, especially in this town. How do you feel about Mark now the show has ended?

The Comeback ep 10 Valerie and MarkKerensa: I ended up really loving Mark too. And like you mentioned, I think he’s really good for Valerie because he isn’t involved in Hollywood. Those smoking scenes were HILARIOUS. But I really do like the relationship that became established between them and how supportive he was of Valerie even when she was being nuts.

And I think that evolution would be super interesting especially in terms of The Comeback. Like if it had got a second season–would the show have hinted that Valerie’s sudden fame was because of the show that they were shooting? Also, if there was a second season, how would Room & Bored even be on the air still? Right?

The Comeback ep 13 ValerieEmma: Room & Bored did very much seem dead in the water even if they did get a People’s Choice nomination and I loved how this whole episode pointed out how BS this awards is and how it’s all decided before the night. And while I’m on the subject of this episode, it’s another occasion where they incorporate someone from another reality TV show; first it was The Amazing Race and this time it is Project Runway. So they’re skewering reality TV, while also writing a love letter of sorts to it. Valerie looks stunning in this red dress, even when it’s on back to front. What did you think about this episode and how it portrays the People’s Choice Awards?

A couple of things that probably would save Room & Bored for a second season – Juna’s level of fame (as long as she doesn’t) leave and the success of The Comeback. I would imagine they would want to keep Paulie G on as a writer (and by extension) Tom as there is a high level of conflict here which is good for The Comeback. There’s a lot of variables and it’s easy to see why a reality show about a sitcom star would be a logistical nightmare.

What are your other highlights from these final four episodes?

The Comeback ep 11 Valerie and BillyKerensa: I agree–I do think that it would maybe get another season because of Juna and The Comeback but I bet it would be done after that. I loved that episode and how it looked at the People’s Choice Awards—while I’ve never covered or been to an awards show I bet it’s probably pretty similar to how it’s portrayed there.

On the topic of reality TV, how do you think The Comeback would have fared in the reality TV landscape? Because when the show aired–The Comeback would have been on the cusp of reality TV really blowing up–as acknowledged through the EW cover and the other reality type shows that were shown at the upfronts. I kinda don’t think it would have lasted very long, what about you?

I can’t think of anymore highlights other than Valerie Cherish is our new spirit animal and I miss her terribly already. You?

The Comeback ep 13 smokingEmma: It’s hard to say how The Comeback would have fared and for every Keeping Up with the Kardashians there is a Living Lohan or Pretty Wild (I would watch more of either of these two) so like you I don’t think it would have gone beyond a second season. Hopefully Valerie wouldn’t have been too humiliated and she would have more opportunities beckoning.

One other thing I did want to address is Mickey and his big coming out. Mickey has been one of the overall highlights of the series for me and I’m glad he got a happy ending of sorts. His story is also still very relevant and while he is out to people like Valerie, it’s not a something that everyone in his life knows. On the clip package on The Comeback it infers that Mickey has a thing for Jesse so he hasn’t hidden his sexuality very well and Mickey uses the finale to come out to the world. The response is pretty much “well obviously” and yet because Mickey is a gay man he has to make a public declaration. On the one hand it’s frustrating that this happens, on the other as we saw with Ellen Page at the weekend (ed. note this was written last month) it is incredibly powerful.

The Comeback definitely deserves to sit aside the one season wonders of My So-Called Life and Freaks and Geeks; it’s been a joy to watch Valerie Cherish and I’m definitely going to miss her. And hey, we have a new catchphrase in our repertoire and if I ever hear “I don’t want to see that” it will be a huge reminder of this show. Can we get more Lisa Kudrow on Scandal please?

The Comeback ep 11 MickeyEmma: Woah regarding the news that this might be making an actual comeback?!?!  Any thoughts and feelings on this real chance that we’ll be getting more Aunt Sassy? And where do you think she’ll be in 2014?

Kerensa: God I hope it happens! Well, there’s no way that Room & Bored could still be running right? I feel like The Comeback would have gone in a couple ways.

1. Re-kickstarted Valerie’s sticom career and she’s having a Julia Louis-Dreyfus-esque renaissance and playing “unlikeable” women.

2. Or it’s relegated her to the dregs of reality television where she’s been a contestant on any celebrity reality show i.e. Dancing with the Stars, etc.

What do you think?

Emma: If there’s no more Room & Bored I hope this means Paulie G had bottomed out somewhere.

While I hope it’s your first suggestion, I think the second one is more likely and she’ll have done every reality show offered to her. Wherever she is I’d like to see a Valerie with some edge like the one we saw in the finale chain smoking her way through her feelings. I expect it will be quite the opposite and she’ll be putting a brave face on everything.

At the start of the series I didn’t really care about Mark, but I’d really like them to be together still. If not there better be Mickey, he’s her constant so I can’t see it any other way.

I’m so excited that this is a real possibility and here we were lamenting the loss of our spirit animal. This is one occasion where more feels like a good idea, there’s still plenty more to get from this well.

I do need to see that.

Kerensa Cadenas is a writer living in Los Angeles. She is an Editor for Snakkle. She also writes for Women and HollywoodThe WeekThis Was TelevisionForever Young Adult, and Bitch magazine. She was the Research Editor for Tomorrow magazine. You can follow her on Twitter and read her ridiculous thoughts about teen television at her website.

 

Music Monday – Girls Season 3 Playlist

24 Mar

Girls has been a big part of Music Monday and what better way to celebrate a mostly excellent season than with a playlist featuring some of the best tracks of the year. Plus I’m also trying to distract myself from thinking about the devastating events of another show that aired last night (yes, I’m looking at you The Good Wife) and music is that outlet. Beach HouseAs discussed a few weeks back the closing credit music has been one place where the world of Girls is rather optimistic, even if it doesn’t match what we have just seen on screen. The final montage of season 3 uses Michael Penn’s “Good Girl Down” (sadly this isn’t on either Spotify or YouTube at this time, otherwise it would have definitely been part of this playlist) and in his role as Girls composer Penn penned (sorry, couldn’t resist) this track for the finale. Hannah’s smiling due to her grad school acceptance letter and while she has just had a big blowout fight with Adam, she’s still happy; this track does a good job of mirroring this.

This playlist is one to dance to, whether it’s a choreographed routine like in “Beach House” or even if it’s just a desk disco – which mine frequently are – it’s meant to be fun and uplifting. It’s not all dance party as there are some slower, more relaxing songs on here too and it’s generally got a good vibe to it. These are also some of the artists who I have been listening to for the past few weeks on repeat because of Girls, particularly Hannah Georgas and Hannah Cohen. The tracks are in the order they appeared on the episodes, except for Edie Brickell & New Bohemians’ “What I Am” as this song played throughout the season thanks to Marnie’s teeeeeerible YouTube video – why HBO hasn’t put this up on YouTube yet is beyond me – sorry if it gets stuck in your head as it did mine.

Scandal 3.14 “Kiss Kiss Bang Bang” Review: “There is Someone Worth Saving”

21 Mar

What’s the point? That’s the question Olivia Pope is asking on this week’s Scandal after the dramatic events that went down at the end of the last episode and as predicted all my predictions are wrong. We don’t find out who Jake was talking or if he was monologuing to himself as he rattled off his family history and reasons for joining B613. What we do find out is that Jake did indeed shoot three people dead, leaving one witness to clear up his dirty work. Yep, I thought it was all going to be some massive fake-out cop-out resolution, so kudos Scandal writers with going through with the deed. That’s enough stalling with the big reveal, unlike “Kiss Kiss Bang Bang” which went straight for the kill so to speak as Jake wearing his best spy black turtleneck attire shot James. That’s right, James is dead. And Jake did it.

Scandal 3.14 light and darkOlivia calls on her father s he can explain why any of this matters. At first Rowan is very much “ugh” about the whole thing, offering up a “what” instead of a “hello” as a greeting. Olivia practically begs for him to act like her dad and show her some guidance; a reason why everyone she knows is a monster. Last week Olivia had a hysterical laughing fit upon her realization that all the presidential candidates are murderers. This week there is no more laughter with the death of her friend at the hand of her sometimes lover. Rowan gives her a reason to continue, a point to all of this if you will and that’s because everyone is worth saving, no matter what they have done – Joe Morton delivers yet another fine monologue and there’s a reason he keeps getting them, just listen to the way he says 183. Jake explains that he is different because he actually pulls the trigger, but Rowan still claims that he is responsible for the 183 people who have died because of him; Jake just cuts out the Huck-like middle man.

One aspect Olivia laments is the lack of white hats and how the deck is always stacked; Rowan points out that there are exceptions, exceptions like Olivia who in the face of darkness drags them into the light. This is why Olivia’s power color is the one she is wearing in this scene (an amazing Alberta Ferretti white coat) and Rowan dressed in black is in direct contrast to her.

Rowan’s exit is as warm as his arrival, but it has done the trick and Olivia has renewed faith in both her abilities and she turns to one of the only non-murders she knows. David Rosen is deeply affected by what has occurred; he ended up as the sole survivor with a face splattered with someone else’s blood and now he’s got to send an innocent man to jail. David is a skittish mess and he’s visibly nervous when Jake stops by his office. Going it alone is not going to work and the first step is to tell Abby what is going on, after all they are the most stable couple on Scandal. All roads lead to Olivia Pope and now as well as a presidential campaign Olivia has vowed to take down B613; in her eyes Jake is not the problem, the institution is. White hat back on.

Scandal 3.14 white teeWhite isn’t only worn by Olivia this week and in this shot of Jake nothing seems to be wrong, he’s just on the phone wearing a white tee. When the camera pans down we see just how muddy this once white shirt was and how he’s burying Vanessa and Shelby in the woods. This battle has been won, but there’s a war coming to B613.

Scandal 3.14 neck beards and leather jacketsThe story of James and Cyrus gets played out in a series of flashbacks including their first semi-flirtatious encounter where James thankfully points out that Cyrus’ neck beard is a big pile of terrible and Cyrus isn’t a fan of James’ leather jacket (well not for reporting). Gone are beards and the a suit jacket replaces the leather one; flirtation leads to smooching and soon they are a secret couple. It’s sad to see what they once were and how Cyrus took a leap, only to use and manipulate James. This latter part is why Cyrus breaks down in the press briefing room as we go from a quick montage of all the recent deceit to their public coming out. Their relationship started in secret because of who Cyrus is and it devolved into secrets because of his job and desire to stay in the White House.

James’ death is particularly brutal because Jake had to make it look like a carjacking, no bullet to the brain for him and end of the episode takes us to a very dark place. Too dark perhaps, I’m not sure how much we needed to see him gargling on his own blood, but I guess they got their point across that bad things happen to good people at the hand of whoever is Command.

Scandal 3.14 shootingMellie is stepping out of her usual dress/cardigan twins sets and is swapping them for some Town and Country threads as she teaches Andrew how to shoot a shotgun. Of course Mellie is an excellent shot. They look like a couple here in matching plaid flannel shirts and vests; Mellie in purple and Andrew in blue. Later on as they debate gun control legislation they’re wearing these colors that complement each other and this time Mellie succumbs to temptation. This is all going to end horribly – it is Scandal after all – but at the moment Andrew is paying her the kind of attention that has been absent for far too long in her marriage.

Scandal 3.14 Adnan and HarrisonAnother pair mirroring each other are Harrison and Adnan both in teal (Adnan’s coat is Vivienne Westwood). Adnan is in over her head after partnering up with Mama Pope and she just witnessed her shoot someone in the heard during negotiations. This is enough for anyone to rethink their current position and while Adnan doesn’t reveal why she is so afraid to Harrison, he’s already turned to Olivia. Olivia chose Project David, but both Project Adnan and Project Quinn have been brought to her attention. The less said about what transpired between Huck and Quinn, the better.

In the gallery below you can see some of the black and white still shots from “Kiss Kiss Bang Bang” of Cyrus being comforted by Fitz and his flower filled office. James and Cyrus dancing together is a poignant reminder of their happier days. There’s also Olivia in another black and white jacket; this time it is by Lafayette 148 New York. When Mellie isn’t in her hunting gear she’s wearing raspberry Giambattista Valli and amethyst Escada.

Out of the Box: Look of the Week

21 Mar

This week PaleyFest has featured panels for show that are just ending, have barely just begun and ended long ago. Out of the Box is taking a look at some of the best looks from the various panels this week and with shows including Mad Men, Masters of SexThe Mindy Project and Community still to come expect more next week.

Yunjin KimYunjin Kim is wearing a stunning red structured wrap dress at the Lost reunion panel where we were told once again what we already know and that is the island wasn’t purgatory. Discussion gripes aside it was good to see some of the cast reunited and it’s hard to believe how much the TV landscape has changed since Lost debuted 10 years ago.

Troian BellisanoPretty Little Liars is a show I fell behind on and never caught up with, I still hope to but in the meantime here is Troian Bellisario rocking a super cute Charlotte Ronson dress. The red belt breaks up the pattern and it’s making me want to crack out the summer frocks even if it’s still too early (it might be sunny today, but it’s still not warm enough for that).

Aubrey PlazaJumpsuits aren’t generally my thing; black tends to be where I can jump on board with this trend and Aubrey Plaza’s Jonathan Simkhai getup can join the shortlist of jumpsuits I would consider wearing. First of all it has pockets, always a plus and I like that it cinches in the waist which prompted a mini ‘is this a jumpsuit or top/pants?’ debate. The slight pink accents are a nice touch too.

Lyndie GreenwoodLyndie Greenwood has been bumped up to a series regular on Sleepy Hollow next season as Abbie’s sister Jenny and this pleases me no end. Greenwood’s mint green Ted Baker skater dress is both casual and dressy; if I dared to wear light colors this is something I would very much like in my wardrobe. This is maybe a random observation, but Greenwood has the best eyebrows on TV.

Sleepy Hollow PaleyFestBonus Sleepy Hollow cast as Tom Mison assures the audience while his jeans may look of the skinny variety, they are most certainly not. The cardigan/tee look works very well for Mison. Orlando Jones is repping for his character with a t-shirt bearing his mugshot and “Free Frank Irving” underneath (sadly obscured by his hand here). Nicole Beharie has opted for monochrome and looks amazing; I do wonder what it would be like if the women dressed as casually for these events as the guys. Like I get why they dress up and after all most of Out of the Box this week is women in fancy/casual attire, but it feels like there is an expectation for actresses to get dolled up for these events, whereas the guys can rock up in whatever.

 

The Americans 2.04 “A Little Night Music” Review: “You’re Afraid. Too Afraid”

20 Mar

Since the season 2 premiere of The Americans Elizabeth’s abilities to compartmentalize has shifted and she doesn’t have the ability she once had to switch everything off. The deaths of Emmett and Leanne have further impacted her ability and while she’s claiming everything is fine, it’s clear that it’s not. The timing is problematic as they have orders from the Center and a separate off books mission to find out who killed Emmett and Leanne. Plus Philip’s long running Martha situation, their cover job and day to day parenting. There are many plates spinning and it looks like they’re all going to come crashing down if they’re not careful; the episode ends with a series of mishaps.

The Americans 2.04 goateeMission 1 – forcefully repatriating Anton, a Jewish scientist who is very glad to be living in the US away from a country that turned him into a non-person because of his religion. Philips first disguise of the week is a simple goatee as he watches him talk in a synagogue and he tells Elizabeth that he is non-recruitable. This doesn’t matter to the Center and Oleg is showing just how much of a pain he’s going to be as he goes above Arkady’s head to get the security clearance he needs. This is one of the many us and them chats in “A Little Night Music” as Arkady points out what a Western move it is to use family connections to get ahead. We’ve already seen Oleg discuss Rod Stewart and scalping tickets; he’s acclimatizing himself to this world but he’s also questioning authority to get what he wants. There’s also the question of Nina and he seems far too interested in her and what she is doing with her undercover work.

The Americans 2.04 Elizabeth recordMission 2 – seduction of Brad to get files on Emmett and Leanne’s potential killer; a gay naval officer they were blackmailing. Claudia is back (!) and despite frosty feelings she wants what is best for Elizabeth and Philip, this means protecting them by finding out who assassinated Emmett and Leanne. Not an easy task, especially when there is so much going on in their lives. I really love the framing of this shot of Elizabeth in the record shop booth as she watches Brad, there’s something quite church like about the window pane in the reflection. More on religion and how Elizabeth feels about it later.

The Americans 2.04 beanieMission 1 involves beanie hats and reading newspapers and this is what costume designer Jenny Gering refers to as “light disguise.” In the final moments of the episode Philip and Elizabeth are rocking dark clothes, baseball caps and beanies as it’s a quick snatch and grab. That is until they get jumped by another couple and their simple plan turns into a giant clusterfuck. Elizabeth takes it too far (something Claudia can attest to) and uses the trunk as a weapon long after she has subdued her attacker. This gives the female accomplice the distraction she needs to steal the car with the unconscious Anton inside. Who is this mystery protection detail?

The Americans 2.04 collegeBonus Philip disguise as he follows Anton to the college he works at to get some more information on him – it turns out he has a mistress – and Philip’s rocking tweed and a blonde wig to blend in. It works and no one spots the one guy who is interested in everything on every notice board. Or maybe they did and that’s why there is another pair watching Anton.

The Americans 2.04 booth seductionElizabeth’s initial scene is the most Felicity I have seen this character be so far. This statement might sound a little ridiculous as Keri Russell does play both characters and I have been watching a lot of Felicity recently, but the way she delivers herself as they talk about music gave me instant Felicity feelings. This is Elizabeth playing the innocence card to get close to her target and it works. The problem here isn’t the cover, it’s Elizabeth and she’s hesitating at getting intimate. This has never been a problem in the past and at first I was unsure whether the rape story was always part of her plan to get Brad to deliver the files she needs. It’s clear this isn’t the case and it shows how Elizabeth is quick to adapt to her own shortcomings; later she physically recoils as she is given Brad a handjob to help with his tension issues. The story she tells Brad is fake, but we know she was raped when she was at the academy so it’s not entirely fabricated; she’s using her experience rather than compartmentalizing it.

The Americans 2.04 ElizabethElizabeth wears a top that mirrors Brad’s naval uniform with a bib like front and everything she wears with Brad is feminine but safe. There’s very little makeup and the wig isn’t fussy or over styled. From all accounts Brad is a good guy and I feel bad that he’s being duped in this manner, he hasn’t managed to deliver the files yet and his hesitation could be problematic.

The Americans 2.04Claudia has concerns and they center on Elizabeth; she thinks she came back too soon and her fear levels are too high. There doesn’t appear to be an ulterior motive and Claudia simply states that she doesn’t want to lose anyone else. The green of Claudia’s coat with Elizabeth’s maroon complement each other; they have more in common than Elizabeth would care to admit.

The Americans 2.04 concernThere’s a lot of laundry getting done in the Jennings house this week and Philip doesn’t buy Elizabeth’s declaration that Brad is a “piece of cake,” Philip’s giving a lot of concerned face in the direction of his wife this week. Last season their marriage was a fractured mess, this year they are stronger and this is causing problems for Elizabeth out in the field. It’s why she’s hesitating with Brad and I also think it’s making it hard for Philip to play his Clark role as well as he did previously. Elizabeth practically scoffs at the idea of Philip’s “lazy morning” with Martha; she’s not masking her unhappiness with this situation very well.

Philip manufactures a fight with Martha as a way to get out her apartment quickly – why would you wash your hair in the kitchen sink?! – as he has a meeting with the plumber (for the travel agency) and because it’s a betrayal against his real relationship. Well his real relationship that is built on a foundation of fakery – remember Philip and Elizabeth aren’t actually married.

The Americans 2.04 marthaPhilip needs to be paying more attention as Martha could be their greatest undoing. Martha is playing with a recording device in bed and she’s applying for a job that asks what her marriage status is. When Martha leaves Clark the voicemail telling him about the application she is wearing the most amazing lilac silk snakeskin print blouse. Pastels are a prominent part of the female wardrobe this week with Paige and Elizabeth also wearing this color scheme; mother, daughter, wife, mistress.

The Americans 2.04 bar confessionsAffairs are a theme of this week from the sanctioned ones that Elizabeth and Philip are committing, to the more regular kind like Anton and Stan. Stan confides in Philip about Nina, well he leaves out the whole Russian element, simply saying that she is someone from work who is also married. Stan refers to their relationship as doomed and also lays out how home life with Sandra is pretty much an empty shell as they lead separate lives. It’s really depressing and it is shot in an appropriately dark manner with only the alcohol behind them bathed in light.

The Americans 2.04 video gamesLightening the mood of the episode is Henry as he pleads his case for video games – “but it’s good for your brain and you’re not just sitting there, you’re doing something” – don’t ever change Henry. This links back to Arkady’s Oleg concerns about him being too Westernized and the Jennings’ have got one kid who wants all the things and the other who has fallen in with the wrong crowd.

The Americans 2.04 graceAh yes, Paige and in this case the wrong crowd isn’t doing drugs, well not the kind you would normally find. Instead they are partaking in the “opiate of the masses” and that’s religion as Elizabeth quotes Karl Marx at Philip. Elizabeth’s reaction to Paige’s Bible reading and this youth group is hilariously over the top as it’s an affront to her personal values. Elizabeth practically spits the word “praying” and she talks about it coming into their house as if it’s the plague and end of times. Paige of course doesn’t know why they are so bothered by it and she’s definitely getting her rebellious kicks from this. Oh and it also looks like my Kelli theory was wrong as the Center has called off the protection on the kids and there’s no way someone from the Center would introduce Paige to something like this, it’s more likely they would go the actual teenage rebellion route of smoking and drinking. Philip is less concerned than Elizabeth and he suggests they eat later as she’s less likely to want to pray if she’s hungry. Elizabeth can’t understand why he’s being so reasonable and I love how this show switches between conversations about parenting and missions in a heartbeat.

Things Elizabeth and Philip have to worry about at the end of this episode: getting files from Brad, Elizabeth’s fear and control issues, Martha’s job application, Paige’s religion phase, Henry wanting video games, getting a new car and who has taken Anton. Philip is spot on with this assessment “There’s been kind of a lot going on.” One thing that is relatively solid is Philip and Elizabeth, she just needs to open up to him. The other relationship that is steady and blossoming is between Philip and Stan; he does have a real friend after all. Well, as real as they can get in this business when it is someone from the other team.

The Wish List: Kate’s Yellow Sweater on Trophy Wife

19 Mar

Yellow clothes are my weakness and while my quest to find the perfect mustard hoodie is ongoing, thanks to this week’s Trophy Wife I’ve been distracted from hoodies by bold yellow sweaters. Springtime is upon us and this means packing up chunky knitwear (well maybe not quite yet as snow lingers in some places, sorry guys). Lighter and brighter options are what I will be looking to showcase in the coming months and this is a great place to start.

Trophy Wife - yellow sweaterTrophy Wife’s Los Angeles setting instantly lends itself to a warm color palette; it’s also sitcom land on ABC so everything tends to be on the more cheerful end of the costume design scale (Diane being the one character on this show who wears darker attire). Kate’s style is very current, with a slight edge; there are a lot of short shorts, skinny jeans, vest tops and the occasional bit of leather. In “The Wedding -Part Two” it’s Kate’s yellow Maison Martin Margiela sweater that caught my attention and inspired this wish list. Paired with a pair of jeans and it instantly gives you a warmer look. The aviators are optional. (Ed. correction the sweater is actually the “Alana” by ALC. Still in love with the Maison Martin Margiela one, though this is not as pricey)

Here are some alternatives – some that won’t break the bank – if you want to brighten your wardrobe.

French Connection yellow jumperConfession time – I’ve been looking at yellow sweaters for some time now and it’s this French Connection ribbed, 3/4 length sleeve affair that started the obsession and it has been top of my covet list for about two months now. Like I said in the intro, yellow is my clothing weakness. Well, one of my clothing weaknesses (see also polka dots and stripes).

Topshop beehive sweaterThe Whitepepper’s Beehive knit jumper is a way to do yellow in a chunkier (read warmer) style if spring looks more like winter at the moment. As they suggest on their website, it is perfect for layering.

Marnie yellow sweater

For something slightly different try this Marni tile pattern sweater as this is one way to wear yellow in pattern form without resorting to polka dots or stripes.

In Appreciation of Freddie Lounds’ Hat and Alana Bloom’s Loyalty on Hannibal

18 Mar

Hannibal is one of the most visually arresting shows on TV (if not the most) and season 2 has produced an array of incredible pieces of costume work; from Hannibal’s sumptuous three piece suits to his clear plastic kill suit as he strides around a cornfield looking for a murder mural in the sunshine. In “Hassun” we enter the world of the courtroom and a whole new arena for these characters to show off who they are through their clothes and there is definitely some peacocking going on. Freddie Lounds does this in the most overt manner and this also happens to be her first appearance this year.

Hannibal - Season 2Freddie is playing several roles in this scene and her attire reflects this; the image she is trying to reflect is the doe eyed mourner who couldn’t save her friend, instead she’s revealed to be the serial lying opportunist with a vendetta against Will Graham. It’s part wedding/part funeral and Freddie is the star of her own show. The jacket looks like she skinned a reptile representing the dichotomy of Freddie Lounds in this moment as she tries to portray innocence while showing how cold blooded she actually is. Freddie might be a vegetarian (as we discovered last season) but she has no qualms with wearing clothes that resemble animal skin. There is a third likeness and this came up in a discussion on Twitter about Freddie’s amazing hat with my friend Noel Kirkpatrick pointing out how much it resembles Rosalind Russell’s costuming in His Girl Friday and you just know that Freddie fancies herself as a Hildy.

Hannibal 2.03 Alana in blueFreddie is not the only woman in blue this week and Alana is wearing a similar shade when she finds out that she won’t be called to testify. Blue is seen as a stabilizing color, as well as one that reflects loyalty and both of these apply to Alana Bloom (Freddie not so much). If Freddie wore the crimson red she prefers she might come across as the agent of chaos that she really is. Freddie and Alana share a costuming color palette as red is one of Alana’s signature colors – Alana’s wardrobe this year has been full of rich hues and geometric patterns once again – but just because they share this, it in no way indicates any similarities between them except they both exude confidence in their professional arenas.

Alana’s feelings towards Will are called into question during a prep session as Will’s lawyer, Leonard Braugher is initially concerned and he’s pretty blunt in his observations “You are smitten with the accused Ms Bloom, and it is adorable, but not our brand of defense. Ms Vega will smell it on you like you stepped in Young Adult and tracked it into the courtroom.” Alana manages to switch into cold behind the eyes mode and out comes the “professional curiosity” line she’s previously referenced. Alana doesn’t even get to testify so this is all for naught really.

Hannibal 2.03 handsIn the final scene of “Hassun” Will discusses his new murderous admirer with Alana and while determining why this person is doing it (“He wants to know me”) Will also asks Alana what her motivations are. Alana’s answer works with her current position as the heart of Hannibal and with both the romantic and nurturing roles she plays “I want to save you.” While the silence that follows suggests that it’s going to be a struggle for Alana to achieve this in the long term, there is also the emotional tether aspect and a physical connection as Will reaches out and takes Alana’s hand.

Searching for connections is a strong theme on Hannibal and prior to this scene we have a lonely sadness montage of Hannibal staring longingly at the empty chair Will used to sit in, followed by Will alone in his cell. By the end of the episode one of these men has a moment of comfort with another person and while Alana still believes that Hannibal is completely innocent, Hannibal has still lost the man he calls a friend.

The Good Wife: What We Wear and How We Are Perceived

17 Mar

Presentation and perception are at the heart of The Good Wife – it all started with a woman standing beside her disgraced husband with the media and public making all kinds of judgement calls. Alicia Florrick has come far since that press conference; she has her own firm and she’s the wife of the governor. So while we know Alicia’s origin story and we’ve seen her life as a stay-at-home mom, her attempt to go back to work immediately post-scandal is something previously discussed and not shown. “A Few Words” revisits this period as Alicia writes a keynote speech about “opting back in” after a period away from practicing law and we see her struggle to get a job thanks to her name and how a chance elevator meeting (of course) led her to Stern, Lockhart & Gardner.

One of the many striking aspects about The Good Wife is how costume designer Daniel Lawson uses clothes to add insight into a characters thoughts, feelings and background. This is something I have written about on multiple occasions this season and this episode incorporates many of these aspects; memory, power and sex. What you wear can be a powerful tool and the contrast between present day Alicia and the one we see in her flashbacks is striking.

The Good Wife 5.14 contrastAlicia’s first flashback suit is a cornflower blue jacket and she instantly stands out while waiting with the other all male job candidates. These dudes are all pretty interchangeable even if their suits are slightly different colors. Alicia is reading a magazine (one that she buries beneath the stack as she sees her own photo) while everyone else is busy (or at least pretending to be) on their Blackberries. We’ve already seen Alicia in this attire in the previous interview scene and this just reinforces the notion of how much she has changed both in her style and who she is.

The Good Wife 5.14 buttoned upKalinda’s original investigation into Alicia reveals that Alicia was going to get fired from her job just prior to her leaving to raise her family as she lacked “a killer instinct.” This is something she definitely possesses now, it took time to get there but her departure from Lockhart Gardner demonstrated her killer instincts. What this past look at Alicia also shows is how buttoned up she is in both senses of the word; just look at that collar. This attire reeks of her well-to-do suburban lifestyle and this color is not something that would feature in Alicia’s current wardrobe.

The Good Wife 5.14 elevatorHere’s a slightly better shot of the jacket and the reunion between Will and Alicia happens in an elevator, as if it could have happened anywhere else. This is where memory comes into play and while there isn’t a suit color change this time – thoughts aren’t clouded by sex recollections – both remember their greeting in a slightly different way. Both recall the other calling them by their full name; the flirtatious, warm overtones are present in each one.

The Good Wife 5.14 cream jacketEverything Alicia wears in the past is from a soft color palette and while Alicia still wears cream now, everything we see in the present in this episode is on the dark end of the scale.

The Good Wife 5.14 speech writingOther than factors such as hair and makeup this provides instant coding as to what is now and then; Alicia is in a position of power and while she’s still trying to sell herself to other lawyers, she’s far from the bottom of the pile.

The Good Wife 5.14 pearlsAh yes, imaginary conversations with Jackie Florrick as Alicia awaits her interview with Will and ‘Jackie’ tells her “You like nice things, so go be a whore.” ‘Jackie’ also calls Alicia a slut; imaginary Jackie as her inner voice isn’t very kind. Alicia’s interview attire is more revealing than her previous attempts and yet it still screams wife of a politicians thanks to the pearls. Grey is definitely going to make you look more lawyer like than cornflower blue.

So what purpose does ‘Jackie’ serve? Well she lets us know that on one level Alicia does feel like she got the job because of her past almost romantic relations with Will (bad timing remember). It’s a complicated situation, especially as Will claims he never linked work and Alicia together. This I don’t completely buy and maybe Will only pushed hard (phrasing) for Alicia because she was his friend at college, but a small aspect of it had to be down to their connection. Alicia has reconciled these feelings in her speech “Use everything you have to get the job and don’t feel entitled.” Basically don’t listen to your inner Jackie.

The Good Wife 5.14 Cary and AliciaThere’s a fun moment with Cary and Alicia’s first meeting – that is not a good hair look Cary – as Alicia asks what his first impression of her was. Cary initially lies (“I liked you”) and then admits he thought Alicia was entitled. Alicia agrees with this summation as does he with her assessment that he was a “cocky new associate.” Now look at them! The Cary/Alicia relationship progression is one of my favorite things on The Good Wife and it shows that sometimes we can be semi-right about our first impressions, but there is also much room for growth.

the good wife 5.14 got the jobAs we already know Alicia got the job (as did Cary) and between this closing scene and the diner handshake between Will and Alicia, I have a feeling she will be bailing him out soon in one way or another thanks to this line from Will “Alicia, when I’m broke and lying in an alley somewhere, do something nice for me.”

The Good Wife 5.14 red tweedBack in the present and the keynote speech not only acts as a way to add another layer to the Alicia/Will story, but it also shows Alicia trying to sell herself in another manner. Now it’s all about promoting the new firm and they want to land lawyers like Rayna who bring big business. The speech is the perfect way to do this and Alicia uses feminism as the overall theme to try and win Rayna over. It doesn’t quite go to plan and while they don’t end up with Rayna (she’s setting up shop with Elsbeth!), Alicia is definitely in demand as one of the original firms that turned her away because of her name offers her a job. She doesn’t take it of course, but it must be incredibly satisfying to come full circle in this manner; some new clients for Florrick/Agos would have probably been a better score though.

The Good Wife 5.14Red and black are the present day color palette choices with a red tweed jacket as she’s writing followed by the black keynote speech ensemble. As I mentioned before it’s all about being taken seriously and these are Alicia’s confidence clothes.

The Good Wife 5.14 red jacketRed is Alicia’s ultimate power armor and as she’s leaving the hotel she’s wearing this color. This is when she gets the job offer and all looks pretty good from here and in a previous scene Alicia’s responds to the question of “What do you want Alicia?” with “A happy life and to control my fate.” This is well within her reach, until it all comes crashing down next week with the election scandal brewing and Will’s huge dilemma.

The Good Wife 5.14 ElsbethIn terms of perception, Elsbeth is incredibly disarming as we have seen on countless occasion as people underestimate her ability to go for the jugular. Just because she wears scarves and frilly collars that have an Austin Powers feel doesn’t mean she shouldn’t be taken seriously, even if ultimately Dubeck ends up gaining the upper hand. It’s always a joy whenever Carrie Preston guest stars and I think I might be shipping Elsbeth and Clarke after her “High Hopes” rendition.

The Good Wife 5.14 bird pinThere’s not a lot of Diane this week sadly, but she does make sure Will tells her what is going on and all while wearing yet another incredible pin that rivals the dragon fly (these pins tend to come from antique shops if you are on the hunt for one). This bird pin is like a mockingjay has just spread its wings and flown free.

“A Few Words” deals with a variety of the long term arcs like Will and Alicia’s relationship which has been present since The Good Wife started and other more recent overarching stories like the ballot box swap. How Alicia is perceived in relation to Peter is another consistent theme and this time feminism in the workplace is also in focus (as my friend Noel Kirkpatrick points out the last time they were this overt was with Caitlin).

Costuming helps signify how far a character has progressed and Alicia is far from the person we met in the pilot; professionally and personally. Alicia is no longer perceived as the woman standing behind her husband with a look of shame on her face; she’s standing tall upfront and on her own. Well, she’s not entirely on her own as the Florrick name is still important and with Peter heading towards another scandal, Alicia might have to dig down into those stoic reserves. If she wants to really be happy and control her own fate, standing by Peter’s side once again might not be the way to do it.

Out of the Box: Look of the Week

14 Mar

Mad Men has some competition on the magazine cover front from Game of Thrones this month and while Elisabeth Moss and Jessica Paré have scored one each, GoT’s Emilia Clarke has three solo covers and a group one. There are several other magazines with TV stars on the front this month – which is why this “Out of the Box” is all cover stars – featuring both current and returning faces. The covers are brighter in tone as the season is changing, even if it’s not quite warm enough to wear some of these outfits yet. There’s another show returning in April that we’re really excited for here at TV Ate My Wardrobe that isn’t Mad Men or Game of Thrones and it features on this week’s Entertainment Weekly.

Emilia ClarkeThe first of the Emilia Clarke covers and she looks stunning in a purple Giles dress with Swarovski encrusted lips on UK InStyle.

Emilia Clarke FlareNicely played with adapting the GoT phrase for the new season and Flare has been dipped in pastel pink.

Emilia Clarke French GlamourFrench Glamour has ditched the super feminine look preferred by both InStyle and Flare, opting for an edgier editorial choice. All three covers show just how versatile Clarke look is.

GOT Vanity FairClarke joins fellow GoT cast members in full costume for the April issue Vanity Fair and I’ve got until April 6 to catch up (I know). I’ll be buying this issue regardless and I love this photo taken by VF staple Annie Leibovitz. I’ll just have to save this article and go ahead and read all about Alan Cumming return to Cabaret instead. 

Orphan Black EW coverEveryone’s favorite clones are gracing the cover of Entertainment Weekly as they celebrate the return of Orphan Black. Our anticipation levels are pretty darn high thanks to this feature and the first full length teaser which debuted this week. April is going to be a very good/busy month for TV.

Lena DunhamLena Dunham covered Vogue last month and now she’s getting the Glamour treatment. The dramatic dark makeup works really well and let’s hope no one starts crowing about Photoshop with this issue.

Lena Dunham D&GExtra Lena Dunham from this issue of Glamour as I really like the dramatic nature of this Dolce & Gabbana polka dot frock. I would definitely twirl around in this if I got the chance.

Elle Katie HolmesKatie Holmes is returning to TV nearly 10 years after Dawson’s Creek finished as she will be starring in a yet untitled ABC pilot. In the meantime she’s killing it on the cover of UK Elle in this stunning Prada embellished coat.

Emily VanCampEmily VanCamp is in the new Captain America and while it’s unlikely that I will go back to watching Revenge, I am looking forward to seeing VanCamp in a film of this size – even though she hasn’t appeared in any of the promotional material. The styling on the cover of Elle Canada evokes a hint of a pilot (it’s mostly the patches) and I’m always a sucker for stripes.

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