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Tag Archives: Lara Jean Chorostecki

Get the Look: Knits and Coats for Freddie Lounds on Hannibal

7 Sep

Sweater and coat weather is coming and even though Hannibal is over (for now) Freddie Lounds is giving us a whole lot of inspiration for the approaching colder months. Fall collections tend to be my favorite and by this time of year knits are calling out after the sticky season; French Connection is one of my go to stores and there are a couple of items on the cover list. And it’s not even that cold yet.

As with pretty much every character on Hannibal, Freddie is incredibly stylish and her look has paid tribute to His Girl Friday while also taking a page out of Hannibal’pattern book. There is a heightened quality to her costuming and she is tailored to perfection at all times.  

Taking the sheer and check from “The Number of the Beast is 666” and twisting it comes this amazing red and black sweater blending dogstooth with check in very Freddie Lounds red. Pretty sure I’ve got my next payday purchase picked out. Freddie’s outerwear game is also strong and it needs to be for all those ambush stop and chats.  While Freddie’s burnt orange, grey and white checks are fabulous so is this red and black Highland wool coat with added warmth from the faux fur collar. Ideal for the snowy days ahead. For more from the new French Connection collection head here.

And take a Get the Look trip to the mid 80s and Halt and Catch Fire with Donna’s stripes and plaid here.

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Hannibal 3.12 “The Number of the Beast is 666” Review: Teacher’s Pet

21 Aug

Curiosity killed the cat or in the case of Will Graham curiosity results in events that are in part expected and are also highly unfortunate for one Dr Fredrick Chilton. Chilton has become something of a Kenny like figure and unlike his South Park counterpart he just can’t be killed. But he can definitely be maimed and now to go along with his missing organs and already messed up face, he is now missing his lips and covered in burns. That is going to take a lot of makeup and skin grafts to cover up. The fate of Chilton and who is to blame for this new trauma is spread across many players from the man who actually did this to him to those who conspired in this plan. The only certain thing is Hannibal’s correct ‘we don’t get to chose our own endings’ assertion.

Hannibal stands behind bars (or rather Plexiglas) but still has agency in the world having orchestrated the attack on Will’s family. When it comes to what happened to Chilton he is perhaps the least at fault even if there are those who blame him. Those strings are being pulled and he is far from innocent in any of this; after all the Great Red Dragon is still seeking his approval through the gifts he sends him in the post.

Hannibal 3.12 Chilton and WillWill is a lamb, Chilton is a slug and Dolarhyde is the Great Red Dragon. It is a metaphor city on Hannibal this week as Will also employs his favorite fishing terminology to show his disdain toward Jack Crawford for the second episode in a row suggesting Jack has made him the bait and he wants him to reel in a “bigger fish.” The last time they plotted to catch a serial killer they were actually fishing and things were a lot more cordial between the pair. A lot has happened between the Hannibal trap and this one; learning from their mistakes is one thing that has passed them by.

Alana is quick to point out the flaws in this plan and how they believed they were in control last time. Oh yes last time when they all nearly died from various horrific wounds. The bait plan is flawed because it reads like a trap and they need to legitimize the provocative nature of their proposed article with a professional. When Will asks Alana if she is volunteering herself she might as well have said “fuck no” instead she goes for a more eloquent “No. I’d have to be a fool.” Instead she has another more fame hungry name in mind and Hannibal is right when he tells Alana that she pretty much set him up for this fall. Alana might be the moral compass of the show, but this doesn’t mean she is above pulling some sketchy moves to get herself out of danger and it is easier for her to lay the blame at Hannibal’s feet on every occasion.

Hannibal 3.12 AlanaWhen she approaches Chilton she might as well be leaning up against an imaginary locker saying “Hey stud.” Instead of a barrage of expected “I-told-you-so’s” regarding Hannibal discrediting his book – Hannibal’s essay is “quantifiably bitchy!” – she is here to offer up an exciting proposition; playing up to his narcissism. And this is why Alana is far from innocent in this set up as she not only came up with the second half of the plan, but she also delivered the person to play the role. So when Hannibal tells her it could have been her lips he was tasting (again) she looks so angry because he is right (and probably because she has just seen him eat said lip – the funniest cutaway this show has ever done).

Hannibal 3.12 sad AlanaWhen watching the Chilton video she is a picture of teary eyed guilt. Costuming sidenote – this is another excellent lady suit week for Dr Alana Bloom with the Hannibal- esque plaid and pinstripes. Both of which are more toned down versions of some the ensembles she has been wearing this season and it is interesting that she has ditched the red attire except for her crimson lipstick.

One person who reacts to the video of Chilton’s message and lip biting off attack in a much more visceral manner is Will as he drops to the ground covering his ears.

Hannibal 3.12 WillBy putting his hand on Chilton’s shoulder in the Tattle Crime photo it pointed towards trust and an emotional context; this is something Chilton understands too and blames Will through his distorted speech for touching him like a pet. A variety of animals beyond the stag are symbolic this season and particularly this episode with Will also noting they are pets and not pilgrims. Art, literature and religion are also important to Will and Bedelia’s discussions switching between theology and Dante. He is far more pragmatic when talking to her about recent events, a far cry from his ear covered cowering and instead he uses flowery language to make excuses for Chilton’s ‘punishment.’

Here comes Will’s curiosity and the ability to transfer Dolarhyde’s rage from Will to Chilton; in this scenario Chilton becomes the vulnerable bird and Will has chosen to crush it. Bedelia sure looks pleased with this current version of “You play, you pay” and this is where she notes that Hannibal’s agency in the world is through Will. A lot of cause and effect is going on and pretty much everyone has a reason to feel guilty. Hannibal taught Bedelia the difference between participation and observation in the premiere. This lesson is passed onto Will as she suggests he struck the match that set the Chilton chain in motion.

Will’s choice of a psychiatrist is tied up in Hannibal and Bedelia would not be my first port of call for therapy. A combative element is present as Will is angry his family has been taken away from him while Bedelia has felt no repercussions from her time as Hannibal’s companion. Hannibal does not have the same interest in her other than he would like to eat her (as she points out she is safe from this threat at the moment) and there is something stronger at work here. Ah yes the notion of love and is Bedelia a Hannigram shipper? Will does not answer her question regarding his feelings for Hannibal and ‘it’s complicated’ would be the best relationship status descriptor.

Hannibal 3.12 Hannibal and JackSo while Will and Bedelia chat about Hannibal, Hannibal yucks it up with Jack about religion and their current predicament with the roles of God, the devil and the lamb getting dished out (Jack, Hannibal and Will respectfully).

Jack is pretty dismissive of Dolarhyde instead focusing on Hannibal as the real dragon and their back and forth about having a clear conscience reiterates just how close Jack and Hannibal can be at times. The cycle is repeating as the battle for Will’s soul swirls in the background.

Hannibal 3.12 JackThe levels of sass Hannibal has been delivering while imprisoned is impressive and he real outdoes himself this week as he notes “the tragedy of what’s happened to Frederick has put me in an excellent humor.” He congratulates them for successfully enraging Dolarhyde and he is having a fantastic time even without the comforts he is used.

The mention of the fake Freddie burning is said with such glee that the inevitable was going to happen to Chilton and Hannibal continues to take the original material and twist it in new and interesting ways. They suggest it was Hannibal who gave Dolarhyde the burning in a wheelchair idea and this could be the case as Chilton’s fears he has been burned when he wakes up; Dolarhyde repeats “burned” three times with a certain hint of ‘oh this is what I should do to him’ memory recognition.

Hannibal 3.12 Chilton and DolarhydeLast season they took what happened to Freddy Lounds in Red Dragon as a way to make the audience believe Will had killed her, which meant it would be hard to repeat this method to actually kill Freddie in the show. Instead they switched Freddie out for Chilton, which in this context makes so much sense. Chilton is a character who is often the comedic relief because he is so pompous and full of himself, but in “The Number of the Beast is 666” it is hard not to feel a great deal of sympathy for him. Yes he has fallen foul because of his hubris, but he does not deserve what befalls him. Even if he is wearing his best Hannibal imitation paisley tie.

Hannibal 3.12 ChiltonRaul Esparza’s performance is terrific throughout and he totally sells just how scared Chilton is. This is a position he has unfortunately been in before and this desperation takes on a new petrified tone this time as he begs Dolarhyde not to show his face. He tries a variety of methods to get on the right side of his captor, but his fate was sealed when he agreed to be in that photo with Will Graham. The real kicker is every time Will offered up a more ludicrous take on why the Tooth Fairy has committed his crimes; Chilton gave a concerned look at how far Will was taking it. Little did he know that Will’s words were going to cost him so much.

Taking the tension levels from last week’s cabin break in and somehow shredding my nerves further; I pretty much sat through most of these Chilton/Dolarhyde scenes pulling a Home Alone face. Because Bryan Fuller has gone off book while incorporating major elements it adds to the intense nature as the lip biting – oh hey Standards and Practices – and body burning take place in Red Dragon with Freddy on the receiving end of both.

As I have previously mentioned this is the only Thomas Harris book I have read and it is fun to see where they are utilizing the source material. For instance Will does pose for a photo wearing a bathrobe behind his desk (I’m so sad this Will Graham said no to that idea) and a lot of what is said about the Tooth Fairy comes from Alan Bloom (“child of a nightmare”) in the book. Alana has very little to do with the Tooth Fairy side of things in this version (plotting aside), instead focusing on the Hannibal incarceration elements. She does momentarily appear to Will as a victim of the Dragon as they discuss the bait plan.

Hannibal 3.12 Alana mirror eyes Hannibal 3.12 MollyIt is an incredibly disturbing image as is the one of Molly at the start of the episode (with his face reflected in those shards) and he does his fearful twitch that no one else ever seems to notice. Is Will concerned for the women in his life? He does not picture either Bedelia or Freddie like this and that might be down to the antagonistic relationship he has with both of them. Or it could be as a symptom of spending too much time contemplating murder as he sees Alana like this as she questions whether he is in control. 

Everything has been tainted by Hannibal and the “abstract curiosity” Dolarhyde has with Will is covered in Hannibal’s in a twist on the classic ‘if I can’t have him then no one else will.’ Dolarhyde is simply the instrument Hannibal chooses to wield his power over Will. The only reason he went after Will’s family was at the behest of his mentor and while Hannibal didn’t lay the trap that got Chilton caught he definitely has a hand in everything which has taken place since those first two families were murdered.

Hannibal 3.12 bathrobeDolarhyde is isolated from his sympathetic ear and he’s gone rogue as the lip gift is as much for the ‘Hannibal the Cannibal’ moniker as it is for the Tooth Fairy lies; the card which came with it reads “With these he offended me” as he did to Hannibal with all the lies he wrote. Lies which helped save his life and yet a thank you note is not in the post. The one person he did not want to hurt is now tied up and trembling. Reba visited while Chilton was being held captive and because she cannot see Dolarhyde did not have to change out of his murder attire (on this occasion he switched out his leather for a silk kimono) nor did he hide his prisoner. Chilton has seen Reba and because they heard her name on the Hannibal call it gives them a big clue in finding out who the Red Dragon is.

With just one episode left – maybe in the series finale *sob* – there is plenty to resolve before the end; will this season end in a bloodbath as last year’s did or is Will Graham going to get some semblance of a happy ending?

A couple of sidenote observations and my continued obsession with how well they use the space in which Hannibal inhabits.

Hannibal 3.12 Hannibal Hannibal 3.12 Jack, Hannibal, WillDragon tattoo scares.

Hannibal 3.12 tattooThe cover of Tattle Crime and the offending headline – “Tooth Fairy ‘Ugly Impotent Product of Incest.'”

Hannibal 3.12 Tattle CrimeAnd finally a Freddie Lounds costume which almost rivals THE hat in how incredible it is with a mixture of plaid and sheer all while holding the drawing Will is meant to moon over in his bathrobe.

HANNIBAL -- "The Number of the Beast is 666" Episode 312 -- Pictured: (l-r) Laurence Fishburne as Jack Crawford, Lara Jean Chorostecki as Freddie Lounds -- (Photo by: Brooke Palmer/NBC)

Plaid for all! If you are lucky Freddie will get you a “Tooth Fairy is a One-Night Stand” tee, maybe in medium but most likely a small.

In Appreciation of Freddie Lounds’ Hat and Alana Bloom’s Loyalty on Hannibal

18 Mar

Hannibal is one of the most visually arresting shows on TV (if not the most) and season 2 has produced an array of incredible pieces of costume work; from Hannibal’s sumptuous three piece suits to his clear plastic kill suit as he strides around a cornfield looking for a murder mural in the sunshine. In “Hassun” we enter the world of the courtroom and a whole new arena for these characters to show off who they are through their clothes and there is definitely some peacocking going on. Freddie Lounds does this in the most overt manner and this also happens to be her first appearance this year.

Hannibal - Season 2Freddie is playing several roles in this scene and her attire reflects this; the image she is trying to reflect is the doe eyed mourner who couldn’t save her friend, instead she’s revealed to be the serial lying opportunist with a vendetta against Will Graham. It’s part wedding/part funeral and Freddie is the star of her own show. The jacket looks like she skinned a reptile representing the dichotomy of Freddie Lounds in this moment as she tries to portray innocence while showing how cold blooded she actually is. Freddie might be a vegetarian (as we discovered last season) but she has no qualms with wearing clothes that resemble animal skin. There is a third likeness and this came up in a discussion on Twitter about Freddie’s amazing hat with my friend Noel Kirkpatrick pointing out how much it resembles Rosalind Russell’s costuming in His Girl Friday and you just know that Freddie fancies herself as a Hildy.

Hannibal 2.03 Alana in blueFreddie is not the only woman in blue this week and Alana is wearing a similar shade when she finds out that she won’t be called to testify. Blue is seen as a stabilizing color, as well as one that reflects loyalty and both of these apply to Alana Bloom (Freddie not so much). If Freddie wore the crimson red she prefers she might come across as the agent of chaos that she really is. Freddie and Alana share a costuming color palette as red is one of Alana’s signature colors – Alana’s wardrobe this year has been full of rich hues and geometric patterns once again – but just because they share this, it in no way indicates any similarities between them except they both exude confidence in their professional arenas.

Alana’s feelings towards Will are called into question during a prep session as Will’s lawyer, Leonard Braugher is initially concerned and he’s pretty blunt in his observations “You are smitten with the accused Ms Bloom, and it is adorable, but not our brand of defense. Ms Vega will smell it on you like you stepped in Young Adult and tracked it into the courtroom.” Alana manages to switch into cold behind the eyes mode and out comes the “professional curiosity” line she’s previously referenced. Alana doesn’t even get to testify so this is all for naught really.

Hannibal 2.03 handsIn the final scene of “Hassun” Will discusses his new murderous admirer with Alana and while determining why this person is doing it (“He wants to know me”) Will also asks Alana what her motivations are. Alana’s answer works with her current position as the heart of Hannibal and with both the romantic and nurturing roles she plays “I want to save you.” While the silence that follows suggests that it’s going to be a struggle for Alana to achieve this in the long term, there is also the emotional tether aspect and a physical connection as Will reaches out and takes Alana’s hand.

Searching for connections is a strong theme on Hannibal and prior to this scene we have a lonely sadness montage of Hannibal staring longingly at the empty chair Will used to sit in, followed by Will alone in his cell. By the end of the episode one of these men has a moment of comfort with another person and while Alana still believes that Hannibal is completely innocent, Hannibal has still lost the man he calls a friend.

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