Archive | April, 2014

Top 3 Picks from the Zooey Deschanel Tommy Hilfiger Collection

12 Apr

The Zooey Deschanel Tommy Hilfiger capsule collection launched this week and we’ve picked out our favorite outfits that use the classic Tommy Hilfiger color palette with Zooey Deschanel vintage-inspired sensibility. Deschanel is a TV Ate My Wardrobe favorite and Jess from New Girl appears frequently on the costuming wish list (including this recent Tommy Hilfiger outfit).

Pleats, polka dots and sixties stylings; these are some of my favorite things. New Girl co-star Hannah Simone is wearing the Hannah dress – yes it is named after her, it would be awkward if it wasn’t – and she’s found the ideal pair of shoes to complete the nautical look. Can it hurry up and be summer?

ZD TH

Hannah SimoneZooey Deschanel THFor more from the To Tommy from Zooey collection head here and here.

TV Rewind: Felicity, “Sophomoric” and “The List”

11 Apr

Felicity, Episodes 2.1 and 2.2
“Sophomoric” and “The List”
Original Air Dates: Sept. 26 & Oct. 3, 1999

N.B. Julie Hammerle (of the blog Hammervision and on Twitter as @juliehammerle) and I have been writing about Felicity for the past several months over at This Was Television. To start the second season, we’re moving our posts over to TV Ate My Wardrobe. We hope you enjoy all the ’90s nostalgia. Please feel free to comment and relate some of your own college stories. 

Felicity 2.02 selfie

Julie: I’ve only seen Season 2 of Felicity once, so I think I keep getting the events of this season confused with what happens in Season 3. I have a vague idea of what to expect, but I am by no means a sophomore year expert. It’s kind of fun to watch it that way.

The season kicks off with everyone back at school. Felicity and Meghan are RA’s and roommates, which really defeats the whole purpose of being an RA, i.e. getting to have your own room and having it paid for. The girls’ room is basically the same as their room last year; it probably is the same room. So, as far as living conditions go, not much has changed for Felicity.

Ben is still living with Sean, and Julie has moved into the loft as well, because 1) Sean has a crush on her and he’s friend zoning himself and 2) Julie pretty much wants to make Ben’s life a living hell. I mean, she moves in under the guise of the fact that she hates her freshman cheerleader roommates, but really the chance to make things awkward for Ben is a major selling point.

Elena has moved into an apartment with Noel, which…did she consult Felicity before agreeing to this? The whole thing is so incestuous, but also so college. Felicity’s best friend is living with the guy whose heart she trampled on.

I feel like the tone of the show shifted between the first and second seasons. There’s a lot more angst already. Maybe it’s because the living situations are so emotionally charged. People are taking sides. It’s Noel and Julie vs. Ben and Felicity (with Elena and Sean in the middle). And now that Felicity has decided to ultimately choose herself, how will that affect the dynamics?

What did you think about the start of Season 2?

Felicity 2.01 Ben

Emma: So season 2 of Felicity and thanks back of the DVD box for ruining an integral plot point that doesn’t happen until episode 2 (that she becomes single). There are better ways to tease the dramatic hair chop than pointing out the why of it all. I’m still bitter that NBC recently ruined a MAJOR plot point in a press release, so this is adding to my spoiler frustration. Take a hint from Mad Men, vague is good – ok maybe not too much of a hint.

The flimsy excuse for sharing (asbestos) is perfectly fine with me, especially as Felicity and Meghan are back together again and for all the angst (which I also noticed has been increased) at least we have this comedic pairing. Meghan brings me so much joy, even when she’s being a jerk and openly discussing Felicity’s sex life in front of all the advisees. At least she sees the error of her ways and apologizes for that major dick move. Meghan’s styling is as wonderful as ever including nude shimmery lipstick and an endless supply of animal prints. I have more on Meghan, but first all of the other living arrangements.

While it comes across as contrived, considering how Elena reacted to Noel post-Hannah, I’m down with this living arrangement as they bounce really well off each other. They didn’t get a whole lot to do with each other in S1, but they did have a notable conversation when Elena almost quit over financial issues. I also don’t think there will be anything vaguely romantic here and I’m always happy to see platonic lady/dude friendships and I think they will be good for each other.

Now as you mention it gets complicated when you factor in Felicity and Elena’s BFFdom and it’s so unbelievably awkward when Elena leaves the two of them to chat in the apartment. And it goes so, so bad. Noel’s hurt and this is the first time he’s spoken to Felicity since she didn’t go to Berlin and he pretty much says all the worst things – he’s mean in a gross vulgar way and it’s very un-Noel. After dealing this low blow he then tells her he never wants to see her again and even though he knows this won’t be the case, he wishes it were true. I’m guessing Felicity won’t be hanging around there anytime soon. It escalates to a whole new level later when they go to the same bar and I didn’t realise you could say dick on the WB, I’m not sure why but I thought it was a relatively new insult network TV could use. This is awkward scene number two, but I want to talk about Julie’s new living arrangement first.

Moving in with Ben and Sean has bad news written all over it, I mean she did pretty much live there last year but under very different circumstances. It also makes it clear that Julie has very few friends which makes me sad. What Felicity did was not a good friendship move and yet I find myself siding with Felicity (if I had to pick one). Of course this could be down to the fact that this is her story, but as we talked about a lot last year the Felicity/Julie pairing was always lacking something. While I find Sean’s friend zoning to be rather icky, they at least have a friendship spark that started with the fruit selling during finals.

Considering they couldn’t keep the living arrangement the same as last year, this seems like the most organic way to deal with that. It’s also a good way to increase conflict and build on new relationships. Oh and it’s very cool to have both Amanda Foreman and Greg Grunberg in the opening credits. The dynamics are different and it’s definitely unsettling and kind of exciting. The first two episodes back have to deal with so much relationship dramaz that it does bog it down a tad and it’s having address such a life changing decision for Felicity in terms of her relationships so some of the momentum gets lost. Did Felicity chose well? Both between Noel and Ben, coupled with what happens at the end of episode 2?

Felicity 2.01 Meghan

Julie: There has to be a happy medium between spoilery promos (I’m assuming you’re talking about Hannibal? I heard some things) and what Mad Men does. And it’s just silly that the Felicity boxed set would give away the cliffhanger from Season 1 like that. Actions have consequences, blurb writers.

Because I had seen on Twitter that you were peeved about what you read on the back of the DVDs, I purposefully didn’t look at the wording. Since I kind of don’t remember much about Season 2, I didn’t want anything to be “spoiled” for me, as well.

I’m completely with you that I love the Elena/Noel friendship dynamic. I do wonder, however, if Elena rooming with Felicity’s ex (without consulting her first?) wasn’t a little rude of her, but I do get that Elena and Noel are friends and that she’s the type of girl who looks out for #1. I can respect that. Also, she and Noel have a great rapport. Remember when they went to the Halloween party dressed as Subway employees? And then she met Blair? We hate that guy.

I also want to point out (since we’ve talked about the evolving friendships on this show) that at the start of freshman year, these characters became friends due to convenience and proximity. Julie and Felicity got together because they happened to sit next to each other in class. Noel and Felicity hooked up because they lived on the same floor. Now, as everyone on the show is growing and maturing, they’re starting to pair up with their actual best matches. Julie hanging out with Felicity and Elena never really made sense to me. Julie hanging out with a guy like Sean, who totally worships her and will do whatever she asks, totally makes sense. At least from Julie’s perspective.

And, of course, I’m completely on board with Amanda Foreman’s elevation to regular cast member. Felicity is such a wet blanket sometimes. She’s always so serious and trying to do the right thing, she needs someone like Meghan around to instigate her. Because they are such good foils and because Meghan ended last season revealing how impressed she was with Felicity sticking it out in New York, I think there’s potential there for a very interesting, very fun friendship. And that’s something this show definitely needs — more fun! What was college if not fun?

For that reason, I think Felicity made the right decisions all around, regarding Ben and Noel. She owed it to herself (and the girl who moved cross country because of a crush) to see if things could happen with Ben. She also knew that going to Berlin with Noel would be a pretty serious relationship step that could set her up as “Noel’s girlfriend” for the next several years. As much as I think she liked Noel, I don’t think she was ready for anything serious. Just like Ben is not ready for anything serious, so her dumping him at the end of the second episode felt right. I’m so glad she was the one who did the dumping.

What did you think about her reasons for ditching Ben, that she wasn’t being herself around him? Along the same lines, how did you feel about the man-grabbing advice in that one girl’s magazine? Would putting blush on one’s nipples really make a big difference in the grand scheme of things?

Felicity 2.02 red dress

Emma: The happy medium between over and under sharing in blurbs is a tricky one to navigate and The CW are the experts on this one, they some how reveal so much without revealing anything at all. So I just went to read the rest of the back of the box as I thought I was safe, guess again as it spills more plot details that haven’t happened yet. When will I learn?!

The proximity thing is definitely a factor and I can say from my own experience that moving out of a dorm meant that there were people that I never spoke to again. Luckily it wasn’t because I’d broken one of their hearts.

Meghan is the ray of light these two episodes need – which is probably ironic considering her love of all things dark – she’s the voice of reason Felicity needs to hear when she starts to over analyze everything. Which she does a lot. I also adore the conversation about Felicity’s tape vs Meghan’s box and I’m sorry, Felicity, but yours does sound kinda lame.

I’m with you on the Felicity choice, narratively and for her character it made sense. If she had chosen Noel, I think it would have been very difficult for anything Ben and Felicity to happen. She’s already had coupledom with Noel and yes it’s the safe, sensible choice. Ben is THE guy after all and even though I was Team Noel last year, my position has shifted. Actually my position is now the same as Felicity’s and that is choosing singledom. She didn’t date in high school and she’s far too young to be tied down; road trip adventures and super cute selfies on photos you have to get processed (I loved waiting to pick photos up and seeing how great/terrible they were, this is something that had definitely been lost with digital) are fine, declarations of love less so.

Now while I think Sean is terrible at advice (my notes once again state NEVER LISTEN TO SEAN) and he plants the seed of doubt in Ben’s head about how serious it is, in the long term this is probably better. As we saw last season Ben is really susceptible to other people’s influence and if he’s going to get dissuaded this easily, then now is definitely not the right time for this to happen.

Ben listening to her Dear Sally tape prompted some yelling at the screen, as this is akin to reading her journal and really Felicity didn’t get as mad enough at this invasion of privacy as I would hope. Ben feels bad, but the damage is done. Now to the magazine (the made up ‘Girl World’ – this sounds like a tween publication) and I think this goes to highlight that no matter how self assured you come across, no one is safe from the suggestibility of these magazine advice columns. We have all probably been a Gretchen or a Ben at one time or another. We might roll our eyes at the super dumb suggestions (like blush on nipples) and yet we might try some of them out as Felicity does and justify it by claiming we would have done that anyway. Felicity does look smoking hot in her very on point (then and now) red slip dress. I can’t think of a specific example and it pains me to admit it but I’m sure I’ve read a dumb magazine article like this and maybe applied it to my life. Have you ever followed a magazine advice column?

To Gretchen, Felicity is the wise and experienced RA and yet Felicity is new to all of this and she doesn’t have a whole lot of advice options – Meghan can only last a minute, Julie is no longer her friend, Sally is on the other end of a tape making service and while she still has Elena, Elena’s new housing arrangement puts a kink in things and she’s now helping Noel out with his romance issues.

I’m glad Felicity didn’t stick with the adjustments she was making to accommodate Ben as it’s not a good sign if you’re having to alter your entire behavior. Yes comprise is essential to making a relationship work, but not when you’re compromising yourself this much to make something work.

Now that Felicity is single, do you think the super awkward encounters are going to increase or simmer down? What did you think of the Noel’s attitude/reactions to seeing Ben and Felicity together both at the party and in the season premiere at the bar?

Felicity 2.01 Elena Julie: That’s such a good point about how dire Felicity’s friendship options are right now. She’s very much alone, even more alone than she was back at the beginning of freshman year. It’s going to be hard for her to mend fences with Noel and Julie. She basically can never go back to the loft again (except it’s TV, so we know she’s going to eventually have to go back to the loft again). And Elena is great, but kind of caught up in her own stuff/living with Noel. This is the time where Felicity really needs to start branching out into new endeavors.

I definitely remember reading and following some relationship advice stuff from magazines, especially back in high school. None of it ever worked for me, so I don’t put a lot of faith in these kinds of articles. And, yeah, while it did seem to work for Felicity for the time being (and she should definitely continue to dress smoking hot just for herself, because it was totally working for her), how long would she have been able to keep that up with Ben?

As far as Noel’s behavior at the bar, I loved it. Snarky, pissed off, funny Scott Foley is my favorite Scott Foley. We recently saw this on Scandal when he complained about the contents of Olivia Pope’s refrigerator. I hope he continues to be “exactly the amount of dick he needs to be,” both on Felicity and on that Shonda Rhimes show.

Let’s see. What else haven’t we discussed…Oh! Javier’s back! Welcome back to America, Javier. And how cute/silly was Michael Pena as one of Felicity’s freshman advisees? And where was Richard Coad? We need Richard Coad.

Felicity 2.01 NoelEmma: I noticed that both Felicity and Noel are generally being more assertive in these first two episodes back, whereas Ben is resorting to his passive ways. Felicity does briefly lose this assertive quality when she goes back to Ben, but generally she’s saying what she thinks and she’s not shying away. Ben leaves when things get super awkward at the bar and while I think it’s not the best choice Felicity has made, by staying she’s confronting things head on.

Noel’s anger masks his confidence issues that we see Elena coaching him on and he’s been through enough with Felicity that it’s not surprising that he has no issue speaking his mind with her. Forming coherent sentences with other women is an issue, and I properly laughed out loud as Elena role played using Gwyneth Paltrow as the suggestion. Not because she isn’t hot, but just because of how much we both appreciate GOOP.

Javier’s return made me very happy indeed and I love that he’s pro Noel. I also can’t wait to see how he reacts to Felicity’s haircut as I’m sure he will have Opinions. Speaking of which, surely D&D is going to get super awkward now they’ve split, different shifts ahoy.

Yep, Michael Pena is adorable, if not a little too attentive; and while Felicity shouldn’t have used him, he probably needed it so he would back off. Not sure that’s going to happen. Gretchen broke my heart, partly because he sexy outfit looked like a whole load of nipples rather than flowers and ooph her attempts to walk in crazy high heels (which I thought she’d borrowed from Meghan) was so tragic, especially when she ended up dumped.

One relationship update I was glad to hear about was Elena losing the good doctor, it’s just a shame that he did the dumping (and over the phone, showing the zero class he possess). It does provide a nice bonding moment with Noel.

Yeah where is Richard?

Couple of other things, first Felicity’s khaki Capri pants gave me SO many flashbacks to my wardrobe (including this photo I recently put on Instagram of khaki green pants that got ripped and I then fashioned into cropped ones instead). While I wore a lot of halter tops, I didn’t have any like Felicity’s knitted number – love that even her summer wear is made from wool – there’s a sexy twist as she’s not wearing a bra with it. And yes the smoking hot dress can stay. Oh and I spotted Felicity’s iBook, ensuring she will never have to go I Noel for Photoshop ever again. She totally got it in the same color as Noel’s. Another late 90s reference is the discussion about whether they should go watch Blair Witch Project. Any thoughts on the late summer wear?I’m pretty sure Julie needs to set her top collection on fire.

Oh and the photo Ben moons over is a Felicity selfie, long before the term entered everyday discussion – did we even have a name for those kinds of photos back then? All I know is that arms always looked super long or you’d get super squashed up faces, normally half cut off.

Felicity 2.01Julie: Again, I think this all reflects back to Ben’s social chameleon personality. He can’t handle the conflict. I think he genuinely likes Felicity and wants to be with her, but he’s so susceptible to other people’s opinions, he automatically balks when Sean tells him that’s what he should be doing (Never listen to Sean’s advice!). The only way things will ever work between Felicity and Ben is if he figures out who he really is and what he really wants.

Your black and white photograph reminded me that I wanted to talk more about the photograph thing. I just cleaned out a drawer in our house and I found about a million old pictures from high school and college. As much as I love the convenience of being able to take decent photos on my phone, I do miss the surprise of having film developed, and I miss the hard copies of the pictures. (I found a ton of black and white ones as well, that I know were supposed to be “artistic.” They’re mostly just hilarious.)

Felicity was a tad too braless for my taste, maybe that’s just me talking as a fairly well-endowed lady. This episode was from late summer of ’99, and I had a favorite halter top at the time — it was red and from J. Crew, I think. Most of my wardrobe was from J. Crew back then.

Felicity was so ahead of the curve with her selfie-taking. Also, her tapes to Sally are basically podcasts. I’m trying to picture how Felicity would be, social media-wise, in 2014. I’d bet she’d be one of those girls who are simply too busy for Facebook and Twitter. Maybe she’d have a Tumblr dedicated to knitwear or something.

And yay for the Goop reference! She was fresh off her Oscar win for Shakespeare in Love at this point, and was probably preparing to do press for Talented Mr. Ripley (which I keep meaning to watch again, but keep forgetting to do so). Everything was coming up Goop, which should come as no surprise.

Scandal 3.17 “Flesh and Blood” Review

11 Apr

“I’m a patient man, but a vengeful one and I have a very long memory.”

This declaration came from Rowan on last week’s Scandal and if nothing else he stayed true to his word as he showed little mercy for the man he believes to be responsible for the entire lie that was his marriage to Marie Wallace. Time is a something that can heal old wounds, alternatively it can build up the desire for revenge and there’s a mixture of this in the somewhat messy (both in structure and story) penultimate episode of this somewhat messy season.

As I mentioned last week the focus turning to all things B613 and Olivia’s family has been problematic as the serialized story has got more ridiculous each week and it has me clamoring for case of the week episodes. The setup is still the same in a way with montages set to 70s funk and the window of photos; unfortunately protracting the story in this manner has woven a complicated web that leaves Olivia shouting in the wind every week.

photo1In terms of short memory it looks like Fitz stopping by the OPA office has meant that everyone forgot how Jake made his entrance last week – by grabbing Olivia’s throat – and Olivia is more pissed off about being accused of treason. All while wearing an Escada coat which is reminiscent of this Scandal shredded paper promo shot. Olivia has lost her agency in a way and while she effectively shut down B613, it also leads to B613 past and present duking it out in her office. Everyone else is making the decisions and Olivia only gets to decide which Command gets to stay, sorry Jake you’re outta here. The other matter in which she lays down the law is with grounding Fitz, but this doesn’t stick when he sees he’s losing to Sally Langston. Oh and somehow the election is only six days away.

Olivia butts heads with all the dudes in her life; when Jake leaves she tells him she has set him free, but he insists that even without an actual B613 this is still who he is and you never really escape. As with Fitz and Olivia, the Olivia/Jake pairing goes in circles so when things go bad at her office, Jake is the person she rings. This never ending dance goes the same way; she loves Fitz, but she also feels something for Jake (she still doesn’t mention the throat grab) and it’s all becoming a bit love triangle tiresome.

The whole back and forth between Fitz and Olivia has never really interested me (I know there are many viewers who disagree) and at first the Jake angle added something new to this dynamic, now that’s old hat too and I can’t see a way out of it. Olivia tells Jake about her realization regarding her mother’s inability to love and how it must be easier to feel nothing and care about no one. Now I don’t want Olivia to become this nihilistic, but I hope that something happens in the finale to propel the love story forward that stops the merry-go-round we are currently stuck on.

It’s nothing new to see Olivia fighting with her dad about the right way to do things; it doesn’t normally end up with a dead body in her office. Rowan gets his long awaited vengeance and thanks to the longest car park hook up – seriously how long were they down there for? – Mama Pope gets to walk into OPA with no one noticing. Other questions on this matter include where is Charlie? Plus, why must there be so much licking and spitting this season? Not cool, show. More blood is shed as Rowan takes what looks like several bullets to the chest and it doesn’t look particularly good for him.

Olivia’s main contention with Fitz this week is far less dramatic, in that they only really argue about whether he should be on the road or not as there is a bomb with his name on it out there somewhere. That somewhere isn’t the school in Defiance as they expected, but in a church basement that is about to hold a funeral Fitz is meant to go to. The twist comes in the form of Cyrus going full monster as he wants to win the election at any cost and so he withholds the information Jake has just told him about the bomb location and goes on his merry way, smiling ever so eerily to himself about the potential easy win if Sally dies. Now, why can’t Jake just call in an anonymous tip to the police about there being a bomb in the church? I also get that Cyrus made his peace with what happened with James, but he is still being way too courteous over the phone with the guy who murdered his husband. Another case of short term memory on the show.

Other big story developments include Mellie spending the episode drunk and inadvertently revealing to Olivia what happened to her with Fitz’s father. Mellie’s a mess partly because the Andrew thing is over – Andrew is at the church and I’m going to be so mad if he gets blown up – and she doesn’t really care about anything at the moment. Leo wants to find out if Jerry is Fitz’s thanks to a loose lipped White House doctor and Olivia confronts Mellie with this news. It turns from a shouting match to Olivia’s realization that Mellie isn’t that stupid or reckless and Mellie’s heartbreaking secret is out. Olivia gets Mellie the test results on the sly and it’s hard to gauge from Mellie’s reaction shot who Jerry’s father really is.

In the gallery see how Mellie and Fitz are in sync in wardrobe only (purple tie, purple Michael Kors dress), the Grant fake smile parade, so much serious phone face from Olivia, the cushion fort that has been built on her sofa, a close look at Olivia’s trusty Prada purse and the eavesdropping OPA team.

Out of the Box: Look of the Week

11 Apr

It’s that time of month for the newsstands to get an influx of new magazines and this edition of Out of the Box is looking at striking images from New York magazine, Vanity Fair, the annual Beautiful People issue of Paper and the The Normal Heart cast covering The Hollywood Reporter.

Cabaret[Source]

Michelle Williams and Alan Cumming are appearing on stage together in Cabaret and New York magazine is celebrating this collaboration with an amazing photo of the pair in this week’s issue. It’s a departure from how we are used to seeing Cumming as relatively buttoned up Eli Gold on The Good Wife – though Cumming has won a Tony for his previous Cabaret turn – and it’s Williams’ Broadway debut. It’s a super cool photo and there’s extra excitement for me personally as I have tickets for Cabaret this summer, if you’re a regular reader you will know how much I adore the work and styling of Michelle Williams.

Jessica Williams[Source]

The Beautiful People issue of Paper has many TV Ate My Wardrobe favorites so it was hard to pick out just one, in the end Jessica Williams is our choice because she’s rocking the Tanya Taylor stripes and for her always awesome appearances on The Daily Show. Williams also appeared on the most recent season of Girls and along with coveting all her outfits; it was good to see her flexing her acting chops on a show like this.

Kiernan Shipka VF[Source]

Mad Men returns this weekend for part one of the final season and Kiernan Shipka continues to kill it on both the red carpet and in fashion editorials. This Tommy Hilfiger ensemble is classic all American with a color block twist and I adore the hair flick that nods to the decade prior to the one Sally Draper currently lives in. I want all the good things for Shipka and that she can navigate the tricky path which is growing up on camera. So far she is doing a stellar job and I’m also glad to see editorials like this Vanity Fair one choosing age appropriate clothes for her to wear.

THR the normal heart[Source]

The Normal Heart is on the highly anticipated list and this week Jim Parsons, Taylor Kitsch, Matt Bomer and Mark Ruffalo cover The Hollywood Reporter and look unsurprisingly dapper. If you haven’t seen the trailer you can watch it here and be warned the room you are in might suddenly get dusty.

TK

Bonus Taylor Kitsch from the issue and he is wearing the hell out of those Salvatore Ferragamo pants and Dior shirt. For more photos head here.

The Americans 2.07 “Arpanet” Review: “He’s Our Monster”

10 Apr

Season 2 of The Americans is exploring ideas of family; the one we create and the more abstract ideological aspects such as country and what is home. The death of Emmett, Leanne and their daughter has made everything darker and more dangerous for Philip and Elizabeth, the risks they are taking could have a much wider impact on their personal life. Effectively they could be helping their country and destroying their family. Last season Elizabeth was the one who got the job done at all costs with collateral damage like a security guard not weighing all that much on her mind, things have shifted and Philip is the one who has been doing some very bad things to protect the missions and his family. Now who is the monster?

The Americans 2.07 Philip“For what? What was the point?” It’s the second time this season that Philip has killed an innocent bystander and it’s not something he takes lightly. There is no pleasure, no exhilaration so while he might be considered a monster he doesn’t do it for the thrill of it. These actions are beginning to weigh on him and I wonder if he is going to reach his breaking point soon. It was close a few weeks ago when he was transporting Anton as he was called a monster for his lack of reaction to his plight. So far we have seen that Philip can compartmentalize and when it comes between getting caught and killing someone, he has always choose the latter. With the busboy it was because he had seen his real face and minus the wig. In “Arpanet” it was all a matter of discovery; it doesn’t matter that Philip is in heavy disguise (one they refer to as Fernando on set) because the implications here are that someone is aware of this precursor to the internet and they have infiltrated it. The lesson here is to remember your wallet or really don’t go back into a building when there is an alarm going off.

Charles is becoming a burden, where before he has been an asset. Yes he gets Philip the code, but he almost jeopardizes everything when the code he has written on the palm of his hand has been sweated off due to nerves and his body craving alcohol. At the bar rendezvous point he acts all triumphant and this only infuriates Philip more; to Charles the spy life is a fun exciting game and the consequences don’t seem all the bad in the warm light of the bar with a drink in his hand. Charles claims the drink he has is non alcoholic, challenging Philip to try it if he doesn’t believe him. Philip doesn’t rise to this, waiting instead for Charles to leave before ordering the same drink and finding out that yes it contains vodka. This is one unstable asset and as everything hangs so precariously in the balance, this is the last thing he needs right now.

The Americans 2.07 dinerPhilip has no time for pleasantries with anyone outside of his family this week and he is straight to the point with both Lucia and their new handler Kate. He scolds Kate for her outfit choice which makes her look like a spy in an old movie – trench coat, headscarf – even though his black turtleneck screams spy attire to me. Maybe this comes across as cliche now, but it’s also a classic look for this period. Philip pretty much wears a version of this outfit throughout this entire episode (except for when he is in disguise) and it’s his way of blending in. With the diner meeting with Lucia he doesn’t bother with chit chat, instead he wants to know what Lucia has been up to and if she has been spotted. He’s forceful and direct, whereas Elizabeth has revealed a bit of her past to Lucia – we now know that her father was a miner. Philip is usually the friendly, personable one so this shift is noticeable.

The Americans 2.07 reporterA new disguise and a new moustache! Here is Philip’s journalist look and it balances the perfect amount of shabby with put togetherness. This was also a great tutorial about the start of the internet – TV teaches!

The Americans 2.07Here’s the tech set up in the office of the travel agent and the main part is currently getting redecorated, does Elizabeth prefer eggshell or ivory? This is the humor highlight of the episode as Elizabeth asks “What’s the difference?” and Philip responds “The color.” The conversation quickly shifts from this trivial matter to important spy business.

The Americans 2.07 fun PhilipThe same can be said at home where for a brief moment fun dad Philip is broken out as he talks (and then sings) to Henry about the car he wants to get. It’s a moment of levity before Elizabeth returns to tell him of yet another issue they have (more on this below). Like Paige, Henry is acting out and even though they are not completely neglected by their parents, the level of attention they get is diminished every time a new work related problem occurs. Instead Henry has been using his birthday present to get in on his own spy action and he breaks in to the house across the street to eat food from their fridge and play on the video game he has been begging his parents for. This is building to something more and their ability to keep spinning all of these plates is going to get increasingly difficult as there are just too many variables at the moment.

The Americans 2.07 joggingOne such variable is Lucia and she’s going to get herself killed at the rate and I can see Elizabeth being the one who does it. Elizabeth continues to give her the strong paternal face and last week Lucia told Elizabeth she didn’t want another one of her lessons. This is all about experience versus passion; Elizabeth generally knows how to temper her feelings and tells Lucia that under no circumstance can she kill Larrick for revenge. Revenge is all about an emotional response and we’ve seen this from Elizabeth most notably in the pilot. When she tells Philip that Lucia “burns hot” he mentions the similarity to Elizabeth.

Elizabeth is so cold and detached, that when she releases emotion it tends to be explosive. For Philip he is generally calm and measured, but he is capable of terrible things. They have so far not been motivated by his emotions, this is reserved for when someone has done something or threatened to do something to his family (see the pilot once again). This is where Philip and Elizabeth differ and separate; it’s all in their impulse control and as we saw with Elizabeth and the Mossad agent she still has a problem here. Not always, but it is something that can flare up.

The Americans 2.07 polygraphOne person who has learnt how to control her emotions is Nina and she successfully passes the FBI polygraph test with the help of Oleg and tips like squeeze your anus before answering, thinking of Oleg standing there and asking for a glass of water to break up the time. These scenes are fascinating as it’s still hard to get a read on exactly what Nina is thinking and the end scene with her in bed with Oleg compounds this further. With Stan, he is of course madly in love with her so he’s going to agree to her forever declarations. Nina is protecting herself and yet I can’t quite tell how much of what she is doing is for her country and how much is for self preservation. The only reason she started working for the FBI was because he caught her doing something illegal, so it wasn’t like she freely went along with this. Now Nina is playing double agent and it’s also hard to pin down what Oleg’s motivations are. As with Philip, there is a lot about Western culture Oleg appreciates, namely the music. It’s another case of how much country means versus personal survival/gain and at the moment Oleg doesn’t seem too fussed about ideology.

Both Matthew Rhys and Annet Mahendru show how much can be conveyed by eye moment; for Philip it is his moral conscience weighing on him after killing an innocent person – Philip never answers his own question about how many people he has killed but it’s got to be a high number – with Nina it is all about confidence and lying to herself to get through the test. These are amazing performances and they achieve a number of things including giving us a Philip we can still feel for no matter how many awful things he has done. Is he a monster? Sure, for the pain he has inflicted on multiple people this season he could be called that, but to repeat Elizabeth’s sentiment “he’s our monster” and where he differs is that he feels every bad thing he does, before storing it away in his spy bad deeds bank. It’s when he can’t fit anything more in there that we will have to worry. Trust or lack of it is an important concept and while Philip truly has Elizabeth now they are committed to each other in love as well as country, Nina has no one. This is why she is keeping her options opening; she tells Oleg she doesn’t trust him (which he’s congratulates her on), with Stan she has promised him everything but deep down she knows that he has a patriotic duty he won’t betray.

For country, for love whichever one wins it is a tangled mess in which all of these characters must live.

How to Deal with the “What Next?” on The Mindy Project and New Girl

9 Apr

Did TV decide to stomp all over our hearts at the exact same time? It feels like just a week ago (ok it was just a week ago) that I was praising The Mindy Project for producing a bright spark of happiness on a TV horizon littered with breakups, deaths, ill advised hook-ups and general misery. There was smooching and Danny showed his commitment through Bridget Jones’s Diary (with bonus voices) and it looked like the “What next?” was going to turn into coupledom. Alas those dreams have been squashed as Danny could commit to Mindy in private, but not in public and now they’re in that awkward ‘something happened and now we’re done phase.’ They got to that phase real quick.

While I’m not equating New Girl and The Mindy Project to being the same show, they are currently on a similar path with their central romance story. The big kiss moment also occurred in the same episode of the season – 2.15 – and while New Girl used the rest of the season to get to that place of being together, Mindy went all in straight away. It also went all out at a much quicker rate.

Mindy Project“Why did you kiss me, Danny? Why did you even start this?”

In a tearful scene that ended Mindy and Danny before they’d even really begun, Danny pulls the plug citing his fear that he will lose his best friend. Mindy doesn’t take this lightly, telling him the friendship card is “garbage.” Basically he thinks he is terrible at relationships (because he’s just been reminded how terrible he is) and he comes up with a scenario where it all ends horribly. Mindy has an alternative view and thinks they will argue, but they will always makeup. This isn’t enough to convince Danny who bails and it feels all too sudden for such a long build-up. Mindy Kaling and Chris Messina sell the devastation of this moment and now The Mindy Project joins the increasingly long list of comedy shows that have made me tear up this season. It’s a great scene, even if it made me want to throw things.

NewGirl-Ep319_TBD-Sc25_00927It’s the TV show problem of the “What next?” as the screen doesn’t fade to black at this point and the story continues. Breaking up creates conflict and we’re at that point where a lot of shows are rolling out their big dramaz to build towards the end of the season. This is the case of New Girl which saw Nick and Jess reluctantly call it quits after an episode of arguing and longing for what they had when they were friends. In a sense both “will they/won’t they” scenarios are hampered by proximity; in Mindy they work together, they’re roommates on New Girl and so a romance has instant ramifications as does a breakup. Getting together/breaking up that’s the cycle of a sitcom romance and it’s been a problem for multiple shows over the years to resolve this and keep the story going without pissing off and losing an audience. Ross and Rachel became a burden long after Ross first yelled “We were on a break” and the recent How I Met Your Mother finale underscores this point with who Ted ended up.

There is no easy out, no single story idea that will work for every show and the breaking up aspect is part of sitcoms. Without conflict and high stakes you end up with a Ben and Leslie (who I adore) and while that works for Parks and Recreation, it helps that there is enough other drama in this world that means they don’t have to focus on romantic tension. Maybe Nick and Jess were becoming too complacent this season and I am equal parts annoyed and intrigued with this development. With Mindy and Danny it feels too abrupt, there has been little time for them to grow romantically and I want to see where they will take this pairing next. If nothing else it’s helped a great deal with Peter and his friendship with Mindy is now just as important to me. Good solid work from Adam Pally.

Whatever both shows plan on doing with their final episodes this season, I can but at least hope for something a little less devastating than what the last few weeks of TV has delivered. This is some darkest timeline level of shenanigans that we’ve been experiencing of late.

From Web to Cannes: The Women of Broad City Talk Authenticity in Comedy (Video)

9 Apr

The Broad City team traveled to Cannes this week to take part in a MIPTV keynote speech (“The Power of Comedy: Laughing its way from online to linear”) promoting the show to the overseas market alongside Comedy Central President of Content Development & Original Programming Kent Alterman and Caroline Beaton (Viacom International Program Sales). Executive producer Amy Poehler joined Ilana Glazer and Abbi Jacobson to discuss what has made Broad City a success so far and how it went from web series to TV.

Broad City[Source]

In the keynote (which you can watch below) the origin of the show is discussed including how the pair became friends and where the first creative sparks were ignited (in a pizza shop). The Abbi and Ilana time comes at the beginning and end of the almost 30 minute panel and there’s some slightly dry executive chat in the middle. This is where phrases such as “funny is funny” and “creative vision” are repeated and while it is exec speak it does also apply to this show.

One part of the business aspect that did peak my interest is how comedy is a much harder sell initially to different territories and how “people get scared to back things.” There’s a misconception that comedy doesn’t translate, but other Comedy Central shows like The Daily Show which could be considered as very American are enormously popular globally (hence the Global Edition, I guess). Social media is a boost to the new belief that comedy does translate with Poehler adding “I think there’s a universality about young people’s ability to tell when something isn’t authentic. In countries all over the world people are finding and needing something that feels true and real to them, and also being very suspicious when it’s not.” Lady Gaga tweeting to her 40+ million followers about how much she loves Broad City is another fabulous (and free) way to get the word out globally.

Abbi and Ilana get asked the question they will forever be asked and that is “How closes to your characters are you?” Abbi tells a very funny story about her mom ringing after seeing the finale as some of their own experiences do make it onto the show, but generally everything is a heightened and more amplified version of reality. This leads to a look at other creative aspects of the show and how far it has come since the web series including the writers’ room aspect; now they can allocate these real life stories to other writers.

Diversity is something that is demanded “in cast, in voice” and Amy Poehler references past shows that wouldn’t necessarily fit into the television landscape today or they would at least face a negative response “It’s almost impossible to have a show about New York City with six white people living in a building.” This is what “makes Broad City broad.”

You can watch the whole keynote below and for a look at the style of Broad City head here.

Kim Kelly is My Friend: Costuming Repeats on Freaks and Geeks

8 Apr

There are high school shows like Gossip Girl which showcase an endless stream of different costumes each episode as characters barely repeat an outfit. The world of Blair Waldorf and Serena van der Woodsen is one where new clothes are at their disposal and part of Gossip Girl’s charm (which it did possess at one point) revolved around what these characters would be wearing each week. The characters on Freaks and Geeks are not interested in high fashion; one of the points of accuracy is the costuming repeats and despite the lack of McKinley High uniform certain clothes are worn daily.

With Lindsay and Kim it’s all about their coats; Lindsay changes her look and starts wearing her dad’s old army jacket, whereas Kim obtained her signature item with an elaborate price ticket scam (it only cost her $10). With all that effort it’s no wonder Kim wears it all of the time.

F&G ep 10 Kim and LindsayLindsay and Kim shouldn’t be friends on paper and it starts off in a hostile place as Kim thinks Lindsay is a phony. Lindsay’s drastic new look in the pilot – drastic only to those around her as we don’t get to see ‘old Lindsay’ until mid-way through the series – is part of that assumption.

F&G ep 11 Lindsay change of clothesHere’s snapshot of how Lindsay dressed pre-army jacket and existential crisis; a look she briefly returns to in “Looks and Books.”

Freaks and Geeks 1.01Kim is all about a blue jackets with stripes as you can see in this shot from the pilot and this is long before one of the great friendships of our time. Lindsay is already “dressing so weird” as Neal so delicately puts it.

F&G ep 14 Kim and LindsayDespite their very different backgrounds (showcased in the excellent and heartbreaking “Kim Kelly is my Friend“) and Lindsay’s position of privilege there’s very little that sets them apart in the wardrobe stakes. They both wear a variety of the standard jeans and t-shirt look; plaid shirts and awful shell chokers are thrown in for good measure.

What this is a celebration of Lindsay and Kim’s staple wardrobe pieces showing that character consistency in costume design is just as valuable as variety and in the gallery below you can see a snapshot of the evolution of this friendship and the faithful jackets that were there for each step of the way.

 

The Wish List: Joan Watson’s Dresses on Elementary

7 Apr

Joan Watson joins the TV Ate My Wardrobe amazing coat club as Elementary is both set and shot in New York City, where for a substantial amount of the year good quality outerwear is a must. Having recently caught up on the show which I had previously dipped in and out of (getting season 1 on DVD at Christmas prompted this catch up), I wanted to write something about Joan’s impeccable style.

The coats were my first port of call, but hey it’s spring and there has been far too much winter wear on here over the past few months. Joan also has an incredible selection of boots, but that’s a feature including Alana Bloom and Elizabeth Jennings for the future, plus that fits into the whole brr cold thing. Joan’s around the house clothes rival Jess Day and Mindy Lahiri, but this can also wait for another occasion. Instead, we will be taking a look at some of the recent dresses Joan has worn and where you can get them from.

Elementary 2.18In “The Many Mouths of Aaron Colville” Joan’s penchant for an oversized shift dress is on display. First with this blush pink Club Monaco Iva Blocked frock (currently half off) and Joan’s style moves beyond the usual criminal investigation costuming trappings thanks to her role as consulting detective, rather than actual detective. There’s no need to have her in the usual blouse/pants uniform of female detectives as you tend to see on any of the Law & Order incarnations or even Brooklyn Nine-Nine. The consulting role sets both Sherlock and Joan apart; they can move between worlds as their clothing doesn’t scream police. Joan’s costuming is both feminine and modern without undermining her abilities; it contrasts to the always buttoned up Sherlock.

Elementary 2.19This All Saints dress if from the same episode and the printed image has been manipulated to look like a floral x-ray, which seems perfectly apt for Elementary. It also looks a bit wing like and as with a lot of what happens on this show, sometimes one thing can look a whole lot like something else on the surface. It’s another in the oversized Joan Watson collection; pairing it with tights and ankle booties is the perfect winter to spring transition.

Joan Watson dressSwitching the styling up slightly with a more fitted Alice + Olivia dress that Joan wore a couple of episodes ago (“Ears to You”). It’s red plaid so I’m predisposed to love it, but it’s a plaid dress with a twist as it has leather side panels and a semi-sheer back section. There’s more to this dress than first appearances, how very Elementary of it.

Out of the Box: Look of the Week

4 Apr

PaleyFest is over and we’re keeping a focus on red carpet events with this edition of Out of the Box as a How I Met Your Mother star balances the series finale week with the release of Captain America: The Winter SoldierMad Men has its seventh season premiere and Rashida Jones celebrates a new writing venture.

Cobie Smulders Captain AmericaCobie Smulders looks like she knows how pissed off you are about the How I Met Your Mother finale at the Captain America premiere and putting aside all those feelings momentarily – I’m a very casual viewer and I’m annoyed by that ending – to bask in this fantastic red carpet look. The navy blue asymmetrical Sportmax gown throws in peplum and plunge detail that together look super elegant. Almost bonus points for the fantastic clutch and earrings, losing those points as she could do with another accessory or two. Smulders nails the role of Maria Hill once again and this Captain America sequel lets the female characters be good at their jobs, in appropriate non cleavy costuming and they don’t fall down the ‘damsel in distress’ incredibly lazy trope. All of these things made me very happy indeed, more of this please Marvel.

Mad Men castAs with the four women of Mad Men featured last week – this time Jon Hamm and January Jones enter the mix – there are many different style choices on display and I kinda love all of them. Kiernan Shipka continues to be on point and age appropriate in a metallic floral long sleeved, but super funky Nina Ricci frock. Also working the metallic angle is Christina Hendricks in a Wes Gordon silver skirt, paired to perfection with a simple but elegant black blouse.

The current and former Mrs Draper, Jessica Paré and January Jones are working the fashion forward angle; Paré rocking Antonio Berardi which for some reason made me think of the kind of gown Johanna in Catching Fire would have preferred to symbolize a tree. Jones is in Roksanda Ilincic and the bold gold belting detail brings it all together, not so sure about the side braid for this event. It’s a softer look for Jones who has a habit of going severe on the red carpet; maybe she’s less intense when it’s a Mad Men event rather than an awards show.

Elisabeth Moss has opted for an Alexander McQueen skirt with a super high daring thigh slit and while she looks pretty rock and roll, swapping the dramatically dark eyes for red lip color would really set this look alight. Jon Hamm’s blue suit makes a change from the influx of grey that has been dominating red carpets recently, but the women are the ones who stand out. This cast is still one of the best dressed and I can’t wait for all the costuming treats this year as we head into polyester and clashing patterns territory.

Rashida JonesRashida Jones is at event celebrating her new column for Glamour magazine (she is one busy lady) and this Adeam dress perfectly straddles the party/professional line. The shell pattern adds whimsy to the look and the silver heels help make this outfit pop, as does the dash of pink lipstick.

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