Tag Archives: Janie Bryant

Nominees Announced for the 17th Costume Designers Guild Awards

8 Jan

The Costume Designers Guild 17th Award nominations have been announced and we are now fully into award season. The awards will take place Tuesday, February  17 and celebrate excellence in costume design across a variety of television, film and commercial categories. The division of categories means it isn’t just period costume that is given a place to shine (as it tends to be with the Oscars or BAFTAs) and some of TV Ate My Wardrobe’s most talked about and revered shows are on the list below.

Cersei Game of Thrones

Here is the full list of nominees:

OUTSTANDING CONTEMPORARY TELEVISION SERIES 
House of Cards – Johanna Argan
Ray Donovan – Christopher Lawrence
Saturday Night Live – Tom Broecker, Eric Justian
Scandal – Lyn Paolo
True Detective – Jenny Eagan

OUTSTANDING PERIOD/FANTASY TELEVISION SERIES
Boardwalk Empire – John Dunn
Game of Thrones – Michele Clapton
The Knick – Ellen Mirojnick
Mad Men – Janie Bryant
Masters of Sex – Ane Crabtree

OUTSTANDING MADE FOR TV MOVIE OR MINI SERIES 
American Horror Story: Freak Show – Lou Eyrich
Houdini – Birgit Hutter
The Normal Heart – Daniel Orlandi
Olive Kitteridge – Jenny Eagan
Sherlock – Sarah Arthur

EXCELLENCE IN CONTEMPORARY FILM
Birdman – Albert Wolsky
Boyhood – Kari Perkins
Gone Girl – Trish Summerville
Interstellar – Mary Zophres
Wild – Melissa Bruning

EXCELLENCE IN PERIOD FILM
The Grand Budapest Hotel – Milena Canonero
The Imitation Game – Sammy Sheldon Differ
Inherent Vice – Mark Bridges
Selma – Ruth E. Carter
The Theory of Everything – Steven Noble

EXCELLENCE IN FANTASY FILM
Guardians of the Galaxy – Alexandra Byrne
The Hobbit: The Battle of the Five Armies – Bob Buck, Ann Maskrey, Richard Taylor
The Hunger Games: Mockingjay, Part 1 – Kurt and Bart
Into the Woods – Colleen Atwood
Maleficent – Anna B. Sheppard, Jane Clive

EXCELLENCE IN COMMERCIAL COSTUME DESIGN 
Army ‘Defy Expectations, Villagers’ – Christopher Lawrence
Direct TV ‘Less Attractive’, with Rob Lowe – Mindy Le Brock, Jessica Albertson
Dos Equis ‘Most Interesting Man in the World Walks on Fire’ – Julie Vogel
Kia Soul Hamster Commercial Featuring ‘Animals’ – Anette Cseri
Smirnoff ‘The Mixologist’ – Laura Jean Shannon

The fantasy/period television category leaps out at me because every single one is outstanding when it comes to costume design (among other things) and the intricate detail that is delivered by these costume designers helps transport the viewer to worlds that have existed in the past or previously on the page. The main disappointment here for me is the absence of The Americans as Jenny Gering creates various personas for Elizabeth and Philip to adopt in their spy disguises while grounding them in their regular American family attire all without screaming “It’s the 80s!”

In terms of the contemporary TV offerings it is Lyn Paolo’s work on Scandal that has not only impacted the way we think about how powerful women dress, but there has even been an affordable clothing line featured on the show and available at The Limited so the audience can have a little bit of Olivia Pope’s style in their life. For this very reason I am disappointed to see Daniel Lawson’s work on The Good Wife missing from the nominees as Alicia Florrick’s work wear is just as striking and Lawson also has his own line (which albeit is not quite as affordable, more splurge levels of purchase).

Salvador Perez’s is the costume designer on a show which features another successful career woman, but Mindy Lahiri’s style is nothing like Olivia Pope or Alicia Florrick; however The Mindy Project is no less deserving and this is another huge omission for me. The same goes for the incredible costumes on The Honourable Woman and Ed Gibbon would be one of my choices for the TV movie/mini-series category. And there is no show that does serial killer tailoring quite like Hannibal; three piece suits and plastic bespoke kill suits shouldn’t go this well together but Christopher Hargadon has done just that. Plus he also does the lady power dressing well from Alana’s bold patterns, Freddie’s court attire to Bedelia’s silk blouses.

Congratulations to Jenny Eagan for the double nomination for True Detective and Olive Kitteridge. If only I could wear Zoe Kazan’s giant frames from the latter and pull them off.

Movie wise I don’t have too much to grumble about and The Imitation Game inspired TV Ate My Wardrobe to dip my toes into film costume design analysis; I have yet to see Inherent Vice and Selma (they are both on my list) but this is a strong category. Yesterday I watched The Theory of Everything and it covers all my 60s/70s dress and knitwear coveting areas and The Grand Budapest Hotel is striking in its heightened realism.

Trish Summerville created some of my favorite costumes in 2013 with The Hunger Games: Catching Fire and her work was no less striking for a contemporary drama for Gone Girl as I’m still thinking about Amy’s black and white collar dress. Kurt and Bart took over from Trish Summerville on The Hunger Games and they showed how Effie can still be super stylish when all she has is drab grey and no wigs to work with.

Congratulations to all the nominees and I look forward to February 17 to see who picks up the awards.

For the nominees and winners from the TV categories at last year’s 16th Costume Designers Guild Awards head here.

Not Letting Go of the Bad Ex: How Don Draper Changed in Season 7 of Mad Men

2 Jul

Last year there was Don Draper fatigue here at TV Ate My Wardrobe and I was joined by Kerensa Cadenas to discuss Don Draper’s bad habits and tiresome antics. Kerensa is back to talk about the more optimistic first half of this final season of Mad Men as we take a look at this excellent run of episodes and how both Don and this season surprised us with its generally optimistic outlook. We also address how this season compares to the previous one and how our predictions matched up (I don’t think they did). In a similar vain we talk about the second half of the final season and where we would like to see these characters end up.

Mad Men 7.06 Burger ChefEmma: I had a quick look back at our last Mad Men discussion and boy was the end of season 6 bleak as Don bottomed out in the Hershey’s pitch going a bit to far into the old memory bank. Nope, no one wants to see a grown man cry over chocolate in 1968 (the same can probably be said for now). One thing we both said we wanted for the final season was to see Joan and Peggy running the show, now while that hasn’t happened entirely, “Waterloo” included a huge professional victory for Peggy and Joan is going to be getting a sizable amount from the deal Roger has struck, so they’re both doing rather well.

Now, before I get into specifics of either of their storylines (and I could basically spend this entire time talking about Peggy and I already have) I want to ask about your general overall feelings about this season. How are you finding Don now as I know we both had reservations about his super shitty behavior last season. Has this season panned out how you expected? Or are you like me and go into Mad Men with no preconceived notions or expectations?

Mad Men 7.07 Peggy and Don hotelKerensa: I think, as we could tell, from last season’s discussion, I was having a bit of a Mad Men burnout. I was frustrated with Don, his actions and his inability to change. And I try to go into a season without expectations but I totally went into this season with completely expecting that Don would be continuing the same old shit that we’ve become accustomed with. And I was totally wrong!

I don’t think Don is totally vindicated yet (which I’m sure we’ll discuss) but overall I enjoyed this season and especially these last two episodes more than I’ve enjoyed Mad Men in a while. And a lot of that does have to do with the character development that Don had–which was not what I expected from this season at all. I really thought I would get more of the same and I’m so glad I was wrong.

What did you think?

Mad Men 7.04 DonEmma: I should add a slight caveat to my no expectations proclamation as Don screwing around was something I fully expected to happen, especially with Megan out in LA. Instead we see Don turn down offers from Neve Campbell – please show keep casting from the 90s teen pool, Rayanne would be my next choice – and a woman in a bar who claims to know him. This is not the Don Draper we have seen in any of the previous seasons and I wonder just why he can suddenly keep it in his pants. He could be trying to make it work with Megan, but I actually think it has more to do with Sally walking in on him with Sylvia and exposing him for the man he is. There is one non-Megan dalliance, however Megan is also there as he responds to a threesome in the most lackluster way I think I have ever seen on TV going from “I’m tired” to “I guess.”

We’ve seen Don hit rock bottom on multiple occasions, this is a whole new subterranean level of shit as he’s been put on leave and is essentially living his life vicariously through Freddie Rumsen. Not that Freddie is the rock bottom signifier and he is the exact person who Don needs in his life. It’s a big surprise seeing Freddie in this role and it is something Mad Men excels at as there is such a wealth of supporting characters from the previous 6 seasons and I like the idea that any of them can pop up at any one time. The opening scene of the premiere is so jarring with Freddie in the pitching seat and yet I never clued in that he had become Don’s mouthpiece.

Freddie plays a pivotal role when Don acts like a big baby when he first goes back to SC&P and this is the episode where Don has been at his most loathsome and pathetic all season – there’s nothing quite like the sight of him emptying out his coke and pouring vodka in to replace it. Freddie has been in Don’s position and like anyone else who has been put on leave he never returned, Don is a special case and it’s when his dick swinging and inability to quit works in his favor. I’ve really enjoyed seeing Don both falter and walk into a room like he owns everything, finally he has some humility and yet the cocksure attitude is also an important attribute. We needed to see him truly fall to appreciate those often unsavory parts of his character.

The first half of this first half of season 7 (or 7a which is less of a mouthful) deals with bridge mending. On the surface everything is fine with Megan and their reunion at LAX is gorgeously shot and she looks amazing in the blue mini baby doll dress. It’s a marriage that has always been superficially fine, underneath it’s like they’re strangers. I do want to talk more about Don and Megan, but first I’d like to take a look at one of the fractured relationships and that’s with Sally.

Oh Sally, what to do with you and your supremely disaffected view on everything. Actually, to be honest Sally is well more adjusted and together than I was expecting and I figured there would be a lot more spiraling and teen rebellion. There’s smoking of course and holy shit is her stance the exact same as her mother, it’s uncanny and once again I would like to bestow all the plaudits on Kiernan Shipka – I would also like to see the Sally college spinoff that Molly Lambert suggested on Twitter. Other than that her greatest act of defiance has been shopping after the funeral (or during maybe) of her roommate’s mom, getting a nearly broken nose while ‘sword fighting’ which leads to some incredible Sally sass at her mother – “It’s a nose job, not an abortion” – and probably her biggest rebellious moment is smooching the nerdy kid instead of the stud. Her mother would not be happy with that last one, though I did worry they were heading towards a Betty going for the young guy story. Maybe Sean’s stripy pants (which are so Felix from Orphan Black) and moon landing bad mouthing put her off. Or she realized how gross it would be.

Wow that was a tangent and what I really wanted to discuss is the Don/Sally road trip that finally allowed Sally to rail against her father. Don finally showed his children where he came from at the end of season 6 and Sally is still justifiably angry at him for all those other secrets he kept. The anger and hurt in her voice as she spits out the word hairspray in reference to Sylvia is another astonishing delivery from Shipka and Sally’s rage at this shattering moment – I would say it took her innocence but seeing Roger getting a blowjob gets this unfortunate crowing glory – is what Don needs to hear to wake up to the asshole he has become. After the good, but not great season premiere this second episode delivered and Sally telling Don that she loves him at the end of the episode is one of the several scenes over this season that I suddenly found myself tearing up at. Before I dive too far down the Sally/Don rabbit hole, I want to ask what your thoughts are regarding this sequence of Don and Sally scenes?

Mad Men 7.02 Sally and DonKerensa: I think that after the last season–Sally’s come to see her father in a much different light. I think especially after seeing his childhood home, that it puts some of Don’s behavior in a context to her. I think Sally (and Kiernan’s always awesome performance) is at that point in teenager-dom where you being to recognize that your parents aren’t infallible which is always a cocktail of emotions–angst, respect, disbelief–and I think that’s where Sally is at with Don. Which I think echos in that final “I love you,” is that she appreciates that he’s opened up but does that change that much?

Mad Men 7.06 Megan and DonEmma: Yeah I think you’re very right and in a way Peggy’s experience with Don has echoed that of his daughter; realizing how fallible he is and how at times he can be downright awful. This season has been about Don proving to those closest to him that he isn’t a lost cause and he has certainly won me over. Contrition is important and it’s why his whiny baby drunk antics when he first went back to SC&P felt like an ‘uh oh’ moment. Luckily Don does have some capacity for change and Freddie Rumsen has been vital in Don coming to terms with his limitations and bull shit.

With Megan, the dissolution of their marriage seemed inevitable as no matter how hard either of them tried and how great they look together (and the shot of them on the balcony together is stunning). It’s all a facade and it always has been in a way; was the only time they were happy on screen when they were on their first trip to Hollywood and have they been trying to mimic that ever since? As a self-confessed Megan lover (and I’m pretty sure you feel the same way) I’m going to be sad if this is the last we see of her (in part because think of all the outfits we’re going to miss out on), but I’m also glad to see how they ended things. Not with shouting and screaming, instead with quiet resolution and acceptance this over. Or as Pete affirms that marriage is “a racket.”

We’ve barely seen Don interact with Betty all season, she refers to him as being like a bad ex-boyfriend and a fleeting memory and the strongest relationship he has with a woman is Peggy and to be honest I quite like it like this.

How do you feel about Don and Peggy this season?

Mad Men 7.06 Don and PeggyKerensa: I’m going to really miss Megan as well. I do kinda think that it will be the last time we see her though. I mean, what ties other than being Don’s wife does she really have with him now? She’s in LA, he’s in NYC. They don’t have kids. I’d be very happy to see her, but I think the resolution that their relationship came to felt perfect and in the changing scope of Don, felt adult.

I think your thoughts about the Peggy/Don relationship echoing the Sally/Don one are spot on. Don lashes out and Peggy and she to him because they know that deep down they are the two who truly understand one another. You can see that in the ways they both work, live and even love to a degree. I think that Don, especially during Peggy’s pregnancy, functioned as such a formative figure in shaping who she has ended up becoming. I think we can argue that at times that can be detrimental, but when you see her give her pitch to Burger Shack, it’s great to see that she’s beat the king.

Mad Men 7.07 hugEmma: I’m so glad we got to see Peggy get a win this big after how she started the season on her hands and knees crying in her apartment. When season 6 ended with that glorious pantsuit it seemed set for Peggy’s moment of triumph, but of course this isn’t that show and she still has many hoops to jump through. So to see someone like Lou in Don’s office rather than Peggy wasn’t a surprise and yet it was still disheartening.

Peggy hasn’t been completely innocent this season and I’m glad they haven’t shied away from how difficult and even awful she can be at times – the Valentine’s incident with Shirley is the best and most cringy example of this – she is Don Draper-esque in quite a lot of ways. Peggy pushes everyone away and her closest relationship is with a 10-year-old boy, which is incredibly depressing considering the child she gave up and just how alone she is. And yes I really want her to hook up with Stan still. We got that very cool scene of Joan joining Peggy for a drink and a Don bitching session and as always I want these two to rule the world.

What did you think about the power shift in the office first with Don’s absence and then with his return? Oh and Ginsberg’s breakdown – did you see that coming?

Mad Men 7.05 Peggy and GinsbergKerensa: I’m not totally surprised re: the power shift. Part of me obviously hoped that they would put Peggy in charge but of course Lou was brought in. And he’s the worst.

With Don’s return the skittishness of the office towards him made a lot of sense, especially for Peggy, cause I know I’d live in continual fear that Don would outshine me yet again which I felt a lot of her contempt stemmed from. But Peggy is really Don’s girl–so many of her actions echo his behaviors.

I actually wasn’t expecting Ginsberg’s breakdown. At first, I actually read it as he was trying to come out? But that SCENE, totally shocked me. It was very upsetting. Were you expecting it?

Mad Men 7.07 PeteEmma: The work place set up and power shift has been one of my favorite aspects this season even if the bi-coastal set up meant a whole lot less Pete Campbell as I love the weasel that he is. The conference calls and technology issues with this was fun as was seeing how well Pete took to the LA lifestyle as he always seemed like such an East Coast guy. Every outfit he wore in LA pretty much made me scream (with joy) as did his receding hairline and awful tan. Just how did he get a woman like Bonnie? (this of course also applies to Trudy and every other woman he has hooked up with, aside from hookers as the answer there is obvious)

Roger taking the death of Bert to step up and get his scheme on is magnificent as is how much disdain everyone has for Harry Crane and I was so happy that his path to power was cut down – even if he has good ideas and tipped Don off I can’t help but despise him.

My Twitter feed was full of a lot of “Holy shit, Ginsberg” before I saw the episode so I knew something was going to happen and as the episode progressed I figured he was going to trash the computer and cost SC&P a whole lot of money. Never did I expect what actually happened and my first reaction upon seeing the box was of course horror, but I also thought it was his ear at first because in terms of what people cut off that seems like the logical (if you can call it that) answer. It’s yet another occasion this season where Elisabeth Moss nails her reaction as she is terrified, shocked and heartbroken.

Hats off to Ben Feldman who has given Ginsberg this skittish energy since day one and didn’t play it as an “I’m so kooky” quirk or go way over the top with these moments of madness. I also got major character whiplash going from his performance in Mad Men to his one on Silicon Valley and even though it looks kinda terrible from the preview I will be watching A to Z purely for Cristin Milioti and Feldman. Like the lawnmower incident this is going to go down as one of those incredibly weird and fucked up Mad Men moments.

Last year we talked about how Betty got her groove back and this season Betty got the best line of the season – “I’m not stupid, I speak Italian” (closely followed by Sally’s “It’s a nose job, not an abortion”) – what did you think of Betty this year?

Mad Men 7.03 BettyKerensa: Ben Feldman has always been so great as Ginsberg and I’m totally looking forward to A to Z–even if it does look kinda terrible. He always played Ginsberg from a place of compassion when he, like you mentioned, could have gone the “I’m kooky” route.

Betty was Betty as always for me. Her trip with Bobby made me feel so bad for him. And I felt for her when she felt like she was being underestimated. But I would argue that her best line of the season was when she was looking back as Don as a “bad boyfriend” someone a “teen anthropologist would marry.” I feel like we didn’t get enough of her for me to fully form anything. What about you?

Mad Men 7.07 Sally as BettyEmma: The problem with the Betty storylines is that other than their shared children, the link to Don and the overarching story is tenuous and so it doesn’t always make sense to see what’s going on with Betty other than the fact that she’s a fascinating character. You’re right about that line, it is fantastic. The trip to the farm was heartbreaking because she really doesn’t understand anything when it comes to her own children; Bobby clearly adores her and yet she thinks the only one who still loves her is Gene. Bobby’s sandwich trade was a dumb move, but then again his mother’s relationship with food is a complicated one that he doesn’t understand. He probably thinks that cigarettes are her lunch now that she is thin again.

Betty’s standard position is envy – of her children, friends, neighbors, husband and ex – and while she can be unpleasant I never tire of seeing how she reacts to these situations. So with Francine (yay!) she sets out to show she’s a fantastic mom by going on a school trip she had absolutely no interest in previously, with Sally they bicker about everything and I was convinced she was going to go after Sean and his stripy pants just because Sally had shown an interest in him. Luckily Sally went for the more age appropriate Neil after he showed her the stars and went against the type of dude her dad is (which is not a surprise after the Sylvia incident last season).

For me, Betty’s crowning moment was standing up for herself against Henry – no she doesn’t want to go outside just because he does and yes she will give her opinions on Vietnam if she is asked. Betty had a habit of repressing everything when she was with Don in true WASP fashion and throwing up on her pretty dress was the way she showed her sadness and dissatisfaction. With Henry she’s not going to be a shrinking violet.

Have you got anything else to add about the first half of season 7? What would you like to see happen in the final 7 episodes?

Mad Men 7.06 Bob and KevinKerensa: I appreciate her standing up for herself with Henry as well which I think also speaks to the type of relationship that they have.

For the final 7, I want all the best things to happen for Peggy, Joan and Megan. I’d love to see the show actually explore what was happening with Stonewall and the beginnings of the LGBT rights movement but I don’t think that will happen. I’d love to see Don continue to grow but I don’t know if I think that will happen either, I really think he’s gonna backslide.

What are you hoping for?

Mad Men 7.05 SallyEmma: With the portrayal of the LGBT rights movement I wonder if the Bob Benson stuff in “The Strategy” is all we’re going to get when it comes to that. Hopefully Bob will be back for the final 7 for this reason and James Wolk reasons. His proposal to Joan was so ill-advised but I do understand where he was coming from and there’s no fairy tale ending for him in 1969 sadly, Joan still believes in love which is something I  didn’t necessarily expect considering how pragmatic she has become since having Kevin. Like you I want all the good things for the women of this show. I want to see Sally rule the world or at least get through school without a drug addiction; I have high hopes considering how well she is doing at the moment and how her rebellions have been pretty atypical of a teenager without veering into excess territory. Don’t fuck with Sally, Weiner.

This season ended on such a hopeful note that it’s making me feel somewhat optimistic for Don and I’m not sure if Matt Weiner is lulling us into a false sense of security with this. He is always teetering on the edge of oblivion and I have a friend who is convinced he will kill himself. I think this is maybe too nihilistic and I have hope that Don Draper will be alive at the end of the final episode. I’m not sure what state he will be in, but what I’m picturing is similar to how it started – a dude smoking and drinking alone.

I’d like to see some folks return, but I also don’t want it to turn into a blast from the past parade. Sal would be number one on that list, just to see where this character is now (and this also fits in with the LGTB rights movement) and yet I do understand why they might shy away from bringing back certain people just because they’re a fan favorite.

I’m also very excited to see more psychedelic styling and all things polyester from the end of this decade. It’s going to be pretty sad when this show is over and while I was ready to let Breaking Bad go because of how draining that show is to watch, I’m not sure I’m ready to say goodbye to these characters and for that reason I’m somewhat glad they split the two seasons up.

Kerensa:  Looking forward to what’s next–and I agree. Don’t fuck with Sally, Weiner!

Kerensa Cadenas is a writer living in Los Angeles. She is an Editor for Snakkle. She also writes for Women and HollywoodThe WeekThis Was TelevisionForever Young Adult, and Bitch magazine. She was the Research Editor for Tomorrow magazine. You can follow her on Twitter and read her ridiculous thoughts about teen television at her website.

Out of the Box: Look of the Week

30 May

Switching things up this week for “Out of the Box” with a Mad Men mid-season finale special. My favorite look from this episode is what Peggy wore for her triumphant Burger Chef pitch and you can see that here. Janie Bryant continues to deliver a range of exceptional costumes that stay true to a particular character’s evolution and here are my other standouts from “Waterloo.” These include some ensembles that I’d like to have in my own closet and not just for a 1960s fancy dress party.

Mad Men 7.07 Peggy mint greenStarting with Peggy and I adore this mint green crew neck dress. The horizontal pattern is vibrant without ever edging into anything ‘typically’ 1969 and Peggy’s never going to go down the psychedelic route. Peggy’s worn some great things in the office this season and this is a dress that wouldn’t look out of place in 2014.

Mad Men 7.07 MeredithMeredith’s two piece is far less contemporary and her attempts at comforting Don are hilariously off the mark. The zigzag trim is very distracting, but the daisy pin can stay.

Mad Men 7.07 MeganIt’s the mint green phone which has played such a pivotal role in this long distance relationship and this is now coming to an end. Megan as always looks like no other character on this show and all season she has been embracing LA style distancing herself further from her life with Don. She’s relaxing in a super cool blue and orange bikini with a floral bathrobe that reads way more casual than her previous pink one – I guess bathrobes can fall into fancy and non-fancy categories.* I love that their relationship ends not with fireworks, but with a sad and accepting realization that this is dunzo. They’ve been done for a long time really and this season has been about going through the motions. This could in all likelihood be the last time we see Megan and yet as a fan of her character there’s part of me that hopes there will be an organic reason for an appearance during the final seven episodes.

*Update! It’s not a bathrobe, but a bathing suit cover up over the turquoise blue bikini with orange vinyl trim that Janie Bryant designed for Megan. Thanks to Janie Bryant for clarifying this on Twitter and solving my robe quandary.

Mad Men 7.07 Betty and SallyMoving onto summer suburban fashion back on the East Coast and Betty is as polished as she ever was. Sally’s plaid shirt and khaki shorts rejects her mother’s feminine style and it’s another example of plaid persevering through the ages; turn those shorts into denim and cut them a little higher – no underbutt please – and you’ve got a perfect summer look for now.

Mad Men 7.07 Sally as BettySally can’t escape her mother that easily and while Betty would never wear something like this as it’s far too modern, Sally’s hair and especially her smoking pose have an eerily similar quality to the person she has been sassing all season. The purple ensemble is cute and flirty without straying too far into ‘sexy sexy’ territory and all I want from this show is a happy ending for Sally. OK, add Peggy and Joan to that list.

Mad Men 7.07 PeteBack to the office and Pete’s tie perfectly matches the coffee cup that will always remind me of Bob Benson. Pete, you can’t escape the memory of Bob that easily.

Mad Men 7.07 Mad JoanThe red of Joan’s dress matches the anger on her face. It’s a great dress and I think I finally understood why Joan has been so mad at Don all season as her priorities as a single mother are different to the other partners. Plus when you factor in what she had to do to get a seat at the table her rage is explainable, I just wish they had done a better job with laying this out.

Mad Men 7.07 Ted and JimThis is more for the giant light bulb lamp in the background and Roger’s office is an interior design delight. Look at those curtains!

For more on this season of Mad Men head here.

 

Mad Men “Field Trip” Costume Design Highlights

28 Apr

With the Mad Men coverage this season I wanted to try something that didn’t necessarily follow the types of straightforward reviews that I have written on this site and others for previous seasons. So for the season premiere I showed an example of Mad Men influencing my style choices, last week it was all about the closing credits music and for the third episode “Field Trip” I want to take a look at some of the costume highlights from the episode.

Mad Men 7.03 MeganI’m pretty sure I had a bed spread and sleeping bag that resembled Megan’s blouse when I was kid; items from the late 60s/early 70s that my parents still used. They were pretty hideous like Megan’s blouse (swap the green for more brown and you get the idea), but now I find something rather nostalgically charming about this floral mess and I wish I still had them now. It’s like someone vomited flowers on this top and pairing it with a canary-yellow crotchet micro means that Megan would *almost* fit in at Coachella. She just needs to cut the sleeves off the blouse, knot it and she would be good to go.

Mad Men 7.03 BettyMegan’s style is always evolving; keeping in tune with her surroundings and what is featured on the pages of Vogue. Whereas the former Mrs Draper is all about simple glamour pairing her dress and jackets, the last time she looked fashion forward was on her trip to Rome with Don and that was all a facade. There’s the whole politicians wife look, but Betty is once again the Grace Kelly double even with these trappings. The frumpy fat days are long gone and Bobby still isn’t sure if his mom eats anything (hence why he traded her sandwich). This is where the sunglasses, cigarette and silent treatment come in. To prove her worth she drinks out of the bucket of milk, unlike the real farmer’s daughter she will always be wearing a bra and clutching her purse.

Mad Men 7.03 Anne DudekAnne Dudek! Beyond thrilled to see the return of Francine and she’s part of the reason behind Betty’s sudden interest in going on a school trip to the farm. One of Betty greatest weaknesses is how much she compares herself to others, sure we all do it, but Betty reaches new depths with her competitive streak. Look how great Francine looks as she excitedly gesticulates what she’s been up to and that’s working three days a week as a travel (something Betty tries to undermine by mentioning real estate, which Francine failed at). Francine’s matching coral pant suit is spectacular and she looks modern in a way that Betty’s pearls will never do. Betty is also shameless when it comes to name dropping and pretending that she doesn’t love to show off about her life. Betty still gets usurped as Francine has something Betty doesn’t and that’s fulfillment.

Mad Men 7.03 JoanJoan in a Peter Pan red rose covered dress and knee boots (not removing for Bert’s no shoe rule) is everything. I would wear this now.

Mad Men 7.03 PeggySame goes for Peggy’s green emphasized seem dress and things are looking less tween in Peggy’s work attire this week and yet she still gets no respect. PS. Peggy, Don’s taking your office, which they’re still calling Lane’s office.

Mad Men 7.03 groupStan’s going on safari, Ginsberg’s taking smart casual to a whole new cardigan/tie level, Peggy’s got prim down and Meredith likes what she sees while wearing one of the official patterns of this year; paisley.

Mad Men 7.03 DawnDawn’s got a new job and she’s gone for a sharper look and she’s killing it in this blazer. It’s a shame Don hasn’t paid much attention to all of these changes as he still gives her his hat and coat to put away, plus she’s still his go to coffee maker. Moving up, but only kinda. Another item for my closet and mustard list is that blouse, not sure how much I could work a collar like that.

Mad Men 7.03 RogerThe hippie and the rich man in plaid. It’s an odd combination and while Roger is still clinging to his place in the hierarchy at SC&P, he manages to show loyalty and business acumen by arguing why they need to keep Don. The LSD hasn’t completely ruined his capacity to show charm, wit and smarts.

Janie Bryant continues to produce costuming that adds rich textured layering to the viewing experience and also manages to make me feel nostalgic for items I cringed at having to use – that sleeping bag at sleepovers seemed like the ultimate embarrassment and now there is only love. One important figure who doesn’t feature this week in these shots from the episode is Don as his style is never evolving; does he have the capacity for change?

Out of the Box: Look of the Week Best of 2013

27 Dec

It’s the final Friday of 2013 and so we’re bringing you a special end of year “Out of the Box.” This was the first article to run on TV Ate My Wardrobe and it’s been a regular weekly column ever since. Costuming, red carpet appearances, street style and magazine shoots have all featured heavily and we went back through the 36 weeks it has been running to see what shows and faces have appeared the most. The only stipulation is that it had to feature as part of this column and so while there have been many exceptional outfits on TV Ate My Wardrobe if it wasn’t part of “Out of the Box” it hasn’t been included.

The categories we are looking at are most featured show, character, person and favorite individual outfit. There’s also a special mention to the only week where a piece of set was included.

MM_605_MY_1219_0624Show: Mad Men 

Mad Men hasn’t been lavished with as much praise in 2013 as it has in previous years, but one aspect that has remained consistently excellent is the costume design work from Janie Bryant. There are many photos I could have chosen including Peggy’s pantsuit of power (thanks Tom & Lorenzo for that name), Bob Benson’s shortsStan’s beard and Sally in plaid. Instead I have gone for this one from “The Flood” with Peggy and Megan in their award show frocks. Both are incredibly striking and Megan’s is very I Dream of Jeannie; as we head towards the ’70s things are getting bolder in fabric and color and even though there’s a clash in pattern between the pair there is warmth between these two characters. This scene takes place just before they find out that Martin Luther King, Jr. has been assassinated and it shows the how far removed these characters are from the civil rights movement.

Parks and Recreation - Season 6 Character: April Ludgate, Parks and Recreation

April Ludgate (Aubrey Plaza) from Parks and Recreation appeared on the inaugural “Out of the Box” and many weeks since. With April her costuming is colorful and features a variety of patterns and the occasional animal; it’s mostly casual wear and unlike a character like Olivia Pope it’s a wardrobe that can be recreated with affordable clothes. I’m still on the hunt for the elusive perfect mustard yellow hoodie like the one in the shot above from the season 6 premiere. 2014 will be my year to find one.

Hannibal bathroomSet: Hannibal “Sorbet”

The costuming on Hannibal has been much talked about here at TV Ate My Wardrobe; it’s also the only set design that has appeared on “Out of the Box.” When I wrote the original post I had yet to see The Shining and I am happy to say that this is no longer the case (I watched it after having a wisdom tooth out which was a tad surreal). This exquisite set is an homage to the bathroom in Room 237 in Stanley Kubrick’s The ShiningHannibal is one of the most visually arresting shows of 2013 and it’s why it deserves this special mention.

Kerry Washington FlarePerson: Kerry Washington

This has been the year of Kerry Washington as she has dominated Scandal, magazine covers and best dressed lists; she is also the person who has featured the most on “Out of the Box.” Flare is one of the many magazines Washington covered this year (ElleEssenceVariety, Vanity Fair and Glamour are some of the others) and this is my favorite cover shot. The polka dot Miu Miu coat and scarf have been everywhere this year and for me it is most memorable on Kerry Washington. Versatile style is something Washington has and she’s daring with her choices on the red carpet. While you can pretty much predict what some people will wear every time they hit an event, with Kerry Washington you can never been sure and it’s one of the many reasons why we love to write about her.

ABC TCA Summer 2013 PartyFavorite Individual Outfit: Darby Stanchfield at the ABC Disney TCA Party

There are many incredible outfits that have appeared on these pages and so it was tough to highlight just one; I’m going to stick to the Scandal track and go with Darby Stanchfield from an event back in August. This was before we got to see Abby’s season 3 transformation and so the wavy, wilder looking hair was a big departure from the poker straight style we were used to seeing on Stanchfield and so she instantly caught our attention. Stanchfield takes the prize of favorite individual outfit in a jacquard floral-print pleated skirt by Alexa von Canisius that cinches in at the waist and the green metallic tone complements her raven locks.

To look through all of the “Out of the Box” archives head here.

Best of TV Costuming 2013: Mad Men and the Megan T-Shirt Conspiracy

5 Dec

It’s the first entry in TV Ate My Wardrobe’s “Best of 2013” costuming series and rather than doing a straightforward countdown we’re going to do a variety of posts that look at which costumes and shows have made a huge impact this year. From items that we want in our own wardrobe to pieces that got everyone talking, we want to look at this year’s TV through the prism of costume.

We’re going to start with the T-shirt that prompted a stream of speculation and conspiracy theories; Megan Draper’s red star tee from the Mad Men  season 6 episode “The Better Half.”

Megan balconyMad Men costume designer Janie Bryant has sparked pages of discussion with her meticulous creations and nothing more so than putting Megan in the same tee that featured in Esquire magazine in 1967 (a year prior to when this episode is set) by none other than Sharon Tate. Tate would be brutally murdered by the Manson Family in 1969 and because Megan shares certain similarities with Sharon Tate this started speculation that Megan would meet a tragic end. I have to admit that I got caught up in this theorizing as season 6 was particularly dark and violent, reflecting the tumultuous period in US history that this season is set in and it looked like Megan was going to become the victim of the season.

Season 5 had many hints at a suicide theme and while all fingers pointed to Pete Campbell, it was actually Lane who took his own life. It’s a fool me twice kind of situation and the only person to meet a potentially grizzly end is Pete’s mother – there is no body and it all happened off screen so it’s not even a definitive murder. Rabid symbolic theorizing isn’t something you might initially think of with Mad Men and yet last season with Megan’s red star shirt it hit Lost levels of debate.

Megan tshirtMegan has always been a character who is ahead of the curve when it comes to fashion trends and this outfit comes across as particularly modern, the nightdress that Peggy wears when she stabs Abe in the same episode – yep this season really did go to some dark places – is what you would expect from this era. Megan’s tee and underwear for the hot summer night is more reminiscent of what someone would wear now. This is what initially stood out about this costuming choice; this all changed when Reddit users started to speculate and Bryant confirmed on Twitter that it was an intentional reference to the Tate Esquire shoot. Cue many blog posts discussing foreshadowing and Megan’s fate.

Everything on Mad Men from the props to the references to the costumes are there for a reason, we all know how specific creator Matthew Weiner can be and because he doesn’t give anything up it encourages these types of discussions. At times it really does feel like he is fucking with us and looking back it seems kind of crazy that one piece of clothing could lead to a conclusion of murder; this is the power of the costuming choices on a show like Mad Men.

I also want to single out Tom and Lorenzo’s incredible textual analysis on their weekly “Mad Style” column; this has been a big influence here at TV Ate My Wardrobe and it shows that costuming goes beyond authenticity of a time period and it can reveal so much without a word being uttered.

TV Costume Designers and Impacting Fashion

19 Sep

TV Ate My Wardrobe isn’t surprised to read that TV costume designers are having an impact on fashion at the moment, as The New York Times proposes in an article today. This site was born out of an interest and passion for costuming on TV and while other avenues are explored on a daily basis this is still at the heart of what we do here. Costuming can aid the storytelling process, but we also look at trends on the runway that filter through to stores. What is featured in magazine editorials can impact what we see on screen, but as we have seen with shows like Sex and the City and Mad Men they can have just as much influence on style as the fashion houses themselves.

Olivia Pope leather gloves

One aspect this article from The New York Times discusses comes from Pretty Little Liars costume designer Mandi Line as she explains that in her interview she stated “If you let me make fashion the fifth character on this show, people will watch it just for the clothes.” This is something that can probably be said about a show like Gossip Girl which I have recently realized that I miss purely for the clothes. The way costuming can appeal can be dependent on the target demographic and with something like Pretty Little Liars Instagram reveals how fans of the show compare their clothes to the ones they see on screen. Costuming can help create buzz and a show like Scandal has benefited from these types of discussions, especially now that star Kerry Washington is covering major fashion magazines and landing on every best dressed list. Lyn Paolo has done an excellent job not only with Olivia Pope’s wardrobe, but with each character’s clearly defined look. In the pilot episode of Scandal the notion that they are “Gladiators in suits” was repeated and now both Olivia’s team and fans of the show use this moniker.

NG_Neighbors-Sc9_0017 The time between when a TV show is made and when it airs is often relatively short and so this immediacy means that the clothes we see on screen are still often in stores. While you might not be able to afford the Prada purse that Olivia Pope uses, the J Crew sweater that Jess wears on New Girl could be a more affordable option. Websites such as What Would Zooey Deschanel Wear? and its broader ranging sister site Worn on TV not only find where to buy the clothes you see on screen, but also cheaper similar looking alternatives.

Elementary costume designer Rebecca Hofherr talks about how “TV deals with realistic issues and more realistic clothing” as opposed to film which might deal with more fantastical subjects. While I’m not a proponent of any TV vs. film debates I think TV can have a bigger impact on personal tastes because shows air on a weekly basis and so we see style evolution over a period of time. Characters become familiar to us and so as viewers it can be easier to identify with them and their look. There’s also a variety so one week I might see Joan Watson wear a scarf I really like and another will have me adding an April Ludgate shirt to my always growing wish list. You can sample many different looks across many different shows.

banana-republic-mad-men

This also covers period costuming and as I’ve mentioned Mad Men has influenced fashion in a major way and costume designer Janie Bryant has managed to create a brand thanks to her excellent work on Mad Men. Bryant has developed pieces with Maidenform (also a client of Sterling Cooper), Banana Republic and Brooks Brothers. There is also a reality show on the way from Janie Bryant that will give aspiring designers a chance to show off their skills by recreating classic Hollywood film costumes and celebrity signature styles.  Having just finished watching the Masters of Sex pilot I can confirm that there was a high amount of sweater and coat envy; as the colder season approaches I’m sure this will have some impact on forthcoming purchases even though it is set in the mid 1950s.

It’s not surprising to read that Good Wife designer Daniel Lawson is developing a line of clothes for professional women, or that Lyn Paolo is contemplating a book that will include Scandal related tips. Eric Daman whose previous credits include Sex and the City and Gossip Girl is now the costume designer for The Carrie Diaries and one of his non-TV related projects is a prom collection for Charlotte Russe. Girls and Orange is the New Black’s Jenn Rogien is currently one of Gap’s “Styled By” experts producing a series of style tutorials. For these costume designers they are diversifying their work and using their expertise on projects that relate to the TV work that we are familiar with. We have seen what these designers can do on screen so we know where their strengths lie and so there is already implied trust that they can produce excellent work outside of the TV show they design for.

A costume designer isn’t there to simply make the characters look good or to sell clothes; they help add another layer to the storytelling process and can inform the viewer to certain characteristics without a single word being said.

Out of the Box: Look of the Week

28 Jun

One of the shows that has featured on almost every “Look of the Week” is Mad Men and this edition is going to be a Mad Men special; celebrating some of the best costumes from the season 6 finale “In Care Of.” The costuming on Mad Men has always been exceptional and Janie Bryant’s work this season continues this tradition as picking an era appropriate outfit isn’t the endgame and clothes can help define a character. They can also help shape the conversation as we saw when Megan wore a t-shirt that had also been worn by Sharon Tate and the floodgates of conspiracy theories were opened.

Winner: Peggy Olson 

Peggy Power PantsuitIt was a tossup between this and Peggy’s cleavage enhancing mini dress and Channel No.5 combo; ultimately the Pantsuit of Power (thanks Tom & Lorenzo for that excellent name) felt like the Peggy Olson we have been waiting for. Both the seduction dress and this pantsuit are outside of Peggy’s usual costuming wheelhouse and she has definitely matured this season as she has progressed in her job and grappled with a complicated romantic entanglement. Peggy ends the year working in Don’s office and she looks incredibly comfortable in this environment; this is the first time we have seen Peggy rocking a pantsuit at work. Ted has shown that he isn’t exactly the great guy she has been telling Don he is, but I hope that season 7 is going to be the year Peggy shows what a dominating force she can be. This Pantsuit of Power is just the start.

Runner Up: Stan Rizzo 

Stan Mad MenOne of the stars of this season has been Stan Rizzo and his beard (this photo is courtesy of the Fuck Yeah Stan’s Beard Tumblr) and Stan turned up to work in his best suit and well cared for facial hair to present an idea to Don. That idea was to open a small office in California while dealing with Sunkist and Stan would run it; Don said no thank you and then stole the idea for himself. Poor Stan. It doesn’t end there and the California office became the beacon of hope for all cowardly men (ok just Ted). Stan isn’t going to California and so hopefully he will still be around next season to join Peggy and show everyone else how to get things done.

Runner Up: The Draper Family

MM_613_JT_0416_191It’s not every day that your father takes you to the house he grew up in so be sure to wear your Thanksgiving best, oh right your father grew up in a whorehouse. Despite Sally’s recent rebellion and being thrust into an adult situation thanks to witnessing her father’s indiscretion, she’s still dressing like a young girl. I’m expecting that to change next season and Sally will start wearing more daring outfits that we’ve only really seen on Megan, or she’ll look like the 1960s version of Blair Waldorf. Bobby’s jacket reminds me of Henry Jennings’ rainbow coat in The Americans and is something I would wear if it came in an adult size. Gene looks as adorable as ever – will he finally get the chance to speak next season? Don looks as he always does but he’s finally revealed another piece of his past to his children.

Runner Up: Bob Benson 

Bob Benson Pinny Mad MenOne of the highlights of this season has been the mystery of Bob Benson and while his motivations are still relatively unclear he does know how to rock a mini Thanksgiving themed apron (it’s almost as good as the short shorts). One thing we do know is Bob is willing to humiliate the man he claimed he loved to save his job and he’s also not going to listen to Roger; he’ll hangout with Joan all that he wants to. The addition of James Wolk to the cast has been wonderful (and not just because of that charming smile) and hopefully his new show on CBS won’t stop Bob Benson returning next season.

What was your favorite Mad Men look in the season finale?

What’s in a T-Shirt? The Mad Men Megan Conspiracy Theory

30 May

Coming this Sunday I will be joined by Kerensa Cadenas to follow up our last Mad Men chat (“Falling Out of Love with Don Draper“) and one thing that we will definitely be talking about is the Megan Draper as Sharon Tate conspiracy theory that set Twitter alight yesterday. I just want to address it prior to this longer discussion as it seems to be part of the big Mad Men chatter that follows on from last season’s ‘Pete Campbell is going to kill himself’ clues. This ended with Lane hanging himself instead; is this another misdirect?

Megan balconyLet’s start with the t-shirt, which on a first watch I thought nothing more than “it’s a cute shirt” and it must be a warm night for Megan to be standing out on the balcony in so little. While I’m assuming that it is what Megan will be wearing to bed it’s very different to the formal nightwear that the female characters tend to wear on this show and Megan’s clothes in this episode were the most modern that we have seen so far. This isn’t in an ‘out there’ fashion forward way as with some of the other pieces we have seen this season, but as casual clothes that wouldn’t look out of place on the high street today.

While none of these things point towards the idea that Megan is in danger some eagle eyed viewers over at Reddit noticed that this t-shirt is one that was modelled by murdered actress Sharon Tate (who was killed a year later in 1969 by the Manson Family). Mad Men costume designer Janie Bryant then confirmed on Twitter that it was “no coincidence” and this set in motion a chain of theorizing. Aspects that might point to a violent end for Megan include; the loud sirens in two of Megan’s scenes, both of Abe’s stabbing incidents, the mention of shootings in Central Park, the intruder in the previous episode, Megan is an actress as was Sharon Tate and Megan’s Sharon Tate like appearance in the promo photos for this season (Tom and Lorenzo are as usual producing some exceptional costume analysis on their weekly “Mad Style” feature and were the ones to originally mention this).

Other signs that point to a potentially grizzly end for Megan include the key art for this season, featuring a heavy police presence in the background. This could just be a reflection of the unrest that is being felt across the country and as I mentioned in my review I thought the sirens could be a sign that all of New York is experiencing a rise in crime; with the foreshadowing pointing to her co-star Arlene’s future and not Megan. I also thought it was interesting that neither Megan and Don mentioned the sirens, mostly likely because they have become used to them. Megan has become increasingly isolated as the season has progressed and if a suicide hadn’t happened last season then this might be part of the discussion instead of murder.

Megan tshirtAt The Daily Beast Jace Lacob has spoken to Janie Bryant about this choice of shirt for Megan and instead of pointing to Tate’s fate she explains that “It’s the Vietnam star. We saw a little bit of how Megan was so upset after Bobby Kennedy was shot, it really is so much a part of the turmoil happening during that period.” This might be Bryant attempting to deflect attention away from what could potentially be a huge spoiler (and we all know how creator Matthew Weiner feels about those) but it does also tie in with the amount of crime that is happening in the city and the political unrest nationwide.

So is this one conspiracy theory too many? Sunday’s discussion will also feature the enigma that is Bob Benson and plenty of theories have been popping up about this character as well. This is part of the fun surrounding Mad Men discourse; the subtext could be pointing to something completely different and thanks to the lack of spoilers (I know Weiner is a bit over the top with this but I also think it works for this show) it means that conversation like this can develop. It’s reminds me of watching Lost when we were all trying to understand the smoke monster and the numbers; it’s these aspects that can bring an audience together as we try to collectively figure out what these clues mean.

Is this t-shirt a sign of Megan’s doom or just a sign of a turbulent time? Should Megan’s co-star Arlene be worried about her future? What are the most outlandish Mad Men conspiracy theories that you have heard?

Out of the Box: Look of the Week

3 May

It’s “Look of the Week” time! Once again there has been a rich amount of different costumes across various shows this week. This is a snapshot of what I have been watching and each pick is for a variety of reasons including; what it adds to the storyline, what it tells us about the characters involved or simply because it looks good. This week we take a look at a couple of season finales and it is an all female edition. Near misses include the many flashback looks of New Girl and the return of Bert Macklin on Parks and Recreation.

Winner: Alicia Florrick on The Good Wife “What’s in the Box?”

The Good Wife finaleThe costume design on The Good Wife is flawless; from Diane’s epic statement jewellery to the tailored perfection of Alicia’s courtroom suits. Daniel Lawson who is the man behind these pieces writes an episode-by-episode column for InStyle and explains how he alters certain outfits and discusses the reasons behind his costume choices. Color is really important on The Good Wife and we have seen red used on multiple occasions to express how Alicia is feeling and this can impact the mood of the scene. Lawson explains that this Antonio Berardi dress was chosen because “Julianna and I didn’t want her to look like the typical candidate’s wife.” It’s a simple black dress with a twist and this is indicative of this final moment where it looks like Alicia is meeting Will, but instead she is making a huge move in regards to her career.  Bonus points go to the bold lip color (which I now really want – no surprise there). This was an excellent way to end the season and I cannot wait to see what the costume department brings us with all the change that is coming in season 5.

Runner Up: Megan Draper and Peggy Olson on Mad Men “The Flood”

MM_605_MY_1219_0624Every week I could simply write Janie Bryant is a genius as she continues to work her costume magic on Mad Men. In this scene Megan and Peggy are at an awards ceremony and both are in bold patterns that the late 60s is famous for. This isn’t a period for a wallflower when it comes to fashion and even Peggy is embracing the trend. Peggy’s dress is not as fashion forward as Megan’s and she is still playing it safe with bows and flowers. Megan is an actress after all (even though she is up for an advertising award) and so she is wearing the most flamboyant dress of all the female characters we see. It has an I Dream of Jeannie feel and even though these two women clash in both pattern and color there is warmth to this scene and between these two characters. I would love to see more interaction between Peggy and Megan as they could both benefit from a close friendship. The costuming in this moment contrasts with the rest of the episode after the news of Martin Luther King, Jr’s death is announced and the far away place the Megan’s dress evokes is just a fantasy.

Runner Up: Elizabeth Jennings on The Americans “The Colonel”

The Americans ElizabethThis is the third week in a row that Elizabeth Jennings from The Americans has featured on the list, but as it is the season 1 finale it felt appropriate for the show with the best wigs and disguises on TV to appear once again. This look is pretty similar to how Elizabeth usually appears, her hair is blonder and those aviators are not something Elizabeth would wear but other than that it’s not an elaborate disguise. It’s on this occasion that Elizabeth is closest to being caught by the FBI and if she had been apprehended it wouldn’t have taken Stan very long to ID her. It’s also fun to see how quick Elizabeth and Philip can shed their disguises and hopefully in season 2 they will show the process of how they become someone else. The Americans is so much more than wigs and costumes, but these aspects add a layer of fun to this spy drama.

Who would you choose as your look of the week?

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