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Tag Archives: Halt and Catch Fire

Best of 2017 – Work in Other Places

30 Dec

Welcome to the Best of 2017! Today I am going to do a Greatest Hits rundown of my work in other places.

2017 is the year I decided to spread my pitching wings. It has been a year of ups and downs. Articles that have been percolating that were fully realized. Figuring out how to not take rejection too personally. Sometimes ideas are not great. Sometimes they need more work. I’m in a better position than I have ever been in before in my writing career, there is still a long way to go. But my confidence level when it comes to pitching is higher. I’m no longer terrified when I hit ‘send.’ Well, not always. I also expanded beyond just TV; below you will also find fashion history and essays on film.

Here are the pieces I am most proud of from this year. As always I am thankful to the editors that make me a better writer and to friends and family that are there for me through the triumphs and tears. And everyone reading, you make it all worth it.

How Wonder Woman Subverts the Makeover Montage

I have been reading Elle magazine since I was 13-years-old. I am a subscriber to both the UK and US editions. This was by far the coolest thing that happened to me writing wise. Getting to talk about Wonder Woman and the makeover montage trope was a dream come true. This was also one of my favorite movies of the year. Lindy Hemming’s costume design from both the actual Wonder Woman costume to the London garb is incredible and deserves celebrating. Plus I got to talk CluelessShe’s All ThatNot Another Teen Movie and The Americans.

How the Henley Shirt Went From Workman’s Undershirt to CW Staple 

My relationship with Racked does not go back as far as my one with Elle, but I have been a big fan of this site for a long time; I love the mix of historical pieces, fashion industry deep dives and shopping advice. Often I’ll remark when a dude is wearing a henley on Twitter and after semi-jokingly mentioning that I should write an article looking into why, I decided to put my money where my mouth is. And it turned into one of my favorite pieces of the year.

The Bloody Consequences of Wearing a Straw Hat After Summer

Fashion history with an unexpected twist is what this straw hat essay is all about. After reading about the Straw Hat Riots of 1922 in Neil Steinberg’s “Hatless Jack” I knew I had to find out more. This led to one of many New York Times archive deep dives—the access to the archives is worth the subscription fee alone—and this article for Racked.

Is The Americans Setting Paige Up as a Classic “Final Girl”?

For Collider I got to write one of my most out there theories this year, where I explored the idea of Paige from The Americans through the lens of the horror movie “Final Girl” trope. It will make sense when you read it.

Why Game of Thrones Is Stuck in the Past with a Manufactured Stark Sibling Rivalry

The season 7 finale of Game of Thrones redeemed some of the Sansa/Arya issues with a moment that made me scream “fuck yes!” at my TV. But it doesn’t make up for how sloppy their plot trajectory was before this point. At Collider I vented about why this storyline missed the mark by a long way.

‘Halt and Catch Fire’ Series Finale: Legacy, Hope, and Getting Us to the People

Something that definitely did not miss the mark was the final season of Halt and Catch Fire. I wept my way through the finale and somehow turned those emotions into this goodbye to Cam, Donna, Gordon and Joe.

The Power of Love and White Costuming on The Leftovers

Another finale that broke me into a million pieces was The Leftovers. My weekly column at The Observer gave me the chance to deep dive into the use of white costuming and the overall love story aspect of my favorite show of 2017.

The Handmaid’s Tale Costume Designer on the Series’ Wardrobe Influences

This was also a year that involved a lot of interviews with a variety of costume designers covering both film and TV. Also a learning curve, including grappling with technology. This is now the third time I have interviewed Ane Crabtree (previously for Westworld and Masters of Sex). I am so glad I got to discuss the iconic costumes from The Handmaid’s Tale and the way this look has been adopted by political resistance movements IRL.

Disguises to Adidas: The Americans Costume Designer Shares Tricks of the Spy Trade

Another repeat interview subject for me is Katie Irish, The Americans costume designer. This time we discussed retro sports apparel, using high school year books for research and her personal connection to one particular disguise from season 5.

TV For All Seasons: Costumes Across Climates on The Americans and Girls

The idea of summer and winter shows is something I have been obsessing about for a long time. I wrote about it for The Observer.

How Call Me By Your Name Dispels the “Beard” Stereotype By Portraying Sexuality As Fluid

I haven’t stopped thinking about Call Me By Your Name, it is my favorite film of 2017. So I am very pleased that in my first piece for Bustle, I explored the portrayal of different forms of desire and how this film didn’t lean into ‘beard’ stereotypes.

What Princess Margaret’s Love Story on The Crown Can Teach Us About Prince Harry and Meghan Markle’s Relationship

Another piece that allowed me to fall down a New York Times archive hole while looking at the parallels between a romance on The Crown and the recent Prince Harry/Meghan Markle courtship (going old school). Things haven’t really changed a great deal since 1960 when it comes to the way tabloids discuss Royal romance.

For all Best of 2017 pieces including my personal essay on The Americans head here.

Happy New Year! And thanks for reading.

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Best of TV 2016: The Best Songs

29 Dec

End of year lists can focus on various things – performances, costumes, episodes, overall show – and one of my favorite things to look back at is the best use of music on TV. Song can transport us to those all important standout moments or introduce us to new music; over the last few years I have compiled playlists from TV to celebrate this. Last year I focused a single show as You’re the Worst is particularly strong in the end credit department, whereas in previous years I have done a general playlist of the year in TV music.

For 2016 I have returned to the latter format going all in with 28-tracks and you can find the full breakdown and playlist over at ColliderfleabagSongs and music from 21-shows were chosen with some getting two tracks (including the above Fleabag) because I just couldn’t chose and a variety of genres feature. There are songs to dance to, induce tears and all other kinds of emotions and I’m really happy with how it turned out.

You can find instrumental pieces from Westworld and Game of Thrones, tracks that have appeared on “Music Monday” from the melancholy to fun cover versionsMr. Robot was messy in season 2, but nailed the soundtrack once again and shows like Atlanta and Crazy Ex-Girlfriend have music ingrained into the very fabric. You will find songs from The AmericansHalt and Catch FireGirlsBlack Mirror and American Crime Story as well as a literal earworm from BrainDead. Plus many, many more.

Costuming is my first love, but soundtracks is a close second and I am so glad I got to compile such an extensive playlist and discuss the best of 2016 over at Collider. Check it out here and get your dance on.

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Best of TV Costuming 2016: Work in Other Places

22 Dec

So 2016 has been bit of an emotional roller coaster on a large global scale and a personal one with moments of so much joy and immense sadness.

Writing wise this has been my best year yet as I finally got over my pitching fears (well, mostly) and have a weekly TV and Style column at The Observer where I have discussed numerous shows and costume moments beginning with Girls back in February. I have also contributed to Collider with several Americans essays and a TV themed gift guide (still time to buy!).

Here is a selection of my favorite pieces of work from 2016 including a personal essay, topics I have been obsessed with for a long time, discussing so many different shows from this year (with a dash of the ’90s) and I also got to interview two amazing costume designers.Outlander Season 2 2016Kicking off with the essay that was incredibly hard to write, but also gave me great comfort after my father passed away in July. I got married in September and in the lead up I knew it would be a very happy day tinged with sadness and writing about Outlander, my father and our shared heritage helped.

I don’t tend to be someone who is good with sharing my deepest feelings and personal essays are an uneasy prospect: however connecting to the work of Terry Dresbach and the Outlander team led to an outpouring of words.the americansI wrote about The Americans a lot in 2016 both here and other places. I spoke to costume designer Katie Irish at the start of the fourth season about Coach, the many coats and other costume design disguise secrets.

For Collider I went deep about Elizabeth Jennings and motherhood, why the teens on this show don’t fall into the usual annoying obstacle trap and looked at how the Cold War is making a comeback on TV (this was before other significant events).westworldOne of the most fulfilling experiences of 2016 was talking to Westworld costume designer Ane Crabtree after the season finale. Part of this is because I have been writing about Crabtree’s work since TV Ate My Wardrobe started with Masters of Sex and because of all the anecdotes and insight I got from this phone conversation.fleabagOne of the first pieces I wrote on TV Ate My Wardrobe was about lipstick on TV/film and I expanded upon this idea while discussing the Empire CoverGirl line and how powerful make-up can be.

Other key lipstick essays include two of my favorite shows of the year with how Fleabag paints over the cracks and the portrayal of women working in the tech industry in the ’80s on Halt and Catch Fire. And the time jump on Halt and Catch Fire allowed me to address my own nostalgia and one of my favorite style decades.img_4381In a similar vein, but at the end of the scale the build up to new Gilmore Girls was the perfect time to address all the fashion mishaps of the early ’00s.

BrainDead is one of my favorite shows of the year for being fun, weird, having so much flames chemistry and rethinking how to do a “previously on.” Plus it gave me so many outfit goals and I got to expand on this further heregame-of-thronesAnd now for my most viewed article, which also happens to be one of my favorite costume moments of the year when Sansa made sure Jon knew he was family by making him a very Ned fur.

Also on the subject of Game of Thrones I previewed the “Battle of the Bastards” with a ‘Who wore it better?’ competition and went all in on Cersei’s power move ensemble.

On the pieces I have wanted to write about forever track; Angela singing on Mr. Robot let me go all in on the sadness karaoke essay that has been itching to come out since Eliza sang “Chandelier” on Selfie.

The second season of Mr. Robot was messy in places, but the women delivered and it gave me plenty to write about from a costuming perspective. Oh and everyone looks hotter in sunglasses as the Fug Girls always say.felicity-and-marciaA tale of two haircuts and I am very proud of finding a very strong link between Keri Russell’s infamous Felicity haircut and Marcia Clark’s mid-trial makeover. American Crime Story’s “Marcia, Marcia, Marcia” is one of my favorite episodes of TV this year and exploring the legacies of a style change was incredibly fulfilling.

I binged the first season of Crazy Ex-Girlfriend the week after my dad died and it was a much needed distraction so I will forever be grateful for Rachel Bloom and Rebecca Bunch. Season 2 has also provided some very interesting talking points including portrayals of lady friendships and makeovers. Plus Rebecca’s imagination delivers on plenty of fun costume changes.

Here’s to more in 2017 and for my author pages at The Observer and Collider head here and here.

For individual costume highlights check out Best of the Rest Parts 1 and 2.

 

 

 

Best of TV Costuming 2016: Best of the Rest Part 1

16 Dec

Welcome to TV Ate My Wardrobe’s “Best of 2016” costuming series and rather than doing a straightforward countdown we’re going to do a variety of posts that look at which costumes and shows have made a huge impact this year. From items we want in our own wardrobe to pieces that got everyone talking; we want to celebrate the work of television’s best costume designers.

This week we kicked off our end of year coverage with a deep dive into the Jennifer disguise on The Americans and how it encapsulates the vulnerability that is creeping in.

Today we’re going to switch things up and take a broad look at some of the individual costume standout moments with entries from Game of ThronesPreacherBroad CityGood Girls Revolt and more.

Stay tuned for part 2 next week.img_4802img_4801Most on Point Family Accessorizing 

Sansa and Jon Snow did not appear on screen in conversation with each other before season 6 and yet when these two Stark children (cousins not siblings) were reunited the room got very misty all of a sudden. Starks finding each other has been a long time coming as there have been so many near misses over the seasons. To show loyalty Sansa gifted Jon with a fur just like their dad/uncle wore and made herself a fetching new dress complete with wolf sigil. The Starks are back and their little sister/cousin is also hopefully on her way home too.

Okay so things got a little messy with Sansa withholding important information, but in this moment at Castle Black they were at one with each other and their family heritage. For more on this Game of Thrones season 6 moment check out my essay at The Observer.

img_2888The Most Ilana Wexler Use for a Dog Hoodie

I remember seeing this dog hoodie in American Apparel about two weeks before this Broad City season 3 trailer came out and also initially thought it was for an adult (I put the small size down to it being American Apparel). This sight gag was perfect; right down to Ilana thinking the ear holes were for her hair and this sums up Ilana’s carefree (and cropped top loving) attitude toward fashion.

img_4411Best ’90s

The big ’90s fashion resurgence continued with gusto this year and Halt and Catch Fire delivered on a very time specific ensemble that wouldn’t look out of place in a current Topshop display. Ah, the cyclical nature of style.

Also this shot is great as it shows that costume designer Kathryn Morrison linked Cam and Joe together in black and white, but put distance between them as their outfits are the negative image of each other.img_3326 img_3325The Felicity ‘Queen of Sweaters’ Award

There is no doubt that Felicity Porter is the Queen of Sweaters and Keri Russell takes this title once again on The Americans. As this is a winter set show the knitwear levels are high and when I spoke to costume designer Katie Irish she explained that cable knits were one bump concealing solution. And for when the Jennings family go bowling, Elizabeth looks like she borrowed this one straight from Felicity’s closet.img_4617Bringing the Black Turtleneck Drama

Everyone needs a black turtleneck and Queen Judith Light (official title) delivers on the drama in this black turtleneck in front of a black backdrop on this season of Transparent. Yes I would buy tickets to her one-woman show (both IRL and Shelly Pfefferman’s).good-girls-revolt-1-02Cape Most Coveted

I love a cape. I love late ’60s fashion. I love knitwear. It is not surprising then that as soon as I saw Cindy’s green number in the second episode of Good Girls Revolt I wished for knitting skills. Amazon sadly hasn’t renewed this show and I’m hoping it will find a new home elsewhere; it still feels like there is a lot of story to tell and it was only just getting going. Plus I need my fashion fix from this era (especially as Masters of Sex has now also come to an end).tulipSunglasses I Need in My Life: The 2016 Edition

This year I picked up some very Gretchen sunglasses and there is another shades wearer to look to; Tulip from Preacher joined my list of TV style icons and Ruth Negga is also high up on the IRL style icons list after a run of red carpet and Vogue sartorial highs. Part of Tulip’s cool as fuck look is down to her choice of frames and her mix of feminine florals, cropped tops, cute formal wear and edgy leather makes her a costume standout in 2016.img_3965

Teen Bedroom Photo Accuracy 

N.B. This is more an interior/production design award, but definitely worthy of a mention here.

There are a couple of reasons this very small moment in Stranger Things stood out to me; in part it is down to the very teen bedroom photo collage thing that always hits those nostalgia points and the other is because they took photos and didn’t just rely on stilted promo shots. There is nothing that takes me out of something quicker than awful photoshop on a picture (see Spectre for a recent offender) or if they have just taken a still from the promotional department; it really doesn’t take long to get results like this. Although I am now wondering why Nancy has two identical sets of the same photo booth shots. Oh hey, Barb those orange framed sunglasses are cute.

Best of TV Costuming 2015: Best of the Rest Part 2

28 Dec

Welcome to TV Ate My Wardrobe’s “Best of 2015” costuming series and rather than doing a straightforward countdown we’re going to do a variety of posts that look at which costumes and shows have made a huge impact this year. From items we want in our own wardrobe to pieces that got everyone talking; we want to celebrate the work of television’s best costume designers.

So far the Best of 2015 series has focused on in-depth costuming achievements from The Americans, Hannibal, Fargo and Mad Men. Plus a special You’re the Worst “Music Monday” end credits rundown and “Out of the Box” round-up.

Now is the turn of a huge range of shows we have been watching this year from network, cable and streaming with comedy, drama and all those other hard to categorize scripted offerings. There has been so many fantastic individual moments that we have had to split this post into two otherwise the scrolling would be endless.

Here is Part 2 of the standout costuming moments in 2015.

DianeCamo Queen

Diane Lockhart is the ultimate when it comes to power dressing in the office – make sure you have at least one piece of statement jewelry – and she manages to transfer this skill to the snowy hunting climate working the all camouflage and furry hat getup like no other.

Looking S2The Morning After the Night Before Award

Looking dudes killing it with their cardigan, plaid and most importantly bathrobe attire in the season 2 premiere. Patrick also hugged a tree, which was possibly the most adorable TV moment of 2015.

Kit HaringtonHair Most Watched

When you want people to believe a HUGE character has been killed off don’t say the actor who plays him has cut his hair because for the next few months every public appearance will be under the hair watch spotlight; whether this be at Wimbledon or an airport (which also happens to be where said show is filmed). Nice suit, Kit. Sunglasses won’t protect your identity.

DaredevilInaugural Cary Agos Hot in a Hoodie Trophy

Cary Agos wore his hoodie recently much to our delight and yet we are going to give his prize to the one and only Matt Murdock who took this look to new shirtless levels in Daredevil. Rosario Dawson’s Claire also does casual cool ever so well.

Clothing Most Lived In

Mr robotIt would be remiss if while I was on the subject of hoodie wearers if I didn’t mention Elliot from Mr Robot and it just so happens that I started watching this yesterday (three episodes in and all I want to do is watch the rest). Elliot’s hoodie is very much part of his being and he pulls his hood up at any given opportunity. If a person could live in their clothing then Elliot would definitely live in his black hoodie with his black backpack as his home away from home.

Halt and Catch FireHow to Work a Sleeveless Hoodie 

This is NOT A GOOD LOOK outside of a boxing movie (and even then I would probs give it a pass) and yet there is something so mesmerizing about Lee Pace in this getup. The same can be said for pretty much all of his Halt and Catch Fire costuming (dude even makes an all white suit and tee work) and this is one show I am so glad I went back to. For actual style inspiration check out everything Donna.

Inside AmyBest Mode of Transport

Amy Schumer’s “Last Fuckable Day” sketch was sadly all too accurate, but most of the time it is better to laugh than cry and that is exactly what Inside Amy Schumer did with this moment and many others over the super strong season 3. And Julia Louis-Dreyfus makes a rowboat look cool as fuck. Is there nothing this woman can’t do?

Jane the Virgin Chapter 20Smackdown of the Year

There’s a lot that can be said about the relationship dynamics on Jane the Virgin; the Villanueva women are guaranteed to get me crying at least once an episode and I am firmly in the Team Michael camp. There is one relationship that has gone from antagonistic to friendly with a whole dose of it’s complicated in-between and the Jane/Petra situation is the one which intrigues me the most. In Chapter 20 the pair entered the fantasy wrestling ring and it was as much fun as the leather wresting attire that a pregnant Jane was wearing. Petra didn’t look too shabby in her liquid silver jumpsuit. Jane the Virgin is particularly good at mixing the soapy/fantasy elements with real world in both content and costuming; this smackdown episode showcases these elements.

The Reality Show I Wish Was Real 

2015 saw the end of several TV Ate My Wardrobe favorites including Kroll Show, which bowed out before it hit any kind of slump. There are many sketches that could have filled this slot – PubLIZity being a close contender – and yet it was this one off Farley piece that has me randomly saying “Look like dis.” Chelsea Peretti and Jenny Slate were my ideal Kroll Show guest stars and this included both women much to my delight.

Krystal Orphan BlackUnexpected Character Inspiration 

More reasons to adore Tatiana Maslany as not only did she deliver yet another fantastic new clone to the Orphan Black table, but she also got her initial inspiration from one of favorite places (as related to the above choice). Maslany told The LA Times that “Krystal was different because she was meant to die in the first episode. I was really into Kroll Show at the time. And I was doing PubLIZity. I was wandering around the set as Krystal in that voice, and they were, like, “We can’t kill her.” Then we started to develop her into a full character and not just me doing Jenny Slate.”

UnREALOutfit Most Inspired by Lindsay Weir 

Much like Lindsay Weir, Rachel on UnREAL pretty much had her army green jacket glued to her and while Rachel’s life is definitely more of a mess there is certain Lindsay quality to her.

The Good Wife 7.07 Alicia bed headHow to get Dressed in a Super Sexy and Snarky Manner 

The Good Wife gave us the TV equivalent of blue balls squandering both Finn and Jason; instead having Alicia hook up with Johnny and Peter. At least the latter delivered on this perfect giving none of the fucks moment.

Masters of Sex 3.05 Virginia bretton stripesStripes Delight

A classic look is classic no matter the decade and Virginia’s striped tee and pants ensemble on Masters of Sex is just that. If Emma Stones stripes and polka dots is my platonic ideal of an outfit then this is a close runner-up.

Lady Gaga AHSMost Old Hollywood 

No one looks more killer (in more ways than one on this occasion) than Lady Gaga as The Countess on American Horror Story: Hotel capturing all that is glam and seductive about Old Hollywood.

Elementary 3.17 JoanFinding the Ideal Location for an Outfit that Looks Like a Painting 

Every episode of Elementary is a costuming dream and Joan’s fashion palette is full of patterned delights including this stunning Victoria Beckham shirt dress; it looks like a shot of springtime against the snowy backdrop. There are several shows which use the winter shooting schedule to their advantage and Elementary is on this list (The Americans and Hannibal are two others).

The LeftoversInternational Assassin of the Year

There could only be one and the meaning behind Kevin Garvey’s suit – which Justin Theroux fits rather nicely – plays out in an incredibly surreal way in one of televisions best episodes of 2015 as The Leftovers hit new bonkers and brilliant heights.
The Americans 3.12 big blue phoneHow to Make a Silly Looking Prop Look Entirely Serious

I mean it still looks pretty silly, but I don’t want to say that too loud as Keri Russell is giving killer side eye and it’s pretty terrifying. This is also one of Elizabeth’s best wigs of the season (which is actually a slightly less wavy repeat from S2). Blonde is definitely working for her.

Master of NoneUnexpected Sylvia Plath Quote Usage 

Master of None took one of my favorite passages from any book and used it in an unexpected way that was so unbelievably perfect. Yes I burst into tears at the reading and portrayal of the fig tree passage from The Bell Jar. Here is that incredible quote in full.

“I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn’t quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn’t make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”

For more Best of 2015 head here.

Get the Look: Donna’s Stripes Tees and Plaid Shirts on Halt and Catch Fire

25 Aug

The amount of good TV which has aired in 2015 has become a hot topic item as we get to the point where there are too many shows to keep up with. Fall television is quick approaching so now is prime catch up time and this week I decided to go against my better viewing style judgement skipping Halt and Catch Fire’s first season and diving straight into the second. I did watch the pilot back when it aired, but if I recall correctly I didn’t like it enough to keep watching even though the Girls in Hoodies podcast – miss you guys – always made me want to check back in.

So now I have and if I was to start my own Mutiny community room it would be dedicated to all things Donna and Cameron with a costume focused annex. As Halt and Catch Fire is set in the mid-80s the ideal places to find era appropriate garments are from vintage and thrift stores shopping. With Donna her Mutiny work style gravitates towards classic staples such as striped t-shirts, high waisted jeans, plaid shirts and college hoodies. It is the kind of wardrobe which easily doubles for off duty leisure time and she has plenty of business suits for those all important meetings.

IMG_1907The headband is also a vital part of her look and this is practical touch while serving up a girly approachable appearance. And it also means I can see a whole lot of Leighton Meester in Kerry Bishé.stripe teeRed and white stripe tees are available (in long and short sleeve) in pretty much every store including super affordablemid point and splurge.

IMG_1906Where the internet did fail me was finding a rainbow stripe t-shirt like this one and early to mid-80s fashion really excels at splashing multi-color stripes on an array of kids and adult clothing. This might be a search better suited for vintage stores.

Donna’s other wardrobe staple is plaid shirts. It might be sticky and hot at the moment, but the ideal time for this is item is fast approaching and I am so looking forward to the change in season. As with stripe tops, plaid shirts can be found in all price points and in a vast array of colors with Uniqlo being one of my go to brands.

IMG_1914 IMG_1913Pair either stripes or plaid with a pair of high waisted jeans for that Donna Clark look. These ones are from Madewell:

Madewell jeansDonna has done full fancy pants dress up mode in season 2 and looked stunning to boot; however it is her Mutiny party outfit which I am more interested in and it keeps in line with Donna’s overall casual wear look combining stripes with a shirt dress.

IMG_1916I love shirt dresses because they are easy to dress up or down and because they work in stripes, checks, polka dots and pretty much every pattern. This Tory Burch polka dot delight has caught my eye (okay I have previously featured the shirt version) and you could definitely change up the belt to something more Donna-esque.

Tory Burch polka dotAs with The AmericansHalt and Catch Fire’s costume designer Kimberly Adams hasn’t going all in on lurid 80s stereotypes. Yes Joe is all about the Miami Vice sleeve pushed up stylings and so many white jackets, but Joe is very different kind of character to Donna. He is the kind of person who would jump on trends, whereas Donna’s everyday attire is going to be similar to the kinds of clothes she has worn for the last few years.

Hopefully AMC will renew Halt and Catch Fire for a third season for many reasons including seeing how the new Cali location will impact the costume design.

Out of the Box: Look of the Week

6 Jun

Red carpet events, polo, new summer shows and magazine editorials all make up this edition of “Out of the Box.”

Aaron PaulLast weekend a whole host of stars attended the Veuve Clicquot Polo Classic and this means it’s time for sunglasses and super cute dresses. Olivia Munn is radiant in white lace Lover (not pictured, but Munn also had the most amazing Devi Kroell wooden clutch), as is Busy Philipps. Both Lupita Nyong’o and Dakota Johnson work brimmed hats with black/white patterned frocks and Julianne Moore does the almost impossible and makes a jumpsuit appealing (by Rosie Assoulin, who also designed this Keri Russell dress). Only model Behati Prinsloo underwhelms in beige. Aaron Paul holds court in the center looking very dapper in a summer suit.

Lucy LiuSwitching things up with Lucy Liu in this gorgeous strapless Carolina Herrera gown at the 2014 Huading Film Awards. The gold geometric print is eye-catching starting small and intricate on the bodice, getting larger further down the skirt. It is a silhouette that works incredibly well on Liu and it is a dramatic change from the looser fitting shift dresses she tends to wears on Elementary.

Halt and Catch FireHalt and Catch Fire premiered this week and I’m starting to think Girls/OITNB costume designer Jenn Rogien was right when she said at the recent Vulture festival that you end up dressing the year you were born, as recently I’ve been drawn to early ’80s style from The Americans and now Halt and Catch Fire which is set in 1983.

Mackenzie Davis plays Cameron and her red sweater is making a mark on my already extensive TV knitwear list and short hair looks amazing on Davis. She’s got an Agyness Deyn thing going on. Scoot McNairy is working the sadness beard like no other and Lee Pace is doing well with the mysterious/handsome all about his eyebrows look. Let’s hope this show can build on what I thought was a promising, but not quite fulfilled pilot (so like most pilots really).

Brie Larson and Shailene WoodleyThis shot of Brie Larson and Shailene Woodley comes from their New York magazine cover story this week and this shoot is giving off all the Simon & Garfunkel “Bookends” vibess (and this automatically makes me think of Almost Famous). Getting prepared to heave cry when The Fault in Our Stars comes out. Will be drinking plenty of water on that day if the book/trailer are anything to go by.

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