Keeping secrets is a big part of being a spy and on The Americans there is always a thin line between someone speaking the truth while wearing a wig and hiding everything in plain sight. Secrets have power and the ability to destroy as well as protect and the person who knows the most tends to be the one in control. Our parents keep things from us even if they aren’t international super spies and I think we can all relate to finding out something later in life about our families that is surprising.
No, not all of us will learn our mother was in a Soviet prison camp or that both parents were born in a different country and are only part time travel agents. And yet there is a time when we find out something from the past that will open our eyes to why our parents are the way they are; suddenly they become people and not just your parents.
Season 5 continues to take note of how much of a toll this life is taking on everyone and “IHOP” took a break from Paige to shift focus onto the other teens that know varying degrees of what a covert life entails. Kicking off with a returning face and Kimmy is back to emphasize just how much Philip has on his plate and he is still maintaining this relationship so he get the tapes from her father’s briefcase.
When Kimmy was introduced she was acting out against her father’s emotional neglect in a way that would be considered pretty typical; drinking, drugs and hooking up with older guys. This could also just be explained as typical teen behavior, but the death of her mother when she was younger and her father always being at work definitely contributed to her desire to connect and this was something Philip could exploit.
Luckily for Philip he came up with an excuse to not sleep with a story about religion and a made up son; ah yes the made up son that was based on the real son that Philip still hasn’t met. It is hard to keep track of the different incarnations of sons on this show and Mischa Jr. provided the backstory for Philip’s lack of sexual interest in Kimmy. This story is of course born out of real feelings and when Kimmy talks to Philip (as Jim) about how he wishes he could do the family stuff gain, but right this time she astutely says “I don’t think anybody does it right.”
And in fact if it wasn’t for the KGB then Philip wouldn’t have the family/house he does, which on the outside looks like picture perfect suburban living and yet there is a strong undercurrent of wanting the spy part of his life to be over. He rectifies his original statement changing it to ‘not wanting to screw things up’ and this wistful tone applies to his real life. As with most interactions Philip and Elizabeth have when in disguise reality and fiction blend.
What about Henry? The neglected Jennings child who is thriving without any help from his parents. It is a smart and unexpected move by the writers to have Henry excel at school rather than bottoming out; it would be far easier to have him lean into delinquency. As with Paige and her religious rebellion it makes for far more interesting storytelling and now they have to decide whether to send Henry to the boarding school he has already applied for.
In another great move they set up Henry’s pitch in the same way Paige asked for the truth in “Stingers.” He stands waiting for them to come home in the same position at the kitchen island all nervous and when Philip and Elizabeth initially walk in they can be forgiven for thinking “Oh fuck. Not this again.” Instead Henry has a whole speech planned about his future and again Philip and Elizabeth can’t hide their confusion (and initial waves of nausea this time) when it comes to Henry’s education.
Time for my weekly “give all the Emmys to Matthew Rhys and Keri Russell” comments and again they are very good in their lack of poker faces here. They just can’t quite understand what is going on or why he might want to study away from home.
Circling back to this discussion later when it is just the two of them and perhaps surprisingly Elizabeth takes the pro boarding school stance. And it would be good for Henry to get him out of this environment so he doesn’t get sucked into this business or just further neglected.
You would think Philip would be for this as he’s all about getting people out of this spy orbit and yet it bothers him how this boarding school looks quipping that it is a “fancy orphanage” while pointing to how much they already have in comparison to what they did have when they were Henry’s age. As with all discussions like this they get interrupted by the phone and no decision is made about Henry’s education. They have their other son to go check in on.
After noting that Tuan seemed lonely last week, Elizabeth has also picked up on this vibe and decided to make a surprise visit with a fast food care parcel. Except Tuan isn’t home and Tuan doesn’t come home prompting a strong amount of concern from Philip and Elizabeth. Getting the team on Tuan’s trail they track him out of the state and see him going into an IHOP. Confronting him in the dark of their house in the middle of night they are very much not in parental mood with Philip shoving him up against the wall as Elizabeth holds a gun on him. Tuan explains that his adopted brother from the family who took him in has leukemia and he’s been going out of state to check in on him. So while he answered the call to work for his country he still cares about those he is effectively working again. They all have attachments.
In a heartbreaking moment he begs Philip and Elizabeth not to write any of this in his report. Elizabeth believes his story and Philip thinks that maybe he wants to get sent back so he can escape this shit. “That’s not who he is” responds Elizabeth and once again we are presented with how they are ultimately diametrically opposed when it comes to how they see the work. It doesn’t matter how in sync or united they are as a couple as this factor always has the power of coming between them. This also mirrors what Philip was about to say about Henry while discussing boarding school as he got cut off saying “He’s not the kind of kid…” But do they even know what kind of kid he really is.
Over in Moscow there is another discussion between father and son that informs the arc of this entire season as Oleg confronts his father with what he knows about the past. When he asks why they didn’t tell him sooner Igor responds that every family has a story like this one and they did it so Oleg could have the life he has. It is a heartbreaking scene as Igor explains how Yelena was a changed woman after she came out of the camp after everything she did to survive inferring that she had to sleep with other men as part of this. Again the specter of the past comes back to haunt the present and the fear of history repeating. It isn’t like how it was, but there are figures just as imposing and dangerous that threaten this family and others like them. No matter how powerful a person thinks there father is.
Keeping this secret from Oleg and his brother ensured they didn’t suffer and this mirrors the secret that is being kept from Henry Jennings. It is not like Paige is better off knowing even if it has brought her closer emotionally to her parents; the burden far outweighs the benefits.
Also for Oleg there is the matter of the investigation he is leading and the one that is happening on him. He has some success in working his source giving over an apple and healthy dose of emotional manipulation as he talks about his brother being nothing more than a photo on the wall. Saving a son in place of putting yourself in danger is good enough reason for Dimitri to talk. Even if he is clearly incredibly scared of the consequences.
It is unclear what Major Kuznetsov has on Oleg, but they are very keen on hearing all about Stan Beeman. Again Oleg and Stan’s story runs in parallel and now revenge for Gaad is being used to get Stan to consent to the CIA using the tape against Oleg.
Picking up the pieces isn’t just a family matter and in Moscow we also get to see a little more from Martha. Her sad looking dinner (I do love a baked potato though) in her sad looking apartment, wearing her sad ensemble is interrupted by a familiar face. This whole apartment is devoid of bright color and neutrals reign.
Martha is not pleased to see Gabriel and her lack of enthusiasm extends to when he takes his coat off implying this will be an extended visit. Not even the mention of Clark can lift her spirits and instead she lets Gabriel know that time has allowed her to process her situation and understand just how much her services are appreciated. She doesn’t want to see Gabriel again and I don’t blame her as he is another reminder of why she is here. Maybe Gabriel will have better luck finding a friend in Mischa Jr.
There are consequences for all their actions and so many lives have been left in ruins because of this work. And now it turns out that maybe the virus William and Hans gave their life for is being used not for protection in case of a nuclear attack, but as a weapon in the war in Afghanistan. Elizabeth doesn’t believe that, but Philip thinks it is too much of a coincidence to not be. If this is the lie they have been told it will be hard for Philip to look beyond this; it is only really his wife that is keeping him tethered to the cause at this point.
In Praise of the Production Team
The production team on The Americans continues to give great family photos that don’t look a) badly photoshopped or b) like a production still from an episode. Ivan Mok who plays Tuan mentioned on Instagram that this is a real photo of his as a kid and that family portrait is a delight.
Disguise of the Week
This is quite possibly the most basic disguise Philip has ever worn that involves fake facial hair; flat cap, mustache, big glasses and a turtleneck. It would only be more Spy 101 if he had a trench coat on and was talking behind a newspaper. And that’s kind of the point. He doesn’t have time to deal with another person to meet with and he gives Gabriel’s source the exact kind of effort with his disguise that he has the energy for. They are stretched too thin and with the return of Kimmy we are reminded just how much they have on. No time for baby sitting someone else.
The comment about praying is an interesting one as a way to deal with this kind of life and at the moment Philip looks willing to try anything for some peace.
For more style highlights from Keri Russell and Matthew Rhys check out their fabulous custom Rag & Bone outfits from the Met Gala.
Tags: "IHOP", 5.09, Costa Ronin, Ivan Mok, Keri Russell, Matthew Rhys, The Americans