New Girl 3.23 “Cruise” Review: Dealing with the Weird

7 May

There are certain expectations when it comes to sitcom romance and this is especially true when it starts with such a strong “will they/won’t they” connection. It is hard to subvert this and keep the audience guessing and both the previous New Girl finales concluded in mostly predictable ways; season 1 ended with Nick’s deciding that moving in with Caroline was a bad idea and last year had Nick and Jess finally committing to something together as they drove off to a destination unknown together. With “Cruise” they went in a very different direction as they doubled down on the breakup as they continue to deal with their awkward ex status.

NewGirl-Ep323_TBD-Sc27_0232The cruise location is a fun way to get everyone together in the same place that isn’t the loft and as they’ve done desert and a wedding in the previous finales, they need to up the ante with the location. The first half of the episode has the characters scattered; Coach is mostly absent due to his fear of boats, Winston is doing Winston things, Schmidt’s trying to find the perfect time to approach Cece and Nick and Jess are partaking in the romantic activities they have already paid for. These include yoga with bonus genital breathing, a massage that has the pair revealing how well they know each other and explaining why they broke up (“We were just totally different people” “We just didn’t belong together”) and the best photo shoot I have seen since this Avril Lavigne meet and greet. Their day ends with a lot of wine drinking and what seems like an inevitable reunion is instead a super sloppy attempt at a kiss from Nick.

The boat location also helps show off Zooey Deschanel’s nautical/mod inspired Tommy Hilfiger collection in what I guess counts as product placement and yes I still really want the shirt dress.

It would be easy to have Nick and Jess getting back together or at least sharing a kiss in the season finale and to be honest it’s what I figured was going to happen. Instead what they have done is show how Nick and Jess are wrong about the fundamental reason behind their split as they’re not so different after all. Despite misreading signals and not being able to decide between a handshake, curtsy or a hug – this felt like a callback to “Cooler” when they were debating whether to kiss behind the iron curtain – they are so in tune with each other. During their activities they find the same things funny, are equally as terrible at making towel swans and get the same weird eye thing during their massage prompting a whole lot of high fives. While their attempts at non-sexy sexy poses bum the photographer out, they do a good range of buddy movie stances way better than whatever awkward posing you normally get from this kind of photo shoot (that’s a Buzzfeed listicle I want to see). They both only know starboard, I can guarantee they don’t know what side that is.

This is a weird breakup for multiple reasons and it mostly lies in this “we’re so different” explanation and this finale compounds this further. In fact it is also a good metaphor for the whole season which has tonally and narratively been all over the place. Some might put this down to Nick and Jess being together and for anyone who has been reading these reviews all season, you will know that I don’t adhere to this school of thought. For me, Nick and Jess have been the one consistent good element and it’s how everyone else fits into the story that has been the issue. By breaking them up this could be a way to get a handle on these other elements and they’ve come up with a way to keep everyone in the loft now that we know Coach will be sticking around (Damon Wayans Jr. has been made a regular for season 4) as Schmidt and Nick are returning to their college sleeping arrangement with bunk beds.

When New Girl started Jess was deemed the kooky one; since then every single one of these characters has shown that they are their very own weirdo. Together some of this weirdness is intensified and I’d say this is the case with Nick and Jess as friends, as a couple and as exes. By leaning into this with the scene in the cabin followed by a brief flash of how they look after being locked in their cabin for three days – “I am the queen of Wednesdays” – it highlights what New Girl does best and this is the friendships between the characters with all their quirks. The joke is in the brevity of this moment, but I’d quite happily watch an entire episode of them being stuck in that room together.

Winston has been all about the weird this season and despite feeling untethered and random at times, he’s also been this season’s comedy MVP. This continues in the finale with his glee at the knife fishing he has signed them up to (that might also involve a machine gun) and how he has had nightmares about making out with himself and Nick. Winston gave the push Nick needed in the season 2 finale to pursue Jess rather than drowning his sorrows in booze and he’s instrumental in the plan to get Nick and Jess to address what is going on between them.

Schmidt puts it best as he states “This is really confusing” and the mention of a near kiss has the group asking if they are together or they’re not. Potential new beaus (hunks and ho-bags) are referenced and it’s like they are speaking for the audience as they discuss why living with your ex is plagued with danger. My pro Nick and Jess stance is pretty clear, but I’m also looking forward to seeing how the show is going to navigate their relationship as friends when we return next season. If they had got back together in this finale then it might have made them an even lower stakes couple as the breakup would have only lasted for a few episodes. It is the quandary any writer has about getting a couple together and I do think they maybe regret how quickly they moved forward with Nick and Jess.

NG_323-29_0106There is another “will they/won’t they” and this one I’m a bit more tentative towards as the Cece and Schmidt dynamic has been full of false starts. Season finales can bring characters together as much as breaking them apart and in season 1 Schmidt ‘White Fanged’ Cece into ending it with him and last year he kind of won her back as she ditched her wedding for him (though he also had reunited with Elizabeth, his college girlfriend too). Now Schmidt wants her back, because of course and he stops himself from doing it first thanks to Winston “Grumpy Gussing” him, followed by Cece talking about her relationship with Buster (which we’ve seen very little of on camera). Now it looks like Cece is checking out Schmidt in their newly framed family portrait and the cycle continues.

Season 3 has been awkward and messy, but it’s also been ambitious and I’d rather be watching a show that tries different things and fails to hit the mark sometimes, than one that sticks to safe with the same stories each week. The resolution of this year was definitely a surprise and this is hard to achieve when we’ve become so accustomed to the rules of sitcoms. New Girl might not have hit the heights of season 2, but I’m definitely intrigued as to how they will solve all these unresolved issues come next year.

Jon Hamm Covers Vanity Fair

6 May

The Mad Men magazine cover parade continues and if you haven’t had enough of men in tuxedos from today’s Met Gala posts then here is another treat as Jon Hamm is wearing tails on the June issue of Vanity Fair.

Vanity FairOne slight criticism in that I wish they had either gone full beard – which we know Hamm can grow – or clean shaven. This in-between stubble is not really working for me.

Best of the 2014 Met Gala – Part Two

6 May

Continuing our look at the Met Gala celebrating Charles James and part two (head here for part one) is focusing on the couples and dudes.

Emma StoneEmma Stone and Andrew Garfield have been on the promo trail for The Amazing Spider-Man 2 for months it seems and both of them deliver once again. While I’m mourning the loss of Andrew Garfield’s incredible hair, Emma Stone is doing a good distraction job with a chunky side-braid that’s making me long for hair that can be tied up again. Stone’s Thakoon two-piece in pink and magenta is incredibly eye-catching and the leg slit is tastefully provocative. In a grey Band of Outsiders tux jacket, Garfield is complementing the pinks of Stone’s ensemble while also standing out himself.

Diane Kruger and Joshua JacksonDiane Kruger and Joshua Jackson were on the most anticipated list and they didn’t disappoint. Diane Kruger’s Jason Wu for Hugo Boss is sleek and the contrasting shimmery fabric on the bottom half is mesmerizing. Jackson doesn’t look too bad either. So many Pacey feelings right now.

Beyonce and Jay-ZBeyoncé’s black beaded Givenchy Couture gown is super sexy and like nothing else we saw on the red carpet at the Met Gala. The beaded veil ties the look together and the pop of burgundy lip color adds more dramatic impact. This is a great turn from Beyoncé and she tends to bring her A-game to this event (and to everything she does really). Jay Z is looking pretty dapper in a white tux jacket.

Sarah Silverman and Michael SheenSarah Silverman tends to do things differently on the red carpet and on this occasion she is wearing a maroon Zac Posen that is possibly the best interpretation of the 2014 theme (maybe tying with Taylor Swift). Michael Sheen’s done the decoration part of the dress code and the couple will be appearing together in the new season of Masters of Sex (which I’m already super anticipating).

Blake LivelyOne couple who don’t tend to pose together on the red carpet did away with this eye roll inducing policy last night. Both Blake Lively and Ryan Reynolds are wearing Gucci with Lively injecting some old Hollywood glamour into the Charles James celebration. This gown is pure Blake Lively (maybe too much) and the train adds a hint of romanticism to the look.

Claire Danes and Hugh DancyClaire Danes’ Oscar de la Renta gown is one we featured during NYFW and where Emma Stone’s ensemble is putting a contemporary twist on the Charles James theme, Danes is doing the same with color blocking pink and burgundy in a classic structured gown. The velvet/satin material twist is doing something different and a beardy Hugh Dancy looks pretty sharp in his traditional tuxedo.

Kim KCredit where credit is due as Kim Kardashian shows a big improvement on last year’s floral disaster. Maybe it’s the recent Vogue cover, but both Kim and Kanye look pretty damn good in Lanvin. Kanye’s gone all in with tails and a white piqué vest and while Kim’s daring thigh split was problematic, there’s no need to dwell on that when they look this good.

Matt BomerNow to the dudes and Matt Bomer in a tux is pretty much all I need to say.

Benedict CumberbatchFollowed quickly by Benedict Cumberbatch in tails and he’s observing the dress code for the guys which asked for white tie and decorations – most have the white tie down, but Cumberbatch goes the extra distance with a pocket chain. Very dapper indeed.

For part one of our Met Gala coverage head here.

Best of the 2014 Met Gala – Part One

6 May

The Met Gala is a lavish affair and the decadent red carpet showcases some of the more theatrical gowns; unlike something like the Oscars this event expects daring attire that might look out of place elsewhere. Last year’s punk theme was one many struggled with, in that they looked amazing but there was nothing particularly punk on display. Couturier Charles James is celebrated this year; both at the Met Gala and at the Met’s new Costume Institute exhibition as his designs revolutionized the world of fashion. Charles James was a perfectionist and he created incredibly structured and exquisite gowns. This is how fashion designers paid homage to this work and influence.

This is part one (for part two head here) and it is a picture heavy post. Enjoy!

Lena DunhamLast year Lena Dunham looked amazing and she’s done it once again; the Met Gala is where Dunham gets it right. Mullet dresses tend to make me shudder and yet this Giambattista Valli Spring 2014 Couture is rather beautiful. The floral embroidery is exquisite and while I would have maybe added a necklace, it is dramatic enough as it is.

Janelle MonaeI can’t resist a cape even if it could double as a tapestry and Janelle Monae’s Tadashi ensemble is the kind of theatricality this event demands. Monae shows how pants can be just as eye-catching as any fancy gown and this is one of the most memorable looks of the night.

Lake BellThe next two pieces are from Tommy Hilfiger and use his signature colors of red, white and blue. Hilfiger is all about the classic approach and Lake Bell’s red gown is beautiful in its simplicity. One way to add impact is with a statement necklace and bold lip color/minimal makeup enhances Bell’s look.

Zooey DeschanelZooey Deschanel wore Tommy Hilfiger last year and it’s no surprise to see her wearing a gown made by her recent collaborator. Details I adore include the feathered shoulders, and the stunning Chanel Ruban Mademoiselle necklace. The white belt and train add the necessary drama, however her hair is giving me images of 80s volume which on this occasion is not a good thing.

Taylor SwiftTaylor Swift was one of the only attendees who managed the punk theme and she’s once again on point in this Oscar de la Renta gown (minus the cat) in a gown that takes the structured element of Charles James’ work and runs with it. The punk theme saw a style departure for Swift, whereas this is very much in her style comfort range and she looks stunning once again.

Olivia MunnNow here’s one of my favorite approaches to hair styling at the Met Gala as Olivia Munn’s gold hairpiece and loose curls complement this stunning Diane von Furstenberg yellow gown. It’s maybe a bit too cleavy for this event, however the color is stunning and the long sleeves have a way of balancing out the plunging neckline. Munn isn’t overly done up either with just an orange pop on her lips.

Emmy RossumMore color and this time a floral explosion from Emmy Rossum in Carolina Herrera. It’s a structured ball gown and one of the more overt Charles James tributes.

Jessica PareAnother play on the floral look as Jessica Paré opts for Michael Kors and monochrome. This might be a case of needing a necklace and yet I think the lack of one adds to the elegance of the look, especially as Paré’s sleek updo, bright pink lip color and super sparkly earrings add the required impact.

Michelle WilliamsMichelle Williams keeps it simple and chic in shimmery Louis Vuitton. I adore this dress and I’m glad to see a variety of frock lengths, however this dress doesn’t scream Met Gala. Still super cute though.

Leighton MeesterLeighton Meester is going all 70s boho in gold Emilio Pucci. Pulling off both the plunging neckline and high leg slit, Meester looks amazing.

Maggie Gyllenhaal capeMaggie Gyllenhaal’s Valentino dress and matching cape is going to be pretty divisive and it might be cape bias, but I think this is terrific and hey it’s the Met Gala so these more costumey pieces are more than welcome. This also has a whole 70s thing going on with the color palette and dramatic dots (which you know, I’m also partial to). The super blonde pixie cut is also doing it for me.

Brie LarsonBrie Larson’s robot-esque space pajamas from Prada is another ensemble that might raise the wrong kind of eyebrows, but it’s getting only good eyebrows and hand claps from here. Setting it off is the hair twist as Larson goes all in.

For more Met Gala coverage head here.

Mad Men Music Monday: “On a Carousel”

5 May

A carousel is a symbolic high point for Mad Men as Don channeled his inner turmoil in the season 1 finale to perform one of the pitches of his career. When he tried to recreate this by combining a personal anecdote with a product at the end of last year it had the opposite effect as he went too far; stories about family are a yes, stories of whorehouses are a big no. Don is back at work and he’s acting like a spoiled child and he’s no longer the superstar genius who everyone wants to work with. To people like Ken, who bought up the carousel pitch last week he still holds mysticism and charm, to Peggy and most of the partners he is a liability who might implode at any minute.

Mad Men 7.04 DonAfter a much needed pep talk from Freddie, who like Don has tried to find a solution at the bottom of a bottle, Don goes back to work with the right frame of mind. Freddie didn’t get the chance to make up for his pissing in the office misdemeanor, even though this was something that happened behind closed doors and his six months leave was a polite way of saying fired. Freddie has become Don’s mirror in a way and a lot of this final season is circling back on the first. It’s why the carousel is still an important image, despite that episode ending with personal sorrow as Don returned to an empty house.

This week closes with The Hollies singing “On a Carousel” and with the repetition of “up, down, up, down” it is a tad on the nose, but hey it’s the closing credit music so I’ll give it a pass. That is also an Olivia Pope combined with Alicia Florrick size wine glass on the single cover.

 

 

The Good Wife, Identity and What it Means to be Good

5 May

The word is in the title and question of ethics and morality have been at the center of both The Good Wife and who Alicia Florrick is since the pilot. The moral grey area has expanded with each season and Alicia is no longer naive and wide eyed when it comes to these boundaries. Alicia tells her mom that “Nothing’s as simple as it used to be” and considering how tangled her romantic life was prior to Will’s death this might seem like a ridiculous notion. There was simplicity in that there was Will and there was Peter and while that was a mess of sorts, it was something Alicia has lived with for five years (more if you include their bad timing at college). Now there is Peter and there is nothing, the nothing is the daunting thing and work isn’t enough to keep her occupied especially when Cary forces her to take a day off.

The Deep WebWill’s death continues to hang over each episode in a way that doesn’t make it too maudlin or disingenuous for Alicia and Diane. With Diane it’s mostly in a work sense (more on that below), for Alicia it has her questioning everything. There have been moments in each episode since this tragedy where something causes Alicia to have a teary eyed reaction and Julianna Margulies is working the glassy eyes so well as she draws breath and stops those tears from exploding. They do come eventually as she breaks down on her mother in a way she stopped herself from doing in front of Owen last week; with Owen Alicia still wants to appear as the pillar of strength she likes to project, but with Veronica she lets the facade slide.

The Good Wife is Alicia’s story and this season filled in some of the blanks of Alicia’s return to work after Peter’s scandal. For the audience Alicia’s role has always been more lawyer than wife so to hear her question this part of her life is jarring. It is something Alicia mentioned when she encountered Grace’s old tutor Jennifer and at the time it came across as an extreme reaction to her grief. Is this something we should take seriously now that she has mentioned it on more than one occasion? Alicia spends so much time between work and whatever she is with Peter now that everything else is muddled; last week she told Owen she was happy with this and at the time she was very convincing. However, the cracks continue to form and Alicia’s black/beige/white block Narciso Rodriguez jacket is trying to present some form of order and yet it highlights how fractured her life is.

Jury duty selection produces a meet cute and it is the catalyst for Alicia’s confusion this week as she doesn’t know how she should behave with Daniel. It’s always been Peter or Will so to throw in a brand new flirtation is rather jarring for both Alicia and the audience. There’s no real reason why she can’t go for a drink with Daniel – technically she is still married, but what’s one drink? – and it doesn’t even have to be about getting laid as Owen suggested in the previous episode. For Alicia it feels like she is cheating and when she asks who she is being faithful to, the crane shot and the look up infer that it is Will. I don’t know if the audience are ready for Alicia to move on this quickly from Will and while there has been some chat about her chemistry with Finn, for me they are reading very much as solid friends. This isn’t to say that something won’t happen down the line (he is also married), but their catch up call at the end of the episode felt very much like BFFs checking in on each other rather than romance.

The notable thing about this relationship is how Finn has become her go to person and as Alicia has always had a glaring lack of friends since the whole Kalinda breakup, I’m glad to see her find a friend as a result of this tragedy. During this conversation Finn mentions how Eli is trying to turn him into a hero and how Eli already made her a saint so we circle back on this idea of purity and Alicia’s identity. This might also have contributed to Alicia’s decision to not go into the bar for a drink and while we know Alicia isn’t a saint (because who is?!) this has become part of her persona as it has been reinforced on multiple occasions.

Saint and hero are both labels that suggest an inherent goodness and while Alicia and Finn are uncomfortable with this notion, they also let Eli manipulate the press to adhere to this image. Finn’s soft spoken answers about the shooting and his sister’s suicide help with this perception and so far he’s very much the good guy. We’ve also seen how Castro is not above leaking personal information about Finn and so this SA race is going to get dirty; will Finn be able to retain his hero status? Alicia has committed many actions that could impact the image the public has of her as the woman who stood by her man, Will being the main one and it’s the glance she is given in the bar that sets off her alarm bells when it comes to socializing with Daniel over lunch. There’s still so much conflict about who Alicia is and how she is perceived; at the moment her grief is compounding this further.

Alicia’s relationship with Will was never public and that impacts the legitimacy of it and how she is dealing with his death “It’s unreal. Like he’s, like he’s still there, you know? Or he was never there at all.” It was always so hard to define what she had with Will, particularly with the added emotional turmoil this season and so it is not surprising to hear Alicia complain that everything is in a tailspin. Part of the reason why Alicia decided to leave Lockhart Gardner was down to the overwhelming Will feelings as she used work to avoid her personal life. Losing Will has caused Alicia to look inward and she doesn’t like what she is seeing and this might be why she is questioning if she wants to be a lawyer anymore. It’s never really been about being a ‘good wife’ more like becoming someone beyond this label and this crisis has Alicia examining everything that makes her who she is and it is terrifying.

the good wife 5.20 DianeOver at Lockhart Gardner, Diane is taking a very different approach as she is concerned about the actions of David Lee and Louis Canning in regards to her clients. Diane’s not going to roll over and let them take the reins of the firm she helped create and she’s got Kalinda in her corner to help with any potential sneak attacks. Canning tells Diane he is dying, which turns out to be true and yet Diane’s instincts are spot on as he’s also trying to screw her. Kalinda notes there is something different about Diane in a good way – here’s that word again – and Diane explains that she feels like she is “channeling Will’s ghost.” It’s like Diane has taken the best of Will to help with her current situation. The women of Lockhart Gardner are making their presence felt as Kalinda and Diane are wearing colors that make them stand out; purple and royal blue are colors that emphasize power and neither are going to go gentle into that good night.

 

 

Best of the 2014 Annual White House Correspondents’ Association Dinner Red Carpet

4 May

The White Correspondents’ Association Dinner attracts an eclectic assortment of star power with journalists, politicians and actors all rubbing shoulders. Instagram is awash with selfies of the casts of Scandal and Veep posing for photos in the environment they pretend to work in for a living and there are plenty of starstruck expressions. We’re going to take a look at the best red carpet looks on display last night.

Julianna MarguliesThe red carpet featured several classic black gowns including a super chic looking Julianna Margulies in vintage Jean Dessès. Sometimes keeping it simple gives the best results and accessorizing with black pumps, Roger Vivier clutch and silver jewels does just this. A simple updo and a splash of crimson lip color is the perfect way to set off this ensemble.

JLDVeep’s Julia Louis-Dreyfus also opted for black in Antonio Berardi with a bodice adorned with crystals adding a slight hint of shimmer to the frock. Adding more glitz to this outfit is the gunmetal pearl Edie Parker clutch with a sparkly silver trim. Julia Louis-Dreyfus looks radiant.

LupitaPolka dots and peplum for Lupita Nyong’o as she also does the black gown trend with a twist in Oscar de la Renta from the Fall 2014 collection, which TV Ate My Wardrobe adored. Lupita continues to take the fashion world by storm and the hot pink lip color is another excellent and striking choice. And there’s more from Lupita…

http://instagram.com/p/nj2oVuJQ3W/

“They fought crime with a bold lip.” As this photo from Mindy Kaling’s Instagram shows, Mindy went with both strong lip and dress colors, with Zooey Deschanel and Lupita Nyong’o doing monochrome in two very different ways. I would definitely watch a show based on this simple crime fighting premise.

Darby StanchfieldIt’s not just black dresses on the red carpet with Scandal’s Darby Stanchfield showing green gowns and red locks makes for an excellent combination. From the Alberta Ferretti Spring 2014 collection this ethereal look is enhanced by the embroidered floral beaded waist and shoulder accents.

Out of the Box: Look of the Week

2 May

Out of the Box is focusing on the costume design pieces that caught our eye this week. We’ve already talked about the striking looks on Mad Men, festival style from the Parks and Recreation season finale, Alicia Florrick’s wine cardigan and Elizabeth Jennings’ shoulder pads on The Americans, so here is a quick roundup of everything else that has been on our mind. We’re also offering a look at a couple of costumes we can’t wait to see on Hannibal tonight.

Alison Orphan BlackOn Orphan Black only Alison would go to a funeral dressed as Holly Golightly and then drink herself into oblivion, because well she kinda did have a hand in Aynsley’s death, well that and Aynsley’s scarf. There is no explanation for this Breakfast at Tiffany’s homage and all that’s missing is a cigarette holder. Alison is the clone I find the most enthralling as she tries to balance her quest for suburban perfection while spiraling thanks to the crazy her clone status brings. She’s so wonderfully uptight and her lack of filter is why she is best when she is around Felix. This is also the part where I really forget it is Tatiana Maslany playing everyone.

Orphan Black FelixFelix looks like he’s stepped out of a movie and from the same decade as Breakfast at Tiffany’s, this one tinged with Andy Warhol and experimentalism. It’s also worth noting that both Alison and Felix are wearing versions of the costuming they have on in the season two poster they share (with Donnie) which suggests the Felix/Alison story is not over. Now I know Felix and Sarah are brother and sister, but it’s the Felix and Alison pairing that brings me the most joy as they neck tiny bottles of vodka together. So, while he has abandoned her for now, as Alison falls deeper into a pit of despair hopefully she can count on her friends to come through for her. With an outfit like this Felix would totally fit in with Margot Verger (see the Hannibal entry below).

New Girl If you had to describe an outfit Jess would wear on New Girl it would probably look a lot like this one from “Dance” – Peter Pan collar and a-line skirt (polka dots optional) – and I love it. I am partial to twee and my feelings about polka dots are blasted on the top of this and every TV Ate My Wardrobe page; the skirt is French Connection (another favorite) and the ‘Porla’ Peter Pan collar plum sweater is currently more than half off at Alice + Olivia.

Mason and Margot Hannibal 2.10So here’s a little of what we can expect styling wise from Mason Verger on tonight’s episode of Hannibal and I pretty much screamed in joy at the sight of this extravagant coat and the sneer of contempt across his face is perfect. Those look like mink lapels and Mason’s cruelty extends to the animals he wears. This is probably the most conservative of all of Margot’s costumes so far – I’m currently working on a much longer Margot piece – and the high neck coupled with the buttoned up jacket suggests how unsafe she feels around her brother; we already know she wants to kill him so this doesn’t come as a surprise. The horse shoe accessory, braid and general styling suggest she’s been riding and even though Margot claims she is worth nothing, her attire since we have met her indicates otherwise. There is a flamboyance to the Verger’s and their costuming is theatrical in its opulence.

Hannibal Margot 2.10In contrast to the first shot of Margot from “Naka-choko” this is a much more relaxed posture as she reclines in Hannibal’s office. The gold flecked blazer is in line with her previous visits to Hannibal with puffed up sleeves, but it’s a lot more provocative than her previous dramatic attire. What has made her suddenly so comfortable around Hannibal? Is it her chat with Will last week? Whatever it is, I can definitely state that this eye-catching jacket is on the covet list.

The Americans 2.10 “Yousaf” Review: Mutually Assured Destruction

1 May

The kitchen is the hub of most households and for Philip and Elizabeth this is no different as The Americans uses this location to bookend “Yousaf” and to reunite the pair after another day of emotionally draining spy work. It’s a significant location as it’s where most of the interactions with the kids take place – we barely ever see their living room – and this week Philip and Elizabeth are taking risks with what they are doing in this communal and open space. In the last episode Philip went to a dark place as he continues to add innocent bystanders to his body count and while he is far from being in a good place, his ability to compartmentalize has kicked in.

Danger comes at them from all angles and as we head towards the climax of the season certain threads are coming together including Stan’s investigation into the illegals he was pursuing last year. That’s not the only threat as Larrick is back in the country and looking for revenge; he is a truly formidable foe who seems capable of doing anything to get what he wants. Personal feelings are threatening the balance of everything and it is only going to get messier as everyone has their finger on the trigger and it only takes one person to ruin the whole precarious environment they are part of.

The Americans 2.10 drape neckPhilip and Elizabeth are certainly in more tune with each other this year and yet there are still plenty of things they disagree on with how they approach work and family responsibilities. Let’s start with work and Philip’s attempts to protect Elizabeth have left him in a vulnerable position. Elizabeth shows she is more than capable with the assassination end of the business and yet she’s been less comfortable with some of the more intimate activities they have to partake in. It is not something Elizabeth has explicitly pointed out to Philip and yet he’s definitely picking up on her hesitance when it comes to this kind of work, even if she assures him she is more than capable. This is also the first time we have seen them get intimate since Elizabeth’s misguided desire to sleep with ‘Clark’ and what better place to hook up than in your kitchen. Philip is more worried about the kids smelling Elizabeth’s cigarette at the end of the episode than he is of them walking in as they do it on the dining table, but hey after what Paige saw in the premiere there will be no more sneaking around the house in the middle of the night for her.

Last week Philip pretty much cut himself off from everyone as he emotionally spiraled and by coming home and reaching out to Elizabeth in this way he becomes stronger again. It’s more complicated this season as their new found shared love is both a hindrance and a savior. It’s what we saw when Philip came home after his night with the Mossad agent as he found peace with his wife on the sofa in a brief quiet respite before the day started all over again.

The Americans 2.10 kitchenHome is rather fraught as the Paige religion debate rages on and Philip’s feeling pretty shitty for his outburst last week; Elizabeth reassures him that what he did wasn’t wrong as Paige was disrespecting them and she tells Philip about the middle of the night kitchen cleaning punishment she dished out. Philip’s back in fun dad mode, including a super adorable, but maybe trying too hard pre-April Fool’s joke on Henry as he tries to repair some of the damage from the Sunday meltdown. He is open to Paige’s request to go to a Bible camp for 3 months, way more receptive than her mother who finds the perfect reason to tell her she can’t go when she discovers Paige’s attempts at forging Elizabeth’s signature. Their parenting styles differ greatly and Elizabeth accuses Philip of letting Paige walk all over him – tell that to the Bible that is now missing several pages. Paige is also pretty pissed and rightly so as the reason behind their distaste for religion is vague, we know why they are so worried, but to Paige they’re being completely unreasonable. It’s also hilarious that drinking or taking drugs are activities that are probably preferable to Elizabeth when it comes to her daughter, to her religion is a drug. Factoring in Henry’s recent break and enter jaunt and his lack of punishment beyond guilt and she’s right to tell her mother it is bullshit. I am disappointed in Paige’s terrible attempt to get rid of the evidence; she might get her ability to lie from her parents, but not this piss poor evidence disposal.

Discussions about Paige going to camp and Elizabeth’s fear she will come back a “Jesus freak” are intersected with mission talk. So when Elizabeth is done talking about it she simply changes the subject to Anneliese. Anneliese is someone we haven’t seen since the second episode of season one even though Philip has been maintaining this relationship and between Martha, Anneliese and Elizabeth, Philip is juggling a lot of fake declarations of love with one real one – no wonder he looks so tired. Instead of putting Elizabeth in a potentially dangerous sexual situation he palms it off to Anneliese who appears to be a willing participant. This is until she sleeps with Yousaf and is disgusted at what Philip got her to do asking “What kind of man are you?” It’s a question that keeps coming up and this time he uses his fake love and the cause as an excuse. Philip’s assertion that this kind of work  is “not something I take lightly, ever” is an honest one, it’s just he’d rather use case anyone but Elizabeth to be the honeypot, even if she has the more physically dangerous mission this week.

the americans 2.10 PhilipAfter weeks of Rust Cohle’s brother disguises and various workmen uniforms, it’s good to see Philip looking rather debonair in his fancy suits and think rimmed glasses. I wonder if it’s going to be a problem that Anneliese has seen pretty much his real face (sans glasses) and with slightly more slicked down hair.

The Americans 2.10 ElizabethNot to be outdone on the hot stakes is Elizabeth’s Yousaf seduction outfit as she borrowed his newspaper in a jacket showing off the true hero of the 1980s – shoulder pads – she caught his attention as well, before Philip chose to go in a different direction. At the moment Philip is the person who decides how they’re playing the spy work, while Elizabeth rules the roost at home.

The Americans 2.10 swimming capMost shows have cute moments over dinner or drinks; The Americans does this while discussing how to give someone a heart attack and the pill that will stop Elizabeth from being affected. Elizabeth is the most unassuming of the pair with something like this and it goes off without a hitch – a rarity this season. Elizabeth’s costuming is dominated by white and black in “Yousaf” and the white swim cap is a striking part of her inconspicuous look. It’s also one of the simplest disguises yet as the goggles obscure her entire face. If only everything they did took place in a pool.

Respect is something Philip and Elizabeth demand from their daughter and yet they are both rather dismissive of their handler Kate. The problem with Kate is her inexperience and her lack of intuition as she complains that if they mess up her “head will roll” in the figurative sense, with Philip hammering home the point that if they mess up then they’re dead. Not that it looks like Kate is particularly safe as Larrick’s trail leads to the KGB’s phone intelligence service in DC with Kate’s phone being the one he calls. Larrick is a terrifying foe as he’s a trained killer and he doesn’t appear to have many scruples. Larrick’s also a man of many faces, except he uses his the entire time and just changes his clothes depending on what information he needs to access.

The Americans 2.10 Arkady and GaadMutually assured destruction is discussed in an explicit manner between Arkady and Gaad as the Vlad case has been put to bed with Gaad getting reinstated. There’s a cycle of actions that took place by mistake in a way as the murder of FBI agent Chris Amador had nothing to do with the Cold War; it was at the hands of a KGB officer, just for very different unfortunate reasons. A covert war means not owning up to things and the domino effect from one mistake can be huge and it’s why everything is in such a heightened state. At the moment Larrick is running around trying to find Philip and Elizabeth, as is Stan and even though they’re on the same team their motives differ greatly. Stan has also stumbled onto something with the Emmett and Leanne murder case as thanks to Gaad’s briefcase observation they now know there’s way more to this crime than a simple unsolved murder. When Stan questions Jared about any secrets his parents had it is heartbreaking to watch this boy get defensive and then soften to Stan as he believes Stan wants to find out who was responsible. In a way this is exactly what Stan wants, but he’s also manipulating him to help with his illegals end game.

As you can see in the shot above the snow really adds to the aesthetic of The Americans and both this and Hannibal are benefiting from the heavy snowfall the East Coast had early this year, even if it’s probably a nightmare to shoot in.

The Americans 2.10 NinaNina is going full 80s with her hair as she continues to live the tangled life she was bemoaning to Oleg about earlier in the episode as Stan tells her about his illegals theory and Sandra’s affair. Stan doesn’t know why he is telling her about his marital problems, but secrets are there to be shared and he has to unburden his soul to someone. If only he knew that Nina is also sleeping with Oleg and not as part of a ruse, they actually look like they’re enjoying each other’s company even if they are from very different backgrounds. With the Russian characters there is always a push/pull between what they didn’t have growing up and what they have access to now and Nina is very much like Elizabeth as she longs for the simplicity, even if she didn’t have much beyond a pin of Lenin from Young Pioneers. Everything is a commodity on The Americans and stealth technology is the biggest of them all at the moment. It’s what Oleg is investing all of his time in and it’s what everyone is risking their lives either to protect or obtain.

Ending the day with an illicit cigarette in communal spot like the kitchen is the least of Elizabeth’s concerns and I love that a scene this quiet ends such a frantic and tense episode. It is only going to get more fraught and so Philip and Elizabeth should enjoy this momentary peace while they can.

New Girl 3.22 “Dance” Review: Love is Forever and Ever and Ever and Ever…

30 Apr

So I didn’t have enough space for all of Jess’ use of forever, but hey it’s infinity anyway in true tween 4EVA IBTS (if broken still true) declarative style. New Girl returns to school tonight and the beauty of Jess (and now Coach) working at a middle school means these characters can resort to broad generalizations like boys are dumb/girls are stupid even though they’re in their early 30s. There are aspects from school that will always stay with us and so it makes sense that Jess wants to organize the perfect dance when she has such rotten memories of the ones she attended when she was a kid. Throw in her recent heartbreak and it is going increase this desire as Jess’ outlook is to focus on the positive. In fact “Dance” is about embracing childhood moments, no matter how painful or stupid as a way to circumvent what is going on in the present.

NG_322-27_0010There’s a push/pull in “Dance” between what makes a grown-up or in more specific cases what defines manhood and Nick tells Schmidt that he genuinely misses goofing around with Jess. The goofing around suggests play, but being an adult doesn’t necessarily mean that you can’t be ridiculous anymore and the activities this group partake in are often just games you could play as a kid, with added alcohol. Schmidt thinks Nick is being rather mature with his assessment that breakups should hurt and how they’re using Winston as their sexual tension killing device. In the last scene they do get to dance together and it’s both goofy and full of sexual tension; even though they’re in a room full of people for a fleeting second it’s like they are alone. Jess finally gets to dance with her dumb boy and I don’t feel like I’m going out on a limb when it comes to predicting a reconciliation of sorts in the season finale next week.

Speaking of things that are dumb and the reason behind their breakup is still one of those things that compel me to say “really?” When thinking of Nick and Jess it actually does make sense that they would end their relationship for something as silly as this. After “Big News” I wrote about their inability to define what they are to each other and how this traces back to their first date encounter with Russell and I want to expand on this a little further. This is still what is going on as despite knowing and living together for three years, they’re still pretty clueless when it comes to admitting how they feel. Jess shares too much sometimes without saying what she means and Nick withholds giving the same effect; this is why they broke up, not because they don’t have anything in common, but because they share this inability to get to the heart of the matter.

It’s not just about Nick and Jess though and what makes “Dance” a great episode is its focus on the group; the breakup informs the actions without becoming this BIG ISSUE that dominates proceedings. Jess’ desire to create the perfect dance is rooted not with Nick, but thanks to her bad memories. It is not a completely selfish driven endeavor as Jess has shown on multiple occasions how much she wants to give the kids she teaches a really great middle school experience, whether it is showing them the ocean or dealing with a bullying issue. The dance does not go down perfectly, far from it and at first it looks like one of the teachers is behind the sabotage – the banana in the dark song is hilarious – instead it’s Wendy, the girl who is pretty much a mini Jess but with a shark tee and missing a Cece to share her misery with. Hey, they’re still doing the hanging out in the bathroom thing as adults too (this from season 1 “The 23rd”):

New Girl 1.09 Cece and JessIn terms of screen time the Cece/Jess relationship suffered as a result of Jess and Nick getting together – the same goes for Nick and the guys – so one benefit of breaking them is focusing on the other friendships that are at the heart of New Girl. Cece is often the stabilizing influence in the group, in part because she doesn’t live in the loft so she has a calming outside quality and because she generally has her shit together. Even though she’s not in the same place as she was last season in terms of career and relationship, things could be so much worse in that she could be in a loveless marriage doing modeling jobs she hates. Now she is working in a bar and dating a 20 year-old (who was seven when Good Will Hunting came out), but she seems pretty happy at the moment and takes the guys attempts to make fun of this age gap in her stride. It helps that they are terrible at doing this and declare their manhood by chanting “men, men, men” with a chest bump injuring Winston. They really are the dumbest boys in school. Jess also demonstrates that she’s not always the smartest as she thinks the good in good cop/bad cop means good at their job – this is up there with Batmanmobile for hilarious things that Jess doesn’t quite get. Another brilliant Jess moment comes courtesy of terrible self censorship when the lights go out “Son of a boooooo… penis. Ah, that wasn’t better. Sorry everyone.”

Coach gets to use his recently earned wisdom about kids “you have no idea what these little bastards are capable of. I mean I love them, I love them with all my heart, but they will hurt your feelings sometimes” while attempting to coach his roommates. So when Schmidt sees a kid being mean to someone about food, instead of standing up for the boy who was probably like him at school, he instead seeks the acceptance of the bully and in return gets called a “flamer.” Schmidt is persistent and the bully won’t back down either, so Schmidt challenges him to a foot race. In the parking lot Nick gains the acceptance of the boys with a box of fireworks because really Nick just wants to be pushed around in a shopping cart and not as part of the system. It’s clear that Nick definitely did everything in his power to not be a narc while he was at school, so much so he won’t admit to being a chaperon, or ‘rone.

Winston faces a different kind of challenge as his “Call Me Maybe” moves make him irresistible to an ever increasing group of girls – if the whole episode was Winston being followed by a giggling girls I think I would be fine with that. It all ends up in the parking lot as the three of them earn their rap group name and Coach list of better chaperons is hilarious – a dog, a plant wearing underwear and Ray Charles’ ghost. They might be dumb boys, but they’re needed. The rapping that follows is amazing, mostly because it is so terrible and in an unsurprising twist Winston takes it too far and goes to a dark, dark place.

Returning then to Jess and Cece’s conversation with Wendy as Jess explains that things “never work out the way you plan them, but in the end it’s all worth it and that’s why you have to try.” This pretty much explains the root of Jess and Nick’s issues with each other – the future planning – and what they haven’t done so far as they gave up pretty quickly without trying to work through this issue. What I don’t want New Girl to do is go for the breakup/get together cycle that sitcoms tend to favor, this doesn’t need to be a Ross and Rachel situation (does anything?), but what these past two episodes has shown is that Nick and Jess not being together has been beneficial to the overall group dynamic. Maybe it is because there are now stakes once again with increased tension and by addressing the coupling situation; they’re also approaching the overall story in a different way. With this in mind, next week’s finale will hopefully continue the quality and consistency of the past few weeks while wrapping up what has been a messy season in a satisfactory manner.

Variety

Entertainment news, film reviews, awards, film festivals, box office, entertainment industry conferences

Julie Hammerle

Nerds Need Love Too

Sofa and Remote

I love talking about TV as much as I love watching it

Ellie Writes Stuff

About this and that

Twitter Music Club

A rotation curation music club, based on Twitter, mainly for Kiwis

INTO ROW Z

If you enjoy a challenge, like Claude Makélélé, read my blog. Its about sport.

lost somewhere in new york city

We rock a lot of polka dots

sankles

We rock a lot of polka dots

frocktalk.com/

Just another WordPress.com site

Cultural Learnings

Television Reviews and Analysis

judgmental observer

film, tv, popular culture, higher ed, unicorns

Rookie

We rock a lot of polka dots

The Frisky

We rock a lot of polka dots

Tell Us a Story

stories about true things