Tag Archives: Christine Baranski

Political Differences in Personal Relationships on The Good Wife: The Diane Lockhart Edition

16 Mar

Election day is 72-hours away on The Good Wife and it couldn’t come sooner as this storyline is stuck in a cycle of its own; Prady and Alicia don’t want to smear each other, their campaign managers are trying to find ways they can and other external factors throw wrenches into the works. Peter hovers on the edge even when he doesn’t appear in an episode and I’m getting antsy from how stale it all feels. Thankfully we have Marissa to tell it like it is – “God, handsome men are so weak” – and she inadvertently manages to make her father choke on his yogurt in the process by calling out John’s missteps.

This isn’t enough to kickstart the campaign story which has been slowly floundering since we returned from the break (and even before that with the debate episode) and so I want to turn my attention to the case of the week featuring a pairing that has been absent for too long – not Finn and Diane as the photo below suggests, however he too has been sidelined recently and I am all up for them teaming up in the future.

The Good Wife 6.15 Diane and FinnDiane Lockhart and Kurt McVeigh don’t agree on much in the political sphere as evident from the photos in their offices (Hillary Clinton/Sarah Palin) to their opinions on gun control. And yet they still manage to make it work because they don’t let the political slip into the personal. That is until this week and it has been quite some time since Kurt featured; Alicia and Cary had left Lockhart Garder the previous day. So much has happened since then, but this case also bears some resemblance to the one in “The Next Day” in that it was also the last time Mamie Gummer appeared as Nancy “I don’t know much about guns” Crozier and a defective gun was at the center of proceedings. This time it is the complicated and very new world of 3D printers – so far all my knowledge on 3D printing and guns comes from an Elementary episode and now this Good Wife – and aspects pertaining to both first and second Amendment rights. The disagreement stems from the why of the case; Diane insists she is just looking out for her client but her gun control leanings are also informing how she wants to proceed.

What starts with flirty foreplay in court as Diane gets noticeably turned on by her husband’s performance on the stand spills over into a Taylor Swift song quoting (okay maybe she isn’t referencing “22” but I can’t help but make that inference) quickie in the car. The chemistry between Gary Cole and Christine Baranski is electric and because of what I would imagine is a scheduling issue it is a shame we have had to wait this long to get a Kurt/Diane story. Another side effect of the election storyline is how sidelined some of the other characters have become; especially now the Cary trial story is over (for now). Kalinda gets an especially short shrift this week appearing in one scene to find the evidence that will win the case in her magical unicorn way.

All is going swimmingly between the pair until Kurt finds out about other factors that might have contributed to the gun imploding and Kurt’s whole mantra has always been to say it like he sees it; he can’t and won’t bend the truth no matter who is involved. It should also be noted that Finn has some issues with how the case is being handled when it comes to the political aspect, which adds to the tension as he wants all the focus to be on their client rather than gun control. Other factors making things difficult include Cary’s sneering towards Finn thanks to his involvement in getting him put in jail, which I guess is more than fair. Alicia hovers on the edge acting as referee at one point and it made me realize how much I miss seeing her in court. Also is it just me or does it look like Nancy is channeling her inner Alicia in this red and black dress?

The Good Wife Mamie GummerBack to Diane and on this first day in court she adds another ornate piece of jewelry to her already incredible collection. Stag antlers or stags in general tend to represent a masculine psyche with shows such as Hannibal and The Leftovers regularly using this motif. Here it comes across as a sign of unity between husband and wife as the antlers represent the hunting Kurt is so fond; there is strength in this decorative pin. The following day when all has gone sour between the pair with Diane going so far as serving her husband to ensure he appears as their expert witness, the broach has been replaced by pearls and the statement jewelry has lost its statement.

The Good Wife 6.15 DianeWaving the white flag with whiskey and apologizing to her husband for letting her politics drive a wedge between them is made all the sweeter by Diane’s stocking feet being on display. Whereas we are generally used to seeing Diane impeccably dressed, this little shoe kicked off detail doesn’t make her style any less flawless it just shows the levels of comfort in this environment and with her husband. As mentioned in the scene Kurt is a man of very few words and the matter is resolved as quickly as it began. Compromise is important in all relationships and particularly one where very few opinions are shared. A vacation is suggested, which moves from a theoretical week in Italy in a few months to three days away hunting right now. And having seen the promo photos from the next episode I cannot wait.

One brief final thought circling back to the main storyline as Alicia and Peter’s relationship couldn’t be further from Diane and Kurt’s if it tried with Alicia going publicly against her husband and in private hooking up with John – it would have been much better if the promo hadn’t shown the final scene. They are meant to be ‘the brand’ and instead Alicia has severed ties with this setup just before the polls open; how will Peter respond?

 

Out of the Box: Look of the Week

13 Mar

PaleyFest is in full swing and this week’s “Out of the Box” is dedicated to the style highs from the ScandalThe Good WifeBroad CityOutlander, Homeland and Girls panels. The line between casual/fancy is blurred at these types of events and on the whole it is probably best to remember there will be a lot of sitting down photos after the obligatory red carpet posing. Red carpet is where our focus lies, but first a moment of panel facial expression joy.

Julianna Margulies and Christine BaranskiThis shot of Julianna Margulies and Christine Baranski is everything and I’m pretty sure their laughter could power buildings.

Kerry WashingtonA very fun look from Kerry Washington in Mary Katrantzou, which is all textured goodness including a sequined bodice and delightful collar. The pop of yellow and a darker lip color really makes this outfit sing.

Darby StanchfieldAnother Scandal style high with Darby Stanchfield wearing a whole lot red in a 2nd Skin Co. super sparkly frock. This is an occasion where bold lip color is not needed as that would be a shade red too far.

Lena Dunham and JenjiPatterns ahoy from Lena Dunham in Tanya Taylor and Jenni Konner working metallic color explosion with a black sweater and looking fantastic in the process.

Abbi Jacobson PaleyFestRelaxed cool from Abbi Jacobson at the Comedy Central panel in this not quite polka dot sleeveless shirt.

Caitriona BalfeLooking a whole lot like the tuxedo inspired jumpsuit Maya Rudolph wore at the SNL 40th anniversary is Outlander’s Caitriona Balfe. A reminder to catch up with Outlander before it returns coupled with the desire to finally try a jumpsuit on at some point in the near future. 

Claire Danes PaleyFestLeaving Claire Danes in Proenza Schouler until last because I’m pretty sure this can be filed under “Danes Style Blindness” as the snakeskin strip of random is a whole lot of what? and yet I also think she has pulled it off. Like I said this is a case of “Danes Style Blindness” – the phenomenon to describe someone who you think looks amazing no matter what they are wearing.

Bonus “Out of the Box” this week with this magazine cover special.

Best of the Golden Globes 2015 Red Carpet: Lady in Red

12 Jan

Continuing the Golden Globes all the pretty dresses rundown and moving on from shimmer with a look at one of the big color trends of the night; red on the red carpet.

Viola Davis GGRed lipstick and gown excellence from Viola Davis wearing Donna Karan Atelier with a touch of embellishments to add some glitz to an already stunning frock.

Taylor SchillingFor pure red no fuss Ralph Lauren is who you turn to (see Jennifer Lawrence at the 2011 Oscars) and Taylor Schilling is working this frock.

Christine BaranskiFor a darker shade here is Christine Baranski killing it in Zac Posen. Always in awe of Baranski.

Julianna MarguliesThe length of Julianna Margulies’ Ulyana Sergeenko Couture gown is super awkward and this is one that looks better before you scroll down, but there are still certain aspects that work for me.

Jane Fonda and Lily TomlinAnother best pairing of the night and if I had any choice the hosts of next year’s Golden Globes. All the prayer hands emojis for Jane Fonda and Lily Tomlin.

Allison Williams GGThis look is both very Allison Williams and not at the same time as the makeup is a little on the severe side for her and yet the Armani Privé gown is a striking combination of old Hollywood glamour and the princessy vibe she leans towards.

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Bonus Viola Davis and Allison Janney in red reacting to the arrival of Prince to the stage.

The Good Wife, Unethical Shortcomings and Simply Being a Lawyer

5 Jan

The Good Wife sure knows how to start the year with a flurry of emotions and it looked like Cary’s future would involve swapping pocket squares and suits for a jumpsuit. Before watching “Hail Mary” I was pretty sure I wanted The Good Wife to see this story through; not because I want to see Cary in prison for a crime he didn’t commit (far from it), but it felt like a bold story choice and I had concerns the easy less interesting route would be another case of Kalinda finding a magical piece of evidence in the eleventh hour. Instead it has created an entirely different tangled mess for Kalinda and one which will probably play a big part in Archie Panjabi’s well publicized exit arc.

Cary’s predicament allows for self-reflection and his future is this big blurry mess of nothing; what do you do when the one thing you were sure of is taken away?

The Good Wife 6.11 Hail MaryAlicia is prepping for her imminent debate with Prady meaning she is once again absent from the majority of the Cary race against the clock – episodes which involve a tight time deadline like this are always a favorite of mine – but she is more involved than she has previously been much to Eli’s annoyance. Alicia still remains out of the loop and because everything is taking place over the phone (like every call with Kalinda since season 4) she does unknowingly slip up when she mentions to Cary that all hope is not lost.

Corruption is a shared theme between these two storylines as Alicia’s debate focuses on the unethical shortcomings of the current and past SA office. Yep, Alicia isn’t holding back on Peter’s shortcomings. Kalinda meanwhile is pulling every move she can to try and save Cary from going to jail including tampering and changing evidence to make it look like an email had been read, when in fact it had been sent to a spam folder and deleted without ever being seen. It’s not like Kalinda hasn’t ever broken the law or gone to extremes but there is something about this move which has me very worried for where she is heading.

Bishop’s kitchen shouldn’t be terrifying but it has been the center of many heated conversations and Kalinda pushed him too far in the last episode; just look at how small and nervous she looks in this location. Kalinda has a couple of pressing concerns as not only is she in Bishop’s favor debt and awaiting a phone call all episode to say what said favor is, but she has now hacked a police officer’s email account to exonerate Cary. And she didn’t need to do either. Well, maybe the Bishop favor for finding Cary a jail friend isn’t needed, but that phone call is the catalyst for realizing there was an import/export error in the first place so that one can stand. It is the other part that really wasn’t necessary.

The Good Wife 6.11 kalindaKalinda is usually the evidence finding unicorn of The Good Wife and instead the honor of this prize this week goes to the other Carey as he infers from the transcript there is someone else who was part of the Trey Wagner interrogation. This evidence comes late and Diane has already delivered the other Hail Mary of email fakeness and the look on Kalinda’s face when she realizes she is too late is full on gut punch. Now is the time to praise the face parts acting of all involved with Judge Cuesta overturning Cary’s charges and setting him free as Matt Czuchry once again delivers face crumple perfection along with Christine Baranski. Destroyed all over again and for my worries that Cary would get off due to a technicality I can’t be mad when it delivers performances like this. Plus this isn’t a simple case of evidence equals acquittal as Kalinda’s conflicted reaction all too clearly shows (amazing face parts acting from Archie Panjabi here too).

Teary relief is what happens in the courtroom; when Alicia finds out a rare broad smile is etched all over her face and she lets out an unbridled “WOOH” at what she thinks is an empty parking garage. Turns out Johnny is there and she takes her joy one step further by planting a smooch on his mouth. How much we are meant to read into this moment is unclear as the earlier close up and whispered encouragement definitely cranked up the sexual tension, but it also feels like a spur of the moment emotional release and Johnny just happened to be standing there. No, Alicia is not the kind of person to just randomly kiss anyone and I wonder if Finn had been there whether if she had done the same the power strut that followed would have taken place. I am inclined to believe that it would have been far more than a brief on the lips kiss if it had been the case especially as their debate prep sparring was fully charged in a playful flirty manner even with the mudslinging. They really appeared to be relishing this back and forth until Peter showed up and cockblocked the whole thing, because of course he did. One thing is clear; as chief Alicia/Peter shipper Eli is going to be super pissed at Johnny if he finds out about this parking garage interaction.

Ah yes Peter, and Alicia gets to work her full controlled anger on him as she takes him to task making it clear that she isn’t going to be portrayed as an extension of his current or past administration; Alicia is very much her own woman. It is never not boring to watch Alicia go at Peter like this and I kinda wish she was debating her husband instead of Prady next week. Going into the why of this decision to go for State’s Attorney and Alicia strips it down to the basics mirroring the reason why she likes the law; it is all about control and she believes that she can put the job before self-interests. Of course she doesn’t mention the real more base levels as to why she is running – Gloria Steinem encouragement and Castro’s goading – and this idea of simply being a lawyer when stacked up against all the political machinations that come with this job could be a pipe dream.

Mirroring Alicia’s “simply a lawyer” notion from another angle is Cary as he ponders what his life will look like after all of this; all he has ever wanted to be is a lawyer and now he can’t figure anything out. I think we are meant to wonder if Cary is going to take Bishop’s Spain offer but Bill, his prison consultant (The Wire’s Domenick Lombardozzi) has already pointed out the obvious regarding how terrible Cary would be as an outlaw. Even if that is a very healthy looking bank account.

The ethical line is constantly shifting on The Good Wife particularly when the stakes are huge and there is no way this isn’t going to come back to haunt Kalinda in one way or another, which could also impact Cary in a devastating manner.

Bonus style time and I couldn’t end this first Good Wife post of 2015 without mentioning the red coat Alicia wore in her parking garage smooch and stomp of glory:

The Good Wife 6.11 DVF coatThis coat looks familiar and that’s because it is from the same coat family as one of my ultimate costume pieces; the Diane von Furstenberg Cosima coat from Orphan Black. Alicia’s has a different collar design and is the ‘Mikhaila.’ It is not surprising to see Alicia wearing this color when she pulls this defiant move.

Best of TV Costuming 2014: Best of the Rest – From Statement Necklaces to Wedding Gowns

30 Dec

Welcome to TV Ate My Wardrobe’s “Best of 2014″ costuming series and rather than doing a straightforward countdown we’re going to do a variety of posts that look at which costumes and shows have made a huge impact this year. From items that we want in our own wardrobe to pieces that got everyone talking, we want to look at this year’s TV through the prism of costume.

So far the end of year “Best of” discussions have covered a lot of individual shows such as The AmericansHannibal and The Good Wife, along with certain trends such as leather jackets and now comes the quick-fire roundup of TV Ate My Wardrobe’s best of everything else such as accessories, special occasion gowns and even modes of transport. It is a chance to address some our favorite shows and looks of 2014.

Best Statement Necklace Wearer

The Good Wife 6.02 DianeThere can only be one winner of this and The Good Wife’s Diane Lockhart wears chain necklaces like no other. She also has a very fine collection of antique broaches/pins and a stare that can stop you dead in your tracks.

Best Fancy Hat 

Hannibal - Season 2Freddie Lounds take on court attire was even better than Hannibal checking out his own butt as he got ready for Will’s trial. This hat reads more day at the races or wedding and isn’t really court appropriate unless she is starring in a remake of His Girl Friday.

Best Casual Hat 

IMG_0770I never thought I would pick a trucker hat to appear on a ‘best of’ but Orphan Black managed to turn one into a symbol of love as Helena shared her first dance and smooch with the adorable Jesse. This love token has been dropped and all she is left with is a beanie to stuff her hair into.

Best Sunglasses

You're the WorstI can’t believe this is the first time I am talking about You’re the Worst on TV Ate My Wardrobe and Gretchen’s face in the shot above sums up how ridiculous that is. Plus her Ray-Ban Opal Yellow Wayfarers are super awesome and perfect for all kinds of hungover sunny days.

Best Sweaters

Gina B99 Wolfie sweaterAnother slam dunk as Brooklyn Nine-Nine’s Gina has excellent sweater game week in, week out including an excellent double wolfie turtleneck from the most recent episode. There might have been more competition if Robyn hadn’t mysteriously become a character who exists in the off screen wilderness on The Good Wife.

Best Tights

SelfieNobody does patterned tights quite like Selfie’s Eliza and now is also a good time to sadly bid adieu to yet another comedy show that was the perfect mix of funny, sweet and sharp. So long Eliza and Henry; you deserve more than this.

Best Bathrobes

IMG_1161Going from the sanitized hospital location with the stiff blue robes to something more decadent with quality hotel bathrobes and in Masters of Sex’s best episode this season “Fight” Bill and Virginia spent a rather sizable portion laying their souls bare while wearing this garment.

Best Late Night Drinking

HomelandOkay so this one isn’t about what a character is wearing, instead it is the manner in which this scene in the Homeland finale showcased the best of what has been a mostly very enjoyable season leaving behind the mess of almost all things Brody. There’s an initial awkwardness from Lockhart that turns into a moment of warmth thanks to a shared horrific experience and drinking whiskey from paper cups.

Best Mode of Transport Part 1

IMG_1160Lucy’s beautiful blue bike wouldn’t look out of place now as retro bicycles are on trend and it also symbolizes freedom for both Lucy – she doesn’t have to rely on a man for transport – and Thack as he experiences a non-drug induced pleasure when he takes it for a spin on The Knick.

Best Mode of Transport Part 2

The Comeback 2.08The Comeback has been a pleasure to experience even when watching through fingers or with constant Home Alone face and the season finale is just as exceptional. Valerie Cherish is my everything especially when she has to avoid a shit covered front yard and gets carried in her Emmy gown by a shirtless Brad Goreski and her publicist Billy.

Best Hoodie to Hide in

Broad City 1.08 drawstring hoodieThere is a lot to love about the costuming on Broad City and one of Abbi’s most practical pieces is this drawstring hoodie (as with April Ludgate’s mustard hoodie I am still on the hunt for it) which doubles as a Bevers blocker.

Best Dress for Time Travel

Otlander Claire blanketConfession – I still need to watch beyond episode 3 of Outlander and it is one of those shows that I just fell behind on. Claire’s 1940s simple white keyhole dress didn’t seem totally out of place for the 18th century time period she found herself in during the pilot and this allowed her to blend in as best she could without betraying the original post-World War II setting. I really need to catch up on this, don’t I?

Best Wedding Gown

Margaery GOTAnother wedding didn’t go so well (or it actually worked out better for the bride) on Game of Thrones, but that can’t take away from the exquisite beauty and detail of Margaery’s gown. The rose embellished train is stunning.

Best Business Wear 

BBC2 drama The Honourable WomanOn The Honourable Woman Maggie Gyllenhaal’s Nessa Stein has a wardrobe that contains endless billowy silk blouses and everything is super chic and well tailored. Pieces that stand out include the Roland Mouret leopard jacquard dress from the first episode and pretty much every item acts as some kind of armor between Nessa and the messiness of the world she is part of. Yep even those silk blouses represent both supreme business wear and a way to protect herself.

Best Pattern Clashing 

IMG_1014Mindy wins this one hands down.

 

The Good Wife and Certainty

24 Nov

A show in its sixth season can lead to familiarity and plotting that becomes easier to foresee, but with The Good Wife this has been far from the case as the storytelling has become even more daring the further it has progressed. Alicia leaving Lockhart Gardner last year took a devastating turn when Will was killed and this season opened with a surprise arrest for Cary that has dominated half of the story this season (Alicia’s campaign and the odd case of the week have filled the other half). This all culminates in the “The Trial” and despite the many obstacles they have come up against there is still a feeling that Cary will be exonerated; this is what Cary believes and his certainty sells it to the audience.

Plus they have Kalinda and she always manages to save the day at the last moment with a vital piece of evidence. Except this time it doesn’t go according to the plan we have seen many, many times on The Good Wife and a hard decision has to be made.

The Good Wife 6.10 The TrialThese weekly Good Wife posts tend to focus on Alicia (which is why I hesitate to call them reviews as I don’t always address the episode as a whole) and while I have touched on Cary’s predicament this season it is time to shine the spotlight on this character and Matt Czuchry’s performance. Czuchry delivers a wide spectrum of emotions shifting from confident subtle jubilation when the key witness hits the stand to crumpled realization when his Hail Mary lies; this is the face of a broken man and rather than showing his fears via a raised voice the understated reaction hits a bigger punch.

They are out of options and their evidence was flimsy to start off with; even though Cary is completely innocent everyone standing between him and jail is either dead or far too intimidated to tell the truth. With each passing week since Cary was first arrested one thing after another has stacked up against him from the multiple bail hearings to the extra accusations that have been leveled against him. As soon as they get one win, something else knocks him back down. Cary has still remained optimistic to a certain extent and he believes the law will come through for him because he is innocent. There is always another way, until there isn’t.

We are in the same position as Cary as we have seen The Good Wife pull a victory out of seemingly lost case on multiple occasions. This hope is misplaced when it comes to Cary avoiding jail time as each glimmer is struck down. The only option for avoiding jail is testifying against Bishop and Cary would be signing his own death warrant if he did this. Shoulder and hand squeezes of support are my misty eye trigger and there are plenty of these throughout the episode with everyone getting in on this action.

On separate occasions both Cary and Kalinda mention how they are ready for this to all be over; for Kalinda I am sure she wants an end to the constant intimidation from Bishop and Cary wants to regain a semblance of who he is. These past four months has seen his self-assured demeanor get chipped away and despite appearing like everything is all good as he wears his impeccable super sharp suits with matching pocket squares, Cary has definitely lost his sheen. When he gets given a secret option to avoid prison with an offer from Bishop he can’t take it because then this nightmare will never be over. Also they can’t take Matt Czuchry away from us like this, not when they have finally given him a killer storyline.

Alicia’s has been absent through a lot of this process, in part because she had to step down from representing Cary and largely due to her campaign. The pointed comment from Judge Cuesta regarding Alicia’s court presence and how she managed to squeeze it into her busy schedule could be seen as a dig at how absent she has been and yet she has been there to pick Cary up when it matters most. Cary and Alicia’s relationship has endured many contentious moments from their first year competition to the way they butted heads over Diane coming over to their new firm; one thing that has thrived is respect and compassion. Alicia is important in this situation because there aren’t complicated feelings involved as with Kalinda and they have a bond that is on a more personal level than Cary and Diane. The scene where they discuss Cary’s lack of options and Alicia still wants him to fight is heartbreaking as she is the one holding onto the idea that the law is just. Shoulder squeeze, tears, hugs and this question “You’ll come see me?” quite possibly broke me (okay yes it definitely broke me).

The Good Wife 6.10Other points of certainty and one that Eli reinforces throughout the episode is how Alicia really shouldn’t joke about ANYTHING, but especially if it includes stabbing one of Grace’s teachers. It doesn’t matter that Alicia was quoting her favorite show (Darkness at Noon of course) or that she was joking because this is a hard thing to spin. Watching Alicia’s campaign team of Eli, Johnny and magnificent bodywoman Marissa – I just want to repeat how much I need my own Marissa in my life – is the comedic interlude this episode needs as they try and figure out how to dig Alicia out of this new hole. The cycle keeps on spinning and when an easy solution presents itself to them, Alicia refuses as she doesn’t want to be the same as Peter accepting patronage to smooth things out.

Eli scoffs at Alicia’s ethics and it is interesting to note who does what unethical act in this episode; Alicia won’t take patronage but she will ask Finn for a favor regarding his former ASA knowledge of Cary’s case. At first Finn calls this unethical and yet on a second (very flirty diner meet up that once again had me yelling ‘MAKE OUT’ at the screen) he relents giving her something they can use. Kalinda’s attempt to use this information ends up screwing Cary over even further as she threatens Bishop where it hurts most – his son – and the last time someone wanted to take Dylan away they ended up dead. If Bishop is willing to kill Dylan’s mother he really is capable of anything. And Peter comes through to help Alicia out with her problem doing the very thing that Alicia didn’t want done in a roundabout way. The only person with something at stake that doesn’t do something unethical is Cary when he turns down Bishop’s Barcelona offer. Although he does ask Alicia to ask Finn about the plea deal so I guess that counts. Basically everyone is willing to bend the rules in one way or another.

Cary’s change of plea at the end of the episode comes across as very final and now we have the long wait until January 4 to see what will happen next. Yep, over a month without The Good Wife. *Sigh*

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Sucking it Up on The Good Wife

20 Oct

From Scorned Wife to State’s Attorney Candidate! The political press has been gifted a great fairy tale of sorts with Alicia’s announcement and it is not surprising to see direct callbacks to The Good Wife’s pilot this week; the media use the shot of Alicia standing by her man at the prostitute confession press conference to frame this narrative and the audience revisits the corridor of confrontation where Alicia slapped Peter in the very first episode and it acts as a Peter/Alicia showdown location once again.

This is a strong visual parallel and “Shiny Objects” is primarily concerned with the idea of compromise and while we’ve seen Alicia make a lot of sacrifices for Peter in the past, she’s no longer the meek looking woman standing beside him when he needs her to be the ‘good wife.’ If a relationship is all about the give and take, then Alicia is using this moment to show Peter how serious she was when she said their facade of a marriage would benefit them both.

The Good Wife 6.05 news coverageSince Will’s death Alicia has questioned her role in the legal world, wondering if she made a mistake becoming a lawyer and this crisis of faith (the faith being the law) was completely understandable given the personal trauma. A new fire has been lit inside her and despite all of Alicia’s persistent remarks that she wasn’t going to run, it was very clear from the first episode of season 6 that Alicia would enter the SA race. Flattery is a big part of her decision and who wouldn’t want to run after multiple people (including personal heroes) have said how good she would be. On this stage Alicia is the shiny object and Peter is the one dishing out all the compliments and no matter how much disdain she has for him earlier in the episode, Alicia can’t hide how much pleasure she derives from Peter showing up like a hero at the crucial moment.

Peter might come across as the good husband at the end of the episode, but it is only after he has acted like a spoiled brat not wanting to share the stage with a dude who he thinks Alicia is sleeping with. It’s all about pride of course and during this argument Peter isn’t willing to concede. Instead he resorts to pathetic innuendos when Alicia tells him to suck it up, suggesting this is what Alicia has been doing with Finn. No, nothing has happened between this pair beyond so much flirty banter on the phone and in bars (just kiss already please). Alicia is the one with the power in her personal relationship with Peter as she laid out the rules of their marriage and there has been no wiggle room for reconciliation; these are Alicia’s terms and she’s not letting him get close again. This is until he swoops in to offer his endorsement after Finn has delivered his; this is quite the master manipulation moment and I wonder if this action will open Alicia up to a more cordial and receptive relationship with her husband.

The marriage for show arrangement to help both their careers is going to get more difficult as the spotlight will be firmly back on their every move and they might have to spend more time together to sell the whole power couple thing to the public. Alicia brought up the prostitute scandal to emphasize why Peter was out of turn for objecting to Finn’s involvement and considering the location of the argument (the same corridor from the slap in the pilot) it isn’t surprising that Alicia’s mind went there. Plus it is her trump card in any given situation considering she “stood by you like a grinning fool” – sidenote there is no grinning on display when Alicia stood by his side 5 years ago – and he really does owe her for this. Peter tells her to “Let it go” (cue singing) and is he justified in this response?

Eli and Johnny are both concerned that if Peter is on stage when Alicia makes her speech it will recreate the scandal photo and Peter knowingly stays on stage despite this strong visual reminder. It looks like he is making a sacrifice for Alicia by doing this, but to me this is all about creating an image of humility and it also removes any kind of spotlight that might have been on Finn. Alicia tells Peter that Finn is sticking his neck out with his standing in the SA office and if he is indeed jeopardizing his already wobbly relationship with Castro then Peter is making sure Finn is doing it for no plaudits whatsoever. Finn claims he isn’t sacrificing anything when Alicia tries to bump him from saying a few words by using concern for his job when Peter is the actual reason. The scene in the bar points to a couple of things; it is another case of flattery convincing Alicia as his words prompt her defiance in the face of Peter’s petty objection and Finn is rather attuned to Alicia’s moods as he can tell she’s not giving him the real reason. This is something we have seen time and time again with this pairing (including earlier on the phone in this episode) and there’s a real sense of compatibility here beyond the crackling chemistry.

Other than the positioning of which side they are standing on the two photos from the scandal press conference to the endorsement couldn’t be more different and it is perfect fodder for the MSM (oh Eli). Alicia hasn’t worn red for quite some time now and it is significant that she chooses her power color in this moment. It projects strength and it is the polar opposite of her ‘wife of a politician’ houndstooth suit and pearls; there is no way she would wear something like the 2009 suit now (in my head she had a burning ritual of all her ‘good wife’ outfits, or at least gave them away). The 2009 shot shows a washed out, meek woman standing by her husband in this humiliating moment. Today she is standing strong, her hair looks fantastic and her husband is the one at her side and he is beaming with pride. Alicia is in command and she made this happen by not taking any of Peter’s macho BS earlier in the episode while pointing out how this works in his favor too. Peter’s pride is a big factor in his earlier ranting and rather than back down from her position, Alicia makes him see how his bullish behavior isn’t going to work and the compromise is going to work for him if he will let it.

There are other sacrifices made this week and after Diane clicks on a link that makes her look pretty naive it takes her back to her former firm and the position of asking David Lee for help. It’s not something Diane is all too happy about and she approaches her old office tentatively, before returning to a power walk when she is in view of her old office and David Lee’s new one. Diane’s return to her former workplace attire as is still Diane Lockhart levels of chic, but the Akris houndstooth coat is relatively understated.

The Good Wife 6.05 DianeParticularly when compared to the bold leopard jacquard Escada coat and chain statement necklace outfit she wore when she finished her last day at the firm. Same killer red lip color. Diane stalking the corridors of LG (or whatever its name is now) is always a joy to behold as she moves with such grace even when she is out of her comfort zone.

The Good Wife 6.02 DianeDiane has a pretty shitty week and the romanticism of a start-up firm is trumped by the less than perfect surroundings that she has become accustomed to and the cockroach in her drawer is the final straw. Diane reveals what David Lee told her about the LG lease that is still in her name and while he tried to use it to gain the upper hand he has given Diane the leverage to move her new firm back to the old one. To me this feels like regression and I can’t imagine Cary will be on board with this plan even if it does fuck over David Lee and Louis Canning. There are so many memories attached to their old offices and this power play could disrupt the already precarious workplace politics.

Meanwhile Kalinda continues to do what Kalinda does and use all of her sources to get the job done and this means no personal sharing even after the most intimate of acts. Kalinda has strong boundaries and she could end up pushing everyone away if she doesn’t learn to open up to those closest to her. Now that it has been announced that Archie Panjabi will exit by the end of the year I hope they will build upon these trust issues beyond just the rotation of former lovers in positions of power.

Returning to Alicia and the new phase this character is entering as we have already seen how much this decision has impacted those closest to her by essentially alienating her son and brother. Pushing people away is something Alicia is very good at as a form of self-protection – and it’s something she shares with Kalinda – and this campaign will test the limits of those closest to her.

The Good Wife and the Saint Alicia Brand

22 Sep

The Good Wife kicks off the new season with yet another surprising move and while it might not elicit the same heart getting ripped out of your chest feelings as the Will twist did, it still packs a punch. Diane moving from her old firm to Alicia and Cary’s was what I expected to be number one on the agenda, instead this moves into the background as Cary ends up in prison as a result of some advice he may or may not have given – there is allegedly a recording which we don’t hear and Cary insists that he didn’t do the crime he is accused of – and what’s great is how equally disorientated both Cary and us as an audience are at Cary’s initial arrest and subsequent incarceration.

The amount of world building The Good Wife has achieved in the previous five seasons is showcased in “The Line” as old faces resurface from family members to former love interests and perceptions that were established in the very first episode are still very much on point.

The Good Wife 6.01 Alicia handshakeTake Saint Alicia and the brand that is making Eli pull out his big guns to get Alicia on board the State’s Attorney campaign ship. Eli is convinced Alicia should run despite her lack of interest in this political position and the polling numbers support his belief that she can win. Alicia’s brand is enticing to both women on the left and right as she stayed with her husband and set up her own business; she is both fiercely loyal and independent striking that rare balance.

Skeletons lurk in Alicia’s closet when it comes to her relationship with Peter, not only her past affair with Will but also the current ‘faking it’ marriage status. Add in the slight flirtation with Finn and the photos Castro already has of Finn leaving Alicia’s apartment which he planned to use against Finn, but could easily double for Alicia smearing (no matter how innocent this visit was) and there is a reputation to be besmirched. Calling someone a saint is a rather high pedestal to put someone on and Alicia could be knocked off this perch in quick fashion if someone was to stumble on hotel room records or CCTV footage. Will might be dead, but he could easily come back to haunt Eli if he goes ahead with this.

Eli is excellent at his job even while his daughter mocks him (I’m beyond thrilled to have Sarah Steele show up once again as Marissa, more from her please) and he expertly manipulates Peter into getting on board with his Alicia plan by using Castro to rile him up. Eli has another issue to consider with the Florricks as he is still concerned about the intern Peter has been flirting with, an intern who doesn’t wear underwear (they said the word ‘panties’ far too much for my liking in this episode) and will happily show the office that she isn’t when confronted about it. Lauren is the intern Eli was told he couldn’t fire last season and while the vagina flashing is maybe a stretch, she represents everything Eli worries about when it comes to Peter’s brand.

P.S. Lauren, your dress is super cute, but underwear should be a given in a work place like this.

I’m not sure how much Alicia would actually care if Peter did sleep with Lauren as she really has severed those kinds of ties with her husband in the wake of Will’s death; I expect there would be an exasperated eye roll followed by a ‘because, of course’ reaction. The voters would definitely care as Eli’s polling suggested and Eli is pulling out all the stops to ensure Peter doesn’t resort to old habits.

The Good Wife 6.01 Alicia and FinnThere are far more pressing matters than Eli’s latest attempt to get his doomed ship back together as bail for Cary has been set to the crazy high $1.3 million (to match the street value of the heroin in question) and Alicia has to work several angles to obtain this money. Despite the current fractured state of her relationship with Cary as a result of wanting to bring Diane on board, Alicia is even willing to get a second mortgage on her house to get Cary out. Cary has already faced a test in prison regarding his loyalty to Bishop and while he didn’t lose a finger, he did receive a rather nasty hand gash which he then had to pretend he got from falling on the bars. Cary is a target in lock up in part because he used to be an ASA and because he poses a risk to Bishop. He passed the test and that should afford him some protection even if he’s received the wrath of a guard for not following certain rules like crossing lines and keeping his eyes to the ground.

When Cary enters prison his suit has a disheveled appearance, but with his pocket square still neatly in place he looks like a rich dude who has been done for a DUI or some kind of drug possession – so grateful they mentioned the last time he did drugs was the hilarious season 1 mushroom incident – and when Cary changes into the beige prison uniform he looks small and vulnerable. The puffed up chest lawyer confidence is all but gone.

Diane is having to maintain appearances with Louis Canning and David Lee as they try and figure out her next move; David Lee doesn’t think Diane will move to Florrick, Agos as it is “too small potatoes” with Canning accurately acknowledging that it appeals to “Diane’s romantic soul.” It matches Diane’s brand and her client roster is worth an impressive and significant $30 million. This is in part what Diane is selling herself on to Alicia, that and the prestige her name brings; a name that could counterbalance the damage to this fledgling firm from Cary’s arrest and the Lemond Bishop connection.

Costume wise both Alicia and Diane are on top of their power game despite the tidal wave of shit that has hit them both from last season and in this episode. Alicia is all Hugo Boss suits and Emilio Pucci puffed sleeve blouses. Alicia’s color palette sticks to darker tones and neutrals like grey; however as the ensemble below shows this isn’t about becoming a wallflower and she still stands out thanks to precision tailoring and flourishes like those sleeves.

The Good Wife 6.01 AliciaDiane is also not someone to fade into the background even with the fake retirement story she is serving up. This means an exquisite raspberry colored St. John Collection draped dress and Pono statement necklace. The shot below gives me shivers and with Diane representing Cary (as Alicia has been removed) he has yet another excellent and very vocal advocate. Perhaps this will get him on board with Diane as a new partner.

The Good Wife 6.01 DianeCary is but a pawn in the quest to bring down Lemond Bishop and no matter how hard Bishop tries to convey an appearance of being nothing more than a business his reputation precedes him and after all this is a pretty accurate assessment of how Bishop makes his money. Bishop can use intimidation to get Cary to keep his mouth shut, steer Kalinda away from her line of questioning and get the bail money. The latter is an issue now that Finn has requested a source of funds hearing as the funds are not from a legitimate source and were originally delivered in a duffle bag with $200,000 more than they needed (the removal of this extra money was hilarious). Does this mean Cary is going to languish in prison for even longer? Maybe they should tap up Colin Sweeney instead.

When Alicia suggests Finn is going hard after Cary because of his sister’s overdose she crosses a line by using her personal knowledge to suggest an ulterior motive. Instead he just wants to get one of the biggest drug dealers behind bars which seems like a perfectly valid reason and they shake on it not ruining their friendship.

There is an ease to Alicia and Finn in their playful back and forth even as Finn gets her disqualified – in an aside he notes how he didn’t want to go against her – that is free from the meaningful looks and complicated history that Alicia shared with Will. Not that I’m advocating a hook up just yet (this thing has to build) and gifs of Will and Alicia over on Tumblr still feel like a punch to the gut, but I have to admit that seeing the shoulder squeeze of thanks and the friendship declaration handshake makes me more than glad to have Finn Polmar as a an opponent and Matthew Goode retaining his regular status. Is he going to become the latest thorn in Eli’s side if he messes up the Saint Alicia brand?

 

Best of the Emmy Red Carpet 2014: Metallics, Nudes and Everything Else

26 Aug

Completing the trilogy of Emmy red carpet posts and while there are unifying themes for the first two parts (black/white and bold color) this is a best of the rest with sparkly silver delights, capes and a variety of lengths just to mix it up.

Christine BaranskiThere’s a reason why this post on Diane Lockhart’s style is the most viewed on TV Ate My Wardrobe and Christine Baranski’s navy and caped (!) gown is giving me chills. I am in awe of this magnificent woman. During the ceremony when Josh Charles didn’t win she leaned forward and gave his shoulder a squeeze; making me sad all over again that there will be no more whiskey drinking or dancing on screen.

Amy PoehlerLooking like an Art Deco dream is Amy Poehler in Theia and while she might never receive an Emmy for Parks and Rec (come on guys you have one more chance, ditto Jon Hamm) this is a winner.

Hayden+Panettiere+Arrivals+66th+Annual+Primetime+eNZynLTBooPlKeeping on the silver streak is Hayden Panettiere in a plunging fitted sequined chiffon Lorena Sarbu gown and the silhouette here is incredible. Sometimes the best red carpet shots are the unposed kind like this one.

Kiernan Shipka emmysThe color is maybe a bit too muted, however Kiernan Shipka continues her excellent sartorial choices with a tea-length Antonio Berardi dress and the sash beading is what really tips this into sublime territory. During the red carpet I found a photo of Shipka from the 2010 Emmys giving me a whole lot of protective feelings about what Shipka is going to do next and how we’ve watched her grow up during her time on Mad Men.

Jessica WilliamsA few days ago Jessica Williams gave a sneak peek of her gold embellished knee length Angela Dean dress on Instagram and it looked fantastic paired with Nike sneakers and even better on the red carpet.

Sarah SilvermanE! are not satisfied with just mani-cam, GlamCam 360, shoe cam so this year they decided to take a more invasive look with clutch cam to showcase the bags and their contents. While most just  had their phones, Sarah Silverman showed off her contents including her vape pen (Ilana approves) taking over the role of Elisabeth Moss mischief maker. Silverman also ditched her shoes when she went dashing up to collect her Emmy – a smart move – and she looks incredible in plunging Marni. She called Michael Sheen “Mr Fancy Pants Sheen” which is also adorable.

Allison WilliamsGoing full prom is Allison Williams in a very Allison Williams looking Giambattista Valli Couture gown. I like it and especially the dash of yellow.

Lucy LiuLast year nude gowns dominated and I’m glad the 2014 Emmys weren’t a repeat of this trend, however Lucy Liu wears this ethereal color well in a beautiful Zac Posen draped gown.

The Good Wife, Boundaries and Changing the Rules

12 May

Boundaries are important and these have shifted this season on The Good Wife; relationships are not what they were and the rules have been redefined. Loyalties changed, first when Alicia and Cary started their own firm and Will’s death has further altered the equilibrium. When Kalinda tells Canning “Or we could be adults, just ask questions and talk” it seems like the most simple and obvious statement, however this isn’t how things work in either the legal or political sphere and it’s all about gaining the upper hand by whatever method no matter how nefarious. Straight talking can make things even worse from hyperbolic off the cuff remarks to throwing a glass of water in someone’s face (actually that was pretty great) and there should be a certain amount of wall building, but there’s also a danger that you will cut yourself off from everyone as Diane is learning.

The Good Wife 5.21 Alicia and FinnAlicia’s arrangement with Peter is problematic for all the reasons Eli lists as someone is always going to talk, no matter how much you think they won’t. Peter might be an incredibly savvy politician, but when it comes to his emotional reasoning he runs hot. We see this in his interactions and face soaking of Castro, but Castro’s not going to yell about this from the rooftops and yet if he sleeps with this intern (with a blog) then he’s the biggest idiot there is. She will definitely talk (or blog) and yes I love that lipstick too. It also calls into mind this New York magazine Eliot Spitzer cover, after all that is who Peter is loosely based on.

The goal posts have been moved and Will’s death did act as catalyst, but it’s not just this and Alicia reiterates her feelings of being tired and done with this aspect of her life, this time to Eli. Eli tries to appeal to her from an emotional standpoint mentioning how good they have been together over the past year and while part of me knows this is part of Eli’s job, I do also think he is the only Alicia and Peter shipper out there. Enter James Castro’s smear tactic and Finn claims there is nothing hiding in his closet – as an aside it’s interesting that the word divorce pops up with his wife and why haven’t we seen Mrs Polmar yet? Is this why he moved to Chicago from New York? – Castro takes something innocent as a suggestion of something duplicitous. It’s a security photo of Finn leaving Alicia’s apartment, Castro claims it was from only two weeks ago but Finn is wearing his sling in the photo which he definitely hasn’t worn for a while now. Instead of showing the photo to Finn or Alicia, Peter barely shows it to Eli and gets in a huff about it. To Peter it’s another Will waiting to happen and he probably thinks this is partly why Alicia implemented the new rules. Peter has been given no choice in this decision and that’s compounding these bratty reactions.

Boundaries have always been important to Alicia when it comes to her relationship with Eli; she imposed them when it came to using the kids during campaigns and there’s always been frankness to their interactions. So when Eli mentions they need more walls at Florrick Agos he is talking about the physical kind and yet he needs to break down the mental ones that both Peter and Alicia have erected so he can do his job to the best of his capabilities. The reason he interferes with Peter’s interactions is because if Peter fucks up it could bring the whole thing crashing down and the way he watches the Florrick family at home shows just how vicarious his relationship with them has become. Alicia notes “we seem to share everything these days” and Eli really is the third person in this marriage and there’s this blurring of professional and personal responsibility.

Alicia and Cary’s case is all about a lack of filter and how words can be worth a whole lot of money. Diane is learning this the hard way as a smear campaign is being waged against her by Louis Canning as he’s using Will’s death to try and undermine her. This is pretty low tactic, but it is Canning after all. Diane’s only really ally at Lockhart Gardner is Kalinda and really if I had to have anyone in my corner it would be Kalinda. Kalinda unfortunately doesn’t hold much sway in the grand scheme of things and Diane realizes this is a fight she has to go at alone. Cary didn’t seem overly receptive to Diane and her problems so while I’d love to see Diane join their firm, there will be resistance.

Costuming wise there’s an interesting amount of color palette sharing between the three main women, a few weeks ago this happened with teal and once again there is a mirroring. Both Alicia and Diane wear monochrome:

The Good Wife 5.21 Diane monochrome The Good Wife 5.21 Alicia monochromeIt’s a flip reverse it take on monochrome with Diane in predominantly white and black dominates this look on Alicia. Diane’s includes a bow flourish standing in for the usual pin or statement necklace. The balance is off with both of these characters at the moment because of what happened with Will and these women are connected by their relationships with Will, as well as a professional and personal admiration for each other. It’s why Alicia doesn’t react in a hostile manner (as Cary does) to Diane’s accusations.

The Good Wife 5.21 Kalinda The Good Wife 5.21 DianeDiane and Kalinda both wear deep shades of blue in “The One Percent” and this color has featured heavily in their costuming recently. Blue means loyalty and it’s significant that despite their very different styling this is something they share. Diane is pretty exposed at Lockhart Gardner and the only thing that will ensure her position is her monetary worth to the firm. Her worth could be impacted greatly by Canning’s tactics and he is doing a very good job of making her very paranoid. Kalinda’s loyalty is vital and it’s another case of these women being tied together by their relationship with Will; he might be gone, but the bonds he formed are still very present.

Next week is the season 5 finale and there’s a fight brewing. I’m not sure it can top the dizzying heights of “Hitting the Fan” or the shock of Will’s death and yet I am also very excited to see how they are going to finish this exceptional season. Everything has dramatically changed since this time last year and I don’t even want to try to predict where these characters will end up in the aptly named “A Weird Year.”

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