TV Rewind: Felicity, “Family Affairs” and “Portraits”

5 Jun

Felicity, Episodes 2.08 & 2.09
“Family Affairs” & “Portraits”
Original Air Dates: Nov. 21 & Dec. 19, 1999

Felicity 2.08 Felicity and NoelEmma: It’s Thanksgiving and Christmas on Felicity and the holiday season is bringing up some not so well-buried feelings between Noel and Felicity. The ghosts of holidays past turn up as a kissing memory turns into a kissing reality thanks to very strong punch and undeniable feelings. As you predicted, David is dunzo after four episodes; but what I didn’t expect was for it to be in such a public manner and in front of Felicity’s parents no less, not to mention Felicity and Noel’s drawing professor. Awkward.

So how did we get here? Well, it’s been clear that Noel and Felicity have been dancing around the friendship/flirtation thing and, as the eyelash moment from our last discussion indicates, these fires still burn deep even if they are both dating other people and are doing the friend thing. Ah yes, platonic love, and however much I was enjoying them as friends, this is TV and so of course romance is going to factor into it all. I’m torn in the same way I was with Danny and Mindy; they’re great as friends but they also have undeniable chemistry. Plus David is sweet, he’s also a tad boring and also wanting to take things WAY too fast. No wonder Felicity went to hide in what she thought was an unoccupied room.

Before I get into the whole Felicity and Noel of it all, let’s talk about David first and the conversation that doomed his relationship with Felicity. It’s meant to be this casual thing and so David’s constant surprise visits, coupled with his ‘falling in love with you’ remark is way more than Felicity was expecting or wants. It’s only been a month after all. As she later explains her first year at college was about these two guys and the serious relationships she had (or still has) with them. It’s too much, she never dated in high school and to bounce from one intense relationship to another is not what she’s after.

Felicity thought they were on the same page, but it’s clear they never have been, after all David is slightly older and his breakup pain is much more acute than Felicity’s. Felicity and Ben broke up because he couldn’t offer her what she wanted and now she thinks she is “the Ben.” On a surface level I guess she is, but that’s far too reductive and basically David wants something more serious because that’s where he is in his life (he’s 7 years older than her) and Felicity doesn’t want to be tied down. This also makes sense, though it’s bad timing and, eh, David was never going to be anything long term really. I just dread to think what his next dates are going to be like if his first one with Felicity is an indicator of how well he takes break ups.

Felicity’s overwhelmed feelings are compounded further as her parents surprise her with a trip to New York and David’s non-freaking out reactions at meeting them drives Felicity further away. It’s been a while since we last saw the Porters and I’m glad her mom is still very receptive to the path Felicity is taking. Her dad doesn’t flip out in the way I expected when he finds out she’s dropped pre-med and aside from the not so wonderful lunch in Felicity’s regular haunt (which by the way is not a pub, it’s just not).

And then the Noel thing happens. Before I go down that road I want to know what you think about Felicity’s reaction to David and the general set up of this year’s Thanksgiving episode.

Felicity 2.08 Dear SallyJulie: First of all, I can’t believe we’re already at the Thanksgiving and Christmas eps. That was fast.

The David thing played out really well, I think. At first I thought it was sort of a stretch that he’d be such a Stage 5 Clinger; but on a second look, it seems right. He, after all, was the one who came looking for her after she told him off on their first date. He was the one who offered to house her when the dorm was lousy with mono. He was the one who offered to take in her stray dog. Also, he’s older and he has been in serious relationships before. He was simply ready for something that Felicity was not.

I also loved the parents’ role in this. It felt so real and so cringy to me. That’s what parents do, right, when they meet their kids’ boyfriends and girlfriends, not to mention the parents of said boyfriends and girlfriends? They start trying to fit these new people into their lives. I guess there’s always that sense of, “This could be the person my kid marries. I’d better get on board.” And since David and Felicity had only been dating for a short time at this point, everything seems really early and really heightened.

The heightened emotions are not helped by David’s mom’s killer punch (which I tried to google, but couldn’t find it after searching for thirty seconds). Noel definitely gets drunk, everyone else gets a little tipsy, and he and Felicity end up “accidentally” kissing on his bed and are interrupted by David’s mom, who happens to be their art teacher.

I don’t remember what happens, but I hope Felicity and Noel kiss during every Thanksgiving episode, no matter what’s going on at the time.

Also, I’m loving the characterization in this episode. Meghan forgetting to order the food for her residents was great. (I loved the cut to the three guys sitting there in the darkness, starving.) I like that Elena, who has had to be the homemaker for much of her childhood, is a whiz at preparing a Thanksgiving meal. I like how Noel gets loopy every time he consumes something out of the ordinary. Good job writers!

So, what did you think of that kiss and the other kiss, the one between Ben and that skanky married lady he’s banging?

Felicity 2.08 Noel and MeghanEmma: Thanksgiving on Felicity is fun and messy with Noel and Felicity being at the center of these shenanigans. I’m with you on illicit smooches between the pair becoming a Thanksgiving tradition. While this one didn’t reach the frenzied making out heights of their bathroom smooch which was fueled by anger last year, I think it could have gone that way if they hadn’t been interrupted (minus the anger). I like that it directly came from this place of giggling remembrance from the previous year, plus it gives Meghan the dramaz she has been craving all evening. As with the beets, Meghan and Noel make a dynamic duo when one of them, ok Noel, is wasted. More of this please as it gets to show off Scott Foley’s wonderful comic timing. Scott Foley is also pretty damn good at performing awkwardly, as he does while entertaining the parents as Elena and Felicity at the store.

As this was so enjoyable I’m even going to forgive them for not even mentioning where Elena’s dad is after they made such a big deal of their fractured relationship during the last Thanksgiving episode. The Meghan being a terrible RA thing is wonderful, as is the mysterious reason behind her community service. Like with her box Meghan, is a huge enigma and I’m all for more random Meghan tidbits as we go along. I love how she does the fake parent thing so well as she’s been doing it for so long with her own parents.

Felicity’s mom is so adorable as she’s trying so hard with her daughter; as you said it’s cringy and so real. It just so happens that David really isn’t the long term dude for their daughter. I also love the joking around on the walk to the cab with her mom saying she wanted to hit Professor Sherman because of course. They make plans for breakfast and it’s the least stressful thing in the world, embarrassment over and I hope we don’t go this long before we see Felicity with her parents (and specifically her mom) again.

I have more to say on Felicity and Noel, but that’s more to do with the second episode so hey it’s time to talk about Ben and Teri Polo. So in a slightly contrived storyline – why would someone host a fancy benefit at D&D? Sorry, Javier – Ben ends up as a cater waiter at an event catered by Teri Polo and hosted by her husband. Awkward. It goes terribly because Teri Polo wants to smooch his face off in the back room while her husband is the least subtle flirter in the world. Guys, I think you should get a divorce. I feel a tad sorry for Polo, but hey it’s clear you’re relationship is doomed if your both fucking other people who are in the room. Julie does her best not to come across as too judgy and to her credit she isn’t, even when she sasses off a bit. She’s only looking out for Ben who really needs to stop making shitty decisions. Meanwhile Sean is still trying to pedal Smoothaise. As a mayonnaise hater every time he mentions it I gag a little. Stop it, Sean.

They end up eating Tofurkey, which sounds like they’re saying a bad word and their Thanksgiving dinner is very sweet. I just wish it wasn’t so separate to the other group on this show and the second episode we’ve watched this week also has this same issue.

What did you think of Ben and his relationship woes?

Felicity 2.08 Ben and SeanJulie: I loved everything about Scott Foley in these two episodes. It, again, makes me wish that he were better utilized on Scandal. I want more David Rosen/Jake Ballard shenanigans. Shonda needs to give those two comedic actors better stuff to work with.

I really loved how terrified he was of hanging with the parents on his own. It almost doesn’t make sense, seeing as he was an RA and probably the most adult of all the college students in Felicity’s world, but it works because of who the parents are — his professor and his ex-girlfriend’s mom and dad. And, yes, Felicity’s mom (and dad) were all kinds of great in this episode. I guess they found something to bond over — the fact that nobody liked how serious David was getting about Felicity.

The “soiree at Dean & Deluca on Thanksgiving” was crazy ridiculous. Or not. Maybe I’ll host my next black tie Christmas Day gala at the local Starbucks. But at least it got Julie and Sean out of the apartment?

I know they *want* me to feel bad for Teri Polo, but I’m just kind of annoyed with the whole “See? It’s okay that she was cheating on her asshole, cheater husband” thing. It felt a little too convenient and it makes Ben look like less of a dick for going along with it. Just let Ben be a dick. I thought Julie handled the situation perfectly, and was probably kicking herself for ever dating this moron (Ben) in the first place.

And Smoothaise needs to be killed. Mayo is disgusting, and this sounds worse. But Sean offering to spread some Smoothaise on the Tofurkey? Genius. Perfection.

Like you, I really want the two groups to reunite. I miss everybody being together. They’re running out of things for the Ben-Julie-Sean trifecta to do on their own. Ben spent the second episode working on a term paper for the wrong novel. Yawn. The Julie/Sean unrequited love story has run its course. Now Julie is dealing with skeevy record producers and I think the show is starting to recycle every storyline from 90210.

At least Noel and Felicity are doing interesting things. What did you think of their portraits? And which gift would you have wanted: The Palm Pilot, the sweater, or the hideous bracelet?

Felicity 2.09 RubyEmma: I’m so glad we share a hatred of mayo! Most people react with horror when I pull a barf face at the mention of this condiment.

The “Ben reads the wrong book” thing had me cracking up, but that was my general reaction to the second episode. Some of it was meant to be funny (like Ben’s bonehead mistake), other parts like the portraits less so (more on my aversion to TV art to come). I get why Julie got mad at Sean, but yeah that guy (I think he’s from one of the CSI’s) had skeeze written all over him so other than the fact that Sean’s motivations are maybe not that selfless I think he’s on the mark. Also it’s crazy how dated Julie’s conversation with the A&R dude sounds with talk of tapes. Even MySpace would sound out of touch now.

So yeah the Felicity/Noel angle is way more interesting, even if it’s sorta frustrating as they continue their thinking too much dance. This is their eternal problem as they have the odd impulsive moment of actual kisses and almost ones followed by so much talking that they end up right back where we started in this weird limbo. It’s why I was rooting for them as friends. However, I also just want them to do it already (actually my notes at one point are more blunt saying “just fuck already”). Do you feel the same the same frustration with Noel and Felicity?

Oh and when it comes to the gifts Palm Pilots weren’t a thing over here, I mean there were PDA’s but not that brand I don’t think, I’m glad to finally see what they are and also in my notes I refer to the bracelet as ugly (because it really is). So hit me up with the sweater, Noel. The three different gifts show his confused state when it comes to Ruby and she still hasn’t enamored herself to me. I think the writers are trying to make her likeable as she points out how she doesn’t like the “GQ guys” who hang out in her hotel lobby and that Noel means a lot to her, but, eh, I find it hard to care about her.

I know Felicity is her RA, but it’s a little weird that she still goes to her with Noel related dilemmas, I definitely want an episode where Ruby seeks out Meghan’s advice. Felicity is too nice to tell her the truth and while I think it’s good that Felicity doesn’t get involved romantically with Noel again she’s still circling around the same issues, it’s why I liked their platonic relationship. Complications can’t be avoided and conflict is paramount to drama, I dunno I just don’t want to go down the same path again. So far I do think Noel and Felicity are both being incredibly mature with how they are handling it.

What did you think of the Felicity and Noel of it all? Oh and what about the slightly goofy/trippy dream sequences?

Oh and here is a tease of why TV art generally makes me laugh hysterically, it’s from Dawson’s Creek and they pulled a reverse Titanic with Joey drawing a naked Jack.

Felicity 2.09 Julie and Sean

Julie: Also, regarding Julie: Can she learn a new song, please? It’s always the same one. But I do love the new wavy hair.

The A&R storyline really cracked me up. She sent out fliers to random offices? Snail mail? And then one of the dudes showed up? And we’re supposed to believe he’s on the up-and-up AND that Pop Rocks candy won’t sue him for using their name? I do kind of miss the innocence of those days, though. It’s so quaint how she’s “discovered” in a bar (Sorry, Felicity. A cafe). I basically want nothing to do with anything that began on YouTube or anywhere else on the internet.

“Just fuck already” could describe how I feel about many TV characters. I’ll probably start shouting that at the screen now. But, yeah. Felicity and Noel do think too much. They need some on-the-counter sex. Ben shouldn’t be the only one having on-the-counter sex.

I suppose they’re doing so much thinking because of their history and because there is an actual third person in the way, namely Ruby, our favorite. While I think Ben is a jerk for hooking up with Maggie while knowing about her husband, I wouldn’t feel the same way if Felicity and Noel did the deed. 1) Ruby sucks. 2) Ruby has been gone for, practically, months. 3) She and Noel were barely together before they left.

I do understand Noel’s reservations. He has built up this thing with Felicity to the point where it will never be as good as he envisions it in his head. We know that from his “Ha-ha! David had sex with Felicity” comment. He has put her on a pedestal. Also, Felicity is very inexperienced, but Noel is sort of as well. he was with his high school girlfriend for a long time. Then he had a chaste little relationship with Felicity before scoring a drunken hookup in Germany. Noel needs to play the field. More than that, I think he knows Felicity does too.

I still hope they kiss next Thanksgiving, though.

Since one of the three gifts was a sweater, do you think he subconsciously bought it for Felicity and not for Ruby? And way to be all, “I’d want the bracelet,” Felicity. Way to coerce Noel into giving that fugly shit to Ruby. That’s Meghan-level subversion.

Speaking of Meghan, Ruby should definitely start asking for her advice. In fact, I’d watch an entire show that was nothing but Meghan dispensing advice.

Oh my god, the dream sequences. I think the less said about those the better.

Barf on that Dawson’s art. The only good TV art I can think of happened on Seinfeld. Oh, and this.

OK, so what do you think will happen (or what would you like to see happen) during the spring semester of sophomore year?

Felicity 2.09 Noel and NoelEmma: Julie definitely had the angsty lady with guitar thing down and I totally agree with you about her hair as it looks really good – it does stray into the ‘Rachel’ while she’s cater waitering, but eh she suits it – less can be said about those chokers that she continues to wear.

I do worry that Noel and Felicity are never going to get past the conversation point of their sexual relationship and the pedestal thing is a concern. I don’t think either of them can get out of their own heads and it’s a shame because under the right circumstances they would be really great together. To invoke The Good Wife’s ‘bad timing’ Will and Alicia catchphrase, this is what they have and I’m intrigued going forward to see how they push beyond what could become repetitive or if they will get caught in a Noel/Felicity cycle. As the friend in the middle Elena is doing a really good job of offering advice while not getting too caught in the middle. This is where her blunt honesty comes in very handy. Plus I love her reaction to the near kiss she walked in on, she’s very much of a similar “just fuck already” mind I think.

Yeah that sweater was pure Felicity (official queen of sweaters) and nothing like whatever awful top Ruby was wearing when she opened the door — it looked like a scientific drawing of a womb and ovaries, which no.

The dream sequences were so awful and way to try and make it ‘sexy’ with Ruby wearing a bra in the bed sequence. So, so cheesy. Sopranos this isn’t.

Also are we done with the Sally replies? As I mentioned last season I love Janeane Garofalo, but Sally’s responses were so superfluous and lesson of the week like.

On the subject of art I love that Friends moment and my personal favorite is Jerry’s painting from Parks and Rec. I think it’s when someone is doing an art class that I can’t suppress the eye rolls and laughter. Every time they showed Felicity’s drawing of Noel (which was a lot) I had to pause the DVD as I was laughing so much, it’s not like it was a terrible drawing there is just something about it that I find very fun.

Oh and way to deliver the best bitchy response to Felicity’s gratitude Professor Sherman as she’s critiquing the art not the artist and Felicity kinda deserved that. It is her son that has been hurt after all.

So next semester I would like to see more unity between the two groups and we’ve barely seen Ben and Felicity converse since the break-up, which is pretty natural but hey who wants natural when there is drama to be had?! Oh and I’d like Elena to get her own storyline that doesn’t involve a skeezy professor, that would be appreciated. Keep up with the funny and less angst.

One other thing I did notice in the second episode is that both Noel and Felicity are wearing Tommy Hilfiger clothes – I love Felicity’s Tommy coat – and I wonder if this is a one episode thing or if there was a deal between the WB and this clothing line. It would make sense for the latter especially as at this time they had recently did a tie-in with The Faculty (I love this movie) and the commercial is pretty funny now.

What would you like to see happen when these characters return for their second semester?

Felicity 2.09 TH coatJulie: I IMDB-ed it, and it looks like Janeane Garofalo is out as Sally, except for one upcoming episode (the Twilight Zone ep, which we’ll talk about next time and about which I’m sure we’ll have lots to say).

As far as the next semester goes, we need to bring the group back together. I think all of the current pairings have run their course and it’s time to shake things up a bit. With a new semester come new classes, so hopefully Ben will wind up getting his education on with one or more of these people (I vote for Elena. I’d love to see Elena and Ben get a chance to interact. Also, it would give Elena something to do).

We’ve been very Team Noel during the first half of the season and it’s mostly because Ben and Felicity haven’t spent any time together, and all we’ve seen Ben do, basically, is dump Felicity and bone a married woman. Not exactly the stuff ships are built from.

Also, I want less Ruby, more Meghan, more Richard Coad (wherefore art thou, Richard Coad?), and less Sean mooning over Julie.

About The Faculty, I completely forgot about the existence of that movie. Before clicking the video, I assumed it was a CW/WB show that I had forgotten about. Now I just want to see a new CW drama about first year teachers in a troubled inner city high school. This has been my pitch.

Julie Hammerle is, according to Klout, an expert in the areas of both Morgan Freeman and glasses. Her writing can be found at chicagonow.com/hammervision and you can holler at her on Twitter as well.

Best of the 2014 UK Glamour Magazine Women of the Year Awards

4 Jun

Right on the heels of the CFDA Fashion Awards are the UK Glamour magazine Women of the Year Awards celebrating those who are making an impact in film, television, fashion and music. Color, print and metallics dominate our style highlights.

Emily VanCampEmily VanCamp picked up International TV Actress and this Monique Lhuillier fuchsia tweed print mid-length dress could almost double as fancy business wear if it wasn’t for those fantastic bell-sleeves. This is sophisticated, yet playful and the slightly longer length sets it apart from a lot of the shorter hemlines on display.

Natalie DormerGoing even longer is Natalie Dormer in this starry ’70s inspired Matthew Williamson halter gown and it’s the perfect partner to Brie Larson’s DVF from the CFDA Awards. This maybe needs a bolder lip color, but the Game of Thrones star shines on this red carpet.

Sophie TurnerAs does Dormer’s co-star Sophie Turner and she has gone for a slightly more edgy look in McQ Alexander McQueen. Mixing plaid with leather is a fun choice, particularly when the leather aspect goes beyond a belt into a built-in corset. Pairing this with maroon booties might seem like a misstep considering it is summer, but I’m totally into them.

Emma WillisEmma Willis picked up Presenter of the year and as yellow is my clothing catnip I am practically drooling over this canary Roksanda Ilincic skirt (that is very similar to this one). The color blocking is on point and Willis adds even more pop with her pink lipstick without becoming a walking crayon set.

Cat DeeleyPresenter Cat Deeley’s Matthew Williamson star print shift dress shows off her amazing legs and the red belt detail with her silver snakeskin strappy heels complement the simplicity of this style. Deeley looks fantastic.

Daisy LoweDaisy Lowe opts for a retro silhouette in a 1954 Dior couture (from William Vintage) and the nipped in waist, full skirt and open neckline is a classic shape for a reason; Lowe pulls this off without looking like she is playing 1950s dress up.

Gemma ChanActress Gemma Chan does the metallic shift/strappy shoe look with aplomb.

Sarah HylandModern Family’s Sarah Hyland wears a super shimmer Gucci T-shirt style frock and while the oversized nature does almost drown her, it’s a funky take on what could look like either mermaid scales or chainmail. Take your pick with what fantasy crossover you want, just be sure to ditch the nude pumps on the way out.

Hayley AtwellHayley Atwell dons one of the few floor-length gowns at this event in Ermanno Scervino and the floral embroidery, braid and pink lip gives this a 70s boho feel.

For a full list of the winners head here.

Keri Russell Talks The Americans: Playing a Complex Character, Awards and the Season 2 Twists

4 Jun

Pre-Emmy season is in full swing and there is an array of group discussions and one to one interviews on offer from outlets such as The Hollywood ReporterVariety and Goldderby. One half of The Americans lead duo spoke to Goldderby this week in a chat that covers the major twist of season 2, what this means for her character Elizabeth going forward next year and what aspects of The Americans she both enjoys and finds most challenging.

The Americans ElizabethThe spy hijinks are fun, but for Keri Russell (and I’d have to agree with her as a viewer) it is the complex marriage/dynamic between Elizabeth and Philip that is what keeps this project fresh and exciting. It goes back to the drama actress roundtable Russell took part in for The Hollywood Reporter and she cites this here saying how in film, the roles for women are often the girlfriend or the mother who are there to say “honey, you can do it” to the leading male figure and this isn’t necessarily the case in television. With The Americans quite often Elizabeth is the tough, stoic one and what might be considered as traditional roles are redefined and reexamined. Coming from the girl who played Felicity, Russell does still find this hilarious.

One of Russell’s favorite moments from this season also provided one of the biggest challenges and it’s when Elizabeth starts to question how Philip is when he’s playing Clark with Martha. What starts out as gentle prodding turns into one of the hardest scenes to watch (and perform) and the aspects Russell likes is the “weird, blurry, complicated stuff and I think that’s when the show is at its best.” With regard to this episode Russell also mentions how incredible Danish director Charlotte Sieling is and scenes portraying Elizabeth’s vulnerability are hard, but they are ultimately the most rewarding.

Wigs come up of course, as does the major twist at the end of the season finale and how this might impact Elizabeth and Philip’s relationship next year. Fundamentally, Russell points out conflicts about parenting style and opinions exist in all relationships and it’s just so happens in this world it might involve your child getting recruited by the KGB. As we saw with Jared this can have devastating consequences.

Early awards success with Felicity and the Golden Globes comes up, as does Russell’s recent nomination for the Critics’ Choice Awards, although she thinks that Matthew Rhys (or “the Welshman” as she refers to him) is the more likely of the pair to get an Emmy nod this year.

It’s a fun, relaxed interview and you can watch it below. For more Goldderby interviews head here.

Best of the 2014 CFDA Fashion Awards Red Carpet

3 Jun

The annual CFDA Fashion Awards were held at the Lincoln Center in New York yesterday (June 2) celebrating those who have made an outstanding contribution to American fashion. Actors, models and singers attended the event dressed in creations designed by the winners and nominees and here is a look at our favorites from this event.

Greta Gerwig and Zac PosenGreta Gerwig poses with designer Zac Posen in a stunning long sleeve tangerine dress by Zac Posen and while her How I Met Your Dad project is no more (and really Gerwig was the main reason I would have watched this show) I am very excited to see what is next for her. I hope this bad TV experience won’t put Gerwig off future television projects, though I expect network TV has been soured for now.

SolangeSolange looks super sexy in shimmery silver Calvin Klein Collection, which is giving off Old Hollywood vibes with a dash of ’70s disco. I am super into bright pink lip color at the moment and this pop of color gives this look a contemporary feel.

Coco RochaBringing the drama is Coco Rocha in a Christian Siriano gown (and posing with the designer and I’m momentarily mesmerized by his shoes). This is a stunning and elegant design and the embroidered monochrome skirt is enhanced by the off the shoulder sleeved black bodice. Add a cigarette holder and this has Audrey Hepburn flashes.

Liya KebedeWearing a white Wes Gordon shirt and a skirt that makes me think of chemistry class (I might be the only who sees this print and pictures atoms and molecules) in the best possible way is model Liya Kebede. This is one of those looks that is super stylish and effortless; it’s happens to be on the least showy end and yet it is also one of the standouts.

Busy PhilipsBusy Philipps looks stunning and statuesque in a red Honor halter dress complete with a custom Irene Neuwirth necklace – Neuwirth won for accessory design – and matching ring. The ruffled neck sets this dress apart from other red gowns like this that tend to go for a bow option (see Nicole Kidman and Emma Stone).

Brie Larson DVFI have loved this gold star print Diane von Furstenberg dress since I first saw it on the runway back in February (it sadly didn’t fit in with this Alana Bloom fantasy costuming piece) and I’m so glad to see how good Brie Larson looks in this frock.

Keri RussellWhile this might look a tad like a mint-green sheet has found its way onto this Rosie Assoulin gown, I really like this ethereal Grecian touch and it goes beyond just another plain monochrome getup. Keri Russell tends to stick with simple designs and this is still in her usual wheelhouse with an added embellishment and she’s pulling this look off.

For a list of the winners head here.

The Hollywood Reporter’s Women in Drama Roundtable

2 Jun

Roundtable season is here and I was waiting for the full video to be available on YouTube before I discussed the drama actress Hollywood Reporter session. The full transcript can be read here, but some of the points don’t come across in the same amusing tone and you’ll also miss out on Sarah Paulson’s John Travolta impression.

One aspect I find fascinating is seeing who out of the group is the most vocal and who only really speaks when specifically addressed. This isn’t to say that some of these women are trying to steal the spotlight from others, it’s just some of them are much more experienced when taking part in these types of discussions or they are naturally more talkative. Having a balance between those who take charge and the more shy participants is a good roundtable attribute as it means there is always going to be someone sharing, but it doesn’t descend into talking over each other chaos.

THR drama actress

The lack of diversity on the cover is troubling and as this excellent piece points out, Jessica Paré (who I adore, definitely not a Megan hater here) is far from being a lead actress on Mad Men. Of course these roundtables are subject to who is available and this automatically rules out Kerry Washington (new baby). Washington shouldn’t be the only flag bearer of diversity and other figures such as Nicole Beharie, Lucy Liu, Danai Gurira and Archie Panjabi are a few that spring to mind. This isn’t just a Hollywood Reporter issue as the forthcoming Variety drama actress panel has a similar problem.

THRLet’s get the other negative talking point out of the way and there is an insistence when it comes to the styling of drama actress covers to go for a pastel color palette (Vanity Fair is another offender), neutrals or monochrome; bold color is seemingly reserved for comedic actresses and this coding is rather tired Also why are they all looking so timid? They all portray women who would not stand for this nervous approach so it’s disappointing to see The Hollywood Reporter go for a shot like this.

Oh and Keri Russell somehow makes the Burberry Prorsum lace and granny panties look work; this is an incredible skill as I recoiled when I first saw this on the runway last September.

*End of rant*

The actual conversation manages to skirt around the “having it all” trap – a man will never get asked about juggling family and work – with children only coming up while they discuss paparazzi intrusion and scenes that have been difficult to shoot. Julianna Margulies’ tip to get rid of paps is to wear the same outfit to the gym as it looks like the photos are from the same day and Claire Danes talks about how aggressive they are when she is with her son, which is super shitty. The difficult scene Danes shot on Homeland occurred when she was seven and a half months pregnant and she was portraying a kidnapped Carrie Mathison. Also shooting love scenes while pregnant are as awkward as you can imagine, especially when the baby is kicking super hard. Baby Danes is not a Carrie/Brody shipper.

One fascinating part of the conversation deals with career lows and while this could end up being rather trite, there is a good cross section of success/failure stories. Both Keri Russell and Claire Danes experienced success in their first shows at a young age (and both won Golden Globes for these performances) and have followed a similar career trajectory. Although Russell doesn’t seem to have experienced the same low points as Danes and seems rather content with how it’s all turned out so far. Danes talks about her acting transition period and how doing Temple Grandin changed her acting outlook “I really didn’t have any tolerance for a limited kind of secondary role. I had to wait for Carrie on Homeland. She was the first character who could match Temple’s dynamism. It was the first time I was scared into action, and that felt great.”

Julianna Margulies has also been on not one, but two hit shows and also had a large period of time between both. Whereas Sarah Paulson was on a show that was expected to do well (Studio 60) and it was canceled after one season “It was not only my expectations I was dealing with; I was dealing with everybody else’s expectations about something that was disappointing for them, too.” Jessica Paré is currently experiencing what it feels like to be on a cultural phenomenon that is coming to an end and it sounds like she’s pretty terrified at the prospect as “I’m going back to that place of not having work and not knowing what’s next.”

Awards success doesn’t always translate into an influx of fascinating offers as Vera Farmiga can attest and after her Oscar nomination for Up in the Air she didn’t get a whole lot of work. With Bates Motel she initially resisted, but after reading the script she realized there was something to the part and reimagining of this story. Later on Farmiga refers to the “sophistication in the writing of female characters on TV” and this group reinforces the notion that there are far stronger and varied roles for women on TV as opposed to film. This also translates to the creative forces behind the camera with Julianna Margulies listing all the women who work on The Good Wife “My unit production manager is a woman, two of my executive producers are women and three of the writers.” Female directors have worked on all of these shows with the exception of American Horror Story.

As I’m currently watching Felicity for the first time and I’ve written about the love triangle in a pre-social media era, a question about this show and how its defining moment in pop culture would have been received on social media is going to peak my interest. Of course it is haircut related and Keri Russell is pretty shoulder shrug about the whole thing as a shocking TV moment “You think a haircut’s going to beat out blow jobs? That’s so tame compared to what’s going on now.”

For more including a bakery venture I want to happen and unfiltered thoughts on John Travolta’s Oscar mispronunciation watch the whole discussion below.

 

Mindy Kaling’s Harvard Law School Class Day Speech

30 May

As we edge into the summer season and plan what to catch up on (I just started season 2 of Game of Thrones so that plan is in full swing), there is still plenty of TV related action from other sources such as the many Emmy roundtables to commencement speeches at colleges across the country. One such speech comes from Mindy Kaling at the Harvard Law School Class Day ceremony.

Mindy Kaling HarvardDuring this speech Kaling jokes about why she is there as well as referring to previous graduate Elle Woods (of Legally Blonde) and squeezing in many pop culture references like Candy Crush, the Real Housewives and Wolf of Wall Street. Kaling alternates between heartfelt platitudes about her parents’ relationship with the U.S. – “Their romance with this country is more romantic than any romantic comedy that I could ever write” – and the responsibility these graduates have when it comes to the language of law. Leading on to the fear we all have when clicking the iTunes terms and conditions ‘accept’ box as “iTunes may own my ovaries for all I know.” It’s both funny and sweet; it’s exactly the kind of speech you would expect from Kaling and she mentions how silly it is to get advice from an actor when they should be the ones offering it (even if at least of couple of them are probably evil).

Watch the speech below and hey it’s a bonus Amy Poehler Harvard Class Day speech from 2011 if you fancy another funny/touching speech for afters (I might have a print out of this speech sitting in one of my desk trays).

Out of the Box: Look of the Week

30 May

Switching things up this week for “Out of the Box” with a Mad Men mid-season finale special. My favorite look from this episode is what Peggy wore for her triumphant Burger Chef pitch and you can see that here. Janie Bryant continues to deliver a range of exceptional costumes that stay true to a particular character’s evolution and here are my other standouts from “Waterloo.” These include some ensembles that I’d like to have in my own closet and not just for a 1960s fancy dress party.

Mad Men 7.07 Peggy mint greenStarting with Peggy and I adore this mint green crew neck dress. The horizontal pattern is vibrant without ever edging into anything ‘typically’ 1969 and Peggy’s never going to go down the psychedelic route. Peggy’s worn some great things in the office this season and this is a dress that wouldn’t look out of place in 2014.

Mad Men 7.07 MeredithMeredith’s two piece is far less contemporary and her attempts at comforting Don are hilariously off the mark. The zigzag trim is very distracting, but the daisy pin can stay.

Mad Men 7.07 MeganIt’s the mint green phone which has played such a pivotal role in this long distance relationship and this is now coming to an end. Megan as always looks like no other character on this show and all season she has been embracing LA style distancing herself further from her life with Don. She’s relaxing in a super cool blue and orange bikini with a floral bathrobe that reads way more casual than her previous pink one – I guess bathrobes can fall into fancy and non-fancy categories.* I love that their relationship ends not with fireworks, but with a sad and accepting realization that this is dunzo. They’ve been done for a long time really and this season has been about going through the motions. This could in all likelihood be the last time we see Megan and yet as a fan of her character there’s part of me that hopes there will be an organic reason for an appearance during the final seven episodes.

*Update! It’s not a bathrobe, but a bathing suit cover up over the turquoise blue bikini with orange vinyl trim that Janie Bryant designed for Megan. Thanks to Janie Bryant for clarifying this on Twitter and solving my robe quandary.

Mad Men 7.07 Betty and SallyMoving onto summer suburban fashion back on the East Coast and Betty is as polished as she ever was. Sally’s plaid shirt and khaki shorts rejects her mother’s feminine style and it’s another example of plaid persevering through the ages; turn those shorts into denim and cut them a little higher – no underbutt please – and you’ve got a perfect summer look for now.

Mad Men 7.07 Sally as BettySally can’t escape her mother that easily and while Betty would never wear something like this as it’s far too modern, Sally’s hair and especially her smoking pose have an eerily similar quality to the person she has been sassing all season. The purple ensemble is cute and flirty without straying too far into ‘sexy sexy’ territory and all I want from this show is a happy ending for Sally. OK, add Peggy and Joan to that list.

Mad Men 7.07 PeteBack to the office and Pete’s tie perfectly matches the coffee cup that will always remind me of Bob Benson. Pete, you can’t escape the memory of Bob that easily.

Mad Men 7.07 Mad JoanThe red of Joan’s dress matches the anger on her face. It’s a great dress and I think I finally understood why Joan has been so mad at Don all season as her priorities as a single mother are different to the other partners. Plus when you factor in what she had to do to get a seat at the table her rage is explainable, I just wish they had done a better job with laying this out.

Mad Men 7.07 Ted and JimThis is more for the giant light bulb lamp in the background and Roger’s office is an interior design delight. Look at those curtains!

For more on this season of Mad Men head here.

 

Orange is the New Black’s Laverne Cox Covers Time Magazine

29 May

Laverne Cox didn’t make Time magazines ‘100 Influential People’ list in April despite dominating the reader poll (these votes don’t directly impact the final 100) and this omission caused outrage and surprise. Time magazine listened and the Orange is the New Black star is covering the magazine in a piece entitled “The Transgender Tipping” point. This is a really wonderful cover, free from the clutter of other bylines and Cox looks incredible in a midnight blue bandage dress.

Laverne Cox TimeThe Q&A on the website (the full cover story is behind the paywall) covers past and present; Cox’s isolation as a child, the progress that has been made and the challenges that still exist. One important thing she underlines is that each experience isn’t an exact reflection of someone else’s and this isn’t a reason to deny a person’s rights:

“There’s not just one trans story. There’s not just one trans experience. And I think what they need to understand is that not everybody who is born feels that their gender identity is in alignment with what they’re assigned at birth, based on their genitalia. If someone needs to express their gender in a way that is different, that is okay, and they should not be denied healthcare. They should not be bullied. They don’t deserve to be victims of violence. … That’s what people need to understand, that it’s okay and that if you are uncomfortable with it, then you need to look at yourself.”

Cox also talks about social media and how it has had positive impact “where we’re able to have a voice in a way that we haven’t been able to before. We’re being able to write our stories and we’re being able to talk back to the media … We are the reason. And we are setting the agenda in a different way.”

For more from this Q&A and a behind the scenes look head here.

TV Costume Designer Secrets Revealed at Vulture’s First Festival

29 May

Costume designers from some of the shows TV Ate My Wardrobe covers extensively took part in a panel at the inaugural Vulture festival a few weeks ago and it is about time a roundtable like discussion went beyond just the actors, directors and writers. It is a discussion I have been highly anticipating and it doesn’t disappoint as the costume designers talk about their process and the shows they work on in an insightful and detailed manner.

The panel consists of Lyn Paolo (ScandalShameless), Jenn Rogien (GirlsOrange is the New Black), Jenny Gering (The Americans) and Tom Broecker (SNLHouse of Cards). Scandal and The Americans are two shows we cover extensively on an episode-by-episode basis and Girls is another TAMW regular. We’re also pretty excited that season 2 of OITNB lands on Netflix in just over a week!

Vulture Festival costume designersA variety of genre, time period and socioeconomic situations provide the backdrops these costume designers work on. One of them has to deal with a live show and the parameters for that are very different from working on a pre-filmed comedy. Live TV is generally chat show based which is all about wardrobe rather than costume design, not SNL where a sketch can get changed at the last minute and Broeker’s 20 years working on the show has informed how he handles these quick turnarounds. Time constraints are something all panelists have to work with as scripts can come in very late; Lyn Paolo mentions this can be as late as the night before on Scandal, so she preps a lot ahead of time.

One important aspect they all agree on is what is on the page is the biggest influence and it is the writing that informs their design process. Sometimes this can be incredibly vague and Jenny Gering mentions how the disguise descriptions on The Americans are often sparse in detail. The disguises are not meant to call attention, they should be invisible and this is part of the reason why it will say “generic bureaucrat” and nothing more. As it’s a period show, costume helps establish time and place without distracting from the story they are telling. It’s why their version of the 80s is not about the big trends, especially on the adults as this wouldn’t be how a regular mom in 1982 would dress and especially one who is trying to fit in. Gering goes on to talk about the evolution of Paige and how as a 13/14 year old girl this is a very transitional period in her life where she wants to look older and be taken seriously. In the season finale while they are on their impromptu mini-vacation Paige very much looks like a mini version of her mother in similar sweaters and heeled boots; the slight tightening of her clothes/heel addition reflects her desire to look older.

Evolution of a character through costume is something all the panelists talk about and Jenn Rogien mentions color palette and silhouette changes over the three seasons of Girls. Shoshanna started with a very feminine shape and cosmetic color scheme of blush pinks and pastels, in season 2 yellow and purple were added and by the third year she has graduated to stronger color and way more black. Shoshanna has become more aware of her body and so her very feminine style has been altered in response to this sexual awakening. Silhouette and color reflect how the “emotional landscape” has either become looser or tighter. Marnie has relaxed over the seasons and so her costuming reflects this. It might explain the beanie.

Rogien has a lot more restriction on how she portrays character evolution on Orange is the New Black as everyone pretty much wears the same thing and the prison uniform reflects the loss of identity through the khaki color and baggy fit. Some characters have altered their uniform, but only the ones who would have the ability or inclination to do so and Sophia is an example of this as her khakis are a lot more fitted and feminine.

On Scandal Abby and Quinn’s style has shifted the most from where it was in the pilot; Abby fell in love and so there’s less structure and Paolo uses lighter fabrics on this character now – all those scarves and wrap dresses I love – with Quinn as she’s got darker so has her attire. Some of these shifts aren’t meant to be all that apparent and it can act on a subliminal level. With Olivia Pope we associate the color white with her wardrobe and as Paolo points out Olivia doesn’t wear all white all that often. Gray is her staple and the reason we remember the white is because these outfits tend to come at heightened moments like the amazing Burberry trench from the season 3 premiere.

The absence of costume is discussed and nude scenes take place on most of these shows; it hadn’t occurred to me before watching this panel that the costume designer would play a pivotal role in this process. This even includes being the one who tells an actor how much skin they are showing. On OITNB they have had to come up with inventive ways to solve their modesty cover issues as a lot of their nude scenes occur in the shower room and water/adhesive don’t work well together. They also have to think about clothes coming off during sex scenes so while on Scandal you might want that top to come off with ease, on Girls or Shameless the more awkward this undressing act the better.

It’s an incredibly insightful and fun conversation, to watch the whole thing (and I’d highly recommend it) head over to Vulture.

 

Amy Poehler’s New Book Cover and Synopsis

28 May

October is a busy month for celebrity memoirs (this tends to happen in the lead up to the holidays) with Neil Patrick Harris, Alan Cumming and Lena Dunham all bringing out books. The one book I will be buying/pre-ordering/wishing it was out already is Yes Please by Amy Poehler. On the Barnes & Nobel site you can pre-order it now and get a glimpse of the cover (which you can see below), plus an official description:

“In Amy Poehler’s highly anticipated first book, Yes Please, she offers up a big juicy stew of personal stories, funny bits on sex and love and friendship and parenthood and real life advice (some useful, some not so much), like when to be funny and when to be serious. Powered by Amy’s charming and hilarious, biting yet wise voice, Yes Please is a book is full of words to live by.”

yespleaseIt’s a simple and yet effective cover; the neon sign title stands out and I love the white vest, black pants and flats styling.

Today is the start of a BookExpo America and the four-day event will include Poehler, Dunham, Harris and Cumming as they promote their forthcoming memoirs. The expo attracts 20,000 people from the world of publishing with authors like John Green (The Fault in Our Stars) and Jonathan Tropper (This is Where I Leave You) discussing the forthcoming movie adaptations of their novels, as well as many authors promoting their new material.

Now I need to make sure I get through my always growing “To Read” pile before October (this photo is from 8 months ago and I’ve only added to it).

Yes Please will hit stores October 28.

Updated to include high res image courtesy of Today

Variety

Entertainment news, film reviews, awards, film festivals, box office, entertainment industry conferences

Julie Hammerle

Nerds Need Love Too

Sofa and Remote

I love talking about TV as much as I love watching it

Ellie Writes Stuff

About this and that

Twitter Music Club

A rotation curation music club, based on Twitter, mainly for Kiwis

INTO ROW Z

If you enjoy a challenge, like Claude Makélélé, read my blog. Its about sport.

lost somewhere in new york city

We rock a lot of polka dots

sankles

We rock a lot of polka dots

frocktalk.com/

Just another WordPress.com site

Cultural Learnings

Television Reviews and Analysis

judgmental observer

film, tv, popular culture, higher ed, unicorns

Rookie

We rock a lot of polka dots

The Frisky

We rock a lot of polka dots

Tell Us a Story

stories about true things