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Drama Actress Emmy Roundtable – “I Want to Play Everything I’ve Never Played Before” (Update! Watch the Full Video)

11 Jun

This is the one I have been waiting for and every year the drama actress roundtable is the highlight of The Hollywood Reporter’s Emmy series. It might be a premature declaration as there are still more discussions to come as part of this season, but I am pretty confident in this assertion after reading the transcript and watching the clips which have been made available prior to SundanceTV airing it in full come August (Update – you can now watch the full discussion at the end of this post). I do want to point to the comedy actress chat as another enlightening and fascinating entry into the roundtable Hall of Fame. And now there is another group to add to my boozy lunch wish list.

The line-up is entirely different to last year (sometimes there are repeats) with Maggie Gyllenhaal (The Honourable Woman), Viola Davis (How to Get Away with Murder), Taraji P. Henson (Empire), Jessica Lange (American Horror Story), Ruth Wilson (The Affair) and Lizzy Caplan (Masters of Sex). Gone are the questions of ‘how do you balance work and family?’ and instead there is a strong focus on their work from the shows they are currently on to past experiences. There are four Oscar nominees among these women (some multiple) and a two time winner showing the caliber of talent television attracts particularly when it comes to complex roles for women. A mixture of cable and network with ages ranging from 32 to 66 shows how well television caters to a range of experiences.

THRAs the cover so boldly states there is a focus on race, sex, age and nudity with the latter coming up on multiple occasions. Lizzy Caplan and Ruth Wilson joke about the name of their network – “Showtits” – and sex plays a big part in both Masters of Sex (it is in the title after all) and The Affair. Sex isn’t just there for sensationalism or to be gratuitous; it is worth noting that both shows have a female showrunner with Caplan going so far as pointing out that Michelle Ashford is kinda prudish and those scenes can be hard for all involved.

How to Get Away with Murder is Viola Davis’ first starring role on prime time and she talks about her initial concerns when she took the project on including her appearance. There is one point which really sticks with me and is worth quoting in full exemplifying why this roundtable series strikes a chord:

“I’ve been doing this for 27 years. I’ve performed in basements, churches, off-Broadway. I want the work to reflect my level of gifts and talent. I don’t want it to reflect my color, my sex or my age. That’s what I want most.”

The comedy actresses talked about bad auditions and incidents earlier in their careers where they maybe tried to adjust their look for an audition. This is something Maggie Gyllenhaal discusses in terms of her appearance and how she has been judged in the past in terms of being ‘sexy.’ Gyllenhaal also mentions her interest in nudity and what she looks for in a sex scene.

Cookie Lyon has made such a huge impact on the TV landscape this season and Taraji P. Henson jokes “I hate that bitch. She’s stolen my identity! My friends don’t want to talk to me unless it’s about Cookie.” I’m only halfway through Empire but within the first few minutes of seeing this character on screen it was love. Henson also reveals who she sometimes channels when she is playing Cookie and the answer is not who you might expect. There are no boundaries when it comes to want roles Henson wants to play “I want to play a superhero. I want to be a Bond girl. I want to play a man. I want to play a white woman. I want to play everything I’ve never played before.”

There are more clips to watch here before the full thing becomes available in August.

THR drama actress roundtableIn terms of the styling of the group it turns out I wasn’t proved wrong after all with an explosion of sparkle and while Ruth Wilson is the lone person in print (a beautiful Erdem frock), there is some color with Viola Davis’ Lanvin and range of styles suiting the wearer in question. Lizzy Caplan’s Donna Karan ensemble is reminiscent of her Donna Karan Atelier Emmy stunner from last year (Caplan also chose this designer when she wowed at the Met Gala last month). During the chat Caplan wears an oversized tuxedo jacket and looks super cool while doing so. Excellent lipstick game from all the ladies with Caplan’s fuchsia reminding me of my new favorite lip color. And now if you will excuse me I will be drawing hearts around this entire conversation.

Check back for more Emmy related discussions in the weeks/months to come.

Update! Watch the full uncensored Emmy Drama Actress roundtable below.

Emmy Roundtable Season is Here!

28 May

You know the drill by now and while I can pretend I haven’t been checking various industry websites daily (okay sometimes way more than that) for their Emmy discussion coverage, anyone who visits TV Ate My Wardrobe at this time of year will be aware of my love of all things roundtable. The Hollywood Reporter kicked things off a couple of weeks ago with an interesting chat with writers from shows such as EmpireThe Good Wife and The Leftovers and now we turn to the comedy actresses.

The Hollywood Reporter has gathered a roll call of ladies I would like to get a boozy dinner with and covers network, cable, basic cable and streaming platforms; Kate McKinnon (Saturday Night Live), Ellie Kemper (The Unbreakable Kimmy Schmidt), Lena Dunham (Girls), Gina Rodriguez (Jane the Virgin), Tracee Ellis Ross (Black-ish) and Amy Schumer (Inside Amy Schumer) discuss a range of subjects touching on racism, sexism and issues they have encountered in the work place. Sounds like a hoot, right? Oh, but it is.

THR Comedy coverThere’s a lot of jaw dropping revelations which sadly fall in line with some of the other industry stories making the rounds (such as Maggie Gyllenhaal is ‘too old’ and Salma Hayek has an accent). You can read the transcript over at the THR website, which is great and all, but the videos are where the real good stuff is at. In the past the full discussion has been released at the same time as the issue of the magazine, however this year we will have to wait until August when it will be available on THR.com and SundanceTV. For now we will have to make do with the clips they have made available on YouTube, which thanks to some editing makes it seem like the same question gets asked three times. Regardless of this choppy nature there is still plenty to unpack.

First up Amy Schumer discussing the incredible 12 Angry Men episode of Inside Amy Schumer and the inspiration behind it (so much rage/eye rolls at those dudes).

Good audition stories ahoy and by good I mean ‘Holy fuck! Hollywood is a garbage dump at times’ with Tracee Ellis Ross sharing a humiliating experience as well as talking about sexism and racism behind the camera.

Gina Rodriguez shares a similar WTF audition moment and I heart these women and their reactions to the crap they have to endure so hard.

On race and learning experiences Lena Dunham discusses the reaction to season 1 of Girls. Plus she also talks sexism and how her book advance was scrutinized. Plus I really want to know who the Girls guest star who spouted that awful shit is.

For a couple more videos from this roundtable head here and roll on August so we can watch the full thing (this will be my sentiment for all of these posts).

Comedy roundtableStyling wise they have stuck with the bold color palette and this tends to be the signature look for the comedy actress editorial, while the drama actresses usually get something a little more somber or on the more delicate end; see last year’s pastel, satin and lace for more (cue this year’s drama ladies in so much sparkle just to prove this theory wrong).

Check back for more Emmy related discussions in the weeks/months to come.

Papa Pope, Pornstache, Elsbeth Tascioni and more in SAG’s Conversation with Guest Stars

16 Jun

Roundtable discussions tend to focus on leading or supporting characters and so this guest star panel from SAG is a real treat especially as it features pretty much my favorite guest star – Carrie Preston plays the magical TV unicorn Elsbeth Tascioni on The Good Wife.

Guest stars can go from a three episode arc to becoming a central figure (see Michael Emerson on Lost) or they might do a short run and gain legend status. The phrase “potentially recurring” is often mentioned to guest stars and as Annaleigh Ashford can testify with Masters of Sex it can happen; Betty departed early in season 1 and she’s been upped to a regular for the new season.

Taking part in this SAG panel are Annaleigh Ashford (Masters of Sex), Sarah Baker (Louie), Aimee Carrero (The Americans), Joe Morton (Scandal), Carrie Preston (The Good Wife) and Pablo Schreiber (Orange is the New Black).

SAG guest starLevels of experience vary, as does the way they were cast on the shows they have most recently been on with some getting offered the part without an audition like Carrie Preston and others having to go through multiple callbacks, or getting a part that is different from the one they originally went for. Pablo Schreiber was originally offered Larry on OITNB and he didn’t see him playing this role. Schreiber had already worked with creator Jenji Kohan on Weeds and so that relationship was already there, but it was actually a friend on the writing staff that suggested Pornstache.

Schreiber also goes into how they developed the Pornstache look including the process of picking out the right moustache and how bushiness was an issue. Pornstache’s hair is influenced by Dolph Lundgren in Rocky IV and while the ‘stache is fake; the hair is all Schreiber’s.

Carrie Preston mentions the amazing reputation The Good Wife has when it comes to guest stars (both Joe Morton and Pablo Schreiber have also appeared on the show) and how after appearing in the first year she didn’t get called back for a season. Thankfully the writers found an organic way to bring Elsbeth back on multiple occasions; including this very special moment in season 4.

One of the most discussed episodes of this TV season has been Louie’s “So Did the Fat Lady” and while I haven’t seen the actual episode yet (I know, it’s still sitting on my DVR) I have read a lot of the discourse surrounding it, so hearing Sarah Baker talking about the auditioning and filming process, as well as her general experience is really fascinating. Yes, I need to watch this episode.

In terms of how much the actors know when taking on these parts and how long their guest arc will be varies and someone like Shonda Rhimes doesn’t tend to share too much, although Joe Morton did know that his character was Olivia’s father on Scandal. What he doesn’t know is how long Papa Pope will be around for and generally the guest star rule is “If you don’t die there’s always a way.” As we know from other shows, even if a character does die there is still a way.

Watch the whole discussion below for more on general guest star feelings and the shows they have been on.

 

 

Variety’s Drama and Comedy Lead Actor Roundtables

10 Jun

The pre-Emmy nomination roundtables continue and Variety has released a whole bunch of discussions with stars from drama, comedy and mini-series/TV movies. We recently covered the drama actress panel from The Hollywood Reporter so it’s time to take a look at the dudes from drama and comedy. These panels feature actors from shows I watch fervently (HannibalLooking and The Americans) to ones on my catch up list (Key & Peele).

VarietyGeneral topics covered include hardest/most challenging scenes and Matthew Rhys mentions how he made Holly Taylor cry for real when he screamed at Paige during the Bible page ripping scene. He is terrifying in that scene so this really isn’t all that surprising. The answers from the comedy actors are very different and one story involves an anal cover. Terrible auditions come up and Hugh Dancy’s anecdote is pretty hilarious, though they mention that bad auditions are more depressing than funny. Key and Peele discuss casting Donald Sterling and who on this panel they might choose. Josh Radnor talks about that finale and the big final moment if you want to relive any anger/disappointment/sadness.

Watch both videos below. Pretty sure everyone got told there was a blue/grey/black dress code.

 

The Hollywood Reporter’s Women in Drama Roundtable

2 Jun

Roundtable season is here and I was waiting for the full video to be available on YouTube before I discussed the drama actress Hollywood Reporter session. The full transcript can be read here, but some of the points don’t come across in the same amusing tone and you’ll also miss out on Sarah Paulson’s John Travolta impression.

One aspect I find fascinating is seeing who out of the group is the most vocal and who only really speaks when specifically addressed. This isn’t to say that some of these women are trying to steal the spotlight from others, it’s just some of them are much more experienced when taking part in these types of discussions or they are naturally more talkative. Having a balance between those who take charge and the more shy participants is a good roundtable attribute as it means there is always going to be someone sharing, but it doesn’t descend into talking over each other chaos.

THR drama actress

The lack of diversity on the cover is troubling and as this excellent piece points out, Jessica Paré (who I adore, definitely not a Megan hater here) is far from being a lead actress on Mad Men. Of course these roundtables are subject to who is available and this automatically rules out Kerry Washington (new baby). Washington shouldn’t be the only flag bearer of diversity and other figures such as Nicole Beharie, Lucy Liu, Danai Gurira and Archie Panjabi are a few that spring to mind. This isn’t just a Hollywood Reporter issue as the forthcoming Variety drama actress panel has a similar problem.

THRLet’s get the other negative talking point out of the way and there is an insistence when it comes to the styling of drama actress covers to go for a pastel color palette (Vanity Fair is another offender), neutrals or monochrome; bold color is seemingly reserved for comedic actresses and this coding is rather tired Also why are they all looking so timid? They all portray women who would not stand for this nervous approach so it’s disappointing to see The Hollywood Reporter go for a shot like this.

Oh and Keri Russell somehow makes the Burberry Prorsum lace and granny panties look work; this is an incredible skill as I recoiled when I first saw this on the runway last September.

*End of rant*

The actual conversation manages to skirt around the “having it all” trap – a man will never get asked about juggling family and work – with children only coming up while they discuss paparazzi intrusion and scenes that have been difficult to shoot. Julianna Margulies’ tip to get rid of paps is to wear the same outfit to the gym as it looks like the photos are from the same day and Claire Danes talks about how aggressive they are when she is with her son, which is super shitty. The difficult scene Danes shot on Homeland occurred when she was seven and a half months pregnant and she was portraying a kidnapped Carrie Mathison. Also shooting love scenes while pregnant are as awkward as you can imagine, especially when the baby is kicking super hard. Baby Danes is not a Carrie/Brody shipper.

One fascinating part of the conversation deals with career lows and while this could end up being rather trite, there is a good cross section of success/failure stories. Both Keri Russell and Claire Danes experienced success in their first shows at a young age (and both won Golden Globes for these performances) and have followed a similar career trajectory. Although Russell doesn’t seem to have experienced the same low points as Danes and seems rather content with how it’s all turned out so far. Danes talks about her acting transition period and how doing Temple Grandin changed her acting outlook “I really didn’t have any tolerance for a limited kind of secondary role. I had to wait for Carrie on Homeland. She was the first character who could match Temple’s dynamism. It was the first time I was scared into action, and that felt great.”

Julianna Margulies has also been on not one, but two hit shows and also had a large period of time between both. Whereas Sarah Paulson was on a show that was expected to do well (Studio 60) and it was canceled after one season “It was not only my expectations I was dealing with; I was dealing with everybody else’s expectations about something that was disappointing for them, too.” Jessica Paré is currently experiencing what it feels like to be on a cultural phenomenon that is coming to an end and it sounds like she’s pretty terrified at the prospect as “I’m going back to that place of not having work and not knowing what’s next.”

Awards success doesn’t always translate into an influx of fascinating offers as Vera Farmiga can attest and after her Oscar nomination for Up in the Air she didn’t get a whole lot of work. With Bates Motel she initially resisted, but after reading the script she realized there was something to the part and reimagining of this story. Later on Farmiga refers to the “sophistication in the writing of female characters on TV” and this group reinforces the notion that there are far stronger and varied roles for women on TV as opposed to film. This also translates to the creative forces behind the camera with Julianna Margulies listing all the women who work on The Good Wife “My unit production manager is a woman, two of my executive producers are women and three of the writers.” Female directors have worked on all of these shows with the exception of American Horror Story.

As I’m currently watching Felicity for the first time and I’ve written about the love triangle in a pre-social media era, a question about this show and how its defining moment in pop culture would have been received on social media is going to peak my interest. Of course it is haircut related and Keri Russell is pretty shoulder shrug about the whole thing as a shocking TV moment “You think a haircut’s going to beat out blow jobs? That’s so tame compared to what’s going on now.”

For more including a bakery venture I want to happen and unfiltered thoughts on John Travolta’s Oscar mispronunciation watch the whole discussion below.

 

TV Costume Designer Secrets Revealed at Vulture’s First Festival

29 May

Costume designers from some of the shows TV Ate My Wardrobe covers extensively took part in a panel at the inaugural Vulture festival a few weeks ago and it is about time a roundtable like discussion went beyond just the actors, directors and writers. It is a discussion I have been highly anticipating and it doesn’t disappoint as the costume designers talk about their process and the shows they work on in an insightful and detailed manner.

The panel consists of Lyn Paolo (ScandalShameless), Jenn Rogien (GirlsOrange is the New Black), Jenny Gering (The Americans) and Tom Broecker (SNLHouse of Cards). Scandal and The Americans are two shows we cover extensively on an episode-by-episode basis and Girls is another TAMW regular. We’re also pretty excited that season 2 of OITNB lands on Netflix in just over a week!

Vulture Festival costume designersA variety of genre, time period and socioeconomic situations provide the backdrops these costume designers work on. One of them has to deal with a live show and the parameters for that are very different from working on a pre-filmed comedy. Live TV is generally chat show based which is all about wardrobe rather than costume design, not SNL where a sketch can get changed at the last minute and Broeker’s 20 years working on the show has informed how he handles these quick turnarounds. Time constraints are something all panelists have to work with as scripts can come in very late; Lyn Paolo mentions this can be as late as the night before on Scandal, so she preps a lot ahead of time.

One important aspect they all agree on is what is on the page is the biggest influence and it is the writing that informs their design process. Sometimes this can be incredibly vague and Jenny Gering mentions how the disguise descriptions on The Americans are often sparse in detail. The disguises are not meant to call attention, they should be invisible and this is part of the reason why it will say “generic bureaucrat” and nothing more. As it’s a period show, costume helps establish time and place without distracting from the story they are telling. It’s why their version of the 80s is not about the big trends, especially on the adults as this wouldn’t be how a regular mom in 1982 would dress and especially one who is trying to fit in. Gering goes on to talk about the evolution of Paige and how as a 13/14 year old girl this is a very transitional period in her life where she wants to look older and be taken seriously. In the season finale while they are on their impromptu mini-vacation Paige very much looks like a mini version of her mother in similar sweaters and heeled boots; the slight tightening of her clothes/heel addition reflects her desire to look older.

Evolution of a character through costume is something all the panelists talk about and Jenn Rogien mentions color palette and silhouette changes over the three seasons of Girls. Shoshanna started with a very feminine shape and cosmetic color scheme of blush pinks and pastels, in season 2 yellow and purple were added and by the third year she has graduated to stronger color and way more black. Shoshanna has become more aware of her body and so her very feminine style has been altered in response to this sexual awakening. Silhouette and color reflect how the “emotional landscape” has either become looser or tighter. Marnie has relaxed over the seasons and so her costuming reflects this. It might explain the beanie.

Rogien has a lot more restriction on how she portrays character evolution on Orange is the New Black as everyone pretty much wears the same thing and the prison uniform reflects the loss of identity through the khaki color and baggy fit. Some characters have altered their uniform, but only the ones who would have the ability or inclination to do so and Sophia is an example of this as her khakis are a lot more fitted and feminine.

On Scandal Abby and Quinn’s style has shifted the most from where it was in the pilot; Abby fell in love and so there’s less structure and Paolo uses lighter fabrics on this character now – all those scarves and wrap dresses I love – with Quinn as she’s got darker so has her attire. Some of these shifts aren’t meant to be all that apparent and it can act on a subliminal level. With Olivia Pope we associate the color white with her wardrobe and as Paolo points out Olivia doesn’t wear all white all that often. Gray is her staple and the reason we remember the white is because these outfits tend to come at heightened moments like the amazing Burberry trench from the season 3 premiere.

The absence of costume is discussed and nude scenes take place on most of these shows; it hadn’t occurred to me before watching this panel that the costume designer would play a pivotal role in this process. This even includes being the one who tells an actor how much skin they are showing. On OITNB they have had to come up with inventive ways to solve their modesty cover issues as a lot of their nude scenes occur in the shower room and water/adhesive don’t work well together. They also have to think about clothes coming off during sex scenes so while on Scandal you might want that top to come off with ease, on Girls or Shameless the more awkward this undressing act the better.

It’s an incredibly insightful and fun conversation, to watch the whole thing (and I’d highly recommend it) head over to Vulture.

 

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