Archive | 2014

Out of the Box: Look of the Week

25 Apr

After the foray into Hannibal last week, we return to the red carpet this week with the Tribeca Film Festival and some frocks that have caught our attention.

Maggie Grace and Aubrey PlazaAubrey Plaza and Maggie Grace are both pulling off simple and elegant looks at the About Alex premiere with Plaza in scarlet Valentino and Maggie Grace in crisp white Kaufmanfranco. Details like the bow on Plaza’s dress and the flash of canary yellow with both Grace’s pumps and belt set off both looks. Luckily Grace’s heels distract from the nude heel let down on Plaza.

Mindy KalingMindy Kaling ditches her usual colorful palette for a super chic black Helmut Lang ensemble while supporting co-star Chris Messina directorial endeavor Alex of Venice (yes I’ve picked the two movie premieres with Alex in the title). While I don’t want to see Kaling ditching her bold red carpet choices, she looks really great in this non-signature style.

America Ferrera and Judith LightAn Ugly Betty reunion at the premiere of America Ferrera’s X/Y with Judith Light posing with her former co-star. We love Judith Light here at TV Ate My Wardrobe (this includes Broad City’s version) and her floral coat is everything. Especially when paired with black pants and turtleneck. Judith Light you can do no wrong. Ferrera looks wonderful in a Roland Mouret navy and white halter dress and the orange Rodo clutch adds a splash of bright color that ties this all together.

Gillian Jacobs Life PartnersGillian Jacobs poses for a portrait studio session at the Tribeca Film Festival for her new film “Life Partners” and this falls into my striped clothes obsession. It has a hint of the Tanya Taylor outfit we featured a few weeks ago on Jessica Williams and the contrasting vermilion color with gold piping produces a knockout look for Jacobs.

TV Rewind: Felicity, “Ancient History”

24 Apr

Felicity, Episode 2.03
“Ancient History”
Original Air Date: Oct. 10, 1999

Felicity 2.03 haircut

Julie: We left off last time with The Haircut, which deserves some capital letters. This was The Haircut that killed Felicity, the show not the character. Season 1, Felicity was a critical darling and cult hit. With The Haircut in Season 2, people started to wonder what they ever saw in this show anyway.

Which is really not fair. We’re only three episodes in and I see Felicity doing some pretty great stuff. During freshman year, Felicity (the character) was all about overthinking things and, ultimately, not acting on them. But as a sophomore, she is ready to take charge of her life, even if that means stumbling a little bit.

The first drastic step we saw last week: Breaking up with Ben. In the wake of all that drama, Felicity turned to her local barber and asked for the Justin Timberlake. She is now sporting an itsy bitsy curly pixie.

I think it’s adorable on her. She looks great. She has such a fantastic, angular face, the big hair was a little too much for her. And I love what they’re doing with her clothes and makeup so far this season. She’s wearing a little darker lipstick, and the cute tank tops. She just seems breezy at this point, not the high strung girl in all the sweaters. Of course, it is only September right now in Felicity Land. We haven’t yet stumbled into fall.

I do want to say one more thing about the hair: It gets worse. I think the Powers That Be from the show or the network, realized that this was a Colossal Mistake, and they had Keri Russell start growing it out right away. I’m pretty sure junior year is simply one big hair fail, if I can remember correctly. But right now, freshly shorn, she looks fantastic.

Before we move on to other matters, what say you about The Haircut?

Felicity 2.03

Emma: So The Haircut! Since we started our Felicity endeavor it feels like it has been leading to this point and while Noel or Ben is one aspect I had heard mentioned repeatedly, the reference to the show-killing haircut is pop culture legend. So I was expecting something WAY worse and as you mention it actually really suits her, the DVD box cover (the same DVD which also includes a description on the back of something that happens at the end of the season?! WHAT?! Yeah I’m still mad about this) clearly shows the growing out disaster and I’m sad they back pedaled this quickly. When it aired do you remember it being a huge deal?

Now as someone who has gone for the drastic chop on more than one occasion (which I have written about here) I know how amazing and terrifying it feels. The reason I cut mine was never as drastic as Felicity, I just suit shorter hair better and neither did I have the incredible amount of curls that Felicity has. The stranger reaction could come across as weird, but with Felicity her curly hair is so distinctive that it’s not surprising she gets so many comments from people she doesn’t know.

I love that Meghan is the first person we see react to it and her verdict is that it’s “wow bad.” Meghan follows this up with how much guys are going to hate it, which is of course a huge generalization as I know guys who both adore and dislike the pixie look on ladies. Micheal Pena is in the former camp, but I think that’s also because he’s still crushing hard on Felicity even after the party incident. There’s also the assumption that Felicity just broke up with someone and this isn’t the only thing Felicity is changing as she’s also dropping pre-med (as Elena predicted when she saw Felicity’s hair). It’s all change around these parts. This change also includes the opening credits where they’ve got both pre and post haircut photos.

Watching The Americans, I’ve got so used to seeing Keri Russell sporting many different hairstyles (including a pixie cut this week) that this hair chop is probably nowhere near as shocking as it would have been a) at the time and b) if I’d only seen her with the mass of curls.

As you mention everything about her seems way more chilled out than last season, even as she makes some pretty big personal changes. Early fall in New York really suits her.

What do you think of the reactions to her hair, particularly Noel and his cruel laughter?

Felicity S2 opening credits

Julie: Looking at the covers of the DVD boxed sets, I definitely think junior year is where it gets really bad. It’s like this curly halo around her head with no real style. The super short look is adorable and I wish I had the face/hair to pull it off. I’ve never gone super drastic with a haircut. I usually hover somewhere around shoulder length, though I’m growing it out a bit now for summer. Maybe In the fall I’ll get a Claire Underwood. We’ll see how that goes. (Though I couldn’t go full Underwood; I was not meant to be a blonde.)

The reactions were kind of awesome. I love that random people stopped to tell her they noticed. This is a very high school/college thing, because everybody is always all up in each other’s business even if they’ve never met. And, yeah, Felicity totally stood out because of her hair. Maybe now, with that burden off her shoulders (ha), she can really figure out who she is.

I thought Noel’s reaction was perfect. He had every right to be just the amount of dick he needed to be. Maybe he’s one who doesn’t dig the pixie look (considering the kinds of girls we’ve seen him pursue, I’m guessing that’s the case), so perhaps this was just the thing to help him officially and for real get over Felicity. I loved seeing the two of them together in this episode, not pining over each other or with one crushing on the other, but just dealing with the shitty hand they’ve dealt themselves. They always were great as friends, and it’s nice to see that he’s willing to stick up for her and support her and I like that this means we’ll be able to see more scenes with Noel and Felicity hanging out (with Elena at the cool apartment).

All of this is vague and ignores the fact that Noel found himself in pursuit of not one, but two women in this episode. What did you think of Brigid and Ruby and Noel? And how do you feel about the other ex-couple (Ben and Julie) mending their fences?

Felicity 2.03 loft

Emma: So at first I read that as Carrie Underwood, which would be a whole other kind of haircut (or extensions I guess) and yes you really should. I’ve always wanted to do the blonde thing but dealing with roots is not something I’d be good at. I like my hair to be as low maintenance as possible.

Noel’s laugh upon realizing who Elena is talking to is so spontaneously mean, but at the same time I can’t really fault him for getting the digs in where he can and I’m glad they’re not making him Mr Nice Guy all of the time. His “It will grow out, right?” remark deserves all the side eye Elena gives him and I’m also happy Felicity basically told him to fuck off rather than turning into a teary mess. Considering how much hair she’s lopped off, she’s not spiralling as much as she could be. What this shows it that while Felicity is prone to making huge, rash decisions – her hair is to season 2 as coming to NYU was to season 1 – when she makes those choices she sticks at it. She’s so thoughtful, but also incredibly impulsive at times and it’s those choices that feel like the right ones.

It’s why she chose Ben over Noel, in her gut she knew she had to see what would happen and even though they’re broken up now, I think for this character and for the story it was the right choice in that moment. Noel wants to know why she chose Ben and instead of giving him an answer she instead asks would it make him feel better if she said it was a mistake? There’s nothing she can say to make up for that summer and that choice, instead they have to learn how to be in the same room as each other considering they are in the same class. Like you I’m happy with how their scenes play out and that Elena’s apartment is no longer a Felicity free zone, even if Richard (!) won’t be too happy about this.

What really gets Noel back in Felicity’s corner is the drawing teacher and several of their classmates shitting all over Felicity’s hand drawings, which in my esteemed art opinion (ha) looked way better than the saggy backpack. They have a heart to heart and it reaffirms one important thing and that’s the close relationship they share that goes way beyond anything romantic. That’s the thing about these two is that they’re besties at heart and the smooching got in the way of this. Noel also tells her that her “hair is not so bad” which I guess is a lot better than laughing in her face.

So onto Noel’s new romantic interests and it turns out that Brigid (no T) gave him a pizza number instead of her own in the last episode. Noel decides to try his luck again, but unbeknownst to him, Bridgid is a lesbian. Bridgid tells Felicity this and at first I thought this was going to turn into some not so hilarious misunderstanding but luckily she tells Noel and he doesn’t react like he did when he found out his brother is gay last season. Brigid also has an extreme zigzag center parting which gave me so many 90s flashbacks and I’m not sure why we ever thought this looked good. I hope she sticks around as a recurring character.

One person I don’t want to be a regular fixture (and IMDB sadly lets me know that she is) is Ruby and I’m sure it’s not all Amy Smart, but urgh is Ruby annoying and pretty self involved. Noel’s totally into her as she’s a Mac person. The instant way to Noel Crane’s heart.

Ah, Ben and Julie and what to make of this. Hmm, well I actually really like the loft dynamic as long as Sean lays off crushing on Julie as I’m worried this could enter creepy territory. I’m glad Julie can forgive Ben, but it’s also kinda BS that she’s pretty much fine with him and not with Felicity. What do you think of this setup?

Felicity 2.03 RichardJulie: Yes, thank you! Richard is BACK.

It’s funny you mention Felicity’s impulsiveness. She comes across as such a labored thinker, but then she goes and does these crazy things and makes these big decisions without a second thought. The most we’ve seen her hem and haw about anything has been over whether or not she wants to be with Ben or Noel.

That art class was just painful. I’ve taken a lot of writing workshops, and you always start with something positive. Even if it’s the worst thing you’ve ever read, you at least compliment the spelling. This art teacher was so mean, needlessly mean. These kids are students; give a little constructive criticism, please.

Brigid’s whole aura is so deliciously ’90s. The zigzag part. The hair strategically escaping from her ponytail. She’s got it all. And she’s our first bonafide lesbian on Felicity, so good for her. She seems delightful, and I’m glad they’ve decided not to just let her “fall for Noel” because he’s so hot he’d turn her straight (that seems more like a future Ben Covington plot line).

Ugh. You’d better get used to Ruby. She’ll be sticking around. And, yes, she’s kind of annoying. What’s with all the freshmen this year? Get a clue. Also, probably part of the Ruby hatred is that Noel seems to dig her, and he and Felicity seem to be getting along so much better. Maybe Ruby appears to be getting in the way of that (though I really, truly like Noel and Felicity as friends right now).

You touched on what really gets my goad about the whole Ben and Julie situation. It’s too easy. She’s too fine with him. I get that the summer has passed, but were Julie and Ben ever really “friends?” He was her savior and her boyfriend, but they admittedly never had any fun together. And yet, she’s still really mad at Felicity. I suppose they (Julie, Ben, and Sean) all lived a happy coexistence, and figured they’d recapture the magic.

What do you think?

Felicity 2.03 zigzag partingEmma: Ugh to the Ruby thing, so far she’s coming across as the kind of person who acts dumb (with both dudes and ladies) but is actually smart and so doesn’t really need to resort to this kind of manipulation. She made me bristle a lot. Random observation time – when Ruby was listing the different kinds of computers she mentioned an iPad. Is this JJ time traveling?

I don’t know how sustainable the loft coexistence happiness is as there’s too much going left unsaid – Sean’s crush, built-up resentment, Felicity – I predict it will all come crashing down around episode 9.

One thing I thought was really smart was the absence of Ben/Felicity scenes, there’s so much going on in the episode and this would have left it feeling over stuffed. It’s more realistic on a campus like this that she would only have run ins with one ex and not two as there’s plenty you can do to avoid someone, like switching shifts at D&D. How heartbroken is Javier by the turn of events?

We don’t get Ben’s reaction to her hair and I’m glad we didn’t yet; if this was now, her haircut would be all over Instagram and the initial shock would come while looking at a smartphone screen rather than in real life. Now I’m longing for some Felicity Instagram shots.

Felicity 2.03 NoelJulie: That’s an interesting call about Ruby being a girl who plays dumb. I don’t remember everything about how her storyline plays out, but that could be true. She definitely feels that way. She got into college, presumably a good college, she can’t be that moronic. The windmills in the Norwegian landscape thing was either dumb, playing dumb, or just one of those dumb things that kids hear when they’re younger and carry with them until someone finally sets them straight. (I thought for longer than I’d care to disclose that you had to present a marriage license in order to book a room at the Sybaris. Do you know what the Sybaris is? You don’t want to go to there.)

I remember there being a big stink made a few years ago about Ruby listing the iPad. My guess is that she was just spouting names and combined a couple of them into iPad by accident. Kind of awesome. Or Ruby is a time traveler, because that would make her character ever so much more interesting.

There should definitely be a What Would Felicity Tweet/Instagram thingy somewhere on the internet. That would be awesome. How many favorites/likes/whatevers would her new hair get?

Emma: I do not know what the Sybaris is, the quick look at that link terrified me.

I think Felicity would get a lot of likes/hearts, especially if she used the right filter/wrote a meaningful blog post about chopping it all off for her and not because of some guy. Also where’s the Buzzfeed “Which Felicity character are you?” quiz? That’s something I really want to know.

Julie Hammerle is, according to Klout, an expert in the areas of both Morgan Freeman and glasses. Her writing can be found at chicagonow.com/hammervision and you can holler at her on Twitter as well.

The Americans 2.09 “Martial Eagle” Review: “I’m not here to be saved”

24 Apr

A feeling of dread seeps into every corner of The Americans and obtaining secrets is an essential component to winning this war. Philip has been teetering on the edge this season and in “Martial Eagle” those cracks begin to show as he finds it hard to deal with both his cover life and the terrible things he has done recently as part of his real job. It’s a tour du force performance from Matthew Rhys as Philip bounces from his family man persona to whatever wigged wonder is required and he’s struggling to separate the two. One of The Americans overarching themes is duty and Philip struggles to reconcile these aspects and maintain his breezy Philip Jennings persona.

While both seasons are about Philip and Elizabeth, I would suggest that season 1 has more of an Elizabeth focus as she is the one who changed the most over this period, with this year; it has done the same but for Philip. Since Elizabeth was shot it’s like they have switched places as Philip has done the majority of the dangerous work. This isn’t to say that Elizabeth hasn’t been caught in any dangerous predicaments, nor has she been free from making decisions that have ended in death, it’s just Philip has been on the receiving end of these types of moments multiple times his year. Emotions are heightened this season and have been since Emmett and Leanne’s deaths; their deaths have cast a shadow over most episodes whether directly as they hunted for the killer or indirectly now that Stan senses there could be a connection between this and what he is investigating with the DOD and Anton’s kidnapping.

the americans 2.09 Philip at churchThe contra camp infiltration mission goes array as both Philip and Elizabeth resort to killing to save themselves; for Philip this comes at much closer quarters when he cuts open the throat of the person who has caught him taking photos and he ends up covered in blood. There’s something rather intimate about the way Elizabeth hastily cleans this off him and that’s pretty much the only time there is an act of closeness between them in this episode. Philip later holds her at a distance telling her “it’s easier for you.” There’s no follow up other than Elizabeth repeating this assertion in the form of a question “You think it’s easy for me? What I do?” What sparks this bleak and unshakable reaction from Philip is less about what happens at the camp and more about Lewis, the guy they tied up last week. Lewis was meant to be the innocent guy they didn’t have to kill to get what they wanted, but he ended up dead anyway (hypothermia if I had to guess). Doing the ‘right’ thing would have been to shoot him, as at least that way it would have been quick, instead he died a slow death tied to a tree and Philip spirals from this point.

The americans 2.09 Philip and ElizabethPaige and her church group has recently taken a backseat to Henry’s acting out. Henry attempts to engage Philip with a magic trick and is coldly rebuked; Henry probably thinks this has something to do with breaking into other people’s houses, not the murders his father has recently committed. Like his parents, Henry really doesn’t want to go to church and Elizabeth finds it hard to not show her disgust about the whole thing. Elizabeth has been more vocal in her rage at Paige getting interested in religion, whereas Philip’s anger has been directed at the lack of respect Paige has been showing them of late. When they find out Paige has donated $600 of her savings – for a trip to Europe – to the church, this leads to another visit from ‘scary dad.’

the americans 2.09 argumentAs Philip is generally ‘fun dad’ and Elizabeth is the disciplinarian it’s far more terrifying when Philip loses it. Paige wasn’t that bothered when Philip showed off his stern side earlier this season as she responded with sass on this occasion. Philip hovers on the edge of this conversation, but when he gets involved everything he has been keeping wound up tight inside explodes thanks to a disrespectful eye roll from Paige. Philip starts ripping pages from the Bible and spitting about how Paige respects Jesus and not them. Paige is crying and Elizabeth has the same look in her eyes as Philip did when she went at the Mossad agent hard; it’s possibly the first time that either has seen Philip like this. It’s not surprising that Paige has never experienced this side of her father, but for Elizabeth it’s maybe even more concerning as she has been with him for such a long time and this is not the way Philip reacts. He’s normally a lot more measured than this and even in moments of spontaneous violence – the pilot springs to mind – there is still an element of control. Now he seems unpredictable.

The Americans 2.09 FredPhilip has no time to languish at home as he has to deal with an emergency call from Fred and the swelling strings of sadness follow him throughout the episode only adding to this feeling of dread. Philip stays on the pier overnight, lost in thought and while Elizabeth handles Paige, Philip is caught in his melancholy. Home was all he could think about at the start of the season and he didn’t go through with Martha duties to be with Elizabeth, now Philip can’t face it. It’s no longer the sanctuary it was and I think Philip is having a hard time compartmentalizing everything at the moment; he doesn’t want to infect home with whatever he is going through.

What this does is it isolates Elizabeth from him and at first I thought the AA meetings might be a way for Elizabeth to simply talk through things with strangers using alcohol as a cover for spy work. Then I remembered this wasn’t Scandal and Elizabeth definitely isn’t Huck. Instead Elizabeth is using her real life – “I wanted the opportunity to show him that I could be there for him” – to give her an in with this woman who works in something highly classified. Stan mentions that the Soviets will locate a weakness, whether financial, emotional or sexual and exploit it and this is something we have seen both Elizabeth and Philip do on multiple occasions, including now.

The Americans 2.09 Martha and ClarkThis is what Philip has been doing with Martha and he does it in the cruel manner he stopped himself from doing last week. Going to Martha’s means avoiding home and slipping inside another character to escape everything else, but it’s all part of the same tangled web. Philip’s a little tipsy and Martha mentions how out of character it is for him, in fact it’s bizarre to see him holding his glasses just before she walks in, as they are such a part of this persona. The last time we saw Clark was in the horrific scene with Elizabeth so this has been tainted as well. Martha hears the tape and her offer to do whatever Clark wants with surveillance work is exactly the reaction he was hoping for, but you can tell he feels awful. Philip’s inability to get hard for Martha and his decision to leave feels so much like Philip slipping through and I wonder if his encounter with Elizabeth in this disguise has resulted in a lack of libido. It could also be part of playing Clark in this moment and with Philip and Elizabeth it can be hard to distinguish what is part of the act, what they are utilizing in the moment and what is real.

The Americans 2.09 PPhilip confronts the pastor at Paige’s church and it’s unclear exactly what his intention on entering the church was, but if the leather gloves and locking the door suggest, it wasn’t going to be pleasant. Philip asserts twice that he would do anything to protect Paige and we’ve seen this in action when he attacked the guy who came onto her in the department store. Pastor Tim doesn’t possess the same kind of threat; his is an ideological one and it’s something that goes against everything Philip and Elizabeth were raised to believe. This isn’t a confrontation that ends in violence and part of me thinks Philip shows mercy because he realizes that violence isn’t how you respond to a threat like this. While Philip isn’t there to be saved, despite his very obvious emotional turmoil, hurting Tim or turning to God is not the answer. Philip ends the episode alone and I wonder if he will continue down this path of despair or if he can learn to live with what he does in the name of his country.

the americans 2.09 spotlightBack at home Elizabeth is dealing with Paige and her sass, doing so by waking her up, giving her a responsibility lecture and a demand to clean the kitchen. The way in which Elizabeth does this very much feels like an interrogation as the lamp becomes a menacing spotlight. Elizabeth points out all of Paige’s privileged upbringing and how this counters to Philip and Elizabeth growing up with nothing – what is their American backstory? – and once again this leans on reality to inform their fake heritage. It also gives a relatively plausible explanation as to why Philip flipped to Paige and I’m guessing Paige will be rolling her eyes a little less in the future. Elizabeth can turn on the terrifying, even in a turtleneck.

The Americans 2.09 ElizabethSpeaking of disdainful looks and Elizabeth has a hard time of hiding her contempt for all things religion during the service. This was the one point in the episode where my response was laughter.

The Americans 2.09 StanStan finds out the hard way that he has been missing a lot at home as Sandra is packing to go away with someone she met at EST and is even listening to sex tips while she is getting ready. The breakdown of this marriage juxtaposes the Jennings’ as they have got closer over the recent years whereas Stan and Sandy have drifted so far apart they’re like strangers now. Stan has been so focused on work and Nina that everything at home has been in the background so while they changed he didn’t even notice. I’m happy for Sandra as she deserves way more than this, sorry Stan.

At work it’s going a lot better – also in reverse to Philip and Elizabeth as while their relationship has grown, their work has become more traumatic – as he’s been given DoD access and he’s slowly piecing everything together. The couple they were pursuing at the end of last season get mentioned (the couple being Philip and Elizabeth), as Stan and Gaad figure out a way to save Gaad’s job by threatening Arkady in a rare opportunity to see someone other than Stan interacting with the Russians. We also get to see Larrick finding out what happened at the camp and that look in his eye suggests he has murderous intentions towards Philip and Elizabeth.

Now there is danger from multiple sources, with Philip’s mental state being problematic in itself. Philip needs to reconcile what he has done and go back to being a compartmentalizing pro and while that might not be the best for his overall mental well being, at the moment it is something he needs to do as everything else around them becomes even more precarious and dangerous. As I mentioned in the introduction, this is an exceptional and layered performance from Matthew Rhys as he shows Philip in a haunted state that only he can save himself from.

The Power Clashing of Mindy Lahiri on The Mindy Project

23 Apr

“This is canary yellow, my friend.”

Mindy Lahiri’s wardrobe is a colorful mix of pieces that shouldn’t go together and even when Mindy has misgivings about an outfit choice, she’ll still defend it vehemently. So let’s break down my favorite look from the latest episode of The Mindy Project “An Officer and a Gynecologist.”

Mindy KalingMindy Kaling posted this photo to her Instagram in February and it featured on “Out of the Box: Look of the Week” as I’m pretty obsessed with all things yellow. This coat is spectacular and is sadly not available for purchase as it was custom made by Mindy Project costume designer Salvador Perez. Mindy was right to yell about how amazing it is. Perez also designed the gown Kaling wore to this year’s Costume Designers Guild Awards.

It’s all about layering with Mindy and there’s a lot of doubling up with shift dresses and blouses. The silk hearts aflutter C Wonder blouse has been worn by Mindy previously on the show (in “L.A.”). Even while dealing with heartbreak and swearing off guys, Mindy still wears her heart(s) on her sleeve. Mindy has cultivated a fun and distinctive look; while some make fun of her for looking like a kindergarten teacher, there are also those like Jenny who are inspired by Mindy’s confidence and part of this boldness comes from how she dresses. This is ultimate power clashing with both pattern and color so pairing hearts, monochrome weave (the Trina Turk dress) with canary yellow perfectly showcases Mindy’s self-assured style.

What really sets this look of is the ultimate Olivia Pope accessory – well, if Olivia wore that shade of pink – and that is the Prada purse.

Just don’t get your earbuds tangled in your scarf.

The Wish List: The Cosima Coat on Orphan Black

22 Apr

With the return of Orphan Black so comes my obsession with the red Cosima coat and it made a very important appearance in “Nature Under Constraint and Vexed.” There are a few costume items that would feature on an ultimate wish list and the crimson Cosima coat would be up there (with April’s hoodie and an Olivia Pope Burberry trench).

CosimaEach of the clones has their own distinctive look and whereas Alison is all about the Lululemon and Sarah barely wears anything that isn’t black, the red military-inspired coat, glasses and dreadlocks are part of Cosima’s signature style. In the season 2 premiere, Sarah gains entry into a Dyad Institute party while dressed as Cosima. As with previous attempts of doubling for another (Alison and Sarah have both pretended to be each other) a quick interaction or glance and it’s totally believable, anything more and it becomes problematic. There is no way that Sarah can get dreads in this short amount of time so the coat and glasses are the important props in this deception. Sarah’s probably gone a bit too heavy on the eye makeup as you can see in the shot below.

Orphan Black Sarah as Cosima

While it will always be the Cosima coat to me, it does go by another name and that is Sabrina. It’s from TV Ate My Wardrobe favorite Diane von Furstenberg and while it’s either sold out or no longer available on most sites, eBay currently has a few that you can bid on. There are other alternatives and a red coat is a welcome addition to any wardrobe.

DVF CoatIn all the model photos the high funnel like collar has been left undone, this is never the case on Orphan Black and Cosima always has it both belted and buttoned. This coat is like Cosima’s armor and hopefully Sarah remembered to pick it up on her way out of the Dyad Institute.

Mad Men Music Monday: “This Will Be Our Year”

21 Apr

“Happy Valentine’s Day, I love you.”

The first episode of Mad Men‘s seventh season ended with a punch to the gut for both Peggy and Don as one collapsed on the floor of her apartment in tears and the other sat outside on his freezing balcony in a catatonic like state. It’s Valentine’s Day, 1969 and there’s not a lot of joy in either of Peggy or Don’s life at the moment as the secrets they keep are eating them up inside. For Peggy, her relationship with Ted or really his departure to California and away from her is causing her way more sorrow than she would like to admit; a simple mix up over some red roses sends her spiraling. Peggy passes vague messages through secretaries only to take out her frustration and embarrassment on an innocent Shirley.

Mad Men 7.02 PeggyIn another part of town Don jokingly declares that he is looking for love and he finds it in an unlikely place as he has reconciliation with his daughter. There’s a lot that has been left unsaid between Sally and Don since she walked in on him with Sylvia and while it would seem he has divulged details of his upbringing – the truths he told at work are nothing she doesn’t know he reassures – the topic of his dalliances is different.

Kiernan Shipka gets a lot of red carpet props on here, but really it’s her role as Sally Draper that is everything as she conveys just how hard it was for her to come to Don’s building and practically spits out the word “hairspray.” Later on “spectacular” has the same level of snarky venom as Don inquires about her studies. There’s a wealth of resentment and her apathetic feelings towards her father and his lies is completely understandable.  Being a disaffected teen is nothing out of the ordinary, however this extra layer of disenchantment thanks to the lies adults tell hits Don right where it hurts.

Mad Men 7.02 Sally and Don

“Please stop. Stop Talking.”

Instead of avoiding the issue which is generally the Don Draper approach (unless he is backed into a corner), Don confronts this Sally thing head on and I’d be quite happy to spend an entire “Suitcase” type of episode with father and daughter hashing it out. It turns out they don’t need this long and while Don doesn’t get any magical enlightenment in how to fix his work problems, he does heal this wound and Sally’s last line (which opens this article) is enough to push me into misty eyed territory.

The song which closes out the episode after Sally has given Don an unexpected reaffirming declaration is The Zombies with “This Will be our Year.” So while this season has started with utter despair, this signals that there is still hope to be had.

 

The Good Wife and Getting out of Bed

21 Apr

“Is she still in bed?”

The NSA dudes have been playing the role of chorus on The Good Wife as they have knowledge of pretty much everything that has been going on and while they have been off the mark on certain relationships – one of them was a big Diane/Will shipper – this episode masterfully uses the NSA surveillance of Alicia and everyone she comes into contact with to propel both Alicia and the story forward.

The Good Wife 5.18 bedIt’s not clear exactly how much time has passed since the last episode and while it doesn’t appear to be more than a week tops, Alicia is still in the bed cocoon stage of her grief. It’s time to get back to work and a call from Finn about his computer being taken is enough of a push to get her out of her sweats. It still feels too soon and the bloody crime scene photos in James Castro’s office is enough to have Alicia blinking back the tears and looking shaky on her feet. There’s conflict at work as Cary is taking charge in Alicia’s absence and they immediately disagree with taking on a government related case. Cary also says a big no to a Lockhart Gardner merger – not that this matters anyway as David Lee has got Louis Canning on board before Diane could secure Alicia.

The Good Wife 5.18 Kalinda and DianeLast week I talked about the three women in Will’s life and how his death impacts work and personal matters. Diane and Kalinda are immediately affected when it comes to work; he was Diane’s partner and in a world where Kalinda doesn’t really work for anyone he was her boss. Will was confidante to both of them. To have someone new infiltrating this world is hard to swallow, when it’s someone who has financially hurt the firm in the past it’s even harder and Louis Canning has always played the role of antagonist. It’s not surprising to see such a hostile reaction to the idea of this merger and neither woman hides their displeasure at his presence. Canning is in Will’s office and going through all of Will’s case files, which at first feels like a violation and yet it can’t be an untouched shrine as there is work to do. The sight of his chair and the baseball underneath are enough to give a sudden rush of Will Gardner related feelings, but once Kalinda and Diane see past Will and what Canning has done in the past they come to realize that Canning is actually helping.

Canning isn’t there to force Diane out, instead he has fixed some of the issues from Will’s enthusiastic expansion binge and he has the awareness to admit that he is still a scumbag, but he’s now their scumbag and sometimes it is good to have someone like this on their side.

A quick note on Diane’s costumes this week and the dress above has a seaweed like texture, so much so that if you cut it up and put it on a plate I would probably eat it. It looks exquisite on Diane and the gold pin appears to be growing from this frock.

Other notable Diane costume highlights include:

The Good Wife 5.18 Diane The Good Wife 5.18 Diane and a martiniIn the first shot the statement necklace is less bold than we’ve previously seen and yet the chain aspect still gives the impression of Diane’s unbreakable spirit. The second shot comes from her lunch with Canning and her royal blue dress is all the power dressing she requires; there’s no need for any kind of dramatic embellishments.

The Good Wife 5.18 Alicia and Finn dark suitsFinn’s getting hung out to dry for Jeffery Grant and for anyone who was worried that Alicia is too close to this case, her first crack at representing him goes terribly. Alicia’s is understandably distracted and the mere mention of Jeffery shooting Will coupled with Finn’s responsibility for putting Jeffery in general detention is almost enough to have Alicia crawling under those covers as she blinks back the tears again. That is until she gets the renewed vigor and a reason to fight; the NSA gives her just that.

Upon hearing of the wiretaps that have been placed on her and how Alicia is at the heart of the three hop warrant it is enough for Alicia to take Finn’s case back off Clarke (that she has only handed off to him 5 minutes before). This is the wake up Alicia needs and even though Finn isn’t connected to the NSA surveillance in any way, they are part of the system and right now she wants to kick some bureaucratic ass.

The Good Wife 5.18 Alicia and Finn light greyOne noticeable change between each hearing with Finn is what they are wearing and the mood that is represented in their color palettes. On both occasions they are in tune with each other; the first day their dark suits reflect the negative mood of the proceedings. Not so on the following day and they shift to lighter grey tones and when Alicia arrives it is clear that a weight has been lifted. Finn mentions Alicia’s brighter mood and Alicia responds that she “had a good night’s sleep.” Alicia beating down the smug assertions of a panel of guys who have used the same methods they are trying to punish Finn for is incredibly satisfying, as is getting this line past the standards and practices people “By going down on him?” Finn’s amused expression speaks volumes for us all. By highlighting the hypocrisy in this forceful, giving none of the fucks manner is just what Alicia needed to get out of her funk and it’s amazing to watch.

The Good Wife 5.18 chumhum teeA fun bit of costuming to end with Jeff Dellinger’s Chumhum logo t-shirt (later on he sports an It’s Always Sunny in Philadelphia one) and I’m going to miss the NSA dudes and their array of tees now that Peter used his dickishness for good to get those wiretaps dismissed.

We needed to see Alicia react to Will’s death in a way that feels honest to her character and the time for her to wallow is over; life must go on and the schedule meeting with Peter at the end of the episode indicates this is happening. The Good Wife has allowed Alicia, Diane and Kalinda the space to grieve, while also dealing with their professional obligations and I’ve been impressed with all of the post-Will episodes and how the characters have responded to this huge loss. It’s remarkable what the writers are doing as I have no idea what the landscape of this show will look like when season 5 comes to an end and this is incredibly exciting.

 

Scandal 3.18 “The Price of Free and Fair Elections” Review: “I’m the Scandal”

18 Apr

The Scandal season 3 finale showed who the real monsters are and while Olivia takes responsibility for her part in this tangled mess, she’s just a by-product and it’s both of her parents that are behind pretty much everything. Rowan’s declaration that he is “the hell and the high water” came into play as he showed just how far he will go to protect his daughter and get regain his power. It’s a revenge plot more than anything else and one that boils down to the playground mentality of you took something of mine so I’ll do the same to you, but instead of this being about something trivial Rowan did a deplorable thing and killed Fitz’s son Jerry. Well, Rowan didn’t commit the actual deed sending in head stooge Tom (who also dispatched of Adnan), but really it’s a much of a muchness.

photo1One of the most problematic aspects this season has been how little agency Olivia has; she’s become a pawn in a much larger game. Olivia deciding to make a break for it is satisfying on one level as she wasn’t dragged to the airport kicking and screaming; she made the choice. It’s somewhat sullied as she has only made this decision based on a whole lot of tragedy at the hands of her parents and she’s giving Rowan the one thing he wants; getting Olivia far, far away from Fitz. In terms of the love triangle Olivia lets Jake know that she loves someone else and he still goes with her anyway. Jake wants to be free of this life, he wants to be rescued and this is more important than being first choice at this point. Jake has always stood on the periphery and while he isn’t the man Olivia loves, the promise of Vermont and jam is a fantasy and will remain like this for at least another four years. Olivia owes it to herself to not be in a relationship that is this dysfunctional, though I’m not entirely sure that Jake is the answer. A break from all of this would have been the preferred solution, no matter how good Jake looks in that grey tee.

Early in the episode when it looks like Fitz will lose the election – the bomb turned into a huge MacGuffin – the Vermont fantasy briefly became a possibility. Until Olivia revealed the truth about Mellie and Big Jerry, which could be viewed as an act of self sabotage, but I also don’t think Olivia would want to keep something like this secret from Fitz even if it means sacrificing potential happiness. For a brief moment he thinks Mellie is lying, but why would she lie about something like this? Thankfully Fitz uses the reason part of his brain and he goes to Mellie; it’s probably the most tender we have seen him be towards his wife. There’s a renewed unity and it transpires that Fitz is indeed Jerry’s father. One brief moment of Grant family togetherness before the first casualty of Rowan’s rise to power.

The Grant children have only been recently introduced so I should have figured that one of them was doomed and Jerry takes the hit; the child that Mellie has always held at a distance because of what he represented and now he has gone. By killing Jerry, Rowan laid the double whammy of getting Fitz re-elected and taking away one of his kids. This is the hollowest of victories. Four more years of Fitz in power, maybe now we can see what a great politician everyone claims he is and yet we have never seen for ourselves. It’s going to be hard for him to get past this grief as we see him collapsed on the floor of the Oval Office and with no Olivia to reach out to.

Scandal 3.18Olivia hasn’t just left Fitz, she’s left everyone else at OPA and Abby’s the one to voice her rage and disappointment. Abby feels let down by Olivia and how they have done everything for her; now they are getting left behind. Abby’s behavior is understandable as Olivia was the one who created all of this, but I also can’t help but think how they will all be better off without it. Sure they will have to find new careers, but Abby’s media exposure during the election could open a wealth of avenues. There is of course the many files in David’s office that Jake sent him to “Go get the bad guys” so if she wants to continue to pursue this line of work then she can.

Everything is a little bit more complicated for the spit twins and I even beat Abby with yelling “MY EYES” first at the sight of them banging on the conference room table. Please let this be the end of whatever the hell this is and let Quinn and Huck become characters rather than caricatures in season 4. The reintroduction of Huck’s family is a step forward that I appreciate. Now to the last member of the OPA team and it’s so long to Harrison, who thanks to figuring everything out with Rowan’s plan is now a loose end that needs to be tied up. I’m disappointed that this character didn’t amount to much, but considering everything that is going on off-screen with this actor it is something that needed to happen. There’s no gun shot on screen so there is always the chance that Harrison could come back next season.

Where does this leave everyone now? Scattered and without Olivia. There will no doubt be something that pulls Olivia back and she’s not going to hit ignore every time that phone rings, but I am glad to see Olivia acknowledge that she is accountable, even if she isn’t the one who is doing the bad deeds. Olivia is still part of this machine and if time away from Washington D.C. allows for this character to regain her agency then this can only be a good thing.

This season has been messy in places and the focus on B613 has taken away some of what made watching Scandal fun as it got too complicated for its own good. Focusing on questions of power and what people to do to obtain and keep it is at the heart of Scandal and how to make things better in the face of monsters like Rowan and Marie (who is currently residing in the Huck/Jake hole of despair). The puppet masters have already been targeted this season and Rowan ends the season in power and this finale signifies a lack of hope; it’s not all doom as Huck takes a huge step with reconciling his past with his present and David still stands representing one white hat wearer. Maybe Olivia just needs a good old fashioned vacation and then she will be able to fight the real monsters.

 

Out of the Box: Look of the Week

18 Apr

Switching up “Out of the Box” this week and moving away from the red carpet and magazine editorials with a Hannibal special using last Friday’s episode “Yakimono” to discuss some of the various looks this season and how costuming has been utilized to show a shift in character temperament. The repetition of a wide shot showing two characters sitting opposite each other is something of a Hannibal signature and this is presented in this episode with a slight shift that stops short of being a callback to the season 1 finale. Plus someone has had a makeover (sadly no montage).

Hannibal 2.07There’s been a variation of this set up throughout Hannibal whether it is in a therapy session or as prisoner/friend. Hannibal has even sat opposite the empty chair revealing just how much he has been missing the friend he framed for murder. Even Hannibal, no matter how twisted the reasons for any of his deplorable actions has the capacity to miss someone. The chair is filled once again as Will is free and he wants to resume his sessions, the very sessions that were used to manipulate his brain that was already on fire (like a messed up Katniss). The framing of these scenes suggests some kind of equilibrium, which of course in the past was a lie as Will was very much at Hannibal’s mercy. The balance has shifted and while Hannibal is still in control, he’s now facing a previously unknown entity; a Will Graham with all of his facilities working and a desire to hook to Hannibal for good. The game has been upped and this simple, yet effective shot signals this new stage in the Hannibal vs. Will battle.

Hannibal 2.07 Alana and ChiltonWhen Alana sat opposite Will in the season 1 finale in a room very similar to this one we saw them facing each other in a wide shot. Not so in this case with Alana and Chilton and this shows just how alienated Chilton is at this point. Alana is not here to be his confidant, though I suspect her personal involvement in the case makes her presence a tad messy. My fear for Alana, now she has slept with Hannibal is that for the rest of the season she will act primarily as a “Hannibal is innocent” mouthpiece and this character deserves more than the role of blind faith advocate. Costume wise this is the most unlike Chilton we have seen as he wears the orange of prison and Alana is very much in her signature wrap dress attire. Chilton gets shot in the face, but Bryan Fuller has hinted this doesn’t necessarily mean death for this character.

Hannibal 2.07 Chilton at homeSo how did Chilton end up going from pristine and flamboyant plaid to jumpsuit orange? Let me show you how and first of all I want to mention just how audacious Chilton’s costuming has been this season as it mimics the plaid of Hannibal. Chilton wanted to be like Hannibal and now he is, well in the crimes he is accused of. This shot also gives a good look at Chilton’s spacious home which is bathed in light as opposed to the dark decor of Hannibal’s home.

Hannibal 2.07 Chilton and HannibalThe moment of realization as Chilton lies at the feet of a plastic kill suit wearing Hannibal as he shows the perfect “Oh fuck” face, he can’t even bask in the glory of being right. At this point Chilton’s suit is still looking rather dapper even as he lies on the floor…

Hannibal 2.07 Bloody ChiltonCut to all the blood and there’s no way he’s getting those stains out.

Hannibal 2.07 ChiltonNow this is the most Chilton has looked like Will as it’s a more subdued approach, Hannibal sure picked out a suave on the run outfit in the bags he helpfully packed. The red and black pea coat does lose cool points as Chilton scrabbles around in the snow covered wood. Hat tip to Raúl Esparza for the amazing and hilarious performance he has given this season, even in Chilton’s darkest moment he still got the funniest line of the episode “Abel Gideon was half eaten in my guest room, I have corpses on my property. You just threw up an ear.”

Hannibal 2.07 Hannibal plastic kill suitYou know who always looks good? Yep, Hannibal once again shows how to make a plastic kill suit (which has to be bespoke) stand out, that’s right wear your regular suit (plus pocket square) underneath. No muss, no fuss.

Hannibal 2.07 Will unwashedNow we come to the before and after as Will shows off his post prison “I don’t really give a shit how I look” look. Bedraggled hair, untidy beard and the plaid of before, plus a nifty vest which could almost double for his fishing attire. To catch a fish the second time it means scrubbing up so please welcome the new, slightly less hairy Will Graham.

Hannibal 2.07 Will close upWill’s wearing a lighter, single color shirt as if he is free from the constraints he has been in both mentally and physically; there’s a renewed confidence we haven’t really seen before and this makes him an unknown entity to both Hannibal and us. Having a haircut and trimming his beard show that he isn’t going to slink away into the darkness and the power balance has shifted to an even playing field. One thing that is notably missing are Will’s glasses and this is something I chatted about with Noel Kirkpatrick on Twitter and he pointed out the lack of glasses makes sense as Will previously used them to mask his face, now he wants to “seduce” Hannibal so the glasses are no longer required.

Will GrahamThe new more polished Will Graham look continues with tonight’s episode “Su-zakana” with this rather fancy looking wool coat and scarf combination. It’s like a halfway point between Jack and Hannibal; I really want to see what he has on under the coat (unintentionally pervy turn of phrase).

 

Orange is the New Black Season 2 Trailer: “Prepared to Behave Like a Model Inmate”

17 Apr

It’s an all new Orange is the New Black season 2 trailer and there is now less than two months before it comes to Netflix for all your marathon watching needs. Expect drama from new and familiar faces as Lorraine Toussaint joins the cast as Vee, an old enemy of Red’s and it doesn’t look like time apart has healed these old wounds.

Piper sums up her feelings rather eloquently “This place is bullshit.” Oh yeah this trailer is NSFW. John Bennett is still embroiled in his forbidden love affair with Dayanara and he’s not handling it very well; is this whole thing going to blow up in their faces? Plus a whole lot of dancing, minor electrocutions and plenty of other shenanigans. One person notably missing from this longer look at season 2 is Doggett.

For more watch the promo below and the track is “Jungle” by Jamie N Commons & X Ambassadors.

 

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