Archive | May, 2014

The Good Wife, Boundaries and Changing the Rules

12 May

Boundaries are important and these have shifted this season on The Good Wife; relationships are not what they were and the rules have been redefined. Loyalties changed, first when Alicia and Cary started their own firm and Will’s death has further altered the equilibrium. When Kalinda tells Canning “Or we could be adults, just ask questions and talk” it seems like the most simple and obvious statement, however this isn’t how things work in either the legal or political sphere and it’s all about gaining the upper hand by whatever method no matter how nefarious. Straight talking can make things even worse from hyperbolic off the cuff remarks to throwing a glass of water in someone’s face (actually that was pretty great) and there should be a certain amount of wall building, but there’s also a danger that you will cut yourself off from everyone as Diane is learning.

The Good Wife 5.21 Alicia and FinnAlicia’s arrangement with Peter is problematic for all the reasons Eli lists as someone is always going to talk, no matter how much you think they won’t. Peter might be an incredibly savvy politician, but when it comes to his emotional reasoning he runs hot. We see this in his interactions and face soaking of Castro, but Castro’s not going to yell about this from the rooftops and yet if he sleeps with this intern (with a blog) then he’s the biggest idiot there is. She will definitely talk (or blog) and yes I love that lipstick too. It also calls into mind this New York magazine Eliot Spitzer cover, after all that is who Peter is loosely based on.

The goal posts have been moved and Will’s death did act as catalyst, but it’s not just this and Alicia reiterates her feelings of being tired and done with this aspect of her life, this time to Eli. Eli tries to appeal to her from an emotional standpoint mentioning how good they have been together over the past year and while part of me knows this is part of Eli’s job, I do also think he is the only Alicia and Peter shipper out there. Enter James Castro’s smear tactic and Finn claims there is nothing hiding in his closet – as an aside it’s interesting that the word divorce pops up with his wife and why haven’t we seen Mrs Polmar yet? Is this why he moved to Chicago from New York? – Castro takes something innocent as a suggestion of something duplicitous. It’s a security photo of Finn leaving Alicia’s apartment, Castro claims it was from only two weeks ago but Finn is wearing his sling in the photo which he definitely hasn’t worn for a while now. Instead of showing the photo to Finn or Alicia, Peter barely shows it to Eli and gets in a huff about it. To Peter it’s another Will waiting to happen and he probably thinks this is partly why Alicia implemented the new rules. Peter has been given no choice in this decision and that’s compounding these bratty reactions.

Boundaries have always been important to Alicia when it comes to her relationship with Eli; she imposed them when it came to using the kids during campaigns and there’s always been frankness to their interactions. So when Eli mentions they need more walls at Florrick Agos he is talking about the physical kind and yet he needs to break down the mental ones that both Peter and Alicia have erected so he can do his job to the best of his capabilities. The reason he interferes with Peter’s interactions is because if Peter fucks up it could bring the whole thing crashing down and the way he watches the Florrick family at home shows just how vicarious his relationship with them has become. Alicia notes “we seem to share everything these days” and Eli really is the third person in this marriage and there’s this blurring of professional and personal responsibility.

Alicia and Cary’s case is all about a lack of filter and how words can be worth a whole lot of money. Diane is learning this the hard way as a smear campaign is being waged against her by Louis Canning as he’s using Will’s death to try and undermine her. This is pretty low tactic, but it is Canning after all. Diane’s only really ally at Lockhart Gardner is Kalinda and really if I had to have anyone in my corner it would be Kalinda. Kalinda unfortunately doesn’t hold much sway in the grand scheme of things and Diane realizes this is a fight she has to go at alone. Cary didn’t seem overly receptive to Diane and her problems so while I’d love to see Diane join their firm, there will be resistance.

Costuming wise there’s an interesting amount of color palette sharing between the three main women, a few weeks ago this happened with teal and once again there is a mirroring. Both Alicia and Diane wear monochrome:

The Good Wife 5.21 Diane monochrome The Good Wife 5.21 Alicia monochromeIt’s a flip reverse it take on monochrome with Diane in predominantly white and black dominates this look on Alicia. Diane’s includes a bow flourish standing in for the usual pin or statement necklace. The balance is off with both of these characters at the moment because of what happened with Will and these women are connected by their relationships with Will, as well as a professional and personal admiration for each other. It’s why Alicia doesn’t react in a hostile manner (as Cary does) to Diane’s accusations.

The Good Wife 5.21 Kalinda The Good Wife 5.21 DianeDiane and Kalinda both wear deep shades of blue in “The One Percent” and this color has featured heavily in their costuming recently. Blue means loyalty and it’s significant that despite their very different styling this is something they share. Diane is pretty exposed at Lockhart Gardner and the only thing that will ensure her position is her monetary worth to the firm. Her worth could be impacted greatly by Canning’s tactics and he is doing a very good job of making her very paranoid. Kalinda’s loyalty is vital and it’s another case of these women being tied together by their relationship with Will; he might be gone, but the bonds he formed are still very present.

Next week is the season 5 finale and there’s a fight brewing. I’m not sure it can top the dizzying heights of “Hitting the Fan” or the shock of Will’s death and yet I am also very excited to see how they are going to finish this exceptional season. Everything has dramatically changed since this time last year and I don’t even want to try to predict where these characters will end up in the aptly named “A Weird Year.”

Out of the Box: Look of the Week

9 May

As there’s been a lot of red carpet goings on this week starting with the WHCD followed by the Met Gala (parts one and two) “Out of the Box” is going for a selection box approach of looks that have caught our eye this week. This includes magazine covers, premieres and one of the many romantic moments from The Mindy Project season finale.

Aubrey PlazaAubrey Plaza attends the LA Palo Alto premiere in a striking Peter Pilotto dress. It’s an edgy take on a spring floral frock and the mix of prints on this silk-blend dress creates a strong visual using bold color and pattern. While it might look a bit like a Magic Eye picture – sadly my eyes weren’t magic as I could never see the boat or whatever it was – it manages to avoid looking like a hypnotic mess. Love the combination of purple, blue and white.

Yvonne StrahovskiAnother bold and colorful choice with Yvonne Strahovski in Emanuel Ungaro at the UK premiere for 24: Live Another Day. This color block creation looks like a fancy bathrobe (in this case not a bad thing) and the contrasting blue panels make quite the impression. It’s been a good week for Strahovski as she also appeared on the new season of Louie and I still need to catch both that and 24. Let the end of season/new shows pile up begin.

NY Mag TV IssueRegular readers will know how much I love TV editions of magazines and this year’s New York magazine cover star is in one TV event that I am highly anticipating – The Normal Heart on HBO – and the most watched sitcom on TV right now. Jim Parsons isn’t who I was necessarily expecting to see on the cover (last year was Michael Douglas, Jessica Paré in 2012) and while I’m not a Big Bang Theory fan, I do really like this cover image. It’s an incredibly bright color combination and as with the Jessica Paré covered issue, yellow is an important part of the design concept. If it came out in January this might be too much sunshine styling to handle, but it’s May and I’m all for color explosion like this.

http://instagram.com/p/npM7E8JQ-_/

The Mindy Project aired its excellent season 2 finale this week and one of the visual highlights was the Danny and Mindy New York tour that paid homage to the Nora Ephron movies that both Mindy Kaling and Mindy Lahiri hold close to their heart. Mindy Kaling’s Instagram account is a treasure trove of behind-the-scenes photos from The Mindy Project including this beautiful sunset shot. It also shows how important it was on this occasion to use real New York rather than a backlot in LA, where it would be impossible to capture a moment like this.

 

 

TV Rewind: Felicity, “The Depths” and “Crash”

8 May

Felicity, Episodes 2.4 & 2.5
“The Depths” & “Crash”
Original Air Dates: Oct. 17 & 24, 1999

Felicity 2.05 Felicity

Emma: These first few episodes focus on the relationships that have been impacted by Felicity’s choice at the end of last season and what I think is really smart is how the show gives the audience a chance to breathe by laying off any kind of Ben/Felicity post breakup interaction until episode 5. By doing this she gets to repair the relationship that clearly means the most to her, at least on a friendship level, and that’s Noel, as well as addressing her not BFF status with Julie.

At the end of the last episode after Felicity has been publicly humiliated in class for her interpretation of hands (which, as I said last time, look more than fine to me, anyone would think she drew stick figure hands), Noel took all his anger and made the first steps towards forgiveness. This continues in the next two episodes and while there is still plenty of awkwardness between them – which Elena has no time to deal with and her lack of filter is wonderful – it’s so much better and I’m so happy to have it like this again. Felicity mentions to Noel that things are different with Julie as despite coming across on the surface as besties, they never had the same intimacy (and not the kissing kind) that Noel and Felicity had. Friendships with the opposite sex are so misrepresented on TV and movies because this closeness always ends up in a will they/won’t they and while I can be quite the shipper (as I have been with this show), it would also be good to see this kind of friendship just be friends – slightly related as I’m pretty sure The Vampire Diaries is about to destroy my favorite platonic ship. So with Noel and Felicity, I’m quite looking forward to seeing them going back to just friends. If only Amy Smart was not in the picture because she is the worst, that whole thing about touching someone’s hands to find out what kind of work they do made my eyes roll so hard.

So this all ties in with Julie, as Julie has written and performed a song about Felicity, something which Meghan thinks is pretty much the best thing ever. Felicity is less than thrilled; and if I hadn’t been watching a lot of The Americans recently, I would have been shocked to hear Felicity talk about punching Julie in the face. But I’ve seen Keri Russell punch a lot of faces now. This song is what prompts Felicity’s assertion that Julie never operated at Noel friendship level status and it’s something we’ve both been saying for a long time now, so I’m glad to see this show is on the same wavelength as us.

In a slightly contrived situation Felicity and Julie end up on the same subway train and it just so happens that it stops between stations for hours (thanks to someone getting hit, they’re not too specific but I guess trains never are when stuff like this happens). It’s the perfect time to hash out these bad feelings and what better than 20 strangers with various issues adding their many opinions to this fraught discussion?! It’s pretty ridiculous but as a process to air grievances it works for me.

What did you think of the set up? Are you glad to see how Felicity and Noel are handling being friends again?

Felicity 2.04 NoelJulie: The stopped train thing, which took up a big chunk of the episode, was completely ridiculous, but also completely expected. It’s not like we’ve never seen this sort of “people stuck somewhere/big truths revealed” thing before. I thought it was handled pretty well. One guy was peeved at the girls for being so caught up in problems that are not problems at all. He’s trying to get a loan for a house, not arguing with a friend over a stupid boy. And then there was the lady who posited that all problems are relative, which is also true. And then a lawyer jumped into the fray, and he was just annoying as hell. Really, that was where this storyline lost me. No attorney worth his salt would’ve gotten involved in this conversation. If he were commuting to work, he would’ve been either a) asleep or b) working or c) reading/watching a movie. Also, that actor was horrible.

How about the mole people? Did you see the Meghan reveal coming?

Anyway, I love that the show addressed the thing we’d been talking about all along — Julie and Felicity were never great friends to begin with. They’ve been kind of frenemies all along, what with Julie hooking up with Felicity’s crush and then calling Felicity an inexperienced virgin and finally Felicity traveling cross country with Ben. They never had the easy rapport Felicity displays with either Noel or Elena. And it was the song that finally got them talking. Maybe they can start over and grow to become the kind of friends they always assumed they were.

I am so glad that Felicity and Noel are back to talking. The two of them together (plus Elena, especially in the second episode of the two we watched this week) are my favorite part of this show. I know the show eventually drags us back into the will they/won’t they Team Noel situation, but right now I’m just enjoying Scott Foley being fun and funny and not mooning over Felicity. And, yeah, if only Ruby could GTFO really soon.

The other thing this episode was the addition of Teri Polo as Ben’s Older Woman. What did you think of this episode? Was it a little early for one of the characters to be getting involved with a cougar? I mean, 90210 waited until at least Season 4.

Felicity 2.04 art galleryEmma: Oh yeah that lawyer guy was the worst and it’s such a cheap gimmicky set up to get them to talk about what’s going on. Honestly being stuck underground for that long in a situation like that would make me way more cranky that most of these dudes. Having some teen drama to partake in would either send me over the edge or be incredible entertaining. I’m sure the former is more likely than the latter.

The mole people moment was so bizarre and I kind of want it to be this unexplained Meghan thing. Like this is just something she does. Meghan’s wardrobe continues to be the most amazing collection of awful clothes including a pair of snakeskin trousers in this episode.

The label best friend is so funny when you think about it and I remember at high school feeling this weird pressure to have that best friend, so it makes sense that both Felicity and Julie clung to the first person they met. It’s been a very passive aggressive friendship in a way and both their insecurities has impacted their behavior around each other and this competitive nature hasn’t really been present with Felicity and Elena, even with their academic achievements. They fell out because of a guy, but those cracks already existed and I’m all for shows exploring difficult female relationships.

In the end they both end up at the art gallery, despite going their separate ways which seemed to indicate initially that this relationship is dunzo. The photograph that frames them in this final shot is kinda cheesy in its symbolism, but hey I like a bit of cheese sometimes and it worked for me. The next episode has the pair taking more steps towards being friends again and I’m happy that there are not so many fraught relationships on the show, but I’m glad that they’re not instantly besties again. Julie even gives Felicity dating advice and one thing I’m glad the train conversation addressed was how Julie had given Ben a pass while she was super pissed at Felicity, it’s just one of those things and I think people are always going to pick one person to forgive first. It’s just easier that way.

So we never got to hear Julie’s song which puts us in this interesting position – the folks on the train hear the song but only fragments of the Ben, Julie, Felicity drama. Whereas we have seen everything prior to this, but don’t know how badly the song portrays Felicity (though it sounds like it’s pretty mean). This leaves some mystery and while I’d have liked to hear just how bitchy the song is, I also get why we didn’t. Did you want to hear the song?

The Teri Polo older woman story does seem rather sudden, mostly because it looks like Ben moves on pretty quickly. Also she’s an actress I’ve never really warmed to – including my recentish West Wing first watch – so it instantly got my back up. I don’t mind the older woman story and it was inevitably going to happen as this is a story teen shows love to do and it makes it less creepy that it’s a customer rather than a teacher. Jumping ahead to the second episode what do you make of her going cold on Ben after they slept together? She has a pager which is my favorite thing about ’90s technology.

Oh while I’m on the subject of ’90s moments Noel having a G Shock watch is so utterly perfect for this period and of course Ruby is so impressed that he got it off the internet, which I guess at the time wasn’t all that common. Noel is so cutting edge. I’ve also decided that Noel is probably based on JJ in some respects especially as he loves his Apple products. This is probably a better guess than last season’s initial Zach comparison. Fun Noel is good to have around, just get a better love interest dude.

Felicity 2.04 subway

Julie: The whole “Best Friend” label has always felt icky to me. My “Best Friend” in grade school used to make lists ranking her friends all the time. Sometimes I’d be at the top. Sometimes I’d be second or third. It was kind of an S&M friendship, and this was her way of exerting power over me. Since then, I’ve always had trouble naming anyone my “Best Friend.” If your friend is best enough, I’d like to think everyone would know it without having to label it.

I do love that this show (like My So-Called Life before it) is daring to show the complexities of female friendships. There’s just not a lot of that on TV; even Parks & Rec, which is very pro-gal pal, mostly only shows the women on the show respecting and cherishing one another.

I think they do leave the Meghan-as-mole-person thing unexplained, which I appreciate. We don’t need to know any more than the fact that Meghan wanders around the subway late at night with a group of similarly-dressed people. That is plenty.

As far as Julie and Felicity go, I’m glad we didn’t hear the song. I don’t think it would’ve lived up to the hype that Meghan gave it, and it would either make Felicity look petty or Julie look mean. We didn’t need to hear the song to pick a side. We saw what happened. We lived it.

Teri Polo is totally married. I actually don’t know that, because I don’t remember how her storyline turns out, but that’s my guess. She booked it out of there right quick, and that’s why I definitely think Ben is her sidepiece, which doesn’t make me like her any more than I’m already predisposed to like Teri Polo (i.e. not much; I’m in your camp). You are definitely right that Ben moves on too quickly. It’s like — Boom! — he’s over Felicity. He’s over Julie. He’s over everything. He’s all id at this point, Ben. I believe he certainly thinks with his pants’ head more than he thinks with his head head.

But Felicity is also moving on, sort of, with her professor’s son. What did you think of David and the blind date?

Felicity 2.04 Teri Polo

Emma: That Teri Polo theory sounds very plausible, especially as she had to get a new number which is very shady indeed. Ben is the flakiest for sure and I’m kinda sad that we didn’t get an initial Felicity hair reaction. Or he just hasn’t noticed and that would be the most perfect if that’s the case.

Even though it’s SO inappropriate of her professor to set her up and it’s initially an utter disaster, I’m glad Felicity went on that date. She didn’t date during high school and it’s only been Noel and Ben so far which went to a very intense place very quickly. A blind date is just what Felicity needs (incidentally I have never been on a blind date) even if it is a terrible experience. At least she gets to be badass with her French language skills that David didn’t expect she would possess.

There’s something about Felicity that draws people to her that I have a hard time believing she was such a wallflower in high school, I guess she maybe needed a different environment to shine (I sound like a PSA). It might have been the French or David just realised what a drunk dick he’s been as he comes begging for another chance. I love that Felicity doesn’t just accept his apology and she lets him know just how awful he was even if he does have a sad story to explain his behavior (this breakup story reminded me of Before Sunrise and why Jesse is in Europe as I only watched this for the first time recently). It’s no excuses and Meghan’s open jaw reaction to Felicity’s tirade is amazing. Meghan gives amazing reaction face.

Felicity does go on a second date and it’s a lot better than the first, they even hold hands which is pretty adorable. The only point that made me frown at Felicity was during her closing tape to Sally as she explains why she didn’t tell Noel about David – it’s weird for Felicity to talk about the B list date with an A list guy. I get that she’s trying to explain Noel’s position, but this labeling came across as kinda snobby on this occasion. Am I being too harsh on Felicity? Also why do you think Felicity could tell Ben about David and not Noel?

Felicity 2.05 MeghanJulie: Ben totally hasn’t noticed Felicity’s hair! What a dumbass. He is so clueless. At this point, he’s going to need to do a lot of work to even make me consider joining Team Ben. Noel definitely has the edge right now.

I was happy that Felicity stuck up for herself with David, and that they did have a nice second date together, but a big part of me wishes she had just told him off and had that be the end of it. Why did he have to have the sob story? Why did he have to acquit himself so nicely on the second date? And, really, other than her French speaking, what was it that compelled him to even seek her out for a second date? The whole thing just feels like a way to shove Felicity into a new love situation that doesn’t involve Ben or Noel. Why can’t Felicity do the Mindy Lahiri thing and date a new guy every episode for a while? Why does David have to turn out to be kind of a nice guy? It’s all too tidy.

Also, I’m wondering if Felicity isn’t starting to see Noel in a more romantic light right now because of his dalliance with stupid Ruby.

Anything else?

Felicity 2.05 Noel PS1Emma: I would love to see “Felicity dates…” and then just a parade of hot dudes from the late ’90s. The David thing was extra weird as I mentioned on Twitter as I watched Elementary after this and there he was kidnapping Joan. It is a bit too easy that he’s this good guy in the end, they should just let some people be jerks and there’s always some kind of redemption angle.

I think you could be right about Felicity’s reason behind her withholding from Noel and with Ben she seemed more curious than jealous that he had an older lady thing occurring.

We do need to talk about the excellent Noel and Elena bonding subplot over video games that Elena dismissed initially before her competitive nature got the better of her. The only consoles I’ve owned myself are a Megadrive and a Game Boy, we do have a Wii and a PS3 but I use the latter for watching things on and I’m definitely not what you would call a gamer. I tend to be terrible at video games and I have little patience to get any better so I’m definitely the Felicity in all of this. So Noel has got himself a PlayStation and considering how much he likes tech stuff this isn’t a surprise and because I don’t know games all that well I have no idea what they are playing. Whatever it is, it is addictive and Noel blows off class to play. Soon Elena gets sucked in and they become incapable of paying attention to anyone else. This includes ignoring phone calls and blowing off plans. We only get Ruby on the phone in this episode, which pleases me.

It all goes too far when Noel makes a kid cry and I love how disheveled both Elena and Noel look by this point. Now they could just go on YouTube for a walkthrough rather than relying on a 7 year old.

What did you think of this subplot?

Felicity 2.05 Elena and NoelJulie: How did I completely forget about the video game subplot? I loved it! I have been known to become addicted to video games periodically. I spent too much of my 20s enveloped in the Sims universe, suffering a very brief relapse around Christmas last year. We have a PS3, which we’ve just started to use for video games, since my son is into Legos and there are several Lego games. He and I have also become hooked on Skylanders, which is really the most brilliant money-making scheme of all time. Seriously. The creators should be giving seminars.

During freshman year of college, we used to rent a Nintendo 64 console from Blockbuster (how old am I?) during finals week and everyone would congregate in one room and play Bond or MarioKart whenever they had time. After freshman year, John bought his own Nintendo 64, and we’d spend too much time playing the aforementioned games along with Diddy Kong Racing and Mario Golf. I’m sad to say that the console died recently when our basement flooded, taking the Diddy Kong cartridge along with it.

Anyway, yeah. I loved how Elena and Noel had to go old school and get the 411 from a kid (or they could’ve bought one of the game books that we all used to devour back in the day). It’s so much easer in 2014 with the YouTubes and all.

Also, yes, Noel and Elena hanging out > Noel and Ruby hanging out any day of the week.

Julie Hammerle is, according to Klout, an expert in the areas of both Morgan Freeman and glasses. Her writing can be found at chicagonow.com/hammervision and you can holler at her on Twitter as well.

The Americans 2.11 “Stealth” Review: Making a Difference

8 May

Even when Philip and Elizabeth disagree on how to deal with their daughter’s new found interest in religion, they present a united front and this harmony has been developing since the pilot episode. Family has been in focus this season and the idea of making a difference comes to the forefront this week; it is why these characters take the risks they do. This takes several different forms and since Jared’s family was murdered in the premiere the fear for their own kids and Elizabeth’s sense of duty to her fallen friends has taken over.

Stan’s visit to Jared poses a threat on several levels; an ideological one as Elizabeth doesn’t want an American to reveal they were KGB and a more immediate danger as he’s once again looking for the illegals who just happen to be them. Larrick’s revenge mission is fueled by the deaths at the Contra camp and while we don’t know if he has any personal connection to the men Philip and Elizabeth killed, they could just be symbolic brothers to him.

The Americans 2.11 Philip and ElizabethStarting with Larrick and he once again proves what a terrifying enemy he is as he barely questions Kate before he snaps her neck. Larrick is picking off those who Elizabeth and Philip rely on for contact with the Center as he continues his quest to find them. Larrick wants to put an end to this mess, which he in part blames himself for. Unlike Stan who works within certain parameters (which he has broken in the past with Vlad), Larrick is dangerous because he doesn’t appear to have a stopping point and it’s all about self-preservation. Larrick is pissed that he’s had to do so much to damage his country, but he’s done it regardless and when it comes to finding Philip and Elizabeth there’s no guessing what he will do to achieve this objective. Even though he said he didn’t kill Emmett, Leanne and Amelia can we trust him? Threatening or even killing Paige or Henry doesn’t seem beyond the scope of what Larrick is capable of.

Larrick is also doing a very good job of covering his tracks and he removes any trace of his presence in Kate’s apartment. This includes untying her dead body from the ceiling fan and putting everything back as it was. Kate does leave a message behind on the cardboard toilet roll tube showing she’s not the dolt Philip might have suspected she was and she valiantly fought against Larrick, but his size and experience overpowered her. Kate’s last act of defiance involved spitting in his face and not everyone can be coerced into betraying their country. I’m sad to see Kate go so soon as Wrenn Schmidt barely got to scratch the surface with this character; who will be their next handler and will they be up to the high Jennings standard?

the Americans 2.11 Elizabeth puff shirt“Stealth” is very much a table setting episode as the tension and unease continue to grow. The Jennings’ have a list of issues they have to deal with and thankfully Philip seems to have recovered from his brief personal torment a few weeks ago. This isn’t to say that this isn’t going to resurface at any point, but at the moment he is very much focused on the mission at hand. Larrick is one threat and he’s not alone as Stan continues to connect the dots with the illegals and Emmett and Leanne, not to mention the Paige drama that continues. It’s all a balancing act and in part it’s why Elizabeth relents so quickly when Paige asks to go to a demonstration. Paige asks at a time when her parents have much bigger concerns and her pre-planned “Who I am and what I think and believe is mine. I’m me” speech isn’t really necessary – it’s annoying in a way when you have a whole argument ready and your parents say ok straight away. I understand why Paige decides to plead on a personal level as earlier Elizabeth refuses to explain why she can’t go to camp beyond the vague and frustrating “Because I’m your mother” and there’s no way to argue against this kind of reasoning.

In the final scene Elizabeth has an epiphany about her daughter as she notes how similar Paige is to her and how they both want to make a difference, however Paige is looking in the wrong place. Elizabeth talks earlier in the episode about how she doesn’t want Paige to get indoctrinated, but this is also what has happened with Elizabeth and Philip with Communism; it’s just a different kind of ideology and there’s probably a lot of similarities between the Young Pioneers camp that Nina spoke of last week and what Paige wants to do with her summer.

The Americans 2.11 Stan and SandraThis is the “they’re just like us” portion of the week and Stan’s desire to do something worthwhile is not all that different from why Elizabeth and Philip do what they do. Stan’s work is more transparent as he can talk to Henry for his school project about his job in a way Philip never could. There’s a hint of envy when Philip asks Stan to do the hero paper with his son as while his cover job is kind of boring, he would get hero status for what he is doing if they were back in Russia. Stan doesn’t see himself as a hero and the fantasy of the FBI comics he read as a kid chasing down the bad guys outside movie theaters is nothing like his reality and he seems ashamed of his commendation. Feelings of guilt might be overshadowing this joy with his betrayal to his country over the documents he gave Oleg, or because he killed someone in cold blood and then received an award for killing someone else. Being an FBI hero sure looks different to the days of gangsters and Henry’s surprise at the existence of these comics shows just how much the world has changed. Stan still has the desire to make a difference and do something good; this requires compromise and getting your hands dirty and it is something both Philip and Elizabeth know so well.

The grass is always greener and all that as Stan is still very taken with Philip’s new car and his own disintegrating marriage mirrors where we found Philip and Elizabeth at the beginning of the show; the gulf between Sandra and Stan has grown as Philip and Elizabeth’s marriage gained strength. The framing of Stan and Sandra’s scenes has reflected this distance all season and this technique is used once again as they discuss whether their marriage is over. In every sense beyond them saying it out loud it has been done for a long time and there’s no emotional connection between them beyond nostalgia for what they were.

the Americans 2.11 Oleg and NinaStan’s got other problems to deal with as Nina comes to him doing some damsel in distress posturing as she explains her deception has been discovered and while Nina is in a very precarious place, we know part of this plea is a manipulation as Arkady has known for a long time. They are using Nina to get Stealth information from Stan as he has the clearance they need, but Nina will get sent home and face a trial for treason if it all goes wrong or so Arkady says. How much of this is part of a bluff or double bluff is unclear and yet I am pretty certain that Arkady wanted Oleg to tell Nina that she is in danger.

Oleg praised Nina earlier this season for not trusting him and in the world they live in there aren’t many people who can be relied on. Philip and Elizabeth have this trust and no matter how much Oleg cares for Nina (and I think he has fallen for her), Nina is caught in a perilous position as she is being used by both sides. The Lenin Young Pioneers pin is a very sweet touch as Oleg has moved from antagonist to confidant. I could be completely wrong and Oleg might still be working all the angles for himself, I just don’t know anymore.

The Americans 2.11 PhilipOne person who keeps coming up with the goods is Fred as he provides Philip with the necessary person who knows all about the tech side of Stealth and it’s one of the ultimate “Hey! It’s that guy!” Zeljko Ivanek. Ivanek is playing John Skeevers who worked on RAM and has since got cancer that he blames on the paint that was used to suspend microscopic balls as part of technology for Stealth. This introduces us to a new Philip disguise and this one is on the very hairy side. It’s all about finding someone’s vulnerability and using this to their advantage; John’s memory might be a bit unreliable as he can’t remember who Philip is (which also is a bonus), but he is coherent enough to reveal some important detail about the paint and the bad side effects.

The Americans 2.11 ElizabethJared is also in a vulnerable position and Stan’s visit prompts Elizabeth to don her short wig and big glasses as she poses once again as someone from the Child Advocacy Center. Elizabeth is feeling guilty for burning Leanne’s letter and Elizabeth feels responsible for him. Jared knows that something is up and boy does this kid break my heart as his eyes plead with her to tell him the truth. Jared also meets with Kate and this is another mystery for The Americans to solve in the next two episodes; why was she visiting him in no form of disguise? Why do they have to get Jared out?

Making a difference and compromise are two key themes in “Stealth” and this episode suggests that achieving both is an extremely difficult task when the stakes are this high. Missions have been going wrong all season and as the tangled web grows, Philip and Elizabeth might get to a point where they will have to make a choice between family and their duty to the cause.

The Mindy Project and the Rom-Com Narrative Part 4

7 May

The first part of The Mindy Project and the rom-com narrative started back in September when the show returned for season 2 and it’s sprawled into a much bigger discussion as this year has progressed. At the time I tried to resist the Mindy/Danny “will they/won’t they” set up that was clearly taking place and while I couldn’t deny their super hot chemistry, a really great platonic male/female friendship on TV is the dream (it’s something I elaborate further on in the Felicity chat later this week). The Peter and Mindy dynamic has been pleasant surprise and this does hold the potential to be just this type of relationship.  After the season 2 premiere I was pretty conflicted about the Danny and Mindy coupling and as the season progressed it became impossible not to jump on board this ship.

The Mindy ProjectFor all of The Mindy Project’s creative stumbles and constant changes, the one aspect that has been stable throughout is the exploration of rom-coms that both Mindy Lahiri the protagonist and Mindy Kaling the creator know so well. The Danny/Mindy relationship is the other constant since the pilot episode and despite my reservations about the romance angle, the plotting this season has been magnificent. After the incredible first kiss, the first obstacle came in the form of keeping the relationship secret and it’s all part of the TV dilemma of “What next?” that the movies Mindy adores don’t have to deal with. The suddenness of the breakup after a long build-up and tonally awkward episodes that followed suggested they might have wasted an opportunity by not sticking the landing. This hasn’t been the case and last week’s rejection by Mindy, followed by the ups and downs of this pairing in the finale show how Kaling has a firm grip on who this character is and what she wants this relationship to be.

Before we get to the “What next?” sequel let’s have a look at where we are right now. Grand romantic gestures are important to Mindy, but she’s not just a day dreamer with unrealistic expectations and it’s why it was important that Danny has to work to win her back after he broke up with her initially. It’s why I’m glad that Mindy rejected his kiss last week after he only showed interest in her when there was another guy on the scene. Danny felt like he was recreating the plane moment and instead he didn’t consider how Mindy would feel about his hot/cold behavior.

In the finale Danny decides to go for another tactic he thinks she will dig and that’s a catfish plan using the “Was it You?” column in the paper posing as Andy (or Dr Greg from Mad Men). It’s a set up straight out of a Nora Ephron movie which is why Danny thinks it’s a winning idea and the Bradley Cooper photo pinned to his mirror so he can recreate the three-piece suit look is maybe the most adorable thing he has done. To stop Mindy from coming up to his apartment and ruining the surprise, Danny lies and says he’s “being intimate with himself” and I would never have predicted that two different comedies would use The Good Wife as part of a masturbating gag this season (the other being Broad City). I guess it can be a pretty sexy show. When Mindy tells Danny that he was right about them not being a couple he gets cold feet and instead of telling Mindy the truth he lets her go to the Empire State Building where he knows she’s going to get stood up and that’s pretty shitty.

The montage and Danny narration as they take in the sites of everywhere Megan Ryan has laugh/cried is the most adorable and it’s something I was anticipating thanks to the preview Kaling gave on her Instagram last month when they were shooting these scenes. This show gets the rom-com moments spot on, including the misunderstandings that almost doom the relationship. When Mindy see fake Andy on the subway and starts yelling at him it is time for Danny to come clean. Danny’s initial email plan has all the marks of a grand romantic gesture, but it’s also based on deceit and while rom-coms have these kinds of moments, Danny has read this situation completely wrong.

Danny not wanting to come clean about their relationship in front of their colleagues was the ultimate slap in the face for Mindy and it’s why she has a hard time buying his “I love you declarations” as they are just words and she can’t trust anything he says “because you love me until you don’t.” This conversation in the bathroom is a heartbreaking repeat of when Mindy called Danny on his “I don’t want to lose my best friend” BS reason for breaking up. It’s teary once again and this is when The Mindy Project feels at its most real; the rom-com is just the palette they work from and they can do emotional honesty just as well. Mindy doesn’t want to fall for this as despite these romantic notions she still has self-worth and she doesn’t want to be made a fool of again.

It all comes back to the earrings that Mindy left behind at Danny’s apartment as the sign that Mindy needs; words can be manipulated but the inclusion of these earrings in Danny’s box of important stuff speaks so much louder. The build up to the Empire State Building climax uses Bruce Springsteen, Danny getting hit by a cab but running on regardless and Mindy having to take the stairs as the lift is briefly out. All the trappings for an excellent ending and as I’ve walked 20 flights of those stairs I know I would definitely be lying on the floor wheezing like Mindy is after climbing all of them. Danny’s “I wanna go all in” is wonderfully misinterpreted by Mindy and their final smooch is adorable even if they’re lying on a probably dirty floor. They just don’t care.

So, what next?

New Girl 3.23 “Cruise” Review: Dealing with the Weird

7 May

There are certain expectations when it comes to sitcom romance and this is especially true when it starts with such a strong “will they/won’t they” connection. It is hard to subvert this and keep the audience guessing and both the previous New Girl finales concluded in mostly predictable ways; season 1 ended with Nick’s deciding that moving in with Caroline was a bad idea and last year had Nick and Jess finally committing to something together as they drove off to a destination unknown together. With “Cruise” they went in a very different direction as they doubled down on the breakup as they continue to deal with their awkward ex status.

NewGirl-Ep323_TBD-Sc27_0232The cruise location is a fun way to get everyone together in the same place that isn’t the loft and as they’ve done desert and a wedding in the previous finales, they need to up the ante with the location. The first half of the episode has the characters scattered; Coach is mostly absent due to his fear of boats, Winston is doing Winston things, Schmidt’s trying to find the perfect time to approach Cece and Nick and Jess are partaking in the romantic activities they have already paid for. These include yoga with bonus genital breathing, a massage that has the pair revealing how well they know each other and explaining why they broke up (“We were just totally different people” “We just didn’t belong together”) and the best photo shoot I have seen since this Avril Lavigne meet and greet. Their day ends with a lot of wine drinking and what seems like an inevitable reunion is instead a super sloppy attempt at a kiss from Nick.

The boat location also helps show off Zooey Deschanel’s nautical/mod inspired Tommy Hilfiger collection in what I guess counts as product placement and yes I still really want the shirt dress.

It would be easy to have Nick and Jess getting back together or at least sharing a kiss in the season finale and to be honest it’s what I figured was going to happen. Instead what they have done is show how Nick and Jess are wrong about the fundamental reason behind their split as they’re not so different after all. Despite misreading signals and not being able to decide between a handshake, curtsy or a hug – this felt like a callback to “Cooler” when they were debating whether to kiss behind the iron curtain – they are so in tune with each other. During their activities they find the same things funny, are equally as terrible at making towel swans and get the same weird eye thing during their massage prompting a whole lot of high fives. While their attempts at non-sexy sexy poses bum the photographer out, they do a good range of buddy movie stances way better than whatever awkward posing you normally get from this kind of photo shoot (that’s a Buzzfeed listicle I want to see). They both only know starboard, I can guarantee they don’t know what side that is.

This is a weird breakup for multiple reasons and it mostly lies in this “we’re so different” explanation and this finale compounds this further. In fact it is also a good metaphor for the whole season which has tonally and narratively been all over the place. Some might put this down to Nick and Jess being together and for anyone who has been reading these reviews all season, you will know that I don’t adhere to this school of thought. For me, Nick and Jess have been the one consistent good element and it’s how everyone else fits into the story that has been the issue. By breaking them up this could be a way to get a handle on these other elements and they’ve come up with a way to keep everyone in the loft now that we know Coach will be sticking around (Damon Wayans Jr. has been made a regular for season 4) as Schmidt and Nick are returning to their college sleeping arrangement with bunk beds.

When New Girl started Jess was deemed the kooky one; since then every single one of these characters has shown that they are their very own weirdo. Together some of this weirdness is intensified and I’d say this is the case with Nick and Jess as friends, as a couple and as exes. By leaning into this with the scene in the cabin followed by a brief flash of how they look after being locked in their cabin for three days – “I am the queen of Wednesdays” – it highlights what New Girl does best and this is the friendships between the characters with all their quirks. The joke is in the brevity of this moment, but I’d quite happily watch an entire episode of them being stuck in that room together.

Winston has been all about the weird this season and despite feeling untethered and random at times, he’s also been this season’s comedy MVP. This continues in the finale with his glee at the knife fishing he has signed them up to (that might also involve a machine gun) and how he has had nightmares about making out with himself and Nick. Winston gave the push Nick needed in the season 2 finale to pursue Jess rather than drowning his sorrows in booze and he’s instrumental in the plan to get Nick and Jess to address what is going on between them.

Schmidt puts it best as he states “This is really confusing” and the mention of a near kiss has the group asking if they are together or they’re not. Potential new beaus (hunks and ho-bags) are referenced and it’s like they are speaking for the audience as they discuss why living with your ex is plagued with danger. My pro Nick and Jess stance is pretty clear, but I’m also looking forward to seeing how the show is going to navigate their relationship as friends when we return next season. If they had got back together in this finale then it might have made them an even lower stakes couple as the breakup would have only lasted for a few episodes. It is the quandary any writer has about getting a couple together and I do think they maybe regret how quickly they moved forward with Nick and Jess.

NG_323-29_0106There is another “will they/won’t they” and this one I’m a bit more tentative towards as the Cece and Schmidt dynamic has been full of false starts. Season finales can bring characters together as much as breaking them apart and in season 1 Schmidt ‘White Fanged’ Cece into ending it with him and last year he kind of won her back as she ditched her wedding for him (though he also had reunited with Elizabeth, his college girlfriend too). Now Schmidt wants her back, because of course and he stops himself from doing it first thanks to Winston “Grumpy Gussing” him, followed by Cece talking about her relationship with Buster (which we’ve seen very little of on camera). Now it looks like Cece is checking out Schmidt in their newly framed family portrait and the cycle continues.

Season 3 has been awkward and messy, but it’s also been ambitious and I’d rather be watching a show that tries different things and fails to hit the mark sometimes, than one that sticks to safe with the same stories each week. The resolution of this year was definitely a surprise and this is hard to achieve when we’ve become so accustomed to the rules of sitcoms. New Girl might not have hit the heights of season 2, but I’m definitely intrigued as to how they will solve all these unresolved issues come next year.

Jon Hamm Covers Vanity Fair

6 May

The Mad Men magazine cover parade continues and if you haven’t had enough of men in tuxedos from today’s Met Gala posts then here is another treat as Jon Hamm is wearing tails on the June issue of Vanity Fair.

Vanity FairOne slight criticism in that I wish they had either gone full beard – which we know Hamm can grow – or clean shaven. This in-between stubble is not really working for me.

Best of the 2014 Met Gala – Part Two

6 May

Continuing our look at the Met Gala celebrating Charles James and part two (head here for part one) is focusing on the couples and dudes.

Emma StoneEmma Stone and Andrew Garfield have been on the promo trail for The Amazing Spider-Man 2 for months it seems and both of them deliver once again. While I’m mourning the loss of Andrew Garfield’s incredible hair, Emma Stone is doing a good distraction job with a chunky side-braid that’s making me long for hair that can be tied up again. Stone’s Thakoon two-piece in pink and magenta is incredibly eye-catching and the leg slit is tastefully provocative. In a grey Band of Outsiders tux jacket, Garfield is complementing the pinks of Stone’s ensemble while also standing out himself.

Diane Kruger and Joshua JacksonDiane Kruger and Joshua Jackson were on the most anticipated list and they didn’t disappoint. Diane Kruger’s Jason Wu for Hugo Boss is sleek and the contrasting shimmery fabric on the bottom half is mesmerizing. Jackson doesn’t look too bad either. So many Pacey feelings right now.

Beyonce and Jay-ZBeyoncé’s black beaded Givenchy Couture gown is super sexy and like nothing else we saw on the red carpet at the Met Gala. The beaded veil ties the look together and the pop of burgundy lip color adds more dramatic impact. This is a great turn from Beyoncé and she tends to bring her A-game to this event (and to everything she does really). Jay Z is looking pretty dapper in a white tux jacket.

Sarah Silverman and Michael SheenSarah Silverman tends to do things differently on the red carpet and on this occasion she is wearing a maroon Zac Posen that is possibly the best interpretation of the 2014 theme (maybe tying with Taylor Swift). Michael Sheen’s done the decoration part of the dress code and the couple will be appearing together in the new season of Masters of Sex (which I’m already super anticipating).

Blake LivelyOne couple who don’t tend to pose together on the red carpet did away with this eye roll inducing policy last night. Both Blake Lively and Ryan Reynolds are wearing Gucci with Lively injecting some old Hollywood glamour into the Charles James celebration. This gown is pure Blake Lively (maybe too much) and the train adds a hint of romanticism to the look.

Claire Danes and Hugh DancyClaire Danes’ Oscar de la Renta gown is one we featured during NYFW and where Emma Stone’s ensemble is putting a contemporary twist on the Charles James theme, Danes is doing the same with color blocking pink and burgundy in a classic structured gown. The velvet/satin material twist is doing something different and a beardy Hugh Dancy looks pretty sharp in his traditional tuxedo.

Kim KCredit where credit is due as Kim Kardashian shows a big improvement on last year’s floral disaster. Maybe it’s the recent Vogue cover, but both Kim and Kanye look pretty damn good in Lanvin. Kanye’s gone all in with tails and a white piqué vest and while Kim’s daring thigh split was problematic, there’s no need to dwell on that when they look this good.

Matt BomerNow to the dudes and Matt Bomer in a tux is pretty much all I need to say.

Benedict CumberbatchFollowed quickly by Benedict Cumberbatch in tails and he’s observing the dress code for the guys which asked for white tie and decorations – most have the white tie down, but Cumberbatch goes the extra distance with a pocket chain. Very dapper indeed.

For part one of our Met Gala coverage head here.

Best of the 2014 Met Gala – Part One

6 May

The Met Gala is a lavish affair and the decadent red carpet showcases some of the more theatrical gowns; unlike something like the Oscars this event expects daring attire that might look out of place elsewhere. Last year’s punk theme was one many struggled with, in that they looked amazing but there was nothing particularly punk on display. Couturier Charles James is celebrated this year; both at the Met Gala and at the Met’s new Costume Institute exhibition as his designs revolutionized the world of fashion. Charles James was a perfectionist and he created incredibly structured and exquisite gowns. This is how fashion designers paid homage to this work and influence.

This is part one (for part two head here) and it is a picture heavy post. Enjoy!

Lena DunhamLast year Lena Dunham looked amazing and she’s done it once again; the Met Gala is where Dunham gets it right. Mullet dresses tend to make me shudder and yet this Giambattista Valli Spring 2014 Couture is rather beautiful. The floral embroidery is exquisite and while I would have maybe added a necklace, it is dramatic enough as it is.

Janelle MonaeI can’t resist a cape even if it could double as a tapestry and Janelle Monae’s Tadashi ensemble is the kind of theatricality this event demands. Monae shows how pants can be just as eye-catching as any fancy gown and this is one of the most memorable looks of the night.

Lake BellThe next two pieces are from Tommy Hilfiger and use his signature colors of red, white and blue. Hilfiger is all about the classic approach and Lake Bell’s red gown is beautiful in its simplicity. One way to add impact is with a statement necklace and bold lip color/minimal makeup enhances Bell’s look.

Zooey DeschanelZooey Deschanel wore Tommy Hilfiger last year and it’s no surprise to see her wearing a gown made by her recent collaborator. Details I adore include the feathered shoulders, and the stunning Chanel Ruban Mademoiselle necklace. The white belt and train add the necessary drama, however her hair is giving me images of 80s volume which on this occasion is not a good thing.

Taylor SwiftTaylor Swift was one of the only attendees who managed the punk theme and she’s once again on point in this Oscar de la Renta gown (minus the cat) in a gown that takes the structured element of Charles James’ work and runs with it. The punk theme saw a style departure for Swift, whereas this is very much in her style comfort range and she looks stunning once again.

Olivia MunnNow here’s one of my favorite approaches to hair styling at the Met Gala as Olivia Munn’s gold hairpiece and loose curls complement this stunning Diane von Furstenberg yellow gown. It’s maybe a bit too cleavy for this event, however the color is stunning and the long sleeves have a way of balancing out the plunging neckline. Munn isn’t overly done up either with just an orange pop on her lips.

Emmy RossumMore color and this time a floral explosion from Emmy Rossum in Carolina Herrera. It’s a structured ball gown and one of the more overt Charles James tributes.

Jessica PareAnother play on the floral look as Jessica Paré opts for Michael Kors and monochrome. This might be a case of needing a necklace and yet I think the lack of one adds to the elegance of the look, especially as Paré’s sleek updo, bright pink lip color and super sparkly earrings add the required impact.

Michelle WilliamsMichelle Williams keeps it simple and chic in shimmery Louis Vuitton. I adore this dress and I’m glad to see a variety of frock lengths, however this dress doesn’t scream Met Gala. Still super cute though.

Leighton MeesterLeighton Meester is going all 70s boho in gold Emilio Pucci. Pulling off both the plunging neckline and high leg slit, Meester looks amazing.

Maggie Gyllenhaal capeMaggie Gyllenhaal’s Valentino dress and matching cape is going to be pretty divisive and it might be cape bias, but I think this is terrific and hey it’s the Met Gala so these more costumey pieces are more than welcome. This also has a whole 70s thing going on with the color palette and dramatic dots (which you know, I’m also partial to). The super blonde pixie cut is also doing it for me.

Brie LarsonBrie Larson’s robot-esque space pajamas from Prada is another ensemble that might raise the wrong kind of eyebrows, but it’s getting only good eyebrows and hand claps from here. Setting it off is the hair twist as Larson goes all in.

For more Met Gala coverage head here.

Mad Men Music Monday: “On a Carousel”

5 May

A carousel is a symbolic high point for Mad Men as Don channeled his inner turmoil in the season 1 finale to perform one of the pitches of his career. When he tried to recreate this by combining a personal anecdote with a product at the end of last year it had the opposite effect as he went too far; stories about family are a yes, stories of whorehouses are a big no. Don is back at work and he’s acting like a spoiled child and he’s no longer the superstar genius who everyone wants to work with. To people like Ken, who bought up the carousel pitch last week he still holds mysticism and charm, to Peggy and most of the partners he is a liability who might implode at any minute.

Mad Men 7.04 DonAfter a much needed pep talk from Freddie, who like Don has tried to find a solution at the bottom of a bottle, Don goes back to work with the right frame of mind. Freddie didn’t get the chance to make up for his pissing in the office misdemeanor, even though this was something that happened behind closed doors and his six months leave was a polite way of saying fired. Freddie has become Don’s mirror in a way and a lot of this final season is circling back on the first. It’s why the carousel is still an important image, despite that episode ending with personal sorrow as Don returned to an empty house.

This week closes with The Hollies singing “On a Carousel” and with the repetition of “up, down, up, down” it is a tad on the nose, but hey it’s the closing credit music so I’ll give it a pass. That is also an Olivia Pope combined with Alicia Florrick size wine glass on the single cover.

 

 

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