TV Ate My Wardrobe

Looking to the past and asking questions about the future is what advertising does by using nostalgia and desire for the things we had/want to shift products. Mad Men explores this notion throughout its seven seasons charting one decade and the two that bookend it. The 50s influence was clear to see at the start of the show from the style to the traditional Draper family setup.

Change has come in an explosive fashion throughout this ten year period and when a new decade begins there are plenty of questions/thinkpieces (even before this term was a thing) about what the future will look like, while examining the ten year period that has just occurred. The question of the future is something that looms over this episode which is kicked off by Roger giving Don the task of writing their Gettysburg Address for his work trip to the Bahamas.

This is the most we have seen Don work in a while, but all he really does is ask other people how they see their future because he has no idea about his own. We see another divorced man celebrating the freedom of no plans, but without anything to look forward to, what is the point? Even the empty apartment which Don swears had some good times – all I can think of is arguments aplenty and Zou Bisou Bisou – is gone by the end of the episode and we are left with Don out in the hallway with no idea what the fuck he is going to do. Enter this week’s killer closing credits song choice with Roberta Flack singing “The First Time Ever I Saw Your Face” and even though Don’s sad face often has me rolling my eyes in exasperation on this occasion and with this song I feel for the dude.

You know who I feel more for? Yep, it’s Sally after she has to endure not one but two flirtatious encounters with her parents and her friends. The Glen/Betty relationship has always included this weird energy and Betty is incapable of not making something about her as she has this desire to be better than everyone, even her own kids.

Don’s problem comes courtesy of his inability not to flirt if presented with the opportunity; on this occasion he claims he played along so not to embarrass Sally’s friend Sarah and even if this is the case it is still worthy of every moment of side eye and snark that Sally sends in the direction of her father. Before she gets on the bus she tells Don that he “can’t control himself” and that if anyone pays attention to either him or Betty then they just “ooze everywhere.” That imagery alone conjures up a whole lot and considering what Sally has walked in on the past it has a profound effect on how she views these interactions. Sally digs the knife in a little further by pointing out that she will hopefully be different to her parents, but Don flips this back on her by telling her “you are like your mother and me, you’re going to find that out.” Run, Sally, run!

Expectation versus reality comes into play throughout the episode and while advertising is fleeting – Don lightly scoffs at Peggy’s desire to create something with lasting value – it uses certain hopes/dreams to sell a product to us. No, this new vacuum cleaner won’t turn a house into a happy magical home, but they might use that idea to get you to buy one. So when Glen comes to see Sally, he’s really there to see Betty and he’s hoping to get something good out of his Vietnam predicament. Betty isn’t the reason Glen is going to fight in a war we have previously seen him want to protest (as Sally pointedly reminds him while also asking him “are you fucking stupid?”), but if he can re-establish his connection to Betty through this, then maybe there is a point. The same goes for Joan and Richard as his version of a post-divorce plan is ruined by Joan having a four-year old, something Joan inadvertently yells at Kevin about, but luckily her resentment is directed at the babysitter and then she feels like shit about it. Later on she snarks at Richard how she ditched her son for him.

There is a lot of disappointment oozing its way through the episode and a whole lot of side eye and angry face going on as demonstrated by this picture parade of brilliant reactions to dudes pissing off these ladies:

Oh, Pete.

Oh, Richard.

Oh, Don.

And Sally isn’t the only one in Don’s firing line this week as Mathis takes Don’s ‘no apology’ advice after a horrific pitch meeting and ends up getting fired because he is no Don Draper. Mathis breaks the whole thing down saying how Don can get away with behaving like this because of how he looks and how the Lucky Strike story where he doesn’t give a shit about offending the clients is different in reality; it was only because Lee Garner Jr thought he was hot that earned him a valued seat in those meetings. Ahh, the handsome bubble. See expectation versus reality. You can dream big all you want but there will forever be obstacles in your way. Whatever magazines dare to envision for this new decade as hope springs forth will get mired down by what has come before it and the Vietnam War is not just going to go away because it is 1970. The past will haunt the present and while this allows us to dream for a better future, this won’t always be the case.

What do you see for the future?

Tags: "The Forecast", 7.10, Betty Draper (Francis), costume design, Don Draper, Elisabeth Moss, Janie Bryant, January Jones, Jon Hamm, Kiernan Shipka, Mad Men, Magazine Covers, Peggy Olson, Sally Draper