What’s in a Dress on The Affair?

21 Oct

The Affair has many secrets it is yet to divulge including the identity of the person who has been killed and why the police want to talk to Noah and Alison about their relationship in so much depth. It is a show that begs to be watched more than once from the way scenarios change and the dialogue differs in both perspectives. It is a spot the difference if you will and this goes beyond the words that are said with hairstyles and clothing differing in each version of events. I’m going to focus in on the latter and the dress Helen wore to the fancy soiree at her father’s house in the second episode.

At this point we don’t know if Alison or Noah is reliable in their recollections as there are enough discrepancies to suggest both have inaccurate memories. Or they are both lying. Or one of them has a better memory. The other thing to remember is this is also a matter of perspective so Alison comes across as sexier in Noah’s version, whereas in her own retelling of the story her dress and mannerisms are far more tempered around him. By looking at how they view the secondary characters we can also learn more about Noah and Alison, which is where Helen and her dress come in.

The Affair 1.02 which dressHelen asks her husband’s opinion regarding which dress she should wear with Noah picking the one that looks slinkier and with a whole lot of plunge and cut outs. Helen instead picks the more covered up simple dress and this is the one we see her wearing at the party. Helen looks pretty, but there is nothing about this outfit that suggests she is a woman who comes from money. Noah’s side of the story reveals Helen to be a good mom who isn’t really anything like her parents (who he clearly despises) and while they’re still sexually active they constantly get interrupted by the kids. There is no time for just them and any excitement Noah once had about this relationship is now gone; he even turns down her shower suggesting as he’s too busy masturbating to thoughts of Alison. Which, urgh Noah you’re wife seems pretty great to be honest and you’re just feeling restless about the life you are living. This projection of his wife could also be coming from a place of guilt and so the version of Helen we are seeing is everything good.

The Affair 1.02 Noah and HelenAt the party the woman Helen’s father had an affair with is there and Noah listens while Helen has a mini meltdown about this intrusion. Later in a move that maybe makes Noah feel emasculated (so much eye rolls towards Noah’s discomfort in this scene); Helen tries to big up his second book while also complimenting his less commercial first novel. Alison delivers a whisky to Noah in this scene and there is no interaction between Helen and Alison, not even an acknowledgement they have met before. This could be Noah separating the two women in his life as best he can.

The Affair 1.02 dress fixingWhen we see this scene take place from Alison’s side there is not only interaction, but the same level of intrusive comments from the rich to the wait staff as if they think they have the right to make overly long remarks about personal tragedy (Helen’s mother to Alison) and to fix Alison’s dress in front of everyone with an unsubtle reference to the tightness. It is both patronizing and humiliating with a strong whiff of belittling. Helen is cut from the same summer folk cloth as her mother to Alison; the precise demands she makes about the glass of water (no ice) and a very thin sliver of cake sounds so utterly specific and ridiculous. Helen is stood on the opposite side of the table to her husband, rather than by his side and everything in part two suggests there is no closeness between husband and wife.

The Affair 1.02 Alison's versionThis is clear in the interaction Alison witnesses above and it is a hostile looking conversation between Helen and Noah. Helen’s dress is far more opulent here and she looks like a woman of money in her stance and styling. There is nothing approachable about Helen in this scenario and something as simple as an updo can make a character look frosty in comparison to the no fuss hair down approach of Helen in the first part. Alison’s hair also changes between the two; Noah remembers it being down and flirty (maybe Noah thinks of women with their hair down) whereas it is tied back when Alison recalls this evening.

It’s funny that I was leaning towards Alison being the more reliable unreliable narrator up to the point where she paints Helen as just another rich lady bitch and my sympathy at this point is very much with Helen. Maybe this is because I really like Maura Tierney, but also because up to this interpretation of her she seems pretty great. Of course this could be Noah romanticizing the woman he is stepping out on and the mother of his children and in the same respect Alison might be painting her in a more negative light to ease her guilt.

For another spouse comparison here is how Noah sees Cole as the cowboy and super macho dude:

The Affair 1.02 Cowboy ColeLater Noah comments that “married people don’t fuck like that” adding further credence to this idea that Noah’s perspective of Cole is all about masculinity and excitement.

The Affair 1.02 ColeTo Alison, Cole on the same day looks like the surfer dude from the first episode in a Henley and sans cowboy hat. The change of top could simply be that Cole was all sweaty from working and horse riding and yet it is notable because they look like two very different kinds of people in these shots.

The narrative set up on The Affair is disorientating because it isn’t clear at this point exactly what is going on or what is motivating Noah and Alison in the present day scenes. Costume projects an image telling us more about the character in question and because clothing is being used to show differing perspectives on this show it adds another level of intrigue; sometimes the changes are subtle with how well something fits and at other points such as Helen’s party dress the discrepancies are far bigger. Maybe Helen wore neither of those dresses to the party and we might end up seeing a third version of this pivotal event showing what really occurred.

 

Sucking it Up on The Good Wife

20 Oct

From Scorned Wife to State’s Attorney Candidate! The political press has been gifted a great fairy tale of sorts with Alicia’s announcement and it is not surprising to see direct callbacks to The Good Wife’s pilot this week; the media use the shot of Alicia standing by her man at the prostitute confession press conference to frame this narrative and the audience revisits the corridor of confrontation where Alicia slapped Peter in the very first episode and it acts as a Peter/Alicia showdown location once again.

This is a strong visual parallel and “Shiny Objects” is primarily concerned with the idea of compromise and while we’ve seen Alicia make a lot of sacrifices for Peter in the past, she’s no longer the meek looking woman standing beside him when he needs her to be the ‘good wife.’ If a relationship is all about the give and take, then Alicia is using this moment to show Peter how serious she was when she said their facade of a marriage would benefit them both.

The Good Wife 6.05 news coverageSince Will’s death Alicia has questioned her role in the legal world, wondering if she made a mistake becoming a lawyer and this crisis of faith (the faith being the law) was completely understandable given the personal trauma. A new fire has been lit inside her and despite all of Alicia’s persistent remarks that she wasn’t going to run, it was very clear from the first episode of season 6 that Alicia would enter the SA race. Flattery is a big part of her decision and who wouldn’t want to run after multiple people (including personal heroes) have said how good she would be. On this stage Alicia is the shiny object and Peter is the one dishing out all the compliments and no matter how much disdain she has for him earlier in the episode, Alicia can’t hide how much pleasure she derives from Peter showing up like a hero at the crucial moment.

Peter might come across as the good husband at the end of the episode, but it is only after he has acted like a spoiled brat not wanting to share the stage with a dude who he thinks Alicia is sleeping with. It’s all about pride of course and during this argument Peter isn’t willing to concede. Instead he resorts to pathetic innuendos when Alicia tells him to suck it up, suggesting this is what Alicia has been doing with Finn. No, nothing has happened between this pair beyond so much flirty banter on the phone and in bars (just kiss already please). Alicia is the one with the power in her personal relationship with Peter as she laid out the rules of their marriage and there has been no wiggle room for reconciliation; these are Alicia’s terms and she’s not letting him get close again. This is until he swoops in to offer his endorsement after Finn has delivered his; this is quite the master manipulation moment and I wonder if this action will open Alicia up to a more cordial and receptive relationship with her husband.

The marriage for show arrangement to help both their careers is going to get more difficult as the spotlight will be firmly back on their every move and they might have to spend more time together to sell the whole power couple thing to the public. Alicia brought up the prostitute scandal to emphasize why Peter was out of turn for objecting to Finn’s involvement and considering the location of the argument (the same corridor from the slap in the pilot) it isn’t surprising that Alicia’s mind went there. Plus it is her trump card in any given situation considering she “stood by you like a grinning fool” – sidenote there is no grinning on display when Alicia stood by his side 5 years ago – and he really does owe her for this. Peter tells her to “Let it go” (cue singing) and is he justified in this response?

Eli and Johnny are both concerned that if Peter is on stage when Alicia makes her speech it will recreate the scandal photo and Peter knowingly stays on stage despite this strong visual reminder. It looks like he is making a sacrifice for Alicia by doing this, but to me this is all about creating an image of humility and it also removes any kind of spotlight that might have been on Finn. Alicia tells Peter that Finn is sticking his neck out with his standing in the SA office and if he is indeed jeopardizing his already wobbly relationship with Castro then Peter is making sure Finn is doing it for no plaudits whatsoever. Finn claims he isn’t sacrificing anything when Alicia tries to bump him from saying a few words by using concern for his job when Peter is the actual reason. The scene in the bar points to a couple of things; it is another case of flattery convincing Alicia as his words prompt her defiance in the face of Peter’s petty objection and Finn is rather attuned to Alicia’s moods as he can tell she’s not giving him the real reason. This is something we have seen time and time again with this pairing (including earlier on the phone in this episode) and there’s a real sense of compatibility here beyond the crackling chemistry.

Other than the positioning of which side they are standing on the two photos from the scandal press conference to the endorsement couldn’t be more different and it is perfect fodder for the MSM (oh Eli). Alicia hasn’t worn red for quite some time now and it is significant that she chooses her power color in this moment. It projects strength and it is the polar opposite of her ‘wife of a politician’ houndstooth suit and pearls; there is no way she would wear something like the 2009 suit now (in my head she had a burning ritual of all her ‘good wife’ outfits, or at least gave them away). The 2009 shot shows a washed out, meek woman standing by her husband in this humiliating moment. Today she is standing strong, her hair looks fantastic and her husband is the one at her side and he is beaming with pride. Alicia is in command and she made this happen by not taking any of Peter’s macho BS earlier in the episode while pointing out how this works in his favor too. Peter’s pride is a big factor in his earlier ranting and rather than back down from her position, Alicia makes him see how his bullish behavior isn’t going to work and the compromise is going to work for him if he will let it.

There are other sacrifices made this week and after Diane clicks on a link that makes her look pretty naive it takes her back to her former firm and the position of asking David Lee for help. It’s not something Diane is all too happy about and she approaches her old office tentatively, before returning to a power walk when she is in view of her old office and David Lee’s new one. Diane’s return to her former workplace attire as is still Diane Lockhart levels of chic, but the Akris houndstooth coat is relatively understated.

The Good Wife 6.05 DianeParticularly when compared to the bold leopard jacquard Escada coat and chain statement necklace outfit she wore when she finished her last day at the firm. Same killer red lip color. Diane stalking the corridors of LG (or whatever its name is now) is always a joy to behold as she moves with such grace even when she is out of her comfort zone.

The Good Wife 6.02 DianeDiane has a pretty shitty week and the romanticism of a start-up firm is trumped by the less than perfect surroundings that she has become accustomed to and the cockroach in her drawer is the final straw. Diane reveals what David Lee told her about the LG lease that is still in her name and while he tried to use it to gain the upper hand he has given Diane the leverage to move her new firm back to the old one. To me this feels like regression and I can’t imagine Cary will be on board with this plan even if it does fuck over David Lee and Louis Canning. There are so many memories attached to their old offices and this power play could disrupt the already precarious workplace politics.

Meanwhile Kalinda continues to do what Kalinda does and use all of her sources to get the job done and this means no personal sharing even after the most intimate of acts. Kalinda has strong boundaries and she could end up pushing everyone away if she doesn’t learn to open up to those closest to her. Now that it has been announced that Archie Panjabi will exit by the end of the year I hope they will build upon these trust issues beyond just the rotation of former lovers in positions of power.

Returning to Alicia and the new phase this character is entering as we have already seen how much this decision has impacted those closest to her by essentially alienating her son and brother. Pushing people away is something Alicia is very good at as a form of self-protection – and it’s something she shares with Kalinda – and this campaign will test the limits of those closest to her.

Out of the Box: Look of the Week

17 Oct

Pretty, patterned and textured (alliteration be damned) frocks ahoy from a variety of premieres, award shows and red carpet events on this edition of “Out of the Box.”

Aubrey PlazaIt’s not just because of the all important pocket factor that makes me head over heels for Aubrey Plaza in Mary Katrantzou; the bold and colorful print is pure Mary Katrantzou magic and Plaza is a sartorial delight. There’s no need for accessories with a dress like this and I’m so happy to see gold sandals rather than nude pumps as the footwear choice.

Kaitlyn DeverKaitlyn Dever was only in one episode of Party Down as Karen’s wannabe actress daughter Escapade, but because she was mentioned so frequently I still automatically think of the company picnic episode whenever I see her. A slight tangent to start with and here is Dever at the New York premiere of Laggies (I can’t wait to see this movie) in a stunning black lace Oscar de la Renta frock and platform Brian Atwood peep-toes. This look is elegant, age appropriate and uses the sheer trend in way that doesn’t have me yelling “Whyyyyyyyyy?” at my screen for once.

Michelle MonaghanDolce & Gabbana have embraced fairy tale fashion in their fall 2014 collection and Michelle Monaghan is working the key motif number like a charm at the 20th Annual Fulfillment Fund Stars Benefit Gala. The floral print contrasts with the black jacquard dress and is a prime example of how to wear florals long after the summer is over.

Kristen SchaalThe runway was awash with gingham last month as Michael Kors, Oscar de la Renta and Altuzarra were all working this trend; Kristen Schaal wore this super cute blue and white gingham dress to the Bob’s Burgers PaleyFest panel completing the look with a pair of white Oxfords. Flat shoe high five!

Laverne Cox and Taylor SchillingMTV and Logo are both premiering Laverne Cox Presents: The T Word documentary tonight and last night Cox was joined by her OITNB co-star Taylor Schilling to celebrate this television event. Cox spent the day wearing a variety of purple outfits for Spirit Day (and you can see them all on her Instagram) and she saved the best for last in this beautiful Monique Lhuillier lace gown. Schilling’s multicolored floral button down has a splash of purple and I wish we could see her shoes (or booties if I had to guess) a little better as it looks like the carpet has merged with her feet. There’s a clash in fancy levels between the two outfits, but as Cox is the one in the spotlight it makes sense that her attire is far dressier.

Kerry Washington AllureKerry Washington does the whole fresh faced look on the cover of Allure and it’s one of her best magazine covers to date (and over the past year there have been many). Wearing what looks like an Olivia Pope wine cardigan this is a far cry from her Scandal character with choppy, tousled and shorter locks plus a whole lot of cleav.

These Boots Were Made for Walking: A Few Thoughts on The Good Wife’s Departure News

16 Oct

Yesterday was pretty much the everything entertainment news days – HBO announcing plans for a standalone service, all of Friends on Netflix, NPH hosting the 2015 Oscars – but the one item that prompted the biggest response from me personally is the news that Archie Panjabi won’t be renewing her contract on The Good Wife. Rather than going the Josh Charles ‘secret exit even though we knew his contract was up for negotiation at the end of the season’ route, Panjabi has signed a development deal with Twentieth Century Fox Television which means it is time to announce her Good Wife exit.

This is a good move for Panjabi and hopefully whatever project she ends up with will serve her well. For me this news was met with an array of conflicted feelings ranging from well this makes sense considering how little Kalinda has had to do over the past few seasons to sadness that this character has really been left flailing for so long and it’s a shame they never really figured out what to do with her. It also means The Good Wife cast has got a whole lot less diverse.

The Good Wife 5.21 KalindaKalinda has been reduced to the magical case solving unicorn on The Good Wife and the person who can seduce anyone of either sex. She knows everyone and is generally the solution to narrative issues generally regarding whatever case of the week they are dealing with. Kalinda’s personal life was stomped all over when they introduced her ex-husband Nick in season 4 and while the Kings were quick to realize how much pretty much everyone who watched this show hated this character/storyline (and I still have the image of Nick smashing eggs on Kalinda’s chest etched into my mind) the damage was done. Everything after this has come across as clutching at straws with Kalinda including her several romantic relationships which tend to lean on getting some kind of professional leverage in the form of seduction. Cary is perhaps the only one who doesn’t fit this pattern; however she did use her closeness with him to get information for Will about Cary and Alicia’s exit from Lockhart Gardner resulting in trust issues between the pair.

The two people Kalinda has been closest to in a non-sexual capacity are Will and Alicia; Will is gone and Kalinda and Alicia haven’t shared a scene (other than over the phone) in 34 episodes. The latter friendship was destroyed when Alicia found out Kalinda had slept with Peter before they had met and while Robert and Michelle King were more than happy to dispose of Nick in a swift manner, they haven’t succumbed to the calls for Alicia and Kalinda to reconcile. Just look how good they were together.

kalinda and aliciaA complex, close friendship can be just as compelling as a romantic connection and the breakdown of platonic love can be just as heart ripping out sad as the end of a passionate union. Lady friendships that don’t include petty jealousy or arguments over dudes are still too far and few between on television and even though this one ended because of a guy, prior to this it included all the tequila/beer drinking and the kind of strong rapport that makes this kind of pairing so special. Kalinda is part of the reason why Alicia grew more self-assured and confident in her abilities. The dissolution of their friendship also goes some ways to explain why both of them are pretty prickly and wary when it comes to getting close to someone new; they let down their guard with each other and got hurt in the process. Just thinking about Kalinda’s elevator sobbing after Alicia found out breaks me. Without Will or Alicia, Kalinda has been set adrift in a sea of flirtation and trying to figure out whether there is an ulterior motive to the actions of the person she is interacting with.

Alicia has also lost Will and Kalinda, but instead of reducing her to one aspect of her character she has thrived since (although I still think she needs more friends) and she does have a few drinking buddies she can trust on hand. Plus Alicia is never going find herself as a story afterthought; she is the title character after all.

The Good Wife 5.21 Diane and KalindaLeather jackets, knee high boots and a notebook at hand (okay the above photo only has two out of three) are the Kalinda signature; however a character needs much more than costuming and props to be a fully formed thing and there’s been this constant struggle to find the right fit for her. So yes I am sad Archie Panjabi is departing, but I hope this means they will give her a kickass story to end on and hopefully one last shot of tequila with her former best friend (even if she disagrees with the ‘best’ part).

[Source]

Behind the Insta-Scenes: Photos from the Set

16 Oct

Welcome once again to Behind the Insta-Scenes! A new feature offering a roundup of the best behind the scenes photos posted on Instagram from a variety of TV show and personal accounts from the people who are on them. This includes anything from future episode sneak peeks, what’s airing this week, flashing back to the past and general on set (and sometimes off set) antics.

This week we have a range of shows and behind the scenes frolicking such as snack loving from the Orange is the New Black ladies, a double Thanksgiving celebration on New Girl and a contender for best Gina sweater on Brooklyn Nine-Nine.

First up is Samira Wiley in full OITNB Poussey grey sweatshirt goodness and a cookie with love.

A lot more snacks and possible sugar induced happiness from Emma Myles (Leanne) and Kimiko Glenn (Soso) also on the set of OITNB. It’s as if Trick-or-Treating has come early to Litchfield this year.

http://instagram.com/p/uG02b2NM7B/?modal=true

Canadian Thanksgiving was on Monday and Hannah Simone celebrated on the set of New Girl as they shot their American Thanksgiving episode. Digging the super 90s dress and cute Heidi braid on Zooey Deschanel.

Wolfie sweater! And from the same Risto collection as the one I suggested for Gina a couple of weeks ago.

http://instagram.com/p/uG98-yDaab/?modal=true

Nicole Beharie isn’t out of the woods on the set of Sleepy Hollow and that dude in the tri-corner hat in the background suggests some time warping shenanigans are afoot.

Kerry Washington’s shot doesn’t reveal anything that’s going to happen in the episode of Scandal they are at the table read for, but this goofy selfie might please Fitz and Jake fans alike.

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I watched the first three episodes of Selfie yesterday and in spite of that name it has the components to be a very fun show. Karen Gillan’s charm factor is a big reason why this it could really work, plus I did laugh a bunch which is kind of what you want from a sitcom. We’ll see, but at the moment I am sold on Selfie. And here is what appears to be a selfie of Gillan, so hey it’s easy to tie in the title with an Instagram post.

New Girl 4.05 “Landline” Review: “Shut it Down”

15 Oct

When five people live together boundaries are probably going to get crossed and this doesn’t even factor in the two characters on New Girl who still live together after a break up or that Schmidt and Nick are still sleeping in the same room. After sharing one phone charger in season 2, now there is only one good spot in the loft for phone reception – a new building has messed with the previously good signal – and that spot happens to be the window by Nick’s bed.* This intrusion is solved by the purchase of a landline phone and I kind of wish they’d gone further down the retro path with a rotary dial or even a burger phone as the visual gags would keep on coming. Taking messages for people is no longer common place and as Nick is the only one in the house during the day he takes his new found role and runs with it. The phone also reveals Coach has been sleeping with the school nurse and as Jess is now vice-principal this is a matter that crosses the work/personal line so she will have to address it in the workplace; enter shenanigans (and a new super cute teacher).

*I remember what is now long ago being at my grandpa’s house in the middle of nowhere trying to text the boy I liked from the only good spot in the entire house, pretty much hanging out of a window in freezing cold temperatures. I am smooth.

New Girl 4.05Despite attempts to date/hook up Jess has so far not really connected with anyone to a point beyond a conversation, not at a wedding, with a dating app nor with the micropenis dude. So it’s some kind of bad luck that she has chemistry with the one guy she isn’t allowed to date and this is the new science teacher Ryan (who also has a particularly hard surname to pronounce). I’m jumping ahead here and after lecturing Coach about sleeping with his co-workers and making him fill in HR forms, Jess herself gets flustered when she is introduced to Mr. Geauxinue included messing up his surname so much she says “goes in me.” Coach witnesses all of this and instantly recognizes why Jess has turned into a bumbling mess and this leads to a very funny faculty meeting where Coach causes Jess to mess up her “Shut it down” demonstration by hitting Ryan in the bikini suit area.

Coach probably shouldn’t be defining himself at school as the guy who has sex with everyone – so far this seems to be one of Coach’s only defining traits, c’mon show you can do better than that – and Jess is right to note there are certain stipulations in place for a reason, however she realizes that no amount of paper work or hand gestures are the solution. What follows is a classic story obstacle set up; just as Jess is about to approach Ryan in a dating capacity she is informed her position as an administrator means she can’t date anyone who is in a position below her, which means Ryan. The forbidden fruit trope is nothing groundbreaking, but it’s fun seeing Jess getting extra awkward and Zooey Deschanel has a strong rapport with guest star Julian Morris. Plus he has excellent cardigan game so hopefully we will get to see more from him soon.

Back in the loft Nick is mooching about by himself after his suggestion of beers and a catch-up with Schmidt and Winston is dismissed as they are too busy with police academy work and interview prep for Business, Man magazine. Nick (and to a certain extent Cece, who briefly appears this week to record a voicemail message that is too steamy for Schmidt even when she goes full deadpan) is the only character who is still adrift when it comes to his career and the landline gives him both a purpose and a connection to his friends he feels has been missing. By taking everyone’s messages during the day he finds out Winston has been dating a woman called Judy and Schmidt is looking to get a spoiler for his car. The messing up of the spoiler alert gag is hilarious, but also reveals the depths of despair Nick has reached. Nick comes across as a parent in this moment trying to find out what the kids have been up to and getting not much back in return.

Taking it further Nick indulges in a three-way phone call to give them their messages in one of the funniest sequences in the episode. Schmidt calls it a teleconference call, but I prefer the terms of teenage years long gone. Unlike Winston, my best phone position is sitting crossed legged in the hallway. Now I’m feeling nostalgic for landline chats and all those hours I spent talking about nothing with people I had spent all day talking to at school. Today the landline in my house knocks out the wi-fi connection for 30 seconds whenever it rings (who knows why) and the only calls are from telesales and robots. No warm and fuzzy feelings there.

Nick sings himself a theme song for his new found role with “I’m a very good secretary” even though he’s actually kind of terrible at it. He takes it upon himself to break up with Judy for Winston and send in a photo to Business, Man magazine of Schmidt and he manages to mess up both. The photo he sends of Schmidt is the most recent he has and he looks like he’s in the middle of telling Nick to fuck off, which in the end works out well for the ‘bad boy’ image the magazine profile creates for him. Winston should have probably broken up with Judy himself and Nick shouldn’t have crossed this line even if he does want to reconnect with his friends. There are better ways to go about this and they probably don’t end with someone recreating the big gesture moment from Say Anything.

Eating bowls full of jelly during the day – Nick pretty much has a bowl of something on the go throughout the episode – and finding comfort in taking other people’s messages is a cry for help of sorts from Nick; will this season be the one where Nick finds purpose? Nick doesn’t tell Schmidt about his interview as a result of the answer machine replacement service and when the answer machine fails to record the message Winston has to step up and use his excellent phone skills. Winston is socially awkward in real life, but dynamite on the phone (cue hilarious flashback) and scores the kind of douchey profile Schmidt thinks is the dream. Winston even remembers to include the acronym Schmidt has for his own name – Some Can Have Money, I Desire Thoughtfulness – which you know Schmidt has been waiting to see in magazine print for years and probably has stitched on a cushion or at least on a business card.

New Girl continues to be a lot of fun this season and this is another episode where they play around with the different character groupings. While Cece gets a short shrift, her brief appearance is one of the highlights of “Landline” declaring “I don’t know what is happening” as the conversation descends into random movie talk (Winston likes Splash).

New Girl Style Watch

New Girl 4.05 Jess A+O sweaterJess loves Alice + Olivia sweaters this season and ribbon -graphic black sweater is adorable and so very Jess; complete with detachable collar depending on how preppy you’re feeling.

 

Best of New York Comic-Con 2014 Style

14 Oct

New York Comic-Con took place over the weekend and the types of shows it attracted went beyond the usual sci-fi and fantasy offerings that you might expect from this kind of event. So while Netflix took the opportunity to show off photos and footage from Daredevil you could also catch up with the Broad City ladies and the spies from The Americans. While not on the same scale as SDCC, there is still plenty for us to pour over including the aforementioned Daredevil debut (alas the footage was for attendants only).

Comic-Con attire tends to straddle cute/casual/relaxed and the dress code is neither one specific thing nor another. Even a jumpsuit makes the style hit list.

Charlie CoxLet’s start with Daredevil and Charlie Cox will be taking on the Matt Murdock mantle on Netflix (no release date yet); here he is working the super smile, beard and a denim shirt. The reddish toned hair is all part of the Matt Murdock look and Cox landing this lead role has me very excited about this project. Plus his time on Boardwalk Empire showed he was capable of playing both the fearsome and romantic side. If only he could use the Owen Irish accent on this show.

DaredevilAnd this the first still of Cox all lawyer suited up as Matt Murdock. This is some pretty damn good tailoring and he is wearing it well, along with signature red tinted specs that have a hint of John Lennon.

Deborah Ann WollSwapping Bon Temps for Hell’s Kitchen is Deborah Ann Woll; I am thrilled to see her score something like this after True Blood and I hope she gets to be more than just a love interest. A simple chic cornflower blue dress and the slightly different toned blue sandals avoid matchy matchy status.

The AmericansThe Americans cast and showrunners didn’t reveal much of anything about the next season (which starts shooting this week), but they did wear matching ‘Commie Con’ t-shirts (Matthew Rhys’ idea) compete with the ‘C’ as a hammer and sickle. Both Keri Russell and Annet Mahendru jazzed their looks up; Russell staying all black with a leather mini, blazer and stilettos and Mahendru rocking boots and the lip embellished Alice + Olivia skirt (also worn by Jamie Chung at NYFW).

Keri Russell and Matthew RhysBonus Americans panel shot with a closer look at the bespoke tees. And because they are adorable.

Abbi and Ilana! Another occasion where Abbi is my style twin (I have a very similar French Connection dress) and Ilana is my style hero in a shirt that’s making me think of a Care Bears color palette. Thankfully there is “Hack into Broad City” to tide us over until January when Broad City returns.

Aisha Tyler NYCCA jumpsuit I like is rare, but Aisha Tyler’s blue slouched drawstring number is giving me all the positive feelings. Pockets plus red shoes and a bold lip color all add up to a very good outfit and strong style week for Tyler.

Judy GreerTyler’s Archer co-star Judy Greer has also opted for crimson footwear and the all-black button down shirt and suit look is working, in part thanks to this splash of color. This also reminds me that I still need to read Greer’s I Don’t Know What You Know Me From: Confessions of a Co-Star.

Katie AseltonGoing for monochrome is The League’s Katie Aselton in a simple chic black cropped sweater and a white skirt. This would come with a no drinking or eating warning due to spilling reasons.

Lyndie GreenwoodConfession – I have a bit of an eyebrow obsession and it’s always the first thing I notice about someone’s face (a timely essay from the Hairpin regarding eyebrows) and Sleepy Hollow’s Lyndie Greenwood has excellent eyebrow game and it is very evident here (this is for excellent shape and eyebrow expression usage). Peter Pan collar shirt and side braid completes this cute Comic-Con ensemble.

The Good Wife and Secrets: “Were we up to Something Naughty?”

13 Oct

When we first met Alicia Florrick she had been thrust into the spotlight as a result of her husband’s dalliances; a casualty of a political scandal that hit at the personal. Before this she had lived in complete obscurity in Highland Park as ‘the good wife’ having lunch with her tennis chums, picking the kids up from school and drinking a glass of wine at five o’clock. When Peter’s indiscretions became a matter of public record, this anonymity was no more. Alicia has since restarted her law career and gone on to start her own firm, remaining somewhat in the public eye. There has been attention from the press of course as her husband is the Governor of Illinois, but now Alicia has come around to the idea of becoming a politician herself, despite her numerous attempts over the past few episodes to claim otherwise. The final push coming courtesy of a flattered ego (word up real and imaginary Gloria Steinem) and a not so veiled threat invoking the personal.

The Good Wife 6.04Alicia claims she is still unsure whether she will run at the start of the episode (even though it’s pretty clear she will) and she reverts to her long ago hostess role preparing food and making sure there is wine. So much wine. Alcohol becomes important later on in the episode and while I don’t think Alicia has booze problem, it is easy for the opposition to spin it in such a way suggesting she does. If she had done the reckless thing and stayed in the bar for another drink with Finn and got a cab home instead of driving then there would have been no story. Or maybe a more salacious one.

The oppo research Eli has undertaken is extensive revealing deep dark secrets including Zach’s girlfriend Nisa’s abortion the previous year, her mother Veronica spanking a 5-year old boy in a department store and her brother’s affair with a married guy who also happens to be a porn star. Each of these things could have a negative impact on the campaign, but it also reflects how in politics even the people who aren’t directly involved are a target and represent a risk. Alicia’s personal life became fodder for the press when Peter slept with prostitutes and now her family will be placed under the microscope if she runs. The reactions vary greatly as Owen at first jokes about his mother’s actions and then is so disgusted by what Alicia tells him they have discovered – and I think he is far more annoyed at Alicia than Phil – that he dumps his wine in the sink and leaves without saying another word. Veronica plays along with Alicia’s demands and attempts to apologize to the mother of the child she spanked until she can’t exclaiming how she “should have spanked you, you bitch!”

Zach is the one who prompts the greatest reaction from Alicia as she can’t believe he would lie to her about something like this and the use of Zach memory pops in this episode underlie the feelings of betrayal, but should Alicia really be this surprised? There is no context as to what was going on with Alicia on August 5th the previous year and at first I wondered if this was when the Will shooting happened, but nope if Finn was seen leaving Alicia’s apartment on March 18th with his sling on, then this was long before Will’s death. Maybe it was around the time Alicia first decided to start a new firm, regardless it is easy to believe that Zach would and could keep a secret like this from his mom, no matter how open she has tried to be with her children. Everyone has secrets. Well everyone except Grace – Christianity 3 Atheism 0 – and her role in the episode is to provide the comedic interludes with her school choir practice and her old tutor/street dancer Jennifer.

A combination of playing voicemail tag and ignoring his calls means Alicia doesn’t have the conversation with Zach until the end of the episode and by this point Peter has alerted him to his mother’s rage. Alicia is angry at Zach for lying and she’s hurt not because they had an abortion, but because she was left out of the loop and it stings further because Nisa’s parents were there (in part because at 16 they have to legally be informed). It is likely this story will come out and if so Alicia wants Zach to tell a different story of how it went down; Alicia knew about it and told them she would help raise the baby, but they went for another option. This reeks of hypocrisy and it shows how Alicia can spin a story that has hurt her personally into a positive for her campaign “I need you to say I am a good parent.” Is she a bad parent for not knowing what Zach did? No of course not, teens can be sneaky and as Zach wasn’t the one who underwent the medical procedure it is something he could easily cover up with a story about visiting a college. She might not be a great parent for asking him to lie the second after she has yelled at him about lying to her, just so it will help her campaign.

The Good Wife centers on the education of Alicia Florrick and over the time we have spent with her we have seen multiple moral quandaries and compromises she has made whether in the courtroom or in her personal life. This is a show where the grey area is expansive and while words like ‘good’ and ‘bad’ get thrown around every character is complicit in some manner (yes even Grace Florrick). Darkness at Noon (Alicia’s favorite TV show) now has an accompanying post discussion show (so much AMC shade throwing in the episode) that’s not even a little subtle in its Talking at Noon title and includes guest star Joe Weisberg (creator of The Americans) discussing the symbolism of an elk (ha!) and who is the biggest badass on the show. They are talking in definitives and the question of whether someone is good or bad (or a badass) is in part redundant as these terms are abstract and can mean different things to different people. The middle ground messiness and flaws is where the fun is and while these digs at cable prestige dramas might come off as a touch petty, the sheer brassiness of these references adds to the hilarity.

Peter’s maybe recent dalliances are not discussed with Alicia and Eli finally gets his wish to fire Lauren, the intern with an aversion to panties and penchant for flirting with Peter. Eli’s raised ‘oh fuck’ eyebrow gets a later workout when he sees Peter flirting it up with Lauren’s mom who happens to be an ‘old family friend’ and also super hot. Eli’s putting out fires all over the place when it comes to the Florricks and their extra martial affairs with Alicia coming up with suitable answers for both surveillance photos of her with men who aren’t her husband. The one with Will cuts like a knife and that wound is still very fresh; it’s a picture from the hotel five years ago at the end of season 2 and if this one exists then surely there are more from their other hotel ventures. The second is another we have seen before and it was used by Castro last season to stop Finn from running as it shows him leaving Alicia’s apartment at 8.30 am. It’s all completely innocent as this was the day she was helping him prep for the disciplinary hearing.

The Good Wife 6.04 Alicia and FinnFor a brief moment Alicia contemplates staying for another drink with Finn and as with all their other interactions the chemistry is palpable – even when they are yelling at each other in court it is underscored with sexual tension – plus there is the natural warmth between them that has been present since their first meeting. Instead Alicia does what Alicia tends to do and go for the sensible hesitation option; it’s what we saw her do last season when she didn’t go into the bar to meet Richard Alpert from Lost and it is what she did on multiple occasions with Will. Alicia guards her heart for better or worse and even though it makes sense for her at this point to avoid any further messiness with personal entanglements I have to admit I was disappointed (though not surprised) to see Alicia not indulge in anymore witness prep.

One thing worth noting is how Alicia’s costuming goes from the high necked Jason Wu blouse, signifying an aspect of feeling guarded and covered while she is undertaking a personal undressing of sorts with Eli and her potential campaign manager Johnny Elfman to the slight décolletage revealing purple blazer in the bar. It’s not like she’s suddenly opting for all the cleav and nor would this outfit look out of place in court, however the contrast to her outfit in the first half of the episode is significant. Alicia’s relationship with Finn is already complicated considering his role in the Cary case and yet there are no hard feelings at this point. Finn is also a pair of eyes and ears on the inside with Castro as he warns Alicia that Castro will hit her where she is vulnerable. This isn’t exactly brand new information as Castro has already invoked the words ‘lover’ and ‘Will’ in the skeeziest of ways, however it is good to know that Finn is very much Team Alicia. I wouldn’t be surprised to hear if he is one of the people who has donated money on the page set up by another Alicia supporter. Finn like Alicia has a habit of joking about matters that can be taken out of context and his comments about doing something ‘naughty’ is enough to give Eli all the eyebrow reactions.

Nothing is completely clean on The Good Wife and Lemond Bishop is no longer a client of Alicia’s instead he has set up a PAC that has raised a lot of money in just a few days and before Alicia has even announced. If there was a source of funds hearing on this money (legal Q – is this even a thing or is that just for bail?) then this would be problematic even if Bishop is a few people away from the source and it looks like Bishop is hoping to have the future SA in his pocket. Corruption follows everyone. Alicia has a more current problem to try and quell with the rumors of alcohol issues thanks to the DUI stop that just so happened to get caught on camera. This race has already hit the smear levels and she’s not even officially a candidate; just how low is Castro going to sink and will Alicia join him in the mud? Saint Alicia no more.

Out of the Box: Look of the Week

10 Oct

The summer might be over, but the best of this week’s style on “Out of the Box” showcases some surprising post summer light attire with business cute and plain white chic. Plus a couple of fantastic magazine covers focusing on showrunners and a splash of animal print color to close things out.

Aisha TylerAisha Tyler’s white mini dress (with pockets!) is jazzed up with some excellent shoe/clutch/bracelet accessories at the American Horror Story: Freak Show premiere and who cares if it is way past Labor Day; this looks amazing.

Karen Gillan KimmelKaren Gillan appeared on Jimmy Kimmel Live in something that wouldn’t look out of place on a Taylor Swift post gym sidewalk strut and her legs go for miles. It’s a super cute outfit and I especially love the gold shoulder strap detail (at first I thought she was carrying more than one bag). Short hair is still working wonders even if she’s rocking long wigged locks on Selfie.

Diane Kruger joining Instagram has already given me one of my favorite photos from this week (the cat pictures she posted are also pretty wonderful) and she also unveiled her Australian Harper’s Bazaar cover shot. As they are heading into the warm season down under this Chanel ensemble is perfectly spring boho and a striking image.

Shonda Rhimes THR coverThere is only one option really for who should cover the Power Showrunners issue of The Hollywood Reporter and that’s Shonda Rhimes as the Thursday night TGIT Shondaland drama block – Grey’s AnatomyScandalHow to Get Away with Murder – is killing it in the ratings. In the issue Rhimes discusses a whole host of things including early creative friction on Grey’s Anatomy with studio executives and the recent New York Times profile where for some reason they thought it was okay to label her an “angry black woman” and the subsequent reaction to this horrific piece. Rhimes also discusses returning to Dartmouth this summer, which in turn reveals a hint of what her Mindy Project cameo will entail. The interview is fascinating and can be read in full here.

IMG_1022From one showrunner to another and Lena Dunham is still on her book tour for Not That Kind of Girl, plus this week she has guest edited Stylist magazine. Stylist is celebrating its fifth anniversary so what better way to combine the two than Dunham leaping out of a tiered cake. The cover shot by photographer Autumn De Wilde is also a nod to Dunham’s mother Laurie Simmons as legs are a repeated image in her work. It’s a fun, playful cover and the color palette really helps the image stand out.

Natalie Dormer zebra printClosing this week out with Natalie Dormer in a bold red and orange zebra print House of Holland dress at People’s One to Watch LA event. Dormer is still going for full dramatic side sweep hair as a result of her Mockingjay Cressida styling and as an “Out of the Box” regular I think we will be seeing more of Dormer on here come the huge Mockingjay promotional tour. The chunky straps on Dormer’s Jimmy Choo sandals are maybe a bit too thick for the length of this dress combined with the strong black zebra stripes, but this is a minor complaint.

Behind the Insta-Scenes: Photos from the Set

9 Oct

Welcome once again to Behind the Insta-Scenes! A new feature offering a roundup of the best behind the scenes photos posted on Instagram from a variety of TV show and personal accounts from the people who are on them. This includes anything from future episode sneak peeks, what’s airing this week, flashing back to the past and general on set (and sometimes off set) antics.

The inaugural Behind the Insta-Scenes post was an all comedy affair and we’ve mixed it up with a couple of shots from some more dramatic shows, plus a directorial debut and this week a TV Ate My Wardrobe favorite joined Instagram which is cause for celebration.

Play guess The Good Wife plot from Alan Cumming’s shot of co-star Julianna Margulies wearing an apron and latex gloves while sitting on a tiny plastic chair.

http://instagram.com/p/t6qRY1jaXs/?modal=true

This one from Nicole Beharie seems more clear cut and I don’t think anyone will be too surprised to see snakes on Sleepy Hollow.

Diane Kruger is now on Instagram and she has already delivered on fashion, Pacey and amazing cat photos. The highlight so far is this photo from German themed party Kruger organised for The Bridge crew (oh hey FX please renew this show) after Germany won the World Cup. So adorable.

The second episode of A to Z is on tonight and Ben Feldman’s reminder concentrates on co-star Cristin Milioti; all I can focus on is her amazingly long eyelashes. While I thought the first episode was only okay, I am totally charmed by Feldman and Milioti even if the premise isn’t so promising and so I will definitely keep on watching.

http://instagram.com/p/ttvqMpQPhc/?modal=true

Busy Philipps directed an episode of Cougar Town this week (including her own daughter in the scene above) and she did so in style wearing a vintage JC Penny ’50s dress.

http://instagram.com/p/t0b4FspQ_f/?modal=true

Our weekly installment of Mindy Project set shenanigans has Mindy Kaling learning lines in an Equipment tartan sweatshirt that I really want in my own wardrobe now it is finally cold enough for sweaters.

 

 

 

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