Archive | May, 2016

The Americans 4.09 “The Day After” Review: Never Enough

12 May

After everything came to a head for Philip and Elizabeth on The Americans last week the pair were granted a vacation of sorts with no new missions and just the low level intel they had been gathering from Kimmy and whatever the Young Hee friendship has been leading to. Their breaking point was almost hit and it looks like the war between the US and USSR is reaching a similar stage albeit 7 months later and on a much more global disaster scale.imrs.phpLast week’s pop culture milestone was all about hope and recognizing freedom with David Copperfield’s Statue of Liberty spectacle and in “The Day After” we see everyone gather to watch the ABC TV movie event of the same name. This is wonder of a different kind and instead tracks the very real possibility of nuclear war as twitchiness levels grow. Oleg tells Tatiana of a case a few months prior where sunlight was mistaken for a missile launch from the US and luckily for them the person behind the controls didn’t go into full panic stations.

The Day After aired November 20 and just a few weeks prior to this a 10-day NATO exercise by the name of Able Archer 83 ran in Europe and had some convinced on the Russian side that this was actually more than just an exercise. I am glad I have seen Deutschland 83* as it not only gives a slightly different perspective on these events, but it also adds to the background of what was going on in Europe and why Russia was feeling a little on edge about their substandard technology in comparison to what the US had in their possession.

*It also means I am very familiar with one of the two standout song moments from this episode as Tom Schilling’s “Major Tom (Coming Home)” is Deutschland 83’s theme song (for the subtitled version – New Order’s “Blue Monday” is the theme song for the version shown to German audiences).

Everyone is on edge so while Elizabeth and Philip are feeling well rested there is still much work to do and the broadcast of The Day After underscores the importance of the Young Hee operation. Philip sides with William’s way of thinking in that if they tell the Centre about this brand new terrifying biological weapon it is only going to keep getting worse. The Lassa virus sounds even more horrific than Glanders as this one liquifies your organs and causes blood to seep through your skin. Thanks for that image and TV certainly teaches. William explains to Philip that nobody needs something like this in their lab and while he doesn’t really trust the Americans with it he also doesn’t trust his own people; he has seen how terrible the threads of their containers are first hand.

This level of escalation can be matched in the other kinds of weapons each country is producing and nervous fingers on buttons makes for nervous operatives. All you need is for one person to overreact and you’ve got farms in Kansas getting obliterated and Steve Guttenberg trying to stay alive (I watched some of The Day After prior to this episode and it is easy to see why people might have been even more terrified of nuclear war after).

Elizabeth views things differently to Philip as is often the case when it comes to these matters and she sees it as the US making this virus to use against them and their people; she does have a good argument as she points out the bombs they have dropped in the past. So while they are comfy and on ‘vacation’ there is this very real threat and they can’t just sit idly by while all goes to shit. This is why they are the perfect team as they come at things from very different places and ultimately they balance each other out. We saw this early on back in season 1 after the Reagan assassination attempt when Philip held off on giving some information over to the Centre so not to cause possible WWIII and his instincts turned out to be spot on.

With this he doesn’t argue against Elizabeth and her decision to go ahead and find out if there is anything they can use to blackmail Don. Don it turns out has access to the dreaded Level 4 (as I saw some speculate on Twitter) and this is why Elizabeth befriended Young Hee in the first place. This friendship goes way beyond anything we have seen with Elizabeth and any of her previous assets. Philip knows why this mission is hard for her and suggests looking for an alternative way. It is also worth noting they have gone around Gabriel with this meeting and it is like the next generation of Russian operatives are starting to show some level of disobedience to their elders. But pulling an agent out is not the same as concealing information and ultimately they only steer a tiny bit outside of the lines.

Young Hee has given Elizabeth something she has been lacking since who knows when (I guess her last real friend was Leanne and she was a colleague as well) and that is friendship. There is also a strong nurturing element which I discuss in this piece for Collider regarding Elizabeth and motherhood. The entry point to this relationship wasn’t real and neither is the way Elizabeth looks as Patty (who is wearing SO many amazing outfits this week including her purple seduction number), but everything else is. This is a lighter Elizabeth; one that doesn’t look burdened by everything so it is really hard to watch her come to the conclusion of what she must do in order to complete the mission. She offers to watch Young Hee’s kids while she and Don enjoy a romantic night away. This gives Elizabeth plenty of time to find something on Don, but as Philip posited he is pretty clean. The only vaguely incriminating thing Elizabeth finds is a porn video, but that is not enough to blackmail him with. As the hours tick by and nothing is found the grim look on Elizabeth’s face is telling.

It is a heartbreaker for us to watch too because we know how unlike Elizabeth it is to become attached to an asset in this way and Ruthie Ann Miles is so charming as Young Hee. Plus her relationship with Don is solid and Elizabeth’s attempts to seduce Young Hee’s husband are met with a hard drunken pass on his side and then a hard drunken passing out so Elizabeth can stage a hook up. This is an evergreen remark but once again Keri Russell crushes the emotional devastation and elevates her performance with how disgusted Elizabeth is at herself for the things she has to do; I don’t think we have seen Elizabeth look this conflicted. Even when she has had to kill someone she hasn’t looked this broken before and it rivals last week’s post-Lisa kill for self-loathing. No extra vacation time now.

Also I really would not want to get on the wrong side of Elizabeth when it comes to fucking up a booking and it was fun seeing her taking out her stress with something travel agent related. This is when Philip notes that she doesn’t have to go through with it; not because of him but because of how this will impact her. This comes back to strength in numbers and his support here is vital. Philip has her back no matter what and this is why William comes to him with his dilemma as he has no one to talk these things through. Philip opened up to him both about what he would want from life if this job was not in his way (Elizabeth) and with the Martha situation (we find out here that Martha made it to Moscow) and my desire for these two to become besties is happening.

William questions the notion of the freedom Martha now has and also scoffs at the idea that they get vacations, but at the moment Philip is all he has. He also likes Philip’s new disguise (and one Keri Russell discussed on Late Night with Seth Myers). I am more partial to Elizabeth’s raspberry beret and glasses combo (pictures to come).

Speaking of friends and Philip has some much needed bro time with Stan over racquetball. Here we get to see excellent early 80s gym fashion such as Philip’s Dunlop tee and some short shorts. Stan wonders why Philip is so on fire at the moment and he explains about all that extra sleep he is getting and the clients they have ditched, ahem. Stan meanwhile tells him about his shitty time at work and his new boss who refers to as a Munchkin (also the title of next week’s episode) because he is very much by the book and way more than an kiss ass. Sad Stan is still sad because he has broken up with Tori, but hey him and Matthew do come over to the Jennings house for the TV event of decade (the viewing figures for The Day After were over 100 million and Super Bowl levels).Philip and StanOne relationship in focus this week is Philip and Paige with some bonding over driving lessons. This injects some humor into proceedings and this season continues to deliver on the funny front in these unexpected places. First of all this gives Philip a chance to brush off some dad jokes and it is also quite possibly the most petrified this character has looked. Sure he has been involved in knife fights and exposed to deadly viruses, but nothing prepares you for sitting in the passenger seat next to your teenage daughter. It also shows just how good he is at teaching and when he tells her to relax and blink he could also be talking about the spy side of their life.

After The Day After Paige is understandably worried considering how close this all feels to home and it gives Philip not only the opportunity to sell what they do a little more, but also gives him the chance to be honest regarding his own fears. Paige wants them to be together if something like this does happen and at the moment they don’t have to worry about her going against them. Pastor Tim is a different story as despite her best efforts and fake smiles, he has been getting sadness vibes off Paige and he wants to have a sit down with them all when he gets back from his Ethiopia trip. Alice is looking very Princess Di in her maternity frock and she would have just given birth to Prince Harry so this influence would have been strong at this time.

Philip takes on what Pastor Tim says and treats Paige to a spin in the Camaro and this is the second time in this episode where a Paige/Philip sequence is intercut with Elizabeth’s Patty/Don mission. The first track used is “Winter Kills” by Yaz and this band will forever be connected to Kimmy and I wonder if this is another reminder we will be seeing her again. The second track as I have already mentioned is “Major Tom (Coming Home)” by Tom Schilling and it underscores Paige’s fear and then thrill at driving. The joyous high five juxtaposed with Elizabeth’s completed mission is pure Americans happiness intercut with something terrible. And Elizabeth can’t fake too much enthusiasm for Paige’s triumph when she gets home; instead crying off with a headache and going upstairs where Philip joins her.

“Major Tom” is replaced by the strains Philip and Elizabeth’s melancholic theme and it is heartbreaking when as he takes her hand she tearfully tells him “I’m gonna miss her.” Me too Elizabeth, me too.

Meanwhile in other relationship updates Oleg and Tatiana are very much doing it and I still don’t trust her. Her motivations seem to be all over the place and she definitely seems to resent his comfy circumstances growing up. They do watch The Day After together and it is sad to see that William and Arkady are the only ones watching alone. Maybe they need to be pals too.

Even with the brief moment of respite which for these characters is the lengthy 7 months and for us just a week, tension continues to build as the threat goes from small scale to global.

 

Behind the Insta-Scenes: Photos from the Set

11 May

So where you would normally find a whole lot of Instagram shots from the week at the moment there is currently just one. This is because my internet has decided to play up big time and this is as far as I had got when it semi went kaput. 

Cue several phone calls (including one which involved a lengthy Game of Thrones chat while stuff was being tested) and I still have no idea what is wrong as it keeps coming and going.

So for now enjoy a very brief Behind the Insta scenes and hopefully I will be back with more later. And friends who live near by expect some begging ‘can I come use your internet’ calls if it is not fixed by morning.  

 

Mother’s Day on Game of Thrones comes in all forms with Emilia Clarke getting the closest she can to her babies. Is that her new Dothraki brown garb I spy beneath that robe?  

 

 

Needing to be Needed on The Good Wife or Why “End” is Disappointing

9 May

Alicia didn’t become a lumberjack and nor did she end up with someone other than the mother, but The Good Wife’s finale sure did burn everything to the ground in a way that was incredibly disappointing. I am sitting here staring at my screen wondering what on earth I just watched and why coming full circle means leaving Alicia with nothing. And no you can’t throw in Ghost Will to appease all those other very bad Diane related decisions because it doesn’t work like that and “End” has left a very bitter taste in my mouth.

Ultimately if Alicia Florrick needs to be needed what does it mean that she ends up alone?The Good Wife 7.22 Alicia and DianeLet’s start with THE thing that really spun the whole finale on its head and that is Alicia’s decision to zealously represent her client with no regard for her partnership at work. A couple of weeks ago Alicia watched Diane and Kurt looking all happy and asked them what their secret to good coupledom is; at the time I mentioned that Alicia pretty much screamed RELATIONSHIP GOALS  at them. While I am in no way suggesting that getting Lucca to ask about an affair was through jealousy, I do think she went in hard on Peter needing her when a couple of scenes before she was whatevering the whole thing.

There was no looking for another option and while Alicia and Diane were screaming at each other it appeared that Lucca was trying to suggest there was another way; one that didn’t get a follow up and instead Alicia asked Lucca to ask Kurt about a possible affair. We never get to hear the answer because when Diane gets up and leaves the courtroom showing her public disgust and humiliation at this question, we also leave the courtroom too. Considering this evidence is then thrown out I think it is safe to say that Kurt said yes this affair (oh, Kurt) and I don’t get why the torpedoing of Diane’s marriage was the necessary course of action for this finale.

One thing I did get was this idea that Alicia can’t be happy at this place of work which holds so many memories particularly as she refers to this office as having gotten sad and it probably is time for Alicia to move on; but did she have to go out in such a self-destructive and alienating fashion? And while Alicia and Diane are far from the martini drinking besties I wish they were, there is a strong level of respect and going for the jugular like this seems too selfish even by Alicia’s standards this season.

What she has done is dished out a version of her story to Diane all in the name of getting Peter’s plea deal down to probation when he was willing to do two years last week. Some of this is about protecting Grace and her path to college as somehow she was meant to be leaving for Berkeley in the midst of all of this; convenient timing and all that. Grace has deferred for a year and now she doesn’t have to worry about years of visiting her dad in prison. The Good Wife 7.22 Roosevelt hotelIt looks like Lockhart, [insert name here] and Associates is going to need new letterhead paper and signage as that slap suggests Diane is dunzo with Alicia. This puts Alicia in the Peter position mirroring the pilot opening sequence and is that what we are meant to take away from The Education of Alicia Florrick? Everyone is corrupt and will stoop to the lowest level to be left with nothing? We don’t know if Alicia will divorce Peter or if she will go for Eli’s political plan* or if there will be a positive response to her running for office again. God knows I am happy I never have to watch another campaign storyline again.

*I did enjoy seeing The Roosevelt Hotel popping up in the above scene as I got to play New York, not Chicago bingo and because I have stayed there on a couple of occasions. 

The number of loose ends is longer than my quest to find out exactly where Robyn went. Even the things I liked about this final season were given a short shrift with Lucca continuing her role of relationship coach and getting used by Alicia to stick it to Diane. Guess someone else is probably out of a job now.

Random aside alert – if there were to be a spinoff can I suggest a college set series with Cary as a guest lecturer at various institutes where he ends up helping solve cases. Maybe the hoodie can make a return.The Good Wife 7.22 AliciaOne big aspect of “End” is the conversations with dead people aka here is what you could have won. This is the Alicia Florrick version of the exceptional episode “The Giving Tree,” but this not two seasons ago when The Good Wife was creatively on fire and it ends up being wish fulfillment of the worst kind. Don’t get me wrong as I loved seeing Will Gardner on my screen again and the chemistry between Josh Charles and Julianna Margulies crackles as much as it did before; however all this did was underscore where this show has gone wrong over the last two seasons.

Ghost Will (or really Alicia’s imagined version of Will) appears when Alicia is pondering who she would like to see when she gets home from work offering a glass of wine to her. First Jason, then Peter and sadly no surprise appearance from the other one that got away with Finn Polmar. It surprises her when there is magical option number three and as with other Alicia memory pops or in this case fantasy pops she remarks on how stupid it is before leaning into the fantasy and Will. It is a little fan servicy, but I have to admit as someone who was sailing on the Will/Alicia ship this was an all the feelings moment as soon as I realized the Josh Charles returning for the finale rumors were true. Yes I even got teary because that’s what this pairing does.

And it didn’t just end in the kitchen and Alicia’s venture into old files led to a conversation about the law, college and life. It is very cute and there’s no denying how much I enjoyed seeing Alicia flirting with Will, but it also feels like a bit of an emotional cheat. A distraction of sorts and also a way to try and explain Alicia’s thought process without really explaining anything; “It was romantic because it didn’t happen.” The Good Wife 7.22 Alicia and WillAlicia’s asks “What do I do now?” and this is when Ghost Will tells her to go after Jason as her Peter fever is done with and this is what she does at the press conference the following day. Unfortunately she is chasing a guy who isn’t there and this is when the corridor of slapping gets another hit.

Alicia is left showing those emotions she has been stealing away from and faking in hilarious ways and this crumbling is followed by wiping tears and giving fierce face because Alicia is forever a master at putting on this mask. Or she can give you a demure smile if you want.The Good Wife 7.22 Alicia demureIn the immediate aftermath of watching this finale I am angry and disappointed; for how things went for Diane and that ultimately Alicia burned it all down for a man she is leaving anyway. It makes no sense and I am all for ambiguity, but this ending feels like it is trying to be too clever for its own good and I can see why they put out the ‘not everyone will be happy‘ signals before this even aired. Alicia going all in on getting what she wants after years of sacrifices for Peter is something I am here for, but this version where she blows up everything for Peter is far from satisfying and right now all I want to do is bask in the glory of season 5.

The conflict between Alicia looking out for her interests versus her ‘good wife’ mantle is something season 7 has been striving for and sadly it hasn’t always hit the mark. Part of this I think is due to the decision about whether this was the final season coming in late, which left this season unfocused for large periods of time and it has generally been ticking along. Spending the last 3 episodes covering Peter’s trial has felt like a rush job and really much more time on this rather than his presidential run would have made this storyline/season a lot more cohesive (once again I wonder if this was related to the late announcement). Instead what we are left with is cramming so much ‘goodbye’ plot into such a short space of time giving very little time for character reflection.

The astute comment by Jason about why Alicia has stuck with Peter followed by Ghost Will commenting on how little self-awareness Alicia has also speaks to some of the issues; we still don’t really have a grip on exactly who Alicia is after seven years and this ending certainly doesn’t help out in answering these questions.

One last thought and what feels like my Good Wife mantra, but where is Robyn?

Out of the Box: Look of the Week

6 May

The busiest red carpet week since award season was over with the White House Correspondents’ Association Dinner on Saturday and the Met Gala extravaganza on Monday. There are still plenty of other events delivering on the sartorial front with the Tony Awards ‘Meet the Nominees’ press junket, a Netflix Jessica Jones screening and other outings. Plus a fun game of ‘What scenario does Sam Heughan’s Interview editorial make you think of?’Michelle WilliamsMichelle Williams looks cute and chic in a Louis Vuitton (of course) black number at the Tony nominee press shindig; in not shocking news I am obsessing over her embellished collar. Michelle wasn’t included in my Met roundup (I liked the look, but not for the Gala) which was a super hard choice because I really loved the super chunky boots all the LV ladies wore; I would maybe switch out her black pumps here for those boots. Lupita Nyong'oWhile I’m on the subject of shoes; Lupita Nyong’o in flats makes me so happy (because I do adore a flat) and she looks incredibly fresh in a peach lace crop top and skirt. Plus on Instagram, Lupita gives a close up shot of the Tony nominee pin that is the accessory of this celebration.Danielle BrooksA pure moment of joy from Danielle Brooks and I am excited that Taystee will be back in my life next month (June 17). Plus stripes and leather pleats are very much in my fashion wheelhouse so excellent daytime event outfit choice. Krysten RitterKrysten Ritter goes all in on the crimson theme in Altuzarra and bold lip color. Gold spiky Louboutins and a Jimmy Choo clutch finish off a fabulous look courtesy of TV Ate My Wardrobe stylist fave Ilaria Urbinati. Racheal TaylorAlso at the Jessica Jones FYC screening is the other half of one of the best lady friendships on TV right now and Rachael Taylor’s Dion Lee dress looks perfect for swishing in. And for the whole cast hanging out check out this week’s “Behind the Insta-Scenes.”Rachel McAdamsApparently all I need to like sheer is equal amounts of wine color velvet to break it up and a fantastic velvet collar to boot. Rachel McAdams looks great at the Sonic Sea screening and this is such a good hair length on her.

https://www.instagram.com/p/BE9oZJWxJC4/?taken-by=burberry

 

Trench coats and particularly Burberry trenches are my weakness and Claire Danes in a patterned number from Burberry is ticking SO many boxes.

Sam HeughanInterview is on a roll with the TV dudes at the moment and this Sam Heughan photo shoot led to a very fun conversation on Twitter regarding what kind of character you get from the Henley/neckerchief wearing attire above. The interview is also fun and Heughan gives off so many delightful vibes.

The Americans 4.08 “The Magic of David Copperfield V: The Statue of Liberty Disappears” Review

5 May

Making the Statue of Liberty or a compromised agent disappear is a tall task, but what about all the guilt that has been building up over the years on The Americans; what is to be done about that? Philip has been exploring this through EST this season and yet he is still visiting the grave (or an adjacent one) of the man he killed to protect Martha’s position at the FBI.

All killing Gene did was buy them slightly more time and Martha’s freedom has ultimately still been sacrificed. She won’t be sitting in a jail in the US, but what is her box of loneliness going to do when she makes it to Russian soil and she doesn’t even know the language? The mostly dialogue free opening sequence of Martha’s departure is incredibly heartbreaking before a word is uttered and then comes Martha’s plea for Clark to not be alone. Which as you can see in the photo below he is far from that and no matter what disagreement is taking place Philip will always have his family. It wouldn’t be a Martha farewell without an emotional kicker. The Americans 4.08 Jennings familyWith the Martha problem sorted everything goes back to normal, right? Well not exactly and even though the weight of that operation has been lifted there is plenty of guilt and resentment swirling around. Part of this comes as a result of Philip and Elizabeth being terrible at telling each other how they are actually feeling. While they have been getting better at this with last week’s declaration of love and Philip’s first kill confession earlier this season, there are still moments where they don’t get each other at all.

Martha is a significant example of this and it doesn’t help when Elizabeth tries to describe what kind of woman she is using words like nice and simple. Philip is protective of Martha and the sacrifice she has made explaining that she was much more than that and how people underestimated her (which I would definitely agree with). Philip and Elizabeth are coming at this from two very different angles and there is also an element of (understandable) jealousy on Elizabeth’s part and the things Philip shared with his other wife. Philip isn’t giving Elizabeth much to respond to on the sharing front and this is why she attends an EST meeting to see why this is giving Philip an outlet.The Americans 4.08 estSkeptical face is on the menu for Elizabeth as she pieces together the point of the seminars and it is not surprising to see she comes away thinking it is a con. She sees it as a way to endlessly reach into your wallet as there are no answers and more seminars are required to delve a little deeper.

This conversation turns into the most explosive argument Philip and Elizabeth have probably ever had about their marriage begins with Elizabeth trying to give Philip her understanding, but he can sense she is holding something back about her EST opinions. Which she is and she calls the whole endeavor manipulative and when she underlines how American it is, he takes that as her way of calling him an idiot for trusting this process and ultimately liking the country they live in.The Americans 4.08 Elizabeth nametageWhat follows is a series of deep cuts from both as Gregory’s name comes up and unlike Martha he died in a hail of bullets. For every Gregory there is an Irina and this wouldn’t be a fight about their biggest emotional betrayals without a reference to the woman who broke them up in season 1. It is a painful exchange, but one that needed to happen for them to move forward. This is not a week where they will be fucking the pain away.

This fight only ends when the phone rings and the resentment spills over into their meeting with Gabriel and he has had enough of their bullshit. I mean he is recovering from glanders still so it is understandable why his patience for their problems is lacking.

In one of the most delightful scenes of this very tense episode Gabriel and Claudia chat it out about Philip and Elizabeth’s petulance. Gabriel is a fan of comparing what he has been through with how easy they have it in America and rather than agree with him Claudia instead takes the neutral path by pointing out that no one has the answer. She pretty much boo hoos his complaining and she doesn’t even bring up how lucky he is that Elizabeth hasn’t beaten his face in yet.The Americans 4.08 Claudia and GabrielClaudia’s words obviously have an impact as instead of admonishing Elizabeth for losing another asset in Lisa – who in a badly timed moment threatened to tell the police about her secret filming of the plant she works in – he instead goes for the sympathy angle.

Part of this is probably down to seeing just how broken they both look and Elizabeth comes in smoking and in a daze with blood on her neck; at first I assumed this was Lisa’s, but it looks like a defense wound and maybe Lisa put up a fight. Gabriel has been referring to them as children and in this scene they do look like kids who have had too much thrown at them. The Americans 4.08When Gabriel tells them things need to change it sounds like a threat; instead he is going to talk to the Centre about giving them no new operations so all they will have is Kimmy (who Philip is still getting tapes from) and Young Hee. Plus the small matter of their at home operation with Paige and their cover jobs as travel agents. This will be the closest they will ever come to having a vacation and boy do they need it. Epcot even comes back into play, but this time not as a code for murdering someone.

They even manage to get home in time for David Copperfield making the Statue of Liberty disappear and finding out the reason why he wanted to do such a thing. It is all about what Lady Liberty represents and this land of immigrants (which Philip and Elizabeth are) as well as a fancy trick. Freedom or lack of comes in various forms this week from Martha’s resigned trip to safety to the lack of freedom Paige now has regarding her Pastor Tim related activities.The Americans 4.08 Philip and MarthaPaige couldn’t have picked a worse time to miss a Bible study session as Elizabeth is particularly on edge after her fight with Philip and everything that has been going on. The excuse of ‘not feeling like it’ does not work now that there is this much at stake and Elizabeth makes it crystal clear just how vital it is that Paige keep up appearances no matter what. Feelings can be controlled and in this scene Elizabeth is releasing a whole lot of rage (for the second time this week) and anger is not something we are used to seeing at this level, which really underscores both her state of mind and how important this is.

Paige, if only you could know what activities your parents have got themselves in the mood for or best not as that would be pretty scarring. Also don’t walk away from your mother before she has finished as all hell will be unleashed. I’ve been watching a lot of iZombie this week and Elizabeth got so angry I half expected for her eyes to go red.The Americans 4.08 PaigeThis might also be a good time to point out just how incredible Keri Russell is this week and if any Emmy voters are watching then now would be an ideal time to recognize her work because we get the entire spectrum of emotions in “The Magic of David Copperfield V: The Statue of Liberty Disappears.” The way she spits out “goddamn church” with the slight break in her voice is next level. This scene is also reminiscent of the last time one of her parents went at her for church related antics when Philip tore her Bible up and also left her in tears. The lesson here is don’t betray your parents trust.

The transition from the actual reappeared Statue of Liberty to a miniature golf version is seamless and we have jumped forward seven months. What this does is free up the storytelling and from the end of season 3 to this episode only a month has been covered. Everything has felt so urgent and like the walls are coming down, which has been great as a viewer but seeing that we have moved forward this far is a welcome relief; now we can let out a deep breath mirroring Philip’s when Martha’s plane took off.

What this does is move beyond the immediate aftermath of Martha for both the FBI and Philip. They have had a chance to recover and the ‘vacation’ they have been given will surely be at an end when we return next week. Time jumps tend to occur between seasons, but Joe Weisberg and Joel Fields don’t always stick to TV storytelling conventions and this is what makes The Americans one of the best shows on TV. They go where the story does and screw conventions.

So now we see Paige is doing exactly as her mother told her too despite her real feelings and reporting her findings in a very matter of fact way that is kinda chilling. Especially when Philip and Elizabeth are doing the whole happy family thing with Henry out in the front yard playing hockey (which Philip mentions earlier in the episode about wanting to do again). The Americans 4.08 Elizabeth, Philip and HenryWith the FBI they are in a shambles in the days after the Martha reveal and have got no closer to either her or the mysterious Clark Westerfeld (he even has his own wall now).The Americans 4.08 Stan and AderholtStan confides in Philip about the disaster that is going on at work, but without going into the specifics Philip is already more than aware of. Now they are made up Stan has someone to vent about his Sad Stan marriage problems and a fridge full of beer to pilfer as his own supply is mysteriously depleted. Philip was right to pull Martha out and yet this doesn’t clear his conscience.

For Stan he has his own conscience related issues and when we jump forward a now out of the FBI Gaad gives him some much needed advice about his Oleg flipping situation. Gaad knows that what happened to Nina plays on his mind and this bonds him to Oleg, but he has to stop thinking like that and get rid of “feelings, sympathy, friendship” and not “lose sight of how these people are.” It is essentially a less terrifying version of Elizabeth’s speech to Paige and while these characters have enjoyed a respite, we are very much going to get thrust back into the action and I cannot wait.

Shot(s) of the Week The Americans 4.08 Young Hee and ElizabethThis week marks Matthew Rhys’ first time behind the camera on The Americans (he has directed on his old show Brothers & Sisters) and not only was he a force on screen, but he delivered a powerhouse of an episode that got right to the heart of who these characters are while delivering some beautiful moments.

The above scene at the movie theater between Elizabeth and Young Hee was a moment of lightness that “The Magic of David Copperfield V: The Statue of Liberty Disappears” needed and the side of Elizabeth this friendship brings out is so charming and free. The use of the mirror and neon light as Young Hee reapplies her tear stained makeup gives this moment a whole other world feeling as it looks like it is from an entirely different show.The Americans 4.08 argumentAnd in contrast this intense scene between Philip and Elizabeth is very much of this world and the way they get closer to each other as the words become more hurtful increases the tension and it is only broken when the phone rings. I do wonder if an episode like this benefits from someone behind the camera who is very much in tune with exactly who these characters are. Regardless, both Matthew Rhys and Noah Emmerich have directed two excellent episodes this season.

Disguise of the WeekThe Americans 4.08 PhilipOnly one new disguise this week as Philip wears a Clark adjacent visage to spy on Gene’s grave. Maybe want to go for something vastly different from the dude the FBI are searching for.

Outfit I Would Wear in 2016The Americans 4.08 Elizabeth and PaigeMore excellent sweaters from Elizabeth and Paige and I am always here for 80s knitwear.

The Americans Book and Movie ClubThe Americans 4.08 Est bookInstead of telling Elizabeth how he is feeling Philip is instead reading est: 60 Hours that Transform Your Life. Which doesn’t seem like the best way to transform his life.The Americans 4.08 cinemaSo Elizabeth does something she doesn’t normally do and goes to the movies with Young Hee. First they watch Robert Duvall in Tender Mercies followed by an impromptu sneaking in to The Outsiders. Now all I want is an episode of Elizabeth and Young Hee hanging out and Ruthie Ann Miles is bringing so much charm to this performance I still don’t care that we don’t know why Elizabeth is working her. All I know is whatever it is can’t be good for the future of this friendship.

Behind the Insta-Scenes: Photos from the Set

4 May

Continuing on from yesterday’s Met Gala highlights we’ve got some getting ready and Gala hangout offerings. Plus more from the White House Correspondents’ Association Dinner and the Girls ladies get back to work for their final season.

 

Still the dress moment of the evening and it is worth seeing Claire Danes in all her glowing glory once again.

 

And here it is in the early stages.

https://www.instagram.com/p/BE7dmktvNqG/?taken-by=willowsmith

 

I have so many questions about the bathroom situation considering the size/constricted nature of some of the gowns (going short seems like a wise choice) and as somehow who has talked about how much they love the use of bathrooms particularly in teen shows, I am so here for this.

As with this Lady Gaga in the background facial expression I am also obsessed with what Jemima Kirke is thinking in this moment.

 

This was another favorite look of the night and Danai Gurira is a spectacular force on the red carpet, as Michonne on The Walking Dead and as a writer. There is another reason for Gurira to celebrate this week as her play Eclipsed received six Tony nominations including writing and for best play.

 

One thing I love about Instagram and fashion posts is the detail you get to appreciate that wouldn’t normally come across in red carpet shots. Case in point the parts of SJP’s Hamilton inspired look.

 

This is also magical.

https://www.instagram.com/p/BE7slNDJQ9a/?taken-by=mindykaling

 

That is definitely a stacked shoe and a whole lot of woah from Mindy Kaling’s footwear.

 

Peering behind the getting ready curtain with Allison Williams.

 

Now for her day job and after its best season yet, the Girls team are back to work.

 

More from Girls and I do love a good use of photoshop with actual old photos of the actors involved.

https://www.instagram.com/p/BE10hEeqlZu/?taken-by=theladydockers&hl=en

 

Now for more White House Correspondents’ Association Dinner including this delightful shot of Michelle Dockery on her way to the event. I adore her yellow Cushnie Et Ochs gown.

 

This also makes me very happy.

https://www.instagram.com/p/BE2pNayipap/?taken-by=abbijacobson&hl=en

 

Elevator magic from Abbi and Ilana.

https://www.instagram.com/p/BE4J27-GRtQ/?taken-by=traceeellisross

 

They also found recent Broad City guest star Tracee Ellis Ross gifting us with this selfie.

 

Jessica Jones cast hangouts courtesy of the Netflix screening event last night. Also reminding me that I still have over half a season of Daredevil to watch.

 

If you only follow one stylist on Instagram make it Ilaria Urbinati for lots of dudes in suits treats such as this Scott Speedman delight and plenty of ladies looking amazing (including Krysten Ritter from the event in the previous photo).

 

This is wonderful and bizarre. Thank you, Jessica Chastain.

 

A very special visit from the woman who inspired Olivia Pope.

https://www.instagram.com/p/BEzsn5km_ZB/?taken-by=tavitulle&hl=en

 

While I’m on the subject of very special visitors; the cast of The Crucible were graced with the presence of the one and only Stevie Nicks.

 

Other significant post-play important hangouts of the week and now I have all the feelings.

Best of the 2016 Met Gala: Everything Else

3 May

Continuing our rundown of the best of the 2016 Met Gala and the ‘Manus x Machina: Fashion in the Age of Technology’ theme. Part 1 focused on all the sparkly and shining looks, whereas Part 2 is pretty much a smorgasbord of tech/futurism interpretations including color, white, pattern and some very handsome dudes.Zoe SaldanaZoe Saldana’s feather train stunner from Dolce & Gabbana is a show stopping moment. Katy PerryAlso serving up high drama is Katy Perry in gold embellished Prada with some added tech from the Tamagotchi she has hanging from her belt. Let’s hope she remembered to feed it while she as partying.
Danai Gurira
Danai Gurira is a TV Ate My Wardrobe favorite and she continues her sartorial hot streak in a striking white Giambattista Valli gown.Karlie KlossWe’ve got a before and after from Karlie Kloss with a two-part Brandon Maxwell starting with a demure capelet that I am giving so many heart eye emojis to.Karlie Kloss (capelet off)To this cutout stunner. It even looks like Kloss has switched out her clutch for both versions. Same fantastic red lipstick for both.

Update!

This ensemble got another dramatic style change via a pair of scissors and some booze (thanks to Sophie for the heads up).

Allison WilliamsMore red lip color excellence and cutouts from Allison Williams in a stunning floral Peter Pilotto gown. Naomie HarrisAnother Naomie in Burberry, but this is a very different interpretation to the theme and the detail of Naomie Harris’ gown is mesmerizing. Amandla StenbergMore #LadySuitWatch2016 and Amandla Stenberg’s Calvin Klein ensemble is made complete by what Amandla herself calls ‘Afro Futurism.’ Seriously excellent accessorizing and keeping with the theme.Beyonce KnowlesBeyoncé takes a brief break from her ‘Formation’ tour and general domination of everything music at the moment to slay in latex Givenchy. Jessica ChastainSome looks are harder to get the theme than others. Case in point – Jessica Chastain’s peacock blue Prada, but this is a stunning color on her so I’ll let it slide.SJPSarah Jessica Parker tends to go big at the Met Gala and this year she’s decided to go in a whole other direction with a Hamilton inspired take in Monse (and SJP Collection shoes, obvs) and I guess I have to applaud the audacity to go for something entirely different. Plus Andy Cohen looks like he is having fun here.Rami MalekNow onto the solo guys and stylist Ilaria Urbinati continues to dominate in all things fabulous menswear injecting some color with Rami Malek in Dior.Tom HiddlestonAnd going for a much more traditional look for Tom Hiddleston in Ralph Lauren; Urbinati definitely knows how to pick the perfect suit.Idris ElbaEnding this Met Gala rundown with so much handsome and the event co-chair; Idris Elba crushes it in tailored to perfection Tom Ford.

Best of the 2016 Met Gala: Everything That Shines

3 May

This year’s Met Gala theme is ‘Manus x Machina: Fashion in the Age of Technology’ exploring the conflict and marriage between handcrafted pieces and how technology has enhanced/changed the way garments are made. So pretty much putting tech under the spotlight and as with previous Met Galas there are those that get the theme spot on, those who just wear whatever is pretty and those who go all in.

We’ve got a couple of posts with our favorite looks from the night and kicking things off with so much sparkle, shine and a very special dress.Claire DanesClaire Danes does dramatic ball gown in Zac Posen and from a glance it appears to be an iridescent Cinderella inspired take with not a whole lot of tech. Beautiful, but it would be understandable why Hugh Dancy is raising an eyebrow (and looking super handsome). But nope this is the perfect embodiment of the theme as Zac Posen’s Instagram photos and video show.

Along with seeing how spectacular this gown looks, I also love that you can hear Claire Danes discussing with Dancy what booze she is gonna be drinking.

Jourdan DunnEntering the metallic zone of which there were many and Jourdan Dunn’s Balenciaga is one of the standouts. It looks like she has been dipped in liquid metal.

Even better is this shot looking out over the city of New York pre-Gala.Brie LarsonA close runner-up in the best of the silver looks is Brie Larson wearing Proenza Schouler serving up a whole lot of fierce in dark lipstick and a tiered sequin silhouette. For more on the design process check out this in-depth look and behind the scenes photos at Vogue.Lupita Nyong'oTime to break up the silvers with Lupita Nyong’o doing dramatic with an incredible updo and green Calvin Klein; this is how you do the Met Gala.  Naomi WattsBurberry does floral infused metallic and Naomi Watts’ all the silver accessories work like a charm here with another tech interpretation that points to all things shiny.Lady GagaYou can always trust Lady Gaga to run with a theme and here she mixes in a healthy dose of an 80s music video and her love of all things crazy platform in Atelier Versace.Alexa ChungWe get our first #LadySuitWatch2016 alert for the Met Gala and Alexa Chung is a sparkly vision in Thakoon.Nicole KidmanThe theme is tech related but it could easily have been something magic based on a lot of the looks (which I guess technology feels like at times) and Nicole Kidman is very much giving witchy beauty in Alexander McQueen.
Kristen StewartGoing in close on Kristen Stewart because her edgy silver makeup is the perfect look for her Chanel sparkles and knotted/braided bleach blonde locks. Roots and all.
Emily BluntThe light is shining on Emily Blunt and she’s giving us bold color sequins in Michael Kors; this is every level of beautiful.ZendayaOnly Zendaya could make a bowl haircut a high fashion moment and she is another one slaying in Michael Kors.

Best of the 2016 White House Correspondents’ Association Dinner

2 May

A busy few days for the red carpet with President Obama’s last White House Correspondents’ Association Dinner on Saturday and the Met Gala tonight; I have a feeling we might see some repeat faces. We’ve got patterns, print, bold color, black frock delights and everyone’s favorite dog. Gugu Mbatha RawSimply stunning from Gugu Mbatha-Raw in this striking blue and purple floral Lela Rose gown. Even the sheer aspect is not enough to detract from how much I love this dress. Constance ZimmerA funky pattern that gives off 1960s hypnotic vibes and more sheer that in shocking news I don’t hate from Constance Zimmer. While you don’t get to see all the leather aspects; this angle does show off the fun mix of materials that make up Zimmer’s Gomez-Gracia frock.Michelle DockeryI am a sucker for all things yellow particularly on the mustard end and Michelle Dockery’s Cushnie Et Ochs hits all those sweet spots. Plus bonus lipstick points.Karlie KlossAnother style high from Karlie Kloss this week and it wouldn’t surprise me if we see Kloss gracing these pages tomorrow. Here she is in Derek Lam mixing things up in different white tones and fabric textures. Also red lipstick points are awarded. Tracee Ellis RossTracee Ellis Ross is serving up pure 1970s inspired black gown sexy in Jovani and the gold clutch/earrings are super strong accessories choices. Abbi Jacobson and Ilana GlazerAbbi Jacobson and Ilana Glazer opt for a more recent decade with the 90s continuing to have its moment and while I have complicated/mostly negative feelings towards the choker resurgence it is working for me with Ilana’s overall look. Carrie Fisher and Tom HiddlestonGenerally if Tom Hiddleston is in anything approximating a suit then he will be the focus of the shot; this is not the case when posing with Carrie Fisher and a nonplussed by the cameras Gary Fisher. The perfect way to close out this red carpet post.

Entering Mrs Florrick Mode on The Good Wife

2 May

Peter’s trial relates to his actions when he was State’s Attorney for the second time and we join proceedings right at the heart of the battle in the penultimate episode of The Good Wife. His first run at this job ended in corruption charges and jail time, which was later overthrown and yet his image has been forever tainted. Tainted because not only had he maybe cheated in his position of political power, but he had broken his vows to his wife.

While his original conviction was quashed, the fact that he slept with prostitutes and stepped out on Alicia remains and this is always going to be the foundation of any mistrust from the public and the crux of any argument between Alicia and Peter. Yes he has said sorry on multiple occasions and there are only so many emotional floggings one person can take and yet it is always there; no matter how many times Alicia stands by his side.The Good Wife 7.21 Alicia and PeterWhen Alicia preps Peter for taking the stand she goes in hard because she knows that is Peter does in fact testify then he needs to be prepared to have all their personal issues used to paint him in a negative light. There is also an element of turning the knife and getting all this shit off her chest; Peter objects to this blurred line between lawyers and husband and wife, but as Alicia points out she is not the one on trial. Which is why when he spits Will’s name out with such venom in retaliation to her jabs that it feels like a gut punch. Alicia takes it and it is also interesting to note that he only refers to Jason as “your investigator.” This reduces him to her employee and makes her relationship here sound tawdry and by using Will’s full name he knows it will hurt the most.

Despite these traded barbs this is a surprisingly civil if not emotionally charged interaction. For starters Peter gets to the heart of his defense; he micro managed to stop any bad convictions so families would not have to go through what the Florricks did. This leads into Peter’s actual performance on the stand and he does well. He mentions his flaws and sells himself to a jury who prior to this had been giving off negative vibes toward both Peter and Alicia. Who knows if they are buying the hand holding between the couple, but Peter sells himself very well in his speechifying moment. And his performance has an impact as the original deal offer of eight years has been reduced to two.The Good Wife 7.21 Eli, Alicia and PeterThe deal is contemplated over wine and Peter makes a huge confession; he’s not a wine guy and scotch is his preferred choice. The horror! But he declines the scotch and says wine has grown on him. I have a confession too and that is I have never really been a Peter Florrick fan. This comes as no surprise I’m guessing and yet when he was on the stand and in this kitchen scene I really feel for the dude. Part of this is performance related and Chris Noth sure is charming as hell and the other part is the history between these two characters.

Jason talks about how Alicia is in full Mrs Florrick mode and I would agree she is; however this is a very different Mrs Florrick than the one we met in the pilot episode. That Mrs Florrick was a lot more passive and now Alicia is very much the driving force behind everything strategy related. She doesn’t care that Peter could have been sleeping with Geneva Pine and she will fake cry to prove it. I don’t think I have loved Alicia more than I did in this scene. So self-deprecating, so not giving any of the fucks.The Good Wife 7.21 fake cryingPeter potentially taking the deal and therefore going to jail does concern her and she thinks he should wait for the jury. There is no good answer and Peter has decided to go with the deal as he can do his time, write a book when he gets out and start over once again. He worries he will be forgotten, but Alicia assures him this won’t be the case and this plays into the very thing Jason told Lucca would happen; if Peter is convicted she won’t divorce him. I’m not sure if this necessarily lines up completely, but if Peter does go to jail she will definitely feel a sense of wife duty to be there and if that is the case then she will be preoccupied. Jason’s anxiety about their relationship and how deep he has fallen means he can’t investigate stuff pertaining to this case for Alicia anymore, which fair enough.

Once again Lucca takes on the role of relationship coach calling Jason out for his shit, which he then denies of course because he is a brooding guy and loves to play it cool. For now Alicia is very much focused on Peter, but that doesn’t mean there isn’t a brief moment for elevator chats (note not elevator smooches).The Good Wife 7.21 Alicia and JasonSpeaking the truth is a repeated theme this week and whether it can be separated from personal entanglements. When Cary’s name gets brought up he takes the stand and he claims he is not there purely out of resentment to the Florricks. He is also pissed when Alicia accuses him of doing this simply as a way to get back at her; for all the time they have worked together it is like she doesn’t know him at all.

This isn’t the only misjudgment and Diane fucks up royally when she asks Kurt to oversell his preliminary findings as it is not something he is comfortable doing and it also backfires when it is suggested that he has oversold his evidence. Kurt is an honorable guy and this compromises who he is. Diane knows she has made a mistake and later on we see her climbing into bed with him tearfully begging his forgiveness; Diane is not a crier or a beggar which shows just how much she messed up here.The Good Wife 7.21 Peter and Diane

The Good Wife 7.21 Diane LockhartDiane is in full fierce mode at the trial and back in the office as she goes all Will Gardner on her expansion plans. It is good to see Christine Baranski getting to showcase all sides of Diane Lockhart in this late stage of The Good Wife and see the hole in the ceiling as a chance to break through another kind. Even if David Lee is wanting to cause chaos with discrimination lawsuit threats. This gives us plenty of Diane facial reaction delights and this is also a very good week in the brooch, statement necklace and blazer stakes (including one which looks like a wicker basket). Walls are being broken and ceilings smashed in more ways than one.

In things The Good Wife loves the elevator got a good amount of action (not that kind of action) and a highlight was Alicia and Diane’s facial expressions at the state of their newly broken down offices.The Good Wife 7.21 Alicia and DianeWe end in a place of uncertainty; Peter has decided to take the deal and it doesn’t matter as the jury are back. His fate is now in their hands. This is not Peter’s story though and it is the resolution to Alicia’s journey that matters to me. What I don’t want is for Peter or Jason to provide the axis from which she spins and the Education of Alicia Florrick should not lead back to a dude. Sure she can find happiness with Jason, but this is not what the end of this show should rest on and I nervously look forward to whatever resolution the Kings have created for us and Alicia.

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