Tag Archives: The Good Wife

The Good Wife, Unethical Shortcomings and Simply Being a Lawyer

5 Jan

The Good Wife sure knows how to start the year with a flurry of emotions and it looked like Cary’s future would involve swapping pocket squares and suits for a jumpsuit. Before watching “Hail Mary” I was pretty sure I wanted The Good Wife to see this story through; not because I want to see Cary in prison for a crime he didn’t commit (far from it), but it felt like a bold story choice and I had concerns the easy less interesting route would be another case of Kalinda finding a magical piece of evidence in the eleventh hour. Instead it has created an entirely different tangled mess for Kalinda and one which will probably play a big part in Archie Panjabi’s well publicized exit arc.

Cary’s predicament allows for self-reflection and his future is this big blurry mess of nothing; what do you do when the one thing you were sure of is taken away?

The Good Wife 6.11 Hail MaryAlicia is prepping for her imminent debate with Prady meaning she is once again absent from the majority of the Cary race against the clock – episodes which involve a tight time deadline like this are always a favorite of mine – but she is more involved than she has previously been much to Eli’s annoyance. Alicia still remains out of the loop and because everything is taking place over the phone (like every call with Kalinda since season 4) she does unknowingly slip up when she mentions to Cary that all hope is not lost.

Corruption is a shared theme between these two storylines as Alicia’s debate focuses on the unethical shortcomings of the current and past SA office. Yep, Alicia isn’t holding back on Peter’s shortcomings. Kalinda meanwhile is pulling every move she can to try and save Cary from going to jail including tampering and changing evidence to make it look like an email had been read, when in fact it had been sent to a spam folder and deleted without ever being seen. It’s not like Kalinda hasn’t ever broken the law or gone to extremes but there is something about this move which has me very worried for where she is heading.

Bishop’s kitchen shouldn’t be terrifying but it has been the center of many heated conversations and Kalinda pushed him too far in the last episode; just look at how small and nervous she looks in this location. Kalinda has a couple of pressing concerns as not only is she in Bishop’s favor debt and awaiting a phone call all episode to say what said favor is, but she has now hacked a police officer’s email account to exonerate Cary. And she didn’t need to do either. Well, maybe the Bishop favor for finding Cary a jail friend isn’t needed, but that phone call is the catalyst for realizing there was an import/export error in the first place so that one can stand. It is the other part that really wasn’t necessary.

The Good Wife 6.11 kalindaKalinda is usually the evidence finding unicorn of The Good Wife and instead the honor of this prize this week goes to the other Carey as he infers from the transcript there is someone else who was part of the Trey Wagner interrogation. This evidence comes late and Diane has already delivered the other Hail Mary of email fakeness and the look on Kalinda’s face when she realizes she is too late is full on gut punch. Now is the time to praise the face parts acting of all involved with Judge Cuesta overturning Cary’s charges and setting him free as Matt Czuchry once again delivers face crumple perfection along with Christine Baranski. Destroyed all over again and for my worries that Cary would get off due to a technicality I can’t be mad when it delivers performances like this. Plus this isn’t a simple case of evidence equals acquittal as Kalinda’s conflicted reaction all too clearly shows (amazing face parts acting from Archie Panjabi here too).

Teary relief is what happens in the courtroom; when Alicia finds out a rare broad smile is etched all over her face and she lets out an unbridled “WOOH” at what she thinks is an empty parking garage. Turns out Johnny is there and she takes her joy one step further by planting a smooch on his mouth. How much we are meant to read into this moment is unclear as the earlier close up and whispered encouragement definitely cranked up the sexual tension, but it also feels like a spur of the moment emotional release and Johnny just happened to be standing there. No, Alicia is not the kind of person to just randomly kiss anyone and I wonder if Finn had been there whether if she had done the same the power strut that followed would have taken place. I am inclined to believe that it would have been far more than a brief on the lips kiss if it had been the case especially as their debate prep sparring was fully charged in a playful flirty manner even with the mudslinging. They really appeared to be relishing this back and forth until Peter showed up and cockblocked the whole thing, because of course he did. One thing is clear; as chief Alicia/Peter shipper Eli is going to be super pissed at Johnny if he finds out about this parking garage interaction.

Ah yes Peter, and Alicia gets to work her full controlled anger on him as she takes him to task making it clear that she isn’t going to be portrayed as an extension of his current or past administration; Alicia is very much her own woman. It is never not boring to watch Alicia go at Peter like this and I kinda wish she was debating her husband instead of Prady next week. Going into the why of this decision to go for State’s Attorney and Alicia strips it down to the basics mirroring the reason why she likes the law; it is all about control and she believes that she can put the job before self-interests. Of course she doesn’t mention the real more base levels as to why she is running – Gloria Steinem encouragement and Castro’s goading – and this idea of simply being a lawyer when stacked up against all the political machinations that come with this job could be a pipe dream.

Mirroring Alicia’s “simply a lawyer” notion from another angle is Cary as he ponders what his life will look like after all of this; all he has ever wanted to be is a lawyer and now he can’t figure anything out. I think we are meant to wonder if Cary is going to take Bishop’s Spain offer but Bill, his prison consultant (The Wire’s Domenick Lombardozzi) has already pointed out the obvious regarding how terrible Cary would be as an outlaw. Even if that is a very healthy looking bank account.

The ethical line is constantly shifting on The Good Wife particularly when the stakes are huge and there is no way this isn’t going to come back to haunt Kalinda in one way or another, which could also impact Cary in a devastating manner.

Bonus style time and I couldn’t end this first Good Wife post of 2015 without mentioning the red coat Alicia wore in her parking garage smooch and stomp of glory:

The Good Wife 6.11 DVF coatThis coat looks familiar and that’s because it is from the same coat family as one of my ultimate costume pieces; the Diane von Furstenberg Cosima coat from Orphan Black. Alicia’s has a different collar design and is the ‘Mikhaila.’ It is not surprising to see Alicia wearing this color when she pulls this defiant move.

Best of TV Costuming 2014: The Collection

31 Dec

2014 is coming to a close and it has been a fantastic year for television across a variety of platforms. There has never been so much choice so there are of gaps in my viewing and shows I want to catch up on still; Fargo I am looking at you. As with last year’s rundown I wanted to explore the best of what I had watched over the year with a focus on costuming and here is the collection of “Best of TV Costuming 2014” essays and posts.

The Americans plaid and spotsThe Marriage Disguise on The Americans

The wigs and costumes are amazing; however I wanted to shift the focus and look at the disguises Philip and Elizabeth wear on a daily basis in their home life. Season 2 saw more of a blurring between the roles they perform as parents, husband/wife and with their duty to their country.

IMG_8663The John Oliver Check Shirt Parade on Last Week Tonight

John Oliver made a more than successful transition from Daily Show correspondent to host of his own show and he did so in checked shirt style.

The Good Wife 5.17The Good Wife and Grieving

We are accustomed to seeing Alicia Florrick is tailored suits with a wine cardigan being the most casual her clothing gets, but this changed after a tragic loss (and this year’s biggest WHAAAAAAAT?! moment) as she dug out the sweats and took to her bed. There was also this very long time fight with Peter that had me cheering Alicia on.

The Music Monday Edition – Transparent

This year’s best TV soundtrack is courtesy of one of 2014 best shows and the choice of music on Transparent hit the nostalgia cues elevating the painful and joy filled moments. Plus I talked about music formats from the beloved records on the show to Spotify playlists.

Hannibal - Season 2Will Graham’s Hannibal Makeover

Tailored coats and fine wool scarves for Will upon his release from jail on Hannibal in an attempt to mimic the man he is trying to capture. Plus taking a look at how the polar vortex influenced one costuming moment.

Abbie leather jacketThe Year of the Leather Jacket

One 2014 trend that looks set to carry on into 2015 is the leather jacket and one of our favorite wearers of this garment is Sleepy Hollow’s Abbie Mills.

out 100 Samira WileyOut of the Box: Look of the Week – Part 1

Many magazine covers, red carpet events, talk show appearances and other top style moments have appeared on Out of the Box and Part 1 covers some of our favorite looks of 2014 including this stunning cover shot of Samira Wiley. Part 2 is here.

Bel and Freddie S2The Shows I Finally Watched

The Hour and Pushing Daisies didn’t air in 2014, but I did watch and fall in love with both shows for the first time this year and this is why they make the “Best of 2014” cut.

Margaery GOTBest of the Rest – From Statement Necklaces to Wedding Gowns

This picture heavy roundup covers a wide range of TV Ate My Wardrobe’s favorite shows and costume highlights including Margaery’s stunning Game of Thrones wedding dress, Diane Lockhart’s necklace collection and the trucker hat that became a sweet love token on Orphan Black.

Thank you to everyone who has stopped by this year and I can’t wait to talk about the TV in 2015!

 

Best of TV Costuming 2014: Best of the Rest – From Statement Necklaces to Wedding Gowns

30 Dec

Welcome to TV Ate My Wardrobe’s “Best of 2014″ costuming series and rather than doing a straightforward countdown we’re going to do a variety of posts that look at which costumes and shows have made a huge impact this year. From items that we want in our own wardrobe to pieces that got everyone talking, we want to look at this year’s TV through the prism of costume.

So far the end of year “Best of” discussions have covered a lot of individual shows such as The AmericansHannibal and The Good Wife, along with certain trends such as leather jackets and now comes the quick-fire roundup of TV Ate My Wardrobe’s best of everything else such as accessories, special occasion gowns and even modes of transport. It is a chance to address some our favorite shows and looks of 2014.

Best Statement Necklace Wearer

The Good Wife 6.02 DianeThere can only be one winner of this and The Good Wife’s Diane Lockhart wears chain necklaces like no other. She also has a very fine collection of antique broaches/pins and a stare that can stop you dead in your tracks.

Best Fancy Hat 

Hannibal - Season 2Freddie Lounds take on court attire was even better than Hannibal checking out his own butt as he got ready for Will’s trial. This hat reads more day at the races or wedding and isn’t really court appropriate unless she is starring in a remake of His Girl Friday.

Best Casual Hat 

IMG_0770I never thought I would pick a trucker hat to appear on a ‘best of’ but Orphan Black managed to turn one into a symbol of love as Helena shared her first dance and smooch with the adorable Jesse. This love token has been dropped and all she is left with is a beanie to stuff her hair into.

Best Sunglasses

You're the WorstI can’t believe this is the first time I am talking about You’re the Worst on TV Ate My Wardrobe and Gretchen’s face in the shot above sums up how ridiculous that is. Plus her Ray-Ban Opal Yellow Wayfarers are super awesome and perfect for all kinds of hungover sunny days.

Best Sweaters

Gina B99 Wolfie sweaterAnother slam dunk as Brooklyn Nine-Nine’s Gina has excellent sweater game week in, week out including an excellent double wolfie turtleneck from the most recent episode. There might have been more competition if Robyn hadn’t mysteriously become a character who exists in the off screen wilderness on The Good Wife.

Best Tights

SelfieNobody does patterned tights quite like Selfie’s Eliza and now is also a good time to sadly bid adieu to yet another comedy show that was the perfect mix of funny, sweet and sharp. So long Eliza and Henry; you deserve more than this.

Best Bathrobes

IMG_1161Going from the sanitized hospital location with the stiff blue robes to something more decadent with quality hotel bathrobes and in Masters of Sex’s best episode this season “Fight” Bill and Virginia spent a rather sizable portion laying their souls bare while wearing this garment.

Best Late Night Drinking

HomelandOkay so this one isn’t about what a character is wearing, instead it is the manner in which this scene in the Homeland finale showcased the best of what has been a mostly very enjoyable season leaving behind the mess of almost all things Brody. There’s an initial awkwardness from Lockhart that turns into a moment of warmth thanks to a shared horrific experience and drinking whiskey from paper cups.

Best Mode of Transport Part 1

IMG_1160Lucy’s beautiful blue bike wouldn’t look out of place now as retro bicycles are on trend and it also symbolizes freedom for both Lucy – she doesn’t have to rely on a man for transport – and Thack as he experiences a non-drug induced pleasure when he takes it for a spin on The Knick.

Best Mode of Transport Part 2

The Comeback 2.08The Comeback has been a pleasure to experience even when watching through fingers or with constant Home Alone face and the season finale is just as exceptional. Valerie Cherish is my everything especially when she has to avoid a shit covered front yard and gets carried in her Emmy gown by a shirtless Brad Goreski and her publicist Billy.

Best Hoodie to Hide in

Broad City 1.08 drawstring hoodieThere is a lot to love about the costuming on Broad City and one of Abbi’s most practical pieces is this drawstring hoodie (as with April Ludgate’s mustard hoodie I am still on the hunt for it) which doubles as a Bevers blocker.

Best Dress for Time Travel

Otlander Claire blanketConfession – I still need to watch beyond episode 3 of Outlander and it is one of those shows that I just fell behind on. Claire’s 1940s simple white keyhole dress didn’t seem totally out of place for the 18th century time period she found herself in during the pilot and this allowed her to blend in as best she could without betraying the original post-World War II setting. I really need to catch up on this, don’t I?

Best Wedding Gown

Margaery GOTAnother wedding didn’t go so well (or it actually worked out better for the bride) on Game of Thrones, but that can’t take away from the exquisite beauty and detail of Margaery’s gown. The rose embellished train is stunning.

Best Business Wear 

BBC2 drama The Honourable WomanOn The Honourable Woman Maggie Gyllenhaal’s Nessa Stein has a wardrobe that contains endless billowy silk blouses and everything is super chic and well tailored. Pieces that stand out include the Roland Mouret leopard jacquard dress from the first episode and pretty much every item acts as some kind of armor between Nessa and the messiness of the world she is part of. Yep even those silk blouses represent both supreme business wear and a way to protect herself.

Best Pattern Clashing 

IMG_1014Mindy wins this one hands down.

 

Best of TV Costuming 2014: The Year of the Leather Jacket

22 Dec

Welcome to TV Ate My Wardrobe’s “Best of 2014″ costuming series and rather than doing a straightforward countdown we’re going to do a variety of posts that look at which costumes and shows have made a huge impact this year. From items that we want in our own wardrobe to pieces that got everyone talking, we want to look at this year’s TV through the prism of costume.

Clothing confession time – I have never owned a leather jacket; in fact I don’t think I have ever tried one on. Or anything made of leather aside from bags or shoes. It is one of those items (much like my fear of jumpsuits, which is a story for another day) that has always intimidated me because my style is more Sandy pre makeover than post (the leather jumpsuit in Grease is the perfect combination of my clothing fears). Leather jackets have been so ubiquitous on TV this year that Vulture compiled a slideshow of all the women who had worn them at the start of the fall season. We’re going back a little further and compiling a list of the Top 5 leather jacket wearers this year and maybe 2015 will be the year I try one on. I will probably settle for a leather pleated skirt.

In no particular order here are the women who make me want to wear leather and what is really great about this list is it covers sitcom, drama and genre shows. Leather is not bound by one type of storytelling.

The Good Wife 5.18 Kalinda and DianeKalinda Sharma wears several shades of leather on The Good Wife including this stunning collarless zipped peplum oxblood number (from episode 5.18 “All Tapped Out) and I’d say a good 93% of her wardrobe includes some form of leather. Even her dresses that aren’t all leather have leather accents.

Abbie leather jacketLeather jackets are to Abbie Mills’ attire as Ichabod’s trusty colonial coat (and his new replicas) is to his wardrobe on Sleepy Hollow. Abbie’s costuming is relatively fuss free; it is both practical and it is still classically stylish. There is also an air of authority when wearing this type of outerwear and gives the impression of someone who is not easily intimidated, which is why characters from law enforcement have a tendency to rock this look.

Diaz leather jacketSuch as Rosa Diaz from Brooklyn Nine-Nine. It is a trope of sorts to have a character like Diaz in this attire and it is also used to distinguish her look from Amy Santiago’s softer, tailored wardrobe but the show has fun with what could become a cliche.

Kitty leather jacketOn Elementary, Kitty is wearing the same All Saints biker jacket as Diaz’s one from the shot above and while her character isn’t strictly a police officer she does work in this arena. Kitty’s attire is nothing like Joan’s for a reason; she is not simply a Joan carbon copy Sherlock is trying to recreate. Instead her penchant for leather (including her Doc Marten boots) is a way to project an image of strength after everything she has been through.

The Americans 2.13 Elizabeth leather jacketElizabeth doesn’t look all that thrilled by her coat choice considering the way her hands are stuffed into the pockets and the snow on the ground behind her. From the season 2 finale of The Americans Elizabeth is dressed in the way I think she is most comfortable in (aside from the weather) as she appears as herself and not in her mom attire or work clothes. This is spy Elizabeth. And what do we have here, but a new shot from the season 3 promo shoot revealing that leather comes in both his and hers:

IMG_1156Any other favorite leather jacket wearers from 2014?

Best of TV Costuming 2014: The Good Wife and Grieving

9 Dec

Welcome to TV Ate My Wardrobe’s “Best of 2014″ costuming series and rather than doing a straightforward countdown we’re going to do a variety of posts that look at which costumes and shows have made a huge impact this year. From items that we want in our own wardrobe to pieces that got everyone talking, we want to look at this year’s TV through the prism of costume.

One of the biggest TV moments for me this year was the death of Will Gardner on The Good Wife and how this took what was already a thrilling season and upped the ante to new levels as everyone dealt with the aftermath of this tragedy. This story resonated for a number of reasons and the unexpected and sudden nature put us in the same position as Alicia as they somehow managed to keep this story under wraps; this was not an expected departure – even if it was common knowledge that Josh Charles’ contract was up at the end of the season – and because Will and Alicia’s relationship was unresolved this death hit hard. It is definitely the first time I have ever cried while writing a review.

The Good Wife 5.17 AliciaThe education of Alicia Florrick is at the center of The Good Wife and Will’s death is a stab to that heart. Even when they were fighting for the majority of the fifth season there was still a spark and the reconciliation of sorts in a New York City diner hinted at the next phase of their relationship. This was not to be the case as Will was gunned down by his own client at the end of the next episode. The wardrobe of grieving can be many things but when Alicia finds out that Will has been killed she is in appropriately somber clothing and she spends the episode with her zip done all the way up and shrouded in her black coat. As I said it is appropriately somber. This is followed by more black clothing for the funeral (and post funeral drinks with Diane) but color isn’t completely lacking in these episodes as you can see in this shot of Alicia with Grace’s old tutor Jennifer.

It’s after the funeral in “A Material World” where there is a shift in Alicia’s attire as she goes from her usual well put together fancy suits and reverts to sweats. Climbing beneath the sheets – initially while still wearing her court clothes – and contemplating only the heavy handed drama on Darkness at Noon is pretty much where Alicia is at. This move is not surprising as she needs to escape the pain of her own world by watching manpain on her favorite show. Alicia is all about control (it is why she likes the law so much) and this experience allows her to let go of everything she has known to be true for as long as we have known her. On one hand there was Will – the real love of her life where bad timing played its part in keeping them apart – and then there is Peter. Peter is the disappointment, the facade of a marriage that has always been broken since we entered Alicia’s life.

Alicia ending things with Peter when she looks at her least put together is entirely appropriate and this is a conversation that has been a long time coming. It is a rehash of the same argument we have heard countless times as both Alicia and Peter use their past indiscretions to hurt the other. The main difference now is that Alicia doesn’t hold back screaming that her affair meant something and we’ve reached the point of no return for the broken Florrick union. Now she is acknowledging how their coupling is a benefit professionally to both of them, but anything else is completely off the cards. They are done. No going back this time and Peter doesn’t get a say.

The Good Wife 5.17Seeing Alicia take control in this manner all while wearing her sweats is a fist pump eliciting moment and something I have been longing to see. Okay maybe transfer super swanky red gown for the sweats in how I envisioned it, but the lounge wear is actually far better because this look is so unexpected. Peter has no patience or empathy for Alicia’s pain, he thinks his wife is being dramatic and maybe she is, however this is what happens when your heart gets ripped from your chest. Peter belittles her loss by inferring that Will’s death isn’t like losing a child or a husband; this is the point where she realizes she is done with his BS and passive aggressive comments about the political function she has missed. He is now free to screw around with whomever he wants to, as long as it doesn’t hurt either of them professionally.

While Peter has indeed invoked the ‘sleep with whoever you want’ clause (and by the sounds of it with someone who he has previously cheated on Alicia with), Alicia is yet to do anything beyond flirtation (with Lost’s Nestor Carbonell and Finn). One thing that is worth noting about Finn is that he saw her in her most vulnerable state and it is not just because he saw her in sweats over her well put together wardrobe. Rather than avoiding Finn, which would have been easy to do as Grace was about to turn him away, Alicia says it is okay for him to come into her bedroom. Her inner sanctum of hiding away from the world. This conversation reinforces not only how much Will meant to Alicia, but also creates this connection between Finn and Alicia that goes way beyond the insane chemistry they share.

Will’s death is a shocking moment and what could have been a cheap twist has been used to propel the characters forward in unexpected ways as well as exposing Alicia’s vulnerability and strength in equal measure. These days away from work allow Alicia to respond to this event in the privacy of her own home, but when she becomes aware of how little privacy there is thanks to the NSA surveillance it gives her a reason to get back out there and kick some ass. The comfy home clothes are discarded for now and the sharp suits are back; the wine cardigan will return but this renewed focus and sense of determination means the sweats have been banished for now.

The Good Wife and Certainty

24 Nov

A show in its sixth season can lead to familiarity and plotting that becomes easier to foresee, but with The Good Wife this has been far from the case as the storytelling has become even more daring the further it has progressed. Alicia leaving Lockhart Gardner last year took a devastating turn when Will was killed and this season opened with a surprise arrest for Cary that has dominated half of the story this season (Alicia’s campaign and the odd case of the week have filled the other half). This all culminates in the “The Trial” and despite the many obstacles they have come up against there is still a feeling that Cary will be exonerated; this is what Cary believes and his certainty sells it to the audience.

Plus they have Kalinda and she always manages to save the day at the last moment with a vital piece of evidence. Except this time it doesn’t go according to the plan we have seen many, many times on The Good Wife and a hard decision has to be made.

The Good Wife 6.10 The TrialThese weekly Good Wife posts tend to focus on Alicia (which is why I hesitate to call them reviews as I don’t always address the episode as a whole) and while I have touched on Cary’s predicament this season it is time to shine the spotlight on this character and Matt Czuchry’s performance. Czuchry delivers a wide spectrum of emotions shifting from confident subtle jubilation when the key witness hits the stand to crumpled realization when his Hail Mary lies; this is the face of a broken man and rather than showing his fears via a raised voice the understated reaction hits a bigger punch.

They are out of options and their evidence was flimsy to start off with; even though Cary is completely innocent everyone standing between him and jail is either dead or far too intimidated to tell the truth. With each passing week since Cary was first arrested one thing after another has stacked up against him from the multiple bail hearings to the extra accusations that have been leveled against him. As soon as they get one win, something else knocks him back down. Cary has still remained optimistic to a certain extent and he believes the law will come through for him because he is innocent. There is always another way, until there isn’t.

We are in the same position as Cary as we have seen The Good Wife pull a victory out of seemingly lost case on multiple occasions. This hope is misplaced when it comes to Cary avoiding jail time as each glimmer is struck down. The only option for avoiding jail is testifying against Bishop and Cary would be signing his own death warrant if he did this. Shoulder and hand squeezes of support are my misty eye trigger and there are plenty of these throughout the episode with everyone getting in on this action.

On separate occasions both Cary and Kalinda mention how they are ready for this to all be over; for Kalinda I am sure she wants an end to the constant intimidation from Bishop and Cary wants to regain a semblance of who he is. These past four months has seen his self-assured demeanor get chipped away and despite appearing like everything is all good as he wears his impeccable super sharp suits with matching pocket squares, Cary has definitely lost his sheen. When he gets given a secret option to avoid prison with an offer from Bishop he can’t take it because then this nightmare will never be over. Also they can’t take Matt Czuchry away from us like this, not when they have finally given him a killer storyline.

Alicia’s has been absent through a lot of this process, in part because she had to step down from representing Cary and largely due to her campaign. The pointed comment from Judge Cuesta regarding Alicia’s court presence and how she managed to squeeze it into her busy schedule could be seen as a dig at how absent she has been and yet she has been there to pick Cary up when it matters most. Cary and Alicia’s relationship has endured many contentious moments from their first year competition to the way they butted heads over Diane coming over to their new firm; one thing that has thrived is respect and compassion. Alicia is important in this situation because there aren’t complicated feelings involved as with Kalinda and they have a bond that is on a more personal level than Cary and Diane. The scene where they discuss Cary’s lack of options and Alicia still wants him to fight is heartbreaking as she is the one holding onto the idea that the law is just. Shoulder squeeze, tears, hugs and this question “You’ll come see me?” quite possibly broke me (okay yes it definitely broke me).

The Good Wife 6.10Other points of certainty and one that Eli reinforces throughout the episode is how Alicia really shouldn’t joke about ANYTHING, but especially if it includes stabbing one of Grace’s teachers. It doesn’t matter that Alicia was quoting her favorite show (Darkness at Noon of course) or that she was joking because this is a hard thing to spin. Watching Alicia’s campaign team of Eli, Johnny and magnificent bodywoman Marissa – I just want to repeat how much I need my own Marissa in my life – is the comedic interlude this episode needs as they try and figure out how to dig Alicia out of this new hole. The cycle keeps on spinning and when an easy solution presents itself to them, Alicia refuses as she doesn’t want to be the same as Peter accepting patronage to smooth things out.

Eli scoffs at Alicia’s ethics and it is interesting to note who does what unethical act in this episode; Alicia won’t take patronage but she will ask Finn for a favor regarding his former ASA knowledge of Cary’s case. At first Finn calls this unethical and yet on a second (very flirty diner meet up that once again had me yelling ‘MAKE OUT’ at the screen) he relents giving her something they can use. Kalinda’s attempt to use this information ends up screwing Cary over even further as she threatens Bishop where it hurts most – his son – and the last time someone wanted to take Dylan away they ended up dead. If Bishop is willing to kill Dylan’s mother he really is capable of anything. And Peter comes through to help Alicia out with her problem doing the very thing that Alicia didn’t want done in a roundabout way. The only person with something at stake that doesn’t do something unethical is Cary when he turns down Bishop’s Barcelona offer. Although he does ask Alicia to ask Finn about the plea deal so I guess that counts. Basically everyone is willing to bend the rules in one way or another.

Cary’s change of plea at the end of the episode comes across as very final and now we have the long wait until January 4 to see what will happen next. Yep, over a month without The Good Wife. *Sigh*

[Source]

 

Behind the Insta-Scenes: Photos from the Set

20 Nov

Welcome once again to Behind the Insta-Scenes! Bringing you a roundup of the best behind the scenes photos posted on Instagram from a variety of TV show and personal accounts from the people who are on them. This includes anything from future episode sneak peeks, what’s airing this week, flashing back to the past and general on set (and sometimes off) antics.

Included in the roundup this week are location shoots with swoony grins, superhero selfies and a mother/daughter reunion.

http://instagram.com/p/vjnZ3GJQ2f/?modal=true

The Mindy Project is shooting in San Francisco this week and Mindy Kaling has been sharing treats aplenty – amazing costumes ahoy – including this very romantic selfie with co-star Chris Messina. This is a frame worthy photo for Mindy’s apartment.

http://instagram.com/p/vjPtWxpQ_G/?modal=true

Same gorgeous location, but switching things up with a moody catalogue model pose.

A lot gets up Eli’s nose on The Good Wife including this very cool accidental shot.

Last week The CW revealed what Katie Cassidy’s superhero costume would look like on Arrow and here’s a close up of the mask (along with co-star Colton Haynes). Two thumbs up for the lipstick and dramatic eye flicks.

http://instagram.com/p/vj9HH9QPiI/?modal=true

Cougar Town is coming to an end and Busy Philipps pays tribute to hair stylist Michael Anton for all the crazy, fun hairstyles Laurie has had, including this very colorful ‘do.

So this isn’t from the Mad Men set – they are at the AMC Holiday Party – but I couldn’t resist this mother/daughter picture of happiness. As if Matthew Weiner would allow on set photos this far in advance of the final half of the season premiere.

Public and Private Spaces on The Good Wife

17 Nov

“I always hated it that these offices were glass.”

Private spaces are hard to come by on The Good Wife and offices made of glass windows mimic the scrutiny of Alicia’s current situation. There are few places where Alicia doesn’t have to contend with all eyes on her and one such place is her home, but even this is not entirely private as the security camera shot of Finn leaving her building reminds us. For Cary he doesn’t have the luxury of feeling safe anywhere, including his home as his life has been threatened and he’s incredibly vulnerable.

The Good Wife likes to play with different locations and once again elevators are used to great effect to show a variety of emotional states. “Sticky Content” was written by Good Wife creators Robert and Michelle King and they are experts at producing an episode that oozes tension and forward momentum weaving both the campaign and Cary stories together.

The Good Wife 6.09Attack ads and introductory videos are the campaign order of the day with David Krumholtz joining the Florrick team as Josh Marnier, a campaign media specialist. Josh is another expert who ends up having to tell Alicia that her strategy is wrong and how she just needs to let her ideals go and let them do what they do best. Marissa Gold returns as Alicia’s bodywoman and all round voice of reason/snark. So far Alicia has been a pretty terrible candidate and she should have gone to Johnny straight away with the shoe box of dirt rather than stewing over it with an Alicia sized glass of wine; no matter how much will power she possesses, she was always going to crack. Like Johnny I am pretty cynical of Prady’s motives as this comes across as a manipulative power move wrapped up in an ‘oh shucks, I’m just a good guy’ routine. And it works as the first envelope sends Alicia into a mini tailspin. The Finn and Will (*sob*) photos don’t have an impact; it’s the ones of Peter and Ramona that sticks the needle in.

Alicia is all about control so when something disrupts this she tends to react in two different ways; confrontation and avoidance. These normally coincide with each other so she rings Peter up to yell at him – and the manner in which he answered sounded like his voicemail – and instead arranged the sit down interview to show how happy their marriage is. The second moment comes when she pops into see Finn after the super fake all smiles and hand holding Peter interaction. What this is motivated by is anger at Peter and Ramona coupled with desire as they’ve been flirting it up a storm for weeks now. A line is about to get crossed and Alicia seems somewhat relieved when she finds his office empty, but then he returns coffee cup in mouth and his usual super charming/attentive manner. The sofa conversation is the unlikely combination of awkward and comfortable; the warmth is there and yet there is an unspoken tension that overspills with a brief touching of hands. With Peter this gesture was empty and symbolical, here it is spontaneous and fully charged.

The Good Wife 6.09 finn's officeWhat this is reminiscent of is those moments in “Heart” and “Red Team, Blue Team” between Alicia and Will where empty office spaces and heightened emotions led to Alicia letting down her guard and allowing herself to be impulsive. Of course this is a very different set up and an interruption/realization of how public this space is causes Alicia to flee before anything more intimate can happen. The following day the weirdness of the night before is discussed and Alicia refers to the mood as “worrisome” – I think this is Alicia’s way of saying I think you’re hot but I can’t right now – and that people have expectations. It’s even more complicated than when Alicia was involved with Will and even if they want it to be simpler that’s just not happening right now. The line has been crossed as feelings have been verbalized (underneath layers and layers of subtext) and if they can find somewhere that has actual non see-through walls then maybe a conversation can be had (or something way more fun than talking).

Perhaps Alicia should take a page out of her husband’s book and improvise with the spacious car he is being driven around in. Peter rebuffs Alicia’s Ramona accusations, however it is worth nothing that he doesn’t deny having an affair with her back when they lived at Highland Park and this also supports the theory that Lauren is his child. Peter is also lying about the Ramona thing as the car smooching demonstrates. Alicia claims that she is angry not because she is jealous or that their agreement is invalid, but because this could fuck everything up for both of them. I think a small part of this is jealousy, particularly if this infidelity stems back to a time when she thought she was in a good marriage. At the same time it is very telling in how strongly she emphasizes that no, she will not be standing by his side again (“not in a million years”).

After this conversation Alicia is red dress wearing, guns blazing and she is willing to use and exploit her scandal and tragedy to sell herself in the introductory video. It sounds so incredibly fake and sincere all at once, because we know exactly how she really feels, but she’s selling to a public who don’t know her yet as the woman who went back to work in a time of hardship (she didn’t wallow) and then saw gun crime take away the person who took a chance on her when no one else would. There’s the perfect amount of misty eyes and resilience, plus she looks killer in that red dress. Until of course Prady’s mother wears the same dress in his own boohoo version of his life and why he wants to run; this is where I think the Prady campaign are being tricksy as if they did their research they know that Alicia’s power color is red. Coincidence? I think not. Or maybe I’m too cynical, but I don’t think Prady is the good clean guy he suggests he is.

the good wife 6.09 alicia's dressDigitally changing the dress doesn’t work and she ends up looking like she’s wearing a wallpaper design and trying to recapture the (fake) sincerity of the previous version falls so flat. We do get the jokey version of Alicia including why she wanted to be home with her kids “because child services said I had to be” as she eye rolls through her terrible, terrible second attempt. It’s really fun seeing Alicia sucking so much at this, not that her campaign team is reveling in this really bad performance. In the end the decision is made to just go with the same dress as it is a far better option than this new take.

A leak is to blame for the Prady DINO attack ad, which comes in response to a “Who is Alicia in bed with now?” negative commercial from the Prady PAC. This is in reference to her clients (Sweeney and Bishop), but they could also be laying the foundations for affair accusations and this question could easily apply to both work and personal matters even if it is just an insinuation.

Let’s talk about one of The Good Wife’s favorite locations:

the good wife 6.09 elevatorElevators! Here this space looks huge and it shows Alicia as contemplative and lonely after the interview reinforcing the idea of a good marriage with Peter. This is her returning to the office to go see Finn and maybe do something about their flirting in what could be considered as a retaliation move.

The Good Wife 6.09 Cary elevatorFor Cary this space is precarious as he doesn’t know what will welcome him when the doors open as he’s just heard a tape with Lemond Bishop threatening his life. It’s a tight claustrophobic, perhaps even coffin like location and at his building the shots are either in a close up or emphasizing how closed in he is. The flashes of someone with a gun coming up and shooting him add to the tension and fear. Elevators mean a whole lot on The Good Wife and we have seen them used as a place to sob alone, hook up or even as a host of awkward conversations; they can be equal parts private and public.

Cary’s home is no longer safe and in a bold move he chooses to visit Bishop in his after an encounter at the office reveals Cary’s new bodyguard (when the elevator doors opened – see you never know who is going to be on the other side) insinuating Cary has flipped. With Bishop’s son present in his home this is probably the safest place Cary could have gone to have this discussion with Bishop, but it still doesn’t stop Cary and the audience from feeling nothing but fear as Bishop’s presence alone is intimidating in any location. Cary is back on Bishop’s good side, but how long is this going to last with jail looming over Cary’s head?

Hello, Hello, Hello: The Comeback 2.01 “Valerie Makes a Pilot” Discussion

16 Nov

The Comeback has returned and after talking all things Valerie with Kerensa Cadenas last summer we are back to do more of the same for season 2. When we started the Summer Rewind project we had no idea that this show would get a long overdue second chance; reboots and remakes are common Hollywood fare, but it is unusual for a show to get another go this long after it has been canceled and with the creative team involved (a trend maybe developing as Twin Peaks is also getting revived).

The Comeback 2.01Emma: So Valerie Cherish is back and she’s still just as oblivious and hungry for approval/fame while trying to recreate the I’m It! glory days. And I’m so happy to see her again, even during the most heartbreaking/cringe moments.

Since we last saw Valerie she hasn’t had a whole lot of success as both Room and Bored and The Comeback weren’t picked up – it’s not surprising as Room and Bored was terrible and the reality show kind of needed the sitcom to survive – and she’s done independent horror movies (which are actually student films), a hair care line for red heads called Cherish Your Hair (which I would so go red for) and an almost turn on Real Housewives of Beverly Hills. This is the one that could have propelled her back into the public eye and it’s a decision she clearly regrets as she’s trying to forge a relationship with Andy Cohen. In typical Valerie form she thinks a couple of tweets can be referred to as ‘communicating with’ about this new project. She failed to grasp the scripted aspect of the kind of reality TV that has thrived since The Comeback and her refusal to be painted in what she saw as a villainous light led to her ditching the project. Valerie has always been concerned with coming across as a good person on screen and this normally leads to her looking totally clueless and self involved. Charitable acts come across as forced and disingenuous and the image she wants to project rarely plays out the way she hopes.

This could have been her return to the big time and she knows this, which is why the offer of a HBO show is so exciting even if it is a role that is essentially a character assassination and it means she will have to work with Paulie G again. Once again just the simple act of typing his name fills me with rage. Oh and it turns out that he was a heroin addict while they were making Room and Bored, but he’s still an asshole now. The cold read is such a terrifying moment for Valerie as not only does she have to read some pretty awful things about herself, but this is arguably the biggest opportunity of her career and she doesn’t want another Real Housewives missed opportunity.

The monologue itself is a searing take on how older actress are treated and when the camera lingers on Valerie’s frozen look of slight horror as she reads it to herself we know what is coming is going to be heartbreaking and it is. Lisa Kudrow’s delivery of this “unfuckable” diatribe is incredible and cuts right to the core of Hollywood gender double standards when it comes to what age is generally considered attractive. It is moments like this that make The Comeback such a special and important show that goes WAY beyond cringe comedy. What was your take on this scene?

How do you feel in general about Valerie’s return?

The Comeback 2.01 cold readKerensa: I’m so glad to have Valerie back! Just seeing her in that opening scene to bumbling that Chateau Marmont “meet up” with Andy Cohen–who she’s been “communicating” with was all just so classic Valerie. Completely cringing, panic inducing and ultimately so deeply sympathetic.

Seeing what she’s been up to post-Room and Bored was a perfect catch up–like I would totally watch the Valerie Cherish Cherish Your Hair infomercial while stoned at 3 am and probably would end up ordering some of that hair dye. Let’s be real I’d also watch all of Valerie’s “independent films.” (Yes, I know I’m using so many quotations but they feel appropriate.)

But what got me even more excited about this return of The Comeback was the scene that you mentioned–Valerie’s impromptu audition of Paulie G’s (groan) new HBO show–it was such a fucking smart critique on Hollywood, women and ageism and Kudrow crushed it. And that just dark biting feeling that was there while she was talking about being “unfuckable” gave the show even more layers for me than it had before. So I’m really excited to see where this goes–perhaps an attack on ~~white male antiheroes?~~

The Comeback 2.01 real housewivesEmma: Oh wow I really hope so and if that is the case then The Comeback is going to be the perfect companion to The Good Wife’s ‘Darkness at Noon.’ Kudrow is in a really strong position in terms of knowing how Hollywood treats older actresses not just through her own experience, but through that of her Friends co-stars. Jennifer Aniston is still churning out the comedy movies where she is still the hot sexual object (see the strip scene in We’re the Millers) but she is also trying to do the whole being treated like a serious actress and uglifying herself with Cake. And all people are interested in is whether she will ever marry Justin Theroux or have a baby. And how she feels about Brad and Angelina. Courtney Cox on the other hand is still doing the TV thing, but she has her own aging tabloid stories when it comes to Botox (and I know The Comeback will be addressing plastic/cosmetic surgery this season) and her dating life.

In terms of how similar Valerie is she still can’t remember names of anyone, she still loves a good prayer hands and her timeout symbol indicates where she wants to cut the footage. Mark using this in the bedroom when she tells him she put the bedroom camera back in is hilarious and I’m so glad they are still together. I’m also glad Mark was pissed off that Valerie took the Seeing Red part because he knows what a fucker Paulie G was to her first time. Mark clearly supports Valerie as he isn’t that reluctant to appear on camera this time, I think he just knows there should be a line.

So here is the thing Valerie has what appears to be a pretty good life as she’s still got money, the house and the husband who loves her but there is also this desire for the fame thing. Do you think she cares more about being known or about being an actress? I tend to lean toward the former and it is why she is willing to put herself in these shitty positions. And it’s not because she is dumb, there is some self-awareness and comprehension of the Hollywood game, but she wants in so much she doesn’t care about what she has to do. As long as she doesn’t look bad.

The other heartbreaking moment for me came as she stood in the paparazzi scrum shouting Juna’s name and the dejected look on Valerie’s face that she tried to cover with sunny optimism as the car pulled away. But Juna must have heard the “Baby Girl” call through all the Juna’s as she came back and she really hasn’t changed either despite being a HUGE star. It’s not surprising that Juna and Chris are the ones who made it (and I can’t wait to see meathead Kellan Lutz once again, maybe they’ll riff on the whole Twilight thing) as they are the ones who are still doing things now (sorry Jesse and Shayne).

Mickey is the returning character I am happiest seeing and I can’t imagine anything breaking this bond. I’ve already mentioned Mark being back, so is her publicist Billy (Dan Bucatinsky) and their housekeeper Esparanza also pops up briefly. Mark’s daughter Francesca is referenced as she needs an apartment in New York where she is studying fashion and as I’ve seen a lot of Million Dollar Listing NYC recently I’m hoping for a reality show crossover here. I know Jane is going to be back and she’s definitely top of my most anticipated list and I love her relationship with Valerie.

Who are you wanting to make a comeback to The Comeback? Oh and as we had some reality figures show up (oh hey Ru Paul) is there anyone in this arena you want to see on the show? Tyra would be my number one choice.

The Comeback 2.01 Andy Cohen and Ru PaulKerensa: I think that Valerie wants to be known as opposed to being an actress and it sucks but for Valerie it seems that, especially the way I think the show has/continues to frame Valerie’s struggle as a working older actress is that is what her options are? I mean, I think depending on how this season pans out, that may change but she’s pretty much willing to do whatever it is to be known as opposed to doing good work.

I’m excited to see Jane also and the thing about this season that I’m the most excited about is that catching up with these characters from the original I think will give us more insight into their lives. I mean so much about Paulie G—that he was using heroin–was off camera on The Comeback which is going to I think add some really interesting stuff into the show.

In terms of guests–I’m not sure there’s anyone I have specifically in mind but I’m fully expecting to see some totally random people show up. People LOVED The Comeback and even judging from Ru and Andy showing up–I think we are going to see some major stars show up to support Valerie.

The Comeback 2.01 JunaEmma: When they mentioned Kathryn Hahn was in the audition room (and Chelsea Handler – IRL BFF of Jennifer Aniston – made a cameo appearance via a video audition) I was hoping she was going to be there, but alas this wasn’t the case. In somewhat related/unrelated Melanie Lynskey (another fave and star of new HBO show Togetherness) did comment on Twitter “When Kathryn Hahn walks in to an audition room you’re in, the most dignified thing to do is give her a little bow, pack up your sides & go.” Now I want to see Melanie Lynskey on The Comeback.

The well is deep as there are plenty of reality TV personalities who would be more than happy to appear on a show like this in the most meta of ways trying to clutch onto the fame. The depth of the HBO acting roster is also long and varied and as you mention people love The Comeback – and it’s definitely one of those Hollywood insider shows that show business types adore – so I think there will be a few surprises in store.

Kerensa Cadenas is a writer living in Los Angeles. She is an Editor for Snakkle. She also writes for Women and HollywoodThe WeekThis Was TelevisionForever Young Adult, and Bitch magazine. She was the Research Editor for Tomorrow magazine. You can follow her on Twitter and read her ridiculous thoughts about teen television at her website.

The Good Wife and Entitlement: “I’m Marie Antoinette”

10 Nov

After the praise comes the negative feedback as Alicia hears the unfiltered thoughts of a focus group participant and spends the episode obsessing about it. While The Good Wife doesn’t go to the same lengths as Leslie Knope on Parks and Recreation after a guy suggested something similar – he couldn’t see himself bowling or having a beer with Leslie – Alicia does learn some important campaign lessons from this incident while imbuing some very good advice to Cary also pertaining to an entitled attitude.

the good wife 6.08Every detail of Alicia’s life is being scrutinized from her religious affiliation to her achievements and her marriage is going to play a big part in someone’s general perception of her. For one older woman standing by Peter is a big tick in the Alicia column, whereas Sally a younger voter sees this as a negative point and she is the one who we see going back and forth on her Alicia opinions. Prior to Alicia announcing her candidacy the most anyone would know about her is from the press conference where she stood by Peter’s side and that was over five years ago; they are really reintroducing her to Chicago as a successful lawyer who has set up her own firm and for some it is hard to see beyond the woman who was all meek and pale while her husband admitted to sleeping with prostitutes.

A few weeks ago Alicia was getting nothing but praise as Eli was trying to convince her to run and this wasn’t just from a regular Sally, nope this was Valerie Jarrett and Gloria Steinem who were telling her she would make an excellent State’s Attorney. With Steinem it went a step further as she saw flashes of her bathed in a god like glow (mirroring the blue stage lights) telling her how amazing she is. This week they played with this notion of inner voice in a different way with an imagined version of Sally who made the initial entitled comment. In these scenarios she is both favorable and even more negative towards Alicia and while Alicia eye rolls at herself for this inner dialogue she still indulges in this behavior.

Negative comments like this that strike at the core of who Alicia is as a person are way more likely to cause obsession than if someone is complimentary so when Eli and Johnny tell her not to obsess about it this is a futile demand as all she can hear are the words ‘entitled’ and ‘selfish.’ And all she can see is this scrunched up face of disapproval:

the good wife 6.08Obsess is what Alicia does about these remarks and this calls for a chat with her new favorite drinking buddy who just so happens to be in his new office on the 27th floor. The current chair situation is the window sill so it’s a good thing Alicia brought her own glasses and whiskey. It is much quieter that their usual bar haunts and if a security photo of Finn leaving her building could harm her campaign couldn’t these very public bar meet ups do just the same amount for rumor stirring? I digress and Finn is currently confidant number one for checking in and dealing with any ‘how was your day?’ questions.

Finn is the only non family member/colleague/campaign person who is close to Alicia in any way and she doesn’t mind being vulnerable in front of him, most likely because when she first met him she was at her lowest ebb. There is a connection that goes beyond anything romantic that may or may not happen in the future (yes I yelled make out at the screen for the second week in a row) and Alicia is far less guarded with Finn than she currently is with anyone else on the show. Finn has also been told in the past that he is obsessed with his own pain/achievements by his ex-wife (the fact that she is now referred to as his ex-wife is also important in terms of future hook ups as it reinforces his singledom) and there is common ground here too.

In what was not meant to be a photo op Finn suggests to Alicia that she come volunteer at the same soup kitchen as he does – flirty banter times one million with the word saint being bandied around – and when she turns up in her super expensive suit from court they joke about what she is wearing. What is a joke between them including how he dresses down well (“you know I have a consultant”) turns into a bad news item for Alicia as she is photographed washing what looks like a clean pan while on the phone and in her fancy attire. This is not a good look to stop those entitlement claims and Alicia fixates on the already clean aspect of the pot the story is reporting. It is a small detail, but because she did actually do the cleaning it really pisses her off. The photo itself is kind of hilarious as it does make her look out of touch and shows just how easy it is to use the Saint Alicia brand against her. It’s the quotation marks around “works” that has got to hurt.

the good wife 6.08 Saint AliciaWhat this demonstrates is how naive Alicia is with campaigning and the press even though she has been through this process with Peter on several occasions. The soup kitchen was never meant to be a photo op situation and yet it became one as pretty much everyone has a camera in their pocket. Eli and Johnny are both incredibly experienced with every aspect of a campaign and Alicia finally gives herself over to them after this turns into a PR disaster. Protesting against using this as a moment to sell herself Alicia relents and goes through with an actual photo op dressed in suitably casual clothing – which explains this behind the scenes photo – although I’m surprised that Sally didn’t find this to be just as disingenuous as it is clearly a second attempt to get this moment right (even though the initial photo wasn’t staged). Alicia doesn’t actually have to become a better person, she just has to appear that way to the voters and if she really wants to be a good person; Eli will tell her “where to send the check.”

Alicia isn’t just getting called entitled, she is using it as a way to get through to Cary as his testimony in the mock trial is pretty much him raging and coming across terribly on the fake stand. If he does this in real court a jury will find him guilty. While Alicia has been mostly absent on commenting on strategy she does give him some excellent advice as he is so lost in his own indignation, he is making it impossible for anyone else to see the injustice. Cary is acting like a privileged brat and it is a front to cover how scared he really is; Matt Czuchry is doing a stellar job at showing the rage and fear. His ties and shirts continue to pattern clash including paisley and stripes followed by stripes and plaid. Cary still looks good, but the bold attire doesn’t do enough to cover the cracks. And never make jokes about Beyonce, the Beygency is always watching.

The good Wife 6.08 CaryPart of him is all “I could never go to jail for 10 years” but the way he shakes the desk and yells at Diane reveals he is aware of the possibility and he can’t quite believe it. Kalinda has been a stabilizing factor, however she can’t be all that he wants her to be and not just because of the 30 feet rule that has been imposed as she is still in a relationship with Lana. It is hard to tell how much Kalinda cares for someone as there is always an aspect of self-preservation, but the hair down softer side and the breaking of the card Bishop gave her indicates this is more than just sex and a good opportunity to get information.

There is a variety of gender politics on display this week including the ripped from the headlines case involving rape on a college campus and how the universities are failing to protect their students. The focus group is told about this case and there is a divide in the room with it kicking off when one of the men refers to Alicia as a feminist activist like it is a bad thing. It is an important issue and The Good Wife has a track history of highlighting these kinds of real life crimes in a fictionalized form without sensationalizing it. Entitlement and perception comes into play with questions of how much alcohol was consumed and the only reason this student is expelled is due to a drug infraction. They win the case without really winning it.

We continue down the Alicia is still learning about campaigning tour with a valuable lesson of listen to Eli and Johnny, don’t fixate on one comment and accept that perhaps thanks to your privileged position you will come across as entitled. Also give good advice to your colleague who is in danger of going to prison and don’t listen to Eli when it comes to which cases you take on no matter how much it might impact your campaign as some things are worth more than voter points. Oh and now it’s just Alicia versus Prady as Castro has dropped out in a curiously out of the blue fashion.

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