Tag Archives: Julianna Margulies

Amazing Outfits Aplenty at the Variety Emmy Studio

31 Mar

Award season has only just wrapped up, but there is another coming in a few months time and the Emmy chatter hum is already starting. The red carpet is part of why I adore award season, the other is all the pre-gaming with endless roundtables and GoldDerby one-on-one interviews. The actual winners and ceremony is far down the list and this is reserved for mostly outrage at the omissions.

Variety host an annual Emmy studio and while they have favored panels in the past (and they might still go down this route) over the weekend a variety of comedy and drama stars from network, cable and streaming platforms interviewed each other. While these videos aren’t available to watch just yet – I will definitely be discussing/posting those when they do – we can see what everyone was wearing and it is safe to say they ladies are killing it.

Don, Claire, Lizzy, AllisonA Showtime foursome (although Allison Janney is there for Mom) with Don Cheadle, Claire Danes, Lizzy Caplan and Allison Janney. Claire Danes is wearing a fabulous check Erdem frock complete with the requisite pocketed goodness. Caplan’s lipstick game is strong with Janney’s glasses earn best accessory. And like most of the dudes at this thing Cheadle looks good, but in pretty standard attire.

Variety panel - Fred, Abbi, Ilana, CarrieThere is a lot of “Yas Kween!” about this photo from Abbi Jacobson’s floral and leather jacket combo, the crop top/necklace pairing Ilana Glazer has opted for and Carrie Brownstein’s pink lipstick and tuxedo jacket. You look fine too, Fred.

Maggie and LievReally excited to see Maggie Gyllenhaal taking part and talking The Honourable Woman as it was one of my favorite performances of last year. And Gyllenhaal is looking lovely in print with Liev Schreiber getting a whole lot of stripe sock points.

Jessica and TaylorI love how giddy Taylor Schilling looks next to Jessica Lange while her all black ensemble with leather pants is exudes cool.

Jane and ViolaMajor style and legend status at play here with Jane Fonda and Viola Davis; this is one chat I can’t wait to see.

Jeffrey Tambor and JLDAnd I really want to know what’s going on in this photo to make Jeffery Tambor look so concerned. Orange is a really great color on Julia Louis-Dreyfus.

Director Variety chatThrilled there’s going to be an all women director’s discussion with Gail Mancuso, Jill Soloway, Lisa Cholodenko, Lesli Linka Glatter (director of Now and Then! Plus a whole lot of TV faves) and Michelle MacLaren. This will be another ‘soon as the video goes up I will post it on here’ situation. Ace floral and stripe top from Jill Soloway.

Uzo and Gina VarietyWell, this is just the best and there is so much joy to be had from Gina Rodriguez and Uzo Aduba taking a selfie together. Both women are in A+ dresses and that color on Aduba is everything.

Kerry Washington VarietyLove Kerry Washington in Giambattista Valli pattern clashing polka dot/floral frock and that she’s gone for a colorful pair of lace pumps.

Taraji and MindyAnother selfie and amazing outfit duo with Mindy Kaling and Taraji P. Henson. Vibrant yellow on Henson is stunning and Kaling’s matching skirt and top is super pretty.

Julianna MarguliesSticking to a designer favorite is Julianna Margulies in Narciso Rodriguez and this classic monochromatic take is really working for The Good Wife star.

Divisions on The Good Wife: Emails, Negotiations and How to Say No Without Saying No

30 Mar

The Good Wife was always going to do a story relating to one of the recent hacks (Sony, iCloud) and they’ve saved it for when Alicia is at her most vulnerable. The most obvious timing would be to use it prior to the election, but this would have probably made her victory unlikely and so they saved it for just after when it could still be just as devastating. I didn’t write about last week’s episode as I was away and while Alicia winning was not a surprise; the day of Halo playing, her victory red, Marissa’s continued employment and Diane’s hunting attire are things I would have loved to write about.

The election story was becoming a little stale with Alicia set adrift from the rest of the show and the hacked email plot brings her back into the fold while also alienating her at the same time. By the end of the episode they are safe from the hack and yet the story is now out there and someone still has two years worth of very incriminating emails at their disposal. What if Alicia getting elected and then failing to actually make it into office is going to be how this season plays out?

The Good Wife 6.17 aliciaAlicia starts the episode in bold white; she’s won and is comfortable in telling the many visitors stopping by her gift packed office that she won’t bow to their every whim no matter how much money they gave or what unwritten rules exist. Soon Eli graces her still very muffin/champagne/ornament filled room to let Alicia know she is doing it all wrong and how this is a game which involves a more diplomatic and roundabout way of saying no. Meanwhile Finn is negotiating her exit package and the amount being offered is not enough to get both Zach and Grace through college (what about Peter’s salary?) and there’s a lot of posturing going on. Just look at the positioning of everyone as they talk figures:

the Good Wife 6.17 negotiatingDiane is clearly in charge in the seated position flanked on either side by one person who wants to give Alicia the money (Cary) and two who are very opposed to this notion (Julius – oh hi! – and David Lee). At the end of the episode after email revelations and seeing Alicia in a friendly chat with Castro the positions change with Cary joining David Lee and Julius on the very little money side.

the good wife 6.17 negotiating part 2The division between Alicia and her partners has been plotted in a rather unsatisfactory manner as there’s been just one big blowup argument and not much else to suggest dissatisfaction at her distance from the firm and her decision to run. Contentious moments between Diane, Cary and Alicia have always existed as we are reminded by the emails and subsequent remarks but not enough to earn this feeling of dissolution; one forced argument does not a rift make and it would play so much better if the groundwork had been laid out over time in an organic fashion. The offer Alicia gets is small and Finn scoffs at the amount. Alicia uses Eli’s words of advice as to how to say no without saying no (dude needs to write a book) and they take this to be a threat of some kind. If it all does implode for Alicia with her new job will there be a position for her back at the firm or is she blowing up too many bridges?

Alicia’s emails are absent from the initial release as she has been using her campaign email for the last four months and she ignores Eli’s advice about preemptive apologizing going to Finn to say sorry for saying his spine was made of cottage cheese. Finn is the only one who receives such an apology and it is interesting that Alicia is making sure her relationship with Finn stays strong as opposed to anyone at the firm. This goes beyond the flirty feelings I want them to act on and he is someone Alicia wants to keep close, so much so that she offers him the coveted number two position at the SA office. A job he is uncertain of taking for one reason or another.

The Good Wife 6.17 black and white suitOne thing I do want to note about the black and white ensemble Alicia wears at the end of the episode is the similarity between this and the one she wore when she first returned to Lockhart/Gardner in season 5 for the first time after she left the firm; this was another occasion which involved sitting across from Diane and David Lee. There is a control and confidence in this attire, no it’s not her power color of red but there is something about Alicia in black and white which suggests defiance.

Speaking of statement dressing at the office there is no one who accessorizes quite like Diane Lockhart starting with the power pebble necklace:

The Good Wife 6.17 Diane pebble necklaceMoving onto a subtle but distinctive brooch as the email scandal takes hold:

The Good Wife 6.17 DianeAnd ending on a necklace which isn’t quite up to the usual oomph category; it’s part leopard print, part multiple smaller link chains and while it is certainly stylish it doesn’t give off the same level of confidence as her statement jewelry usually does.

The Good Wife 6.17 Diane LockhartOne thing “Undisclosed Receipts” definitely delivers is excellent Eli reacts to things material with a lot of this coming from being exasperated by everything Alicia does. One priceless look is when Alicia uses his words back at him to deflect a request. There is pride in that eyebrow arch if you look hard enough:

The Good Wife 6.17 Eli eyebrowEli is less subtle in showing how he feels about phone sex:

The Good Wife 6.17 EliAnd here is a treat as I couldn’t do a post this picture heavy without delivering the gift of screencaps and the email correspondence between Will and Alicia. Steamy emails which were only on screen for the briefest of moments but preserved for posterity here.

The Good Wife 6.17 email Will the good wife 6.17 emailYou’re welcome.

Political Differences in Personal Relationships on The Good Wife: The Diane Lockhart Edition

16 Mar

Election day is 72-hours away on The Good Wife and it couldn’t come sooner as this storyline is stuck in a cycle of its own; Prady and Alicia don’t want to smear each other, their campaign managers are trying to find ways they can and other external factors throw wrenches into the works. Peter hovers on the edge even when he doesn’t appear in an episode and I’m getting antsy from how stale it all feels. Thankfully we have Marissa to tell it like it is – “God, handsome men are so weak” – and she inadvertently manages to make her father choke on his yogurt in the process by calling out John’s missteps.

This isn’t enough to kickstart the campaign story which has been slowly floundering since we returned from the break (and even before that with the debate episode) and so I want to turn my attention to the case of the week featuring a pairing that has been absent for too long – not Finn and Diane as the photo below suggests, however he too has been sidelined recently and I am all up for them teaming up in the future.

The Good Wife 6.15 Diane and FinnDiane Lockhart and Kurt McVeigh don’t agree on much in the political sphere as evident from the photos in their offices (Hillary Clinton/Sarah Palin) to their opinions on gun control. And yet they still manage to make it work because they don’t let the political slip into the personal. That is until this week and it has been quite some time since Kurt featured; Alicia and Cary had left Lockhart Garder the previous day. So much has happened since then, but this case also bears some resemblance to the one in “The Next Day” in that it was also the last time Mamie Gummer appeared as Nancy “I don’t know much about guns” Crozier and a defective gun was at the center of proceedings. This time it is the complicated and very new world of 3D printers – so far all my knowledge on 3D printing and guns comes from an Elementary episode and now this Good Wife – and aspects pertaining to both first and second Amendment rights. The disagreement stems from the why of the case; Diane insists she is just looking out for her client but her gun control leanings are also informing how she wants to proceed.

What starts with flirty foreplay in court as Diane gets noticeably turned on by her husband’s performance on the stand spills over into a Taylor Swift song quoting (okay maybe she isn’t referencing “22” but I can’t help but make that inference) quickie in the car. The chemistry between Gary Cole and Christine Baranski is electric and because of what I would imagine is a scheduling issue it is a shame we have had to wait this long to get a Kurt/Diane story. Another side effect of the election storyline is how sidelined some of the other characters have become; especially now the Cary trial story is over (for now). Kalinda gets an especially short shrift this week appearing in one scene to find the evidence that will win the case in her magical unicorn way.

All is going swimmingly between the pair until Kurt finds out about other factors that might have contributed to the gun imploding and Kurt’s whole mantra has always been to say it like he sees it; he can’t and won’t bend the truth no matter who is involved. It should also be noted that Finn has some issues with how the case is being handled when it comes to the political aspect, which adds to the tension as he wants all the focus to be on their client rather than gun control. Other factors making things difficult include Cary’s sneering towards Finn thanks to his involvement in getting him put in jail, which I guess is more than fair. Alicia hovers on the edge acting as referee at one point and it made me realize how much I miss seeing her in court. Also is it just me or does it look like Nancy is channeling her inner Alicia in this red and black dress?

The Good Wife Mamie GummerBack to Diane and on this first day in court she adds another ornate piece of jewelry to her already incredible collection. Stag antlers or stags in general tend to represent a masculine psyche with shows such as Hannibal and The Leftovers regularly using this motif. Here it comes across as a sign of unity between husband and wife as the antlers represent the hunting Kurt is so fond; there is strength in this decorative pin. The following day when all has gone sour between the pair with Diane going so far as serving her husband to ensure he appears as their expert witness, the broach has been replaced by pearls and the statement jewelry has lost its statement.

The Good Wife 6.15 DianeWaving the white flag with whiskey and apologizing to her husband for letting her politics drive a wedge between them is made all the sweeter by Diane’s stocking feet being on display. Whereas we are generally used to seeing Diane impeccably dressed, this little shoe kicked off detail doesn’t make her style any less flawless it just shows the levels of comfort in this environment and with her husband. As mentioned in the scene Kurt is a man of very few words and the matter is resolved as quickly as it began. Compromise is important in all relationships and particularly one where very few opinions are shared. A vacation is suggested, which moves from a theoretical week in Italy in a few months to three days away hunting right now. And having seen the promo photos from the next episode I cannot wait.

One brief final thought circling back to the main storyline as Alicia and Peter’s relationship couldn’t be further from Diane and Kurt’s if it tried with Alicia going publicly against her husband and in private hooking up with John – it would have been much better if the promo hadn’t shown the final scene. They are meant to be ‘the brand’ and instead Alicia has severed ties with this setup just before the polls open; how will Peter respond?

 

Out of the Box: Look of the Week

13 Mar

PaleyFest is in full swing and this week’s “Out of the Box” is dedicated to the style highs from the ScandalThe Good WifeBroad CityOutlander, Homeland and Girls panels. The line between casual/fancy is blurred at these types of events and on the whole it is probably best to remember there will be a lot of sitting down photos after the obligatory red carpet posing. Red carpet is where our focus lies, but first a moment of panel facial expression joy.

Julianna Margulies and Christine BaranskiThis shot of Julianna Margulies and Christine Baranski is everything and I’m pretty sure their laughter could power buildings.

Kerry WashingtonA very fun look from Kerry Washington in Mary Katrantzou, which is all textured goodness including a sequined bodice and delightful collar. The pop of yellow and a darker lip color really makes this outfit sing.

Darby StanchfieldAnother Scandal style high with Darby Stanchfield wearing a whole lot red in a 2nd Skin Co. super sparkly frock. This is an occasion where bold lip color is not needed as that would be a shade red too far.

Lena Dunham and JenjiPatterns ahoy from Lena Dunham in Tanya Taylor and Jenni Konner working metallic color explosion with a black sweater and looking fantastic in the process.

Abbi Jacobson PaleyFestRelaxed cool from Abbi Jacobson at the Comedy Central panel in this not quite polka dot sleeveless shirt.

Caitriona BalfeLooking a whole lot like the tuxedo inspired jumpsuit Maya Rudolph wore at the SNL 40th anniversary is Outlander’s Caitriona Balfe. A reminder to catch up with Outlander before it returns coupled with the desire to finally try a jumpsuit on at some point in the near future. 

Claire Danes PaleyFestLeaving Claire Danes in Proenza Schouler until last because I’m pretty sure this can be filed under “Danes Style Blindness” as the snakeskin strip of random is a whole lot of what? and yet I also think she has pulled it off. Like I said this is a case of “Danes Style Blindness” – the phenomenon to describe someone who you think looks amazing no matter what they are wearing.

Bonus “Out of the Box” this week with this magazine cover special.

Behind the Insta-Scenes: Photos from the Set

11 Mar

Welcome to another midweek edition of Behind the Insta-Scenes with a Gossip Girl reunion, snowy weather, guest stars and a lot of very funny people.

 

Beyoncé tickets are her birthright and Gina’s flawless style is giving me denim jacket and striped skirt ideas.

 

Rumor has it that Kelly Rutherford and Matthew Settle have done what Rufus and Lily could not; I am a sucker for cast members being romantically entwined or besties after a show is dunzo. Here they are joined Caroline Lagerfelt who played Rutherford’s on screen mother and CeCe was not one of Rufus’ biggest fans. It looks a lot cozier IRL.

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After appearing at the Night of Too Many Stars live telethon Abbi and Ilana are hanging out with Jon Stewart again – this time at The Daily Show.

 

Jane the Virgin returned this week with yet another fabulous fantasy infused setup.

 

The final season of Kroll Show continues to draw all the names in comedy and some super slicked back hair from Aziz.

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Adam Pally is a very good gift giver. Their coat and scarf game is also v. strong.

 

Spring is upon us but not before the snow has one last final hurrah. Here is the very pretty and albeit very cold looking trailer area on Elementary.

 

DVD sets that don’t come with any episode commentaries don’t quite fulfill their boxset potential; this is not the case with Looking as Frankie J. Alvarez captures one session in action.

 

And here is Daniel Franzese post recording session and a very busy day. Franzese is killing it as Eddie on Looking this season and here is the excellent Buzzfeed article he mentions in the caption.

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Taking the crown for guest star related joy from The Mindy Project is The Good Wife with Lawrence Gilliard Jr. and Arvin Sloane (Ron Rifkin).

 

Seeing into the Mind of Alicia Florrick on The Good Wife – “I Just Had a Thought”

9 Mar

The last time The Good Wife used this approach to show the inner thoughts of a character it was more contained focusing on Will (*sob*) and his preparation for cross examining Alicia showing his feelings of being betrayed by Alicia when she left the firm coupled with a memory of an intense romantic experience. By exploring one single experience in “The Decision Tree” that two people shared the Will/Alicia dynamic played on another level as Will could reveal a vulnerable side in this moment of private space. With “Mind’s Eye” they up the ante by making it about everything; the SA race, romantic feelings for loves past and not yet occurring, Peter, Kalinda, Bishop, Alicia’s kids and Louis Canning. It is all on the table and at several points throughout the episode these different concerns intersect and overlap.

The Good Wife 6.14 AliciaAlicia has a lot on her plate and she has been performing a juggling act all season with work and her campaign. Throw in family and we can ask (with an eye roll of course) can Alicia have it all? With just a week until the election this storyline is in its final stretch as John underlines the importance of this interview. There are plenty of skeletons in Alicia’s closet that could hurt her in this campaign defining interview – an interview Prady has already done and charmed his way through rather successfully – with where her PAC money comes from, Zach’s abortion and the Canning lawsuit. Alicia is left on her own to clear her mind and rest her voice; instead more gets thrown in her direction and she doesn’t take any of the remedies Marissa has bought for her. Alicia is typically a restless person when told to rest especially as there is so much going on for her at this time and for once we are allowed to venture into her thought process.

Where Marissa has no filter and will say everything that is on her mind including telling Grace that she isn’t trying to replace her (and even though Grace has lost her annoying edge I’m sure many viewers myself included would be more than happy if Marissa became a regular fixture in the Florrick family), Alicia is typically all filter. Sometimes Alicia lets her guard down and does not what she thinks she should do, but what she wants to do such as the car park kiss a few episodes ago. Generally she sticks to the ‘good girl’ Saint Alicia brand that has been crafted for her by the media with the occasional push back. Will was one of these push backs when she finally engaged in the romantic affair she had been longing for and yet the reason why this stopped was because of that one time she thought Grace had gone missing (*shakes fist retroactively at Grace*).

The moral/ethical lines are forever blurred and murky on this show and it is why there have been several debates about religion including this week’s Richard Dawkins infused one. When a credit card pop up ad sounds like Will it is like a gut punch memory for both Alicia and the audience. First because I was trying to figure out if I was also imagining that voice and second because we leap into a sex memory. Will’s face is never shown as it is either in shadow or just out of profile; it is just his voice which assures us it is him and it is a deeply affecting. The setup is the same as in Will’s memory from “The Decision Tree” with the trip to New York being a centerpiece and it is the moment they were both at their happiest mixed in with their most contentious. This is the first time this season where Alicia has explicitly dealt with Will and having him spring up when she is already juggling so much is the kind of self-sabotage you would expect Alicia.

Just look at how she is addressing her attraction to both John and Finn with the former looking more likely as she admits in her mind that she does want to sleep with him; the look she gives him at the end suggests something is going to happen sooner rather than later. Finn pops into her fantasies so randomly as he isn’t even mentioned nor does he appear in the episode aside from this moment and I think it is safe to say there are strong feelings there. While John looks like a sure thing I still think this is more fling material and Finn is for long term (this could also be shipper wishful thinking). Her marriage status complicates matters of course and the internal debate she has matches everything we have seen her say out loud about Peter, to Peter and with any other potential suitor.

Peter has of course had several lovers both when they were ‘happily’ married and since the agreement was verbally drawn up last season and the one that still gets to Alicia is Kalinda. Kalinda and Alicia have not shared any scenes that haven’t been on the phone since season 4 and “Mind’s Eye” goes some way to try and justify why this has been a thing; when Alicia thinks of Kalinda all she sees is the woman (and her friend) who slept with her husband (even though they weren’t friends when it happened). When ‘Peter’ says “We don’t talk like this and you know it” of course she knows it but that still doesn’t stop her from tormenting herself with these scenarios. Alicia’s process for working through cases and what questions she might get asked during the interview is methodical taking into account a variety of scenarios; however she can’t be all logical and her usually filtered emotional side reveals insecurities and niggles we have long suspected are there.

The Zach question is one such niggle as she repeatedly sees him dressed as if he is destitute even though she knows he is at college in Georgetown. Why does she keep freezing up at the Zach question? It isn’t the fact that there was an abortion more that she didn’t know about it and this loss of trust is huge. It is also notable that while she eventually tries to ring Zach after making up with him in her mind she doesn’t get through and they are still left without an actual reconciliation. The Grace story this week is interesting (I know, right?!) using her beliefs or in this case wavering beliefs to prompt a frank conversation between mother and daughter while also showing a hilarious vision of Grace as Alicia’s biggest fear – pregnant, sniffing glue and wearing tons of eyeliner/lip gloss. Alicia receives a text meant for Grace (this has happened with my phone after an update linking to my fiance’s phone) and it shows Grace’s beliefs are not as certain as Alicia thought they were. This leads to Alicia’s fear spiral for what might become of her daughter.

As with last week’s interaction between mother and daughter it feels like The Good Wife has finally figured out how to utilize Grace and she might even be nearing Paige from The Americans for the teen character who doesn’t annoy (plus if these shows were set in the same decade these two would definitely be friends, see also Alicia and Elizabeth). The question of faith with Grace weaves into the Canning story as Alicia has been asked to pray for Louis to live through the night by Sandra Beeman (The Good Wife and The Americans manage to intersect here) and while she agrees, she knows it would be hypocritical to do so; Grace is her prayer proxy. It gives Alicia the chance to address what she sees as a concerning text while also following through with her promise in a roundabout way. Unlike Elizabeth Jennings, Alicia doesn’t want her daughter to lose her faith because of her influence and even though Alicia doesn’t believe in it she can also see the positive influence it has had on Grace.

The Canning lawsuit could make Alicia look bad in the press even though she is pretty sure he is spouting bs regarding his dying status, something I thought he was doing right up to Alicia’s visit to the hospital. On one notepad Alicia is working through this lawsuit and every time she comes up with a seemingly winning move something else counters and a settlement looks likely. On the other side of her laptop sits a white pad which has notes for her interview relating to Prady’s interview – does likeability matter? – what she knows about Lemond Bishop’s contributions and her family. The Bishop question is the murkiest as she knows much more than she should let on if she wants to win and at times one train of thought with Canning feeds into her Bishop notes; this is multitasking at its best.

Alicia wants to tell the truth about the Bishop money and she sees a version where she is praised for this honesty as opposed to the usual politician response; luckily for Alicia she has an imaginary Eli to tell her this is a fairy tale and instead she will lose if she comes clean like this. John to an extent also does this in a non-imagined conversation as they debate what the truth actually means with John giving her a politicians answer that lets her avoid the actual truth.

With “The Decision Tree” it played with notions of memory and perception on a singular past event feeding into current emotional conflict and “Mind’s Eye” successfully takes this even further. By giving us a glimpse into Alicia’s mind in this stylized manner it allows The Good Wife to have fun with their format while delivering an episode that is funny, heartbreaking and pushes the storyline forward. Alicia is all about control and this episode is both focused and all over the place in how she is dealing with everything in her life at the moment, while also exploring emotional turmoil from the recent and long ago past. It doesn’t matter that we don’t get to see Alicia’s interview as we have seen plenty of these this season and it is the negotiating in her own mind between these various concerns that really makes this episode a recent standout.

Feeling Bad on The Good Wife

2 Mar

The Good Wife deals with constantly changing moral grey areas and the word ‘good’ is in the title after all. The notion of what this means has been present throughout whether in the way Alicia is perceived as a woman who ‘stands by’ her husband or in her job that sees the blurring of ethical lines at times. Now as candidate for State’s Attorney Alicia has a brand which suggests moral order of the highest with her Saint Alicia nickname, but behind the scenes she makes compromise after compromise; first with her position on religion and this week with the money she will take to give her campaign the boost it needs to keep up with Prady.

Alicia FlorrickThis is far from the first time we have talked about this idea of being good nor is it the first time Alicia has discussed it in such an overt manner as she does at the end of the episode, however The Good Wife manages to discuss this same topic in new and interesting ways as Alicia continues to wrestle in private with how far she will go to get what she wants. With the State’s Attorney race it polarizes the previous quandaries Alicia has faced from her personal relationships to how she conducts herself as a lawyer.

In the past she has more than happily – okay she has been super skeezed by Sweeney on countless occasions – represented Colin Sweeney whereas now she knows she can’t be seen with him in court without negatively impacting her SA chances. Alicia has no time for Sweeney in “Dark Money” openly dismissing him until he calls her bluff and threatens to tell the press where her PAC money is coming from. A compromise in an endless stream is met and she gives him legal advice but refuses to appear in court. Sweeney is cool with this and she does indeed give him something to use on the stand. After the big blowup between Alicia, Cary and Diane at the end of the last episode I was surprised that none of this tension was present this week especially as Sweeney is essentially running to Alicia at any given opportunity and sidelining the lawyers who are actually representing him in court. It does position Alicia on one side with Cary and Diane on the other but there aren’t any repercussions from this screaming match, in fact it is like it never happened.

The version of Alicia on the show Sweeney is suing over – ripped from the headlines “Call it Murder” – is “not for sale” and while this a little on the nose it is something Alicia has to deal with this week. Alicia’s relationship with Prady is cautiously friendly and it would have been so easy for the show to have made Prady another distasteful opponent. It is far more interesting this way and I feel like I’m cheating on Alicia by saying this but I don’t think I would even mind if Prady won this thing, especially as Alicia’s PAC keep stooping to new levels of awful with robocalls targeting areas who might be put off by the rumors suggesting Prady is gay and that he supports gay rights. Alicia is constantly battling her team and calls them out for the West Wing themed Twitter accounts – yes I yelped with joy at the Twitter handle @TobyZiegler44 although I am disappointed the profile pic is the egg of sadness – and the negative campaigning. This is all well and good, but Alicia still takes the ‘dark money’ on offer and money she only found out was available after seeing Prady receive a call from someone called Redmayne.

Guy Redmayne is very wealthy and he has a substantial amount of cash to give to either Alicia or Frank. Redmayne spends most of his chat with Alicia inappropriately pawing at her legs and hands which she fake smiles through, but it is when they get onto the topic of her opponent that things shift from sleazy to horrifying as he uses homophobic slurs to describe Frank Prady and his opinion of Prady has been shaped by the robocalls Alicia complained about to her team earlier in the episode. She is complicit without being complicit. What she could have done is tell Redmayne that his money is not wanted and instead she stays quiet rather than objecting. When Redmayne talks to Prady he refers to Alicia as a sex object suggesting all kinds of degrading he would do to Alicia in bed – which Redmayne is using as some kind of litmus test to see if Prady is gay or not – Prady does not stay quiet and voices his disgust and is greeted with a shoulder shrug comment from Redmayne “right, but I’m rich so it really doesn’t matter.” The moral high ground is won by Prady and Alicia’s campaign just got the financial boost it needed.

Both politics and the law can be shady; we’ve seen Alicia wrestle with dilemmas in both arenas going back to the first season when she removed a hairbrush that could be considered evidence against their client (in 1.14 “Hi”). Saint Alicia is far from saintly and it wouldn’t be all that compelling if Alicia always chose the moral high ground. Money makes a campaign stronger and Alicia wants to win, which is why sucking it up and smiling at this asshole was the right call for her campaign. But she can still feel like shit about it and it would be a concern if she didn’t question the lengths she is going to.

The Good Wife 6.13 wine cardiganCue an Alicia sized glass of red, a wine cardigan and a good cry with a comforting hug from her daughter. Grace immediately contradicts her mandate that “everybody is bad in some way” by telling her teary mom that she can’t be bad “because you’re the best person I know.” I will give Grace a pass on this because she probably believes this to be true and she is trying to make Alicia feel better about her moral crisis. This is the season where they have finally figured out how to use Grace effectively and I wonder if this is because there is only one Florrick child to deal with.

The Good Wife’s portrayal of both its legal and political arms shows murkiness throughout offering up a variety of paths these characters might take that could lead to victory despite a dodgy background or could land the least complicit person in jail. Even in the Lemond Bishop story he has to deal with everyday problems and not resort to his usual illegal methods; for him the dilemma between really doing something to the bully who is hurting his son versus doing the responsible adult thing is one of the hardest decisions he has made. Also how dumb do you have to be to bully the kid of a notorious drug kingpin? Kalinda has to decide whether to protect herself or the child in question and it is unnerving to see her so unnerved; Bishop’s kitchen continues to be a hotbed of terrifying tension. If only Marissa Gold could be a bodywoman to everyone (myself included) and point out when there is an awkward silence. She will also bring you milk and cookies.

Best of the 2015 SAG Awards – Color and Print

26 Jan

The SAG Awards is a slightly more relaxed affair; it is still fancy frock aplenty but you can tell that some are holding back for the Oscars. Well not everyone as the TV nominees are done until the Emmys and not every SAG nominee is going to the Oscars. There was plenty of color on the red carpet continuing the Golden Globes trend and here is Part 1 of TV Ate My Wardrobes favorite SAG looks.

Lupita SAGWhen Lupita Nyong’o arrived in this stunning Elie Saab gown she pretty much shut the whole thing down and this is by far the crowning moment of the red carpet. The color, the stripes, makeup and hair are all incredible; Lupita remains the style queen even when she isn’t nominated. I cannot wait for the Star Wars press tour at the end of this year.

Julianne MooreRed hair and emerald is always a winning combination and Julianne Moore has gone for another Givenchy Couture beauty with this beaded delight.

Kiera KnightleyDeep purple really suits Keira Knightley as does this somewhat boho Erdem dress.

Julianna MarguliesOpinion was split regarding Julianna Margulies’ cobalt-blue Giambattista Valli super draped skirt and I am very much on the love it side. It didn’t photograph well from certain angles, but I adore the color and how dramatic it looks.

Jennifer Aniston and Justin TherouxJennifer Aniston has relaxed a lot since she didn’t get an Oscar nomination – the hair is down, the cleave is on show – and this vintage John Galliano goes full plunge while avoiding her usual black gown favoring. Justin scrubs up rather well too.

Claire DanesHere’s another dress that had a mixed reception and it might be my well documented Claire Danes blindness as I think she is totally working this khaki green Marc Jacobs dress; barnacle side beading and all.

Rashida JonesThe blue piping/belting combined with the bold print make this a style win for Rashida Jones in Emanuel Ungaro.

Lorraine ToussaintPockets! And an amazing printed skirt from Lorraine Toussaint.

Maisie Williams and Sophie TurnerSpeaking of pockets; Maisie Williams is a lady after my own heart as she tweeted “DRESS POCKETS ARE IMPORTANT & DONT LET ANYONE TELL YOU OTHERWISE” (all caps are her own but I support the emphasis). This super cute red dress does have pockets and Williams’ on screen sibling Sophie Turner has a fantastic pair of heart heels to go with her chic black gown.

Danielle BrooksThis is beautiful from Danielle Brooks in a navy custom Christian Siriano working old Hollywood glamour with aplomb.

Melissa FumeroOff the shoulder blue frocks were on trend and here is another excellent take with Brooklyn Nine-Nine’s Melissa Fumero in Maxime Simoens.

Lauren LapkusRounding off the blues with Orange is the New Black’s Lauren Lapkus. Also passing the now patented Maisie Williams pocket test.

OITNBAnd speaking of Orange is the New Black – how great is this shot of the cast on stage taking home Ensemble in a Comedy Series?!

Divided Attention on The Good Wife

13 Jan

For the first few episodes of The Good Wife this season Eli spent most of his energy convincing Alicia she would be the ideal State’s Attorney candidate. A few things pushed Alicia into this campaign with Castro provoking her and Gloria Steinem’s words of encouragement hitting the ego sweet spot. Now we are fully into the campaign and Alicia shared the stage with opponent Frank Prady to debate the issues and sell themselves to the voters. Alicia took her time to get there but “The Debate” goes all in with how much Alicia wants to win. She really wants it and she will challenge you if you question why.

The Good WifeUp to this point there has been very little to suggest Alicia’s partners are unhappy with her absence and the main focus has been on Cary’s trial. Now Cary has been exonerated it is back to business as usual for the firm, but Alicia is still running for State’s Attorney. The Good Wife is generally very good at handling an array of storylines with ripped from the headlines moments weaving into the overall narrative; however on this occasion the writers appear to have attempted too much. There’s the debate followed by the free flowing kitchen version, which addressed the position of privilege of the two candidates but still fell short. Peter is meanwhile dealing with a Ferguson like incident (a disclaimer at the start tells us this episode was written/filmed prior to the real life grand jury decisions in both the Ferguson and Staten Island cases) while also finally zipping up his pants. This latter gesture still does not endear him to me and it makes me feel uneasy seeing Peter as some kind of hero in all of this when the politics are the concern.

There are a lot of huh moments this week and some of this stems from the Neil Gross divorce settlement, which I thought had already been sorted. Apparently not and through a series of events he ends up having to pay his ex-wife $60 million more than he wanted. So he fires his lawyers. This is where the absence of Alicia comes into play and this is not the first time Eli has insisted she doesn’t take calls. Alicia tends to ignore Eli on this one but her focus is divided and this is why incidents such as the Cary slip last week occur. It is also why big decisions get made while she is out of contact. In the same way Alicia went over Cary’s head to get Diane on board, so now are Cary and Diane doing the same to Alicia.

Cary and Diane have at times had a contentious relationship, however it is also important to remember how close the pair has been in the past and this bond will no doubt have grown as they have recently been working in close tandem. It is only natural for Alicia to feel out in the cold and this is emphasized in the final scene of the episode. The argument itself comes out of nowhere and it would have felt more organic if Diane and Cary had aired any negative feeling about the SA race prior to this moment. Also Alicia coming at Diane with the ‘If I were a man you would never ask me that’ comeback feels like a weird way to tackle the “Why are you still running?” question. In this moment I am very much with Diane when she argues that this is “about two people trying to run a law firm. It has nothing to do with sexism.” It is an ugly scene because the past few weeks have been about the three of them sharing hugs and tears while fighting for Cary’s freedom and just like that it is gone.

The head tilt of ‘well why?’ from Cary causes Alicia to turn and leave, but she’s been debating all day and this arguing frame of mind causes her to go back for more. While this “how dare you” rage works when being questioned about Peter’s inability to keep it in his pants and of course she’s going to be pissed off that they’ve hired David Lee without consulting her, Alicia also has to understand that she has to pick a lane and the firm is not her priority at the moment.

We go into the hiatus with a distracted and isolated Alicia as she’s not really listening to anything Johnny is saying and instead her focus is on the two people in the office opposite her as they work on things she has no involvement in. Ending on such a moment of disharmony in an episode that comes across as so disjointed gives me unsettled feelings; as this is The Good Wife and they love to throw curve balls it is hard to picture exactly what the working environment will look like when the show returns.

Best of the Golden Globes 2015 Red Carpet: Lady in Red

12 Jan

Continuing the Golden Globes all the pretty dresses rundown and moving on from shimmer with a look at one of the big color trends of the night; red on the red carpet.

Viola Davis GGRed lipstick and gown excellence from Viola Davis wearing Donna Karan Atelier with a touch of embellishments to add some glitz to an already stunning frock.

Taylor SchillingFor pure red no fuss Ralph Lauren is who you turn to (see Jennifer Lawrence at the 2011 Oscars) and Taylor Schilling is working this frock.

Christine BaranskiFor a darker shade here is Christine Baranski killing it in Zac Posen. Always in awe of Baranski.

Julianna MarguliesThe length of Julianna Margulies’ Ulyana Sergeenko Couture gown is super awkward and this is one that looks better before you scroll down, but there are still certain aspects that work for me.

Jane Fonda and Lily TomlinAnother best pairing of the night and if I had any choice the hosts of next year’s Golden Globes. All the prayer hands emojis for Jane Fonda and Lily Tomlin.

Allison Williams GGThis look is both very Allison Williams and not at the same time as the makeup is a little on the severe side for her and yet the Armani Privé gown is a striking combination of old Hollywood glamour and the princessy vibe she leans towards.

[Source]

Bonus Viola Davis and Allison Janney in red reacting to the arrival of Prince to the stage.

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