Tag Archives: Jon Hamm

Behind the Insta-Scenes: Photos from the Set

1 Apr

Mad Men returns this weekend and even though the show has been wrapped for sometime there’s a couple of treats from costume designer Janie Bryant and all round Mad Men queen Kiernan Shipka. Plus some cancellation sadness mixed in with show renewals and a tee I definitely need in my life.

 

The Variety Emmy Studio was a stylish affair and a very happy one for some reunited actors including Masters of Sex duo Lizzy Caplan and Allison Janney. This photo looks like the happiest place in the world.

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Kiernan Shipka has posted a bunch of old Mad Men photos to celebrate its return this weekend; this is both wonderful/super cute and also inadvertently makes me feel ancient. The adorable wins out over the age thing.

 

I love seeing sketch to screen shots and Janie Bryant’s work on Mad Men is always exquisite. Looking forward to all the costuming treats from the final episodes.

 

Vincent Kartheiser showing off some excellent photobomb skills at the Mad Men Black & Red Ball. 

 

The Looking cancellation sadness is still very strong and I don’t think this photo is helping much there.

 

Making things a little better is Lennon Parham’s Playing House season 2 table read offering.

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Gillian Jacobs has gone all Three’s Company and she’s making it work.

 

Not everyone gets to do their homework in front of giant Lenin mural. The perks of working on The Americans (which also got renewed this week!).

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Thanks Busy Philipps for making me aware of this Freaks and Geeks t-shirt and Passive Juice Motel.

Final Season of Mad Men Red Carpet Palooza

26 Mar

The final episodes of Mad Men are around the corner and while I’m still in denial that it is almost over poring over the red carpet celebration shots is pure joy. Last night AMC celebrated the show with a Black & Red ball, on Monday the cast were at the unveiling of a Mad Men sculpture at the Time & Life building and there was a special screening at The Museum of Modern Art last Sunday. A lot of sartorial highs from all three events with January Jones being the current cast member standout.

January JonesFirst up is January Jones wearing red and black Prabal Gurung at the Black & Red Ball. This is a really interesting dress with a variety of textures and embroidered detail. Jones tends to take risks playing with her look and I can’t wait to see what else she will be wearing on this huge promotional tour.

Kiernan Shipka black and red ballKiernan Shipka retains her style queen crown in a cute and elegant strapless tea length Miu Miu black dress and silver sandals.

Christina HendricksWearing a custom Zac Posen gown Christina Hendricks makes a dramatic statement at the Black & Red ball and while I’m not totally in love with this dress it has a huge impact.

Christina Hendricks minus skirtIt is special in another way as the ball skirt detaches and becomes this far more streamlined look. Two dresses in one! The skirt has a cape destiny if this shot of it being carried away is anything to go by.

Janie BryantCostume designer Janie Bryant sticks to the red of the ball in a beautiful frock of her own creation in collaboration with Black Halo. I cannot wait to see what final costume design treats she has in store for us.

jon hammI adore everything about Jon Hamm in this photo.

Vincent KartheiserMore beardy triumphs and this time from Vincent Kartheiser. Plus it looks like his hairline has mostly recovered from the Pete Campbell required shaving.

Mad Men castExcellent coat game from everyone at the statue unveiling at the Time & Life building in brr cold New York City on Monday. Individual awards for Jon Hamm’s socks, January Jones’ collar and Elizabeth Moss with weather inappropriate but beautiful shoes.

Mad Men ladiesRounding things off with the ladies looking lovely at MOMA with January Jones in a striking Preen dress and my favorite look from the promo tour so far. I prefer Christina Hendricks in ruby sequin Vivienne Westwood Couture to the Zac Posen twofer last night and Elisabeth Moss is more on the casual cool side in J. Mendel. They are very much their own women when it comes to their style choices and I don’t think we can be expecting matchy matchy ensembles with each other or something their character would wear.

Elephant Man Broadway Opening Night Arrivals: Couples and Coats

8 Dec

Starting the week off with a coat heavy post because it is cold and I need some outerwear pretty for this brr Monday morning. I would normally save these looks for “Out of the Box” but there is too much couple cuteness to wait until Friday. Bradley Cooper and Patricia Clarkson are starring in the Broadway production of The Elephant Man at the Booth Theater and here are some of the stylish folks who attended the opening night show on Sunday.

Emily Blunt and John KransinskiEmily Blunt’s Dolce & Gabbana coat is a beauty as is her Marios Schwab frock and husband John Krasinski is doing the whole coat/knitwear/shirt combo I adore so much.

Jon HammOpting for a slightly smarter suit/coat pairing is John Hamm with Jennifer Westfeldt continuing the coat/tights trend. The brief color injection thanks to the slight flash of yellow on Westfeldt’s heels and it is what this all black ensemble needs.

Bobby Cannavale and Rose ByrneAnother couple, another good collection of outerwear and while Rose Byrne could be wearing the brightest frock underneath her coat from here she is also sticking to a dark attire look. Yes this is very much tights season. Bobby Cannavale’s not gone full suit with tie and I can’t help but feel he could do with a scarf or something.

Ruth Wilson Elephant ManBlazer and pants for The Affair’s Ruth Wilson – she is also about to star on Broadway with Jake Gyllenhaal in Constellations – breaking the lady trend of the evening and I love this relaxed yet super stylish approach. Plus those two-tone purple and pink heels are crying out my name; coveting hard even if shoes like this destroy my feet.

Not Letting Go of the Bad Ex: How Don Draper Changed in Season 7 of Mad Men

2 Jul

Last year there was Don Draper fatigue here at TV Ate My Wardrobe and I was joined by Kerensa Cadenas to discuss Don Draper’s bad habits and tiresome antics. Kerensa is back to talk about the more optimistic first half of this final season of Mad Men as we take a look at this excellent run of episodes and how both Don and this season surprised us with its generally optimistic outlook. We also address how this season compares to the previous one and how our predictions matched up (I don’t think they did). In a similar vain we talk about the second half of the final season and where we would like to see these characters end up.

Mad Men 7.06 Burger ChefEmma: I had a quick look back at our last Mad Men discussion and boy was the end of season 6 bleak as Don bottomed out in the Hershey’s pitch going a bit to far into the old memory bank. Nope, no one wants to see a grown man cry over chocolate in 1968 (the same can probably be said for now). One thing we both said we wanted for the final season was to see Joan and Peggy running the show, now while that hasn’t happened entirely, “Waterloo” included a huge professional victory for Peggy and Joan is going to be getting a sizable amount from the deal Roger has struck, so they’re both doing rather well.

Now, before I get into specifics of either of their storylines (and I could basically spend this entire time talking about Peggy and I already have) I want to ask about your general overall feelings about this season. How are you finding Don now as I know we both had reservations about his super shitty behavior last season. Has this season panned out how you expected? Or are you like me and go into Mad Men with no preconceived notions or expectations?

Mad Men 7.07 Peggy and Don hotelKerensa: I think, as we could tell, from last season’s discussion, I was having a bit of a Mad Men burnout. I was frustrated with Don, his actions and his inability to change. And I try to go into a season without expectations but I totally went into this season with completely expecting that Don would be continuing the same old shit that we’ve become accustomed with. And I was totally wrong!

I don’t think Don is totally vindicated yet (which I’m sure we’ll discuss) but overall I enjoyed this season and especially these last two episodes more than I’ve enjoyed Mad Men in a while. And a lot of that does have to do with the character development that Don had–which was not what I expected from this season at all. I really thought I would get more of the same and I’m so glad I was wrong.

What did you think?

Mad Men 7.04 DonEmma: I should add a slight caveat to my no expectations proclamation as Don screwing around was something I fully expected to happen, especially with Megan out in LA. Instead we see Don turn down offers from Neve Campbell – please show keep casting from the 90s teen pool, Rayanne would be my next choice – and a woman in a bar who claims to know him. This is not the Don Draper we have seen in any of the previous seasons and I wonder just why he can suddenly keep it in his pants. He could be trying to make it work with Megan, but I actually think it has more to do with Sally walking in on him with Sylvia and exposing him for the man he is. There is one non-Megan dalliance, however Megan is also there as he responds to a threesome in the most lackluster way I think I have ever seen on TV going from “I’m tired” to “I guess.”

We’ve seen Don hit rock bottom on multiple occasions, this is a whole new subterranean level of shit as he’s been put on leave and is essentially living his life vicariously through Freddie Rumsen. Not that Freddie is the rock bottom signifier and he is the exact person who Don needs in his life. It’s a big surprise seeing Freddie in this role and it is something Mad Men excels at as there is such a wealth of supporting characters from the previous 6 seasons and I like the idea that any of them can pop up at any one time. The opening scene of the premiere is so jarring with Freddie in the pitching seat and yet I never clued in that he had become Don’s mouthpiece.

Freddie plays a pivotal role when Don acts like a big baby when he first goes back to SC&P and this is the episode where Don has been at his most loathsome and pathetic all season – there’s nothing quite like the sight of him emptying out his coke and pouring vodka in to replace it. Freddie has been in Don’s position and like anyone else who has been put on leave he never returned, Don is a special case and it’s when his dick swinging and inability to quit works in his favor. I’ve really enjoyed seeing Don both falter and walk into a room like he owns everything, finally he has some humility and yet the cocksure attitude is also an important attribute. We needed to see him truly fall to appreciate those often unsavory parts of his character.

The first half of this first half of season 7 (or 7a which is less of a mouthful) deals with bridge mending. On the surface everything is fine with Megan and their reunion at LAX is gorgeously shot and she looks amazing in the blue mini baby doll dress. It’s a marriage that has always been superficially fine, underneath it’s like they’re strangers. I do want to talk more about Don and Megan, but first I’d like to take a look at one of the fractured relationships and that’s with Sally.

Oh Sally, what to do with you and your supremely disaffected view on everything. Actually, to be honest Sally is well more adjusted and together than I was expecting and I figured there would be a lot more spiraling and teen rebellion. There’s smoking of course and holy shit is her stance the exact same as her mother, it’s uncanny and once again I would like to bestow all the plaudits on Kiernan Shipka – I would also like to see the Sally college spinoff that Molly Lambert suggested on Twitter. Other than that her greatest act of defiance has been shopping after the funeral (or during maybe) of her roommate’s mom, getting a nearly broken nose while ‘sword fighting’ which leads to some incredible Sally sass at her mother – “It’s a nose job, not an abortion” – and probably her biggest rebellious moment is smooching the nerdy kid instead of the stud. Her mother would not be happy with that last one, though I did worry they were heading towards a Betty going for the young guy story. Maybe Sean’s stripy pants (which are so Felix from Orphan Black) and moon landing bad mouthing put her off. Or she realized how gross it would be.

Wow that was a tangent and what I really wanted to discuss is the Don/Sally road trip that finally allowed Sally to rail against her father. Don finally showed his children where he came from at the end of season 6 and Sally is still justifiably angry at him for all those other secrets he kept. The anger and hurt in her voice as she spits out the word hairspray in reference to Sylvia is another astonishing delivery from Shipka and Sally’s rage at this shattering moment – I would say it took her innocence but seeing Roger getting a blowjob gets this unfortunate crowing glory – is what Don needs to hear to wake up to the asshole he has become. After the good, but not great season premiere this second episode delivered and Sally telling Don that she loves him at the end of the episode is one of the several scenes over this season that I suddenly found myself tearing up at. Before I dive too far down the Sally/Don rabbit hole, I want to ask what your thoughts are regarding this sequence of Don and Sally scenes?

Mad Men 7.02 Sally and DonKerensa: I think that after the last season–Sally’s come to see her father in a much different light. I think especially after seeing his childhood home, that it puts some of Don’s behavior in a context to her. I think Sally (and Kiernan’s always awesome performance) is at that point in teenager-dom where you being to recognize that your parents aren’t infallible which is always a cocktail of emotions–angst, respect, disbelief–and I think that’s where Sally is at with Don. Which I think echos in that final “I love you,” is that she appreciates that he’s opened up but does that change that much?

Mad Men 7.06 Megan and DonEmma: Yeah I think you’re very right and in a way Peggy’s experience with Don has echoed that of his daughter; realizing how fallible he is and how at times he can be downright awful. This season has been about Don proving to those closest to him that he isn’t a lost cause and he has certainly won me over. Contrition is important and it’s why his whiny baby drunk antics when he first went back to SC&P felt like an ‘uh oh’ moment. Luckily Don does have some capacity for change and Freddie Rumsen has been vital in Don coming to terms with his limitations and bull shit.

With Megan, the dissolution of their marriage seemed inevitable as no matter how hard either of them tried and how great they look together (and the shot of them on the balcony together is stunning). It’s all a facade and it always has been in a way; was the only time they were happy on screen when they were on their first trip to Hollywood and have they been trying to mimic that ever since? As a self-confessed Megan lover (and I’m pretty sure you feel the same way) I’m going to be sad if this is the last we see of her (in part because think of all the outfits we’re going to miss out on), but I’m also glad to see how they ended things. Not with shouting and screaming, instead with quiet resolution and acceptance this over. Or as Pete affirms that marriage is “a racket.”

We’ve barely seen Don interact with Betty all season, she refers to him as being like a bad ex-boyfriend and a fleeting memory and the strongest relationship he has with a woman is Peggy and to be honest I quite like it like this.

How do you feel about Don and Peggy this season?

Mad Men 7.06 Don and PeggyKerensa: I’m going to really miss Megan as well. I do kinda think that it will be the last time we see her though. I mean, what ties other than being Don’s wife does she really have with him now? She’s in LA, he’s in NYC. They don’t have kids. I’d be very happy to see her, but I think the resolution that their relationship came to felt perfect and in the changing scope of Don, felt adult.

I think your thoughts about the Peggy/Don relationship echoing the Sally/Don one are spot on. Don lashes out and Peggy and she to him because they know that deep down they are the two who truly understand one another. You can see that in the ways they both work, live and even love to a degree. I think that Don, especially during Peggy’s pregnancy, functioned as such a formative figure in shaping who she has ended up becoming. I think we can argue that at times that can be detrimental, but when you see her give her pitch to Burger Shack, it’s great to see that she’s beat the king.

Mad Men 7.07 hugEmma: I’m so glad we got to see Peggy get a win this big after how she started the season on her hands and knees crying in her apartment. When season 6 ended with that glorious pantsuit it seemed set for Peggy’s moment of triumph, but of course this isn’t that show and she still has many hoops to jump through. So to see someone like Lou in Don’s office rather than Peggy wasn’t a surprise and yet it was still disheartening.

Peggy hasn’t been completely innocent this season and I’m glad they haven’t shied away from how difficult and even awful she can be at times – the Valentine’s incident with Shirley is the best and most cringy example of this – she is Don Draper-esque in quite a lot of ways. Peggy pushes everyone away and her closest relationship is with a 10-year-old boy, which is incredibly depressing considering the child she gave up and just how alone she is. And yes I really want her to hook up with Stan still. We got that very cool scene of Joan joining Peggy for a drink and a Don bitching session and as always I want these two to rule the world.

What did you think about the power shift in the office first with Don’s absence and then with his return? Oh and Ginsberg’s breakdown – did you see that coming?

Mad Men 7.05 Peggy and GinsbergKerensa: I’m not totally surprised re: the power shift. Part of me obviously hoped that they would put Peggy in charge but of course Lou was brought in. And he’s the worst.

With Don’s return the skittishness of the office towards him made a lot of sense, especially for Peggy, cause I know I’d live in continual fear that Don would outshine me yet again which I felt a lot of her contempt stemmed from. But Peggy is really Don’s girl–so many of her actions echo his behaviors.

I actually wasn’t expecting Ginsberg’s breakdown. At first, I actually read it as he was trying to come out? But that SCENE, totally shocked me. It was very upsetting. Were you expecting it?

Mad Men 7.07 PeteEmma: The work place set up and power shift has been one of my favorite aspects this season even if the bi-coastal set up meant a whole lot less Pete Campbell as I love the weasel that he is. The conference calls and technology issues with this was fun as was seeing how well Pete took to the LA lifestyle as he always seemed like such an East Coast guy. Every outfit he wore in LA pretty much made me scream (with joy) as did his receding hairline and awful tan. Just how did he get a woman like Bonnie? (this of course also applies to Trudy and every other woman he has hooked up with, aside from hookers as the answer there is obvious)

Roger taking the death of Bert to step up and get his scheme on is magnificent as is how much disdain everyone has for Harry Crane and I was so happy that his path to power was cut down – even if he has good ideas and tipped Don off I can’t help but despise him.

My Twitter feed was full of a lot of “Holy shit, Ginsberg” before I saw the episode so I knew something was going to happen and as the episode progressed I figured he was going to trash the computer and cost SC&P a whole lot of money. Never did I expect what actually happened and my first reaction upon seeing the box was of course horror, but I also thought it was his ear at first because in terms of what people cut off that seems like the logical (if you can call it that) answer. It’s yet another occasion this season where Elisabeth Moss nails her reaction as she is terrified, shocked and heartbroken.

Hats off to Ben Feldman who has given Ginsberg this skittish energy since day one and didn’t play it as an “I’m so kooky” quirk or go way over the top with these moments of madness. I also got major character whiplash going from his performance in Mad Men to his one on Silicon Valley and even though it looks kinda terrible from the preview I will be watching A to Z purely for Cristin Milioti and Feldman. Like the lawnmower incident this is going to go down as one of those incredibly weird and fucked up Mad Men moments.

Last year we talked about how Betty got her groove back and this season Betty got the best line of the season – “I’m not stupid, I speak Italian” (closely followed by Sally’s “It’s a nose job, not an abortion”) – what did you think of Betty this year?

Mad Men 7.03 BettyKerensa: Ben Feldman has always been so great as Ginsberg and I’m totally looking forward to A to Z–even if it does look kinda terrible. He always played Ginsberg from a place of compassion when he, like you mentioned, could have gone the “I’m kooky” route.

Betty was Betty as always for me. Her trip with Bobby made me feel so bad for him. And I felt for her when she felt like she was being underestimated. But I would argue that her best line of the season was when she was looking back as Don as a “bad boyfriend” someone a “teen anthropologist would marry.” I feel like we didn’t get enough of her for me to fully form anything. What about you?

Mad Men 7.07 Sally as BettyEmma: The problem with the Betty storylines is that other than their shared children, the link to Don and the overarching story is tenuous and so it doesn’t always make sense to see what’s going on with Betty other than the fact that she’s a fascinating character. You’re right about that line, it is fantastic. The trip to the farm was heartbreaking because she really doesn’t understand anything when it comes to her own children; Bobby clearly adores her and yet she thinks the only one who still loves her is Gene. Bobby’s sandwich trade was a dumb move, but then again his mother’s relationship with food is a complicated one that he doesn’t understand. He probably thinks that cigarettes are her lunch now that she is thin again.

Betty’s standard position is envy – of her children, friends, neighbors, husband and ex – and while she can be unpleasant I never tire of seeing how she reacts to these situations. So with Francine (yay!) she sets out to show she’s a fantastic mom by going on a school trip she had absolutely no interest in previously, with Sally they bicker about everything and I was convinced she was going to go after Sean and his stripy pants just because Sally had shown an interest in him. Luckily Sally went for the more age appropriate Neil after he showed her the stars and went against the type of dude her dad is (which is not a surprise after the Sylvia incident last season).

For me, Betty’s crowning moment was standing up for herself against Henry – no she doesn’t want to go outside just because he does and yes she will give her opinions on Vietnam if she is asked. Betty had a habit of repressing everything when she was with Don in true WASP fashion and throwing up on her pretty dress was the way she showed her sadness and dissatisfaction. With Henry she’s not going to be a shrinking violet.

Have you got anything else to add about the first half of season 7? What would you like to see happen in the final 7 episodes?

Mad Men 7.06 Bob and KevinKerensa: I appreciate her standing up for herself with Henry as well which I think also speaks to the type of relationship that they have.

For the final 7, I want all the best things to happen for Peggy, Joan and Megan. I’d love to see the show actually explore what was happening with Stonewall and the beginnings of the LGBT rights movement but I don’t think that will happen. I’d love to see Don continue to grow but I don’t know if I think that will happen either, I really think he’s gonna backslide.

What are you hoping for?

Mad Men 7.05 SallyEmma: With the portrayal of the LGBT rights movement I wonder if the Bob Benson stuff in “The Strategy” is all we’re going to get when it comes to that. Hopefully Bob will be back for the final 7 for this reason and James Wolk reasons. His proposal to Joan was so ill-advised but I do understand where he was coming from and there’s no fairy tale ending for him in 1969 sadly, Joan still believes in love which is something I  didn’t necessarily expect considering how pragmatic she has become since having Kevin. Like you I want all the good things for the women of this show. I want to see Sally rule the world or at least get through school without a drug addiction; I have high hopes considering how well she is doing at the moment and how her rebellions have been pretty atypical of a teenager without veering into excess territory. Don’t fuck with Sally, Weiner.

This season ended on such a hopeful note that it’s making me feel somewhat optimistic for Don and I’m not sure if Matt Weiner is lulling us into a false sense of security with this. He is always teetering on the edge of oblivion and I have a friend who is convinced he will kill himself. I think this is maybe too nihilistic and I have hope that Don Draper will be alive at the end of the final episode. I’m not sure what state he will be in, but what I’m picturing is similar to how it started – a dude smoking and drinking alone.

I’d like to see some folks return, but I also don’t want it to turn into a blast from the past parade. Sal would be number one on that list, just to see where this character is now (and this also fits in with the LGTB rights movement) and yet I do understand why they might shy away from bringing back certain people just because they’re a fan favorite.

I’m also very excited to see more psychedelic styling and all things polyester from the end of this decade. It’s going to be pretty sad when this show is over and while I was ready to let Breaking Bad go because of how draining that show is to watch, I’m not sure I’m ready to say goodbye to these characters and for that reason I’m somewhat glad they split the two seasons up.

Kerensa:  Looking forward to what’s next–and I agree. Don’t fuck with Sally, Weiner!

Kerensa Cadenas is a writer living in Los Angeles. She is an Editor for Snakkle. She also writes for Women and HollywoodThe WeekThis Was TelevisionForever Young Adult, and Bitch magazine. She was the Research Editor for Tomorrow magazine. You can follow her on Twitter and read her ridiculous thoughts about teen television at her website.

Peggy Olson, Don Draper and the Shared Experience on Mad Men

26 May

Television has the ability to stir an emotional response in us and it’s one reason why so many of us write about it, whether on a blog like this one which talks equal parts style and plot, or with the plethora of excellent sites that produce astounding work on a daily basis. Mad Men has explored notions of shared experience and isolation for seven seasons now and as we reach the break this comes into focus through Don and Peggy. It is significant they made such inroads on their formally fractured relationship last week, followed by a passing of the baton of sorts in “Waterloo” just as mankind took a giant leap (sorry I couldn’t resist).

Mad Men 7.07 hotel roomThe build up to the moon landing plays a significant role in this episode and it hinges on the excitement of a potentially grand achievement rather than the previous shared experience TV has delivered of death; the JFK assassination being the defining first televised moment like this. There are daily death notices as the Vietnam War ticks on in the background (according to a Gallop Poll in 1969 52% of Americans personally knew someone who had been killed/wounded in Vietnam) and there’s a general atmosphere of uncertainty hanging over the nation. The moon landing is a joyous moment anticipated by many; however fear and cynicism still hang in the air. Fear they might not make it and another tragedy will play out in front of the world (it will also impact their pitch if something horrible happens). The cynicism angle is voiced by the disaffected youth with Sean – the son of Betty’s friend – referencing how much this mission is costing and the problems back on Earth. Sally mimics this later to her father, but hope is not something you can put a price tag on (even if Sean has a point).

Everyone is doing the same thing as they sit with their family – or in the case of Pete, Peggy, Don and Harry their work family – glued to the screen together; cynics and believers as one. Let’s take a moment to marvel at Sean’s pants in this scene. They look like they come from Felix’s closet on Orphan Black.

Mad Men 7.07 the Francis FamilyDon rings the family Francis to experience this with his kids and it’s significant that we only see him interact with Sally because by this point that’s the only relationship we’ve seen cultivated. Though I would have loved to see his chat with Gene, just to see this kid talk and Bobby’s also become somewhat endearing thanks to his bad bartering and stress stomachaches. However, Sally’s sass complete with her scarily accurate Betty smoking posture is what we’re really here for. Plus she kisses the boy least expected and is doing her civic duty by being a lifeguard. For all my worries about Sally, I think she’s going to be ok in the end.

Mad Men 7.07 Peggy and DonLast week Anne Helen Petersen wrote a terrific and terrifyingly accurate essay entitled “What Peggy Olson has Taught me About Doing it My Way” and like both Petersen and Peggy, I am in this same age bracket (I turn 32 in September *shudder*). Both this essay and Peggy’s sentiments rang true (so much so that even thinking about that scene makes me teary) demonstrating how TV can be a shared experience on a whole other level. Watching Peggy struggle and flounder in her interactions with others this season (the Shirley/Valentine’s Day mix-up is the lowest Peggy got for me) has been hard because Peggy for me has always been the one I want to succeed the most.

In “Waterloo” we get our Peggy victory as she pushes past her insecurities and uses the huge event from the night before to forge an association going way beyond the “voice of moms.” It’s an incredible performance from Peggy as she taps into the hope from the night before and spins it in a way to sell burgers through togetherness. For Don to finally understand Peggy’s worth he had to be reduced to a position of nothing. By handing over the pitching reins Don is giving Peggy the one thing she has always desired; his approval and confidence in her abilities. So while she panics and laments the lack of liquor, this fear also gives her strength.

Don uses his personal life to inform his pitch and Peggy does the same as she discusses the 10-year-old at home. At no point does she refer to Julio as her son, even if he has become a surrogate of the child she has given up and Pete visibly flinches at this reference (their child would be slightly younger). Earlier in the episode when Julio tells Peggy he is moving, she weeps silently as she will lose one of the few real bonds she currently has (which is depressing in itself) and if anyone is starved of human contact on this show it is Peggy.

Mad Men 7.07 Peggy and Don hotelIgnoring Harry – which is on point – in the hotel room is a trio who have deep insight into each other thanks to the secrets they share. Family is a vague term that Pete doesn’t like; Pete’s real family is a closed off dysfunctional mess so it’s no wonder he’s not too fond of this concept. There is another family and this one has been just as complicated (if not more so), however they’ve also been a lot more accepting of his flaws and often undesirable personality traits.

Pete is the one with the most information as he knows about Don’s past and that he is the father of the baby Peggy gave up, Don knows about the baby, but not Pete’s involvement (I doubt he would be as favorable to Pete if he knew) and well, Peggy of course is aware of her baby secret and is in the dark about Dick Whitman. The connection between these three characters exists not just because of these secrets, but it certainly adds subtext and a bond that doesn’t exist with anyone else at SC&P as Bert was the only other person to know about Dick and now he’s dead. So long Bert and your no shoe wearing policy, I’m glad you got to see the moon landing even if I wish you weren’t such a horrific racist. Cool song and dance number too. Bravo.

Mad Men 7.07 BertYeah this happened. It was delightful and bonkers. Plus it fits in with Don seeing the ghosts of those who know about his past. This is the first time singing and dancing was part of it, but hey it is 1969 and everything is a little off-kilter.

Mad Men 7.07 hugBack to Peggy and she lands the account; there’s little fanfare as everyone is busy with multimillion dollar making (and Don Draper saving) business deals and saying farewell to Bert Cooper. There will be celebrations and these will come off camera as I’m sure time will have passed when we return next year, instead we get this moment instead and it feels just as good. Peggy did it and the relationship she has with Don is the closest either of them have. This might sound depressing, but remember where they both were at the end of last season. Jon Hamm and Elisabeth Moss continue to deliver exceptional performances revealing the pain and potential happiness these characters can achieve and both have a place on the ultimate glassy eyed Olympics team I am forging (see also Aaron Paul, Julianna Margulies and Caroline Dhavernas).

Don appears to have lost Megan for good this time as his suggestion of moving to LA was met with silence and then a sigh; it’s been a facade for a long time as they’ve essentially been playing husband and wife, rather than living it. Instead Don now has a confidant again – yes he has always had Roger, but their friendship is something else all together – and for Peggy it is important that she is no longer adrift either. Who knows what they can achieve together and like the moon landing there is now hope for a happy ending.

Mad Men Music Monday: “I Know, They’re Playing it all the Time”

19 May

Just like that, Mad Men takes what could be considered a really obvious and cliched song choice and turn it into a moment that near on had me sobbing. It’s on the nose and yet like any classic/overplayed track, there is a reason why it has been played so much. In this scene it becomes about these two people who fear they have nothing and despite how out of sync they have become, they circle back to each other.

One of my recent complaints about relationships between men and women on TV is there is rarely a middle ground for friendship and there is always temptation to turn it into a “will they/won’t they.” Regular readers of this blog will also know how much I enjoy this storytelling device, but there are limits and I’m glad Mad Men understands these parameters when it comes to Don and Peggy.

Mad Men 7.06 Don and PeggyPeggy is struggling with the Burger Chef pitch and part of this is down to Don’s return as she’s now questioning her work against the Don Draper standard. There has also been a push/pull between these characters since he has come back to SC&P and conflict has always existed between them; it has just been magnified this year. Peggy’s confidence has been shaken and she’s been slipping all season and the promise of the plaid power pantsuit we saw her wearing at the end of last season feels like a distant memory. What transpires between Peggy and Don while they brainstorm in the same location as “The Suitcase” is another version of this episode and those conversations. This time Don isn’t screaming “That’s what the money is for” and instead he is actually actively helping Peggy with her problem.

Mad Men 7.06 My WayParallels exist between Peggy and Don from the secrets they harbor to the way they are both searching for a connection and the really special episodes of Mad Men are when they connect with each other. Pete thinks the word ‘family’ is vague, but so is the concept they are replicating and Peggy asks Don “Does this family exist anymore?” when the real question is whether it ever existed in the first place. Age and specific years are mentioned in “The Strategy” with Don and Peggy mentioning 1955 (a great year for Don) and 1965 (a great year for Peggy) and we are reminded of the first point of major upheaval on Mad Men with a newspaper from November, 1963. Peggy mentions that she just turned 30 and she kept it a secret; this age signifies her lack of achievements, despite her professional success story. From personal experience, I had the “shit, I’m turning 30” tremors and I can’t even imagine what it would have been like in 1969 with a whole other list of expectations focusing on family.

With Joan, Bob sites her age (nearly 40) as a reason to settle with him but she’s still after true love, no matter how fanciful and ridiculous that sounds. Bob mentions that GM expect a certain kind of executive and he is looking at things through the heartbreaking reality of this era. They would be the perfect family, except it would all be a lie.

Mad Men 7.06 Dancing“I worry about a lot of things, but I don’t worry about you.”

Offering Peggy a handkerchief is a kind gesture, offering her a hand and a dance is so much more and it’s one of the most intimate moments this show has produced. Peggy rests her head on Don’s chest, he kisses the top of her head and I sit here and get teary about how illuminating this exchange is. Elisabeth Moss and Jon Hamm are electrifying in these scenes and this could easily be an Emmy submission episode for either actor. For every awful and self-pitying Don Draper action, this makes me forget it all and by reinforcing this relationship gives me a reason to cheer for a Don success story instead of last year’s figure of loathing. Another show might have gone in for a kiss, this is not that show.

Peggy and Don to sing “My Way” at a karaoke bar in 15 years time, please.

http://youtu.be/8m0dJXtwwiY

 

Jon Hamm Covers Vanity Fair

6 May

The Mad Men magazine cover parade continues and if you haven’t had enough of men in tuxedos from today’s Met Gala posts then here is another treat as Jon Hamm is wearing tails on the June issue of Vanity Fair.

Vanity FairOne slight criticism in that I wish they had either gone full beard – which we know Hamm can grow – or clean shaven. This in-between stubble is not really working for me.

Mad Men Music Monday: “This Will Be Our Year”

21 Apr

“Happy Valentine’s Day, I love you.”

The first episode of Mad Men‘s seventh season ended with a punch to the gut for both Peggy and Don as one collapsed on the floor of her apartment in tears and the other sat outside on his freezing balcony in a catatonic like state. It’s Valentine’s Day, 1969 and there’s not a lot of joy in either of Peggy or Don’s life at the moment as the secrets they keep are eating them up inside. For Peggy, her relationship with Ted or really his departure to California and away from her is causing her way more sorrow than she would like to admit; a simple mix up over some red roses sends her spiraling. Peggy passes vague messages through secretaries only to take out her frustration and embarrassment on an innocent Shirley.

Mad Men 7.02 PeggyIn another part of town Don jokingly declares that he is looking for love and he finds it in an unlikely place as he has reconciliation with his daughter. There’s a lot that has been left unsaid between Sally and Don since she walked in on him with Sylvia and while it would seem he has divulged details of his upbringing – the truths he told at work are nothing she doesn’t know he reassures – the topic of his dalliances is different.

Kiernan Shipka gets a lot of red carpet props on here, but really it’s her role as Sally Draper that is everything as she conveys just how hard it was for her to come to Don’s building and practically spits out the word “hairspray.” Later on “spectacular” has the same level of snarky venom as Don inquires about her studies. There’s a wealth of resentment and her apathetic feelings towards her father and his lies is completely understandable.  Being a disaffected teen is nothing out of the ordinary, however this extra layer of disenchantment thanks to the lies adults tell hits Don right where it hurts.

Mad Men 7.02 Sally and Don

“Please stop. Stop Talking.”

Instead of avoiding the issue which is generally the Don Draper approach (unless he is backed into a corner), Don confronts this Sally thing head on and I’d be quite happy to spend an entire “Suitcase” type of episode with father and daughter hashing it out. It turns out they don’t need this long and while Don doesn’t get any magical enlightenment in how to fix his work problems, he does heal this wound and Sally’s last line (which opens this article) is enough to push me into misty eyed territory.

The song which closes out the episode after Sally has given Don an unexpected reaffirming declaration is The Zombies with “This Will be our Year.” So while this season has started with utter despair, this signals that there is still hope to be had.

 

Out of the Box: Look of the Week

4 Apr

PaleyFest is over and we’re keeping a focus on red carpet events with this edition of Out of the Box as a How I Met Your Mother star balances the series finale week with the release of Captain America: The Winter SoldierMad Men has its seventh season premiere and Rashida Jones celebrates a new writing venture.

Cobie Smulders Captain AmericaCobie Smulders looks like she knows how pissed off you are about the How I Met Your Mother finale at the Captain America premiere and putting aside all those feelings momentarily – I’m a very casual viewer and I’m annoyed by that ending – to bask in this fantastic red carpet look. The navy blue asymmetrical Sportmax gown throws in peplum and plunge detail that together look super elegant. Almost bonus points for the fantastic clutch and earrings, losing those points as she could do with another accessory or two. Smulders nails the role of Maria Hill once again and this Captain America sequel lets the female characters be good at their jobs, in appropriate non cleavy costuming and they don’t fall down the ‘damsel in distress’ incredibly lazy trope. All of these things made me very happy indeed, more of this please Marvel.

Mad Men castAs with the four women of Mad Men featured last week – this time Jon Hamm and January Jones enter the mix – there are many different style choices on display and I kinda love all of them. Kiernan Shipka continues to be on point and age appropriate in a metallic floral long sleeved, but super funky Nina Ricci frock. Also working the metallic angle is Christina Hendricks in a Wes Gordon silver skirt, paired to perfection with a simple but elegant black blouse.

The current and former Mrs Draper, Jessica Paré and January Jones are working the fashion forward angle; Paré rocking Antonio Berardi which for some reason made me think of the kind of gown Johanna in Catching Fire would have preferred to symbolize a tree. Jones is in Roksanda Ilincic and the bold gold belting detail brings it all together, not so sure about the side braid for this event. It’s a softer look for Jones who has a habit of going severe on the red carpet; maybe she’s less intense when it’s a Mad Men event rather than an awards show.

Elisabeth Moss has opted for an Alexander McQueen skirt with a super high daring thigh slit and while she looks pretty rock and roll, swapping the dramatically dark eyes for red lip color would really set this look alight. Jon Hamm’s blue suit makes a change from the influx of grey that has been dominating red carpets recently, but the women are the ones who stand out. This cast is still one of the best dressed and I can’t wait for all the costuming treats this year as we head into polyester and clashing patterns territory.

Rashida JonesRashida Jones is at event celebrating her new column for Glamour magazine (she is one busy lady) and this Adeam dress perfectly straddles the party/professional line. The shell pattern adds whimsy to the look and the silver heels help make this outfit pop, as does the dash of pink lipstick.

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