And the First Episode of The Mindy Project Season 3 is Called…

3 Jul

First up a disclaimer as episode titles do sometimes change between pre-production and their air date. With that in mind, I hope this one doesn’t get altered* as it is pretty emphatic in regards to a certain relationship status. Mindy Kaling has posted the script title page on Instagram and it is as follows:

http://instagram.com/p/p-I7lpJQyA/?modal=true

Suggesting “We’re a Couple Now, Bitches” is referring to Mindy and Danny isn’t a wild guess and it looks like they are ready to take the next big step after their last stalled attempt.

I’m really excited to see how The Mindy Project tackles the “What next?” that rom-com movies tend to escape as the end credits hit at this point. Mindy in a long term relationship is not a new prospect as she’s had a couple of serious relationships on the show, however it is an entirely different setup to her previous beaus as Mindy and Danny have been the central “will they/won’t they” on The Mindy Project. This also means I’ll get to write a whole lot more about some of my favorite sitcom tropes/story arcs and Mindy Kaling has experience with writing a beloved couple going from friends to something more thanks to her time on The Office.

*I spoke too soon as this episode title has indeed been altered to “We’re a Couple Now, Haters” with Mindy Kaling explaining ” It was changed to “haters” because people could be offended by “bitches”. Thus is life.” Le sigh. 

Not Letting Go of the Bad Ex: How Don Draper Changed in Season 7 of Mad Men

2 Jul

Last year there was Don Draper fatigue here at TV Ate My Wardrobe and I was joined by Kerensa Cadenas to discuss Don Draper’s bad habits and tiresome antics. Kerensa is back to talk about the more optimistic first half of this final season of Mad Men as we take a look at this excellent run of episodes and how both Don and this season surprised us with its generally optimistic outlook. We also address how this season compares to the previous one and how our predictions matched up (I don’t think they did). In a similar vain we talk about the second half of the final season and where we would like to see these characters end up.

Mad Men 7.06 Burger ChefEmma: I had a quick look back at our last Mad Men discussion and boy was the end of season 6 bleak as Don bottomed out in the Hershey’s pitch going a bit to far into the old memory bank. Nope, no one wants to see a grown man cry over chocolate in 1968 (the same can probably be said for now). One thing we both said we wanted for the final season was to see Joan and Peggy running the show, now while that hasn’t happened entirely, “Waterloo” included a huge professional victory for Peggy and Joan is going to be getting a sizable amount from the deal Roger has struck, so they’re both doing rather well.

Now, before I get into specifics of either of their storylines (and I could basically spend this entire time talking about Peggy and I already have) I want to ask about your general overall feelings about this season. How are you finding Don now as I know we both had reservations about his super shitty behavior last season. Has this season panned out how you expected? Or are you like me and go into Mad Men with no preconceived notions or expectations?

Mad Men 7.07 Peggy and Don hotelKerensa: I think, as we could tell, from last season’s discussion, I was having a bit of a Mad Men burnout. I was frustrated with Don, his actions and his inability to change. And I try to go into a season without expectations but I totally went into this season with completely expecting that Don would be continuing the same old shit that we’ve become accustomed with. And I was totally wrong!

I don’t think Don is totally vindicated yet (which I’m sure we’ll discuss) but overall I enjoyed this season and especially these last two episodes more than I’ve enjoyed Mad Men in a while. And a lot of that does have to do with the character development that Don had–which was not what I expected from this season at all. I really thought I would get more of the same and I’m so glad I was wrong.

What did you think?

Mad Men 7.04 DonEmma: I should add a slight caveat to my no expectations proclamation as Don screwing around was something I fully expected to happen, especially with Megan out in LA. Instead we see Don turn down offers from Neve Campbell – please show keep casting from the 90s teen pool, Rayanne would be my next choice – and a woman in a bar who claims to know him. This is not the Don Draper we have seen in any of the previous seasons and I wonder just why he can suddenly keep it in his pants. He could be trying to make it work with Megan, but I actually think it has more to do with Sally walking in on him with Sylvia and exposing him for the man he is. There is one non-Megan dalliance, however Megan is also there as he responds to a threesome in the most lackluster way I think I have ever seen on TV going from “I’m tired” to “I guess.”

We’ve seen Don hit rock bottom on multiple occasions, this is a whole new subterranean level of shit as he’s been put on leave and is essentially living his life vicariously through Freddie Rumsen. Not that Freddie is the rock bottom signifier and he is the exact person who Don needs in his life. It’s a big surprise seeing Freddie in this role and it is something Mad Men excels at as there is such a wealth of supporting characters from the previous 6 seasons and I like the idea that any of them can pop up at any one time. The opening scene of the premiere is so jarring with Freddie in the pitching seat and yet I never clued in that he had become Don’s mouthpiece.

Freddie plays a pivotal role when Don acts like a big baby when he first goes back to SC&P and this is the episode where Don has been at his most loathsome and pathetic all season – there’s nothing quite like the sight of him emptying out his coke and pouring vodka in to replace it. Freddie has been in Don’s position and like anyone else who has been put on leave he never returned, Don is a special case and it’s when his dick swinging and inability to quit works in his favor. I’ve really enjoyed seeing Don both falter and walk into a room like he owns everything, finally he has some humility and yet the cocksure attitude is also an important attribute. We needed to see him truly fall to appreciate those often unsavory parts of his character.

The first half of this first half of season 7 (or 7a which is less of a mouthful) deals with bridge mending. On the surface everything is fine with Megan and their reunion at LAX is gorgeously shot and she looks amazing in the blue mini baby doll dress. It’s a marriage that has always been superficially fine, underneath it’s like they’re strangers. I do want to talk more about Don and Megan, but first I’d like to take a look at one of the fractured relationships and that’s with Sally.

Oh Sally, what to do with you and your supremely disaffected view on everything. Actually, to be honest Sally is well more adjusted and together than I was expecting and I figured there would be a lot more spiraling and teen rebellion. There’s smoking of course and holy shit is her stance the exact same as her mother, it’s uncanny and once again I would like to bestow all the plaudits on Kiernan Shipka – I would also like to see the Sally college spinoff that Molly Lambert suggested on Twitter. Other than that her greatest act of defiance has been shopping after the funeral (or during maybe) of her roommate’s mom, getting a nearly broken nose while ‘sword fighting’ which leads to some incredible Sally sass at her mother – “It’s a nose job, not an abortion” – and probably her biggest rebellious moment is smooching the nerdy kid instead of the stud. Her mother would not be happy with that last one, though I did worry they were heading towards a Betty going for the young guy story. Maybe Sean’s stripy pants (which are so Felix from Orphan Black) and moon landing bad mouthing put her off. Or she realized how gross it would be.

Wow that was a tangent and what I really wanted to discuss is the Don/Sally road trip that finally allowed Sally to rail against her father. Don finally showed his children where he came from at the end of season 6 and Sally is still justifiably angry at him for all those other secrets he kept. The anger and hurt in her voice as she spits out the word hairspray in reference to Sylvia is another astonishing delivery from Shipka and Sally’s rage at this shattering moment – I would say it took her innocence but seeing Roger getting a blowjob gets this unfortunate crowing glory – is what Don needs to hear to wake up to the asshole he has become. After the good, but not great season premiere this second episode delivered and Sally telling Don that she loves him at the end of the episode is one of the several scenes over this season that I suddenly found myself tearing up at. Before I dive too far down the Sally/Don rabbit hole, I want to ask what your thoughts are regarding this sequence of Don and Sally scenes?

Mad Men 7.02 Sally and DonKerensa: I think that after the last season–Sally’s come to see her father in a much different light. I think especially after seeing his childhood home, that it puts some of Don’s behavior in a context to her. I think Sally (and Kiernan’s always awesome performance) is at that point in teenager-dom where you being to recognize that your parents aren’t infallible which is always a cocktail of emotions–angst, respect, disbelief–and I think that’s where Sally is at with Don. Which I think echos in that final “I love you,” is that she appreciates that he’s opened up but does that change that much?

Mad Men 7.06 Megan and DonEmma: Yeah I think you’re very right and in a way Peggy’s experience with Don has echoed that of his daughter; realizing how fallible he is and how at times he can be downright awful. This season has been about Don proving to those closest to him that he isn’t a lost cause and he has certainly won me over. Contrition is important and it’s why his whiny baby drunk antics when he first went back to SC&P felt like an ‘uh oh’ moment. Luckily Don does have some capacity for change and Freddie Rumsen has been vital in Don coming to terms with his limitations and bull shit.

With Megan, the dissolution of their marriage seemed inevitable as no matter how hard either of them tried and how great they look together (and the shot of them on the balcony together is stunning). It’s all a facade and it always has been in a way; was the only time they were happy on screen when they were on their first trip to Hollywood and have they been trying to mimic that ever since? As a self-confessed Megan lover (and I’m pretty sure you feel the same way) I’m going to be sad if this is the last we see of her (in part because think of all the outfits we’re going to miss out on), but I’m also glad to see how they ended things. Not with shouting and screaming, instead with quiet resolution and acceptance this over. Or as Pete affirms that marriage is “a racket.”

We’ve barely seen Don interact with Betty all season, she refers to him as being like a bad ex-boyfriend and a fleeting memory and the strongest relationship he has with a woman is Peggy and to be honest I quite like it like this.

How do you feel about Don and Peggy this season?

Mad Men 7.06 Don and PeggyKerensa: I’m going to really miss Megan as well. I do kinda think that it will be the last time we see her though. I mean, what ties other than being Don’s wife does she really have with him now? She’s in LA, he’s in NYC. They don’t have kids. I’d be very happy to see her, but I think the resolution that their relationship came to felt perfect and in the changing scope of Don, felt adult.

I think your thoughts about the Peggy/Don relationship echoing the Sally/Don one are spot on. Don lashes out and Peggy and she to him because they know that deep down they are the two who truly understand one another. You can see that in the ways they both work, live and even love to a degree. I think that Don, especially during Peggy’s pregnancy, functioned as such a formative figure in shaping who she has ended up becoming. I think we can argue that at times that can be detrimental, but when you see her give her pitch to Burger Shack, it’s great to see that she’s beat the king.

Mad Men 7.07 hugEmma: I’m so glad we got to see Peggy get a win this big after how she started the season on her hands and knees crying in her apartment. When season 6 ended with that glorious pantsuit it seemed set for Peggy’s moment of triumph, but of course this isn’t that show and she still has many hoops to jump through. So to see someone like Lou in Don’s office rather than Peggy wasn’t a surprise and yet it was still disheartening.

Peggy hasn’t been completely innocent this season and I’m glad they haven’t shied away from how difficult and even awful she can be at times – the Valentine’s incident with Shirley is the best and most cringy example of this – she is Don Draper-esque in quite a lot of ways. Peggy pushes everyone away and her closest relationship is with a 10-year-old boy, which is incredibly depressing considering the child she gave up and just how alone she is. And yes I really want her to hook up with Stan still. We got that very cool scene of Joan joining Peggy for a drink and a Don bitching session and as always I want these two to rule the world.

What did you think about the power shift in the office first with Don’s absence and then with his return? Oh and Ginsberg’s breakdown – did you see that coming?

Mad Men 7.05 Peggy and GinsbergKerensa: I’m not totally surprised re: the power shift. Part of me obviously hoped that they would put Peggy in charge but of course Lou was brought in. And he’s the worst.

With Don’s return the skittishness of the office towards him made a lot of sense, especially for Peggy, cause I know I’d live in continual fear that Don would outshine me yet again which I felt a lot of her contempt stemmed from. But Peggy is really Don’s girl–so many of her actions echo his behaviors.

I actually wasn’t expecting Ginsberg’s breakdown. At first, I actually read it as he was trying to come out? But that SCENE, totally shocked me. It was very upsetting. Were you expecting it?

Mad Men 7.07 PeteEmma: The work place set up and power shift has been one of my favorite aspects this season even if the bi-coastal set up meant a whole lot less Pete Campbell as I love the weasel that he is. The conference calls and technology issues with this was fun as was seeing how well Pete took to the LA lifestyle as he always seemed like such an East Coast guy. Every outfit he wore in LA pretty much made me scream (with joy) as did his receding hairline and awful tan. Just how did he get a woman like Bonnie? (this of course also applies to Trudy and every other woman he has hooked up with, aside from hookers as the answer there is obvious)

Roger taking the death of Bert to step up and get his scheme on is magnificent as is how much disdain everyone has for Harry Crane and I was so happy that his path to power was cut down – even if he has good ideas and tipped Don off I can’t help but despise him.

My Twitter feed was full of a lot of “Holy shit, Ginsberg” before I saw the episode so I knew something was going to happen and as the episode progressed I figured he was going to trash the computer and cost SC&P a whole lot of money. Never did I expect what actually happened and my first reaction upon seeing the box was of course horror, but I also thought it was his ear at first because in terms of what people cut off that seems like the logical (if you can call it that) answer. It’s yet another occasion this season where Elisabeth Moss nails her reaction as she is terrified, shocked and heartbroken.

Hats off to Ben Feldman who has given Ginsberg this skittish energy since day one and didn’t play it as an “I’m so kooky” quirk or go way over the top with these moments of madness. I also got major character whiplash going from his performance in Mad Men to his one on Silicon Valley and even though it looks kinda terrible from the preview I will be watching A to Z purely for Cristin Milioti and Feldman. Like the lawnmower incident this is going to go down as one of those incredibly weird and fucked up Mad Men moments.

Last year we talked about how Betty got her groove back and this season Betty got the best line of the season – “I’m not stupid, I speak Italian” (closely followed by Sally’s “It’s a nose job, not an abortion”) – what did you think of Betty this year?

Mad Men 7.03 BettyKerensa: Ben Feldman has always been so great as Ginsberg and I’m totally looking forward to A to Z–even if it does look kinda terrible. He always played Ginsberg from a place of compassion when he, like you mentioned, could have gone the “I’m kooky” route.

Betty was Betty as always for me. Her trip with Bobby made me feel so bad for him. And I felt for her when she felt like she was being underestimated. But I would argue that her best line of the season was when she was looking back as Don as a “bad boyfriend” someone a “teen anthropologist would marry.” I feel like we didn’t get enough of her for me to fully form anything. What about you?

Mad Men 7.07 Sally as BettyEmma: The problem with the Betty storylines is that other than their shared children, the link to Don and the overarching story is tenuous and so it doesn’t always make sense to see what’s going on with Betty other than the fact that she’s a fascinating character. You’re right about that line, it is fantastic. The trip to the farm was heartbreaking because she really doesn’t understand anything when it comes to her own children; Bobby clearly adores her and yet she thinks the only one who still loves her is Gene. Bobby’s sandwich trade was a dumb move, but then again his mother’s relationship with food is a complicated one that he doesn’t understand. He probably thinks that cigarettes are her lunch now that she is thin again.

Betty’s standard position is envy – of her children, friends, neighbors, husband and ex – and while she can be unpleasant I never tire of seeing how she reacts to these situations. So with Francine (yay!) she sets out to show she’s a fantastic mom by going on a school trip she had absolutely no interest in previously, with Sally they bicker about everything and I was convinced she was going to go after Sean and his stripy pants just because Sally had shown an interest in him. Luckily Sally went for the more age appropriate Neil after he showed her the stars and went against the type of dude her dad is (which is not a surprise after the Sylvia incident last season).

For me, Betty’s crowning moment was standing up for herself against Henry – no she doesn’t want to go outside just because he does and yes she will give her opinions on Vietnam if she is asked. Betty had a habit of repressing everything when she was with Don in true WASP fashion and throwing up on her pretty dress was the way she showed her sadness and dissatisfaction. With Henry she’s not going to be a shrinking violet.

Have you got anything else to add about the first half of season 7? What would you like to see happen in the final 7 episodes?

Mad Men 7.06 Bob and KevinKerensa: I appreciate her standing up for herself with Henry as well which I think also speaks to the type of relationship that they have.

For the final 7, I want all the best things to happen for Peggy, Joan and Megan. I’d love to see the show actually explore what was happening with Stonewall and the beginnings of the LGBT rights movement but I don’t think that will happen. I’d love to see Don continue to grow but I don’t know if I think that will happen either, I really think he’s gonna backslide.

What are you hoping for?

Mad Men 7.05 SallyEmma: With the portrayal of the LGBT rights movement I wonder if the Bob Benson stuff in “The Strategy” is all we’re going to get when it comes to that. Hopefully Bob will be back for the final 7 for this reason and James Wolk reasons. His proposal to Joan was so ill-advised but I do understand where he was coming from and there’s no fairy tale ending for him in 1969 sadly, Joan still believes in love which is something I  didn’t necessarily expect considering how pragmatic she has become since having Kevin. Like you I want all the good things for the women of this show. I want to see Sally rule the world or at least get through school without a drug addiction; I have high hopes considering how well she is doing at the moment and how her rebellions have been pretty atypical of a teenager without veering into excess territory. Don’t fuck with Sally, Weiner.

This season ended on such a hopeful note that it’s making me feel somewhat optimistic for Don and I’m not sure if Matt Weiner is lulling us into a false sense of security with this. He is always teetering on the edge of oblivion and I have a friend who is convinced he will kill himself. I think this is maybe too nihilistic and I have hope that Don Draper will be alive at the end of the final episode. I’m not sure what state he will be in, but what I’m picturing is similar to how it started – a dude smoking and drinking alone.

I’d like to see some folks return, but I also don’t want it to turn into a blast from the past parade. Sal would be number one on that list, just to see where this character is now (and this also fits in with the LGTB rights movement) and yet I do understand why they might shy away from bringing back certain people just because they’re a fan favorite.

I’m also very excited to see more psychedelic styling and all things polyester from the end of this decade. It’s going to be pretty sad when this show is over and while I was ready to let Breaking Bad go because of how draining that show is to watch, I’m not sure I’m ready to say goodbye to these characters and for that reason I’m somewhat glad they split the two seasons up.

Kerensa:  Looking forward to what’s next–and I agree. Don’t fuck with Sally, Weiner!

Kerensa Cadenas is a writer living in Los Angeles. She is an Editor for Snakkle. She also writes for Women and HollywoodThe WeekThis Was TelevisionForever Young Adult, and Bitch magazine. She was the Research Editor for Tomorrow magazine. You can follow her on Twitter and read her ridiculous thoughts about teen television at her website.

Orange is the New Black Cast Celebrate Pride in New York, San Francisco and at the White House

1 Jul

The Orange is the New Black cast were out in full force on Sunday with floats at Pride parades in New York City and San Francisco. Laverne Cox was one of three grand marshals (Looking’s Jonathan Groff and Rea Carney were the other two) and she rode alongside Delores Nettles (her daughter Islan Nettles, a transgender woman was beaten to death last year).

Cox also visited the White House yesterday for their Pride reception and Michelle Obama is a big fan of the show as Cox revealed on Instagram “At the White House Pride luncheon earlier today. I met the President and First Lady. She hugged me and is a fan of @oitnb #oitnb #starstruck and #inspired.”

OITNB PrideEscaping from Litchfield and riding the New York float in the incredible sunshine are Dascha Polanco, Danielle Brooks, Samira Wiley, Matt McGorry, Yael Stone and Barbara Rosenblat.

OITNB NYC OITNB cast OITNB Samira Wiley, Matt McGorry and Dascha PolancoYael Stone worked the rainbow false eyelashes and here’s a closer look courtesy of her Instagram:

Representing the West Coast contingent is Big Boo herself, Lea DeLaria riding a float at the San Francisco parade with all the bubbles.

Lea DeLaria prideAnd here is Laverne Cox as one of the New York City grand marshals.

Laverne Cox PrideFollowed by a trip to the White House yesterday (here is a transcript of President Obama’s remarks at this event including a reference to Cox’s Time cover) and Laverne Cox’s dress game is on top form as she looks stunning in this photo she posted on Instagram:

 

 

Masters of Sex Season 2 Promo: “Keep Your Heart Out Of It”

30 Jun

Experiencing upheaval aplenty in the new Masters of Sex season 2 promo as Virginia and Bill commit to something that goes way beyond the study. “No strings” gets a whole new meaning after an encounter that doesn’t involve their usual wire setup. At the end of season 1 Bill lost his position at the hospital after his grand presentation was received in an extremely negative light – the dudes didn’t seem to mind the ‘size doesn’t matter’ assertion, just everything else to do with women that came after. Now Bill has no job, a newborn baby at home and a wife who is frazzled and trying to encourage him to find work outside of his obsession.

Masters of SexRendezvous in hotels and Virginia’s apartment means the clinical blue robes from the hospital are ditched for terrycloth and floral ones (the latter I am coveting pretty hard) and things are getting far more intimate after Bill’s rom-com like rain soaked declaration at the end of season 1. Virginia is indispensable to both Bill and the study, but there are obstacles aplenty including Libby and I feel just as invested in her as I do Bill and Virginia. Familiar faces return including Dr. Lillian DePaul, Dr. Austin Langham and Betty with her husband Gene the Pretzel King (who we last saw in episode 3) offering Bill a solution.

Leaving your heart out of it is advice that Virginia and Bill probably won’t stick to as emotions seem fraught and heightened in this new promo, which has me clamoring for this new season of Masters of Sex (back Sunday, July 13).

Out of the Box: Look of the Week

27 Jun

It’s another red carpet “Out of the Box” with plenty of premieres and a special visit delivering some excellent looks. As the previous edition focused entirely on the Critics’ Choice Awards, there are going to be a few photos from other events that took place last week.

GoT the QueenOne significant and unusual public appearance from this week involved the Queen (on a trip around Northern Ireland) visiting the set of Game of Thrones and meeting some of the cast – yes I really hope Lena Headey is explaining just who Cersei is – including a statuesque Sophie Turner, a newly bobbed Maisie Williams (sadly not in this picture), Rose Leslie in a dress I adore, Kit Harington looking dapper and Conleth Hill with a lot more hair than his character. The Queen didn’t sit on the Iron Throne, but she was presented with a miniature version and seemed rather amused by the whole thing. Maybe she does watch the show after all (someone find out what’s on the Buckingham Palace DVR please).

Diane KrugerThe Bridge returns for season 2 next month (July 9) and I’m looking forward to the return of the show (plus this jacket) and all the Diane Kruger public appearances as she rarely has a sartorial off day. Yellow pumps and polka dots are pretty much my catnip so this was always going to be a winner even with the cropped aspect. I really like the slightly different sized dotty effect of the Roland Mouret top and skirt. Both hair and makeup are looking fresh and relaxed.

Ellie KemperEllie Kemper looks super cute in a Pankaj and Nidhi printed dress and blue flats – maybe this look needs heels, but I am all for Kemper’s choice – at the The Came Together premiere.

America FerreraIt feels like America Ferrera has been promoting How to Train Your Dragon 2 for months now, however she has delivered on the red carpet looks time and time again (she’s been an “Out of the Box” regular). This time she’s looking summer chic in a Dolce & Gabbana white lace dress. Kim Sears wore a similar (but much more affordable) version of this dress by Reiss at Wimbledon on Monday.

Keri RussellKeri Russell delivers a different kind of summer style at the Coach Summer Party and the leather mini/striped tank combo is an excellent one. Stripes really are the key to relaxed and funky outfits. Love the dash of pink lip color.

Lean Headey and Matthew RhysAt the top I mentioned some of these events are from last week, well this is a couple of weeks old and yet I really wanted to include this shot from the Variety Studio day as I really love Lena Headey’s super cool casual three quarter length denims and pale blue shirt look. Lena Headey is one of these people who looks amazing dressed up, but her dressed down style is where she shines. Matthew Rhys is also rather suave even if he is in an awkward facial hair phase (which is so much better at the Critics’ Choice Awards).

Gwendoline+Christie+Inside+Fragrance+Foundation+ck0BpOiDS8RlMore Game of Thrones cast members (and I’m finally all caught up) with Gwendoline Christie serving up some flamingo realness in Giles at the 2014 Fragrance Foundation Awards. This is a really fun dress and I love that at 6ft 3in, Christie is still wearing heels.

Coming this Fall: A Scandal Inspired Line at The Limited

26 Jun

One hashtag you might see popping up on a Thursday night when an episode of Scandal is airing is #ScandalFashion and discussions dedicated to what Olivia Pope is wearing are just as prevalent as those talking about what crazy twist has just occurred. On TV Ate My Wardrobe we write our Scandal reviews with a specific look at the costuming and where possible we share where you can buy these items. A Scandal inspired clothing line from a national retailer isn’t too surprising, however this is the first time a lead star and head costume designer from a hit network show has collaborated with a store in this manner.

Scandal 3.3 Olivia DKNYIt isn’t just the Scandal cast who have embraced Twitter and costume designer Lyn Paolo is just as interactive with fans and when it comes to finding out where the clothing that we see on screen is from, she is more than happy to oblige. Now you will be able to buy your very own Scandal inspired clothing from The Limited (in store and online) from the end of September and the 42-piece collection ranges in price from $42 to $248. Paolo explains that “The whole team took great care in creating a collection that reflects Olivia Pope’s unique style. We believe the collection tells a story of confidence and professional sophistication as well as maintaining a strong feminine point of view.”

As Kerry Washington has been an advocate for Twitter interactions with fans, particularly when the show airs (meaning there is a constant dialogue when an episode is on) there is a strong focus on Scandal viewers. Not everyone can afford Burberry trench coats or Prada purses and so this affordable selection of clothing allows fans to experience the Olivia Pope style for themselves through both Kerry Washington and Lyn Paulo’s involvement. In a statement from Washington she alludes to this notion “By creating a line inspired by the show, we are introducing a collection that embodies the elegance and power of the Scandal aesthetic for real-life gladiators and everyday fashionistas. The collection is a nod to our devoted fans, to fans of fashion and to women everywhere who are inspired to boldly pursue their passions and look good while doing it.”

If you’re wondering what you might be able to purchase come September than we have a couple of sketch photos (courtesy of Women’s Wear Daily) and wide legged pants, belted outerwear and tailored jackets are on the menu (this makes me very happy). It wouldn’t be a Scandal inspired line without some white items that for reasons I have previously outlined (okay I spill) I might have to avoid. We will keep you updated when more pictures get released so keep checking back.

Scandal clothing scandal02

 

 

A Very Cool Behind the Scenes Mad Men Photo of January Jones (from 2009)

25 Jun

January Jones’ Instagram is a treasure trove of Mad Men related antics, party shots, old modeling jobs, throwback Thursday childhood photos and everyday pictures (well as everyday as the life of an actress can get). Jones is also a hashtag maestro with the likes of #comeonbettysaycheese, #bitchesbebossesnow and #poemstohelpmefindBetty (following a Sylvia Plath quote). I was maybe a bit lukewarm to Jones prior to following her on Instagram and this is one case of social media changing my mind about someone for the better (so often with celebrities, especially on Twitter it is the other way around).

This recent photo comes courtesy of Lisa Guerriero, a photographer who has taken some Mad Men behind the scenes shots and she specializes in street photography. This shot comes from 2009 and Jones offers up more hashtag wisdom with #ladiesalwayssitsidesaddle.

Guerriero also recently posted this shot from the season 3 episode “Seven Twenty Three” of Kiernan Shipka (who looks SO young) and Abigail Spencer.

Watch John Oliver Take on Dr. Oz with Bonus HBO Related Cameos

24 Jun

Last summer John Oliver introduced a new dance to the world when he filled in for Jon Stewart on The Daily Show (the “Carlos Danger” dance if you will) and so far he has been killing it each week on his new show Last Week Tonight on HBO. In previous episodes he has taken on the FCC and FIFA among others and this week comes the turn of Dr Oz, lobbyists, the FTC and the FDA. Exasperated outrage at what some companies/industries get away with thanks to power they wield is delivered with biting humor and the segment ends with a cameo-filled pander party (which would only be better if it was a panda party). This includes George R.R. Martin teasing his latest Game of Thrones kills (I’d say he was joking and yet the death rate in those books would suggest otherwise) and some dancing from both John Oliver and a Boardwalk Empire star. HBO show so HBO related cameos and the future possibilities are plentiful.

John OliverIt’s also worth noting that John Oliver continues to bring his shirt game (maybe not in the promo photo above). More checked bold colors please.

Hand-Me-Downs, Helena and Identity on Orphan Black

23 Jun

“We’re so different, all of us.”

This assertion made by Sarah in the Orphan Black season 2 finale is by no means a bold statement as it has been clear from the outset that no one clone is like another (aside from the obvious matching faces). Nature vs. nurture is being won by the latter on Orphan Black and from a narrative perspective having such easily identifiable and contrasting characters helps an audience when these characters are played by the same actress (the formidable Tatiana Maslany and I could spend this entire essay discussing how phenomenal she is).

As I discussed in the Best of 2013 Orphan Black article costuming plays a big part in establishing who these women are; it helps to identify through non-verbal communication and provides a way for each clone to pretend to be another through clothing and accessories. The clone that has undergone the most changes is Helena and I want to take a look at how costume has been used to signify this and why she is the one person on this show that doesn’t have a definitive look beyond her wild blonde hair.

HelenaIn season 1 Helena’s white satin baby doll and scarred back gave the impression of a deranged angel and her feral instincts (and accompanying off kilter theme music) made her unpredictable nature a terrifying prospect for Sarah. There is far more to Helena beyond these moments of intense violence and she is someone who is easily impressed upon when a family is dangled in front of her; it’s why the Prometheans managed to get their claws into her with such ease. Sarah, her twin, changed everything and despite a battle to what seemed the death at the end of last year Helena comes searching for her “seestra” once more.

Light and dark are key components to both Helena and Sarah’s look as Sarah favors black clothing and Helena is often wearing the color of purity. It’s not a simple case of good vs. evil or ying and yang as these visual cues are disrupted by the presence of blood. Bloodstained clothes are an unfortunate side effect to all the shit Helena has been through and this is no more obvious than the wedding dress bathroom scene with Sarah in “Governed As It Were By Chance.”

Helena bloody wedding dressBlack and white with a big dollop of red; it’s a scene that is about terror and forgiveness, it’s also one of the most effective and devastating Orphan Black has delivered. I was initially worried when they revealed Helena hadn’t died at the end of season 1 that she would again be the unpredictable obstacle who obsessed over her relationship with Sarah and it would end up being a repeat of the previous year. What actually happened is Helena’s murderous side, while still bubbling under the surface was eclipsed by her heartbreaking desire to be part of something and to bond with her “seestra” and *if* I had to rank the clones (please don’t ask me to do that) she would probably be number one. I never saw that coming.

In the bathroom scene Sarah is dressed in her standard all black attire and Helena is once again in clothes that don’t belong to her. Angel and now wife, the innocence motif is strong with Helena and yet it is always subverted by something more sinister that has been done to her. Helena’s wardrobe consists of hand-me-downs and none of her clothes are ever truly hers; this character just can’t hold onto anything. In season one she dressed as Sarah (or rather as Sarah dressing as Beth) and outerwear helped mask who she was when she was initially targeting clones.

Borrowing clothes is what also happens when your current ones are covered in blood (and when these clothes also double for a wedding dress from a super creepy ceremony). Felix provides Helena with her next outfit (including a unicorn tee I adore) and this one is also an eclectic mix of style: Orphan Black HelenaBeetlejuice pants, another coat, unicorn tee and cowboy boots (these are not from the Felix collection and are from the farm). It is unlikely that Helena has ever had much to call her own as she grew up in a convent and so obtaining clothes from a variety of sources is part of why she isn’t fazed by the mismatched outfits she has worn so far. Helena’s identity exists outside of the clothes she wears and because of this she is probably the hardest of the clones to mimic. When Sarah doubled for Cosima she wore The Cosima Coat and pretending to be Alison through wardrobe involves pastels, Lululemon and a headband to hide the lack of bangs. Helena’s defining characteristic isn’t her attire, it’s her hair and it’s not easily faked.

Helena returns to the Promethean farm on the promise of children and a family; this means the Felix borrowed threads are ditched and replaced by ultra conservative attire with a hint of cowboy (those boots).

Orphan Black HelenaTerrible high necked white patterned night dresses ahoy! Oh and super invasive procedures too. The violation of the female body involves extreme methods on Orphan Black and Helena gets to exact her revenge with a giant needle followed by lighting a fire. Helena is rather Old Testament when it comes to these matters.

Orphan Black Helena plaidThe clothes she escapes the farm in for a second time are less ridiculous than the first and once again there is an element of innocence to her attire. This time she looks like a school child in plaid and the clashing patterned blouse beneath the uniform like dress once again gives the appearance of hand-me-down clothing. This is what she is wearing when she meets Alison and Cosima for the first time; it reflects the sweet, shy and longing for an emotional connection side of Helena that we have come to know this season – “I like your hairs” – and it is only when Cosima puts on a record that Helena allows some of her more eccentric qualities to shine through.

In the extraordinary dance sequence Helena starts off slow and then she finds the freedom her other sisters are displaying through movement. Helena’s dancing is wild as she headbangs with her glorious mane and there’s even a point where she bites the bottom of her dress. It’s why what happens to her next is so devastating as she is taken once again, just as she was finally feeling freedom and being part of an actual nurturing family with no hidden agenda.

Orphan Black 2.10 HelenaThe red coat comes from the farm and it’s another mismatched part of the Helena look (and also makes me think of Cosima) and the only costuming addition (and yet another piece of borrowed clothing) is the beanie and this does nothing to assimilate her with the ominous military figures surrounding her. It can’t contain her locks and her fear/confusion is etched all over her face. Reasons to take Helena center on the baby she is now carrying and separating her once again from the family she has just found feels incredibly cruel. Helena was about to go looking for Jesse – the guy from the bar who she shared her first dance and kiss with – she leaves behind his hat that she was sniffing so tenderly (as tenderly as something can be sniffed) and for Helena this one possession means a lot.

Each clone has a distinct personality and they share a strong ability survive despite the inherent weakness that exists in their genetics; together they are a formidable opponent and their vulnerabilities are exposed when they are pulled apart. Helena is a survivor and has already escaped from various tormentors who want to poke, prod and use her. This is another in a long line of personal battles for her and now that she is pregnant her self-preservation instincts are going to kick in even harder. Helena’s abilities shouldn’t be underestimated even when her appearance suggests otherwise as she is so much more than the unhinged fanatic we met in season 1.

Out of the Box: Look of the Week Best – 2014 Critics’ Choice TV Awards

20 Jun

Dedicating this edition of Out of the Box to last night’s Critics’ Choice Awards and it is a very solid effort as the nearly twenty red carpet shots I have ready for you guys will testify. This is the first glitzy affair in the TV awards season since the Golden Globes and SAGs back in January and hopefully some of these winners (*cough* Tatiana Maslany/OITNB *cough*) will receive Emmy nominations next month.

Laverne Cox CC

Danielle Brooks

Uzo AdubaStarting with an Orange is the New Black trio with Laverne Cox, Danielle Brooks and Uzo Aduba all looking super glamorous in gowns with a hint of sparkly in a variety of styles. They picked up awards for Best Comedy Series and Uzo Aduba won for Best Guest Star in a Comedy with Kate Mulgrew tying with Allison Janney in the supporting category. I finished season 2 of OITNB this week and I expect the accolades will continue for these talented women.

Keri Russell and Diane KrugerAn FX duo getting to dress way fancier than the characters they play and Diane Kruger’s multicolored floral Elie Saab gown plays well against the metallic reptile looking J Mendel dress Keri Russell is wearing. I also never realized Diane Kruger was this tall, although who knows the height of their heels beneath their frocks.

Abbi and IlanaBroad City has been one of THE shows of 2014 so having Abbi Jacobson and Ilana Glazer at this awards show is a must. Picking out the perfect outfit in the episode “Fattest Assess” comes to mind when picturing how they chose their dresses, as it’s pretty much my favorite shopping montage scene that wasn’t. Abbi is wearing a Cushnie et Ochs baby blue peplum frock and Ilana is in Prabul Gurung and they both look amazing.

Tatiana MaslanyTatiana Maslany is also wearing Cushnie et Ochs with a different play on the asymmetric overlay style that Jacobson is rocking as this is less peplum and more floaty thanks to the longer length. It’s a really simple and elegant look and I can’t tell you how happy it makes me that she chose a red pump over anything in the beige region. Maslany won for Orphan Black for the second year in the row, will the Emmys finally follow suit with a nomination?

Lizzy CaplanA butterfly covered Valentino gown for Lizzy Caplan and an easy highlight of the evening. Digging the side swept hair too.

Carrie BrownsteinThe top half of Carrie Brownstein’s dress is a little Star Trek (not a bad thing) and I can’t get over how radiant her smile is. Great lip color and silver heels to make this more than just an LBD.

Kat GrahamKat Graham is never boring on the red carpet and on this occasion this translates into a fabulous outfit. Opting for a navy Escada suit with mirrored detail on the jacket she also gets the amount of plunge right.

Allison JanneyPicking up two awards (for Mom and Masters of Sex) Allison Janney chose the right color to wear and she looks radiant in gold.

AnnetThis is a lot of tulle and Annet Mahendru from The Americans pulls both this and the sheer factor off without looking like she is going to prom.

Emmy RossumRocking magenta is Emmy Rossum in Monique Lhuillier and her turquoise statement Sutra earrings stops it from looking too saccharine.

Matthew RhysNow to the guys and Matthew Rhys gets points for both his beard and striped tie.

Zach WoodsIt might seem like he is in everything at the moment – not complaining – and Zach Woods looks half awkward/half adorable; so of course he deserves to be included in this feature.

MessinaChris Messina pulls off the hands in pockets, loosened tie partly because he is Chris Messina and in this moment he is looking very much how his character Danny Castellano would look at an event like this.

Matt BomerEnding with Matt Bomer seems like the appropriate way to finish “Look of the Week” as I don’t think there is anyone who wears a tux better. Bomer also deservedly won for The Normal Heart and I hope we will be seeing more of him on the awards circuit for this role.

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