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Claire Danes Covers Harper’s Bazaar: Talks Homeland, ‘Cry Face’ and Motherhood

4 Sep

Last month we discussed the season 4 promo of Homeland noting that motherhood could be a central theme; at the time I wasn’t sure if I was reading too much into the framed baby shot and it turns out that maybe I wasn’t overreaching as this aspect is mentioned in Claire Danes’ cover story for the October issue of UK Harper’s Bazaar. Danes chats about the big Homeland shift, how she feels about the often referenced ‘cry face,’ real life motherhood and how her dance training informs her acting. Plus she’s rather candid about her relationship with husband Hugh Dancy.

claire danes HBThe cover shot is pretty spectacular opting for the black and white face shot – no it’s not revolutionary, but it’s still a striking photograph – and this is an occasion where I’d like to see less cover text. The text does at least frame the shot and the use of pink and yellow enhances this. Focusing on “Life After Brody” is one aspect of the interview and it’s only natural that Danes is feeling his loss this season. She mentions how it’s “going to be hard and sad. I loved working with him and he carried half the weight of the show. So I’m a little bit daunted about what that means for me.” This might be the case on the acting side, but for me as a viewer in the third season Mandy Patinkin is the natural co-lead, particularly as Brody didn’t show up until halfway through. For too long Homeland was bogged down with what the producers believed to be a Romeo and Juliet story and one that had lost any appeal by the somewhat maligned third season (*sidenote* I am a self-confessed Carrie/Quinn shipper).

Danes talks about comparisons she can draw between herself and Carrie including their shared obsessiveness, restlessness and how they are both rather earnest, however Danes is goofy whereas Carrie is far from this. Recent motherhood is something Danes and Carrie share; Homeland producer Meredith Stiehm mentions how becoming a parent and the adjustment that comes with this was something they wanted to explore “We thought Carrie would certainly struggle with it.” In the Homeland preview discussion I pointed out that juggling work and babies isn’t always the most interesting angle, with Carrie I think it could provide a very different take and response to this subject.

Talking about the ‘cry face’ phenomenon is something Claire Danes is clearly not all that comfortable with and as I have discussed this aspect of her performance (including in the recent Homeland chat) let’s take a look at the full quote:

“I’m surprised it’s so surprising. I have my guy, who thinks I’m pretty enough in our life together, so I don’t need to be seducing the audience that way. I think it’s also just my style, what I like in creative work, what I’ve always been attracted to, even as a little girl. I danced as a kid, that’s how I arrived at acting, and I took a class with a woman called Ellen Robbins. It was modern dance, so already a little raw. And I always had an appreciation for the macabre. We would do these improvisations and I remember one time, I was maybe 11 or 12, I was into grotesque movement, and I decided to do a dance where I was just doing a diagonal across stage, doing these weird movements and I landed and I just spat on the floor, like totally pretentious performance art. But it was great. I liked the ugly even as a kid, and I think that has stayed with me now.”

I love that she brings it back to dance – I’ve seen Keri Russell talk about dance in a similar manner – and that she lets it all go screen. As I pointed out during this My So-Called Life chat* after Danes talked ‘cry face’ in an Elle interview for me pointing it out is nothing but praise and to reiterate “your chin quiver makes my chin quiver.”

*It’s worth noting that the episode in question “Betrayal” topped Vulture’s recent 100 Best Episodes of the 1994-1995 TV Season and this list is full of many, many TV gems that helped shape the way I watch TV. 

Claire Danes Harpers Bazaar

Digging this gorgeous Zac Posen gown and the ‘who me?’ pose.

Now for something more adorable with these Hugh Dancy related comments “I’m genuinely in love with him. And I like hard things. You know, marriage is hard, but I’m up for it. I don’t do anything casually so dating is not for me. I would be marrying everyone I was with. When I met Hugh I was single for the first time and really looking forward to it, kind of bragging, “I’m going to rock this.” Then I met Hugh… But I like getting into [a relationship]. It’s more fun [than being single]. There’s so much opportunity if you are interested in each other to go further. It’s kind of a beautiful exercise.”

Returning to the subject of dance and this is one area where she might excel a bit too much “I’m competitive, yeah. I might be a better dancer. We dance together a lot. But when I get too drunk I get very bossy. It’s one of my least attractive qualities. My friend had a birthday party on a boat and without irony I was instructing my friends to dance with the waves. Arghhh!”

For more from this interview and photo shoot head over to Harper’s Bazaar. The October issue is on newsstands (physical and digital) now.

 

 

 

Adam Driver Covers the GQ September Issue

19 Aug

The next few years are going to be big for Adam Driver including more GirlsStar Wars sequels and a Martin Scorsese movie. Scoring the cover of GQ’s September issue is the natural progression, though I am pleasantly surprised it has happened so soon (I’m sure Details and Entertainment Weekly will happen in the not too distant future) and it’s a pretty relaxed looking shot. The all Burberry London ensemble (Henley and vest) kind of looks like one of Adam’s stage costumes during the last season of Girls and the third undone button is like the Henley version of the deep deep V, but acceptable hotness.

Adam Driver GQ coverNo Star Wars secrets are spilled, nor does he reveal anything about season 4 of Girls (which at the time of the interview he was still shooting). Finding out more about who Adam Driver is and how he came to become an actor is a subject that isn’t off limits and while he doesn’t want to talk about his family he does discuss his time as a marine, why he left and getting into Juilliard after one early rejection.

You might not think there would be a point of convergence between his first and second career, but Driver has found a way to unite the two by founding Arts in the Armed Forces; using performing arts to engage with those in the military as well as to entertain. Driver explains his desire to bring this kind of performance (rather than say cheerleaders) to those in service saying “When I think of my military experience, I don’t think of the drills and discipline and pain. I think of these, like, really intimate, human moments of people wanting to go AWOL because they missed their wives, or someone’s dead and they can’t deal with it. And that’s what I wanted to show.”

Driver seems uncomfortable with the success he has experienced so far “It’s very nice. But in a way, I don’t feel like I’ve really put in my dues. Like it doesn’t feel earned.” There’s still a personal conflict at play, however he has proven himself to be a very talented and charming performer and there’s just something about him. Considering how I felt about Adam at the start of Girls (so many hate tweets) and how this had dramatically changed by episode 6; this has as much to do with his portrayal as it does with the writing. Even in Inside Llewyn Davis and his limited screen time he shines.

Adam DriverThe editorial focuses on clothes with looser proportions – I know the 90s are having a renaissance, but let’s not get to that level of baggy again – and you can see the full collection of photos here. The first time he graced the pages of GQ  for a fashion shoot it involved a lot of sportswear (the 70s feel of this one including short shots is fantastic) and while there’s a lot more practical clothes for fall, it’s not self-serious either. Plus stripes and standing on the tips of his toes!

Adam Driver stripesThis outfit – all by Ralph Lauren, except the boots by Red Wing Heritage – is an ideal look and doesn’t slip into the baggy territory I fear.

For more from this fascinating interview (there really does seem to be something different about Driver to the usual actor profiles in these magazines) head here.

Kristen Wiig Covers Elle and a Grey Gardens Fashion First

16 Jul

Kristen Wiig’s Elle cover for the August issue is relaxed cool (with a slight hint of cleav) in a Balenciaga leather jacket, grey tank, jeans and a funky bob.

Kristen Wiig Elle coverIt’s a shot that might not scream summer – particularly the jacket – and it is the editorial inside this edition that breaks ground with a fashion first as the shoot takes place at Grey Gardens; home of socialites Edith and Edie Beale (or Big and Little Edie). Mother and daughter earned icon status thanks to a 1975 documentary that showed their eccentric and reclusive side as they barely left their East Hamptons estate, even as it fell into ruins (HBO made a biopic of the same name in 2009 starring Jessica Lange and Drew Barrymore).

This is not only the debut of Grey Gardens as a fashion shoot location, but also the first time it has been shot at since the ’70s documentary. In a billowing Vera Wang Collection Georgette evening robe the first photo below really captures the wistful and eccentric qualities of the former inhabitants.

Kristen Wiig GGIn the interview Wiig talks about comedy versus drama and it’s probably a topic she will be asked about more frequently thanks to her forthcoming films The Skeleton Twins and Welcome to Me (also starring other notable SNL alum Bill Hader and Will Ferrell). Wiig discusses the notion of being pigeon holed and stepping outside of this comfort zone “But I’ve always wanted to do dramatic stuff, to write and direct, do a lot of different things. Comedy is where my heart lies, but there’s also something really satisfying about being able to step away with a small crew, become a character and get to know her for a few months at a time.”

Kristen Wiig Grey GardensThe interview which you can read a longer excerpt here and on newsstands in full (both digital and print) from July 15 goes into more detail about The Skeleton Twins – you can see the trailer below – and her career before and after her seven year SNL stint.

 

Aaron Paul, Christina Hendricks and Allison Williams Cover Variety

18 Jun

Earlier this week the role of guest star was in focus as part of the SAG “Conversations” series and now Variety is showcasing supporting actors. We’re in the somewhat protracted period of pre-Emmy nominations as the recent season of TV is being discussed and analysed by various sites; trade publications like Variety and The Hollywood Reporter have delivered extensive roundtable conversations and print/digital articles.

Variety has chosen three actors who play supporting characters on critically acclaimed shows; one of these shows is over (Breaking Bad), however it is still very much in contention for the Emmys this year. Aaron Paul’s current stint on TV is no more and Christina Hendricks’ is coming to an end relatively soon as they are shooting what I believe is the last episode of Mad Men. I am sure this will feature heavily in the awards discussion this time next year as we won’t get to see the final 7 until 2015.

The third cover is occupied by Girls’ Allison Williams and I expect her inclusion might be met with some eye rolls and questions of “Why her?” There are of course plenty of other supporting actors who could take her position who are more likely to receive an Emmy nomination (pretty much all of the OITNB cast), but I would also argue that Williams has been incredible on the latest season of Girls as Marnie experienced a steady stream of humiliation (YouTube videos) in her portrayal of a character who is so incredibly unaware of her many awful qualities. The comments Williams makes in the interview might not endear people any further as she mentions that Girls was the first audition she did upon arriving in Los Angeles, while both Hendricks and Paul discuss their long journey to success.

The cover themselves are pretty cool as they show a double exposure like shot of each actor – the ladies get a close up and a body shot, whereas Paul looks like he is dancing – and while the article itself focuses on how strong supporting roles can lead to greater opportunities, characters like Joan, Jesse or Marnie should not be scoffed at. Not that this article is necessarily doing this in an overt manner, but it does have a hint of movies over TV to it and by now we should be at place beyond this outdated value judgement, even if it is in the subtext.

Christina Hendricks

Aaron Paul

Alison Williams

 

Orange is the New Black’s Laverne Cox Covers Time Magazine

29 May

Laverne Cox didn’t make Time magazines ‘100 Influential People’ list in April despite dominating the reader poll (these votes don’t directly impact the final 100) and this omission caused outrage and surprise. Time magazine listened and the Orange is the New Black star is covering the magazine in a piece entitled “The Transgender Tipping” point. This is a really wonderful cover, free from the clutter of other bylines and Cox looks incredible in a midnight blue bandage dress.

Laverne Cox TimeThe Q&A on the website (the full cover story is behind the paywall) covers past and present; Cox’s isolation as a child, the progress that has been made and the challenges that still exist. One important thing she underlines is that each experience isn’t an exact reflection of someone else’s and this isn’t a reason to deny a person’s rights:

“There’s not just one trans story. There’s not just one trans experience. And I think what they need to understand is that not everybody who is born feels that their gender identity is in alignment with what they’re assigned at birth, based on their genitalia. If someone needs to express their gender in a way that is different, that is okay, and they should not be denied healthcare. They should not be bullied. They don’t deserve to be victims of violence. … That’s what people need to understand, that it’s okay and that if you are uncomfortable with it, then you need to look at yourself.”

Cox also talks about social media and how it has had positive impact “where we’re able to have a voice in a way that we haven’t been able to before. We’re being able to write our stories and we’re being able to talk back to the media … We are the reason. And we are setting the agenda in a different way.”

For more from this Q&A and a behind the scenes look head here.

Jon Hamm Covers Vanity Fair

6 May

The Mad Men magazine cover parade continues and if you haven’t had enough of men in tuxedos from today’s Met Gala posts then here is another treat as Jon Hamm is wearing tails on the June issue of Vanity Fair.

Vanity FairOne slight criticism in that I wish they had either gone full beard – which we know Hamm can grow – or clean shaven. This in-between stubble is not really working for me.

Out of the Box: Look of the Week

14 Mar

Mad Men has some competition on the magazine cover front from Game of Thrones this month and while Elisabeth Moss and Jessica Paré have scored one each, GoT’s Emilia Clarke has three solo covers and a group one. There are several other magazines with TV stars on the front this month – which is why this “Out of the Box” is all cover stars – featuring both current and returning faces. The covers are brighter in tone as the season is changing, even if it’s not quite warm enough to wear some of these outfits yet. There’s another show returning in April that we’re really excited for here at TV Ate My Wardrobe that isn’t Mad Men or Game of Thrones and it features on this week’s Entertainment Weekly.

Emilia ClarkeThe first of the Emilia Clarke covers and she looks stunning in a purple Giles dress with Swarovski encrusted lips on UK InStyle.

Emilia Clarke FlareNicely played with adapting the GoT phrase for the new season and Flare has been dipped in pastel pink.

Emilia Clarke French GlamourFrench Glamour has ditched the super feminine look preferred by both InStyle and Flare, opting for an edgier editorial choice. All three covers show just how versatile Clarke look is.

GOT Vanity FairClarke joins fellow GoT cast members in full costume for the April issue Vanity Fair and I’ve got until April 6 to catch up (I know). I’ll be buying this issue regardless and I love this photo taken by VF staple Annie Leibovitz. I’ll just have to save this article and go ahead and read all about Alan Cumming return to Cabaret instead. 

Orphan Black EW coverEveryone’s favorite clones are gracing the cover of Entertainment Weekly as they celebrate the return of Orphan Black. Our anticipation levels are pretty darn high thanks to this feature and the first full length teaser which debuted this week. April is going to be a very good/busy month for TV.

Lena DunhamLena Dunham covered Vogue last month and now she’s getting the Glamour treatment. The dramatic dark makeup works really well and let’s hope no one starts crowing about Photoshop with this issue.

Lena Dunham D&GExtra Lena Dunham from this issue of Glamour as I really like the dramatic nature of this Dolce & Gabbana polka dot frock. I would definitely twirl around in this if I got the chance.

Elle Katie HolmesKatie Holmes is returning to TV nearly 10 years after Dawson’s Creek finished as she will be starring in a yet untitled ABC pilot. In the meantime she’s killing it on the cover of UK Elle in this stunning Prada embellished coat.

Emily VanCampEmily VanCamp is in the new Captain America and while it’s unlikely that I will go back to watching Revenge, I am looking forward to seeing VanCamp in a film of this size – even though she hasn’t appeared in any of the promotional material. The styling on the cover of Elle Canada evokes a hint of a pilot (it’s mostly the patches) and I’m always a sucker for stripes.

It’s All About Peggy: Elisabeth Moss Covers New York Magazine

10 Mar

The Mad Men cover parade began last week with Jessica Paré on Stylist and as we’re now only a month away (!) from the season premiere, the profile pieces are rolling in. This one comes courtesy of New York magazine and I’m so happy with who they declare is the star of Mad Men. Of course Mad Men is the Don Draper show, but it’s also become just as much about Peggy Olson and so much of this has to do with Elisabeth Moss’ performance.

Mar10-23ElisabethMoss.jpgAs with Jessica Paré’s recent cover story, she doesn’t look a whole lot like the character she portrays on Mad Men – this is a bigger deviation than Paré’s Stylist wardrobe. The dungarees/nothing else combination is not necessarily what I would expect from an editorial of this kind – there is an alternate cover with Moss wearing nothing but a towel standing on top of a drinks trolley – and it’s playing on the impish quality that we witnessed when Moss turned hero, flipping off mani cam at the Golden Globes.

The shorter hair is serving Moss well and she looks really great; while I’m not totally wild about the styling, it’s definitely a departure. In fact this feels like something that someone lacking in imagination would give to Lena Dunham (she’s semi-naked, right) and it works because it’s not necessarily expected from the actress who plays Peggy Olson. To steal a line from Steve Carell in Crazy, Stupid, Love it is also the perfect combination of sexy and cute.

Willa Paskin’s profile is fantastic and it’s this description of why Peggy is so important that stands out “TV has many ambitious women, but Peggy stands out among them for navigating a working world—with glass ceilings, boys’ clubs, and take-me-seriously work clothes—that feels, despite its period detail, remarkably contemporary.” Peggy is the one character I really care about on this show; the one I want to see get a win when the whole thing wraps up.

One element of these kinds of interviews is finding that point where the subject is ‘just like us’ and of course this can come across as manufactured, with Moss it doesn’t feel contrived. She mentions her love of celebrity gossip, even though she has experienced it herself “I enjoy a little gossip. I like looking at photos of celebrities going to Starbucks.”

Another observation that made me smile comes courtesy of the moment where we find out Moss is wearing (“a loud fluorescent-pink-and-green zip-up hoodie over a short-sleeved peasant blouse, jeans with holes in the knees, and flip-flops”) as Moss tells Paskin “That’s my favorite part of ­articles. I always want to know what they’re wearing. I want to know what Amy Adams wears to lunch.” Count me in.

To read the full interview head here.

The 2014 Vanity Fair Hollywood Issue

3 Feb

Vanity Fair’s Hollywood issue is one of my favorite magazines of the year and I’ve spoken at length in previous posts about other anticipated issues that revolve around TV; this is the movie equivalent. The Hollywood issue that got me hooked is the Tom Ford, Scarlett Johansson and Keira Knightley 2006 edition and finding out who is on the cover is a mixture of excitement and disappointment. Last year’s Ben Affleck, Emma Stone and Bradley Cooper bed affair is definitely one of the most blah of the past few years and luckily this year’s cover doesn’t suffer the same fate. Thankfully the 2014 cover is a doozy and it reflects the past year in film. It’s also the most diverse Hollywood issue there has been so far and that is a very good thing.

Vanity Fair Hollywood IssueOh hey there’s Jordan Catalano too! For those wondering Claire Danes featured in a Hollywood issue, back in 2005 (Kerry Washington also appeared on this cover).

Here’s the cover roll call Chiwetel Ejiofor (12 Years a Slave), Julia Roberts (August: Osage County), Idris Elba (Mandela: Long Walk to Freedom), George Clooney (Gravity), Michael B. Jordan (Fruitvale Station), Jared Leto (Dallas Buyers Club), Lupita Nyong’o (12 Years a Slave), Naomi Harris (Mandela: Long Walk to Freedom), Brie Larson (Short Term 12), Chadwick Boseman (42), Margot Robbie (Wolf of Wall Street) and Lea Seydoux (Blue is the Warmest Color).

Click on the image for a large version of the cover. Plus the GOOP article we’ve all been waiting for – probably a very watered down version.

Lena Dunham’s Vogue Cover

15 Jan

There’s a reason why Allison Williams represented Girls on the cover of Elle’s Women in TV issue and that’s because creator and star Lena Dunham has scored the February issue of Vogue. And it’s an excellent shot that looks completely different to everything this magazine has produced recently. Some might say that’s because Dunham doesn’t cut a similar figure to the models, actresses and singers that tend to feature on the cover, but it is better this than some awkward posing in a floral dress.

Lena Dunham Vogue CoverIt’s a fun image with the collar tug and polka dot shirt (yes I’m in love)* and both her hair and makeup look splendid. Dunham’s doing the slightly open mouth thing and it works this time, her previous attempt for Marie Claire was less successful. It’s a really great cover image and I hope Vogue mixes it up like this in the future. Somehow I have a feeling that Kanye thinks Kim is more deserving of a cover, but I say whatever as this is a terrific shot.

Adam Driver and Lena Dunham’s dog Lamby are also featured in this editorial.

Lena Dunham Adam Driver

For more photos and the full profile head here.

*Update! The polka dot blouse is from Burberry Prorsum’s Spring 2014 collection which we covered here

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