Archive | 2014

Best of the 2014 Met Gala – Part One

6 May

The Met Gala is a lavish affair and the decadent red carpet showcases some of the more theatrical gowns; unlike something like the Oscars this event expects daring attire that might look out of place elsewhere. Last year’s punk theme was one many struggled with, in that they looked amazing but there was nothing particularly punk on display. Couturier Charles James is celebrated this year; both at the Met Gala and at the Met’s new Costume Institute exhibition as his designs revolutionized the world of fashion. Charles James was a perfectionist and he created incredibly structured and exquisite gowns. This is how fashion designers paid homage to this work and influence.

This is part one (for part two head here) and it is a picture heavy post. Enjoy!

Lena DunhamLast year Lena Dunham looked amazing and she’s done it once again; the Met Gala is where Dunham gets it right. Mullet dresses tend to make me shudder and yet this Giambattista Valli Spring 2014 Couture is rather beautiful. The floral embroidery is exquisite and while I would have maybe added a necklace, it is dramatic enough as it is.

Janelle MonaeI can’t resist a cape even if it could double as a tapestry and Janelle Monae’s Tadashi ensemble is the kind of theatricality this event demands. Monae shows how pants can be just as eye-catching as any fancy gown and this is one of the most memorable looks of the night.

Lake BellThe next two pieces are from Tommy Hilfiger and use his signature colors of red, white and blue. Hilfiger is all about the classic approach and Lake Bell’s red gown is beautiful in its simplicity. One way to add impact is with a statement necklace and bold lip color/minimal makeup enhances Bell’s look.

Zooey DeschanelZooey Deschanel wore Tommy Hilfiger last year and it’s no surprise to see her wearing a gown made by her recent collaborator. Details I adore include the feathered shoulders, and the stunning Chanel Ruban Mademoiselle necklace. The white belt and train add the necessary drama, however her hair is giving me images of 80s volume which on this occasion is not a good thing.

Taylor SwiftTaylor Swift was one of the only attendees who managed the punk theme and she’s once again on point in this Oscar de la Renta gown (minus the cat) in a gown that takes the structured element of Charles James’ work and runs with it. The punk theme saw a style departure for Swift, whereas this is very much in her style comfort range and she looks stunning once again.

Olivia MunnNow here’s one of my favorite approaches to hair styling at the Met Gala as Olivia Munn’s gold hairpiece and loose curls complement this stunning Diane von Furstenberg yellow gown. It’s maybe a bit too cleavy for this event, however the color is stunning and the long sleeves have a way of balancing out the plunging neckline. Munn isn’t overly done up either with just an orange pop on her lips.

Emmy RossumMore color and this time a floral explosion from Emmy Rossum in Carolina Herrera. It’s a structured ball gown and one of the more overt Charles James tributes.

Jessica PareAnother play on the floral look as Jessica Paré opts for Michael Kors and monochrome. This might be a case of needing a necklace and yet I think the lack of one adds to the elegance of the look, especially as Paré’s sleek updo, bright pink lip color and super sparkly earrings add the required impact.

Michelle WilliamsMichelle Williams keeps it simple and chic in shimmery Louis Vuitton. I adore this dress and I’m glad to see a variety of frock lengths, however this dress doesn’t scream Met Gala. Still super cute though.

Leighton MeesterLeighton Meester is going all 70s boho in gold Emilio Pucci. Pulling off both the plunging neckline and high leg slit, Meester looks amazing.

Maggie Gyllenhaal capeMaggie Gyllenhaal’s Valentino dress and matching cape is going to be pretty divisive and it might be cape bias, but I think this is terrific and hey it’s the Met Gala so these more costumey pieces are more than welcome. This also has a whole 70s thing going on with the color palette and dramatic dots (which you know, I’m also partial to). The super blonde pixie cut is also doing it for me.

Brie LarsonBrie Larson’s robot-esque space pajamas from Prada is another ensemble that might raise the wrong kind of eyebrows, but it’s getting only good eyebrows and hand claps from here. Setting it off is the hair twist as Larson goes all in.

For more Met Gala coverage head here.

Mad Men Music Monday: “On a Carousel”

5 May

A carousel is a symbolic high point for Mad Men as Don channeled his inner turmoil in the season 1 finale to perform one of the pitches of his career. When he tried to recreate this by combining a personal anecdote with a product at the end of last year it had the opposite effect as he went too far; stories about family are a yes, stories of whorehouses are a big no. Don is back at work and he’s acting like a spoiled child and he’s no longer the superstar genius who everyone wants to work with. To people like Ken, who bought up the carousel pitch last week he still holds mysticism and charm, to Peggy and most of the partners he is a liability who might implode at any minute.

Mad Men 7.04 DonAfter a much needed pep talk from Freddie, who like Don has tried to find a solution at the bottom of a bottle, Don goes back to work with the right frame of mind. Freddie didn’t get the chance to make up for his pissing in the office misdemeanor, even though this was something that happened behind closed doors and his six months leave was a polite way of saying fired. Freddie has become Don’s mirror in a way and a lot of this final season is circling back on the first. It’s why the carousel is still an important image, despite that episode ending with personal sorrow as Don returned to an empty house.

This week closes with The Hollies singing “On a Carousel” and with the repetition of “up, down, up, down” it is a tad on the nose, but hey it’s the closing credit music so I’ll give it a pass. That is also an Olivia Pope combined with Alicia Florrick size wine glass on the single cover.

 

 

The Good Wife, Identity and What it Means to be Good

5 May

The word is in the title and question of ethics and morality have been at the center of both The Good Wife and who Alicia Florrick is since the pilot. The moral grey area has expanded with each season and Alicia is no longer naive and wide eyed when it comes to these boundaries. Alicia tells her mom that “Nothing’s as simple as it used to be” and considering how tangled her romantic life was prior to Will’s death this might seem like a ridiculous notion. There was simplicity in that there was Will and there was Peter and while that was a mess of sorts, it was something Alicia has lived with for five years (more if you include their bad timing at college). Now there is Peter and there is nothing, the nothing is the daunting thing and work isn’t enough to keep her occupied especially when Cary forces her to take a day off.

The Deep WebWill’s death continues to hang over each episode in a way that doesn’t make it too maudlin or disingenuous for Alicia and Diane. With Diane it’s mostly in a work sense (more on that below), for Alicia it has her questioning everything. There have been moments in each episode since this tragedy where something causes Alicia to have a teary eyed reaction and Julianna Margulies is working the glassy eyes so well as she draws breath and stops those tears from exploding. They do come eventually as she breaks down on her mother in a way she stopped herself from doing in front of Owen last week; with Owen Alicia still wants to appear as the pillar of strength she likes to project, but with Veronica she lets the facade slide.

The Good Wife is Alicia’s story and this season filled in some of the blanks of Alicia’s return to work after Peter’s scandal. For the audience Alicia’s role has always been more lawyer than wife so to hear her question this part of her life is jarring. It is something Alicia mentioned when she encountered Grace’s old tutor Jennifer and at the time it came across as an extreme reaction to her grief. Is this something we should take seriously now that she has mentioned it on more than one occasion? Alicia spends so much time between work and whatever she is with Peter now that everything else is muddled; last week she told Owen she was happy with this and at the time she was very convincing. However, the cracks continue to form and Alicia’s black/beige/white block Narciso Rodriguez jacket is trying to present some form of order and yet it highlights how fractured her life is.

Jury duty selection produces a meet cute and it is the catalyst for Alicia’s confusion this week as she doesn’t know how she should behave with Daniel. It’s always been Peter or Will so to throw in a brand new flirtation is rather jarring for both Alicia and the audience. There’s no real reason why she can’t go for a drink with Daniel – technically she is still married, but what’s one drink? – and it doesn’t even have to be about getting laid as Owen suggested in the previous episode. For Alicia it feels like she is cheating and when she asks who she is being faithful to, the crane shot and the look up infer that it is Will. I don’t know if the audience are ready for Alicia to move on this quickly from Will and while there has been some chat about her chemistry with Finn, for me they are reading very much as solid friends. This isn’t to say that something won’t happen down the line (he is also married), but their catch up call at the end of the episode felt very much like BFFs checking in on each other rather than romance.

The notable thing about this relationship is how Finn has become her go to person and as Alicia has always had a glaring lack of friends since the whole Kalinda breakup, I’m glad to see her find a friend as a result of this tragedy. During this conversation Finn mentions how Eli is trying to turn him into a hero and how Eli already made her a saint so we circle back on this idea of purity and Alicia’s identity. This might also have contributed to Alicia’s decision to not go into the bar for a drink and while we know Alicia isn’t a saint (because who is?!) this has become part of her persona as it has been reinforced on multiple occasions.

Saint and hero are both labels that suggest an inherent goodness and while Alicia and Finn are uncomfortable with this notion, they also let Eli manipulate the press to adhere to this image. Finn’s soft spoken answers about the shooting and his sister’s suicide help with this perception and so far he’s very much the good guy. We’ve also seen how Castro is not above leaking personal information about Finn and so this SA race is going to get dirty; will Finn be able to retain his hero status? Alicia has committed many actions that could impact the image the public has of her as the woman who stood by her man, Will being the main one and it’s the glance she is given in the bar that sets off her alarm bells when it comes to socializing with Daniel over lunch. There’s still so much conflict about who Alicia is and how she is perceived; at the moment her grief is compounding this further.

Alicia’s relationship with Will was never public and that impacts the legitimacy of it and how she is dealing with his death “It’s unreal. Like he’s, like he’s still there, you know? Or he was never there at all.” It was always so hard to define what she had with Will, particularly with the added emotional turmoil this season and so it is not surprising to hear Alicia complain that everything is in a tailspin. Part of the reason why Alicia decided to leave Lockhart Gardner was down to the overwhelming Will feelings as she used work to avoid her personal life. Losing Will has caused Alicia to look inward and she doesn’t like what she is seeing and this might be why she is questioning if she wants to be a lawyer anymore. It’s never really been about being a ‘good wife’ more like becoming someone beyond this label and this crisis has Alicia examining everything that makes her who she is and it is terrifying.

the good wife 5.20 DianeOver at Lockhart Gardner, Diane is taking a very different approach as she is concerned about the actions of David Lee and Louis Canning in regards to her clients. Diane’s not going to roll over and let them take the reins of the firm she helped create and she’s got Kalinda in her corner to help with any potential sneak attacks. Canning tells Diane he is dying, which turns out to be true and yet Diane’s instincts are spot on as he’s also trying to screw her. Kalinda notes there is something different about Diane in a good way – here’s that word again – and Diane explains that she feels like she is “channeling Will’s ghost.” It’s like Diane has taken the best of Will to help with her current situation. The women of Lockhart Gardner are making their presence felt as Kalinda and Diane are wearing colors that make them stand out; purple and royal blue are colors that emphasize power and neither are going to go gentle into that good night.

 

 

Best of the 2014 Annual White House Correspondents’ Association Dinner Red Carpet

4 May

The White Correspondents’ Association Dinner attracts an eclectic assortment of star power with journalists, politicians and actors all rubbing shoulders. Instagram is awash with selfies of the casts of Scandal and Veep posing for photos in the environment they pretend to work in for a living and there are plenty of starstruck expressions. We’re going to take a look at the best red carpet looks on display last night.

Julianna MarguliesThe red carpet featured several classic black gowns including a super chic looking Julianna Margulies in vintage Jean Dessès. Sometimes keeping it simple gives the best results and accessorizing with black pumps, Roger Vivier clutch and silver jewels does just this. A simple updo and a splash of crimson lip color is the perfect way to set off this ensemble.

JLDVeep’s Julia Louis-Dreyfus also opted for black in Antonio Berardi with a bodice adorned with crystals adding a slight hint of shimmer to the frock. Adding more glitz to this outfit is the gunmetal pearl Edie Parker clutch with a sparkly silver trim. Julia Louis-Dreyfus looks radiant.

LupitaPolka dots and peplum for Lupita Nyong’o as she also does the black gown trend with a twist in Oscar de la Renta from the Fall 2014 collection, which TV Ate My Wardrobe adored. Lupita continues to take the fashion world by storm and the hot pink lip color is another excellent and striking choice. And there’s more from Lupita…

http://instagram.com/p/nj2oVuJQ3W/

“They fought crime with a bold lip.” As this photo from Mindy Kaling’s Instagram shows, Mindy went with both strong lip and dress colors, with Zooey Deschanel and Lupita Nyong’o doing monochrome in two very different ways. I would definitely watch a show based on this simple crime fighting premise.

Darby StanchfieldIt’s not just black dresses on the red carpet with Scandal’s Darby Stanchfield showing green gowns and red locks makes for an excellent combination. From the Alberta Ferretti Spring 2014 collection this ethereal look is enhanced by the embroidered floral beaded waist and shoulder accents.

Out of the Box: Look of the Week

2 May

Out of the Box is focusing on the costume design pieces that caught our eye this week. We’ve already talked about the striking looks on Mad Men, festival style from the Parks and Recreation season finale, Alicia Florrick’s wine cardigan and Elizabeth Jennings’ shoulder pads on The Americans, so here is a quick roundup of everything else that has been on our mind. We’re also offering a look at a couple of costumes we can’t wait to see on Hannibal tonight.

Alison Orphan BlackOn Orphan Black only Alison would go to a funeral dressed as Holly Golightly and then drink herself into oblivion, because well she kinda did have a hand in Aynsley’s death, well that and Aynsley’s scarf. There is no explanation for this Breakfast at Tiffany’s homage and all that’s missing is a cigarette holder. Alison is the clone I find the most enthralling as she tries to balance her quest for suburban perfection while spiraling thanks to the crazy her clone status brings. She’s so wonderfully uptight and her lack of filter is why she is best when she is around Felix. This is also the part where I really forget it is Tatiana Maslany playing everyone.

Orphan Black FelixFelix looks like he’s stepped out of a movie and from the same decade as Breakfast at Tiffany’s, this one tinged with Andy Warhol and experimentalism. It’s also worth noting that both Alison and Felix are wearing versions of the costuming they have on in the season two poster they share (with Donnie) which suggests the Felix/Alison story is not over. Now I know Felix and Sarah are brother and sister, but it’s the Felix and Alison pairing that brings me the most joy as they neck tiny bottles of vodka together. So, while he has abandoned her for now, as Alison falls deeper into a pit of despair hopefully she can count on her friends to come through for her. With an outfit like this Felix would totally fit in with Margot Verger (see the Hannibal entry below).

New Girl If you had to describe an outfit Jess would wear on New Girl it would probably look a lot like this one from “Dance” – Peter Pan collar and a-line skirt (polka dots optional) – and I love it. I am partial to twee and my feelings about polka dots are blasted on the top of this and every TV Ate My Wardrobe page; the skirt is French Connection (another favorite) and the ‘Porla’ Peter Pan collar plum sweater is currently more than half off at Alice + Olivia.

Mason and Margot Hannibal 2.10So here’s a little of what we can expect styling wise from Mason Verger on tonight’s episode of Hannibal and I pretty much screamed in joy at the sight of this extravagant coat and the sneer of contempt across his face is perfect. Those look like mink lapels and Mason’s cruelty extends to the animals he wears. This is probably the most conservative of all of Margot’s costumes so far – I’m currently working on a much longer Margot piece – and the high neck coupled with the buttoned up jacket suggests how unsafe she feels around her brother; we already know she wants to kill him so this doesn’t come as a surprise. The horse shoe accessory, braid and general styling suggest she’s been riding and even though Margot claims she is worth nothing, her attire since we have met her indicates otherwise. There is a flamboyance to the Verger’s and their costuming is theatrical in its opulence.

Hannibal Margot 2.10In contrast to the first shot of Margot from “Naka-choko” this is a much more relaxed posture as she reclines in Hannibal’s office. The gold flecked blazer is in line with her previous visits to Hannibal with puffed up sleeves, but it’s a lot more provocative than her previous dramatic attire. What has made her suddenly so comfortable around Hannibal? Is it her chat with Will last week? Whatever it is, I can definitely state that this eye-catching jacket is on the covet list.

The Americans 2.10 “Yousaf” Review: Mutually Assured Destruction

1 May

The kitchen is the hub of most households and for Philip and Elizabeth this is no different as The Americans uses this location to bookend “Yousaf” and to reunite the pair after another day of emotionally draining spy work. It’s a significant location as it’s where most of the interactions with the kids take place – we barely ever see their living room – and this week Philip and Elizabeth are taking risks with what they are doing in this communal and open space. In the last episode Philip went to a dark place as he continues to add innocent bystanders to his body count and while he is far from being in a good place, his ability to compartmentalize has kicked in.

Danger comes at them from all angles and as we head towards the climax of the season certain threads are coming together including Stan’s investigation into the illegals he was pursuing last year. That’s not the only threat as Larrick is back in the country and looking for revenge; he is a truly formidable foe who seems capable of doing anything to get what he wants. Personal feelings are threatening the balance of everything and it is only going to get messier as everyone has their finger on the trigger and it only takes one person to ruin the whole precarious environment they are part of.

The Americans 2.10 drape neckPhilip and Elizabeth are certainly in more tune with each other this year and yet there are still plenty of things they disagree on with how they approach work and family responsibilities. Let’s start with work and Philip’s attempts to protect Elizabeth have left him in a vulnerable position. Elizabeth shows she is more than capable with the assassination end of the business and yet she’s been less comfortable with some of the more intimate activities they have to partake in. It is not something Elizabeth has explicitly pointed out to Philip and yet he’s definitely picking up on her hesitance when it comes to this kind of work, even if she assures him she is more than capable. This is also the first time we have seen them get intimate since Elizabeth’s misguided desire to sleep with ‘Clark’ and what better place to hook up than in your kitchen. Philip is more worried about the kids smelling Elizabeth’s cigarette at the end of the episode than he is of them walking in as they do it on the dining table, but hey after what Paige saw in the premiere there will be no more sneaking around the house in the middle of the night for her.

Last week Philip pretty much cut himself off from everyone as he emotionally spiraled and by coming home and reaching out to Elizabeth in this way he becomes stronger again. It’s more complicated this season as their new found shared love is both a hindrance and a savior. It’s what we saw when Philip came home after his night with the Mossad agent as he found peace with his wife on the sofa in a brief quiet respite before the day started all over again.

The Americans 2.10 kitchenHome is rather fraught as the Paige religion debate rages on and Philip’s feeling pretty shitty for his outburst last week; Elizabeth reassures him that what he did wasn’t wrong as Paige was disrespecting them and she tells Philip about the middle of the night kitchen cleaning punishment she dished out. Philip’s back in fun dad mode, including a super adorable, but maybe trying too hard pre-April Fool’s joke on Henry as he tries to repair some of the damage from the Sunday meltdown. He is open to Paige’s request to go to a Bible camp for 3 months, way more receptive than her mother who finds the perfect reason to tell her she can’t go when she discovers Paige’s attempts at forging Elizabeth’s signature. Their parenting styles differ greatly and Elizabeth accuses Philip of letting Paige walk all over him – tell that to the Bible that is now missing several pages. Paige is also pretty pissed and rightly so as the reason behind their distaste for religion is vague, we know why they are so worried, but to Paige they’re being completely unreasonable. It’s also hilarious that drinking or taking drugs are activities that are probably preferable to Elizabeth when it comes to her daughter, to her religion is a drug. Factoring in Henry’s recent break and enter jaunt and his lack of punishment beyond guilt and she’s right to tell her mother it is bullshit. I am disappointed in Paige’s terrible attempt to get rid of the evidence; she might get her ability to lie from her parents, but not this piss poor evidence disposal.

Discussions about Paige going to camp and Elizabeth’s fear she will come back a “Jesus freak” are intersected with mission talk. So when Elizabeth is done talking about it she simply changes the subject to Anneliese. Anneliese is someone we haven’t seen since the second episode of season one even though Philip has been maintaining this relationship and between Martha, Anneliese and Elizabeth, Philip is juggling a lot of fake declarations of love with one real one – no wonder he looks so tired. Instead of putting Elizabeth in a potentially dangerous sexual situation he palms it off to Anneliese who appears to be a willing participant. This is until she sleeps with Yousaf and is disgusted at what Philip got her to do asking “What kind of man are you?” It’s a question that keeps coming up and this time he uses his fake love and the cause as an excuse. Philip’s assertion that this kind of work  is “not something I take lightly, ever” is an honest one, it’s just he’d rather use case anyone but Elizabeth to be the honeypot, even if she has the more physically dangerous mission this week.

the americans 2.10 PhilipAfter weeks of Rust Cohle’s brother disguises and various workmen uniforms, it’s good to see Philip looking rather debonair in his fancy suits and think rimmed glasses. I wonder if it’s going to be a problem that Anneliese has seen pretty much his real face (sans glasses) and with slightly more slicked down hair.

The Americans 2.10 ElizabethNot to be outdone on the hot stakes is Elizabeth’s Yousaf seduction outfit as she borrowed his newspaper in a jacket showing off the true hero of the 1980s – shoulder pads – she caught his attention as well, before Philip chose to go in a different direction. At the moment Philip is the person who decides how they’re playing the spy work, while Elizabeth rules the roost at home.

The Americans 2.10 swimming capMost shows have cute moments over dinner or drinks; The Americans does this while discussing how to give someone a heart attack and the pill that will stop Elizabeth from being affected. Elizabeth is the most unassuming of the pair with something like this and it goes off without a hitch – a rarity this season. Elizabeth’s costuming is dominated by white and black in “Yousaf” and the white swim cap is a striking part of her inconspicuous look. It’s also one of the simplest disguises yet as the goggles obscure her entire face. If only everything they did took place in a pool.

Respect is something Philip and Elizabeth demand from their daughter and yet they are both rather dismissive of their handler Kate. The problem with Kate is her inexperience and her lack of intuition as she complains that if they mess up her “head will roll” in the figurative sense, with Philip hammering home the point that if they mess up then they’re dead. Not that it looks like Kate is particularly safe as Larrick’s trail leads to the KGB’s phone intelligence service in DC with Kate’s phone being the one he calls. Larrick is a terrifying foe as he’s a trained killer and he doesn’t appear to have many scruples. Larrick’s also a man of many faces, except he uses his the entire time and just changes his clothes depending on what information he needs to access.

The Americans 2.10 Arkady and GaadMutually assured destruction is discussed in an explicit manner between Arkady and Gaad as the Vlad case has been put to bed with Gaad getting reinstated. There’s a cycle of actions that took place by mistake in a way as the murder of FBI agent Chris Amador had nothing to do with the Cold War; it was at the hands of a KGB officer, just for very different unfortunate reasons. A covert war means not owning up to things and the domino effect from one mistake can be huge and it’s why everything is in such a heightened state. At the moment Larrick is running around trying to find Philip and Elizabeth, as is Stan and even though they’re on the same team their motives differ greatly. Stan has also stumbled onto something with the Emmett and Leanne murder case as thanks to Gaad’s briefcase observation they now know there’s way more to this crime than a simple unsolved murder. When Stan questions Jared about any secrets his parents had it is heartbreaking to watch this boy get defensive and then soften to Stan as he believes Stan wants to find out who was responsible. In a way this is exactly what Stan wants, but he’s also manipulating him to help with his illegals end game.

As you can see in the shot above the snow really adds to the aesthetic of The Americans and both this and Hannibal are benefiting from the heavy snowfall the East Coast had early this year, even if it’s probably a nightmare to shoot in.

The Americans 2.10 NinaNina is going full 80s with her hair as she continues to live the tangled life she was bemoaning to Oleg about earlier in the episode as Stan tells her about his illegals theory and Sandra’s affair. Stan doesn’t know why he is telling her about his marital problems, but secrets are there to be shared and he has to unburden his soul to someone. If only he knew that Nina is also sleeping with Oleg and not as part of a ruse, they actually look like they’re enjoying each other’s company even if they are from very different backgrounds. With the Russian characters there is always a push/pull between what they didn’t have growing up and what they have access to now and Nina is very much like Elizabeth as she longs for the simplicity, even if she didn’t have much beyond a pin of Lenin from Young Pioneers. Everything is a commodity on The Americans and stealth technology is the biggest of them all at the moment. It’s what Oleg is investing all of his time in and it’s what everyone is risking their lives either to protect or obtain.

Ending the day with an illicit cigarette in communal spot like the kitchen is the least of Elizabeth’s concerns and I love that a scene this quiet ends such a frantic and tense episode. It is only going to get more fraught and so Philip and Elizabeth should enjoy this momentary peace while they can.

New Girl 3.22 “Dance” Review: Love is Forever and Ever and Ever and Ever…

30 Apr

So I didn’t have enough space for all of Jess’ use of forever, but hey it’s infinity anyway in true tween 4EVA IBTS (if broken still true) declarative style. New Girl returns to school tonight and the beauty of Jess (and now Coach) working at a middle school means these characters can resort to broad generalizations like boys are dumb/girls are stupid even though they’re in their early 30s. There are aspects from school that will always stay with us and so it makes sense that Jess wants to organize the perfect dance when she has such rotten memories of the ones she attended when she was a kid. Throw in her recent heartbreak and it is going increase this desire as Jess’ outlook is to focus on the positive. In fact “Dance” is about embracing childhood moments, no matter how painful or stupid as a way to circumvent what is going on in the present.

NG_322-27_0010There’s a push/pull in “Dance” between what makes a grown-up or in more specific cases what defines manhood and Nick tells Schmidt that he genuinely misses goofing around with Jess. The goofing around suggests play, but being an adult doesn’t necessarily mean that you can’t be ridiculous anymore and the activities this group partake in are often just games you could play as a kid, with added alcohol. Schmidt thinks Nick is being rather mature with his assessment that breakups should hurt and how they’re using Winston as their sexual tension killing device. In the last scene they do get to dance together and it’s both goofy and full of sexual tension; even though they’re in a room full of people for a fleeting second it’s like they are alone. Jess finally gets to dance with her dumb boy and I don’t feel like I’m going out on a limb when it comes to predicting a reconciliation of sorts in the season finale next week.

Speaking of things that are dumb and the reason behind their breakup is still one of those things that compel me to say “really?” When thinking of Nick and Jess it actually does make sense that they would end their relationship for something as silly as this. After “Big News” I wrote about their inability to define what they are to each other and how this traces back to their first date encounter with Russell and I want to expand on this a little further. This is still what is going on as despite knowing and living together for three years, they’re still pretty clueless when it comes to admitting how they feel. Jess shares too much sometimes without saying what she means and Nick withholds giving the same effect; this is why they broke up, not because they don’t have anything in common, but because they share this inability to get to the heart of the matter.

It’s not just about Nick and Jess though and what makes “Dance” a great episode is its focus on the group; the breakup informs the actions without becoming this BIG ISSUE that dominates proceedings. Jess’ desire to create the perfect dance is rooted not with Nick, but thanks to her bad memories. It is not a completely selfish driven endeavor as Jess has shown on multiple occasions how much she wants to give the kids she teaches a really great middle school experience, whether it is showing them the ocean or dealing with a bullying issue. The dance does not go down perfectly, far from it and at first it looks like one of the teachers is behind the sabotage – the banana in the dark song is hilarious – instead it’s Wendy, the girl who is pretty much a mini Jess but with a shark tee and missing a Cece to share her misery with. Hey, they’re still doing the hanging out in the bathroom thing as adults too (this from season 1 “The 23rd”):

New Girl 1.09 Cece and JessIn terms of screen time the Cece/Jess relationship suffered as a result of Jess and Nick getting together – the same goes for Nick and the guys – so one benefit of breaking them is focusing on the other friendships that are at the heart of New Girl. Cece is often the stabilizing influence in the group, in part because she doesn’t live in the loft so she has a calming outside quality and because she generally has her shit together. Even though she’s not in the same place as she was last season in terms of career and relationship, things could be so much worse in that she could be in a loveless marriage doing modeling jobs she hates. Now she is working in a bar and dating a 20 year-old (who was seven when Good Will Hunting came out), but she seems pretty happy at the moment and takes the guys attempts to make fun of this age gap in her stride. It helps that they are terrible at doing this and declare their manhood by chanting “men, men, men” with a chest bump injuring Winston. They really are the dumbest boys in school. Jess also demonstrates that she’s not always the smartest as she thinks the good in good cop/bad cop means good at their job – this is up there with Batmanmobile for hilarious things that Jess doesn’t quite get. Another brilliant Jess moment comes courtesy of terrible self censorship when the lights go out “Son of a boooooo… penis. Ah, that wasn’t better. Sorry everyone.”

Coach gets to use his recently earned wisdom about kids “you have no idea what these little bastards are capable of. I mean I love them, I love them with all my heart, but they will hurt your feelings sometimes” while attempting to coach his roommates. So when Schmidt sees a kid being mean to someone about food, instead of standing up for the boy who was probably like him at school, he instead seeks the acceptance of the bully and in return gets called a “flamer.” Schmidt is persistent and the bully won’t back down either, so Schmidt challenges him to a foot race. In the parking lot Nick gains the acceptance of the boys with a box of fireworks because really Nick just wants to be pushed around in a shopping cart and not as part of the system. It’s clear that Nick definitely did everything in his power to not be a narc while he was at school, so much so he won’t admit to being a chaperon, or ‘rone.

Winston faces a different kind of challenge as his “Call Me Maybe” moves make him irresistible to an ever increasing group of girls – if the whole episode was Winston being followed by a giggling girls I think I would be fine with that. It all ends up in the parking lot as the three of them earn their rap group name and Coach list of better chaperons is hilarious – a dog, a plant wearing underwear and Ray Charles’ ghost. They might be dumb boys, but they’re needed. The rapping that follows is amazing, mostly because it is so terrible and in an unsurprising twist Winston takes it too far and goes to a dark, dark place.

Returning then to Jess and Cece’s conversation with Wendy as Jess explains that things “never work out the way you plan them, but in the end it’s all worth it and that’s why you have to try.” This pretty much explains the root of Jess and Nick’s issues with each other – the future planning – and what they haven’t done so far as they gave up pretty quickly without trying to work through this issue. What I don’t want New Girl to do is go for the breakup/get together cycle that sitcoms tend to favor, this doesn’t need to be a Ross and Rachel situation (does anything?), but what these past two episodes has shown is that Nick and Jess not being together has been beneficial to the overall group dynamic. Maybe it is because there are now stakes once again with increased tension and by addressing the coupling situation; they’re also approaching the overall story in a different way. With this in mind, next week’s finale will hopefully continue the quality and consistency of the past few weeks while wrapping up what has been a messy season in a satisfactory manner.

The Wish List: Parks and Recreation Unity Concert Style

29 Apr

Season 6 of Parks and Recreation concluded last week with the Unity Concert and big changes. Music festival fashion specials tend to make my eyes roll hard as all kinds of expensive and most likely inappropriate items are suggested – do you really want to be wearing a $300 jumpsuit when you have to use the not so high end festival toilets? This also brings up my greatest fear about the play/jumpsuit trend as you pretty much have to get naked when going to the bathroom and this is even less appealing in the middle of a field. When it comes to dressing for an outdoor music event my first thought is the rather practical “would I care if this got ruined?” as most of the festivals I have been to have a high chance of rain and I don’t really want to get mud all over a brand new dress. Yeah I still want to look good, but I’d rather spend the time enjoying myself rather than being concerned about my clothes. It’s not particularly edgy, but you’re also not going to look like an asshole.

Pawnee is not Coachella and in the Parks and Rec finale there is a distinct lack of underbutt and questionable crochet/macramé attire. Instead it’s all hoodies, plaid shirts, jeans, khaki jackets and Unity Concert tees. No, it’s not the most fashion forward, but it pretty accurately represents the festival fashion that makes sense to me.

Parks and RecreationBen is the only one not wearing a Unity Concert tee as he’s got his Letters to Cleo shirt on underneath his staple plaid. This is one of Ben’s repeated costume pieces and he’s definitely the kind of guy who is comfortable wearing the band shirt he is seeing to the actual gig. Everyone else is wearing Staff emblazoned Unity Concert t-shirts and while these are currently not available from the NBC store, I’m sure this will change in the near future as they have previously sold other Pawnee festival related items. Leslie’s khaki green Battalion jacket from Current/Elliott is something she wore in the season 5 finale and it prompted me to dig out my 10+ year old Topshop khaki green jacket which I adore and has been to many festivals with me.

Parks and Rec AndyAndy and April rocking the plaid and stripes (both in Unity Concert tees). Costume design on shows that feature high end designer pieces is all about aspiration, Parks and Rec (and probably New Girl) is the nearest to how I actually dress and I adore it for his reason.

Parks and Rec Jean Ralphio sneakersThere’s always one and Jean-Ralphio is not only wearing double ankle monitors, but he’s also sporting a spectacular pair of Nike Roshe Run Tiger Camo sneakers which are just as bold as he is. These are fine for a sunny venue, though there’s always scuff danger in a large crowd situation.

Parks and Rec Leslie and BenPost concert fashion is completely different and as the concert was all about saving this merger, Ben and Leslie are on work duty. Ben has switched out his Letters to Cleo tee for a tie and Leslie’s ditched the khaki for this beautiful cherry blossom Diane von Furstenberg wrap dress. This definitely falls into the aspirational column (and I wouldn’t be surprised if we see Alana Bloom in this over on Hannibal, the shows are VERY different but these two characters share style pointers).

The three year time jump shouldn’t impact the costume design too heavily I shouldn’t think; I do hope they manage to tame Leslie’s bang situation by then and I’m looking forward to finding out why Ben was all dapper and tuxedoed up in that final scene.

Mad Men “Field Trip” Costume Design Highlights

28 Apr

With the Mad Men coverage this season I wanted to try something that didn’t necessarily follow the types of straightforward reviews that I have written on this site and others for previous seasons. So for the season premiere I showed an example of Mad Men influencing my style choices, last week it was all about the closing credits music and for the third episode “Field Trip” I want to take a look at some of the costume highlights from the episode.

Mad Men 7.03 MeganI’m pretty sure I had a bed spread and sleeping bag that resembled Megan’s blouse when I was kid; items from the late 60s/early 70s that my parents still used. They were pretty hideous like Megan’s blouse (swap the green for more brown and you get the idea), but now I find something rather nostalgically charming about this floral mess and I wish I still had them now. It’s like someone vomited flowers on this top and pairing it with a canary-yellow crotchet micro means that Megan would *almost* fit in at Coachella. She just needs to cut the sleeves off the blouse, knot it and she would be good to go.

Mad Men 7.03 BettyMegan’s style is always evolving; keeping in tune with her surroundings and what is featured on the pages of Vogue. Whereas the former Mrs Draper is all about simple glamour pairing her dress and jackets, the last time she looked fashion forward was on her trip to Rome with Don and that was all a facade. There’s the whole politicians wife look, but Betty is once again the Grace Kelly double even with these trappings. The frumpy fat days are long gone and Bobby still isn’t sure if his mom eats anything (hence why he traded her sandwich). This is where the sunglasses, cigarette and silent treatment come in. To prove her worth she drinks out of the bucket of milk, unlike the real farmer’s daughter she will always be wearing a bra and clutching her purse.

Mad Men 7.03 Anne DudekAnne Dudek! Beyond thrilled to see the return of Francine and she’s part of the reason behind Betty’s sudden interest in going on a school trip to the farm. One of Betty greatest weaknesses is how much she compares herself to others, sure we all do it, but Betty reaches new depths with her competitive streak. Look how great Francine looks as she excitedly gesticulates what she’s been up to and that’s working three days a week as a travel (something Betty tries to undermine by mentioning real estate, which Francine failed at). Francine’s matching coral pant suit is spectacular and she looks modern in a way that Betty’s pearls will never do. Betty is also shameless when it comes to name dropping and pretending that she doesn’t love to show off about her life. Betty still gets usurped as Francine has something Betty doesn’t and that’s fulfillment.

Mad Men 7.03 JoanJoan in a Peter Pan red rose covered dress and knee boots (not removing for Bert’s no shoe rule) is everything. I would wear this now.

Mad Men 7.03 PeggySame goes for Peggy’s green emphasized seem dress and things are looking less tween in Peggy’s work attire this week and yet she still gets no respect. PS. Peggy, Don’s taking your office, which they’re still calling Lane’s office.

Mad Men 7.03 groupStan’s going on safari, Ginsberg’s taking smart casual to a whole new cardigan/tie level, Peggy’s got prim down and Meredith likes what she sees while wearing one of the official patterns of this year; paisley.

Mad Men 7.03 DawnDawn’s got a new job and she’s gone for a sharper look and she’s killing it in this blazer. It’s a shame Don hasn’t paid much attention to all of these changes as he still gives her his hat and coat to put away, plus she’s still his go to coffee maker. Moving up, but only kinda. Another item for my closet and mustard list is that blouse, not sure how much I could work a collar like that.

Mad Men 7.03 RogerThe hippie and the rich man in plaid. It’s an odd combination and while Roger is still clinging to his place in the hierarchy at SC&P, he manages to show loyalty and business acumen by arguing why they need to keep Don. The LSD hasn’t completely ruined his capacity to show charm, wit and smarts.

Janie Bryant continues to produce costuming that adds rich textured layering to the viewing experience and also manages to make me feel nostalgic for items I cringed at having to use – that sleeping bag at sleepovers seemed like the ultimate embarrassment and now there is only love. One important figure who doesn’t feature this week in these shots from the episode is Don as his style is never evolving; does he have the capacity for change?

Distraction and Memory on The Good Wife

28 Apr

Alicia is keeping busy on The Good Wife and the opening sequence in “Tying the Knot” shows her juggling work, family and Finn continuing scapegoat status. The work aspect includes one the most tricksy clients, Colin Sweeney and in true Sweeney fashion death is not far behind him. Memory and perception has been a repeated theme this season with memory being used in multiple ways to dictate the emotions of an episode.

This began with memory-pops (what the writers call flashbacks, thanks Noel for pointing this out) as Alicia and Will both recalled a time when their relationship was more in tune, followed by Alicia’s choice of suit when she was trying to distract Will with memories of sex. Continuing with Alicia’s keynote speech and how she came to be at Stern, Lockhart & Gardner and the first flutters of those elevator encounters. Since Will’s death the use of memory became imagined encounters thanks to the voicemail Will left moments before he was shot and in “Tying the Knot” there’s yet another type of memory on display as Alicia’s short term recollections are picked over.

The Good Wife 5.19 AliciaFirst of all I love this shot of Alicia as she contemplates her options and James Castro’s insinuations, weighing up factors from both this case and Castro’s less than subtle play to get rid of Finn from the SA office. Josh Charles does an incredible job directing an episode with so many moving parts and one that uses memory-pops throughout as Alicia’s experience at the party is the vital piece of testimony. While at the party Alicia receives and makes phone calls to Cary, Eli, Zach, Zach’s friend Shauna and Finn. All while dealing with Colin Sweeney and his demands regarding his new fiancee Renata. The engagement party feels chaotic and disorientating at the time and this is repeated in the memory-pops with the same piece of music playing in the background, the identical looking brunette bobbed waitstaff and the case of Sweeney mistaken identity. On one occasion Eli makes an appearance repeating the words he said on the phone and Alicia chats with an imagined Sweeney about his decision to take off his tux jacket.

Memory is unreliable and when there is this many distractions it gets even more convoluted. There are certain aspects that never change with how Alicia recalls her time at the Sweeney house and Alicia is being manipulated, not in her memory but in the staging of events so she can produce the perfect alibi for Sweeney as he’s only out of her eye line for the briefest time. Once again they help Sweeney get away with his murderous deeds and this time it wasn’t at the hands of Sweeney, instead it was part of his twisted couple’s therapy to give balance to his relationship with Renata. There are a couple of cases of mistaken identity first at the actual party when Alicia is on her brief Sweeney hunt, followed by Alicia misidentifying who she saw going up the stairs that adds credibility worries to the rest of her testimony. As Alicia reinforces, it is better that she owned up to her error than perpetuate a lie even if it adds doubt to her reliability.

The Good Wife 5.19 FinnMemory comes into play in the courtroom not just in the form of testimony as Finn enters a courtroom as prosecutor for the first time since he was shot. Gone are the bandage and sling; the only physical sign we can see is the scar on his hand he is absentmindedly touching. Upon standing up Finn sees a pool of blood forming at his feet and as the camera goes in for a tight close up we are with Finn back in that courtroom as he sees flashes of both his hand getting shot and what appears to be Will going down (Updated to add this second shot could be the other one Finn was hit by, not Will). These flashes are so brief and this adds to the jarring nature and the sound of the gunfire that isn’t really there causes Finn to noticeably flinch. Instead of breaking down or exiting the court Finn pulls it together and while James Castro’s assertions that Finn needs some time to deal is perhaps correct, he’s not going to let his super smug former BFF get the better of him by using his vulnerability as a way to dismiss him. Nope, instead Alicia has a plan.

Finn’s running for State’s Attorney and what was originally going to be in name only so he couldn’t be fired for whatever BS reason Castro had come up with, has now turned into an actual campaign thanks to Peter’s endorsement. Peter’s been on fire in the past two weeks with how he is dealing with the suck ups and secret backstabbers as he decided to go with Finn after Castro attempts to sweet talk him. This is the Peter I can understand Alicia falling in love with, not that guy who called her a selfish bitch a few of weeks ago.

The Good Wife 5.19 wine cardiganOwen’s back and he’s playing his usual role of no nonsense advice giver; this time as with most times he thinks Alicia needs to get laid and perhaps he’s right. We’ve never seen Alicia indulge in any kind of no strings sex and while you could argue that sex is never just no strings, it’s always just been Will or Peter. This isn’t to diminish what she had with Will and I’m even bristling at the thought of her with someone else, but Will is gone and hey sometimes you need something beyond work, wine and making dinner for the kids. Owen is Alicia’s truth-sayer and Alicia is his favorite person in the world, so while he might come across as interfering it is all done with love and he’s happy if she’s happy; you can count on Owen to pry just that bit too far.

This scene is hard as Alicia is holding back because she doesn’t want to cry anymore and Owen’s comment about Will making him laugh is just the thing that might tip her back into tear territory. The “facade of perfection” and Zach’s assertion that his parents are Bill and Hillary is a not so off topic conversation point with Alicia giving herself a new motto to get stitched onto a cushion “It’s a decision. I like decisions.” Alicia’s wine cardigan from Vince is rivaling Olivia Pope’s in my heart for best wine consuming style. It has the perfect wraparound factor meaning it’s pretty much the clothing version of a hug and this is what she needs right now.

The Good Wife 5.19 teary eyesWhat follows is the only point where Alicia’s facade does slip as she stands alone against her bedroom door, the wounds of Will freshly opened by her chat with her brother, the red wine coursing through her veins; the chin quiver and pools of tears forming in her eyes is inevitable and something she can’t stop. This is an accumulation of everything Owen has just spoken to her about; Will, Peter and moving on. It’s also one of the only moments in “Tying in the Knot” where she isn’t focused on anyone else’s problems, just her own and it is overwhelming.

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