Archive | May, 2013

Now That’s What I Call TV Music (2012-2013 Season)

21 May

Since My So-Called Life and Dawson’s Creek, TV has been one way that I discover new music. Things have changed a lot since the mid-90s and now you can have access to a song within minutes of hearing it on a show. MTV no longer has the influence it once did and the days of spending hours watching music videos have long gone, though MTV is still represented on this 2012-2013 playlist. Some shows like GirlsNew Girl and The Carrie Diaries (it turns out I really like the music from the pilot) feature more than once on the list and there are 19 tracks that represent a variety of moments; some incidental while others might drastically change a relationship.

girls bad friends dancingWhile I’m not going to into specific reasons for each song choice some deserve explanation; “Stay” by Lisa Loeb has featured on both Girls and New Girl, Lisa Loeb ended up with Rufus Humphrey on Gossip Girl so this sealed its inclusion (plus I was a teen in the mid-90s so this song will always hold a special place). When I first saw The Americans pilot I mentioned on Twitter that I like the ‘jaunty’ opening track revealing that I know nothing about Fleetwood Mac (I’m hanging my head in shame), now I understand the power of “Tusk.” The LMFAO track is from one of my favorite moments on Parks and Recreation this season when Anne and Leslie had their impromptu dance party. Ellie Goulding earns her place for being part of a huge New Girl moment and the same applies for The Vaccines “I Always Knew.” Some tracks feature from shows that I haven’t seen all season (How I Met Your MotherAwkward) or only saw a few episodes (Nashville) but were suggestions from some lovely folk on Twitter.

I’m sure there are some great tracks that I haven’t included so what would be on your 2012-13 TV playlist?

Here are the tracks featured, including which show/episode they were on and you can click on the Spotify box below to listen. Enjoy!

1)      I Love It – Icona Pop ft. Charli XCX (Girls 2.03 “Bad Friend”)
2)     Blue Monday – New Order (The Carrie Diaries 1.01 “Pilot”)
3)     Tusk – Fleetwood Mac (The Americans 1.01 “Pilot”)
4)     I Always Knew – The Vaccines (New Girl 2.25 “Elaine’s Big Day”)
5)     Burning Down the House – Talking Heads (The Carrie Diaries 1.01 “Pilot”)
6)     Black Tambourine – Beck (The Good Wife 4.22 “What’s in the Box?”)
7)     Super Rich Kids – Frank Ocean ft. Earl Sweatshirt (Gossip Girl 6.05 “Monstrous Ball”)
8)     Party Rock Anthem – LMFAO ft. Lauren Bennett (Parks and Recreation 5.05 “Halloween Surprise”)
9)     Bad Girls – M.I.A. (The Mindy Project 1.01/1.24 “Pilot” and “Take me with You”)
10)  Anything Could Happen – Ellie Goulding (New Girl 2.23 “Virgins”)
11)   Don’t Leave Me (Ne Me Quitte Pas) – Regina Spektor (Girls 2.04 “It’s a Shame About Ray)
12)  22 – Taylor Swift (New Girl 2.13 “Table 34”)
13)  Simple Song – The Shins (How I Met Your Mother 8.24 “Something New”)
14)  Nancy From Now On – Father John Misty (Girls 2.05 “One Man’s Trash”)
15)  Stay – Lisa Loeb & Nine Stories (Girls 2.04 “It’s a Shame About Ray” and New Girl 2.23 “Virgins”)
16)  Girls Just Want To Have Fun – Greg Laswell (The Carrie Diaries 1.01 “Pilot”)
17)  Fade Into You – Clare Bowen and Sam Palladio (Nashville 1.03 “Someday You’ll Call My Name”)
18)  Gone – Olivia Broadfield (The Vampire Diaries 4.23 “Graduation”)
19)  I Was a Fool – Tegan and Sara (Awkward 3.05 “Indecent Exposure”)

Mad Men Music Monday

20 May

The Crash” is a surreal episode of Mad Men and this song choice further emphasizes Don’s mental state as he becomes a creepy hallway stalker. Don makes several attempts to get Sylvia’s attention this week after she broke off their affair in the previous episode, by attempts I mean he stood in her hallway smoking while listening to her conversations with Arnold. In a scene that could have been part of his drug taking hallucination (it seemed more real than not), Don presses his face against their service entrance door and listens to the song that plays on the radio. The song is “Going Out of my Head” by Sergio Mendes & Brasil ’66 and the lyrics fit Don’s Sylvia obsession. The way the camera stays on Don as he listens in is unnerving, as is much of the episode that has an underlying menacing tone throughout.

Out of the Box: Look of the Week

17 May

It’s that time of year when most shows are ending the season and so this edition of “Look of the Week” is focusing on the season finales of three shows. As always this is a snapshot of what I have been watching and each pick is for a variety of reasons including; what it adds to the storyline, what it tells us about the characters involved or simply because it looks good. Narrowly missing a place on this week’s list is Mad Men which featured the stunning costuming that we expect from this show, but it didn’t fit in with the finale theme. After last week’s foray into set design this week is returning to the clothes that people wear, but don’t be surprised if locations pop up again (particularly from a show like Hannibal).

Winner: Mindy Lahiri on The Mindy Project “Take Me With You”

Mindy short hairI wrote earlier in the week about The Mindy Project producing stronger episodes over the second half of the season and a lot of this is thanks to Mindy’s friendship with Danny; Mindy Kaling and Chris Messina have terrific chemistry. The last scene in the finale pushes them further into the ‘will they/won’t they territory’ which will certainly change their dynamic on the show. This comes directly after Danny pulls the old playground move by telling Mindy how much he dislikes her new hair (and he notes that they are now matching). What follows is a moment that made me hold my breath as he took of her glasses to clean them (I have short hair and wear glasses so this scene is extra swoon worthy). Mindy has made no attempt to hide that she cares about how she looks and so cutting her hair off (which I know is a wig really, but she looks cute) is her grand romantic gesture for Casey and it works. Mindy also shows off her professional skills (the inclusion of M.I.A.’s “Bad Girls” echo the pilot) and some of this season’s best moments have been when Mindy is using her medical expertise (“Teen Patient” springs to mind). Mindy is a someone whose wardrobe I tend to covert, but it’s this drastic haircut that works as Mindy’s boombox over the head and gives Mindy the number one spot this week.

Runner Up: Cece on New Girl “Elaine’s Big Day”

NewGirl-Ep255_ElaineBigDay-Sc26_00409Cece managed to get rid of her accidental henna beard and unsurprisingly she looked stunning as she walked down the aisle in a lehenga choli (a traditional Indian wedding gown). New Girl costume designer Deb McGuire tells InStyle this was one of four options and when Hannah Simone put this one on first “it took our breath away. We didn’t even attempt to consider the others!” This is a very colorful wedding and New Girl tends to have a very bright color palette; Jess’ blue sari (which you can see here) fits in with this motif and allowed her to stand out against the orange backdrop. Bonus points go to Nick Miller for carrying Jess’ pink purse and being comfortable with this look.

Runner Up: Caroline Forbes, Elena Gilbert, Bonnie Bennett on The Vampire Diaries “Graduation”

TVD graduationIt’s not easy to graduate from high school in a town that is full of supernatural beings and Caroline, Elena and Bonnie successfully manage this achievement on the season 4 finale of The Vampire Diaries. The main snag is that all three are dead in one way or another; Caroline and Elena are both vampires and Bonnie is now a ghost. Caroline and Elena are blissfully unaware of Bonnie’s demise and thanks to some nifty magic Bonnie has the appearance of someone who is very much alive. Considering how much these three women have been through this season it was good to have this moment of happiness together, even if it is tinged with sadness (the Olivia Broadfield track “Gone” that accompanied the ceremony reminds me of a more melancholy “Sway” by Bic Runga) and the screen got a little blurry. This episode also demonstrated that a mortarboard can be more than just as a graduation accessory as Klaus made a rather dramatic and deadly entrance using one. It was pretty awesome.

What is your look of the week?

True Blood Season 6 Teaser Poster

16 May

One thing that is consistent with True Blood is the excellent promo posters that HBO produces. It’s aspects like this that make me forget what a mess the show can be and once again this department has produced another excellent teaser for the new season. Season 5 ended with Bill becoming Lilith (or Billith) after he drank her blood. The new promo poster hints at what Bill has become with the ominous tagline “No One Lives Forever.”

True Blood poster season 6

The action will be picking up where the show left us at the end of season 5; with Sookie and Eric fleeing the Authority Headquarters and Bill. From the preview it is clear that a war between humans and supernatural beings will be the focus of the season and Bill is also a major threat. True Blood has a habit of spinning its wheels as they introduce multiple new characters and storylines. This leaves older characters languishing and so I remain sceptical about this new season. One aspect of the promo that does intrigue me is the role of Jessica and how she will be involved with Bill’s story; do they still have the maker-progeny bond? We don’t see her, but hearing Anna Camp as Sarah Newlin taking part in this crusade against vampires gets my attention. You can count on True Blood when it comes to the steamier scenes and there is a lot shirtless action alongside the ridiculous plot points.

Watch the True Blood season 6 preview below. Are you looking forward to the return of True Blood?

http://youtu.be/tGgt_jllHcA

New Girl Season 2 Finale: Making a Choice

15 May

“Where did we come from? Where do we go?”

Life’s big question as perfectly as asked by the song “Cotton-Eye Joe” (and yes I’m having some serious high school dance flashbacks) and one that ended season 2 of New Girl on a high as it rounded out a fantastic year. The strength of the finale and the show is not just about the Nick and Jess pairing, but the group as a whole and this episode highlights why New Girl is so much fun to watch. It’s chaotic and messy but as Jess told a class of kids last week the “messy parts are the best parts.”

NG_ep225_sc1_0074Since “Cooler” there has been a lot of tiptoeing around how Nick and Jess really feel about each other; they are friends and there is a strong sexual attraction. Beyond that they have had problems verbalizing their feelings and after Bob’s disapproving speech last week this put the emphasis on Nick’s lack of self-worth. This is emphasized in the finale when Jess first mentions that her father has referred to Nick as a child. Jess claims that she doesn’t believe this, but then uses this word when she mistakenly thinks that Nick is part of the wedding “sabo” scheme. To prove Jess right Nick joins the terrible badger in the air duct plan, cue the best high pitched screaming you’ve ever heard coming from Nick as Bucky the Badger escapes. Also the badger is not rabid, he’s “just kind of a dick.”

Since an air duct is as good as place as any to have a heart to heart this is the location of one of several Nick and Jess relationship discussions. With each conversation as the episode progresses Nick pushes Jess further and further away; here he gets her to admit that there is a small part of her that thinks that what has occurred between them is a mistake. Jess admits that yes there is and this triggers Nick’s self destruct button, even if it is natural for someone to have doubts about a big change in a personal relationship like this one. This talk is abruptly cut short thanks to the air ducts giving way and they crash directly into the wedding ceremony. A shake of the head from Bob in Nick’s direction is the final straw and Nick thinks they should call it.

NG_ep225-sc5_09C4218Zooey Deschanel and Jake Johnson produce some of their strongest work in these emotional scenes, first as Jess tries to stop the tears from flowing as she agrees to call it. Both look devastated and don’t want to go through with it, but Nick and Jess have a habit of not saying the thing that they really want to say. We have seen this repeatedly this season, particularly in the incident with Russell and writing down what they mean to each other and then refusing to say. That was the last time they decided to call it and those middle school dance rules didn’t last for long.

The final scene is a romantic comedy at its best and once again both Deschanel and Johnson nail the emotion of the scene; it’s teary (“Before you say no, don’t say no”), super hot ( another all caps KISS) and funny. The laugh that breaks up the kiss is the opposite of the yelling make out session from “Quick Hardening Caulk” and mirrors the post-coital reaction at the end of “Virgins.” As I’ve mentioned previously the friends first aspect is really important with Nick and Jess; it’s refreshing to see an onscreen couple sharing moments like this as love doesn’t have to be tortured and deep all the time, sometimes it can be funny too.

A choice is made then, but not one that is clearly defined and I am happy with this decision by the New Girl writers. Nick and Jess don’t know where they are driving off to, but they are doing it together. One aspect that was surprising is how not bothered Winston and Schmidt are by this romantic development. I guess we have had their attempt at sabotage that ended badly, but showed Winston and Schmidt they have their own bond. Schmidt is disgruntled at Nick, but only because Nick is changing aspects about himself and not helping with the “sabo” plan (and yes Jess’ pink purse goes well with Nick’s suit). Winston is the person that pushes Nick into not taking the running away option, while he is slightly delirious from blood loss and Winston gets the best line of the episode – “Hey bartender! Can you call an ambulance? I’m about to bleed out. Thanks man!”

From this episode it would appear that in terms of the group the loft dynamic might not change all that much. Obviously the sleeping arrangements will be different and how Nick and Jess interact, but as a group they seem pretty solid. One point that has been repeated this season is that Winston is weird at pranks as he goes in way too hard or way too soft. There has also been a strong Winston/Schmidt bond of late and this showed in their teaming up together. Schmidt also had the opportunity to flash his most devious smile and there are some nice moments between Schmidt and Jess (“Was I?”), yes he does deserve to have his precious hair messed up bad.

NG_ep225-sc2_09C4865Schmidt claims that he is trying to ruin the wedding as a friend and it turns out that he did read the look on Cece’s face correctly. The problem of course is that Schmidt is with Elizabeth and they’ve got a good thing going. In a refreshing change from blaming “the other woman” Cece and Elizabeth are fine with each other and look to Schmidt to make a decision. When they don’t go for his listening to a Coldplay bootleg suggestion he goes for the Nick Miller running away option. Before we met Elizabeth I would have said Cece all the way, but Merritt Wever is such a good addition to the cast and what she brings out in Schmidt. It’s a hard choice and I can see why they went with no choice, plus it’s a season finale so you need to have some unresolved conundrums.

The wedding doesn’t go ahead and Shivrang isn’t heartbroken all thanks to guest star Taylor Swift. Swift plays Elaine, Shivrang’s true love and her appearance wasn’t the distraction I thought it could be. There’s also a pretty funny joke about their height difference and how she’s been writing in her journal and painting pictures of Shivrang on her easel.

Overall this was a really satisfying conclusion to this season and showcased all of New Girl’s strengths from how they have handled the “will they/won’t they” to the top notch physical comedy moments (Vulture has an excellent compilation from this season), all while focusing on the overall group dynamic. This finale could have felt overstuffed, but thanks to the pacing and balance between all the different storylines it topped off a fantastic year for New Girl.

 

New Girl and The Mindy Project: Season Finales and Fox Upfront Presentation

14 May

The Fox Upfront Presentation took place in New York yesterday and Fox introduced what new shows they will be airing next season – robots, National Treasure style mysteries, a Gavin & Stacy remake, a cop comedy and more. It is also a time when they bring out cast members of current shows. As it is the New Girl and The Mindy Project’s season finales tonight and because they both look adorable I wanted to share this delightful photo of Zooey Deschanel with Mindy Kaling that Deschanel posted to her Instagram yesterday.

Zooey Deschanel Mindy Kaling upfrontsBoth New Girl and The Mindy Project will remain on Tuesday night in the fall with new comedy shows Dads (I made it half way through the trailer, that laugh track is just the worst) and Brooklyn Nine-Nine (this is much more promising and is from the producers of Parks and Rec). As both New Girl and The Mindy Project have demonstrated comedy shows can take time to find their feet and so I am hopeful for at least one of these new offerings.

New Girl has also been given the much coveted post Super Bowl slot along with one of the freshman comedies (DadsBrooklyn Nine-Nine or Enlisted) and this can lead to a big ratings bump and high exposure.

NewGirl-Ep255_ElaineBigDay-Sc25_00304The big question for New Girl tonight is what will happen with Nick and Jess? Is Nick going to let his doubts about his self-worth get the better of him? Cece’s wedding is center stage and she has her own romantic entanglements with Schmidt to deal with. Plus Taylor Swift is turning up, possibly in an attempt to ruin the wedding. It’s all happening.

The Mindy Project is still figuring out what works and while there was a point around mid-season that I considered quitting this show, I’m glad I stuck around as the second half has been much stronger. This has a lot to do with the central pairing of Mindy and Danny (and not just because Chris Messina is dreamy). I don’t need to see them hooking up any time soon as their dynamic is interesting without these kinds of complications, but it’s good to know that when the inevitable happens they have built up their relationship from antagonists to friends (one shining moment from Danny is with the vending machine after Seth Rogen’s character left).

Over at The A.V. Club Todd VanDerWerff has an interesting proposal for how season 2 can improve using the model of Louie; reduce the ensemble size and focus on the lead. Mindy and Danny are the only two fully formed characters and sometimes aspects of the larger group don’t gel (and the show has already rejigged the cast). I am glad that despite less than stellar ratings The Mindy Project will return in the fall and hopefully produce more of what made the latter half of the season so enjoyable.

New York Magazine TV Issue

13 May

There are several publications that produce an annual TV issue and one of my favorites hits newsstands today (both the physical and digital kind as you can also get it in the iTunes store) and this is New York magazine. The past few years have seen covers featuring Tracey Morgan with Betty White, Amy Poehler and Jessica Paré dressed as Megan Draper. This year sees Michael Douglas gracing the cover promoting the much anticipated HBO Liberace biopic Behind the Candelabra (airing May 26).

NY Mag TV Issue

This issue also contains an in-depth interview with Breaking Bad showrunner Vince Gilligan as he previews the final episodes and discusses a variety of topics including happy endings, the quality of cable shows and the negative reaction to Skyler. Matt Zoller Seitz explores TV as a director’s medium, Hayden Panettiere talks Nashville, the much hyped return of Arrested Development is featured and a whole slew of faces from TV (both from behind and in front of the camera) reveal their television habits. You can read most of these articles over at New York magazine’s site but as a magazine purist (even when I have to buy a digital version) it’s worth getting the whole thing.    

BAFTA Television Awards 2013

13 May

Last night at London’s Southbank Centre the 2013 BAFTA television awards took place and the best of British television (and Made in Chelsea) was celebrated.

Olivia Colman with two TV Baftas

The incredible Olivia Colman took home two awards for very different roles; Best Supporting Actress for Jimmy McGovern’s Accused and Best Female in a Comedy Programme for the Olympic satire Twenty Twelve. Colman is an incredibly versatile actress showing that she can excel in both comedy and drama and I’m glad to see her honored for both of these roles. Colman dedicated one of these awards to co-star Anne Marie Duff coming up with a wonderful hybrid name for them “Annmoliviacolmuff.” Coleman looked stunning in an aubergine Vivienne Westwood gown as she collected both awards.

In the other drama categories Shakespeare was a big hit with The Hour’s Ben Whishaw winning for his portrayal of Richard II and Simon Russell Beale won in the supporting category for playing Falstaff in Henry IV Part 2. Whishaw spoke backstage to the BBC about the positive reception to this venture and why Shakespeare is still important to a wide audience “Of course he didn’t write plays for a few people – he was writing for mass audience, so I think it’s very important that television touches on all the great literature in the world.”

Sienna Miller

A couple of surprises include both of the HBO/BBC joint ventures Parade’s End and The Girl going home with nothing. Sienna Miller showed once again that she can work a red carpet (after being one of the only actresses to truly get the punk theme at last week’s Met Gala) in a Matthew Williamson mint green dress that reflects the era and her role as Tippi Hedren in The Girl. Miller might not have won the big prize but she did win in the fashion stakes.

The Best International category has been dominated by Danish shows over the past few years with both the excellent Borgen and Forbrydelsen taking home the big prize. The Bridge couldn’t recapture the Scandinavian magic and this year saw Girls beat out Homeland and Game of ThronesGame of Thrones still managed to scoop a prize as it won the public voted Radio Times Audience Award.

Clare Balding

The Special Award of the night went to Clare Balding; Olympic and Paralympic presenter and all round amazing woman. Balding’s speech touched upon everything that made 2012 such a special year and I can’t think of anyone else more deserving.

For a full list of winners head here.

Out of the Box: Look of the Week

10 May

It’s been a month since TV Ate My Wardrobe launched and so before I get to the “Look of the Week” I just want to say thanks to everyone who has stopped by. To the “Look of the Week” and as always this is a snapshot of what I have been watching and each pick is for a variety of reasons including; what it adds to the storyline, what it tells us about the characters involved or simply because it looks good. I’m already missing the wigs and 80s styling on The Americans and the April Ludgate clothes I covet on Parks and Recreation (but so happy that Parks got picked up for season 6 yesterday). This week’s winner is slightly different than normal as it is a place rather than a person.

Winner: The Bathroom in Hannibal “Sorbet”

Hannibal bathroomThis is the first time that a location has been given “Look of the Week” and once again the costuming on Hannibal was exceptional (as was the discussion about Hannibal wearing a “person suit”) but it feels like a good time to shine a light on Hannibal’s fantastic sets. If you follow Hannibal showrunner Bryan Fuller on Twitter (and you really should) you will already know that the above image is a reference to Room Number 237 in The Shining. This isn’t the first set that is an homage to the Stanley Kubrick film as the pilot’s red bathroom was also a nod to the Overlook. Here is a confession; I have never seen The Shining the whole way through (I did read the book a few months ago) and this is something that I will rectify soon. Even without the knowledge of where the look of this set comes from I was still very drawn to the chaos of the tiles particularly when Will is sat in front of them; it feels like the chaos in his mind as Jack pushes him closer to the edge.

Hannibal is visually stunning from the costuming to the set design and if it doesn’t get renewed by NBC then we will be losing a show that is outstanding on every level.

Runner Up: Jess Day on New Girl “Winston’s Birthday”

NG_ep224-sc23_09C8338This outfit in “Winston’s Birthday” is typically Jess; a pretty dress and cardigan combo. The reason why I have chosen it is thanks to the rising number of sites that tell us where you can buy something you have seen on a show (and because it’s something that I would wear). This started in 2000 when ASOS.com launched and was called As Seen on Screen and they sold clothes that featured in films and TV shows (or cheaper alternatives). Now instead of a site that sells the clothes there are blogs that tell you where you can buy these outfits from. InStyle also has a “Found It” column and often features clothing from New Girl that tells you what brand the clothing is. The combination of the mint green (Jessica Simpson) dress and yellow (Kate Spade) cardigan has a calming influence, something that Jess needs as she tries to juggle multiple things at once in this episode.

Runner Up: Megan Draper on Mad Men “For Immediate Release”

MM_606_MY_0116_0632Megan is a divisive character on Mad Man but I am firmly on Team Zou Bisou Bisou. Initially this comes from her main introduction when she comforted Sally after she had fallen in the middle of the SCDP office in the season 4 episode “The Beautiful Girls.” The other reason is because Megan gets to wear all of the high end, really fashionable (for the 1960s) clothes because she is the most fashion forward character. Janie Bryant has done a terrific job of finding really stunning pieces and as the patterns get bolder so does Megan’s style. This is a different twist on last week which saw Megan in a dress that could have been inspired by I Dream of Jeannie; instead this metallic dress evokes the space travel obsession of this era. There are earlier complaints in the episode that rockets are all anyone wants in advertising but the same can also be said for fashion at this time. You can’t see it from the above photo but this is also the shortest hemline we have seen Megan in as she takes her mother’s advice and gets her husband to think about seeing her as more than just a wife.

Runner Up: Oliver Queen and Felicity Smoak on Arrow “Darkness on the Edge of Town”

ArrowIt’s the penultimate episode of Arrow and this first season has been a fun ride; “Darkness on the Edge of Town” featured a sequence that was so slick and enjoyable that I thought I was watching a White Collar heist. This is compliment as one thing White Collar excels at is getting Neal Caffrey in and out of dangerous situations. Back to Arrow and the Oliver, Diggle, Felicity team has been reunited and nothing says “Let’s celebrate” like messing with a computer in a highly guarded building. Costuming wise Oliver gets to look great in a suit (standard), Diggle plays security guard and Felicity is a delivery girl. The pairing of Oliver and Felicity exposes an Arrow weakness and that is the lack of chemistry between Oliver and Laurel, who are meant to be the central love story. Instead it is Oliver and Felicity that have a great rapport and this has me rooting against the couple I’m meant to be rooting for. Felicity is wonderfully awkward in the scene where she has to hang onto Oliver as when he tells her to “Hold on to me tight” she responds with “I imagined you saying that under different circumstances. Very platonic circumstances.” 

Who would you choose as your look of the week?

New Girl and the Worthiness of Nick Miller

8 May

New Girl tackled the morning after with the confidence that we have seen all year, confidence that Nick Miller is not in possession of by the end of the episode. Last season it was all about Schmidt, season 2 has been about the evolution of Nick but can he get out of his head for long enough to realize that he isn’t the ‘no ambition screw up’ that he fears that he is?

On Twitter last night New Yorker’s TV critic Emily Nussbaum asked “I need people to explain why Nick’s a colossal fuckup. He’s great in bed. He’s funny. He seems like a decent fellow. What am I missing?” This is the inspiration for this piece as I try to examine why Nick is considered to be this way in both his eyes and those around him.

NG_Ep217_sc25_0647

The moment when we really started to learn who Nick Miller is, beyond the law school quitting, grouchy bar tender was in last season’s excellent episode “Injured” that dealt with his cancer scare. In this episode a drugged up Nick revealed the core of why he doesn’t go for things telling Jess “I can’t just jump into something if I don’t know what’s going to happen, I never have been that guy. I’m the guy that if I don’t know what’s going to happen I don’t do it. Ever. I don’t care how bad I want to do it. I don’t do it.” By the end of this episode Nick acknowledges that this isn’t the way to live and he has to start doing things; Nick has been doing this all year a little bit at a time. The Kiss in “Cooler” was the starting point for Nick doing this and last week’s grand elevator moment continued this un-Nick like approach of going for things without thinking about the “What next?”

It’s the “What’s next?” that doesn’t really happen in last night’s episode as New Girl threw up many obstacles to stop Nick and Jess from having this all important chat and as it’s the finale next week that conversation is definitely coming. Nick spent the day with Jess’ dad Bob (the wonderful Rob Reiner) and after he’d shared such a good day of beer, sandwiches and talking about Yolanda Winston, Nick felt like he had Bob’s approval and revealed that Yolanda is actually Jess. Bob’s instant switcheroo from loving Nick to wanting him away from his daughter is the kind of moment that will stay with Nick; even he denies that Bob’s disapproval has got to him. Nick worried that he is like his own father and when Bob tells him that no, Nick is like him this has just the same impact of making Nick feel unworthy.

Nick isn’t his father though and he isn’t Bob either, even if they have some similar qualities and this feels like Bob imprinting his own failures onto Nick. They showed a different side of Nick when he went home to Chicago; there he is the responsible one who held his family together. He also finished his zombie novel (“Z is for Zombie”) even if it is terrible and contains a word search with no words. Nick is still trying to figure out how to define himself when it comes to his career, law school wasn’t for him and while he might not be the next Ernest Hemingway it’s not a lack of ambition that has him working at the bar. Jake Johnson does a great job of conveying all of Nick’s fears about his life plan (or lack thereof) and it would be a fantastic reflection of his work this season if he gets an Emmy nomination (and sensibly he’s submitted himself in the non-Modern Family crowded Lead Actor category this year).

Nick and Jess

One reason why Nick and Jess are a really great match — other than their chemistry of course — is because they started as friends first. They know what the other fears and have been there for each other when things aren’t going so well. At the start of the season Jess was made redundant from a job that she felt defined her, Nick told her that “Life sucks and then it gets better and then it sucks again and then it just sucks.” Not the most upbeat of advice but what he’s telling her is that she will be fine. In last night’s episode Jess gets an interview to teach children again, or rather she has to sub a class of unruly kids and it looks like Jess will be back in a similar job to the one she had last season.

Jess echoes what Nick said back in that first episode of season 2 by announcing to the kids how the day started out so well but this has quickly changed as “Life’s messy. It kicks you in the ass.” It’s the follow up part that is important as she tells them that the “messy parts are the best parts.” While she doesn’t really get to talk to Nick properly about their situation, what she says to a temporarily bearded Cece (who understandably doesn’t care about Jess’ Nick drama in that moment) is worth noting “I think it might be the start of something really amazing. I don’t want to get my hopes up, it could be something, it could not be something.” The uncertainty about what this could be is what is fuelling both the fear and the desire and it’s Nick’s own insecurities about who he is that magnifies these worries.

One thing that Nick does get to do is give Jess the breakfast he had made her in the morning (grapefruit, pie, eggs), but they are once again interrupted before they can talk things out. One thing is clear, Nick is worthy of Jess he just has to believe that he is.

Variety

Entertainment news, film reviews, awards, film festivals, box office, entertainment industry conferences

Julie Hammerle

Nerds Need Love Too

Sofa and Remote

I love talking about TV as much as I love watching it

Ellie Writes Stuff

About this and that

Twitter Music Club

A rotation curation music club, based on Twitter, mainly for Kiwis

INTO ROW Z

If you enjoy a challenge, like Claude Makélélé, read my blog. Its about sport.

lost somewhere in new york city

We rock a lot of polka dots

sankles

We rock a lot of polka dots

frocktalk.com/

Just another WordPress.com site

Cultural Learnings

Television Reviews and Analysis

judgmental observer

film, tv, popular culture, higher ed, unicorns

Rookie

We rock a lot of polka dots

The Frisky

We rock a lot of polka dots

Tell Us a Story

stories about true things