New Girl Season 2 Finale: Making a Choice

15 May

“Where did we come from? Where do we go?”

Life’s big question as perfectly as asked by the song “Cotton-Eye Joe” (and yes I’m having some serious high school dance flashbacks) and one that ended season 2 of New Girl on a high as it rounded out a fantastic year. The strength of the finale and the show is not just about the Nick and Jess pairing, but the group as a whole and this episode highlights why New Girl is so much fun to watch. It’s chaotic and messy but as Jess told a class of kids last week the “messy parts are the best parts.”

NG_ep225_sc1_0074Since “Cooler” there has been a lot of tiptoeing around how Nick and Jess really feel about each other; they are friends and there is a strong sexual attraction. Beyond that they have had problems verbalizing their feelings and after Bob’s disapproving speech last week this put the emphasis on Nick’s lack of self-worth. This is emphasized in the finale when Jess first mentions that her father has referred to Nick as a child. Jess claims that she doesn’t believe this, but then uses this word when she mistakenly thinks that Nick is part of the wedding “sabo” scheme. To prove Jess right Nick joins the terrible badger in the air duct plan, cue the best high pitched screaming you’ve ever heard coming from Nick as Bucky the Badger escapes. Also the badger is not rabid, he’s “just kind of a dick.”

Since an air duct is as good as place as any to have a heart to heart this is the location of one of several Nick and Jess relationship discussions. With each conversation as the episode progresses Nick pushes Jess further and further away; here he gets her to admit that there is a small part of her that thinks that what has occurred between them is a mistake. Jess admits that yes there is and this triggers Nick’s self destruct button, even if it is natural for someone to have doubts about a big change in a personal relationship like this one. This talk is abruptly cut short thanks to the air ducts giving way and they crash directly into the wedding ceremony. A shake of the head from Bob in Nick’s direction is the final straw and Nick thinks they should call it.

NG_ep225-sc5_09C4218Zooey Deschanel and Jake Johnson produce some of their strongest work in these emotional scenes, first as Jess tries to stop the tears from flowing as she agrees to call it. Both look devastated and don’t want to go through with it, but Nick and Jess have a habit of not saying the thing that they really want to say. We have seen this repeatedly this season, particularly in the incident with Russell and writing down what they mean to each other and then refusing to say. That was the last time they decided to call it and those middle school dance rules didn’t last for long.

The final scene is a romantic comedy at its best and once again both Deschanel and Johnson nail the emotion of the scene; it’s teary (“Before you say no, don’t say no”), super hot ( another all caps KISS) and funny. The laugh that breaks up the kiss is the opposite of the yelling make out session from “Quick Hardening Caulk” and mirrors the post-coital reaction at the end of “Virgins.” As I’ve mentioned previously the friends first aspect is really important with Nick and Jess; it’s refreshing to see an onscreen couple sharing moments like this as love doesn’t have to be tortured and deep all the time, sometimes it can be funny too.

A choice is made then, but not one that is clearly defined and I am happy with this decision by the New Girl writers. Nick and Jess don’t know where they are driving off to, but they are doing it together. One aspect that was surprising is how not bothered Winston and Schmidt are by this romantic development. I guess we have had their attempt at sabotage that ended badly, but showed Winston and Schmidt they have their own bond. Schmidt is disgruntled at Nick, but only because Nick is changing aspects about himself and not helping with the “sabo” plan (and yes Jess’ pink purse goes well with Nick’s suit). Winston is the person that pushes Nick into not taking the running away option, while he is slightly delirious from blood loss and Winston gets the best line of the episode – “Hey bartender! Can you call an ambulance? I’m about to bleed out. Thanks man!”

From this episode it would appear that in terms of the group the loft dynamic might not change all that much. Obviously the sleeping arrangements will be different and how Nick and Jess interact, but as a group they seem pretty solid. One point that has been repeated this season is that Winston is weird at pranks as he goes in way too hard or way too soft. There has also been a strong Winston/Schmidt bond of late and this showed in their teaming up together. Schmidt also had the opportunity to flash his most devious smile and there are some nice moments between Schmidt and Jess (“Was I?”), yes he does deserve to have his precious hair messed up bad.

NG_ep225-sc2_09C4865Schmidt claims that he is trying to ruin the wedding as a friend and it turns out that he did read the look on Cece’s face correctly. The problem of course is that Schmidt is with Elizabeth and they’ve got a good thing going. In a refreshing change from blaming “the other woman” Cece and Elizabeth are fine with each other and look to Schmidt to make a decision. When they don’t go for his listening to a Coldplay bootleg suggestion he goes for the Nick Miller running away option. Before we met Elizabeth I would have said Cece all the way, but Merritt Wever is such a good addition to the cast and what she brings out in Schmidt. It’s a hard choice and I can see why they went with no choice, plus it’s a season finale so you need to have some unresolved conundrums.

The wedding doesn’t go ahead and Shivrang isn’t heartbroken all thanks to guest star Taylor Swift. Swift plays Elaine, Shivrang’s true love and her appearance wasn’t the distraction I thought it could be. There’s also a pretty funny joke about their height difference and how she’s been writing in her journal and painting pictures of Shivrang on her easel.

Overall this was a really satisfying conclusion to this season and showcased all of New Girl’s strengths from how they have handled the “will they/won’t they” to the top notch physical comedy moments (Vulture has an excellent compilation from this season), all while focusing on the overall group dynamic. This finale could have felt overstuffed, but thanks to the pacing and balance between all the different storylines it topped off a fantastic year for New Girl.

 

New Girl and The Mindy Project: Season Finales and Fox Upfront Presentation

14 May

The Fox Upfront Presentation took place in New York yesterday and Fox introduced what new shows they will be airing next season – robots, National Treasure style mysteries, a Gavin & Stacy remake, a cop comedy and more. It is also a time when they bring out cast members of current shows. As it is the New Girl and The Mindy Project’s season finales tonight and because they both look adorable I wanted to share this delightful photo of Zooey Deschanel with Mindy Kaling that Deschanel posted to her Instagram yesterday.

Zooey Deschanel Mindy Kaling upfrontsBoth New Girl and The Mindy Project will remain on Tuesday night in the fall with new comedy shows Dads (I made it half way through the trailer, that laugh track is just the worst) and Brooklyn Nine-Nine (this is much more promising and is from the producers of Parks and Rec). As both New Girl and The Mindy Project have demonstrated comedy shows can take time to find their feet and so I am hopeful for at least one of these new offerings.

New Girl has also been given the much coveted post Super Bowl slot along with one of the freshman comedies (DadsBrooklyn Nine-Nine or Enlisted) and this can lead to a big ratings bump and high exposure.

NewGirl-Ep255_ElaineBigDay-Sc25_00304The big question for New Girl tonight is what will happen with Nick and Jess? Is Nick going to let his doubts about his self-worth get the better of him? Cece’s wedding is center stage and she has her own romantic entanglements with Schmidt to deal with. Plus Taylor Swift is turning up, possibly in an attempt to ruin the wedding. It’s all happening.

The Mindy Project is still figuring out what works and while there was a point around mid-season that I considered quitting this show, I’m glad I stuck around as the second half has been much stronger. This has a lot to do with the central pairing of Mindy and Danny (and not just because Chris Messina is dreamy). I don’t need to see them hooking up any time soon as their dynamic is interesting without these kinds of complications, but it’s good to know that when the inevitable happens they have built up their relationship from antagonists to friends (one shining moment from Danny is with the vending machine after Seth Rogen’s character left).

Over at The A.V. Club Todd VanDerWerff has an interesting proposal for how season 2 can improve using the model of Louie; reduce the ensemble size and focus on the lead. Mindy and Danny are the only two fully formed characters and sometimes aspects of the larger group don’t gel (and the show has already rejigged the cast). I am glad that despite less than stellar ratings The Mindy Project will return in the fall and hopefully produce more of what made the latter half of the season so enjoyable.

New York Magazine TV Issue

13 May

There are several publications that produce an annual TV issue and one of my favorites hits newsstands today (both the physical and digital kind as you can also get it in the iTunes store) and this is New York magazine. The past few years have seen covers featuring Tracey Morgan with Betty White, Amy Poehler and Jessica Paré dressed as Megan Draper. This year sees Michael Douglas gracing the cover promoting the much anticipated HBO Liberace biopic Behind the Candelabra (airing May 26).

NY Mag TV Issue

This issue also contains an in-depth interview with Breaking Bad showrunner Vince Gilligan as he previews the final episodes and discusses a variety of topics including happy endings, the quality of cable shows and the negative reaction to Skyler. Matt Zoller Seitz explores TV as a director’s medium, Hayden Panettiere talks Nashville, the much hyped return of Arrested Development is featured and a whole slew of faces from TV (both from behind and in front of the camera) reveal their television habits. You can read most of these articles over at New York magazine’s site but as a magazine purist (even when I have to buy a digital version) it’s worth getting the whole thing.    

BAFTA Television Awards 2013

13 May

Last night at London’s Southbank Centre the 2013 BAFTA television awards took place and the best of British television (and Made in Chelsea) was celebrated.

Olivia Colman with two TV Baftas

The incredible Olivia Colman took home two awards for very different roles; Best Supporting Actress for Jimmy McGovern’s Accused and Best Female in a Comedy Programme for the Olympic satire Twenty Twelve. Colman is an incredibly versatile actress showing that she can excel in both comedy and drama and I’m glad to see her honored for both of these roles. Colman dedicated one of these awards to co-star Anne Marie Duff coming up with a wonderful hybrid name for them “Annmoliviacolmuff.” Coleman looked stunning in an aubergine Vivienne Westwood gown as she collected both awards.

In the other drama categories Shakespeare was a big hit with The Hour’s Ben Whishaw winning for his portrayal of Richard II and Simon Russell Beale won in the supporting category for playing Falstaff in Henry IV Part 2. Whishaw spoke backstage to the BBC about the positive reception to this venture and why Shakespeare is still important to a wide audience “Of course he didn’t write plays for a few people – he was writing for mass audience, so I think it’s very important that television touches on all the great literature in the world.”

Sienna Miller

A couple of surprises include both of the HBO/BBC joint ventures Parade’s End and The Girl going home with nothing. Sienna Miller showed once again that she can work a red carpet (after being one of the only actresses to truly get the punk theme at last week’s Met Gala) in a Matthew Williamson mint green dress that reflects the era and her role as Tippi Hedren in The Girl. Miller might not have won the big prize but she did win in the fashion stakes.

The Best International category has been dominated by Danish shows over the past few years with both the excellent Borgen and Forbrydelsen taking home the big prize. The Bridge couldn’t recapture the Scandinavian magic and this year saw Girls beat out Homeland and Game of ThronesGame of Thrones still managed to scoop a prize as it won the public voted Radio Times Audience Award.

Clare Balding

The Special Award of the night went to Clare Balding; Olympic and Paralympic presenter and all round amazing woman. Balding’s speech touched upon everything that made 2012 such a special year and I can’t think of anyone else more deserving.

For a full list of winners head here.

Out of the Box: Look of the Week

10 May

It’s been a month since TV Ate My Wardrobe launched and so before I get to the “Look of the Week” I just want to say thanks to everyone who has stopped by. To the “Look of the Week” and as always this is a snapshot of what I have been watching and each pick is for a variety of reasons including; what it adds to the storyline, what it tells us about the characters involved or simply because it looks good. I’m already missing the wigs and 80s styling on The Americans and the April Ludgate clothes I covet on Parks and Recreation (but so happy that Parks got picked up for season 6 yesterday). This week’s winner is slightly different than normal as it is a place rather than a person.

Winner: The Bathroom in Hannibal “Sorbet”

Hannibal bathroomThis is the first time that a location has been given “Look of the Week” and once again the costuming on Hannibal was exceptional (as was the discussion about Hannibal wearing a “person suit”) but it feels like a good time to shine a light on Hannibal’s fantastic sets. If you follow Hannibal showrunner Bryan Fuller on Twitter (and you really should) you will already know that the above image is a reference to Room Number 237 in The Shining. This isn’t the first set that is an homage to the Stanley Kubrick film as the pilot’s red bathroom was also a nod to the Overlook. Here is a confession; I have never seen The Shining the whole way through (I did read the book a few months ago) and this is something that I will rectify soon. Even without the knowledge of where the look of this set comes from I was still very drawn to the chaos of the tiles particularly when Will is sat in front of them; it feels like the chaos in his mind as Jack pushes him closer to the edge.

Hannibal is visually stunning from the costuming to the set design and if it doesn’t get renewed by NBC then we will be losing a show that is outstanding on every level.

Runner Up: Jess Day on New Girl “Winston’s Birthday”

NG_ep224-sc23_09C8338This outfit in “Winston’s Birthday” is typically Jess; a pretty dress and cardigan combo. The reason why I have chosen it is thanks to the rising number of sites that tell us where you can buy something you have seen on a show (and because it’s something that I would wear). This started in 2000 when ASOS.com launched and was called As Seen on Screen and they sold clothes that featured in films and TV shows (or cheaper alternatives). Now instead of a site that sells the clothes there are blogs that tell you where you can buy these outfits from. InStyle also has a “Found It” column and often features clothing from New Girl that tells you what brand the clothing is. The combination of the mint green (Jessica Simpson) dress and yellow (Kate Spade) cardigan has a calming influence, something that Jess needs as she tries to juggle multiple things at once in this episode.

Runner Up: Megan Draper on Mad Men “For Immediate Release”

MM_606_MY_0116_0632Megan is a divisive character on Mad Man but I am firmly on Team Zou Bisou Bisou. Initially this comes from her main introduction when she comforted Sally after she had fallen in the middle of the SCDP office in the season 4 episode “The Beautiful Girls.” The other reason is because Megan gets to wear all of the high end, really fashionable (for the 1960s) clothes because she is the most fashion forward character. Janie Bryant has done a terrific job of finding really stunning pieces and as the patterns get bolder so does Megan’s style. This is a different twist on last week which saw Megan in a dress that could have been inspired by I Dream of Jeannie; instead this metallic dress evokes the space travel obsession of this era. There are earlier complaints in the episode that rockets are all anyone wants in advertising but the same can also be said for fashion at this time. You can’t see it from the above photo but this is also the shortest hemline we have seen Megan in as she takes her mother’s advice and gets her husband to think about seeing her as more than just a wife.

Runner Up: Oliver Queen and Felicity Smoak on Arrow “Darkness on the Edge of Town”

ArrowIt’s the penultimate episode of Arrow and this first season has been a fun ride; “Darkness on the Edge of Town” featured a sequence that was so slick and enjoyable that I thought I was watching a White Collar heist. This is compliment as one thing White Collar excels at is getting Neal Caffrey in and out of dangerous situations. Back to Arrow and the Oliver, Diggle, Felicity team has been reunited and nothing says “Let’s celebrate” like messing with a computer in a highly guarded building. Costuming wise Oliver gets to look great in a suit (standard), Diggle plays security guard and Felicity is a delivery girl. The pairing of Oliver and Felicity exposes an Arrow weakness and that is the lack of chemistry between Oliver and Laurel, who are meant to be the central love story. Instead it is Oliver and Felicity that have a great rapport and this has me rooting against the couple I’m meant to be rooting for. Felicity is wonderfully awkward in the scene where she has to hang onto Oliver as when he tells her to “Hold on to me tight” she responds with “I imagined you saying that under different circumstances. Very platonic circumstances.” 

Who would you choose as your look of the week?

New Girl and the Worthiness of Nick Miller

8 May

New Girl tackled the morning after with the confidence that we have seen all year, confidence that Nick Miller is not in possession of by the end of the episode. Last season it was all about Schmidt, season 2 has been about the evolution of Nick but can he get out of his head for long enough to realize that he isn’t the ‘no ambition screw up’ that he fears that he is?

On Twitter last night New Yorker’s TV critic Emily Nussbaum asked “I need people to explain why Nick’s a colossal fuckup. He’s great in bed. He’s funny. He seems like a decent fellow. What am I missing?” This is the inspiration for this piece as I try to examine why Nick is considered to be this way in both his eyes and those around him.

NG_Ep217_sc25_0647

The moment when we really started to learn who Nick Miller is, beyond the law school quitting, grouchy bar tender was in last season’s excellent episode “Injured” that dealt with his cancer scare. In this episode a drugged up Nick revealed the core of why he doesn’t go for things telling Jess “I can’t just jump into something if I don’t know what’s going to happen, I never have been that guy. I’m the guy that if I don’t know what’s going to happen I don’t do it. Ever. I don’t care how bad I want to do it. I don’t do it.” By the end of this episode Nick acknowledges that this isn’t the way to live and he has to start doing things; Nick has been doing this all year a little bit at a time. The Kiss in “Cooler” was the starting point for Nick doing this and last week’s grand elevator moment continued this un-Nick like approach of going for things without thinking about the “What next?”

It’s the “What’s next?” that doesn’t really happen in last night’s episode as New Girl threw up many obstacles to stop Nick and Jess from having this all important chat and as it’s the finale next week that conversation is definitely coming. Nick spent the day with Jess’ dad Bob (the wonderful Rob Reiner) and after he’d shared such a good day of beer, sandwiches and talking about Yolanda Winston, Nick felt like he had Bob’s approval and revealed that Yolanda is actually Jess. Bob’s instant switcheroo from loving Nick to wanting him away from his daughter is the kind of moment that will stay with Nick; even he denies that Bob’s disapproval has got to him. Nick worried that he is like his own father and when Bob tells him that no, Nick is like him this has just the same impact of making Nick feel unworthy.

Nick isn’t his father though and he isn’t Bob either, even if they have some similar qualities and this feels like Bob imprinting his own failures onto Nick. They showed a different side of Nick when he went home to Chicago; there he is the responsible one who held his family together. He also finished his zombie novel (“Z is for Zombie”) even if it is terrible and contains a word search with no words. Nick is still trying to figure out how to define himself when it comes to his career, law school wasn’t for him and while he might not be the next Ernest Hemingway it’s not a lack of ambition that has him working at the bar. Jake Johnson does a great job of conveying all of Nick’s fears about his life plan (or lack thereof) and it would be a fantastic reflection of his work this season if he gets an Emmy nomination (and sensibly he’s submitted himself in the non-Modern Family crowded Lead Actor category this year).

Nick and Jess

One reason why Nick and Jess are a really great match — other than their chemistry of course — is because they started as friends first. They know what the other fears and have been there for each other when things aren’t going so well. At the start of the season Jess was made redundant from a job that she felt defined her, Nick told her that “Life sucks and then it gets better and then it sucks again and then it just sucks.” Not the most upbeat of advice but what he’s telling her is that she will be fine. In last night’s episode Jess gets an interview to teach children again, or rather she has to sub a class of unruly kids and it looks like Jess will be back in a similar job to the one she had last season.

Jess echoes what Nick said back in that first episode of season 2 by announcing to the kids how the day started out so well but this has quickly changed as “Life’s messy. It kicks you in the ass.” It’s the follow up part that is important as she tells them that the “messy parts are the best parts.” While she doesn’t really get to talk to Nick properly about their situation, what she says to a temporarily bearded Cece (who understandably doesn’t care about Jess’ Nick drama in that moment) is worth noting “I think it might be the start of something really amazing. I don’t want to get my hopes up, it could be something, it could not be something.” The uncertainty about what this could be is what is fuelling both the fear and the desire and it’s Nick’s own insecurities about who he is that magnifies these worries.

One thing that Nick does get to do is give Jess the breakfast he had made her in the morning (grapefruit, pie, eggs), but they are once again interrupted before they can talk things out. One thing is clear, Nick is worthy of Jess he just has to believe that he is.

John Krasinski vs. Jimmy Fallon: A Battle of Lip Syncing

8 May

There are just two episodes of The Office left which means that the cast are doing the late-night talk show rounds to promote the show. Last night John Krasinski (sporting a lovely post-Office beard) stopped by Late Night with Jimmy Fallon. Krasinski introduced the world to lip sync battle; a game that gave both John Krasinski and Jimmy Fallon a chance to show off their best lip sync skills. A range of songs were performed from several genres giving both men the opportunity to try and out emote the other. As with most of the games on Late Night this segment is a lot of fun, especially when you get to the Boyz II Men big finish (involving some clothing removal). There will be swooning.

TV’s Women of Comedy Shine at the 2013 Met Gala

7 May

Last night the 2013 Met Gala was held in New York City at the Metropolitan Museum of Art and while all eyes were on what Beyonce, Madonna and Gwyneth Paltrow were wearing, here at TV Ate My Wardrobe we want to highlight what the women of television were wearing. Actresses from both comedy and drama were at the event and as this is meant to be fun night of outlandish and creative fashion we’re going to focus on the women of comedy.

The theme of the night was “Punk” as the Costume of Institute Gala celebrates the opening of Punk: Chaos to Couture; an exhibition examining the impact that punk has had on high fashion from the 1970s to the present day.

It’s a broad theme and as you will see from the variety of outfits and some took this to mean dramatic make-up, whereas others like Miley Cyrus embraced the punk look from head to toe.

Lena-Dunham-Met-Gala-2013Girls creator and star Lena Dunham arrived at the event in Erdem and with designer Erdem Moralioglu in a black floor length gown with a polka dot (!) mesh panel. This panel meant that you could see Dunham’s back tattoo and worked well with the punk theme. The combination of the floral print on the dress and the polka dot is pattern clashing at its best and this is my favorite red carpet look of the night. Both her make-up and hair are simple, opting for smokey eyes that were a bang on trend at the Gala (darker make-up equals punk in the fashion world).

Aubrey Plaza metAubrey Plaza has featured several times on TV Ate My Wardrobe’s “Look of the Week” list for her April Ludgate costumes that I covert and while this outfit isn’t something you would see on Parks and Recreation, it is also one of my favorite ensembles of the evening. Plaza was dressed by Vogue magazine in a Marios Schwab dress with Barbara Bui heels. A dress with a built in cape satisfies my inner superhero and one that sparkles as much as this does is an instant hit.

Zooey Deschanel Met Zooey Deschanel’s one shouldered Tommy Hilfiger might not automatically suggest anything remotely punk, but her clutch purse featuring an image of a safety pin in hot pink adds a slight punk edge to this classic look. Deschanel doesn’t go for the heavy make-up approach and she’s also ditched her famous bangs for the evening giving a fresh face appeal. Like many others on this red carpet Deschanel hasn’t fully embraced the theme, but the New Girl star looks elegant with a dash of punk with her purse.

mindy and BJMindy Kaling (seen above with Mindy Project/The Office co-star B.J. Novak) joked to Popsugar TV that she was the “antitheses of punk” as she couldn’t stop smiling on the red carpet. Kaling also claims that the most punk thing she did when she was growing up was to stay up late to watch Saturday Night Live. This early foray into television comedy has certainly paid off as after a rocky start, The Mindy Project has found its feet and is my favorite new comedy of the year (though sadly it doesn’t have much competition). Kaling embraced the smokey eyes and photos on her Twitter page reveal a close look at her hair and make-up (bonus sparkles). Bold lips and eyes can be hard to pull off, but Kaling does just this. There were a lot of updos but Kaling rocks a textured hair down approach which goes with the make-up and dress choice (you can follow Kylee Heath who did Kaling’s hair on Twitter).

Taylor Swift MetThis last addition is cheating a little, but as Taylor Swift is appearing on the New Girl season finale next week her inclusion doesn’t feel too outlandish. Plus she looks really great and different from the usual sweet Taylor that we see on the red carpet. Wearing a black J. Mendel gown with mesh cutouts, Swift is one of the starlets that looks more punk than her usual appearance. This is another example of heavy eyeliner and dark eyeshadow, which was rather ubiquitous at the Gala and it strikes a nice balance with the soft pink lip color. Like Kaling, Swift has gone for ruffled hair and she’s also added a subtle dash of pink to her blond locks.

Mad Men Music Monday

6 May

We return to “Mad Men Music Monday” with a song that played as we got a look at the Chevrolet lobby in Detroit on this very fun episode of Mad Men. This recalls the caper type atmosphere of the season 3 finale “Shut the Door, Have a Seat” this song worked perfectly to emphasise those elements that are occurring once again. The band Mitch Ryder & the Detroit Wheels points to the car manufacturing headquarters they are visiting and the lyric “I ain’t masochistic but why do I dig the pain?” sums up Don in a rather succinct fashion. “For Immediate Release” is a huge turning point for this season and I’m glad we can associate it with this fun song “Baby Jane (Mo Mo Jane).”

Also this has nothing to do with the music on Mad Men but this gif from “For Immediate Release” might overtake my previous favorite Pete Campbell gif where he dances alone in his office.

Parks and Recreation Season 5 Finale “Are You Better Off?”

3 May

The Parks and Recreation season 5 finale asks the town of Pawnee “Are You Better Off Than a Year Ago?” This time last year I hadn’t watched any of Parks and Recreation and now it features in my top five shows, so my answer to this question is an emphatic “Yes.” Summer is the time for enjoying warmer weather, but it’s the perfect opportunity to catch up on those shows that everyone is talking about that you somehow missed (there is a project for this year that I will announce soon). Parks and Rec was the 2012 choice (along with copious amounts of the Olympics) and after a bumpy start, I quickly fell in love with these characters and Pawnee.

There are two different types of marathon watches; the show that has finished (I just watched all of The West Wing for the first time recently) and the show that is still on air. Parks and Rec obviously falls into the latter category and that means going from a season in a week to an episode a week. I now also have to suffer through the “will it get renewed?” nerves. Thankfully this Vulture article has soothed any worries I had (and really at this point it’s still a good show for NBC to have despite the low ratings).

Parks and Rec finaleBack to the finale now that you’ve had my history of how I started watching this show and while the end of season 5 was perhaps more muted than Leslie’s triumphant victory last year or Li’l Sebastian’s memorial that closed out season 3, it showcased everything that makes Parks and Rec one of the funniest and smartest sitcoms. There’s no other comedy that makes me laugh or get teary as much as this one and that’s because they have created a well rounded group of characters for us to laugh with and cheer on with their endeavors. Each of these characters has progressed from where we left them at the end of season 4, so when Leslie asks this question to the town they can all answer yes even if over 300 people are mad at the changers that Leslie has made and now want to recall her.

April’s story has been the stand out for me as she started the year in Washington D.C. as Ben’s assistant while he worked on a campaign and she’s now been accepted into veterinary school. Animals have always been preferable to April (“I hate people”) and the gradual move towards this career hasn’t felt forced. She still gets to be the same April who suggests burning Rent-a-Swag to the ground for the insurance money, but she also has a career goal to go with the eye rolls and the acerbic wit. April is in a similar position to where Andy was at the end of last season as she strives towards her dream job.

Not everything in Pawnee goes the right way for these characters as Andy remains the optimist with his Bert Macklin persona, but without the police officer role that he wanted so much this year. Is Andy the only one who isn’t better off when it comes to career? Even if he didn’t get his dream job Andy does still have April and he’s more intuitive than his goofy disposition suggests. On a completely different note and it won’t be a huge surprise for anyone who reads this blog, but I also really want April’s shirt in the photo below.

April finale

Like April, Tom has improved who he is this year as he opened his own business that has been a roaring success. So much so that there is a mystery person wanting to buy Rent-a-Swag and when Tom turns this person down, they’re now going to set up a rival business across the street. Who is this mystery buyer? Sadly for Tom it’s unlikely to be either Diddy or Jay Z.

Donna is still fantastic and my only gripe is that we don’t get enough of her. Donna is one of the best advice givers on this show, whether it is business related for Tom or which Game of Thrones characters can “get it” (the answer is all of them).

Over this season we have seen Leslie navigate through the many obstacles that a role in politics brings and this was neatly demonstrated at the town hall meeting as we saw a list of gripes against the changes she has implemented in Pawnee. The obesity issue that has been a long running joke (they’ve gone from 4th to 9th most obese town in America) featured heavily and it’s so very wrong that I’m intrigued by the triple decker pancake breakfast pizza that gets mentioned (see also macaroni and cheese pizza). They’re not all bad testimonials and it was good to see Jason Schwartzman and Brandi Maxxx pop up in support of Leslie (Brandi Maxxx was in both Argo and “Our Goo”).

Work is where the struggle is for Leslie as she is in a happy relationship (and the wedding episode/proposal are highlights of season 5) with Ben. Ben reminds Leslie of how much this job means to her and the more she achieves, the more she will anger some people. Leslie’s press conference manages to be both heartfelt and name at least five dance movies I haven’t seen and it is moments like this that show the true genius of Parks and Recreation and Amy Poehler.

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The big mystery of the finale is who is pregnant and this is a job for Bert Macklin! Anne teams up with Andy when it soon becomes clear that it’s not her (but she is having lots of ridiculous sex with Chris – who is also the nipple king). I bought the April fake out but the real answer is far juicier. In “Win, Lose, or Draw” Ron told Ben that things worked for Ben and Leslie because they’re the type of people who “like to hold hands and jump off cliffs together.” Ron likes things to stay the same (he owns one bowl and has had the same haircut since 1978) and he emphasizes this point while he’s talking to Andy, right before Diane walks in and changes his life forever. Thanks to the magic of Tumblr you can relive this moment in gif form.

I’m hoping that whatever show I choose as my summer catch-up project brings me as much joy as Parks and Recreation and I will once again reply “Yes” to the question “Are You Better Off Than a Year Ago?”

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