Out of the Box: Look of the Week

3 May

It’s “Look of the Week” time! Once again there has been a rich amount of different costumes across various shows this week. This is a snapshot of what I have been watching and each pick is for a variety of reasons including; what it adds to the storyline, what it tells us about the characters involved or simply because it looks good. This week we take a look at a couple of season finales and it is an all female edition. Near misses include the many flashback looks of New Girl and the return of Bert Macklin on Parks and Recreation.

Winner: Alicia Florrick on The Good Wife “What’s in the Box?”

The Good Wife finaleThe costume design on The Good Wife is flawless; from Diane’s epic statement jewellery to the tailored perfection of Alicia’s courtroom suits. Daniel Lawson who is the man behind these pieces writes an episode-by-episode column for InStyle and explains how he alters certain outfits and discusses the reasons behind his costume choices. Color is really important on The Good Wife and we have seen red used on multiple occasions to express how Alicia is feeling and this can impact the mood of the scene. Lawson explains that this Antonio Berardi dress was chosen because “Julianna and I didn’t want her to look like the typical candidate’s wife.” It’s a simple black dress with a twist and this is indicative of this final moment where it looks like Alicia is meeting Will, but instead she is making a huge move in regards to her career.  Bonus points go to the bold lip color (which I now really want – no surprise there). This was an excellent way to end the season and I cannot wait to see what the costume department brings us with all the change that is coming in season 5.

Runner Up: Megan Draper and Peggy Olson on Mad Men “The Flood”

MM_605_MY_1219_0624Every week I could simply write Janie Bryant is a genius as she continues to work her costume magic on Mad Men. In this scene Megan and Peggy are at an awards ceremony and both are in bold patterns that the late 60s is famous for. This isn’t a period for a wallflower when it comes to fashion and even Peggy is embracing the trend. Peggy’s dress is not as fashion forward as Megan’s and she is still playing it safe with bows and flowers. Megan is an actress after all (even though she is up for an advertising award) and so she is wearing the most flamboyant dress of all the female characters we see. It has an I Dream of Jeannie feel and even though these two women clash in both pattern and color there is warmth to this scene and between these two characters. I would love to see more interaction between Peggy and Megan as they could both benefit from a close friendship. The costuming in this moment contrasts with the rest of the episode after the news of Martin Luther King, Jr’s death is announced and the far away place the Megan’s dress evokes is just a fantasy.

Runner Up: Elizabeth Jennings on The Americans “The Colonel”

The Americans ElizabethThis is the third week in a row that Elizabeth Jennings from The Americans has featured on the list, but as it is the season 1 finale it felt appropriate for the show with the best wigs and disguises on TV to appear once again. This look is pretty similar to how Elizabeth usually appears, her hair is blonder and those aviators are not something Elizabeth would wear but other than that it’s not an elaborate disguise. It’s on this occasion that Elizabeth is closest to being caught by the FBI and if she had been apprehended it wouldn’t have taken Stan very long to ID her. It’s also fun to see how quick Elizabeth and Philip can shed their disguises and hopefully in season 2 they will show the process of how they become someone else. The Americans is so much more than wigs and costumes, but these aspects add a layer of fun to this spy drama.

Who would you choose as your look of the week?

Taylor Swift’s New Girl Appearance: First Look

2 May

When it was announced that Taylor Swift was going to guest star on the New Girl season 2 finale my initial reaction was apprehension as it felt like stunt casting. This isn’t to say that I have anything against Swift (“Red” has been on constant rotation since it was released) and I find her rather fascinating, but my worry was whether she would add anything to New Girl beyond “Oh hey it’s Taylor Swift.” What makes the casting more intriguing is that Swift isn’t playing herself even though she has been referenced a couple of times on the show (Nick dancing to “22” is a sight to behold), instead she’s appearing as a former girlfriend of Cece’s fiancé Shivrang. Entertainment Weekly has got a first look at this guest appearance and it takes place at Cece and Shivrang’s wedding. Spoilers ahead.

NewGirl-Ep255_ElaineBigDay-ScTaylor_00799.JPGSwift’s character is called Elaine and it’s probably not a coincidence that the title of the episode is “Elaine’s Big Day” and Schmidt isn’t the only one planning to sabotage the wedding. Jess is the maid of honor and has her own personal issues to deal with as she is trying to figure out what is going on with Nick (after that HUGE moment this week). It’s a sitcom wedding so expect a mixture of comedy and drama as well as heartfelt declarations.

New Girl creator Liz Meriwether was super complimentary about the singer and tries to reassure viewers about this casting telling Entertainment Weekly “She kind of came and nailed it. We love bringing in guest stars, but we really try to make it feel like they’re part of the show and it’s not just stunt casting.” Meriwether also teases that Swift “did a little bit of a riff on one of her songs.” Please let it be “I Knew You Were Trouble.”

What are your thoughts on Taylor Swift appearing on New Girl?

 

The Americans Season 1 Finale: Family Matters

2 May

The Americans is currently holding the title of the best new show of this season (with Hannibal currently in a close second) on TV Ate My Wardrobe and it’s not just because of how wonderful the wigs and costumes are. Last night’s season finale showcased everything that has been good about this freshman season; tension, careful plotting, emotion, an excellent soundtrack and of course those fabulous wigs. I’m pretty sure I have no nails left thanks to the sequence that made it look like Elizabeth would get caught, even if it’s too early for either of the Jennings’ to be caught by the FBI. Thanks to how each mission played out it felt like this could be a possibility and this anxiety increased as Paige became suspicious about her mother’s late night laundry folding activity.

The Americans finaleThe first half of the episode had Elizabeth and Philip debating which one of them should go to meet the Colonel as they both figured that this meeting could be a set up. As the audience we are in the privileged position of knowing that this isn’t the assignment they should be concerned about (though if Prince breaks in custody then both missions are going to end up with an arrest). Philip and Elizabeth don’t know this of course and each thinks that the other is who should be responsible for the kids; Elizabeth has had weeks of their resentment after the separation and so she thinks they would be better off with their father, Philip has other thoughts and wants Elizabeth to take them.

Family is essentially at the core of what matters in The Americans and when we saw Philip discuss this with Elizabeth in the pilot, it’s a concept that she doesn’t even want to consider as country is her number one priority. As the season has progressed Elizabeth has remained steadfast to the cause, but she has also changed her perspective of what her family means to her. This started when they were taken by the KGB pretending they were FBI and her family was used as a way to break her (Philip got old fashioned torture) and has continued with their evolving marriage. The back and forth with this marriage plot has frustrated some viewers, but it has felt necessary in terms of developing who these characters really are and where their priorities lie.

One scene that really stands out in the finale is when Elizabeth sits alone in the garage of her family home —the location in the pilot where she found out exactly how far Philip would go for her as he killed the man who raped her — and has a very different experience. Here she is curled up listening to a tape from her mother, perhaps the only physical reminder of her family in Russia, talking about the family that Elizabeth has in America and what has been going on at home. It’s heartbreaking because this is all the contact Elizabeth is going to have with her mother and her mother is all too aware of this fact as she mentions the family photo she has been sent “I know I’ll never meet them, but knowing you have them… that makes me happy. They are my family too…” Keri Russell is superb in this scene as she hugs the tape player as if it is her mother and prepares to leave her family for good too. It’s also worth noting that other items in this safe include guns, wigs, drugs bottles and money; it’s basically a spy emergency getaway kit.

The Americans finale Elizabeth

Elizabeth doesn’t get to go to the meeting with the Colonel as Philip slips away before she can stop him and this inadvertently places her in the line of fire. When Philip realizes this, the fear in his voice is palpable (it’s at this point that there was no hope for whatever fingernails I have left) as he dashes to stop his children from losing their mother. While the separation storyline might have seemed like another obstacle for the Jennings’ marriage it has also given Elizabeth time to see why Philip is so important, to both her and their family. It’s why Elizabeth couldn’t ask him to come home when he got his new apartment, as it really had to mean something and this is achieved when Elizabeth asks him to come home in their native tongue as she lies in recovery after being shot. It would make more sense as a spy for Philip to leave Elizabeth in that warehouse under the watchful eye of Claudia to maintain their cover, rather than leaving the kids with Stan but he is playing the role of the husband here with no pretence. Matthew Rhys gets his own emotionally charged moment here and I hope that this show has a lot of Emmy nominations when they’re announced in July.

It’s also about time that Paige and Henry start questioning exactly what their parents are up to, they are after all the offspring of two master manipulators and so Paige’s venture into the garage makes sense. No she doesn’t find anything, but her instincts are telling her that something is off and this could be a really interesting thread to follow in season 2. So far the children haven’t fallen into the trap of annoying kids and quite often in shows like this (see Homeland and 24) storylines are developed to include the kids that bend plausibility and turn these characters into unnecessary complications. I am tentatively praising The Americans for not falling into this trap and I hope next year will include Paige and Henry in an organic fashion rather than a forced one (no cougars or hit and run stories please).

The Americans Nina and Stan

Family comes in all shapes and sizes in The Americans; the opposing institutions that these characters work for and the loyalty that is required is very much a family dynamic. Nina doesn’t think that Stan can be turned, but she is told that he is “weaker and more vulnerable than he seems.” Nina has become so good at lying recently and she is utterly convincing as she acts saddened by the news that her exfiltration is no longer going ahead. I’m glad that Nina has made it to the end of this season alive as the role she is going to play next season is going to test both Stan and who she is really loyal too.

One person that I will be sad to see go is Claudia if she is shipped back to Moscow (Margo Martindale is doing a sitcom pilot for CBS so this is a possibility). Her interactions with Elizabeth have been fascinating as Elizabeth takes the role of the petulant teenage daughter in their meetings. Claudia might have manipulated Elizabeth into mistrusting Philip, but she has her back with everything work related and is the reason that Elizabeth isn’t ultimately caught.

What about poor Martha? Well her relationship is the fakest of them all; she is an ends to a means and all she will be left with is a ring in a box.

This has been a solid first season and now that Philip and Elizabeth look like they have their personal relationship back on track it means that they can concentrate on outside threats when we return for season 2. The ending with Paige was ominous and suggests that one of these threats will come from within. The FBI are looking for a couple and so they might have to shift their methods of working together and of course there will be more disguises when we return.

New Girl and How to Handle a ‘Will They/Won’t They’

1 May

A ‘will they/won’t they’ relationship is tricky for any TV show to navigate but New Girl is showing how it can be done and last night’s episode hit another important milestone for Nick and Jess. In “Virgins” the group revealed embarrassing (and not so embarrassing) tales of how they lost their virginity and this led to another first time. With just two episodes the tension and stakes have increased as Nick and Jess will have to navigate what this means for their relationship.

Nick and JessThe second half of this season has taken this coupling to a new level that started with a super hot kiss and led to non-declarations of feelings, a shouty make-out session, a first date that was three terrible first dates and lots of lingering looks. Finally Nick listened to his father (shout out to Dennis Farina making a return from the grave in the flashbacks) and what he told him the night Walt had gifted Winston and Nick prostitutes; “I just want to make sure that you don’t miss out on the things in life that are happening when you’re not thinking, because believe you me, those are the best things in life.” Sound advice from Walt Miller and Nick hasn’t always followed this course of thinking, he was after all the guy who was afraid to run into the ocean in season 1 (“Injured” is still one of my favorite episodes). In fact a lot of this season has been about these characters doing things that they previously wouldn’t attempt and this evolution is one compelling aspect of New Girl.

So, ‘will they/won’t they’ couples can be a hard line to walk; you get them together too early and it might mess up the tension, you get them together too late and it feels stale. The way the Nick and Jess relationship has developed from the beginning of the show and particularly this season has felt organic. Last year there was flirtation and chemistry that made it clear that something would happen eventually, but both characters have had a series of serious and casual love interests, and this hasn’t felt out of place either. When the focus shifted this season after The Kiss (capitals definitely required) this was also part of the natural progression. Cece pointed out in the last episode that it was all getting a tad farcical and 7th grade and if it had continued in this manner then the audience might get just as frustrated. Thankfully the next step has been taken and after an episode discussing having sex for the first time, Nick and Jess did with each other.

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This moment was part of a longer sequence involving everyone else; Schmidt and Elizabeth, Cece and Shivrang, Winston and Daisy. Schmidt has recently got back in touch with his first college girlfriend Elizabeth and the flashback showing their first time was one of the funniest bits of physical comedy that New Girl has produced with Nick and Schmidt rolling around on the floor after too much lube was used (see above). I’d really like to see Merritt Wever’s Elizabeth stick around as she brings out a different side of Schmidt and because she’s so, so good. This will also add something extra to the other ‘will they/won’t they’ of New Girl with Cece and Schmidt turning it into a love quadrangle of sorts. Cece and Shivrang discuss having sex before their wedding (which is in two days) and Cece says they shouldn’t, they both look away awkwardly and this doesn’t bode well for this union. Winston’s performance anxiety troubles with Daisy are soothed when he sees Titanic on the TV, the movie that he’d been watching with Nick just before he (unknowingly) lost his virginity to a hooker.

Back to Nick and Jess and the moment over the closing credits was played extremely well by Zooey Deschanel and Jake Johnson with 30 seconds of post sex reactions including wide eyes, huge smiles, laughter and the best use of “Ruh-roh.” Rather than opt for the standard romcom cliché of “What next?” it just ended on a Scooby-Doo reference and “Oh boy” (I always read this as a shout out to Quantum Leap). It’s both awkward and comfortable and I hope they play the rest of the season like this.

So what next (I am a romcom cliché)? New Girl creator Liz Meriwether spoke to E!Online and said “Going forward, we were just interested in what does the sex mean to both of them and how does it deepen and complicate the issues that they have between them. I think that’s what the end of the season is about.” A line has been crossed and because they live together it’s going to change the dynamic in the loft. Everything is pretty much out in the open prior to this and Schmidt and Winston have previously thought a Nick/Jess romantic relationship wouldn’t work. Schmidt’s going to be preoccupied with Cece’s wedding as he tries to come up with a scheme to ruin the big day (with Winston’s help) and so this might give them some space to figure stuff out. Or not as Jess’ dad (guest star Rob Reiner) will make a surprise visit.

New Girl has a 25-episode run this year and I’m glad they got an extra episode to play with. This has been one of the consistently funny sitcoms this season and they manage to balance emotional arcs around set pieces that include a giant jar of lube; an impressive achievement from Liz Meriwether and the whole creative New Girl team.

New Girl Auto-Tuned

30 Apr

New Girl is back tonight (it feels like it has been gone for so long) and it is an episode that promises to be hilariously awkward as the group each reveals how they lost their virginity all with the aid of flashbacks. Flashbacks that feature wigs, homemade prom dresses, braces, a miniature castle, Dylan O’Brien from Teen Wolf, a jar of lube and prostitutes. This is definitely an eclectic mix! This looks like it could be a big episode for fans of Nick and Jess as the sexual tension between the pair has been growing since their first kiss; will they be able to keep to the middle school dance rules that Jess suggested after their first date confusion?

Fox has produced a video that features many of these Nick and Jess moments from this season and turned it into an auto-tune remix. It sounds bizarre but it works in a strange/funny way and when Jake Johnson posted the link on Twitter yesterday he teased “This video is ridiculous and I like it. New Girl is new tomorrow night. It’s about sex. Old sex & new sex.”

Enjoy!

Amy Poehler is a Fabulous 1930s Cosmo Cover Star

30 Apr

Amy Poehler’s appearance on Late Night with Jimmy Fallon took a fun turn when she recreated the cover of a 1930s issue of Cosmopolitan. Last month on Cosmopolitan’s site they posted the uncanny likeness after they had been digging through their vintage archives. The headlines in the 30s were a lot different to now boasting “2 Complete Short Novels” as opposed to “When Your Vagina Acts Weird After Sex.” How things have changed.

Thanks to some helpful props of a glass of champagne and a super cute hat Poehler demonstrated that she does indeed look like the cover (though she claims it looks more like her grandma). This impression also includes both Poehler and Fallon using old timey voices (my favorite kind) and Poehler suggesting that the hat has magical drunk inducing powers.

The high waisted pencil skirt/red polka dot blouse combination that Amy Poehler is rocking with her shorter hair is a really good look (. The video also includes a clip of this Thursday’s Parks and Recreation season 5 finale.
  

The Good Wife Season 4 Finale: Alicia’s Big Decision

29 Apr

The season 4 finale of The Good Wife aired last night and it’s safe to say that the landscape for next year is going to look very different. The big gamble that Alicia has taken with her career is going to have a huge impact and I for one am thrilled by this move. While it is clear where Alicia will be working when The Good Wife returns in the fall, it is more ambiguous when it comes to matters of the heart.  The first half of the season was a bit of a let down with the story involving Kalinda’s ex-husband, more financial peril for Lockhart Gardner and underutilizing the wonderful Maura Tierney as Peter’s big rival. Thankfully the ship has been steered and the latter half has been a return to form as they have created conflict at work and with the love triangle that has never threatened to overshadow the rest of the story.

What's In The Box?

The case of the week in the finale was linked to the election and involved a lot of running around, switching sides and sleep deprivation and in the end the result of the case had no impact on the victor; the polling data had been incorrect and Peter won by a much bigger margin than expected. The outcome had no real bearing on the results but it did give an opportunity for Alicia and Will to discuss the kiss that has reignited past feelings. This discussion was unresolved and ended with more intense smouldering and making out, part of which was interrupted by Diane and I’m sure she has some thoughts about this hook-up. It’s this sexual desire that leads to Alicia’s decision and when she heads back to her apartment away from Peter’s victory party it’s easy to assume that she is meeting Will as she nervously double fills her glass of wine. We have already ended one season on Alicia and Will getting together and so I was pleasantly surprised to see who was knocking on the door.

It’s Cary! Alicia tells him that she wants to be part of the new firm and Florrick, Agos and Associates is a go. With Alicia on board it means that they get a discounted office space (but also have to provide Colin Sweeney with free legal service for two years and so they’re definitely making a deal with the devil) and I would imagine some of Alicia’s other clients will come with her. What they don’t have is Kalinda and I bet Cary will regret having that conversation with Robyn (though I really like Robyn so I hope she is back next year). Over at Lockhart Gardner they will be losing Diane too as with Peter’s victory this now makes her a State Supreme Court judge and so it will be looking a little bit empty on the employee front. Essentially it’s Will, Kalinda and David Lee; now that sounds like a fun trio.

What does sound like a lot of fun is the potential conflict that will come from this move and the thought of Alicia and Cary in court going up against Lockhart Gardner has me clapping my hands with glee (which makes typing this sentence harder). We have seen how in tune Alicia and Will are when they are working on a case together and I’m sure it will get just as explosive when they’re on opposing sides. We saw this in the mock trial and this episode featured the screaming argument that led to the passionate kiss.

Where does this leave them romantically? This decision to leave the firm and join Cary is partially motivated by this renewed sexual tension with Will as it has been distracting her and putting her in kind of a fever dream at times. By putting physical distance between her and Will it means that this temptation might be reduced. Alicia is pushing him away by doing something that will hurt him both professionally and personally and he will probably see this as a huge betrayal.

Invitation to an Inquest

This move isn’t a random flight of fancy and Alicia’s dissatisfaction with how things are run over at Lockhart Gardner has been brewing since they were all offered equity partner and then had it taken away. Yes Alicia got made a partner, but since she has been sat in the management room she has seen how ugly things can be when it comes to the big decisions and this combined with her Will situation means leaving is the smartest option.

In one respect Alicia has made the choice to stay with Peter and they definitely are comfortable and relaxed in the conversation in the hotel room after Peter’s victory. When we return they could be living together as husband and wife after renewing their vows, but Will is still going to be there even if they’re sat at different tables in the courtroom. Will is also in possession of video evidence that shows that some of Peter’s people did in fact tamper with votes and another scandal would surely end Peter’s political career. This evidence would definitely hurt the two people who Will cares about the most; Diane and Alicia. It could end up being like the voicemail of love and dangle there as the elephant in the room that we know could bring everything crashing down. Will really doesn’t care about Peter, but I’m pretty sure he would do anything for Diane and Alicia even if Alicia has shown that she isn’t always loyal to Will.

The phrase game changer gets used too often when it comes to television plots, but on this occasion it feels appropriate as this decision by Alicia will change the whole dynamic of the show and I am really excited as to the new wealth of storylines that will come from this shake-up.

What did you think of The Good Wife season 4 finale? Are you looking forward to seeing Alicia against Will next year?

Falling Out of Love with Don Draper

28 Apr

Today I am joined by Kerensa Cadenas to discuss what has been happening so far on season 6 of Mad Men and specifically with Don Draper. Don has become problematic this season, even though his actions are pretty much in tune with everything we have seen before and so we wanted to talk about why our reactions and sympathy for this character has changed. Other factors that we consider include what makes unlikeable characters appealing and I explain why I used to be a Pete Campbell defender. We also discuss what aspects of the show we have been enjoying and who we want to see of more this year. And yes Matthew Weiner probably doesn’t care that we don’t like Don so far this year.

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Emma: There have been various comments on both Twitter and in longer articles that I have seen that discuss whether Don Draper has become increasingly dislikeable and I wanted to expand upon this further as I have definitely been feeling this way. We’re only four episodes into season 6 and while I still think the show is one of the best on TV, it’s becoming increasingly hard to sympathize with Mr Draper. Previously this hasn’t been the case and while his pattern of lying and cheating is nothing new, it also feels very different this year. Season 5 showed that Don could remain faithful, until the final scene when he is asked “Are you alone?” and it is apparent that the Don we have previously watched for five years is back.

It always seemed unlikely that Don and Megan’s relationship would go the distance; they started sleeping together when he was seeing someone else and the engagement and subsequent marriage was rushed. There is the age/generational difference and Don clearly likes the idea of Megan more than the reality of Megan. When Megan goes against this ideal to pursue her acting career, this is when their relationship really started to falter. With Betty, she quit her job when they got married and became the dutiful housewife and mother; this was never going to happen with Megan. I know other viewers have their issues with Megan and while she’s definitely naive, I also find her really compelling to watch (also from a style point of view she’s also the best dressed cast member and I love seeing what Janie Bryant conjures up for her).

The other point is that a lead character doesn’t have to be likeable (see Walter White) but there also has to be some kind of character progression and the affair storyline with Don just feels like regression. It’s different in one respect because this time it’s with a woman who lives in the same building, but is also bears all the hallmarks of his previous affairs with women like Midge, Rachel Menken, and Suzanne Farrell; dark haired beauties, who are smart, challenging and who give him something that his current wife can’t. It’s a lot more fun watching Don get stoned in a windowless room with Stan (and his magnificent beard) and debating ketchup vs. mustard as a hot dog condiment than see him admonish his wife and go straight to his mistress.

Perhaps this is what has led me to loathing Don Draper this season; his moral superiority (which is also not a new trait) has become tiresome and all the aspects that previously made him sympathetic just feel like hollow excuses (see childhood brothel flashbacks).

What are you thinking of this season? What about Don has made you adjust your feelings towards this character?

MM_604_JA_1210_0476Kerensa: I really liked the last episode. But I feel like everything other than Don is more compelling to me because he’s just in this constant state of progressing and then regressing. As of late it’s clearly the latter, but I think the thing that’s frustrating and while it’s much more subtext than text is that it seems that Don believes there’s nothing he can do to change. But it feels like he doesn’t ever ACTUALLY try to change.

I agree with you completely that it never seemed like Don and Megan would make it without Don going back into his old patterns. But a part of me last season remained optimistic about it. While I was sad that Don just completely screwed over the wonderful Dr. Faye, Megan to me still seemed like the interesting, complex, intelligent women Don favors to have his affairs with. She’s independent, challenges Don and apparently (well used to be) a very compatible sexual partner in the Don Draper kink department. Don’s needs, frankly, are completely annoying, unrealistic and completely contradictory.  He appears to want a challenging, interesting woman but then when she’s unwilling to compromise what she wants for him, he wants to go back to, I think the model of the dutiful housewife, mostly because it’s someone who is dependent on him. But then he’ll eventually resent that too.

Basically, I don’t think Don Draper wants a woman. He wants the idea of a woman–a vessel that he can project his latest desires upon and discard when he’s done with. I mean this is clearly how I think he operates romantically–his relationships with Peggy and Anna are much different.

I appreciate an unlikeable character, but just Don’s complete inability to even try to look at himself critically–even though I believe we are meant to think he is through his philosophical readings and one-liner emotional thoughts. In the last episode when Sylvia tells Don she prays he finds peace, I felt pretty done. Don has no interest in finding peace and I’ve discovered I don’t really care if he does either.

MM_RJ_603_1129_0088Emma: I agree with what you say about Don wanting the idea of woman, as opposed to an actual romantic relationship is right and I think that the purpose of the flashbacks are meant to show that the kind of women he grew up with might have given him a very skewed opinion of women. What I think would be an interesting idea for a flashback would be to see the kind of women Dick dated before he went to war and came home as Don. We’ve seen what he was like when he started dating Betty, but he was already Don at this point. Also as you mention his relationships with Anna and Peggy are very different, I might even include Joan in this category as despite flirtation this has never developed into anything more. This could be why he was so protective over Joan and the Jaguar seediness that went on at the end of last season. Has Don got the ultimate Madonna/Whore complex?

I’m going to move on to the point that I teased yesterday with the admission that I used to be big Pete Campbell defender and my feelings about Don this season kind of match how I feel about Pete now. Pete has always wanted to be Don and so I think that there is a comparison to be made, especially when Pete got everything that Don had (the fancy office, the beautiful wife, child and house in the suburbs) and it ended up making Pete more miserable.

Now my sympathy for Pete and subsequent defending started at the start of season 2 when his father died and he didn’t know how to respond. Pete’s parents are also awful in that lack of emotion way and so it became easier to understand some of Pete’s less desirable character traits. The scene at the end of this season when Peggy reveals that she had his baby is also heartbreaking and added further fuel to this sympathy. Moments of whining like “Why can’t I have everything that I want all at once?” are incredibly bratty and might be a sign of how awful Pete is (and why people like to punch him) but I still persevered. Then there’s Trudy and the marvellous Alison Brie and yes it was awful when he threw the roast out of the window that she had prepared (“Hell’s bells Trudy!” is still one of my favorite lines from Mad Men), but then they danced the Charleston and all seemed well. The moment with the German au pair was a low, low point and it was at this point that I started to reconsider my Pete Campbell feelings. After this Trudy and Pete’s relationship improved and so once again I started to like him and his involvement in the whole SCDP caper only made me like him more.

Bit by bit Pete has returned to his slimy, weasel like ways and now that he lives life like Don Draper, he also doesn’t respect Don all that much anymore. The affair last season, his involvement with Joan and his punch up with Lane all made me see why people loathe this character, with the final straw coming a couple of weeks ago. In this moment I was cheering on Trudy Campbell as she yelled at her awful husband along with every other viewer and the spell has been well and truly broken.

So what’s the point of this long Pete Campbell diversion? It’s as you say we can like an unlikeable character but there has to be something compelling in their flaws. Don is still charming and Pete is a weasel, but at this point I’m probably more interested in Pete’s story. I think one aspect in this comparison that I’ve used is that Don is the lead character, whereas Pete is part of a large ensemble but the lead needs to remain the one we want to see. At this point it’s every other story that I want to watch and I’m pretty sure that’s not how it should be. Obviously we’re only a handful of episodes in and I can never predict what direction Mad Men will go in (which is half the fun), I just hope it isn’t a season of seeing Don back in this old routine.

I feel like I went off on a bit of a tangent there! So Don is the least compelling part of the season so far, but whose storyline are you enjoying the most/want to see more of?

MM_604_JA_1204_1170Kerensa: I’ve never been a Pete defender, but I totally agree with your point. Although I think Pete is a total weasel, his storyline is more compelling to me than Don’s (also having my girl Alison Brie around always helps). And it’s fine having the your lead unlikeable, I mean there are so many examples of that, but when I’m watching Walter White or Hannah Horvath even if I am currently despising them or can’t stand their choices, I’m still interested in what they are doing. Right now, I don’t have that for Don at all. I completely agree with you that I hope this season isn’t all about Don’s old routine.

I mean my girl, Peggy obviously. I’d be so happy if the show was just about her and Joan. I was really happy to see a storyline developing for Dawn last week and I’m hoping that we get more about her. I’m curious about James Wolk’s character, mostly because he’s my ideal man, but also because we know nothing about his character. TV.com just did a really funny piece about that exact thing.

I also want more angry tween Sally Draper storylines. What about you?

MM_RJ_602_1119_0095.SizedEmma: I’m with you on both Peggy and Joan as even though they’ve both progressed professionally within this world they are both still facing struggles at work; Peggy’s is less to do with her gender but how she can manage the staff below her and well, Joan has Harry to contend with and the feeling that she’s just a better paid secretary with a fancy title. I’m so glad that they’ve expanded Dawn’s role too and her assessment of SCDP being an office full of sad people was spot on. The mysterious Bob Benson and subsequent speculation is also hilarious and I’d definitely like to see him hook-up with Trudy (can you imagine Pete’s reaction?!). More Stan and Ginsberg with their fabulous facial hair would also be appreciated.

I’d also like to spend time in the Betty Francis household and whereas before this would have been purely to see Sally get progressively more snarky with her mother, I’m actually interested in Betty’s storyline too. I was surprised by how much I enjoyed Betty’s role in the season 6 premiere and by how much I liked this character (probably the first time since she confronted Don with the knowledge of his Dick Whitman past in season 3). While it’s harder to find room for Betty in an episode, I hope that we get to see her and her new brunette hair soon. Plus I want to see how much screen time both Bobby and Gene get this year.

Also have you seen how Kiernan Shipka has been killing it on the red carpet this week? I’m always impressed that she dresses age appropriate (ok most 13 year old girls don’t get to wear Chanel, but you get my point) and she never comes across as precocious. Yep a 13 year old dresses much better than me.

Kerensa: Kiernan Shipka is probably the most fashionable 13 year old ever.

How are you finding this season of Mad Men? Have you fallen out of love with Don Draper?

Kerensa Cadenas is a writer living in Los Angeles. She is a staff writer for Women and Hollywood. She also writes for This Was TelevisionForever Young Adult, and Bitch magazine. She was the Research Editor for Tomorrow magazine. You can follow her on Twitter and read her ridiculous thoughts about teen television at her website.

Out of the Box: Look of the Week

26 Apr

It’s “Look of the Week” time! Once again there has been a rich amount of different costumes across various shows this week. This is a snapshot of what I have been watching and each pick is for a variety of reasons including; what it adds to the storyline, what it tells us about the characters involved or simply because it looks good. I’m mixing it up with this edition as I’m including a look from the red carpet. Near misses included the Pat Benatar-like girl and her epically high waisted jeans on The Americans and Stan’s amazing fringe jacket (plus his beard) on Mad Men.

Winner: Elizabeth Jennings and Claudia/Grannie on The Americans “The Oath”

The Americans weddingThis is the second week that Elizabeth Jennings has been included on this list and thanks to the many costume changes and wigs that The Americans showcases this isn’t a surprise. In this scene Elizabeth and her handler Claudia (who she despises and doesn’t trust) are attending the wedding of “Clark” posing as his mother and sister. “Clark” is of course Philip Jennings and this wedding to Martha is just so he can manipulate her into getting more information on the FBI. It’s a real wedding involving a fake character and it turns out that his marriage to Elizabeth could be considered even more of a sham as they never actually had a wedding.

The scene begins in an amusing way thanks to all of these contradictions but this quickly turns into something sad; Elizabeth is finally realizing what her relationship with Philip means and it’s clear that Martha is going to get her heart broken (or something much worse will befall her). They really do look like they could be mother and sister in this scene in wedding attire that features a similar washed out color palette and those oh so amazing big glasses. Also how does all of Elizabeth’s incredible hair fit in that wig?

Runner Up: Hannibal Lecter and Will Graham in Hannibal “Potage” 

Hannibal 1.03

So this is technically from last week, but I haven’t seen the newest episode yet and so I’m including this one instead (the rules of “Look of the Week” are flexible) and I really wanted to mention the costuming in Hannibal as it has been excellent so far. I also resisted the urge to include Will in his bedtime wear of t-shirt and boxers. Hannibal’s costuming is particularly intriguing as there has been a lot of power clashing; plaid jackets with patterned ties being a signature look. This demonstrates Hannibal’s sophistication and because his clothes look expensive it shows that he is good at his job as people probably pay a lot for his service. Whereas Will’s style is a more muted, it’s as if he wants to blend into the background. In the scene above he takes off his glasses (if anyone knows what brand they are can they let me know, thanks) to make himself seem more approachable perhaps, a hard task in this moment as he has just been referred to as “insane.” There’s a clear difference in how there two characters operate and their costuming is a constant reminder of this.

Runner Up: Kiernan Shipka at The Paley Center Mad Men Presentation 

Paley eventKiernan Shipka who plays Sally Draper has long been serving up red carpet hits (which as a statement sounds weird because she’s only 13 years old) over the past six seasons of Mad Men red carpet events. Shipka always wears age appropriate outfits on the red carpet and this can be something hard to navigate when you’re going from childhood to teendom in the public eye. This is a slightly more mature look for Shipka and her heels are adding inches as she gets older, but it’s still a fun outfit and is a perfect for a Mad Men event as it captures the essence of the 60s without looking like she’s come straight from set. I’m looking forward to seeing more of Sally on Mad Men this season as we got a glimpse of a brattier Sally in the premiere and I’m intrigued as to how Betty will deal with the perils of having a teenage daughter.

Who would you choose as your look of the week?

The Dress

24 Apr

Here is something I wrote a while back and it was for a writing competition that was called “The ____ That Changed My Life” with the focus on something important in your wardrobe. I didn’t win, but I still like the piece I wrote and it’s got a pop culture theme so here is is:

A photograph from my first trip to New York City perfectly showcases the dress that means the most to me; the item of clothing in question is a simple French Connection floral jersey dress and the photo is a typically touristy one (hey, it was my first time). I’m standing on a shut-down Madison Avenue with the buildings looming above and the dress has a subtle pop of color that separates it from the mostly neutral tones of the people in the background and I somehow standout in this grand city, just for a moment.*

photo

There are dresses for a multitude of big moments in our lives; prom, weddings, a first date, an interview, so why would I pick this one that you wouldn’t necessarily notice amongst all the other ones that hang in my closet? For one thing it holds the power that only a favorite item of clothing can possess; to make you feel confident.

Growing up you would be more likely to find me in jeans, with a dress possibly making an appearance but only as worn over the jeans (it was the late 90s after all). As I got older and high school parties turned into university ones and the odd fancypants soiree was thrown, my collection of formal wear grew, but I still didn’t really have any dresses for everyday affairs. A few were added to my collection after I graduated that could be dressed up or down and my favorite was one I referred to as the Brokeback dress; not because it looked cowboy-esque but as it was a less frumpy version of Michelle Williams’ costuming in this movie . It wasn’t until later when I purchased ‘the dress’ that my collection really began to grow and I finally mastered the non-formal dress.

This is around the time that Mad Men first aired and it soon became apparent that it would influence what we would see on the catwalk and in stores. As someone who writes about TV now, and was in the process of getting a Masters in Film and TV at that time, this show had (and still has) a huge impact on my wardrobe. Prior to Mad Men there was Sex and the City which spawned just as much attention from the fashion world but there is something about the updated 60s style that appealed to my sensibilities. I could never pull off Carrie’s wonderfully daring approach but the influx of dresses taking their cues from Betty Draper was an instant win.

So pop culture is one place where I take my style cues from and New York City is one of the most filmed/sung about/photographed cities, so of course I wanted to look my best when I first visited and this dress makes me feel both super comfortable and stylish. It hugs all the right places and flatters the rest, it allows me to reveal my legs without being too self conscious and it works perfectly in both the summer and winter (just add tights and boots). Clothes can serve a multitude of functions and the most uncomfortable item can look stunning and you just have to hide the pain. I prefer the least amount of discomfort route; which is why at any event that requires me to wear a heel you will find me with my shoes in hand after a few hours (classy I know).

I now have other dresses in the same style from French Connection in an array of patterns and colors and now on days off from being stuck behind my computer you will likely find me in one of my growing collection. Instead of looking to Betty Draper, now it is Don’s new wife Megan that clothing stores seem to be emulating, there will probably be a hint of this evolution with my own dress choices.

Back to the dress in question and another reason why it continues to inspired me. The photo of me on Madison Avenue (home to Don Draper) holds a special place for me. There is something about me standing in that dress on such an iconic road, in such an iconic city that epitomizes how confident this dress makes me. It seems like there are endless possibilities and this dress makes me feel like Superman.

* The quality of the photo isn’t the best as it was taken with a disposable camera (yes I still use disposable cameras, I like the surprise element) and I can’t locate the disc that has these photos on them, so it is a photograph of a photograph. The colors are duller than they are in the original copy and for some reason it makes it look like I’ve used a filter to give a 70s vibe. I still like the picture even if I look a little dorky. 

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