Tag Archives: Mad Men

Out of the Box: Look of the Week

2 Aug

Last week it was all about Comic-Con style and this edition of “Out of the Box” looks to the panels and parties of the Television Critics Association Press Summer Tour. Current and forthcoming shows with plenty of familiar faces feature as we take a look at the big style hitters.

Winner: James Wolk at The Crazy Ones Panel

James Wolk Crazy Ones TCA

“Not great, Bob!” is still one of the best line readings of the year and James Wolk has featured several times on this list thanks to the sartorial greatness of Bob Benson on Mad Men. The Crazy Ones is also set at an ad agency and while I’m pretty lukewarm to the promos, having James Wolk as a cast member (and the bonus of Kelly Clarkson) will be enough to get me to watch the pilot. Even though it’s the height of the summer, Wolk has gone for an impressive amount of layering with shirt, hoodie and jacket and he looks pretty great in a smart/casual manner. His face is saying he’s listening intently, his slightly raised eyebrow suggests disagreement. Either way Wolk is a welcome sight.

Runner Up: Claire Danes at the Homeland Panel

Claire+Danes+2013+Summer+TCA+Tour+Day+6+AydrrD5aTWil

Claire Danes is the only one I’ve mentioned but she is not alone in this shot; Damian Lewis’ suit is lovely and if his socks were not skin tone then he’d have his name in bold too and Rupert Friend looks like he has come from a Mary Poppins audition. Danes is often one of the best dressed on the red carpet and while you can’t see all of the Thakoon lilac dandelion dress because she is sitting down; it’s elegant without looking like she is trying too hard. I think the key behind TCA dresses is a late afternoon/early evening cocktail party approach and all of the women that feature this week have got that spot on. The Christian Louboutin t-bar sandals are now on my shoe wish list.

Mae Whitman and Lauren Graham at the Parenthood Panel

Mae Whitman and Lauren Graham

Reminding me once again that I still haven’t watched Parenthood (I know) this double dash of patterned dress brilliance from Lauren Graham and Mae Whitman is making me want to get right on that. While I’m not the biggest fan of nude colored shoes they get a pass as the dresses are both on the eye-popping side. Bonus points awarded for excellent lip color.

Hannah Simone at the Fox TCA Party

Hannah Simone

While I might not have paired nude shoes – we already know how I feel about them and it’s a bit matchy matchy with a nude dress – this is a striking look from Hannah Simone thanks to the orange floral lace detail. It’s another great choice for a relaxed summer event like this where you want to look professional without resorting to floor length gowns or jeans and t-shirt. I miss New Girl and so I’m really happy to see the cast out and about again.

Runner Up: Emily Bett Rickards at the CW, CBS and Showtime TCA Party 

Emily Rickards TCA

The Felicity/Diggle/Oliver team is at the heart of Arrow and hopefully this is something season will capitalize on. Emily Bett Rickards gets footwear approval as she opts for orange heels that go with this blue, flower embellished dress. This is a dress that can be dressed down with flats or dressed up in this manner with a pair of bold heals and a simple clutch.

Bitchy Resting Face, Hostile Listening Face and How to Make it in America

4 Jul

Bitchy resting face has gone from hilarious fake PSA to a segment on The Today Show with Taylor Orci, the creator of the original video appearing to discuss the huge response to this video. I’m pretty sure that we have all at one point or another been told to smile or cheer up when the situation hasn’t required such helpful advice and this is probably why so many people can relate to this video. The Today Show goes so far as consult a plastic surgeon to discuss what you can do to rectify this problem (because of course it does) and there is a procedure called a “grin lift” which is “used to turn a permanent frown upside down.” Yep, that is indeed a real thing that you can have done.

This instantly reminded me of a scene in season 2 of How to Make it in America – which I have just watched for the first time – when Rachel is told by her boss that she has a hostile listening face. This was something that I hadn’t heard of before but my boyfriend immediately turned and looked at me with a knowing look on his face suggesting that this is something that I do. Here is Lake Bell in How to Make it in America demonstrating the twin of bitchy resting face with her hostile listening face. 

how to make it in America hostile listening faceTabloid journalism has been playing photo assumption with people’s faces for a long time (just click on The Daily Mail’s sidebar of shame to see countless examples – “Michelle Williams looks sad walking her dog alone! Is she still heartbroken?”). As discussed on The Today Show video Anna Paquin talks about her own bitchy resting face on Jimmy Kimmel Live! and that she tends to look angry in paparazzi photos (though I wouldn’t blame her if she did look mad at them trying to take pictures of her twin babies).

It’s hard to talk about any kind of bitchface without mentioning the undisputed champion of every type of bitchface and that is Mad Men’s Pete Campbell (who goes way beyond the corresponding asshole face, resting or otherwise) and this supercut of Pete’s biggest outbursts shows why he deserves this particular honor.

Photo courtesy of Tumblr

New York, I Love You But You’re Bringing Me Down: Mad Men Season 6 Roundup

30 Jun

The season 6 finale of Mad Men aired last Sunday and once again I am joined by Kerensa Cadenas to discuss all that went down in the finale, the season as a whole and what our hopes are for the final year. Mad Men is a show that sparks a multitude of articles (including here on TV Ate My Wardrobe) and these discussion pieces have been the most fun as we lament the actions of Don and cheer on the likes of Peggy and Joan as they continue to navigate a world dominated by men. One of us feels more sympathy towards Don by the end of this episode, but it’s actually Ted who is on the receiving end of our Sally Draper-esque disdain. We also discuss why everyone suddenly wants to move to California and the all important new addition this year; the wonderful and mysterious Bob Benson.

MM_612_JT_0325_0692

Emma: We have a lot to talk as so much has happened since our last Mad Men discussion post; crazy conspiracy theories never amounted to more than just chatter, Bob Benson has shown that could teach Don Draper a thing or two about leading a new life and Sally started to spiral after picking a terrible time to try and retrieve a love letter.

I’m going to start with Don as he was the subject of our first discussion as we had both become increasingly tired of his behavior and descent into assholeville. Since then Don has continued to be a tough character to route for but they did something in the finale that made me do a 180 on my season 6 Don Draper feelings – he told the truth. This wasn’t a forced confession like his one with Betty, but a moment of clarity where he let the veil drop and he revealed part of his true self. It doesn’t make up for all of his actions this year (particularly when it comes to his affair with Sylvia) and it doesn’t justify all of those flashbacks (really did we need that many to understand that he is damaged because of his whorehouse upbringing), in fact hearing Don talk about his experience gave a lot more insight into his feelings about that time in his life than the flashbacks did. I get that we needed to see the exterior of the whorehouse so the final scene would have a bigger impact, but I don’t think we needed every other flashback that we’ve endured this season.

It’s the 1960s so their version of an intervention is giving someone an non specified leave of absence and while Don has done many terrible things in the past and probably needs to take a break, it’s a shame that it was a moment of reflection and honesty that has his partners kicking him to the curb and like I said in my review at least Freddy Rumsen got a night out and not a Thanksgiving morning ambush. The look or lack of look that Joan gives is heartbreaking and while I can’t judge her too hard (she’s got Kevin to think about after all), it’s sad to see him out on an island by himself in all of this. To top it off he gets to see his likely replacement and old nemesis Duck. It’s surprising that Don takes it as easy and as well as he does but he is resilient and been through much worse. Instead of hitting the bottle he takes his kid on a tour of the places he grew up and like the brief moment on their California trip when he took them to Anna’s house he reveals part of who he is.

Unlike the partners at SC&P they don’t turn away from him and the look that Sally gives him is one of wonder as she finally gets to learn about her father and who he really is. Sally has already seen one part when she walked in on Sylvia and Don sleeping together – Don lied and this is what he does best. Last week she uttered possibly the most devastating line of the series as she smoked with her mother “My father never gave me anything,” though both of them spending the night in a variation of a drunk tank shows that he gave her something – a desire to get drunk into oblivion. I pretty sure I’ve said this a million time but it’s worth repeating – Kiernan Shipka is one very special actress and I’m spellbound whenever she is on screen, it’s hard to believe that she is only 13. All I want for her is to end up as an Elijah Wood child star example and that she stays free of any kind of Lindsay or Amanda Bynes post child star shenanigans.

Ted is has been positioned as Don’s antithesis – he is light where Don is dark, he is sober when Don is drunk, he’s reliable etc and the one person who has consistently beat the Ted is awesome drum is Peggy. Last week Peggy called Don a monster and while his actions have been pretty despicable, he’s never led her on in the same way Ted has done. Oh Ted you finally succumbed to temptation and desire, did the classic “I’ll leave my wife” and then did the standard switcheroo and is now running away to California. Don spent the whole time trying to convince Peggy that Ted wasn’t the white Knight, partly out of his own selfish needs but also out of protection in a way as I think that Don really cares about Peggy, he just doesn’t know how to express this kind of sentiment.

I have WAY more that I want to say about Peggy (and especially that AMAZING pantsuit and being in Don’s office at the end) but I want to throw it to you and see what you think about Don’s clarity and revelation in the pitch meeting. Has this finale changed your opinion on Don?

MM_613_JT_0416_076

Kerensa: The finale didn’t change my opinion about Don at all. I do think that Don did realize something in that pitch meeting perhaps about himself and perhaps about how he will treat his children going forward when he shows the three of them the home where he grew up.

But in another truly Don moment, he comes to clarity at a time where it’s completely self serving. It’s all about his emotional growth, his path with no regard to what talking about his growing up in whorehouse means for the business, the other partners even Hershey’s. Yes, maybe it’s a step in the right direction for Don emotionally but like with all his other actions it still doesn’t take anyone else into account. Like everything else he did in the whole episode, I’m especially thinking about his rash decision to go to California and then take it back without really thinking it through at all or how it would affect HIS WIFE MEGAN. And also that he didn’t even second guess taking the idea from our boy Stan–who would be a much better fit in California with that fringed jacket and all his joints.  I’m increasingly becoming convinced that Mad Men is about a bunch of scared boys who can never deal with the responsibility of their actions and have to runaway to deal.

With Don’s leave of absence, I’m guessing a lot of that is that how do they fire him if he’s a partner? But I think they had every right to do so. Don’s behavior all season in the context of his work has been sloppy to nonexistent. He’s at the bar more often than he’s at the office. I feel like we’ve had many scenes where Don will just come in bewildered “We have a meeting?” They had to do this. While I would say I don’t know if I saw Don as rock bottom as like say in “The Suitcase,” (think that’s right) it’s been an increasingly downward spiral that his luck, good looks and perceived sexual charisma (I say perceived here because that sweaty Don/Sylvia sex that Sally spied made Don completely vile to me) could only carry him so far before he fell entirely.

On the Sally front, I completely agree that last week’s line was beyond devastating. And it does seem like Sally has unfortunately inherited Don’s tendencies for self-destruction. However, I am going to disagree with you about the look that Sally gives Don. I thought it was a mix of pity and even disgust–and in that sense might end up understanding Don better than she realized. I do agree that Kiernan Shipka is completely brilliant–if she is able to stick with Miss Porter’s–I want a Sally at boarding school spinoff.

Ted. Ugh. I have a lot to say about Ted. But before we get to discuss more about Ted and specifically Peggy, I want to know what you think about what happened with Megan.

MM_612_JB_0326_0368

Emma: I really want a Sally Miss Porter’s spinoff – it will be like Gossip Girl in the late 1960s (but better). Plus Sally already has the headband/manipulation skills to perfection.

Oh Megan, I’m glad that she finally stood up to Don and that they left it ambiguous as to whether she has left him. All season she’s been set adrift and suffered the same issues as Betty with trying to fit her into the overall story. I know some people resent the screen time Megan takes up (this is very much the opposite of how I feel) and my only criticism of her this season is how oblivious she has been. Maybe oblivious is the wrong word, she’s known that there has been something wrong all year but she’s been willing to ignore it and pretend that everything is ok. The California move would be perfect for her as an actress and now that she has quit her job I think she’ll make the move anyway, especially as LA seems far less unstable than the East Coast at the moment (of course that will all change Megan conspiracy theory alert). There’s an interview with Kevin Rahm who plays Ted over at Vulture and he mentions a Megan, Ted, Pete Three’s Company type spinoff – I totally want to see that.

The only tie that Megan has to New York is Don and it’s hard to see them having a bi-coastal relationship (though it’s not outside the realm of possibility). Megan deeply cares for Don’s children, even if she refers to them as damaged; it’s very telling that she is not part of the trip to the whorehouse (fun for all the family!). Don calling Betty “Birdie” is a sign of affection and this can’t be pleasant for Megan to hear – if only she knew what went on at the cabin – especially as she has been trying to break through his many walls all year and been met with nothing. When Don tells Megan that he loves her, I really believe that he does but Megan’s “Fuck the agency” is also her way of telling Don “Fuck you.” This line loses some of its dramatic impact thanks to AMC’s censorship and it will sound better when I get the DVD.

I’m hoping we get more Megan next season, but at this point (like all things when it comes to Mad Men speculation) it is unclear.

And then we will move on to our girl Peggy.

Sally Draper and Blair Waldorf

Kerensa: OMG in a Sally/Blair face-off, who do you think would ultimately reign? I don’t think I could even guess!

I agree entirely. I really hope Megan did leave him. And I agree with you on the oblivious criticism–Megan’s not stupid, she knew there was something wrong and never addressed it for whatever reason. I hope she makes the move to California as well (although I don’t want to lose her on the show) and I agree that I think it’s hard to see Megan and Don having a bi-coastal relationship.

I didn’t think about Megan’s absence on that trip to the whorehouse–but you are right, it is super telling. On that phone call, when Don calls Betty “Birdie,” you could just see the hurt on Megan’s face. It was heartbreaking. And yeah, maybe Don loves Megan, but I don’t think he’s really capable of loving anyone especially in the ways they need, you know? Ultimately, I think Megan’s much better off without him.

So, there’s so much to talk about with Peggy. You already mentioned Ted a bit–should we start there?

MM_613_JT_0417_692

Emma:  Now I want to see face-offs between different TV characters much like that show that puts different historical groups against each other (the internet tells me it was called Deadliest Warrior). For this one I think Sally might have the edge, mostly because of who her parents are, but it would be a close fight that’s for sure.

We’ve seen this pattern with Ted this season where he’ll kiss Peggy/tell her he loves her/sleeps with her and then the next day he pretends like it hasn’t happened. In the moment he’s super into the idea of being with Peggy, but in the cold light of day he remembers that he has a wife and kids. With Peggy it would be a HUGE scandal and while men like Don and Roger have ended up marrying their secretaries there’s never been anyone in the position that Peggy is and it would hurt them both professionally (this is why I think Peggy tells Ted to slow down).

So Ted panics and joins the “I want to run away to California” club because this is the only way he can see a way out, even if it’s the coward’s way out. Peggy is so right to yell at him and it really cuts through everything when she says “Aren’t you lucky to have decisions?!” Because everything that has happened with Peggy with Ted has been on his end and so has her return to the SCDP offices. Getting away from Don was such a defining moment for Peggy last year and the fact that she had to return is frustrating for her. At least she has her friendship with Stan and I’m glad that these two are still firm friends – while I’d be happy to see something more between them, their friendship is pretty great.

There were two big outfits for Peggy – the one that had everyone practically drooling and we’ve never seen Peggy rocking that much leg or cleavage. It’s not how we’re used to seeing Peggy in the office but it did what she wanted it to and she snagged Ted (for one night only). This was in response to the look Ted’s wife Nan gave Peggy; Nan’s got to know right? And she definitely smelt the Chanel No.5 on Ted when he got in.

The other amazing costume was the Pantsuit of Power (thanks Tom and Lorenzo for that name!) and Peggy in Don’s office at the end. Now this is a sight that was striking and welcome and I hope next season sees Peggy continuing to break that ceiling. This feels like the first time she’s worn pants in the office and she just seems so in control. I love it!

What did you think of Peggy and Ted in the finale?

I sense a Bob Benson discussion soon, because I think he could be the season 6 secret weapon.

MM_611_JT_0314_0011

Kerensa: Fuck Ted.

I mean I knew he’d never leave Nan–like you said all season he’s done the dangling one thing or another in front of Peggy and then takes it back again. He’s just SUCH a coward. He’s defined everything between them so that “Aren’t you lucky to have decisions?” line was cutting but so perfect.

And of course they both played their games with one another–when Ted brings his family in–and Peggy in that AMAZING dress and her Chanel No. 5 line. But all season there’s been talk about how Ted is the anti-Don (which you’ve talked about right?) and I actually think that maybe Ted is worse. I think that much of Don’s self-loathing and alcohol problems come from knowing he’s not a good person. And he’ll be out rightly terrible to people in ways that I don’t think Ted would be. I’m not sure on this but has Don ever told any of his affairs that he’d leave his wife for them? Not that I can remember.

Ted is the guy whose cowardly, bullshit behavior is coated in a mock turtlenecked, nice guy veneer. He’ll tell Peggy he loves her, but then tell her he’s leaving her (even though he loves her) because it’s better for her this way. Which is true, but ultimately the person it’s better for is Ted. He can go back to his life after his tryst with Peggy, runaway to California with his family and never think about it again if he doesn’t want to.

While I know our girl Peggy is super resilient–I know I’d be hurt. And like you said, she’s stuck again with Don because of Ted. She gets to go to the agency where she worked with Ted at every day. He gets a clean slate and she gets the reminders.

God I sound bitter, don’t I.

But I do hope that next season Peggy is just crushing it and she can rub it in Ted’s face while wearing some incredible pantsuit.

So, what are your Bob Benson thoughts?

MM_613_JT_0417_180

Emma: I like that you are straight to the point with your Ted assessment because he’s done enough flip flopping this season to deserve this. As you said Don knows that he’s awful with women but Ted genuinely believes that he’s done the right thing.

I do think that next year we’ll see Peggy rise above it and even though her gender will make it hard for her I think she’ll be on top in the end.

Ah Bob Benson, where to start?! When Bob first appeared I was happy to see James Wolk after his string of cancelled shows but who knew he would become one of the most talked about aspects of this season?! And that he’d be the downfall of Pete? While we still know a little more about him and that he’s effectively Don Draper 2.0 he’s still a mysterious figure and his motives aren’t all that clear – does he just want a good and prosperous life or is there something more insidious at play?

I think the answer to this question is whether he knew what Manolo was up to (and whether Manolo did kill Pete’s mother – I’m leaning towards yes, so this season did have a murder after all) and from his reaction I don’t think he did. We’ve seen that Bob is good at lying but he’s also let that good old Bob Benson smile drop a few times with Pete and this didn’t feel like a moment of deception. What Bob did though was ensure that he was the most valuable account man for Chevy and he did that by exploiting his knowledge of Pete’s lack of driving skills. As I’ve said before I like Pete so I was sad to see him humiliated this way, but it proves that you don’t fuck with Bob Benson.

One issue I did have with this story is how quickly Pete backs down and ends up reluctantly on the California trip. Considering Ken got shot in the face, Pete got off really easy. His discussion with Trudy where she told him he was free was heartbreaking, Pete’s been forever trying to find the thing that satisfies him and it’s never been his family. This could be a defining moment for him or he’ll end up miserable with a tan in LA. Can any of them find happiness? Also Vincent Kartheiser wins the award for best line reading with his “Not Great, Bob!” I’m going to miss Pete and Bob sparring with each other.

There’s someone else who’s wary of Bob and what his intentions are and that’s Roger. It’s hilarious that Roger can’t even fathom the idea that Bob and Joan can be buddies so all of his warnings to Bob read as completely ridiculous. Their unconventional Thanksgiving dinner was made all the more wonderful with Bob’s mini apron.

Roger’s another tragic figure of his own making but his moment with Kevin is adorable. And also if my daughter turned out like Margaret then I’d be a little sad too, she’s really awful.

Are you happy with where Bob ended the season? Is he a good guy?

MM_613_MY_0415_0471

Kerensa: Oh Bob! I love James Wolk–he’s on my ideal men list, so if he’s reading this, he should give me a call.

I don’t think we still know that much about Bob at all. And I don’t know if I’d say he’s Pete’s downfall–although he certainly helped. Much of what brought Pete down this season was an accumulation of seasons of what he’s done to himself.

Yeah, I still don’t really know what to make of the whole Manolo plot. It just feel so weird and soap opera-y? And will we ever get any conclusion with it? Also is it horrible that I don’t think I really care either way?

That Pete and Trudy scene was so so heartbreaking. It’s kinda like everyone on this show though, they always want what they can’t have and when they get it, realize it was never what they wanted in the first place.

Vincent Kartheiser should win something just for “Not Great, Bob!” Which a friend of mine told me is how he’s going to answer anyone when they ask him how he’s doing now.

I feel bad for Roger and then I don’t. His threatening Bob was laughable. And I don’t think Joan has any pretenses at all about anything happening between her and Bob. And Margaret is pretty awful.

Overall, I don’t know what to think about Bob still. But I do know that if we get James Wolk in short shorts again next season I’ll be so happy.

Anything else for you about this last episode? Predictions for the next season?

MMS6_0159

Emma: As far as predictions go to be honest I have no idea and it’s this uncertainty that makes Mad Men such a fun show to watch/discuss, in terms of things I want it’s Peggy and Joan ruling things at SC&P and Megan happy in Hollywood. Oh and I want more Betty, which is something I never thought I would say but she’s been so fantastic this season.

Have you got any predictions/hopes for next year?

Kerensa: Agreed. I have no idea what’s going to happen either. I hope Sally doesn’t go down a self loathing spiral. Totally want Peggy and Joan running everything. And I want Megan to get super famous and like be sleeping with Warren Beatty or someone equally sexy and famous.

I hope Nan leaves Ted.

I also hope that even though Trudy and Pete aren’t together anymore that we still get to see her.  I think that’s all I’ve got for hopes basically.

I agree with wanting more Betty. I want to see her being the HBIC of all these political wives.

Emma: Thanks for joining me Kerensa and I’ve thoroughly enjoyed these post-Mad Men chats. It’s a change of pace but join Kerensa and me for a look at Lisa Kudrow’s The Comeback as part of our summer rewind project.

Kerensa Cadenas is a writer living in Los Angeles. She is a staff writer for Women and Hollywood. She also writes for This Was TelevisionForever Young Adult, and Bitch magazine. She was the Research Editor for Tomorrow magazine. You can follow her on Twitter and read her ridiculous thoughts about teen television at her website.

Out of the Box: Look of the Week

28 Jun

One of the shows that has featured on almost every “Look of the Week” is Mad Men and this edition is going to be a Mad Men special; celebrating some of the best costumes from the season 6 finale “In Care Of.” The costuming on Mad Men has always been exceptional and Janie Bryant’s work this season continues this tradition as picking an era appropriate outfit isn’t the endgame and clothes can help define a character. They can also help shape the conversation as we saw when Megan wore a t-shirt that had also been worn by Sharon Tate and the floodgates of conspiracy theories were opened.

Winner: Peggy Olson 

Peggy Power PantsuitIt was a tossup between this and Peggy’s cleavage enhancing mini dress and Channel No.5 combo; ultimately the Pantsuit of Power (thanks Tom & Lorenzo for that excellent name) felt like the Peggy Olson we have been waiting for. Both the seduction dress and this pantsuit are outside of Peggy’s usual costuming wheelhouse and she has definitely matured this season as she has progressed in her job and grappled with a complicated romantic entanglement. Peggy ends the year working in Don’s office and she looks incredibly comfortable in this environment; this is the first time we have seen Peggy rocking a pantsuit at work. Ted has shown that he isn’t exactly the great guy she has been telling Don he is, but I hope that season 7 is going to be the year Peggy shows what a dominating force she can be. This Pantsuit of Power is just the start.

Runner Up: Stan Rizzo 

Stan Mad MenOne of the stars of this season has been Stan Rizzo and his beard (this photo is courtesy of the Fuck Yeah Stan’s Beard Tumblr) and Stan turned up to work in his best suit and well cared for facial hair to present an idea to Don. That idea was to open a small office in California while dealing with Sunkist and Stan would run it; Don said no thank you and then stole the idea for himself. Poor Stan. It doesn’t end there and the California office became the beacon of hope for all cowardly men (ok just Ted). Stan isn’t going to California and so hopefully he will still be around next season to join Peggy and show everyone else how to get things done.

Runner Up: The Draper Family

MM_613_JT_0416_191It’s not every day that your father takes you to the house he grew up in so be sure to wear your Thanksgiving best, oh right your father grew up in a whorehouse. Despite Sally’s recent rebellion and being thrust into an adult situation thanks to witnessing her father’s indiscretion, she’s still dressing like a young girl. I’m expecting that to change next season and Sally will start wearing more daring outfits that we’ve only really seen on Megan, or she’ll look like the 1960s version of Blair Waldorf. Bobby’s jacket reminds me of Henry Jennings’ rainbow coat in The Americans and is something I would wear if it came in an adult size. Gene looks as adorable as ever – will he finally get the chance to speak next season? Don looks as he always does but he’s finally revealed another piece of his past to his children.

Runner Up: Bob Benson 

Bob Benson Pinny Mad MenOne of the highlights of this season has been the mystery of Bob Benson and while his motivations are still relatively unclear he does know how to rock a mini Thanksgiving themed apron (it’s almost as good as the short shorts). One thing we do know is Bob is willing to humiliate the man he claimed he loved to save his job and he’s also not going to listen to Roger; he’ll hangout with Joan all that he wants to. The addition of James Wolk to the cast has been wonderful (and not just because of that charming smile) and hopefully his new show on CBS won’t stop Bob Benson returning next season.

What was your favorite Mad Men look in the season finale?

Out of the Box: Look of the Week

21 Jun

This week we are moving away from award shows and pre-Emmy nomination roundtables, instead we are going to take a look at Mad Men and Hannibal. These are the two shows that have dominated the discourse over the past few weeks and feature casts that are stylish both on and off camera. As always there are no real rules to this weekly column and it is a snapshot of what I have been watching (and looking at online) and each pick is for a variety of reasons including; what it adds to the storyline, what it tells us about the characters involved or simply because it looks good. Spoilers for the Hannibal season finale ahead.

Winner: Mads Mikkelsen in GQ’s July Issue 

MadsHannibal Lecter is one of the best dressed characters on TV (even his killing attire looks tailored) so it isn’t surprising to see him in a GQ fashion spread. Hannibal’s costuming often mixes a variety of patterns with his suit, shirt and tie; it’s power clashing at its best and automatically makes him a commanding presence in any situation. After the season 1 finale Will Graham can finally see Hannibal for who he is, but Will is not in a position to be heard as he is in the one place he feared he would end up; the Baltimore State Hospital for the Criminally Insane.

Runner Up: Dr Alana Bloom and Will Graham on Hannibal “Savoureux”

Hannibal finale Hannibal finale Dr BloomDavid Slade directed the pilot and the third episode “Potage” and returns for the Hannibal finale. The shots above are almost completely devoid of color, save for the two figures who are bathed in darkness. This technique has been used throughout the season and in moments like this allows the viewer to focus on the dialogue and emotion of the scene as everything threatens to envelope Will Graham. Alana Bloom is one of my favorite characters on this show; in part because she is the only person who is truly looking out for Will and his well being, she also provides Will with a tether to the world. These factors also work against how this character is used; they’ve had to keep her away from Will (and not just in a romantic sense) so he can turn to Hannibal and the manipulation can continue.

Showrunner Bryan Fuller spoke to E!Online about Alana and her role next year “I think Alana will have a bigger role in season two. Because not only will she be representing Will psychiatrically in the trial, but struggling with her feelings for him romantically. She was falling for a guy that she knew to be unstable. She was keeping him at bay and now her worst fears have come true that not only is he unstable but apparently he’s capable of great violence. Her need to rescue him may be amplified.” Alana is the emotional center and Caroline Dhavernas’ performance in the finale showed this range from screaming in her car to trying to remain composed in the above scene. From a costuming perspective her red and white wraparound dress not only stands out from the darkness that threatens to consume them, but it also repeats this color combination that has been favored throughout the season.

Runner Up: Glen Bishop on Mad Men “The Quality of Mercy”

MM_612_JA_0402_0384

Creepy Glen is no longer all that creepy, even if his army coat covered in Stop the War buttons reeks of a teenager attempting to be part of the counterculture while not indulging beyond smoking pot (though it wouldn’t surprise me if we saw Glen at an anti-war rally). The plaid shirt underneath shows that he’s not heading for the complete hippy route yet and at least he avoids the sandals of his friend Rolo. Glen loses his creepy edge thanks to defending Sally’s honor and losing out on a hook-up of his own in the process with the 1968 version of Britney Spears in the “Hit Me, Baby, One More Time” video. Sally was exaggerating how much Rolo was forcing himself on her and it looks like she has definitely picked up on her mother’s manipulation skillset and her smile during the fight showed this new side of Sally. After walking in on her father sleeping with Sylvia it isn’t surprising to see Sally develop an edge and the drinking and (supervised) smoking in this episode is probably just the start of a downward spiral.

Runner Up: Linda Cardellini at the Clinique Party

Linda Cardellini

While Sylvia has been a problematic character on this season on Mad Men and it’s easy to dislike the direction in which the show has taken Don Draper and his infidelity, I’m always glad to see Linda Cardellini on TV. I’m currently watching Freaks and Geeks for This Was TV and so it’s been strange to switch between a young Cardellini in a high school show set in the ’80s and as a mother of teenager in the ’60s on Mad Men. Despite any negative feelings towards Sylvia (and I have many) this red Carmen Marc Valvo dress that Cardellini wore to the Clinique Party is stunning. The contrast between the red flowers and black patterned mesh side panels gives a striking silhouette and pairing it with a simple pair of peep-toe black pumps really sets off the look.

Who is your look of the week?

Mad Men 6.12 “The Quality of Mercy” Review: “You Like Trouble, Don’t You?”

17 Jun

There has a strong sense of doom and gloom on Mad Men this season with national events and personal experiences featuring fraught and violent moments. This might be why outlandish theories about Megan and Bob Benson developed traction and while the Bob Benson mystery has been solved, this foreboding feeling remains.

MM_612_JT_0325_0336The episode opens and closes with Don lying in the fetal position; first in his daughters bed at home and then on his coach in his office. On both occasions he is pushing those who were once close to him further away; Megan is trying to reach out to him but is having no luck and an argument with Peggy where she calls him a monster results in him curling back into this position. Don has been adrift all season, he is the empty suit in his pitch and after the incident with Sally last week he is even more despondent. Don’s job is all about connecting with a wide audience, but he is the one having issues with connections this season. It’s a bad sign when you’re sneaking vodka into your morning orange juice so I think it’s safe to say that Don is in bad shape. Outwardly he is still doing a relatively fine job at work and home; he ‘saves’ a pitch but also humiliates Ted and Peggy in the process and Sally hasn’t told her mother about what she saw.

Instead Sally has cut herself off from her father and thanks to some bad city experiences Betty does not suspect Don as a reason for Sally not wanting to visit. Sally wants to go to boarding school and like her father she is very good at selling herself; all those times that she made drinks for her parents comes in handy as she tells the girls at the boarding school that she can make a Tom Collins. Any Sally storyline that involves drinking, getting high and Glen is enough to cause concern but it turns out that Glen is not actually all that creepy anymore (ok he’s still a tad creepy) and he defends Sally’s honor after his friend makes the moves on her. When Sally is asked “You like trouble, don’t you?” she responds with a sly smile and in this moment it looks like Sally is having a good time. Sally is both out of her depth and in control in these moments and this dichotomy is apparent when Sally tells Betty why she wants to go to boarding school; she wants to be a grown up but also get a good education. Sally is still incredibly young, but she has also experienced the harsh reality of being let down by the one person who should protect her and so when she tells her mother “My father has never given me anything” it isn’t strictly true as he’s given her this new jaded outlook on life. What a gift to give!

Don’s relationship with his daughter is broken and at work he’s fallen out of favor with Peggy. Peggy and Ted are incredibly obvious in their shared attraction as they flirt and discuss creative ideas as if there is no one else in the room. While Ginsberg is merely annoyed by this as it means none of his ideas are getting heard, Don sees it as a much larger problem as Ted’s judgement is impaired. Don is partly right, but it also reads as petty jealousy as his former protégé no longer needs nor respects him. The way Don handles it is reminiscent of how he took charge by getting Ted drunk a few weeks ago; he does it in a public arena and hurts Peggy by giving credit to the now dead Frank Gleason. Don is convinced that Ted can’t be that virtuous and wants Peggy to see this too, but all this does is fracture their already fragile relationship. While they keep discussing working together as a team, the actions of both men don’t suggest that this is going to happen any time soon.

In Don’s eyes he is being merciful to both Peggy and Ted by throwing his weight around, but his phone call to Harry about Sunkist was out of pure spite after seeing Ted and Peggy at the movies together. Megan is excited by this development (and it’s adorable when Megan mouths “Oh my god” at Don) but Don uses it as an opportunity to go back on his word with Ted. Once again it makes more business sense to go with Sunkist as the billings are much higher, but this adds to the disharmony as we head into the final episode.  Don pretty much throws his toys out of the pram in this episode as he tries to get what he wants by stomping over Peggy and Ted’s idea under the illusion of protecting the business.

There is a battle of wills raging in creative but if we head to the floor above another power play is occurring and it takes an unexpected direction this week. Pete doesn’t want to work with Bob after Bob’s declaration last week – a declaration of admiration not love as Bob puts it – so Pete turns to Duck to find a new job for Bob. Duck looks into Bob’s past and finds that he isn’t who he says he is, no he isn’t an undercover agent or Don Draper’s illegitimate son but he does share a similar history with Don in that he has reinvented himself to get ahead. Pete mentions that he has been in this position before and while it looked like Bob’s days at SC & P are over, Pete instead shows him mercy and lets him keep his job. Why would Pete do this? With Don he attempted blackmail and when he went to Bert with the truth he was met with a “Who cares?” Pete’s earlier attempts this season to tell Don what was going on with the firm fell on deaf ears and Pete has used these prior experiences and weighed up his options.

I’ve watched this scene a few times, particularly Bob’s reaction as he is just as confused by Pete keeping his secret as I was at first. Bob shows what a chameleon he is as he shifts from fake smiling ‘I’ll get you a coffee’ Bob (“For one thing I want you to stop smiling”) to resignation as he realizes that Pete knows the truth. It gets tense as Bob tells Pete “You don’t respond well to gratitude” and he’s also incredibly protective of Manolo, emphasizing once again that he isn’t doing anything untoward with Pete’s mother. The mercy that Pete shows is delivered in such a bitter way that it’s easy to see why Bob is perplexed and needs Pete to clarify what is going on. It feels like Pete is talking about Don, not other gay people when he says “I don’t know how people like you do it” and “your kind of animal.” Pete has always shown distaste for Don’s big secret and how Don can so easily lie about who he is.

Like Don, Pete is also thinking of the business and this is most evident from this statement “Where you are and who you are is not my concern” because he knows that Bob is a good account man and as the agency is so divided he probably figures that he needs a strong ally. It’s also hilarious that Pete doesn’t even remember hiring Bob, it’s like he just appeared with two coffees one day. For Bob it’s the opposite as he claims it was the best day of his life. This Don Draper 2.0 story is compelling and I hope that Bob Benson gets to stick around for the final season of Mad Men.

Other thoughts

– Chevy are really putting Ken through the wringer and trying to turn him into a pirate in the process (first the injured leg and now the eye patch). Ken no longer wants to tap dance and who can blame him after all this account has put him through.

– Once again the internet delivers on the Mad Men gif front as here is Don’s amazing baby impression.

– The episode is full of baby imagery; the movie they watch (Rosemary’s Baby), Don’s sleeping position, Ken’s news and the ad pitch. Don’s recent hallucination had him projecting the idea that Megan was pregnant and mother imagery has been a repeated throughout the season. Is this a reaction to the chaos of 1968?

– The political ad Don watches uses imagery of fear about the level of crime in the country and it’s easy to see with material like this why there is a sense of doom at this time.

– If only Roger knew what Lee Garner Jr had asked Sal to do.

– For an excellent reading of last week’s Bob Benson revelation I would highly recommend the always incredible Tom & Lorenzo and their “Mad Style” article talks extensively about Bob and the “Best Little Boy in the World” syndrome, even if their theory doesn’t completely pan out.

– On the way to the boarding school interview Sally is eating fries from McDonalds and on the way home Betty offers Sally a more adult ‘treat’ as she gives her a cigarette which Sally takes. This is much different from the last time we saw Sally smoking (look how young Kiernan Shipka is in this video). Sally now feels very differently about her father than she did in this season 2 clip, though she’s still just as snarky towards her mother.

Any predictions for the Mad Men finale next week?

Out of the Box: Look of the Week

14 Jun

It’s been a week of several award shows and more Emmy related roundtable discussions and some of these have already been covered here at TV Ate My Wardrobe and feature fantastic looks. As always there are no real rules to this weekly column and it is a snapshot of what I have been watching (and looking at online) and each pick is for a variety of reasons including; what it adds to the storyline, what it tells us about the characters involved or simply because it looks good.

Winner: Dr. du Maurier on Hannibal “Releves” 

photoThe costuming and set design on Hannibal has been consistently brilliant with the use of red and pink tones being particularly noticeable. In this scene with Gillian Anderson’s Dr. du Maurier Jack attempts to get information regarding her discussions with Hannibal, du Maurier gives Jack very little showing that her loyalty is with her colleague and patient. We know that du Maurier was attacked by a patient, a former patient of Hannibal’s who she claims swallowed his tongue and that’s why he didn’t kill her. Later on she discusses both the visit from Jack and the attack with Hannibal and it would seem like Hannibal was involved in the attacker swallowing his tongue (the who/why/how is still very unclear).

With this latter meeting du Maurier is wearing neutral colors and almost blends in with her surroundings, it’s a very different statement from the fuchsia pink blouse in the above shot where she clearly controls the conversation with Jack and has all the power in the scene. This is not the case with Hannibal and he has some hold over her, as he does with most people as he manipulates the situation to his advantage. Why does Hannibal do this? As Hannibal tells Abigail he does things because he is “curious what would happen”, Hannibal is an observer, but he also interferes to make things happen. It looks like Abigail isn’t long for this world.

Runner Up: Sally Draper and Julie on Mad Men “Favors”

MM_611_JT_0315_0444Sally Draper didn’t have a great week on Mad Men and her friend Julie could be blamed for Sally’s despair; Julie took the note that they had written about Mitchell and posted it under the Rosen’s door, but what followed isn’t Julie’s fault but Don’s as he can’t seem to keep it in his pants. The above shot is at the very awkward dinner as Julie and Megan are both oblivious to the real reason behind Sally’s anger at her father. While both girls think that they can handle themselves in the city and with boys they are still very much children and their costumes reflect this. Together these dresses clash in both pattern and color and their hairstyles are both childlike but very different; bows and headbands/up and down.

Throughout the episode we see that Julie and Sally don’t have all that much in common besides an interest in Mitchell; Sally thinks that being smart matters, whereas Julie believes she has the art of flirting down. By the end Sally has had the more adult experience, an unfortunate one where she finds out that her father isn’t the hero she thought he was. Don attempts to spin a tale to Sally but she is old enough to know when a lie is just that. We’ve seen Sally adopt the ’60s mini skirt style as favored by Megan so will she start acting out further in teenage rebellion when it comes to her clothes as a result of this incident?

Runner Up: Comedy Actors Hollywood Reporter Emmy Roundtable 

THR comedy actorsRegular visitors to TV Ate My Wardrobe know how much we enjoy a pre-Emmys roundtable and the comedy ones this year have been particularly entertaining. Matthew Perry. Jake Johnson, Adam Scott, Fred Armisen, Eric Stonestreet and Jim Parsons are the participants in the comedy actors panel (you can watch it here) and they have been styled as if they are on vacation – in the video some of them mention how the no socks aspect is not something they usually go with. Variations of blue and an array of pastel colors have been chosen for the composition and Fred Armisen’s green jacket is something I’d quite like for myself. The conversation covers a variety of topics about their current shows and past experiences, though the highlight is when it takes a surreal turn about the word “penal.”

What is your look of the week?

Mad Men Women Honored at the 2013 Crystal & Lucy Awards

13 Jun

Last night the women of Mad Men attended the 2013 Women in Film Crystal & Lucy Awards at the Beverly Hilton Hotel in Los Angeles and received the 2013 Lucy Award for Excellence in Television. January Jones, Elisabeth Moss, Jessica Paré and Kiernan Shipka collected the award on behalf of the show and this is Moss’ second award of the week as she received the Critics’ Choice Award for Top of the Lake.

Mad Men womenIt has been a big week for Kiernan Shipka’s character Sally Draper as she caught Don sleeping with Sylvia, Shipka showed once again what a remarkable actress she is as she reacted with horror, repulsion and disbelief at her father’s actions. While this season has been light on the Sally appearances this is surely going to leave its mark on Don and damage their relationship for the time being. Shipka once again looks age appropriate in a black star patterned dress and this is another red carpet hit for her.

It’s rare that we get to see all four of these women in a scene together (possibly the only time is in one of my favorite episodes, season four’s “The Beautiful Girls”) but all of them have being doing great work this year on Mad Men with January Jones being the big surprise as Betty has been a highlight rather than a hindrance.

When they took to the stage Elisabeth Moss said “Mad Men has taken an unintentional political stance by simply treating women like human beings.  Our show is a truly special and spirited place in Hollywood.”

Critics’ Choice 2013 TV Awards Red Carpet Highlights: Diane Kruger and Elisabeth Moss

11 Jun

Last night the Critics’ Choice 2013 TV Awards took place in Los Angeles at the Beverly Hilton Hotel with Parks and Recreation favorite Retta hosting the proceedings. While Game of Thrones and Breaking Bad tied in the Best Drama Series category, there is also a tie here at TV Ate My Wardrobe for best red carpet look between Elisabeth Moss who has featured multiple times in our “Look of the Week” and Diane Kruger, who will most likely become a weekly staple of this column.

elisabeth moss critics choice

The haircut that Elisabeth Moss got backstage on Late Night with Jimmy Fallon coupled with the blonde color continues to be a defining look (and I think we can put Moss in the group of women who look better with shorter hair, a group I adore). It sets her apart from the character we are so used to seeing her play, a character that has to be tough around the edges because of her job and the decade she is working in. This makes Moss look more youthful and fun, something that is missing from Peggy most of the time.

The plunging pink Valentino prom style dress suits this event and really compliments this new hairstyle. Moss has opted for toned down makeup, but I think a strong lip color would really set it off.

Elisabeth Moss took home the award for Best Actress in a Mini-Series or Movie for Top of the Lake and she joked that “I’ve never won an award for acting. I have to remember not to thank anyone from Mad Men!”

Diane Kruger critics choice red carpet

Diane Kruger is a fashion icon both on and off the red carpet because she takes chances but also has an eye for Old Hollywood glamour and this black strapless Nina Ricci gown falls into the latter camp. The sweetheart neckline evokes Jessica Rabbit and the retro inspired waves give the impression that Kruger is a 1950s starlet. The strong red lip color adds to this look and it’s a shame that the effect of the Manolo Blahnik pumps is lost in this shot as they blend into the red carpet. Diane Kruger’s new show The Bridge debuts on July 10 and as I have mentioned previously this is one of my most anticipated summer shows. Kruger took to the stage with co-star Demián Bichir to present at the awards.

For a full list of the winners of the Critics’ Choice 2013 TV Awards head here.

Mad Men 6.11 “Favors” Review: What Do You Expect in Return?

10 Jun

Last season on Mad Men Sally referred to New York City as “disgusting” after she witnessed a very adult act between Roger and Megan’s mother Marie, after “Favors” she might never want to return to her father’s apartment again. There are many secrets in the SC & P office (getting used to the new name) and it is easy to forget some of the personal relationships that have long since ended; this episode did a very good job of highlighting this and showing just how lonely these characters are. It would be so easy for everything to come crashing down around them if every truth was to come out, which is why favors are such an important commodity. Even when nothing is expected in return, the knowledge that comes from knowing a person’s darkest secret can becoming a bargaining chip in the future.  The Ted/Don conflict which has really existed in them bitching to others about their situation is addressed, but even if everything is well in business the same could not be said for the private matters of these characters. The doom that has permeated this season has led to discussion of what violence might befall a certain character, but the real horror on Mad Men is when dark truths are revealed.

MM_611_MY_0320_0953

The episode opens with Peggy – still living in the apartment she hates – being given another reason to want to flee this abode as she sees a rat. The rat makes a return later in the form of a blood trail across the floor (conspiracy theory doom alert) and when she calls Stan he doesn’t take up her offer to come over, he’s not her boyfriend after all. Peggy can’t ring Ted, because of his wife and kids situation and she doesn’t really have anyone else to turn to – Peggy you need to get yourself some better, ok some actual friends. One relationship that has long since changed and dissolved is between Peggy and Pete, it’s easy to forget that they were once intimate and have a child. The conversation between them while they are drunk and at dinner shows how familiar they are with each other and Pete reiterates that Peggy really knows him, echoing his statement from the end of season 2 when he confessed his love for her and she first told him about giving up their baby. It’s moments like this that remind me why I have been a Pete defender in the past and the effectiveness of these Pete and Peggy scenes is because they are so few. These scenes remind us that Pete isn’t just a weasel of a character, even if his own mother tells him that “You’ve always been unlovable.”

It turns out that someone is in love with Pete and the mystery of Bob Benson is revealed; it isn’t one of the many nefarious or soapy suggestions, instead he is gay and is in love with Pete. Pete’s disgust at the suggestion that Manolo is gay (he calls him a degenerate) doesn’t prevent Bob from giving a misguided speech “Couldn’t it be that if someone took care of you — very good care of you — if this person would do anything for you — if your well-being was his only thought — is it impossible that you might begin to feel something for him?” Pete rejects this and Bob’s knee touch rather emphatically by telling him to let Manolo go and that Manolo (read Bob) is “disgusting.”  Poor misguided Bob, now we know why he was so happy to do everything for Pete, but this approach is no way to make someone love you. Later on we see Pete alone in his dreary apartment with not even enough cereal to have for dinner; this is part of a montage of the SC & P at home; Peggy has got herself a cat that she can rely on, Ted returns home to his family and even if they don’t give him the satisfaction of work he is trying and then there is Don arriving back at his apartment drunk and disheveled.

Of course this isn’t a new state for Don to arrive home in and he’s even passed out with the police in his front room this season; this is a whole different scenario as he really doesn’t know what he will find when he opens the door. Don has spent most of the episode harping on about how important his children are and this is why he is trying to help his friend’s kid get out of his 1A (eligible for military service) situation. There is another reason of course and that is his feelings towards Sylvia, I also think he is doing this out of a sense of guilt as Arnold is a friend who he has wronged. The conversation between them in the bar and how broken Arnold is about this draft news is enough to quick start Don’s favor asking and I actually don’t think getting back with Sylvia is his intention (am I being too naive?) Of course this is what happens and Sylvia’s way of saying thank you is through sex. Sylvia explains that she ended it because she was frustrated that Don had fallen in love with her. I thought it would be due to Don treating her like crap in the hotel, but apparently not.

The huge moment is when Sally sees them and as soon as Sally got the keys to all of the apartments I started watching through the gaps in my fingers as if this was a horror movie. This is the kind of horror that Mad Men excels at, not the kind that we have been expecting since Megan wore the Sharon Tate t-shirt. Sally’s feelings towards her father fluctuate from “I don’t know you” to using him in a scoring battle with her mother, but this cements the former and will likely mean that Sally will stop doing the latter for now. Both Kiernan Shipka and Jon Hamm are excellent in their reactions in this scene and later on when Don tries to explain that what she saw wasn’t really what she saw.

Don rarely loses the facade of cocksure Don Draper to broken Don Draper, but one such time was when Betty confronted him with the Dick Whitman box of information and he could barely get a cigarette out of its packet. The way Don acts in the foyer of his building after Sally has run out is like this and he looks completely lost about what to do or say; he looks like he has been stabbed. Sally has gone and there is nothing he can do to stop her from telling Megan or her mother about what she has seen. So he does what Don always does and goes and gets wasted. When he returns Sally hasn’t said anything and Megan is oblivious, it gets even more fraught when Arnold and Mitchell turn up to say thanks to Don for all he has done and Megan praises him. Sally looks like she might throw up during this entire scene and she finally yells that Don makes her sick.

This can neatly get explained by Sally’s friend Julie (who is also pretty oblivious) telling Megan that Sally has a crush on Mitchell. The conversation between Don and Sally as they stand on either side of the door is Don using his best sales pitch to try and make Sally think that what she saw was in fact something very different. Sally is both too old and smart enough to know that this a lie, Don must realize this too but there are so many unspoken secrets in Don’s life that adding another to the pile is probably not going to do much. Don’s big Dick Whitman secret is mentioned in conversations with both Megan and Pete (I always forget that Pete was the first person to find this out) and his service is referenced in his bar chat with Arnold.

Other thoughts

– Ted says what we have all been saying all season “Don’t be an asshole, Don.” Now that things are settled between Ted and Don (that handshake is a binding contract) will Ted be more at peace when he goes home or will he still want something or someone (Peggy) more?

– Anytime there is an indication that Sally likes an older boy I get worried, Sally brings out the great protector in me. I’m also happy that Sally thinks that boys will not be that into girls who come across as dumb (like her friend Julie). Don’t ever change Sally.

– When Pete’s mother mentions the child that Peggy has with Pete, she thinks that she is talking to Trudy but Peggy reacts like she has been sucker punched; it’s a small moment from Elisabeth Moss but the emotion that she delivers in this scene at this point and when she realizes that Mrs Campbell is confused is fantastic. As is her reaction when Mrs Campbell starts talking about the passion with Manolo.

– Ted mentions that the dinner that he shares with Pete and Peggy is the agency he hoped for, this contrasts with the forced meal he shares with the Chevy guys later. Both are dripping with subtext, but one is a lot lighter and less tense than the other.

– Peggy has noticed that Stan sometimes uses a sexy voice.

– There are only two episodes left of Mad Men this season, is it all going to come crashing down around Don?

Variety

Entertainment news, film reviews, awards, film festivals, box office, entertainment industry conferences

Julie Hammerle

Nerds Need Love Too

Sofa and Remote

I love talking about TV as much as I love watching it

Ellie Writes Stuff

About this and that

Twitter Music Club

A rotation curation music club, based on Twitter, mainly for Kiwis

INTO ROW Z

If you enjoy a challenge, like Claude Makélélé, read my blog. Its about sport.

lost somewhere in new york city

We rock a lot of polka dots

sankles

We rock a lot of polka dots

frocktalk.com/

Just another WordPress.com site

Cultural Learnings

Television Reviews and Analysis

judgmental observer

film, tv, popular culture, higher ed, unicorns

Rookie

We rock a lot of polka dots

The Frisky

We rock a lot of polka dots

Tell Us a Story

stories about true things