It’s a busy day of fashion and TV thanks to last night’s Emmys (for my brief thoughts on the show head here) and while monochrome was a big trend, bold color and the standard nude tones were also big players on the red carpet. This post is for those dresses that don’t fall into one easy category and this post features a couple of dresses that still has me pondering whether they’re a hit or miss.
Let’s get to it!
Zooey Deschanel has a habit of wearing princess type gowns with a 1950s influence so this Barbarella looking icy blue J. Mendel number is a huge surprise. You can’t see it in this photo but the dress had a huge sexy slit up one leg and I’m so glad to see Deschanel opting for something outside of her standard wheelhouse. She looks amazing which almost makes up for the lack of New Girl nominations. Almost.
Kiernan Shipka continues to impress with her age appropriate red carpet looks and this floral Delpozo frock is perfect for the 13-year-old; yes at 13 Shipka has already outshone every good fashion moment I have ever had. This dress could come across as too fussy which is why the ponytail/minimal makeup works and I don’t think we’re ready for Shipka to go for the Taylor Momsen raccoon eyes approach – now or ever.
Kerry Washington was top of my red carpet most anticipated list and I’m disappointed with the Marchesa gown. I’m still not entirely sure how I feel about it and while I like the floral embellishments, it’s also reading wedding gown. I think if my expectations weren’t so high I would like this fine, but considering all of the other exquisite dresses she has worn this year it doesn’t quite hit the mark. It does fall into the Olivia Pope color scheme though and as always she looks flawless. It’s just not the dress I was hoping for.
Following closely behind Kerry Washington on that anticipated list, was Claire Danes and this is another dress that had me wrinkling my nose in disappointment, especially after what she wore last year. I’m not a huge fan of blush tone gowns which might be why I’m finding it hard to get excited about either of these dresses and with Danes this Armani Privé number washes her out. I do like the change in hairstyle and her makeup is also a win, more accessorizes would help.
[Source]
Danes does get red carpet legend status for crashing Lena Dunham’s E! interview and chatting about her Scandal obsession with the Girls star. A Romeo and Juliet reference was also thrown in regarding their Showtime/HBO standing; this has me reaching for those angel wings I’ve been holding onto for a Romeo + Juliet revival.
Christina Hendricks doesn’t always get it right on the red carpet and designers inexplicably seem to have a hard time with her body shape, not so with Christian Siriano who always hits the mark with Hendricks. Hendricks described this gown as looking like a Sargent painting, a reference that was lost on Seacrest (Twitter quickly deduced that Madame X is the painting). Incredible from H to T (yeah I’ve been watching too much Top Model).
Mindy Kaling’s eggplant colored Edition by Georges Chakra dress is not the sparkly number that you might expect from Kaling and as with Deschanel I like this change up. Hair and makeup are understated and because of the embellished neckline accessorize beyond a cute clutch aren’t needed.
Carrie Preston won an Emmy last weekend for her guest starring work on The Good Wife and she shone on the red carpet in this pale pink Romona Keveza gown with a touch of black detail. Preston’s incredible auburn locks instantly make her standout and this is another winning look.
Tags: Carrie Preston, Christina Hendricks, Claire Danes, Emmys, Girls, Homeland, Kerry Washington, Kiernan Shipka, Lena Dunham, Mad Men, Mindy Kaling, New Girl, red carpet, Scandal, The Good Wife, Zooey Deschanel
As discussed a few weeks back the closing credit music has been one place where the world of Girls is rather optimistic, even if it doesn’t match what we have just seen on screen. The final montage of season 3 uses Michael Penn’s “Good Girl Down” (sadly this isn’t on either Spotify or YouTube at this time, otherwise it would have definitely been part of this playlist) and in his role as Girls composer Penn penned (sorry, couldn’t resist) this track for the finale. Hannah’s smiling due to her grad school acceptance letter and while she has just had a big blowout fight with Adam, she’s still happy; this track does a good job of mirroring this.
TV Ate My Wardrobe 
