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New Breaking Bad Poster: Remember My Name

25 Jun

Earlier this month AMC released a teaser poster for the final 8 episodes of Breaking Bad with the ominous tagline “All Bad Things Must Come to an End.” The new key art has a more direct message and features a menacing looking Walter White; he barely resembles the guy in his underwear from the season 1 promo. Looking angry and in control, but it’s his name that could get him into trouble as Hank knows the truth behind Heisenberg.

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What do you think of the new poster? Worried about the lack of Jesse? Attempting (and failing) to not sing the theme from Fame?

Breaking Bad returns to AMC Sunday, August 11.

Summer Rewind: The Comeback

25 Jun

Here at TV Ate My Wardrobe we wanted to check in with some old shows over the break and I am joined by my Mad Men chat partner in crime Kerensa Cadenas for this Summer Rewind project. First up we have HBO’s The Comeback and this discussion focuses on the pilot episode.

The-Comeback

Emma: So my knowledge of The Comeback was pretty minimal before I watched the pilot – I knew it starred Lisa Kudrow and was created by Michael Patrick King and that it features on a lot of cancelled too soon/one season wonders lists. That’s it. See I said it was minimal, I didn’t even know about the reality show format.

The first thing I did after watching it was I checked when Friends and Sex and the City ended (both 2004) and to see when Keeping up with the Kardashians premiered (2007). The Comeback aired in 2006 and it nails so much about reality show TV that has continued long after (hence why I looked up the Kardashian air date).

We meet Valerie Cherish after she has had a hit show (like Kudrow) and she has had a lull in her career since that show (it all gets pretty meta from here) and as part of her comeback she is filming a reality show at the same time as a new sitcom that she thought she was going to be the star of. Valerie has an ego like most people in this profession but l like that they don’t make her mean, she’s oblivious at times but she is never cruel. She clearly has confidence issues at times and the scene in which she is practicing the same line over and over while eating cake (filmed from the fixed camera in the kitchen, the one that she probably forgets is there and so this is Valerie at her most natural). This line becomes a moment of contention throughout the pilot; it is the reason Valerie’s character changes from career woman to dowdy aunt and it’s also the point of Valerie’s rebellion in front of the live studio audience.

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The fixed camera in the kitchen is just one of several reality show filming techniques there is also the general film crew following her around with the producer suggesting statements for Valerie starting with “I feel…” The producer also wants Valerie to be more animated in her one on one piece with the camera – this is probably the most common set up in all reality TV where they talk about an event as if they are living in that moment, it’s also when these reality shows feel at their most false (an oxymoron I know). There is also a personal video diary which is where the person if probably meant to be at their most natural and don’t have the producer to manipulate the situation but these are also rather contrived (except for the delightful toilet sound in the background from her husband). It doesn’t really matter how authentic any of this is as the producer tells Valerie that they will edit parts.

Valerie complains that “This is supposed to be reality” and so it is clear that Valerie is unaware of how reality TV works; there are two different types of reality star those who know how it works and manipulate it to their advantage and those who trust the makers of the show and end up being portrayed in a manner they didn’t expect. I don’t think that people necessarily remain in either camp and you can move between the two. With SO many reality shows from competitions such as Top Model or Idol to family reality shows like Duck Dynasty and everything in between there is as much chance that the people involved will become a star as much as they will fade into obscurity. The idea of fame and keeping relevant is important and we see this repeated throughout The Comeback pilot.

What are your first impressions of The Comeback?

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Kerensa: I have actually seen the pilot episode of The Comeback several times. The first time I remember was in college and I went over to a friend’s place to drink or something and they were watching the pilot and shouting “I DON’T NEED TO SEE THAT.” And then I saw it randomly a couple other times. But I never have seen beyond that.

Watching it this time around made it SO apparent what a groundbreaking show The Comeback was when it aired. Like you mentioned it aired in a weird transitory time when it came to reality television (The Hills also started in 2006) right before it really exploded. And like you said about Valerie complaining about reality television and not understanding how it works–I think that seems super relevant for the time that she wouldn’t understand what she should have been doing. I feel like at that point maybe understanding how reality television worked, in the ways we know now, wasn’t something that would have even registered?

But like you said this idea of fame and being relevant (and especially being an aging actress) is obviously an idea that will continue to be important.

I also have some thoughts about Valerie Cherish–but I want to know what do you think of Valerie first.

The Comeback ep 1 Leno

Emma: I felt mostly sad for Valerie and her attempts to claw back the fame she once had. The “I’m It” wall of photos and its destruction later in the episode is the perfect representation of Valerie; this is her achievements and by the end of the episode they are on the floor and water damaged, she is no longer “It”. Her prize photo is a monkey shitting on her head on Leno because of how much attention it got, but it just feels embarrassing.

I’m really intrigued by her relationship with her husband as he doesn’t appear to be that invested in her latest project or her career. Valerie mentions that he isn’t in show business and this conflict is likely to be repeated, but rather than have an argument Valerie tries to put a brave face on it. This is her tactic for most situations and we see this when she is told about the character change and at her wardrobe fitting; she is good at acting fine but it’s obvious that she’s crying on the inside. I was half expecting Valerie to be a tantrum throwing diva; instead she is a people pleaser and just wants to be loved by everyone, so she’ll put on the awful ill-fitting tracksuit even though she hates it. Basically Valerie makes me feel sad at the moment.

What are your Valerie thoughts?

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Kerensa: I agree with you entirely about her husband seeming completely uninterested in her career. And Valerie makes me feel really sad too. I know that this is preemptively judging a character that we don’t fully know yet but Valerie feels like a precursor to a lot of the female characters we have now–like an Amy Jellicoe, etc. Basically a messy, selfish and deeply insecure female character who just also wants to please everyone like you said. And like with Enlightened a lot of people couldn’t deal with Amy. I can’t tell whether or not she’ll fit into Emily Nussbaum’s Hummingbird Theory or not just yet.

I’m also curious how this will go throughout the season cause now I could see Valerie being pretty polarizing and right on the heels of Carrie Bradshaw–that not working well with viewers. Although of course, after rewatches, we all know that Carrie is (at least I think) a super problematic character.

What else stood out for you in the pilot? We have some weirdly familiar faces.

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Emma: You’ve reminded me that I still need to watch Enlightened (I know) but I did find Emily Nussbaum’s Hummingbird Theory intriguing so we’ll have to keep this is mind as we watch. I do think Carrie was always problematic in SATC and even though she was the lead, I hated how everything was always about her (and it’s something I think The Carrie Diaries has avoided so far).

So many familiar faces – Kellan Lutz is playing another meathead (no surprise) and Malin Akerman plays the hot young actress Juna. As with Valerie I’m glad that they don’t make Juna mean, she’s hot and takes her clothes off in front of people (it’s HBO so I figured there would be some nudity) but it doesn’t feel false or like she’s doing it for the cameras. Juna also does the thing where she mentions how young she was when Valerie’s show was on and once again I don’t think it’s intentional (say like when Juliette Barnes does it to Rayna in the Nashville pilot which feels calculated). Juna doesn’t want to make Valerie feel bad but does so regardless.

I found the whole debate about why Valerie’s character shouldn’t have a job to be interesting, the writers clearly aren’t interested in Valerie and she’s there to serve the other characters so they don’t need to flesh out her story. Oh and the Juicy Couture mention gave me flashbacks to 2004 and mostly JLo and Britney. Do people still wear this brand?

The producer is someone I hope we see more of because she is really just focused on the job at hand; I wonder if she’ll remain this detached from Valerie as a person?

What are your other thoughts about this pilot?

Kerensa: I’m glad they don’t make Juna mean either and I hope that continues to stick. I’m liking the seeming mentor-y relationship the two could potentially have. And how trite would it be if there ended up being an All About Eve situation–beyond uninterested in that.

All I can say about Kellan Lutz is LOL.

Agreed on the Valerie thing. I feel like the writers are uninterested in her but know that this reality show will give their show leverage so they have to somewhat be vaguely interested.

People do still wear Juicy Couture and I personally think it’s one of the tragedies of our time. (JK that’s SO dramatic).

Kerensa Cadenas is a writer living in Los Angeles. She is a staff writer for Women and Hollywood. She also writes for This Was TelevisionForever Young Adult, and Bitch magazine. She was the Research Editor for Tomorrow magazine. You can follow her on Twitter and read her ridiculous thoughts about teen television at her website.

 

Mad Men 6.13 “In Care Of” Review: California Dreamin’

24 Jun

At the end of season 1 of Mad Men Don Draper gave one of his best pitches and then returned to an empty house for Thanksgiving; the final episode of this penultimate season also occurred post election (with Nixon as the winner this time) and Don used nostalgia once again to sell a product but spills a little more of his soul in the process. This has been a tumultuous year for these characters and the trauma that the country is experiencing both overseas and at home has impacted the tone. While this season has been a tough slog in places thanks to the darkness that it has tapped into, it has also been highly rewarding even if Don is no longer a character that is easy to defend.

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The Carousel presentation is probably still Don’s most touching pitch as he used nostalgia to sell a product – “the pain from an old wound, it’s a twinge in your heart far more powerful than memory alone.” Don uses a similar tactic for Hershey’s, first telling a made up story about his father buying him a Hershey’s bar and he even has the perfect tagline to accompany this fake tale “Hershey’s is the currency of affection, it’s the childhood symbol of love.” After all the lies Don has told he can’t let the Hershey executives leave without revealing the truth about why he has such strong feelings for this brand of chocolate. This season has had multiple flashbacks to Dick Whitman’s whorehouse living past and while a lot of this has felt superfluous, in this moment it made sense as to why there has been so many. Quite often the flashbacks feel like they should be on a show like Boardwalk Empire and while we probably didn’t need quite as many (the one in this episode only felt necessary because of the final shot) it gives further context as to why Dick became Don.

Don has come across as vulnerable in previous pitches, it’s part of the charm and heartbreak of the Carousel speech and this technique of making it personal is part of the great Don Draper show. This season Don’s work has taken a new direction; imagery of death has been rife and the product they are selling has been absent from the art work on several occasions. Don doesn’t want Hershey’s to even consider advertising so while he doesn’t have a say in his taking leave from work, his heart really isn’t in the game at the moment. This is the most honest we have seen Don at work and the story he tells makes him vulnerable in the eyes of his co-workers and clients. The Hershey executives don’t really know how to respond to Don’s second pitch (they love the first one) and even ask if Don wants them to use that suggestion (this comment caused me to snort laugh, possibly as a reaction to my own horror/wonder at what Don had just revealed – this episode has a lot of hilarious lines underneath the dark overtones).

It has been hard to feel sympathetic towards Don this season as he is the maker of most of his misery, but the meeting on Thanksgiving morning that’s part intervention, part firing might make me retract some of my “Falling Out of Love with Don Draper” statements. It’s an ambush and while it has been a long time coming and he probably deserves it, it is a shame that a rare moment of honesty is what tipped their collective hand; at least when Freddy Rumsen got put on six-month leave he was taken out for a night on the town as part of his send-off. For Don he gets a lot of concerned faces but no follow up, other than an awkward moment with his replacement and Duck (who is clearly relishing this downfall). Where does this leave Don and SC & P? For a start they’re probably happy that they left the D out of the new name. Don has no return date and Peggy looks good in his office (and in an amazing pant suit, is this the first time we have seen Peggy wearing pants in the office?) and once again Mad Men ends a season with the future looking uncertain.

Stan and his magnificent beard came up with the idea of setting up a Californian office, an idea that soon gets taken by Don much to Stan’s dismay. California soon becomes the beacon of new hope as several characters believe it will provide them with a fresh start; Don tells Megan that they’re going and so she quits her job. This looks like it could be place to make their marriage work, much like the hallucination that Don had when he was last in LA. Instead he gives up his chance for sunshine and doesn’t become the monster that Peggy called him as he lets Ted have his spot; Don ruins his marriage to save Ted’s. Don’s marriage has been over for the whole season really and a new climate would probably only act as a band aid for a much larger wound (to borrow a line from Pete Campbell). While it isn’t clear if Megan has left him permanently, she’s finally come to terms with what a sham their relationship is and she’s in the same drifting boat as Don’s children. The main difference here is that Don is with his children at the end of the episode and Megan is nowhere to be seen, so while Megan didn’t meet the violent end that some had predicted she isn’t present in Don’s life in the final shot of the season. I’m a big Megan fan (a sentiment that I know isn’t widely shared) and while I know it’s been hard to work her storyline in this year (mirroring the past issues with getting Betty into episodes), I do hope that this isn’t the last we see of Jessica Paré on Mad Men.

In an earlier episode Sally mentions that she doesn’t know anything about her father, so when he shows his humble beginnings the look that is shared between father and daughter suggests that while their relationship is broken, it isn’t beyond repair. Sally has barely been at her new school for a month and she’s already been suspended for buying beer with a fake ID. While Betty despairs about this, blaming herself Don does a good job of reassuring her that this isn’t her fault. Kiernan Shipka is only in a couple of scenes but shows once again what an exceptional young actress she is; from the disdain in her voice on the phone to her father to that look in the final moment. This is a complicated relationship and one that isn’t going to get fixed instantly by revealing the dilapidated house where he grew up, but it’s a moment of real honesty between Don Draper and his children. It isn’t the first time this has happened; Don took Sally and Bobby to Anna Draper’s house and they asked who Dick was and while he didn’t tell them the whole story he’s beginning to reveal more of who he is. Don’s children are more receptive to this than his colleagues are; this is what unconditional love is and while his revelation leads to what looks like the loss of his job, it might help heal his fractured relationship with his children.

Don Draper 2.0 or Bob Benson as we know him played his hand in a bold manner after Pete confronted him with the news that Manolo might have murdered his mother. Instead of running Bob uses his knowledge of Pete’s shaky driving skills and humiliates Pete in front of the Chevy executives, acting before Pete could ruin Bob. Bob has essentially got the Chevy account to himself and Pete is heading to LA with Ted. Pete isn’t the only person who confronted Bob as Roger also had words concerning Joan and Kevin. Roger only sees the smile and handsome face and doesn’t believe for a second that Bob just wants to be buddies with Joan, but Roger doesn’t get to dictate who Joan spends her time with.

It’s unclear if Manolo is complicit in Pete’s mother’s death, though the evidence suggests that he could have been after the money she doesn’t actually have. Pete is unhappy about his new destination (he is a New Yorker through and through) but Trudy has some wise words for her estranged husband “It’s going to take you a moment to realize where you are.” Trudy tells him that he is now free of everything – of his mother, of that office, of everything. Will a new coast and city be the new start that Pete needs?

“Aren’t you lucky to have decisions” is a line that really cuts through the core of Peggy’s story; while she’s risen to a position of power and responsibility in the office (over at The Cut they have a great clip package of Peggy’s journey), her personal life is still in disarray. Don’t worry this isn’t the start of a “Can Women Have it All?” debate but rather how Ted looked at Don Draper and saw the ghost of Christmas Future and ran to California. Ted isn’t the terrible person that Don has been trying to convince Peggy he is all season, but he’s also not the great man she put on a pedestal either. Ted dreams big and says he’ll leave his wife for Peggy, but deep down that’s never going to happen instead he sees California as his chance of redemption and he needs to put distance between himself and Peggy to quell his desires. While I’ve enjoyed having Ted around, I’m also looking forward to seeing what Peggy can do with her new position of responsibility (plus hey Stan’s still here for late night phone calls and beardy goodness). It should also be remembered that Peggy stepped out on her own at the end of last year to end back at the very office that she had left thanks to a decision that was out of her control.

Other Thoughts

–  While Don has hit rock bottom before, a night in jail after he punches a minister is what motivates Don to make some big life choices.

– If Megan does leave Don and goes to LA without him this might fuel the Sharon Tate theories even further, especially as next season will most likely start in 1969 (there’s only a month of 1968 left). Or they could try and make the bicoastal relationship work, which will still leave her alone in LA.

– Peggy has been the other woman in the past and had an encounter with a very pregnant Trudy Campbell in the bathroom of the office (in “The Suitcase”). Her relationship with Pete was long over by the time this happened so there was no need to play any mind games, with Ted she responds to his wife and kids in the office with a dress that shows off both legs and cleavage and it sends him running to her door (also it’s a nice detail that she makes sure she locks her front door even in the throes of passion, Peggy is still very much afraid of her neighborhood). Was anyone else worried that Ted’s wife would mention Chanel No. 5?

– Bob Benson carving in a pinny. There is nothing left to say about this (until Friday and “Look of the Week”).

– James Wolk is starring in The Crazy Ones on CBS this fall, but there’s nothing to say he can’t pull double duty like Alison Brie has with Community and Mad Men. Hopefully he will be back as Bob Benson has been a season highlight.

– “It’s an opportunity to build one desk into an agency.” Don has been attempting to do this in one form or another since the show started and has done so with SCDP followed by the merger this season, he constantly wants to start at the beginning and turn something into a bigger, better thing. It’s all about reinvention and Don is still not happy with the model, so he wants to start again. What he gets is a different kind of opportunity and I’m so excited about the uncertainty of the final season.

– I’m putting my choice of Mad Men Music Monday in here with the track that closed out the episode (“Moon River” was a very close second as I love this song) and the Judy Collins version of “Both Sides Now.”

Thanks for reading and I will be chatting with Kerensa once again later this week as we breakdown the last third of the season, make sure you stop by for that.

Out of the Box: Look of the Week

21 Jun

This week we are moving away from award shows and pre-Emmy nomination roundtables, instead we are going to take a look at Mad Men and Hannibal. These are the two shows that have dominated the discourse over the past few weeks and feature casts that are stylish both on and off camera. As always there are no real rules to this weekly column and it is a snapshot of what I have been watching (and looking at online) and each pick is for a variety of reasons including; what it adds to the storyline, what it tells us about the characters involved or simply because it looks good. Spoilers for the Hannibal season finale ahead.

Winner: Mads Mikkelsen in GQ’s July Issue 

MadsHannibal Lecter is one of the best dressed characters on TV (even his killing attire looks tailored) so it isn’t surprising to see him in a GQ fashion spread. Hannibal’s costuming often mixes a variety of patterns with his suit, shirt and tie; it’s power clashing at its best and automatically makes him a commanding presence in any situation. After the season 1 finale Will Graham can finally see Hannibal for who he is, but Will is not in a position to be heard as he is in the one place he feared he would end up; the Baltimore State Hospital for the Criminally Insane.

Runner Up: Dr Alana Bloom and Will Graham on Hannibal “Savoureux”

Hannibal finale Hannibal finale Dr BloomDavid Slade directed the pilot and the third episode “Potage” and returns for the Hannibal finale. The shots above are almost completely devoid of color, save for the two figures who are bathed in darkness. This technique has been used throughout the season and in moments like this allows the viewer to focus on the dialogue and emotion of the scene as everything threatens to envelope Will Graham. Alana Bloom is one of my favorite characters on this show; in part because she is the only person who is truly looking out for Will and his well being, she also provides Will with a tether to the world. These factors also work against how this character is used; they’ve had to keep her away from Will (and not just in a romantic sense) so he can turn to Hannibal and the manipulation can continue.

Showrunner Bryan Fuller spoke to E!Online about Alana and her role next year “I think Alana will have a bigger role in season two. Because not only will she be representing Will psychiatrically in the trial, but struggling with her feelings for him romantically. She was falling for a guy that she knew to be unstable. She was keeping him at bay and now her worst fears have come true that not only is he unstable but apparently he’s capable of great violence. Her need to rescue him may be amplified.” Alana is the emotional center and Caroline Dhavernas’ performance in the finale showed this range from screaming in her car to trying to remain composed in the above scene. From a costuming perspective her red and white wraparound dress not only stands out from the darkness that threatens to consume them, but it also repeats this color combination that has been favored throughout the season.

Runner Up: Glen Bishop on Mad Men “The Quality of Mercy”

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Creepy Glen is no longer all that creepy, even if his army coat covered in Stop the War buttons reeks of a teenager attempting to be part of the counterculture while not indulging beyond smoking pot (though it wouldn’t surprise me if we saw Glen at an anti-war rally). The plaid shirt underneath shows that he’s not heading for the complete hippy route yet and at least he avoids the sandals of his friend Rolo. Glen loses his creepy edge thanks to defending Sally’s honor and losing out on a hook-up of his own in the process with the 1968 version of Britney Spears in the “Hit Me, Baby, One More Time” video. Sally was exaggerating how much Rolo was forcing himself on her and it looks like she has definitely picked up on her mother’s manipulation skillset and her smile during the fight showed this new side of Sally. After walking in on her father sleeping with Sylvia it isn’t surprising to see Sally develop an edge and the drinking and (supervised) smoking in this episode is probably just the start of a downward spiral.

Runner Up: Linda Cardellini at the Clinique Party

Linda Cardellini

While Sylvia has been a problematic character on this season on Mad Men and it’s easy to dislike the direction in which the show has taken Don Draper and his infidelity, I’m always glad to see Linda Cardellini on TV. I’m currently watching Freaks and Geeks for This Was TV and so it’s been strange to switch between a young Cardellini in a high school show set in the ’80s and as a mother of teenager in the ’60s on Mad Men. Despite any negative feelings towards Sylvia (and I have many) this red Carmen Marc Valvo dress that Cardellini wore to the Clinique Party is stunning. The contrast between the red flowers and black patterned mesh side panels gives a striking silhouette and pairing it with a simple pair of peep-toe black pumps really sets off the look.

Who is your look of the week?

New Girl Star Jake Johnson Talks Emmys and Drinking Buddies

21 Jun

Following on from Max Greenfield’s Gold Derby chat, co-star Jake Johnson also sat down with the awards prediction hub to talk New Girl, recent plaudits and the success he has had over the last two years. Here at TV at My Wardrobe we are all aboard the Emmy nomination train for Jake Johnson because he’s been New Girl’s MVP this season.

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Jake Johnson has submitted in the lead category and this was originally a suggestion by Max Greenfield, while they joke that Greenfield was just removing the competition it’s actually a smart move thanks to the Nick/Jess focus of the latter half of the season. Johnson has been nominated already for the Critics’ Choice Awards and the forthcoming TCA’s. Johnson is quick to praise creator Liz Meriwether, the writers and his co-stars; the ensemble is an important factor but he would like Meriwether to get some solo recognition as “she’s really the engine behind it.”

As with Max Greenfield they discuss what episode Johnson might submit if he does get nominated. Episodes that get mentioned include “Chicago,” “Cooler” and the first Tran episode (“Menzies”). Gold Derby editor Chris Beachum gives Johnson some advice saying that “Chicago” might be too emotional as an Emmy submission episode and that broader comedic performances tend to be what Emmy voters have previously gone for. If this is the case then “Pepperwood” would be a suitable choice, though I am partial to “Cooler” for obvious reasons.

The trailer for Jake Johnson’s new movie Drinking Buddies was released yesterday and he mentions this in the Gold Derby interview. It’s a project that Johnson says that he is very proud of and hopes that it gets the same traction as Safety Not Guaranteed. The film also stars Olivia Wilde, Ron Livingston and Anna Kendrick and is heavily improvised (plus they’re really drinking beer). Plus Johnson is sporting a rather amazing beard the likes of which we’ve only previously seen on New Girl in his Caroline post-break up video. Really, it looks incredible.

Watch both the interview with Gold Derby editor Chris Beachum and the trailer for Drinking Buddies below.

A Tribute to Sopranos Star James Gandolfini

20 Jun

Last night word quickly spread across Twitter that actor James Gandolfini had died while on vacation in Italy of a suspected heart attack. The Sopranos star was just 51 and leaves behind an incredible TV legacy that paved the way for the likes of Walter White and Don Draper; without Tony Soprano we might not be so accepting or willing to fall in love with these flawed characters.

James Gandolfini in his role as Tony Soprano

When The Sopranos first aired I watched a handful of episodes and even if I wasn’t always entirely sure what was going on with the overall plot, the charisma and magnetic quality of this character made it feel like I had watched every episode leading up to this point. A couple of years ago I worked my through all 6 seasons and it confirmed what I already had read/heard; that this is one of the most important TV shows of all time and that James Gandolfini’s performance is exceptional.

It’s hard to put into words the impact that Gandolfini has had on the television landscape and when a famous person dies Twitter can quickly descend into a stream of RIP messages, but this feels different as people discuss their favorite scenes and movie performances, sharing personal stories of when they met him. There are many tributes to Gandolfini that have already been written and will appear throughout the day; I’d recommend Matt Zoller Seitz and Alan Sepinwall (both used to write at Tony Soprano’s newspaper of choice the Star-Ledger) as a place to start as they talk about their experiences with Gandolfini and his work on The Sopranos and in film.

Beyond The Sopranos James Gandolfini also leaves us with memorable film roles and no matter how many scenes he was in he always left an impact (Where the Wild Things Are was the movie I reached for last night). Sopranos creator David Chase in a statement said He was a genius. Anyone who saw him even in the smallest of his performances knows that. He is one of the greatest actors of this or any time. A great deal of that genius resided in those sad eyes. I remember telling him many times, ‘You don’t get it.  You’re like Mozart” There would be silence at the other end of the phone.”

In the episode “Long Term Parking” as Tony and Carmela are reunited the song “Wrapped in My Memory” by Shawn Smith plays as the leaves fall around them. This song is used in this Sopranos compilation which showcases the work of the entire cast, but particularly James Gandolfini. Yesterday’s news adds a heartbreaking layer, but it is also an excellent tribute to Gandolfini’s work on the show.

Burberry Prorsum Spring 2014 Preview: Dressing TV’s Most Stylish Guys

19 Jun

Tom Haverford from Parks and Recreation and New Girl’s Schmidt are two of the most fashion-conscious male characters on TV at the moment and as the new Burberry Prorsum Spring 2014 collection debuted this week at a runway show in London, we wanted to continue our fantasy costuming series. The new collection features a burst of primary colors, knits, the famous Burberry trench coat and tailored suits; they are the perfect look for some of TV’s most fashionable male characters.

Burberry polka dot

Schmidt would definitely have a classic Burberry trench coat in his closet and he’d also be down with the no socks thing, this is the perfect work look for Schmidt. The polka dot scarf could be a step too far (or look like he borrowed it from Jess), but Schmidt has shown an interest in scarves last season on New Girl when he was trying to impress their new neighbors. If Kanye wore this scarf then so would Schmidt and Nick would make fun of him for doing so.

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Tom Haverford has managed to turn his love of expensive clothes into a legitimate business with Rent-a-Swag and when we return for season 6 of Parks and Recreation he’s going to have some serious competition as he refused to sell his business and a new store is opening up across the street. Tom is also still working for the Parks department and he needs a suitable but stylish outfit in case Leslie organizes another outdoor retreat or camping session. The above outfit is perfect for this; though don’t expect Tom to get too involved as he won’t want to get any mud on those shoes.

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Ben Wyatt is a little more practical when it comes to his wardrobe on Parks and Recreation and while I can’t see him in those sunglasses the turquoise skinny tie is enough to brighten up his outfits without turning him into a Tom clone. Tom might give his fashion props if he ditched the plaid once in a while.

Burberry Spring 2014

Another fan of the plaid shirt is Hannibal’s Will Graham and while he has more to be concerned with than what he is wearing, a splash of color might stop him from blending into the background and disappearing into himself. Hugh Dancy used to be a face of Burberry and was also at the show yesterday at Kensington Gardens and so it only feels right that Will gets a fashion upgrade next season. That’s if he can get out of the other orange attire that he is wearing in this season 1 finale promo.

Burberry Carrie

Walt on The Carrie Diaries is a big fan of a knitted sweater and we’ve already seen him sport a similar blue shade. This outfit looks like it could be from the ’80s without looking like a strict ’80s recreation, something that The Carrie Diaries is fond of doing. Walt has been spending time in New York with Carrie over the summer and this is the perfect attire for Walt to blend in with the city look without trying too hard. Those blue suede shoes are adorable and really set the whole thing off. The sunglasses wouldn’t seem too ridiculous in the 1980s setting either.

burberry TV

When Cary wore a hoodie last season on The Good Wife my Twitter feed lit up like a Christmas tree. As Cary has set up a new firm with Alicia I think it’s time to bring back some of that casual wear as they’re bound to be working all kinds of hours to get the business up and running. This works perfectly as the hooded knit can be swapped out for a jacket for those all important meetings.

Some of the pieces in this collection by Christopher Bailey for Burberry Prorsum are probably too catwalk for even TV’s most fashion aware characters, but the sharp tailoring is definitely something that wouldn’t look out of place on these shows. Are there any other male characters that you can see wearing these types of outfits?

Max Greenfield Talks New Girl, Emmys and the Veronica Mars Movie

19 Jun

Max Greenfield recently spoke to Gold Derby editor Daniel Montgomery about Emmy nominations, a mix up with episode submissions last year and whether or not he will be showing up as Deputy Leo on the new Veronica Mars movie that started shooting this week.

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Last year Max Greenfield was nominated for his work as Schmidt on New Girl in the Best Supporting Actor in a Comedy category, a category that also featured four Modern Family actors and Bill Hader. This year it is likely to be similarly packed with the Modern Family cast and in a sensible move Jake Johnson has submitted himself for lead actor. While Jake Johnson has been receiving well deserved plaudits this year (including a TCA and Critics’ Choice nomination) and the Schmidt hype has died down a bit, he still delivered a strong and memorable turn in season 2.

In this conversation they talk about a big mix up with last year’s Emmy submission episodes; Zooey Deschanel had chosen “Bad in Bed” and Greenfield “Control,” unfortunately the episodes got switched and voters received “Control” for Deschanel and “Bad in Bed” for Greenfield. There isn’t any resentment for this mistake and Greenfield chalks it up as one of those things that happens. They also discuss what episode Greenfield might submit this year and “Table 34,” “Tinfinity” and “Bathtub” are mentioned by Gold Derby readers. Greenfield likes the Tugg/Tagg Romney episode (“Fluffer”) and if I had to pick I would suggest “Quick Hardening Caulk” where Schmidt is determined to get a lionfish as a surrogate for Cece.

They talk about one of my favorite guest stars of this season – Merritt Wever who played Schmidt’s college girlfriend Elizabeth – and like most of the audience Greenfield wants her back on the show asking an obviously rhetorical question “Isn’t Merritt great?” Yes, yes she is.

It’s a fun conversation and Greenfield is sporting a very un-Schmidt like beard; could this have anything to do with his role of Deputy Leo on Veronica Mars? Greenfield confirms that he will be making an appearance in the new film, but don’t expect a substantial role as he thinks he’s only working on it for a day. Still, this is exciting news and he seems very happy to be part of this reunion.

Watch the whole interview below.

New “Masters of Sex” Teaser: There’s Nothing Polite About Making History

18 Jun

Showtime’s Masters of Sex doesn’t premiere until September but this new teaser gives us a glimpse of what we can expect from Michael Sheen and Lizzy Caplan as the Masters and Johnson sexuality research team. Following the work of Alfred Kinsey (the movie Kinsey is a good place to start and features a whole host of familiar faces such as Peter Sarsgaard, Laura Linney and John Krasinski), William Masters and Virginia Johnson took on the science of human sexuality research baton and were pioneers in this field.  This new drama chronicles the lives of both Masters and Johnson and the work that they did that helped kick start the sexual revolution.

This teaser shows that there will be humor in their work and revelations that will change how sex is discussed in the private and public sphere. I’m very happy to have both Lizzy Caplan and Michael Sheen on TV and I’m looking forward to seeing their trajectory from this ’50s setting as researchers to landing cover of Time magazine.

Masters of Sex premieres Sunday, September 29 on Showtime.

 

Mad Men 6.12 “The Quality of Mercy” Review: “You Like Trouble, Don’t You?”

17 Jun

There has a strong sense of doom and gloom on Mad Men this season with national events and personal experiences featuring fraught and violent moments. This might be why outlandish theories about Megan and Bob Benson developed traction and while the Bob Benson mystery has been solved, this foreboding feeling remains.

MM_612_JT_0325_0336The episode opens and closes with Don lying in the fetal position; first in his daughters bed at home and then on his coach in his office. On both occasions he is pushing those who were once close to him further away; Megan is trying to reach out to him but is having no luck and an argument with Peggy where she calls him a monster results in him curling back into this position. Don has been adrift all season, he is the empty suit in his pitch and after the incident with Sally last week he is even more despondent. Don’s job is all about connecting with a wide audience, but he is the one having issues with connections this season. It’s a bad sign when you’re sneaking vodka into your morning orange juice so I think it’s safe to say that Don is in bad shape. Outwardly he is still doing a relatively fine job at work and home; he ‘saves’ a pitch but also humiliates Ted and Peggy in the process and Sally hasn’t told her mother about what she saw.

Instead Sally has cut herself off from her father and thanks to some bad city experiences Betty does not suspect Don as a reason for Sally not wanting to visit. Sally wants to go to boarding school and like her father she is very good at selling herself; all those times that she made drinks for her parents comes in handy as she tells the girls at the boarding school that she can make a Tom Collins. Any Sally storyline that involves drinking, getting high and Glen is enough to cause concern but it turns out that Glen is not actually all that creepy anymore (ok he’s still a tad creepy) and he defends Sally’s honor after his friend makes the moves on her. When Sally is asked “You like trouble, don’t you?” she responds with a sly smile and in this moment it looks like Sally is having a good time. Sally is both out of her depth and in control in these moments and this dichotomy is apparent when Sally tells Betty why she wants to go to boarding school; she wants to be a grown up but also get a good education. Sally is still incredibly young, but she has also experienced the harsh reality of being let down by the one person who should protect her and so when she tells her mother “My father has never given me anything” it isn’t strictly true as he’s given her this new jaded outlook on life. What a gift to give!

Don’s relationship with his daughter is broken and at work he’s fallen out of favor with Peggy. Peggy and Ted are incredibly obvious in their shared attraction as they flirt and discuss creative ideas as if there is no one else in the room. While Ginsberg is merely annoyed by this as it means none of his ideas are getting heard, Don sees it as a much larger problem as Ted’s judgement is impaired. Don is partly right, but it also reads as petty jealousy as his former protégé no longer needs nor respects him. The way Don handles it is reminiscent of how he took charge by getting Ted drunk a few weeks ago; he does it in a public arena and hurts Peggy by giving credit to the now dead Frank Gleason. Don is convinced that Ted can’t be that virtuous and wants Peggy to see this too, but all this does is fracture their already fragile relationship. While they keep discussing working together as a team, the actions of both men don’t suggest that this is going to happen any time soon.

In Don’s eyes he is being merciful to both Peggy and Ted by throwing his weight around, but his phone call to Harry about Sunkist was out of pure spite after seeing Ted and Peggy at the movies together. Megan is excited by this development (and it’s adorable when Megan mouths “Oh my god” at Don) but Don uses it as an opportunity to go back on his word with Ted. Once again it makes more business sense to go with Sunkist as the billings are much higher, but this adds to the disharmony as we head into the final episode.  Don pretty much throws his toys out of the pram in this episode as he tries to get what he wants by stomping over Peggy and Ted’s idea under the illusion of protecting the business.

There is a battle of wills raging in creative but if we head to the floor above another power play is occurring and it takes an unexpected direction this week. Pete doesn’t want to work with Bob after Bob’s declaration last week – a declaration of admiration not love as Bob puts it – so Pete turns to Duck to find a new job for Bob. Duck looks into Bob’s past and finds that he isn’t who he says he is, no he isn’t an undercover agent or Don Draper’s illegitimate son but he does share a similar history with Don in that he has reinvented himself to get ahead. Pete mentions that he has been in this position before and while it looked like Bob’s days at SC & P are over, Pete instead shows him mercy and lets him keep his job. Why would Pete do this? With Don he attempted blackmail and when he went to Bert with the truth he was met with a “Who cares?” Pete’s earlier attempts this season to tell Don what was going on with the firm fell on deaf ears and Pete has used these prior experiences and weighed up his options.

I’ve watched this scene a few times, particularly Bob’s reaction as he is just as confused by Pete keeping his secret as I was at first. Bob shows what a chameleon he is as he shifts from fake smiling ‘I’ll get you a coffee’ Bob (“For one thing I want you to stop smiling”) to resignation as he realizes that Pete knows the truth. It gets tense as Bob tells Pete “You don’t respond well to gratitude” and he’s also incredibly protective of Manolo, emphasizing once again that he isn’t doing anything untoward with Pete’s mother. The mercy that Pete shows is delivered in such a bitter way that it’s easy to see why Bob is perplexed and needs Pete to clarify what is going on. It feels like Pete is talking about Don, not other gay people when he says “I don’t know how people like you do it” and “your kind of animal.” Pete has always shown distaste for Don’s big secret and how Don can so easily lie about who he is.

Like Don, Pete is also thinking of the business and this is most evident from this statement “Where you are and who you are is not my concern” because he knows that Bob is a good account man and as the agency is so divided he probably figures that he needs a strong ally. It’s also hilarious that Pete doesn’t even remember hiring Bob, it’s like he just appeared with two coffees one day. For Bob it’s the opposite as he claims it was the best day of his life. This Don Draper 2.0 story is compelling and I hope that Bob Benson gets to stick around for the final season of Mad Men.

Other thoughts

– Chevy are really putting Ken through the wringer and trying to turn him into a pirate in the process (first the injured leg and now the eye patch). Ken no longer wants to tap dance and who can blame him after all this account has put him through.

– Once again the internet delivers on the Mad Men gif front as here is Don’s amazing baby impression.

– The episode is full of baby imagery; the movie they watch (Rosemary’s Baby), Don’s sleeping position, Ken’s news and the ad pitch. Don’s recent hallucination had him projecting the idea that Megan was pregnant and mother imagery has been a repeated throughout the season. Is this a reaction to the chaos of 1968?

– The political ad Don watches uses imagery of fear about the level of crime in the country and it’s easy to see with material like this why there is a sense of doom at this time.

– If only Roger knew what Lee Garner Jr had asked Sal to do.

– For an excellent reading of last week’s Bob Benson revelation I would highly recommend the always incredible Tom & Lorenzo and their “Mad Style” article talks extensively about Bob and the “Best Little Boy in the World” syndrome, even if their theory doesn’t completely pan out.

– On the way to the boarding school interview Sally is eating fries from McDonalds and on the way home Betty offers Sally a more adult ‘treat’ as she gives her a cigarette which Sally takes. This is much different from the last time we saw Sally smoking (look how young Kiernan Shipka is in this video). Sally now feels very differently about her father than she did in this season 2 clip, though she’s still just as snarky towards her mother.

Any predictions for the Mad Men finale next week?

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