Archive | May, 2014

The Good Wife, Identity and What it Means to be Good

5 May

The word is in the title and question of ethics and morality have been at the center of both The Good Wife and who Alicia Florrick is since the pilot. The moral grey area has expanded with each season and Alicia is no longer naive and wide eyed when it comes to these boundaries. Alicia tells her mom that “Nothing’s as simple as it used to be” and considering how tangled her romantic life was prior to Will’s death this might seem like a ridiculous notion. There was simplicity in that there was Will and there was Peter and while that was a mess of sorts, it was something Alicia has lived with for five years (more if you include their bad timing at college). Now there is Peter and there is nothing, the nothing is the daunting thing and work isn’t enough to keep her occupied especially when Cary forces her to take a day off.

The Deep WebWill’s death continues to hang over each episode in a way that doesn’t make it too maudlin or disingenuous for Alicia and Diane. With Diane it’s mostly in a work sense (more on that below), for Alicia it has her questioning everything. There have been moments in each episode since this tragedy where something causes Alicia to have a teary eyed reaction and Julianna Margulies is working the glassy eyes so well as she draws breath and stops those tears from exploding. They do come eventually as she breaks down on her mother in a way she stopped herself from doing in front of Owen last week; with Owen Alicia still wants to appear as the pillar of strength she likes to project, but with Veronica she lets the facade slide.

The Good Wife is Alicia’s story and this season filled in some of the blanks of Alicia’s return to work after Peter’s scandal. For the audience Alicia’s role has always been more lawyer than wife so to hear her question this part of her life is jarring. It is something Alicia mentioned when she encountered Grace’s old tutor Jennifer and at the time it came across as an extreme reaction to her grief. Is this something we should take seriously now that she has mentioned it on more than one occasion? Alicia spends so much time between work and whatever she is with Peter now that everything else is muddled; last week she told Owen she was happy with this and at the time she was very convincing. However, the cracks continue to form and Alicia’s black/beige/white block Narciso Rodriguez jacket is trying to present some form of order and yet it highlights how fractured her life is.

Jury duty selection produces a meet cute and it is the catalyst for Alicia’s confusion this week as she doesn’t know how she should behave with Daniel. It’s always been Peter or Will so to throw in a brand new flirtation is rather jarring for both Alicia and the audience. There’s no real reason why she can’t go for a drink with Daniel – technically she is still married, but what’s one drink? – and it doesn’t even have to be about getting laid as Owen suggested in the previous episode. For Alicia it feels like she is cheating and when she asks who she is being faithful to, the crane shot and the look up infer that it is Will. I don’t know if the audience are ready for Alicia to move on this quickly from Will and while there has been some chat about her chemistry with Finn, for me they are reading very much as solid friends. This isn’t to say that something won’t happen down the line (he is also married), but their catch up call at the end of the episode felt very much like BFFs checking in on each other rather than romance.

The notable thing about this relationship is how Finn has become her go to person and as Alicia has always had a glaring lack of friends since the whole Kalinda breakup, I’m glad to see her find a friend as a result of this tragedy. During this conversation Finn mentions how Eli is trying to turn him into a hero and how Eli already made her a saint so we circle back on this idea of purity and Alicia’s identity. This might also have contributed to Alicia’s decision to not go into the bar for a drink and while we know Alicia isn’t a saint (because who is?!) this has become part of her persona as it has been reinforced on multiple occasions.

Saint and hero are both labels that suggest an inherent goodness and while Alicia and Finn are uncomfortable with this notion, they also let Eli manipulate the press to adhere to this image. Finn’s soft spoken answers about the shooting and his sister’s suicide help with this perception and so far he’s very much the good guy. We’ve also seen how Castro is not above leaking personal information about Finn and so this SA race is going to get dirty; will Finn be able to retain his hero status? Alicia has committed many actions that could impact the image the public has of her as the woman who stood by her man, Will being the main one and it’s the glance she is given in the bar that sets off her alarm bells when it comes to socializing with Daniel over lunch. There’s still so much conflict about who Alicia is and how she is perceived; at the moment her grief is compounding this further.

Alicia’s relationship with Will was never public and that impacts the legitimacy of it and how she is dealing with his death “It’s unreal. Like he’s, like he’s still there, you know? Or he was never there at all.” It was always so hard to define what she had with Will, particularly with the added emotional turmoil this season and so it is not surprising to hear Alicia complain that everything is in a tailspin. Part of the reason why Alicia decided to leave Lockhart Gardner was down to the overwhelming Will feelings as she used work to avoid her personal life. Losing Will has caused Alicia to look inward and she doesn’t like what she is seeing and this might be why she is questioning if she wants to be a lawyer anymore. It’s never really been about being a ‘good wife’ more like becoming someone beyond this label and this crisis has Alicia examining everything that makes her who she is and it is terrifying.

the good wife 5.20 DianeOver at Lockhart Gardner, Diane is taking a very different approach as she is concerned about the actions of David Lee and Louis Canning in regards to her clients. Diane’s not going to roll over and let them take the reins of the firm she helped create and she’s got Kalinda in her corner to help with any potential sneak attacks. Canning tells Diane he is dying, which turns out to be true and yet Diane’s instincts are spot on as he’s also trying to screw her. Kalinda notes there is something different about Diane in a good way – here’s that word again – and Diane explains that she feels like she is “channeling Will’s ghost.” It’s like Diane has taken the best of Will to help with her current situation. The women of Lockhart Gardner are making their presence felt as Kalinda and Diane are wearing colors that make them stand out; purple and royal blue are colors that emphasize power and neither are going to go gentle into that good night.

 

 

Best of the 2014 Annual White House Correspondents’ Association Dinner Red Carpet

4 May

The White Correspondents’ Association Dinner attracts an eclectic assortment of star power with journalists, politicians and actors all rubbing shoulders. Instagram is awash with selfies of the casts of Scandal and Veep posing for photos in the environment they pretend to work in for a living and there are plenty of starstruck expressions. We’re going to take a look at the best red carpet looks on display last night.

Julianna MarguliesThe red carpet featured several classic black gowns including a super chic looking Julianna Margulies in vintage Jean Dessès. Sometimes keeping it simple gives the best results and accessorizing with black pumps, Roger Vivier clutch and silver jewels does just this. A simple updo and a splash of crimson lip color is the perfect way to set off this ensemble.

JLDVeep’s Julia Louis-Dreyfus also opted for black in Antonio Berardi with a bodice adorned with crystals adding a slight hint of shimmer to the frock. Adding more glitz to this outfit is the gunmetal pearl Edie Parker clutch with a sparkly silver trim. Julia Louis-Dreyfus looks radiant.

LupitaPolka dots and peplum for Lupita Nyong’o as she also does the black gown trend with a twist in Oscar de la Renta from the Fall 2014 collection, which TV Ate My Wardrobe adored. Lupita continues to take the fashion world by storm and the hot pink lip color is another excellent and striking choice. And there’s more from Lupita…

http://instagram.com/p/nj2oVuJQ3W/

“They fought crime with a bold lip.” As this photo from Mindy Kaling’s Instagram shows, Mindy went with both strong lip and dress colors, with Zooey Deschanel and Lupita Nyong’o doing monochrome in two very different ways. I would definitely watch a show based on this simple crime fighting premise.

Darby StanchfieldIt’s not just black dresses on the red carpet with Scandal’s Darby Stanchfield showing green gowns and red locks makes for an excellent combination. From the Alberta Ferretti Spring 2014 collection this ethereal look is enhanced by the embroidered floral beaded waist and shoulder accents.

Out of the Box: Look of the Week

2 May

Out of the Box is focusing on the costume design pieces that caught our eye this week. We’ve already talked about the striking looks on Mad Men, festival style from the Parks and Recreation season finale, Alicia Florrick’s wine cardigan and Elizabeth Jennings’ shoulder pads on The Americans, so here is a quick roundup of everything else that has been on our mind. We’re also offering a look at a couple of costumes we can’t wait to see on Hannibal tonight.

Alison Orphan BlackOn Orphan Black only Alison would go to a funeral dressed as Holly Golightly and then drink herself into oblivion, because well she kinda did have a hand in Aynsley’s death, well that and Aynsley’s scarf. There is no explanation for this Breakfast at Tiffany’s homage and all that’s missing is a cigarette holder. Alison is the clone I find the most enthralling as she tries to balance her quest for suburban perfection while spiraling thanks to the crazy her clone status brings. She’s so wonderfully uptight and her lack of filter is why she is best when she is around Felix. This is also the part where I really forget it is Tatiana Maslany playing everyone.

Orphan Black FelixFelix looks like he’s stepped out of a movie and from the same decade as Breakfast at Tiffany’s, this one tinged with Andy Warhol and experimentalism. It’s also worth noting that both Alison and Felix are wearing versions of the costuming they have on in the season two poster they share (with Donnie) which suggests the Felix/Alison story is not over. Now I know Felix and Sarah are brother and sister, but it’s the Felix and Alison pairing that brings me the most joy as they neck tiny bottles of vodka together. So, while he has abandoned her for now, as Alison falls deeper into a pit of despair hopefully she can count on her friends to come through for her. With an outfit like this Felix would totally fit in with Margot Verger (see the Hannibal entry below).

New Girl If you had to describe an outfit Jess would wear on New Girl it would probably look a lot like this one from “Dance” – Peter Pan collar and a-line skirt (polka dots optional) – and I love it. I am partial to twee and my feelings about polka dots are blasted on the top of this and every TV Ate My Wardrobe page; the skirt is French Connection (another favorite) and the ‘Porla’ Peter Pan collar plum sweater is currently more than half off at Alice + Olivia.

Mason and Margot Hannibal 2.10So here’s a little of what we can expect styling wise from Mason Verger on tonight’s episode of Hannibal and I pretty much screamed in joy at the sight of this extravagant coat and the sneer of contempt across his face is perfect. Those look like mink lapels and Mason’s cruelty extends to the animals he wears. This is probably the most conservative of all of Margot’s costumes so far – I’m currently working on a much longer Margot piece – and the high neck coupled with the buttoned up jacket suggests how unsafe she feels around her brother; we already know she wants to kill him so this doesn’t come as a surprise. The horse shoe accessory, braid and general styling suggest she’s been riding and even though Margot claims she is worth nothing, her attire since we have met her indicates otherwise. There is a flamboyance to the Verger’s and their costuming is theatrical in its opulence.

Hannibal Margot 2.10In contrast to the first shot of Margot from “Naka-choko” this is a much more relaxed posture as she reclines in Hannibal’s office. The gold flecked blazer is in line with her previous visits to Hannibal with puffed up sleeves, but it’s a lot more provocative than her previous dramatic attire. What has made her suddenly so comfortable around Hannibal? Is it her chat with Will last week? Whatever it is, I can definitely state that this eye-catching jacket is on the covet list.

The Americans 2.10 “Yousaf” Review: Mutually Assured Destruction

1 May

The kitchen is the hub of most households and for Philip and Elizabeth this is no different as The Americans uses this location to bookend “Yousaf” and to reunite the pair after another day of emotionally draining spy work. It’s a significant location as it’s where most of the interactions with the kids take place – we barely ever see their living room – and this week Philip and Elizabeth are taking risks with what they are doing in this communal and open space. In the last episode Philip went to a dark place as he continues to add innocent bystanders to his body count and while he is far from being in a good place, his ability to compartmentalize has kicked in.

Danger comes at them from all angles and as we head towards the climax of the season certain threads are coming together including Stan’s investigation into the illegals he was pursuing last year. That’s not the only threat as Larrick is back in the country and looking for revenge; he is a truly formidable foe who seems capable of doing anything to get what he wants. Personal feelings are threatening the balance of everything and it is only going to get messier as everyone has their finger on the trigger and it only takes one person to ruin the whole precarious environment they are part of.

The Americans 2.10 drape neckPhilip and Elizabeth are certainly in more tune with each other this year and yet there are still plenty of things they disagree on with how they approach work and family responsibilities. Let’s start with work and Philip’s attempts to protect Elizabeth have left him in a vulnerable position. Elizabeth shows she is more than capable with the assassination end of the business and yet she’s been less comfortable with some of the more intimate activities they have to partake in. It is not something Elizabeth has explicitly pointed out to Philip and yet he’s definitely picking up on her hesitance when it comes to this kind of work, even if she assures him she is more than capable. This is also the first time we have seen them get intimate since Elizabeth’s misguided desire to sleep with ‘Clark’ and what better place to hook up than in your kitchen. Philip is more worried about the kids smelling Elizabeth’s cigarette at the end of the episode than he is of them walking in as they do it on the dining table, but hey after what Paige saw in the premiere there will be no more sneaking around the house in the middle of the night for her.

Last week Philip pretty much cut himself off from everyone as he emotionally spiraled and by coming home and reaching out to Elizabeth in this way he becomes stronger again. It’s more complicated this season as their new found shared love is both a hindrance and a savior. It’s what we saw when Philip came home after his night with the Mossad agent as he found peace with his wife on the sofa in a brief quiet respite before the day started all over again.

The Americans 2.10 kitchenHome is rather fraught as the Paige religion debate rages on and Philip’s feeling pretty shitty for his outburst last week; Elizabeth reassures him that what he did wasn’t wrong as Paige was disrespecting them and she tells Philip about the middle of the night kitchen cleaning punishment she dished out. Philip’s back in fun dad mode, including a super adorable, but maybe trying too hard pre-April Fool’s joke on Henry as he tries to repair some of the damage from the Sunday meltdown. He is open to Paige’s request to go to a Bible camp for 3 months, way more receptive than her mother who finds the perfect reason to tell her she can’t go when she discovers Paige’s attempts at forging Elizabeth’s signature. Their parenting styles differ greatly and Elizabeth accuses Philip of letting Paige walk all over him – tell that to the Bible that is now missing several pages. Paige is also pretty pissed and rightly so as the reason behind their distaste for religion is vague, we know why they are so worried, but to Paige they’re being completely unreasonable. It’s also hilarious that drinking or taking drugs are activities that are probably preferable to Elizabeth when it comes to her daughter, to her religion is a drug. Factoring in Henry’s recent break and enter jaunt and his lack of punishment beyond guilt and she’s right to tell her mother it is bullshit. I am disappointed in Paige’s terrible attempt to get rid of the evidence; she might get her ability to lie from her parents, but not this piss poor evidence disposal.

Discussions about Paige going to camp and Elizabeth’s fear she will come back a “Jesus freak” are intersected with mission talk. So when Elizabeth is done talking about it she simply changes the subject to Anneliese. Anneliese is someone we haven’t seen since the second episode of season one even though Philip has been maintaining this relationship and between Martha, Anneliese and Elizabeth, Philip is juggling a lot of fake declarations of love with one real one – no wonder he looks so tired. Instead of putting Elizabeth in a potentially dangerous sexual situation he palms it off to Anneliese who appears to be a willing participant. This is until she sleeps with Yousaf and is disgusted at what Philip got her to do asking “What kind of man are you?” It’s a question that keeps coming up and this time he uses his fake love and the cause as an excuse. Philip’s assertion that this kind of work  is “not something I take lightly, ever” is an honest one, it’s just he’d rather use case anyone but Elizabeth to be the honeypot, even if she has the more physically dangerous mission this week.

the americans 2.10 PhilipAfter weeks of Rust Cohle’s brother disguises and various workmen uniforms, it’s good to see Philip looking rather debonair in his fancy suits and think rimmed glasses. I wonder if it’s going to be a problem that Anneliese has seen pretty much his real face (sans glasses) and with slightly more slicked down hair.

The Americans 2.10 ElizabethNot to be outdone on the hot stakes is Elizabeth’s Yousaf seduction outfit as she borrowed his newspaper in a jacket showing off the true hero of the 1980s – shoulder pads – she caught his attention as well, before Philip chose to go in a different direction. At the moment Philip is the person who decides how they’re playing the spy work, while Elizabeth rules the roost at home.

The Americans 2.10 swimming capMost shows have cute moments over dinner or drinks; The Americans does this while discussing how to give someone a heart attack and the pill that will stop Elizabeth from being affected. Elizabeth is the most unassuming of the pair with something like this and it goes off without a hitch – a rarity this season. Elizabeth’s costuming is dominated by white and black in “Yousaf” and the white swim cap is a striking part of her inconspicuous look. It’s also one of the simplest disguises yet as the goggles obscure her entire face. If only everything they did took place in a pool.

Respect is something Philip and Elizabeth demand from their daughter and yet they are both rather dismissive of their handler Kate. The problem with Kate is her inexperience and her lack of intuition as she complains that if they mess up her “head will roll” in the figurative sense, with Philip hammering home the point that if they mess up then they’re dead. Not that it looks like Kate is particularly safe as Larrick’s trail leads to the KGB’s phone intelligence service in DC with Kate’s phone being the one he calls. Larrick is a terrifying foe as he’s a trained killer and he doesn’t appear to have many scruples. Larrick’s also a man of many faces, except he uses his the entire time and just changes his clothes depending on what information he needs to access.

The Americans 2.10 Arkady and GaadMutually assured destruction is discussed in an explicit manner between Arkady and Gaad as the Vlad case has been put to bed with Gaad getting reinstated. There’s a cycle of actions that took place by mistake in a way as the murder of FBI agent Chris Amador had nothing to do with the Cold War; it was at the hands of a KGB officer, just for very different unfortunate reasons. A covert war means not owning up to things and the domino effect from one mistake can be huge and it’s why everything is in such a heightened state. At the moment Larrick is running around trying to find Philip and Elizabeth, as is Stan and even though they’re on the same team their motives differ greatly. Stan has also stumbled onto something with the Emmett and Leanne murder case as thanks to Gaad’s briefcase observation they now know there’s way more to this crime than a simple unsolved murder. When Stan questions Jared about any secrets his parents had it is heartbreaking to watch this boy get defensive and then soften to Stan as he believes Stan wants to find out who was responsible. In a way this is exactly what Stan wants, but he’s also manipulating him to help with his illegals end game.

As you can see in the shot above the snow really adds to the aesthetic of The Americans and both this and Hannibal are benefiting from the heavy snowfall the East Coast had early this year, even if it’s probably a nightmare to shoot in.

The Americans 2.10 NinaNina is going full 80s with her hair as she continues to live the tangled life she was bemoaning to Oleg about earlier in the episode as Stan tells her about his illegals theory and Sandra’s affair. Stan doesn’t know why he is telling her about his marital problems, but secrets are there to be shared and he has to unburden his soul to someone. If only he knew that Nina is also sleeping with Oleg and not as part of a ruse, they actually look like they’re enjoying each other’s company even if they are from very different backgrounds. With the Russian characters there is always a push/pull between what they didn’t have growing up and what they have access to now and Nina is very much like Elizabeth as she longs for the simplicity, even if she didn’t have much beyond a pin of Lenin from Young Pioneers. Everything is a commodity on The Americans and stealth technology is the biggest of them all at the moment. It’s what Oleg is investing all of his time in and it’s what everyone is risking their lives either to protect or obtain.

Ending the day with an illicit cigarette in communal spot like the kitchen is the least of Elizabeth’s concerns and I love that a scene this quiet ends such a frantic and tense episode. It is only going to get more fraught and so Philip and Elizabeth should enjoy this momentary peace while they can.

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