Archive | 2013

Out of the Box: Look of the Week

7 Jun

There has been a couple of award shows this week with both the CFDA and Glamour magazine hosting glitzy affairs and the pre-Emmy nomination roundtables are in full swing. Some of these have already been covered here at TV Ate My Wardrobe and have featured some really fantastic looks. As always there are no real rules to this weekly feature and as always it is a snapshot of what I have been watching (and looking at online) and each pick is for a variety of reasons including; what it adds to the storyline, what it tells us about the characters involved or simply because it looks good.

Winner: Megan Draper on Mad Men “A Tale of Two Cities”

Megan hippie lookWhile the Megan Draper theories have gone from slightly crazy to Don Draper hallucinating crazy the costuming for Megan this season has shown why Janie Bryant is so revered. Megan’s closet is huge and it needs to be as she has alternates between glamorous fashion forward pieces to her more relaxed look at home that wouldn’t look out of place in 2013. In Don’s drug induced hallucination he sees Megan in hippie attire, which matches the general look of the Hollywood party they are attending. This is the most relaxed Megan has looked all season though it’s not really Megan, but Don’s projection of the perfect version of Megan; she has quit her job and she is pregnant. The thing that drew Don to Megan in the first place was how she was with his children and California is the place where he cemented their relationship from a casual fling to fiancé. They have recently discussed the state of their relationship and even though they seem better than they have been for the entire year there is still distance (and not just the physical kind) between them. Is Megan actually pregnant or is this just wishful thinking on Don’s part?

Runner Up: Adam Scott and Amy Poehler in The Greatest Event in Television History

adam scott hart to hartLast night Adult Swim aired Adam Scott’s second “Greatest Event in Television History” and this time he teamed up with Parks and Recreation co-star Amy Poehler to recreate the opening title sequence of Hart to Hart. Both look like they are having a ball with the late ’70s/early ’80s look and if I didn’t know any better I would think that this was a Ben and Leslie fantasy sequence – though that would probably involve either Game of Thrones or political faces throughout history.

Runner Up: Ellie Kemper at The Hollywood Reporter Supporting Actor Photo Shoot

Kemper

Ellie Kemper looked stunning at the CFDA Fashion Awards earlier this week and even though The Office has finished this doesn’t mean that this is the last we have seen of Kemper talking about her role on this show as she takes part in both Variety and The Hollywood Reporter’s Emmy discussions. Kemper talks about her experience coming onto The Office in season 5 when it was already a big hit and dealing with it finishing saying “the most emotional moment was when we filmed The Office finale. I was crying and crying, which is actually unusual for me.” I hadn’t watched The Office for two seasons but that final episode had me balling (one of these moments was when Joan Cusack revealed that she was Erin’s mother). As I said earlier in the week I really hope that Kemper gets to play roles beyond the standard girlfriend and funny best friend parts as she is a really terrific comedic actress.

What was your look of the week?

Adam Scott and Amy Poehler in the Greatest Event in Television History

7 Jun

Last year Adam Scott and Jon Hamm recreated the opening credit sequence of ’80s detective show Simon & Simon in “The Greatest Event in Television History” and now Scott is back, this time with Parks and Recreation co-star Amy Poehler to tackle a shot for shot recreation of the Hart to Hart titles. Credit sequences have evolved since the late ’70s when Hart to Hart premiered and now it isn’t uncommon for a show to simply have a title card or a very short theme song.

This is in part down to the increased amount of commercials and a long title sequence would reduce how much can be fit into the episode and some shows such as New Girl have a long and short version of their opening music. It’s a shame in a way that credit sequences like this don’t really exist anymore, so this is a project I can fully get behind. Plus I’m missing Parks and Rec so seeing Scott and Poehler together is a bonus.

As with the last event (which can been seen over at Adult Swim) we get to see how the credit sequence came together and you might be surprised as to how little Amy and Adam like each other considering how closely they work on Parks and Rec (this is all in jest of course). Both look fantastic in their Hart to Hart costumes with Poehler rocking the feathered hair to maximum effect.

Chris Messina and the Art of a Strong Supporting Role

6 Jun

The Emmy pre-nomination discussion season continues with a look at supporting actors over at The Hollywood Reporter. This group of individuals might not be the star of their show but they are just as important in many ways.

The one person that I want to focus on from this group is Chris Messina who has been playing these strong supporting roles since his arc on the final season of Six Feet Under as Claire’s love interest Ted. Messina is currently in The Mindy Project and will be returning to The Newsroom as a guest star in July. Just a glance at his IMDb page and his credits from 2012 reveals a variety of roles in both film and TV including ArgoCeleste and Jesse ForeverRuby Sparks and the final season of Damages. Yes they are all supporting parts, but Messina is an actor who has an impact whether he is in two scenes or twenty. 

supporting_actor_hollywood_reporterIn The Mindy Project Messina plays the curmudgeon of the office, he’s bitter about love thanks to his divorce, but beneath this tough cool exterior Danny cares about his co-works and his job as an OB/GYN.  It’s the playful banter with Mindy and the chemistry between these two actors that kept me watching even when the show was having teething problems. Without this dynamic and his performance I might have quit The Mindy Project midseason, but I’m glad that I didn’t as the show has got both stronger and funnier.

One story that has developed as the season progressed and took a strong turn in the finale is that Mindy and Danny have entered ‘will they/won’t they’ territory. This isn’t a surprise as romantic comedies are an obsession of the lead character and they have the whole love/hate opposites attract thing going on. While this could be a tad early as the friendship between Mindy and Danny has more to give before romantic complications set in, the final scene in the season 1 finale made me forget these reservations for a moment as it was crackling with tension. I’m pretty sure this was thanks to Messina and like Mindy I pretty much held my breath when he took her glasses off.

Messina

As I’ve been writing this I’ve had Six Feet Under on in the background because it’s been a while since I’ve seen these final episodes. To come in this late to a show like this and leave an impact is hard, but it’s another case of great chemistry and despite Ted and Claire’s fundamental differences (hey he’s a Republican after all) they work as a couple, particularly after Claire’s other less functional relationships. 

Messina recently took part in a Skype chat as part of the DP/30 Emmy Watch series. It’s a long interview (which you can watch below) as he discusses his days on the stage, his dancing ambition, how he landed the part on Six Feet Under just as he was about to give up on Hollywood and his current role in The Mindy Project.

I have no doubt that Chris Messina would be fantastic in a lead role, but there’s also nothing to suggest that these supporting parts are less worthy. As this Hollywood Reporter piece shows (and the supporting comedy actress panel from yesterday) sometimes these supporting characters are more beloved than the title character.  

To quote my friend and Mad Men conversation partner Kerensa Cadenas the reason why Messina is so versatile and why he leaves such an impression is because he’s a “smart brodawg.” He can play cocky, but he has the intellect and charm to back it up.  

Not convinced? Watch the interview below and get back to me.

Images courtesy of The Hollywood Reporter

Breaking Bad Final Season Teaser Poster

6 Jun

The wait is almost over for the final 8 episodes of Breaking Bad and the first teaser poster has been released; it reveals pretty much nothing, other than it is really the end. Its design is simple and if you’re looking for clues you might have jump down the rabbit hole and enter the Megan Draper is already dead levels of investigation.

breaking bad s5 teaser posterSadly as the poster states “All Bad Things Must Come to an End” and showrunner Vince Gilligan admitted at a panel for the Nerdist Writers podcast (which was benefiting 826LA) that he got emotional writing the final script “I haven’t told my crew this. I actually cried writing the end – ‘The end’ on the last episode.”

As this is the first part of the final promotional campaign for Breaking Bad I like the sparseness of this design and the impact comes from the ominous smoke and lack of characters in the image.

Breaking Bad returns to AMC Sunday, August 11.

Variety Comedy Actress Emmy Roundtable Discussions

5 Jun

The pre-Emmy nomination roundtables are in full flow and Variety has produced supporting and lead actor/actress discussions in both comedy and drama categories. These panels are all around 15 minutes long and feature actors from both cable and network shows.

comedy lead

Today I am going to focus on the comedy actresses (plus it’s the unofficial Ellie Kemper week here at TV Ate My Wardrobe) and the shows these are the shows that are represented; New GirlEnlightenedVeepSuburgatoryThe Office, The Mindy Project, 2 Broke GirlsThe Big Bang Theory and Cougar Town.  Network and cable shows feature, along with multi-cam and single camera shows. Some of the participants are also involved behind the scenes as Zooey Deschanel is a producer on New Girl and both Laura Dern and Mindy Kaling are creators of their respective shows. Mindy Kaling is also in the writers’ room on The Mindy Project and she mentions that this helps the show be a little more feminist.

comedy actress

The difference in a cable show versus a network one is a lot to do with format and time restrictions; network sitcoms have to be the same length every week, whereas on cable the time can vary by a substantial amount. Network shows have a set commercial break pattern which could stifle the creative element, but all of the shows featured have found a way to work within these parameters.

When they shot Enlightened (which HBO has sadly cancelled) they had all of the scripts for the season written ahead of time, a show like New Girl adds things at the last minute and as both Zooey Deschanel and Hannah Simone mention their scripts often change from the table read to the day of shooting. Simone adds that she is constantly surprised by where they take the characters as they aren’t usually given advance notice of their season long arc. This organic approach has really helped a show like New Girl particularly with the big ‘will they/won’t they’ story in season 2. It isn’t just New Girl that has this style as Busy Philipps’ comments about Cougar Town sound like they share a similar approach. For the shows that are filmed in front of a live studio audience such as The Big Bang Theory it sounds like it needs to be more structured that this. On Veep they workshop the episode ahead of time as this is a process that creator Armando Innaucci favors and the cable format aids this. There is also a discussion about Netflix and how this digital model is even more flexible than both cable and network.

Watch both panels below and for more of Variety’s Emmy roundtable season head here.

First Look at the BBC’s Elizabeth Taylor/Richard Burton Biopic

5 Jun

We’ve had Lifetime’s Liz & Dick, now it’s time for the BBC’s Burton & Taylor with The Wire’s Dominic West and Oscar nominee Helena Bonham Carter playing the title roles. The 90-minute drama is set in 1983 when the couple were reunited in the Noël Coward’s play Private Lives. The couple had already been married and divorced twice by this point and this biopic will focus on their fractured relationship as it played out in both the private and public eye.

Richard Burton and Elizabeth Taylor are considered to be one of the most fraught and passionate romance stories of the twentieth century and while Liz & Dick is considered to be mess (see the Fug Girls “Fug the Fromage” for a rundown of how terrible it looks) the creative talent behind Burton & Taylor will hopefully produce a biopic worthy of their story.

Burton and Taylor

In a recent interview with Vogue, Helena Bonham Carter explains that “It’s about two people who can’t live with each other and can’t live without each other. It’s very sad. And very touching.” Bonham Carter tells the magazine that she loves researching a character and luckily for her there is a wealth of information on this epic romance including passionate love letters.

Burton & Taylor airs on BBC 4 and BBC America later this year.

Girls and Downton Abbey Win at the Glamour Awards

5 Jun

The UK Glamour Magazine Awards were held at Berkeley Square Gardens in Mayfair, London last night. A host of stars attended the event that honored women in TV, film, fashion and music. So who were the big winners?

Chris O'Dowd Rashida Jones

Chris O’Dowd was on hand to present Parks and Recreation star Rashida Jones with the Film Maker of the Year award for Celeste and Jesse Forever (which was one of my favorite films from last year and is currently in my DVD player). In her acceptance speech Jones explains her outfit saying “I wore these pajamas through the entire year since I made my movie.” Jones then followed this up with “I would like to thank Jo Elvin and GLAMOUR for recognising my filmmaking… It’s very fitting for me to be winning an award that is so glamorous, because as everyone knows, it’s very glamorous making an independent movie.” As with Sofia Coppola’s pajama choice at the Met Gala I salute this look; the silk floral Erdem two-piece suits the relaxed atmosphere of these awards. Also Chris O’Dowd is super tall.

Joanne Frogatt Zosia Mamet

 

 

 

 

 

 

 

 

 

 

The TV Actress category is split into International and UK meaning that two of the most talked about shows received these accolades. Zosia Mamet took home the International prize for her role as Shoshanna on GirlsGirls has received a lot of accolades in the past year but this is the first individual award for Mamet.

Matthew Rhys presented this award and Mamet thanked the UK “for embracing Girls as much as the US has.” Wearing a black Preen dress with floral embroidery Mamet looked very happy posing with her Glamour statue, which isn’t always the case for Mamet on the red carpet. Mamet has been popular with Glamour magazine as she also recently took part in their “These Girls” event in New York.

One show that is just as popular on both sides of the Atlantic is Downton Abbey and so it isn’t surprising that an actress from this show scooped the UK prize. Joanne Froggatt who plays Anna, the head housemaid received this award from fellow Downton Abbey co-star Allen Leech. Froggatt thanked the magazine readers for voting for her adding that is has “made me very, very happy”

Rebel Wilson

It’s been a good year for Rebel Wilson as she has taken the film world by storm with roles in Pitch Perfect and Pain & Gain, as well as hosting the MTV Movie Awards. Wilson will be making the transition to TV in the fall with her ABC show Super Fun Night. Wilson is also the cover star of the new issue of Glamour and she tweeted a photo of it; Wilson is wearing a whole lot of jewels and bubbles and not much else in the shot. Wilson gave fellow Aussie Kylie Minogue a shout out in her speech “Thank you so much Kylie, I just feel so lucky, lucky, lucky, lucky.”

Clare Balding Joan Collins

Presenter of the Year could only really go to one woman and that is the extraordinary Clare Balding after collecting a special award from BAFTA last month. Balding was the highlight of the presenting team at the 2012 Olympic and Paralympic Games and in her speech she mentioned an important current political moment “While here at dinner tonight …the House of Lords voted 2-1 in favour of supporting the equal marriage bill… Joan Collins, who was sitting on my table, asked me when me and Alice (Arnold) are going to get married. Alice said in three years, which I didn’t know but apparently that’s right.” Congratulations Clare!

For the full list of winners head to Glamour magazine.

All photos courtesy of Glamour.

Kerry Washington and Ellie Kemper at the CFDA Awards

4 Jun

Last night at the Lincoln Center in New York all the big names in fashion gathered for the 2013 CFDA Fashion Awards and they were joined by the models and actresses who wear their gowns on the red carpet. This included Kerry Washington who presented Proenza Schouler designers Jack McCollough and Lazaro Hernandez with the Womenswear Designer of the Year award and Washington looked stunning in a bold yellow Jason Wu gown (the big color of the season). Washington opted for simple hair and makeup to compliment the strong hue of the dress and the wooden clutch is the perfect addition.

Kerry Washington CFDAMy favorite look of the night comes from The Office’s Ellie Kemper in a black Naeem Khan dress with gold starburst embroidery. Pairing this dress with a gold accessories including Rupert Sanderson heels and JustFab clutch could be too matchy matchy, but because they aren’t all the same shade of gold it works. Like Washington, Kemper’s hair is simple and but she works both a strong lip color and bold earrings that create a balance for this look.

photo (3)In the recent comedy issue of GQ magazine Ellie Kemper wrote a satirical piece asking “Can Men Be Funny?” This is in response to the many think pieces over the years asking the same question about women. It includes such wonderful lines as this “Guys, do you want to know a secret? You don’t have to be funny in order to attract us. Believe us, between your scalps and your calves, you’ve already got us. Your narrow, decrescendoing hips, and your soft, very hairy thighs leave us breathless. The truth is, there is no evolutionary cause for you to have to be funny.” It’s obviously a very tongue-in-cheek essay (though some in the comments don’t seem to realize this) and I’m glad that a publication like GQ included it, despite some of the reactions. The “are women funny?” debate is as tired as the “can women have it all?” discussion and pieces like this show how ridiculous that question is.

In the Office series finale Kemper wore one of my favorite dresses of this TV season (and somehow it hasn’t featured on “Look of the Week”) at Dwight and Angela’s wedding. It’s a Ted Baker London floral ‘Wallpaper’ Pleated A-Line Dress and can be seen in this behind the scenes shot.

1368792802_the-office-441I’m really looking forward to see what Kemper does in her post-Office roles, I expect we might see her guest starring on The Mindy Project again but I hope she gets roles beyond the ‘funny best friend’ or the girlfriend who only has 5 lines in an Owen Wilson/Vince Vaughn comedy (though I fear this might be what happens). If we can get some more Subtle Sexuality then I would be more than pleased, maybe with a Taylor Swift twist as with their last outing “The Girl Next Door.”

Mad Men Music Monday

3 Jun

Mad Men ended this week with an unexpected sight as Pete Campbell strolled up to Stan and took his joint off him; instead of destroying it, Pete instead took a seat and started to smoking it. Janis Joplin’s “Piece of my Heart” kicked in as Pete continued to smoke, with a look of contempt at all those around him (and Vincent Kartheiser showing off his best bitchface). This version of the song is performed by Joplin’s band Big Brother and the Holding Company and is from 1968 (the year of the episode).

“A Tale of Two Cities” is all about the fractured climate in both the office and the nation as discontent is spreading and this felt like Pete’s way of succumbing to a system that is no longer following the rules. Janis Joplin is a big part of the counterculture and so it is fitting that this song plays over this episode and her death in 1970 (just 16 days after Jimi Hendrix died) reveals the darker side of this era; a side that Mad Men is showing in episodes like this.

How Betty Got Her Groove Back and other Mad Men Musings

2 Jun

A few week’s ago I was joined by Kerensa Cadenas to talk about season 6 of Mad Men and specifically Don Draper losing his charismatic sheen. I thought it was time to catch up with Kerensa and see if these feelings towards Don have changed. So come join us to find out what we think of Don, those Megan/Bob Benson conspiracy theories and how Betty became the smartest person on the show.

MM_609_MY_0221_0189Emma: We have so much to talk about from the most recent episode (which was terrific) including; the state of Don, Peggy’s love/work life, all things Bob Benson (are his intentions honourable? Plus those short shorts), how Betty got her groove back and what the merger has added to this season.

First I want to mention the last discussion we had which came after episode 4 (“To Have and to Hold“) and this is when both of us were having some very strong, negative Don feelings and I was wondering how you feel about Don now that we are episode 9? It was funny that after we raged about Don so much after the start of the season, episode 5 showed Don in a pretty good light; he got to have a good father/son moment with Bobby (this Bobby is a lot of fun) and the lack of Sylvia made him seem less reprehensible. They also showed a great Don pitch moment, not to a client but Ted as he proposed the merger.

So Don’s great again, right? Not so much as he tried to assert his dominance with Sylvia in the bedroom and then thanks to her rejection he was reduced to a creepy hallway lurker. He’s probably never looked as pathetic as he did in his drugged up state desperately reaching for the woman he can’t have. This was coupled with some rather on the nose flashbacks (the prostitute who nursed him back to health was also the first woman he slept with – yep possibly the most overt Madonna/whore complex on TV in flashback form) and my sympathy with Don is pretty low all over again.

The merger has led to some interesting conflicts and comparisons as Ted and Don have been dick swinging with each other and it looks like Peggy is caught between the two men. In the last episode Peggy told Don that Ted “never makes me feel this way” as Don has a tendency to unload on Peggy and take all of his frustration out on her. Don’s response is that Ted “doesn’t know you” and it feels like he is using his knowledge of her past over her. In a way Ted doesn’t know her and this is clear when he rejects Peggy at the end of the episode when she tells him what happened with Abe (leaving out the part where she was the one who stabbed him). Ted is all fake smiles and doesn’t act like he knows her at all so maybe Don had a point. Peggy is caught between two bosses; one that she has romantic feelings for and one that treats her like shit. In a moment like this I want her to head to one of three places; for a cigarette with Joan, for a joint with Stan (so we can get another moment like this) or for cocktails with Megan.

MM_609_MY_0225_0800Speaking of the latter, I just really want something good to happen with Megan; we both spoke before about how much we like this character and it sucks that she is caught up in this Don Draper cycle. The marriage has felt doomed since the premiere (or really from the S5 finale) when they showed that Don isn’t listening to what she is saying. This has been repeated throughout the season and Megan has confessed these feelings of loneliness to her mother (who told her to make Don think of sex) and her co-star Arlene, who tried to kiss her. As you mentioned in an earlier email THAT Betty line summed up Don amazingly well:

“That poor girl. She doesn’t know that loving you is the worst way to get to you.”

I want to talk Betty, because somehow they have made this character likeable again (and she was definitely this episode’s MVP) but first I would like to hear your Don thoughts.

Kerensa: Since the last time we discussed Mad Men, my feelings for Don haven’t really changed. I’m continually frustrated by his actions, his lack of respect for basically everyone, all the “dick swinging” as you said and those flashbacks so over the top. Basically, every time Don’t onscreen, I’m doing this. And like we’ve talked about I like having irredeemable characters but for whatever reason as of late, I just don’t enjoy Don.

And that hall scene with Sylvia was one of the lowest, I think that we’ve seen Don, but that SONG. I feel like at the end of this week’s episode, we are yet again led to believe that maybe Don will try to commit to Megan again. But I doubt it.

And we must talk Betty because that line about Don–maybe was the most accurate description of him in the whole series.

MM_609_MY_0221_0540Emma: Yeah Betty got her groove back and she totally owned every scene with Don (and every scene she was in really). When we last talked about Betty I mentioned that this season was the first time in a long time that I liked this character and she’s continued to be this way this season. I find it interesting that we haven’t seen how Betty lost the weight (and I’m sure it isn’t through the Weight Watchers group she was attending) but I’m glad she’s not the punching bag that she’s been reduced to in past seasons. She was the one who seduced Don, she was the one who held all the power during their post-coital chat (Don likes to hug apparently and sex isn’t intimate, hmm). She delivered THE line that perfectly sums him up and the next day she’s gone, back to the life she loves while Don watches on alone.

I’m also glad that we got to see Betty being a good mother as this is another area where she’s been cold in the past. Though she does neglect to mention Gene (and like Don even considers Gene if what he said to Megan about Bobby is any indication), poor Gene. One day you will mean something. And thankfully they’ve given Bobby a personality this year.

What are your Betty thoughts?

Also the Mad Men conspiracy theories are going through the roof this week – first Bob continues to throw up major question marks (while looking totally cute in his short shorts) and now the links between Megan and Sharon Tate are in the mix after Megan wore this T-shirt. Is Megan doomed?

MM_609_MY_0221_1015Kerensa: It was really great to see Betty in that power position with Don because I feel like he made her feel less than that all the time while they were married.  And it does seem that she is happy with Henry because I feel like Henry treats her with respect that Don never did. And also, Betty will be an AMAZING politicians wife, like she’s gonna be running the show. Guaranteed.

That line is the most perfect thing this show has ever done. And I think was probably so telling to Don–who likes to think he’s this enigma–that there are people there who DO see through all his shit. I also wonder if hearing all that #realtalk from Betty will change things for him? I’m guessing not, but we can hope I guess.

Also, Don Draper likes spooning? Really? Like that’s a scenario I can’t imagine. I feel like he’d be one of those guys that you’d assume would just leave right after sex and then there he is being big spoon and you’d be supremely confused. And you KNOW he always has to be big spoon.

On to the conspiracies!

Yeah, what is going on with Bob? I’ve heard so many weird things–he’s Don’s son, the smoke monster (jk) or my favorite was that he’s actually Joan’s new gay BFF. Whatever is going on with Bob, as long as they keep putting James Wolk in short shorts, I won’t complain about Don. I swear.

Now, the Megan/Sharon Tate theory was super compelling to me. I just watched Robert Hendrickson’s documentary Manson (1973) at a local theater, so Sharon Tate and the Manson killings have been at the forefront of my mind. I feel like everything that’s been going on with Megan this season, despite her acting success, has at least for me been accompanied by this sense of dread and doom. I can’t pinpoint it, but every time I see her onscreen I just have this terrible feeling. And I really like Megan–as I know you do–so I really, really don’t want that to be the case.

What do you think about all the conspiracies?

MM_609_MY_0225_0493Emma: I just did a spit take at the image of Don wanting to be the big spoon. He really doesn’t seem to be the snuggling type.

The thing about Don is that he says he wants to change but I don’t know if he really does and it’s something they’ve repeated throughout. I think he likes the idea of being saved, but not the results. What happens if he can’t save the one he is with? And this brings me to the recent Mad Men conspiracy theories and I love all of this chatter, even if they are somewhat outlandish. Like you there’s something about Megan’s scenes this year that have this doom and gloom feeling. Maybe it’s the fact that she’s so alone and we know that Don will never love her the way he did before the orange sherbet incident and when she was still at SCDP or perhaps it’s something more sinister.

I was going to ask you about that documentary as the Manson Family murders are often mentioned when people discuss the end of the 60s and how this was the really dark side of the flower power era. Is this something that was discussed in this documentary?

On one hand I really don’t want Megan to die (because I like her) but in terms of the story I think a loss like this would have a huge impact on Don and how he behaves. Or it could send him into a destruction spiral. My other thought was with last year’s suicide clues everyone figured it might be Pete, but instead it was Lane – could the same happen this year? Instead of Megan it could be her co-star Arlene who is pretty relaxed about how safe it is to walk through Central Park at night? The impact from Arlene’s death would be small so it’s unlikely to be her. Other potentials could be Betty, who we’ve also seen head into the city without thinking of her surroundings and they’ve also done the classic trick of making the audience like her again. I know Matt Weiner loves Betty and so I also think this won’t happen as the political storyline is too juicy. So we swing back to Megan. I love most of these theories come from a t-shirt and sirens.

Now to our favourite short shorts wearing enigma and Bob Benson. The brilliance of this character is how much my opinion changes as to whether he is doing these things for good or bad (to put it simply) throughout an episode. I was so happy to see that he was with Joan (though things didn’t seem romantic adding credence to the gay theory) but then I was sure he was going to tell Pete about Roger’s stop. Instead he told a story about his father (he told Ken his father is dead, Ken is crazy suspicious of Bob) and showed concern for Pete’s predicament. He’s been hitching his wagon to Pete all season and his concern seems genuine but why? Pete’s mother mentioned that Pete’s father had affairs so maybe he’s Pete’s illegitimate half brother?!?! And it’s not as crazy as the Don relation and this show does love illegitimate children.

One non conspiracy relating question – what do you think of Pete and Joan’s conversations of late? Is he trying to hit on her? It’s also interesting that Joan holds Pete in such high regard (she claims that he’s the only one who hasn’t broken a promise to her) even though he set up the Jaguar business.

MM_609_MY_0225_1137Kerensa: Yeah, that was something that was mentioned in the Manson documentary. I also recently saw The Source Family–about another cult but one on the more “happy” end of the spectrum if you will. And both discussed the ways in which that time era–with all its upheaval–was a time that these things could be formed.

I agree with that. Megan could totally be a red herring. And I don’t think it’s Arlene because like you said there would be little to no impact on the world of our characters. I don’t want it to be Betty either, but could you imagine the fallout from that? I mean I think that would destroy Don.

I really don’t want Bob to be a bad guy. I think basically everyone on this show is a bad person–so it would be refreshing to have a character that doesn’t have any sort of agenda. And I really hope him and Joan are together together! I dunno about this theory of him as Pete’s half brother. I see where you are coming from with it, but I don’t think that’s gonna happen. And if it does (or Bob as Don’s son) that’s really pushing Mad Men into major soap opera territory.

With Pete and Joan, I feel like he’s just lonely. His life’s a mess and he doesn’t have anyone to talk to. He really has no one he can confide in at the office and Joan, if I was Pete, would be the person I would go to because she’s the most levelheaded one there.

Emma: Yes the brother theory is totally soapy and so I expect they won’t go this far. I hope you’re right about Bob being a good person, this show sure needs one of those.

Will we find out more about Bob tonight?

Kerensa Cadenas is a writer living in Los Angeles. She is a staff writer for Women and Hollywood. She also writes for This Was TelevisionForever Young Adult, and Bitch magazine. She was the Research Editor for Tomorrow magazine. You can follow her on Twitter and read her ridiculous thoughts about teen television at her website.

Variety

Entertainment news, film reviews, awards, film festivals, box office, entertainment industry conferences

Julie Hammerle

Nerds Need Love Too

Sofa and Remote

I love talking about TV as much as I love watching it

Ellie Writes Stuff

About this and that

Twitter Music Club

A rotation curation music club, based on Twitter, mainly for Kiwis

INTO ROW Z

If you enjoy a challenge, like Claude Makélélé, read my blog. Its about sport.

lost somewhere in new york city

We rock a lot of polka dots

sankles

We rock a lot of polka dots

frocktalk.com/

Just another WordPress.com site

Cultural Learnings

Television Reviews and Analysis

judgmental observer

film, tv, popular culture, higher ed, unicorns

Rookie

We rock a lot of polka dots

The Frisky

We rock a lot of polka dots

Tell Us a Story

stories about true things