Tag Archives: Max Greenfield

New Girl 3.16 “Sister” Review: “A Girl Who Looks Like me, but with Chaos in her Eyes”

12 Feb

Extending Jess’ immediate family on New Girl means bringing in Abby; a previously unseen (and unmentioned?) older sister who just happens to be the opposite of Jess. This isn’t particularly revolutionary of course and sitcoms love to do this type of storyline, but it ends up being the strongest aspect in a chaotic episode. Casting Linda Cardellini as Abby is an instant way to make me forgive retconning of this kind and I am very glad that she didn’t end the episode on a plane to Portland. This is one of those episodes where the three stories don’t really mesh even with some connecting elements and so we returned to the disjointed feeling that the first half of this season suffered from.

NG_ep316-sc16_S0A5849So let’s start with the good and everything about Jess and Abby’s conversation about their mom (oh hey Jamie Lee Curtis!) over wine made me practically giddy to have Cardellini playing Abby.* In a short time it is easy to believe these two are sisters as there is strong chemistry between Deschanel and Cardellini. This scene is undercut with sadness from both characters and their relationship dynamic is clearly mapped out; Jess has always been seen as the ‘perfect baby’ daughter and Abby is the delinquent. Even with these fundamental differences they can both laugh about their mother’s tiny blue denim backpack. It’s all going rather smoothly until Abby sees a text from Cece asking if she has ruined everything yet. Abby ends up pulling a move that is expected and somehow Jess tracks her down to a hotel (via her mom’s credit card? Ok we’ll go with that) and this leads to an honest conversation between the pair and Jess doesn’t sugarcoat it reinforcing the notion that Abby does have a habit of ruining everything.

If New Girl is about this second phase of growing up when you hit your late 20s/early 30s then Abby is one step behind Jess et al as she’s still acting like a rebellious teenager. Moving back to Portland to live with their mother appears to be her only option at this point and this feels like failure to Abby. As we saw recently in “Birthday” Jess has a habit of forming expectations that people can’t meet and with her sister it comes across as the opposite; she expects her to fuck up which is why she doesn’t want her to meet Nick. Plus it seems like all of the Day women have a thing for him.

Jess has met Nick’s family and it’s a surprise to him that she wouldn’t be comfortable with him knowing that she has a sister who says inappropriate things and has been in jail (this probably isn’t the first time she’s been in a cell). As with The Mindy Project’s Mindy, Jess tries the whole movie to real life idea just switch out rom-coms for The Parent Trap. Abby is something that doesn’t fit in with this idea of happy families and while Jess has accepted that her parents aren’t getting back together, prior to this episode she also didn’t want Nick to meet the black sheep of her family.

Unfortunately Nick took this as a sign that Jess was embarrassed of him, which couldn’t be further from the truth and this is one of the only connecting aspects of the episodes. Nick is tasked with being Schmidt’s wingman and their BFF status hasn’t been explored all that much since “Keaton.” Schmidt accuses Nick of only caring about Jess and Nick is determined to be a good friend; to be a good friend to Schmidt sometimes it involves smooching an old lady and getting punched in the face. The Schmidt/Nick dynamic delivers some of the episodes funnier moments and I’d liked to have seen more of them together hatching terrible schemes in this unusual dating arena.

The last time Jon Lovitz appeared as Rabbi Feiglin was back in “The Box” when Schmidt was at a creative low and while his joke telling was pretty funny, this aspect of the episode didn’t work for me. Thankfully the writers have worked out a lot of the Schmidt issues and unlike Nick I rather enjoyed his monologuing.

Winston now has a partner in crazy and I’m glad to see he’s still dating bus driver Bertie, even if the soup dinner party only exists as a reason to address the Cece and Coach non-relationship from another patchy episode “Longest Night Ever” – maybe this week feels so disjointed because they are referencing other episodes that have pacing/story problems. Like Cece I had forgotten about her brief tryst with Coach and it only gets brought up as they’re the only people who can make the “night lunch.” It ends in an attempt to recreate that great two hour make out session; instead they end up with a bad back and a broken tooth. Some things should only happen once.

So returning to the Abby of it all and as she is staying for an unspecified amount of time I think we can expect shenanigans or hijinks with a heart. I’m looking forward to exploring this relationship and how her presence in the loft will throw things into disarray. Seeing Jess challenged in this way will be fun, especially as Abby has a low tolerance for some of Jess’ quirks “If you a cappella sing at me one more time, I will rip that stupid little dress off you and shove it down your mouth.” P.S. Abby that houndstooth dress is super cute and I definitely want it, not that I just bought houndstooth bedding or anything.

“Sister” isn’t a great episode of New Girl and it’s the first misfire of 2014, however there is plenty to feel positive about and I’m happy Linda Cardellini gets to flex her comedic chops in at least one more episode.

*I’m a big Linda Cardellini fan and the first time I saw her on TV was not as Lindsay Weir in Freaks and Geeks (which I only watched for the first time relatively recently), but as Nurse Sam Taggart in E.R. and so this wild child past doesn’t seem all that out of the ordinary. Now I want to write a piece on the good girl/bad girl roles that Cardellini has played, with her most recent Mad Men stint straddling Catholic wife with Don Draper mistress. 

New Girl 3.15 Review: Can You Be Friends with an Ex?

5 Feb

In what feels like an extension of the When Harry Met Sally theory that a man can’t be friends with a woman he finds attractive, New Girl deals with the notion friendship with an ex. Nick is firmly on the no spot as he thinks the only reason you remain friends is because there is the possibility of sex, Jess falls on the other side of the argument insisting this isn’t the case. In step two exes – we’ve got Caroline who Nick hasn’t seen since he walked out on her at the end of season one and Berkley (played by TV Ate My Wardrobe favorite Adam Brody) as one of Jess’ exes who she has been in regular (off screen) contact for the 10 years since they broke up.

NG_Ep314-Sc14_0009It’s funny to think of Caroline as the wronged party as for so long she has been painted as this woman who broke Nick’s heart, but on this occasion she is very much the injured party. When Nick got back together with Caroline, she became the instant enemy as she was the obstacle to all things Nick and Jess. So when Nick returned and cranked up AC/DC’s “You Shook Me All Night Long” it was easy to bask in the dancing goodness and not give a second thought to the woman he left in the apartment he was meant to move into. I mean, who cares right? Well this is a good lesson in characters who help move the story forward and get left behind; Caroline is not a regular and nor is she someone I have rooted for, but when you take it from her perspective it’s understandable why she has these bottled up feelings of rage that explode over someone’s car that isn’t actually Nick’s.

Unlike the Super Bowl episode where Nick’s feelings accidentally fell out of his mouth, this is classic Nick Miller in that he bumbles about random crap for half an hour – PS I would totally watch an episode of Jake Johnson doing this – like how would you give a thumbs up if you gave up your thumb? So Nick never told Caroline the real reason why he couldn’t be with her and this entire time she thought it was because of Jess. I’d say the full blown shouting match in “Tomatoes” that Caroline would have definitely heard was probably the indicator that there were more than just friendship feelings going on.

For two years Caroline thought that she was insane and while this has been happening in a world that doesn’t impact the characters we watch each week, it’s hard not to feel sympathy for her when it’s all laid out like that. This moment turns maybe inappropriately into a super sweet Nick and Jess declaration – I might feel sorry for Caroline but I’m Nick and Jess all the way – yep he loved Jess as soon as she walked through the door. You could quibble with his version of events, but then again he did turn down a drink with Caroline to go and lead a rendition of “(I’ve Had) The Time of my Life” at Jess in the pilot, so it’s not all that retcon of the writers. For Jess it happened “waaaaaaaaaaay” later. This I also totally buy.

So back to this idea that exes can’t be friends and with Nick and Caroline I would say this is a world of no. Jess and Nick have had debates like this in the past, most notably in “Landlord” when they almost had a threesome with their landlord Remy just to prove a point. On that occasion Nick argued that Remy was only being nice to get sex and in “Exes” Nick asserts a similar belief; this time with exes rather than helpful landlords. Nick gets to be right again as Berkley declares his love for Jess and he wants to leave his wife for her as he’s vastly underappreciated at home. What this leads to is a whole level of farce that is accentuated by what is going on across the hall (more on that shortly) and Adam Brody’s reaction to the fake water being sprayed in his face is my new everything, gif please.

Maybe Jess should have laid off the xoxo’s, though she’s right that oooo would be a dumb way to sign off and this is the perfect time to highlight just how good Zooey Deschanel’s comic timing is as her reactions to all of the Berkley/Caroline related shenanigans are hilarious. The timeline of Nick and Jess getting together is brilliant – “London has a great Olympics” – but in the end it doesn’t matter that they didn’t get together straight away, that’s not the kicker for Caroline, it’s the not knowing why Nick left in the first place. Deschanel is also wonderful when hitting the emotional notes and her crying in the shower “This is the worst thing that’s ever happened to me. I’ve led a very fortunate life” is full of self awareness.

With Berkley, Nick is ultimately right with how he feels about Jess but instead of going down the old jealously route, Nick treats him with hilarious contempt. This could all just be the new age dad stuff (plus Berkley doesn’t like beer) but it’s also a strong indicator of how solid the Nick/Jess relationship is at the moment. I think Nick is happy that Berkley is into Jess because he also gets to be right with his theory, except for Winston who still keeps in contact with family members of his exes.

The hijinks in “Exes” also covers new relationships (or rather hookups) across the hall in apartment 4C. Schmidt’s finally finished his loft and the only way he can coax Winston and Coach over is with a free sub coupon and an offer to use his apartment whenever they want. With the drama going on at home it’s not surprising that both Winston and Coach choose Schmidt’s over their place. The reveal of Winston using the spare bedroom for a night with Bertie (who we first met in “Longest Night Ever“) is brilliant and I’d be more than happy if we got to see more of her. Winston is still applying for the police and his Halloween costume hat from last season is coming in useful in the bedroom department.

Schmidt doesn’t get to use one of the 15 different bang spots in his living room area – that’s why there’s so many plush surfaces – but hearing him describe them all countered by Winston pretending he knows what positions Schmidt is talking about is totally worth it. Winston also wants to be Moneypenny before realizing that Moneypenny is a woman. This group has some sketchy pop culture knowledge. Schmidt’s off his game as living by himself has brought out his weirder side; Cece plays friend and bartender advice giver showing that maybe exes can be friends, right? Well at the moment they can but I have a feeling that towards the end of the season their attraction might be revisited. I would be more than happy if they could prove Nick wrong and be the exes who can be friends without the sex factor.

New Girl 3.14 “Prince” Review: Finger Guns and Declarations

3 Feb

Nick’s big birthday gesture and the coin anecdote (which I’m still swooning over by the way) in the last episode suggested that things were moving in a pretty serious direction for the New Girl couple and there’s no better time to up the romantic ante than the post Super Bowl episode.

Sure they had to reinforce the notion that Jess is Nick’s girlfriend in the opening scene for any new viewers by mentioning this several times, along with the word panties. A word that normally skeezes me out, but much like the cake baking moist incident this is hilarious and the gag gets more ridiculous as it goes on – “Panty Hawk! I’d watch that show” – and it’s the punchline that sent me over the edge. In fact this episode delivers on both laughs and heart; while I don’t know how well the latter plays to a brand new audience there is of course Prince and he is amazing.

New Girl PrinceThe “I love you” moment on a sitcom can be rather fraught and New Girl switches the usual gender conventions with Nick blurting it out first and Jess replying with finger guns. Like their first kiss it just happens and it’s such a casual “Have fun, I love you” that it doesn’t sound out of place until everyone realizes that this is not something that has previously been uttered out loud and the things get super awkward. Maybe not as awkward as Jess having a panic attack and passing out when trying to say it back and then having all their friends share in Nick trying to take it back. Nick’s “I love you” reminded me not of another sitcom, but The Good Wife when Will ends a phone call to Alicia with an innocuous “love you.” This feels like higher stakes accidentally calling your teacher mom or dad, which I know I definitely did at least once and was mortified.

Nick’s generally been the one to make the first moves in this relationship, the only stumble on his part was when he found it hard to acknowledge that Jess was his girlfriend and that was more plot contrivance than anything else. Nick might have this grumpy exterior, but underneath it all he is a romantic at heart; the video from “Birthday” underlines this and if this big Super Bowl episode hadn’t been taking place I suspect this is when Nick would have said those three words.

So Jess is the one who is finding it hard to emote and in a crisis like this who better to help than Prince?!* Cece and Jess’ reaction when they tell the guys they’ve been invited to a party at Prince’s house is the perfect amount of crazy dancing and screaming. Jake Johnson ups this by once again showing just how high pitched he can make his scream; it might even top his Halloween haunted house effort. Prince’s role is to provide love and style advice for Jess; there’s a whole training montage and instead of running there’s ping-pong and a variety of outfits. Pancakes and some time in a dark cupboard help Jess with her fear problem and the reaction to the first time Prince whispers in her ear is perfect. Repeating the not being able to hear a whisper gag results in Jess yelling “I love you, Nick Miller” resulting in all the warm and fuzzy feelings. This show.

Also adding to the sweet emotional core is Schmidt’s story and quite a lot of this season has placed him on the outside looking in. First there was his two-timing and then he moved out; Schmidt’s always been about striving for an ideal that doesn’t really exist. After all his dream BFF is Kanye. Instead he realizes that his dingbat friends are the ones that he should want to be around. This isn’t settling, it’s just Schmidt finally understanding that what he’s got already is really pretty great. Silly games like lemon mouth are way more fun than the VIP area anyway and he still gets to dance on stage with Prince. In fact Schmidt’s trajectory this season has been much like the show itself, it got a little lost and now it has found its way back and we’re out of the New Girl slump. It’s a good thing that they turned it on for an episode that’s going to get a whole lot more eyeballs too.

Coach and Winston get to be the cool guys at the party with their “Fire and Ice” play that both Nick and Schmidt mocked and it not only gets them into the party, but also helps charm supermodels (that’s Victoria Secrets’ Alessandra Ambrosio and Ana Beatriz Barros). This is ruined by drunk Nick and his assertion that one day they will be replaced by robots. The product placement gag works a lot better than the season 2 episode “Models” as Nick yells at Coach for getting turned on by the gas mileage. Winston has felt this once, it was a Thursday. Product placement is one of those things that I know shows have to do so I don’t mind it too much, especially when it is done like this and shade is thrown.

Flashback gags of Nick dressed as Prince and Winston screaming “I love you” pretty much sent me over the edge and this is a very funny episode, it’s definitely the most I have laughed this season. All the bases are covered with awkward humor aplenty, strong visual gags like the guys at the washing machine and pretty much all the reactions to being in the presence of Prince – when he forgives Jess it is my everything.

There’s a definite sense of wish fulfillment as not only Jess gets to sing with Prince – she knows the words because Prince is magic – but her friends also get to join in. Yes even Nick with his terrible dancing. It’s fitting in a way that Cece ends the episode playing ping-pong with Prince as the rest of the group reflect on the crazy of their night as she needs a win; this is a great way to do so.

A really fun episode and one that used the huge guest start to not only propel the overall New Girl story forward, but also basks in the ridiculousness of this moment. There will be another New Girl episode this week and I’m pretty damn excited as while he is not Prince, Seth Cohen (Adam Brody) will be guest starring.

* My “reason why I love Prince” story comes courtesy of my first proper New Year’s Eve party when it turned from 1998 to 1999. I was 16 and in London at a house party and I felt like a super cool grown up (I really wasn’t – later that night I fell down a curb and some tube station stairs because of the too tall heels I couldn’t walk in and miraculously it was the curb that hurt the most). We thought that playing “1999” was so obvious, but really dancing and singing along to it is one of my fondest teen memories. 

New Girl 3.12 “Basketsball” Review: Nick’s Girlfriend

15 Jan

Watching sports can bring people together; this is the tactic Jess uses to ensure that Coach sees her as a friend rather than just Nick’s girlfriend to Coach. This creates a rift elsewhere due to the rivalry between the Pistons (who Coach supports) and the Bulls (Nick’s team) and Wikipedia (sorry my basketball knowledge is severely lacking) tells me that “The rivalry began in the late 1980s and was one of the most intense in NBA history for a couple of years.” So pretty much when Coach and Nick would have been getting into these teams. A sex ban is introduced and New Girl excels at the sweet mixed with the smut and “Basketsball” has both.

New Girl Jess and CoachIt’s been two months since Coach moved back in and Jess hasn’t managed to crack him in that time and when he refers to her as his “buddy’s girlfriend” it sends Jess into friendship project mode. Jess’ way in is basketball and this is something she admits she doesn’t know a whole lot about; the lack of knowledge about rivalries and what wearing a Pistons shirt to bed means is a clear indicator of this. Now when it comes to sports it is a personal matter and to Nick the Bulls aren’t just a basketball team; they represent the city he is from, most of his relationship with his dad and the first time he realized he could love a man. To Jess it’s as simple as switching teams to help aid friendship building, but Nick views this as a kind of betrayal. This notion comes across as ridiculous to Jess and she understandably doesn’t want to be told who she can and can’t support.

Being Nick’s girlfriend is part of the problem as that’s all Coach views her as; aside from that brief spell in the pilot episode Coach has only known Jess since she started dating Nick and so this is how he identifies her. This isn’t good enough as they live together and it makes sense why Jess wants to be defined in her own right, not as part of who Nick is. The sex standoff allows Jess and Nick to be at their weirdest and it’s reminiscent of their previous fights that have included shaking their butts at each other and having a weird off. This is one of the many reasons why they work together and I don’t mind them fighting in this manner – it’s much better than the strip club episode earlier this season – and Nick’s attempts to turn Jess on with his Scotty Pippens ends up making himself horny.  Hey those really are some short shorts. There’s a touch of the “Quick Hardening Caulk” about the innuendos and I’m not sure if this show has done a dirtier joke than “I need my Vitamin D.” Any inventive way to get around Standards and Practices (a part of TV that I find fascinating) is good with me.

Jess gains the upper hand and in the end they both cave in; Nick puts on the Pistons shirt he despises so much and Jess wears the Bulls jersey. Jess is of course disappointed that her plan with Coach didn’t work after he refers to her again as Nick’s girlfriend. It’s not like Coach doesn’t want to be Jess’ friend and he reveals in the final scene that as he moved around a lot when he was a kid he doesn’t like to get too attached to people. Nick plays friendship coach to Coach by letting him on the secret to becoming Jess’ friend; tell her those random sweet/emotional thoughts like “if you combed a gorilla’s hair would it like it?” And no Coach I have never seen a baby pigeon either and now I really want to.

This storyline isn’t just about Jess and Nick, the Coach aspect is important too as like Jess we don’t know a whole lot about him yet either. The chemistry is there and Damon Wayans Jr. is very funny – his special laugh for Nick is pretty incredible – and yet I still feel like there’s ways to go, which of course makes complete sense. Coach feels like he is meant to be part of this group and it has opened up the story possibilities by extending the group dynamic.

Last week Winston quit his job and he turns to Schmidt for career advice. This is a case where the B story is just as much fun as the main plot and also propels both Winston and Schmidt forward (with help from Cece). Winston figures out that marketing (the backbone of capitalism) isn’t for him and after he shows such good observational skills Cece suggests he becomes a cop. This is perfect as he already has “high cholesterol and weird people skills” and his favorite movie happens to be Training Day.

Cece takes the place of Nick in the bar scenes and I’m all for Cece working at the bar if this means more screen time; she’s always been one of the more level headed characters and so becoming the wise bartender isn’t a stretch. She also has the Nick Miller-like drinking on the job thing down too. There was a joke in last season’s “Table 34” where Cece and Nick ended up in the same grouping and the pair has a surprising amount in common. It’s also worth noting that all Cece/Schmidt animosity has come to an end and if we can move as far away from that love triangle story then everybody wins.

In the midst of the two overall plots there is also a terrific Nick/Schmidt/Winston scene as Nick is just the cranky guy they need to solve Schmidt’s old man Ed problem. Nick wants to know where he can process his “beefcake selfies” which includes Nick’s interpretation of “a sexy mayor, looking out the window, deciding the future of my city.” Schmidt is disappointed Nick didn’t come to him for posing advice including “The Half Nelson.” I’m pretty sure I could watch Nick explaining why he doesn’t want to use his phone like everyone else does for private photos for an entire episode; no one does crazy lists that don’t make any sense like Jake Johnson and now I want to know what’s going on in Japan with all those robots. The same goes for Schmidt and his terrible minnow/toast metaphor.

Another strong episode and it looks like the New Girl rut could be over as it is no longer suffering from the disconnected feeling from earlier this season. As I mentioned in the intro the writing is at its best when it revels in both smut and sweetness or what Liz Meriwether has called “real shit and some stupid shit.” Laughter is important, so is connecting with the characters and the conflict between Jess’ desire to be defined by her own merit and Nick’s passion for his team are both relatable notions.

A brief note on the amazing pony sweater Jess is wearing as this isn’t the first Fox show to use this French Connection item as Gina from Brooklyn Nine-Nine wore it earlier this season and it featured on our wish list. Over the summer hiatus we did some fantasy costuming using the French Connection A/W 13 collection and we chose the pony dress for Jess, a close call.

New Girl Review: What’s in the Box?

16 Oct

There were feelings of discontent in the loft on last week’s episode of New Girl and that continues with “The Box” as Nick and Jess get into their first proper couple fight and Schmidt hangs out in the pity pool after his recent (self induced) romantic woes. It’s not all doom and gloom as Winston gets to feature in both of these stories and not in the crazy way we have seen so far this season; setting up a cat brothel was his wake up call.

Nick's box New GirlNick and Jess are fundamentally different and it’s the whole opposites attract thing (plus you know all of the chemistry) that will help produce plenty of stories to stop this couple from becoming old hat. In the last episode Nick’s inability to express his feelings and Jess’ oversharing came up; this was more about Schmidt trying to come between them, rather than them stumbling over these issues. When Nick receives a paper bag with $8000 in cash from his dad it opens up a can of worms, or in this case Nick’s box of things he doesn’t want to deal with. This is primarily unpaid bills and instead of using this money to pay off these he goes on a shopping spree, followed by a drinking binge. Jess can’t resist going through Nick’s box and pays off these bills for him.

This isn’t the first time we have seen Nick’s very random financial situation (after all he has the credit score of a homeless ghost) and his reluctance to face up to things is a consistent character trait. Jess is the loft know-it-all (it is her pogo) and so these two things combined was always going to lead to a situation where Jess meddles and Nick gets mad. Jess realizes that she has made a mistake and her attempts to cover up what she has done is hilarious as she contemplating starting a fire and ends up under Nick’s bed, you know for the shade.

As arguments go they both have valid points as Jess has violated Nick’s trust by going through his private things, but his system is pretty dumb. Nick and Jess yelling things at each other is nothing new, but this is the first time they’ve yelled at each other as a couple and so the stakes are now higher. The word ‘box’ is used for maximum effect as Nick stumbles for a moment before he returns to being mad at Jess again. The random things he picks in her bedroom to question their existence vary from a drawer of night peanuts (a cousin of night cheese?), some bobby pins (or Bobby’s pins), enough yarn to make a mansion and Jess’ vintage purses which he throws out of the window because they don’t have enough gems on them.

Jess insists that she doesn’t want to change him; she just wants him to grow a little which I guess kind of sounds like the same thing. What I think she means is she’s happy with who he is there are just some fundamentals that need addressing. It’s all about character evolution and a lot of Nick’s hang-ups revolve around not feeling like he is worthy. He’s a screw-up but he is willing to address these issues. This episode is dealing with this side of Nick’s personality and how it plays into the bigger picture of their relationship. This is why Nick goes to open a bank account as when he comes out of his drunken haze he realizes that he would do anything for Jess. It goes both ways and Jess plays the Nick role as he resists complaining about the $8 processing fee, but Jess goes all in “I understood at least 30% of the financial crisis and guess what I got from that? You suuuuuuuck. You suuuuuuuck so hard.” And hey they don’t have to pay the fee, free $8!

One issue this episode has is cohesion and there’s something about Schmidt’s quest to find out whether he is a good person that doesn’t fit tonally with the rest of “The Box.” Schmidt is wallowing after his recent love mishaps that were caused by his inability to choose between Cece and Elizabeth and while I understand that his question plays on how selfish Schmidt can be, it doesn’t quite work. It feels like a reason to have him have a slap fight with Jon Lovitz in front of a class full of kids or to save someone’s life and make it all about him. I did enjoy the length of time we spent watching Schmidt run like Tom Cruise; Schmidt is definitely the kind of person who would practice and perfect this style of running but overall this story is lacking something. It feels like they are isolating Schmidt from the rest of the housemates and I wonder if this has anything to do with the former roommate who will be turning up soon?

nick owing winston moneyWinston got a lot of funny things to do that don’t involve him being crazy which is an instant bonus even if he did disappear for the middle of the episode. The gift of the candelabra is random but thoughtful; after hearing Nick’s breakdown of why gold, silver and brass are much better than paper I think he would have appreciated it a lot more than Schmidt did. I can also see why Winston ventures into crazy land with Ferguson the cat as it’s not always fun being the rational one in this loft. Oh and this is not the first time Winston has attempted to get money off Nick and he still hasn’t found a good way to get it back. Bribing Jess is at least more successful than his using the Memento method back in season 1.

This feels like an episode that might work better on rewatch and once again it’s the Schmidt plot that isn’t really flowing. The writers have a handle on Nick and Jess so far as a couple and giving them an episode of dealing with couple problems feels like natural progression, I just hope they can sort out the rest of the loft dynamic soon.

New Girl Review: Talking About Feelings

9 Oct

On New Girl Jess talks too much and Nick doesn’t express how he feels enough. This is a fundamental difference between these two characters and Schmidt attempts to use this to fulfill his promise to break them up. As Schmidt majored in Nicholas studies he knows all of Nick’s weaknesses and he’s also tapped into Jess’ too, so he knows that suggesting something bedroom related will cause problems.

NG_Ep304-Sc14_0001

Jess is still awkward about sex but it doesn’t come across as infantile as it did early in season 1 when she couldn’t say the word ‘penis.’ The incident only added to the eye rolls and criticism that Jess was just another version of the Manic Pixie Dream Girl. Now the writers have found a way to focus on Jess’ sexuality in a way that still relies on the awkward but doesn’t make her come across as a child who has never encountered another person in this way before.

Jess gained confidence in her relationship with Sam last season and chemistry is not lacking between Nick and Jess. When they slept together for the first time in “Virgins” the episode ended with a tag that played on the reality of the moment and I can’t think of another show that has celebrated a couple getting together with 30 seconds of different facial expressions. Jess and Nick have not suffered in the bedroom department until Schmidt manages to get in Nick’s head causing an evening of impotence; the use of “Get Lucky” as Nick and Jess can’t manages to avoid being annoying even though it has been played to death all summer. Jess learns the all important lesson that it’s always too soon to make jokes about penis problems.

What Schmidt ends up doing is fixing the one issue that Nick and Jess have and that’s their communication issues – Jess talks too much, Nick not enough. This is after he has suggested a rather debauched sex move called “The Captain” and while we never find out exactly what this is it’s degrading not just to women but all of mankind. This is one way that network shows work around Standard and Practices (I’m so fascinated by the process of what is allowed and what isn’t like how they decide on how many thrusts are appropriate) and it tends to lend to more comedic moments. It lets the audience fill in the blanks of what Schmidt was saying each time he put the blender on and Max Greenfield shines when he is at his most deviant. Schmidt in his attempt to break up Nick and Jess goes all in and we find out that after he saw Titanic he founded The Zaniacs, a Billy Zane fan club. Winston of course has found memories of this movie for very different reasons. I’m not sure how it would work but I kind of want to see a Titanic themed episode of New Girl.

It’s pretty terrible what Schmidt is trying to do to his best friend and as he mentions he hasn’t seen Nick like this before, he’s too wrapped up in his own drama to see that Nick and Jess are actually good for each other even if their happiness is nauseating. When his initial plan has the opposite effect and Nick opens up – Jake Johnson showing once again that he is the best at random lists of things – Schmidt goes into full on crazy mode trying to physically come between Nick and Jess. Destroying all the condoms and eating Jess’ birth control pills is his last desperate move and counting down the days as he takes the pill is hilarious; “Full wheel bitches.”

This leads to a much needed loft meeting and while Schmidt thinks the pills have taken effect (“I’m so aware of my nipples right now) he also gets to hear some home truths about how he alone is the cause of his misery as he did indeed do a bad thing. It’s a scene that is important of where Winston is right now and each episode this season has put Winston in the role of the loft crazy. He’s still pretty out there in this episode as he misreads flirtation as someone else trying to get their cat laid, but he also speaks the most sense when he discusses boundaries and the personal and public space of a loft. It’s not necessarily a problem that Nick and Jess are happy and having fantastic sex but they also have to be aware of their housemates; this is a new dynamic for them to get a handle on too and they’re not exactly having a great time in their own personal lives right now.

It’s a really funny episode and probably strongest of the year so far and J.J. Philbin – who wrote “Injured” which is still my favorite episode – layers the script with jokes and pathos. We get to the heart of some of the issues that have arisen in these early episodes like Schmidt not taking control of his situation, as well as character flaws that have existed forever on this show like Nick’s inability to reveal his feelings – “If we needed to talk about feelings they would be called talkings.” Highlights include Nick stumbling his way through conversations with the repeated tactic of moving his car and generally grunting or not finishing sentences all while looking mortified. Zooey Deschanel excels when she gets to yell at Schmidt with disgust about what she just did “And my night vision is very good because my eyes are so buggy and big and I saw everything and I can’t erase it from my memory.” The big eye gags are always a winner.

What this season is doing with Nick and Jess is showing that with Nick especially he does have the ability to change and by the end of the episode he won’t shut up about how he feels. One thing that’s clear from these opening four episodes is that the writers have a handle on the Nick and Jess side of the story and it’s the other two roommates that have become the problematic ones in terms of the overall story. There is acknowledgement from Winston that he is having issues (he is after all running a cat brothel out of his bedroom) and Schmidt is aware that he’s also messed up. It will be interesting to see where they take them from here especially as Damon Wayans Jr. will be turning up rather soon for an extended arc.

 

 

New Girl Review: Schmidt’s Dating Mess

2 Oct

At the end New Girl’s second season Schmidt was asked to make a choice between Elizabeth and Cece and he ran away. He’s been doing this since we returned this year and his two timing has come to a head in “Double Date” as he told Nick what he had been doing and it all spiraled from there. This plot has been a bit of a drag as the conclusion was pretty inevitable – that Schmidt would end up with alone – and it’s been a bit of a slog getting here, putting Schmidt firmly in the douchebag category that has been joked about since the pilot.

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“In your little brain how do you see this ending?”

Schmidt’s response to Nick’s question is full of awareness, he knows that he’s gone too far and whatever the end result is, it’s going to be terrible and hurt all that are involved (including Nick who gets not one but two junk punches from Cece). So why the big delay? Schmidt blames it on everything from his upbringing to his former weight; the big surprise is who he blames for this resolution and that’s Nick and Jess. The threat he delivers at the end is enough to lose any good faith that he has earned from the audience as a result of his heartfelt confession to Cece and he’s already lost points because his hand was forced. So they’re going full douchebag with Schmidt and it probably isn’t his smartest idea to try and break up two of the three people he lives with. Delivering this threat with pie all over his face was wonderfully absurd and made the whole thing so ridiculous that you can almost forgive that Nick and Jess didn’t stand up to him over this BS.

There is no one to blame but Schmidt and it’s not like he has been two-timing women who he only met recently; Elizabeth is his first love and his feelings for Cece run deep. Hannah Simone nails the heartbreak of Cece as her eyes tear up and this quiet reaction is the opposite of what she has just done to Nick. Simone’s role within the group is often as the outsider as she is the only one of the regulars that doesn’t live in the loft and it will be interesting to see how they incorporate her now that she doesn’t want to see Schmidt ever again. The last time they had a period like this was between seasons 1 and 2 so that was all off screen.

Tonally this episode was all over the place and the breakup scene in the restaurant was pretty laugh free. Last week I discussed how New Girl excels at balancing the absurd moments with real emotions and while both of these factors were at play in “Double Date” it wasn’t as successful in switching between the two. Something felt off and Schmidt’s delaying tactics help turn him into the loft villain – as much as a villain as a sitcom can have – coupled with his Nick/Jess threat. This is probably just laying the groundwork for some Schmidt self-discovery, but at the moment it just reads as pointless bitterness.

One aspect that continues to play well is Nick and Jess as a couple from their country lawyer sex fantasies to the rather healthy bathroom discussion about how they feel about each other. It turns out that Nick’s driving style (because he totally needs glasses) is more likely to cause contention than their divided BFF loyalty. The funniest moment is as they list all the things that Schmidt might try and use to break them up including being sexually attracted to ladybugs, thinking the Kilborn Daily Show is better and being banned from Lake Ontario. It also turns out that they both think horses are from outer space (and I really want to see all the alt takes for this scene). Oh and Jess happens to know a lot of Spaceballs quotes that are perfect for no kissing sex.

Hanging by himself once again is Winston and this makes the third week where Winston’s story has been mostly solo. Hopefully this is building towards something and they definitely made a point of him realizing that he is the only one of the group who doesn’t have a significant other, unless you count Ferguson the cat. Now Schmidt is also in this position he might try and get Winston on his Jess/Nick breakup team especially if he dangles the prospect of pranks in front of Winston. Lamorne Morris excels at the crazier aspects of Winston so trying to keep hold of a community table for several hours allowed him to showcase this. Winston performed an important PSA too and you should always check that mints in restaurants are in fact mints and not a piece of glass.

This is of course still early in the season and events from the finale are still having a big impact on the narrative. So while it wasn’t the best episode of New Girl there has been it’s a necessary one to sort out the Schmidt/Cece/Elizabeth business. On the whole it made me laugh a bunch and Hannah Simone made me incredibly sad with her reaction to Schmidt’s cheating so it covered the emotional scale. So long Merritt Wever, you’re brilliant and I really hope you will come back on this show in the future.

New Girl: Balancing Emotional Stories with the Absurd

25 Sep

When high school is over you can still end up in situations that mirror the awful not fitting in feeling and Jess ends up in this position on this week’s New Girl after she finds herself friendless in her new teaching job – where is Mary Lynn Rajskub? The adult version of the mean but cool clique isn’t anything particularly new, but it gives the Nick and Jess relationship a chance to breath and shows how they can make them work as a couple without losing the tension that made season 2 so much fun.

I’ve mentioned before how New Girl works best when it walks the line between the ridiculous and grounded emotional moments; this happens multiple times in this gag-packed Kay Cannon script (you can see the rapid fire approach of jokes per page from Cannon’s 30 Rock background at work). There’s a discussion between Nick and Jess about whether he would have noticed her in high school and this leads to Nick’s “Miller Sack Pack” revelation. This coupled with Winston’s big Daisy decision as he now wants to be exclusive and tell her that his “heart is a two man bike and I want you in the rear” demonstrates the many tawdry jokes that exist within the emotional framework.

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This isn’t the first time Nick has tried to give advice to Jess*, the difference now is that Jess is “his old lady” and so the stakes for him are higher (though I’d argue that even if they were still just friends he’d offer free drinks at the bar to help out). Having Nick and Jess’ first real challenge as a couple not being about them is also a good start and while I suspect there will be other relationship drama around the corner it doesn’t need to happen this early. Nick’s original idea is to give some free school supplies to the cool clique, because who doesn’t want $15 and a halfie worth of stuff? Luckily Nick also works at a bar which doesn’t seem to have a problem with him giving away drinks so this alternate suggestion is a big hit.

*Kay Cannon also wrote the season 2 opener “Re-launch” which saw Nick comforting Jess after she was made redundant. On this occasion he gave her better advice than just drink lots telling her “Life sucks and then it gets better and then it sucks again and then it just sucks.”

Following on from Nick’s observation that this is like high school all over again, with Jess being a nerd in both scenarios she takes this to heart and gets wasted. Drunk Jess dances in toilet bowls, sings 4 Non Blondes and gets accepted by the other teachers. The drunk Jess singing moment is topped by the guys performing a rendition of “I Believe I Can Fly,” this is reminiscent of them singing “Time of my Life” in the pilot but under very different circumstances of course. This is where Zooey Deschanel gets to show off her excellent comedic timing as she pulls a good hangover face of pain and discomfort. The guys really should get the band together.

Winston points out that Nick is basically imprinting himself on Jess with his getting drunk suggestion and instead of sending Nick in a tailspin of doubt it spurs him on to rectify this. When Nick gets caught between Jess and Winston both acting impulsively it hilariously ends with Nick stuck in the middle between two potential crimes. When Nick is the sensible one in the scenario it adds another level of chaos as he yells in an exasperated fashion.

Nick is of course smitten with Jess and while her idea to break into her new bosses garden is not the best; this doesn’t matter as Nick tells her that “If you’re going to do something that’s obviously very stupid then I’m going to do it with you.” He’s also willing to take the fall for her and when she steps out from her hiding place the absurd kicks in as the Dawson’s Creek theme “I Don’t Want to Wait” begins to play – I will never not love a gag that features this song (see also Urban Legend).

The Schmidt love triangle plot is dragging along and because there is a short shelf life on Merritt Wever’s guest starring role it’s now entered slightly tedious territory. I think Wever is great and I liked how she reacted to Schmidt’s terrible role play idea, but I also think this whole narrative is tired. The one surprise is that Schmidt didn’t get caught and Max Greenfield played this moment well as it seems he really wants to get caught as this resolve this mess even if he ends up with no one. The 2/3 replica of Don Draper’s office gag worked like a charm as did the competitive chemistry with Beth, reprising a work rivalry from early season 1.

Winston is also having relationship drama and this is the episode where they have to write Brenda Song out because of her Dads commitments (giving me all of the sads). This was another play on the “Winston is crazy” angle but unlike last week’s puzzle adventure there was a point to the crazy even if it did involve potential cat murder. Now there is pet in the loft and the cats love Schmidt’s nipples visual only got funnier as the episode went on (yes there are already gifs).

Everyone being back in the loft gives a sense of familiarity that was missing last week, even if the dynamic has shifted. The scene in the elevator that turns into a relationship discussion between the guys is hilarious because they all forget to press the button; too preoccupied with their romantic entanglements. By the end of the episode Schmidt is still stuck in two-timing hell, Winston goes from having a girlfriend to having a cat and Nick is the only one who is content – this might be a first for him.

One criticism I would have with the Jess plot is that while the guest stars did the best with the material they didn’t really get all that much to do. This can be a problem with these small roles that are serving the central characters and so I hope both Angela Kinsey and Dreama Walker will return later in the season.

This is a much more cohesive episode even with the amount that is going on and while the season premiere was a bit of a disappointment I would say that this is more like the New Girl that was raved about last year.

And because it’s now stuck in my head it can be stuck in yours too!

New Girl Season 3 Premiere: Going “All In”

18 Sep

Season openers can be a tricky endeavor, particularly when the previous episode has culminated in a highly anticipated union and the momentum has been broken by a summer off. With a show like New Girl a lot of hype has been directed at Nick and Jess and if you were wondering what they’re relationship status is the repeated “all in” gets both the characters and the audience used to the idea that they can be a couple.

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The season premiere starts where we left off; with The Vaccines “I Always Knew” playing as Nick and Jess drove away from the abandoned wedding. After making a roadside stop to consummate the fact that they didn’t call it off, they end up standing at their front door. Neither are ready to cross the threshold as they’ve only been a couple for 30 minutes and their roommates are already being incredibly demanding – ok Schmidt’s is the demanding one, Winston just wants to puzzle. The prospect of returning to normalcy is too much and the pair head off to Mexico to spend some quality time together living out of the back of Jess’ car. We don’t get to see exactly how both of their wedding outfits end up quite as wrecked as they do, but it works better this way. The same can be said for the lack of explanation as to why Winston is wearing a hoodie as pants other than his propensity to get weird.

In Mexico away from the apartment Nick thinks that he can make this relationship work and he’s willing to shred his passport so he doesn’t have to go home and risk losing Jess. This is Nick’s irrational side coming out, the part that thinks he isn’t worthy and he’s more likely to fuck everything up if he lets this side get the better of him. As we have seen with Nick’s previous relationships he’s a fan of the self-sabotage and he doesn’t want this one to go the same way. It’s a different start to dating thanks to their roommate status and this is enough to send Nick into a tailspin of not wanting to leave Paradise Nick and Paradise Jess behind. It doesn’t help that Schmidt and Winston are in full on bickering mode, coupled with Schmidt’s relationship drama and so resort jail is of course far more appealing – they let him watch Ugly Betty after all.

Home is where they have to go and Jess delivers a heartfelt speech; Craigslist gets major props and for once it isn’t sex, drugs or murder related. Jess is the voice of reason on this occasion, not just in relation to Nick but with all of them as she points out that they’re “a family” and how “there is no us without Schmidt and Winston.” It’s a dysfunctional dynamic and the loft situation is going to provide a wealth of stories in the coming weeks. As far as this season opener goes the Jess and Nick stuff plays well, Jake Johnson and Zooey Deschanel still have oodles of chemistry and because they are together there is a lot of kissing; we know how well they do that.

One issue with this episode is how disjointed it feels and not just because Nick and Jess are in Mexico while Schmidt and Winston are back home. There’s a lot to cram into 22 minutes and at points it seems like certain aspects of the story have been cut out (the promo photos show that in one cut Nick isn’t the only person to get tasered). It’s understandable why these cuts have to be made for time, but on this occasion it was noticeable – maybe as a result of the promotional materials.

First episodes back are meant to refresh the viewer with what has occurred and lay out where things are headed, so it’s not surprising that the momentum the back half of season 2 created gets disrupted. Schmidt still has his decision to make as he tells both Elizabeth and Cece that he has chosen them. Cece is the regular cast member and Merritt Wever will be making her way back to Nurse Jackie soon so this takes some of the tension out of this process. Considering Schmidt’s duplicitous behavior it’s likely that he will end up with neither of them (for now).

Now to Winston and his puzzling; the main puzzle being will he get his own ‘A’ story this season? While I enjoy the lengths they push Winston too with his love of badgers and forgotten birthdays, there comes a time when Lamorne Morris deserves a bigger piece of the New Girl pie. Over at Vulture New Girl creator Liz Meriwether discusses this aspect of his character saying “That’s the level we like, where he’s on some crazy mission for some stupid thing but the stakes are so high for him. To me, that’s just hilarious, and Lamorne is so good at going to those broad places but keeping an emotional reality at the center of it so it doesn’t feel out in space.” While I totally agree with this notion, I hope there is more for him this year and maybe the return of Coach will give him a source of conflict beyond the realization that he is color blind – points to Schmidt for the line of the episode “If you think those shoes are brown, what color do you think you are?”

Winston does take it too far and not just with his jigsaw obsession as a moment where he has to save Schmidt ends with him admitting to wanting Cece’s underwear because he wanted to sew them into his underpants. Cece reacted accordingly. As we saw in “First Date” last season, Schmidt and Winston together creates these ridiculous scenarios and it gives both Max Greenfield and Lamorne Morris a chance to unleash their crazy; the argument where they literally argue in circles is absurd but brilliant.

We end the episode back at the front door of apartment 4D, flummoxed as Nick doesn’t carry a key – “there’s always someone at home” – and a mini argument ends in making out. We’re back to where we started and this mini adventure to Mexico might not have been a completely satisfying start to the season, but it’s laid the groundwork and I’m confident that the season will pick up from here. It’s also pretty great to be back with these characters and to no longer be tiptoeing around a “will they/won’t they story.”

Burberry Prorsum Spring 2014 Preview: Dressing TV’s Most Stylish Guys

19 Jun

Tom Haverford from Parks and Recreation and New Girl’s Schmidt are two of the most fashion-conscious male characters on TV at the moment and as the new Burberry Prorsum Spring 2014 collection debuted this week at a runway show in London, we wanted to continue our fantasy costuming series. The new collection features a burst of primary colors, knits, the famous Burberry trench coat and tailored suits; they are the perfect look for some of TV’s most fashionable male characters.

Burberry polka dot

Schmidt would definitely have a classic Burberry trench coat in his closet and he’d also be down with the no socks thing, this is the perfect work look for Schmidt. The polka dot scarf could be a step too far (or look like he borrowed it from Jess), but Schmidt has shown an interest in scarves last season on New Girl when he was trying to impress their new neighbors. If Kanye wore this scarf then so would Schmidt and Nick would make fun of him for doing so.

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Tom Haverford has managed to turn his love of expensive clothes into a legitimate business with Rent-a-Swag and when we return for season 6 of Parks and Recreation he’s going to have some serious competition as he refused to sell his business and a new store is opening up across the street. Tom is also still working for the Parks department and he needs a suitable but stylish outfit in case Leslie organizes another outdoor retreat or camping session. The above outfit is perfect for this; though don’t expect Tom to get too involved as he won’t want to get any mud on those shoes.

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Ben Wyatt is a little more practical when it comes to his wardrobe on Parks and Recreation and while I can’t see him in those sunglasses the turquoise skinny tie is enough to brighten up his outfits without turning him into a Tom clone. Tom might give his fashion props if he ditched the plaid once in a while.

Burberry Spring 2014

Another fan of the plaid shirt is Hannibal’s Will Graham and while he has more to be concerned with than what he is wearing, a splash of color might stop him from blending into the background and disappearing into himself. Hugh Dancy used to be a face of Burberry and was also at the show yesterday at Kensington Gardens and so it only feels right that Will gets a fashion upgrade next season. That’s if he can get out of the other orange attire that he is wearing in this season 1 finale promo.

Burberry Carrie

Walt on The Carrie Diaries is a big fan of a knitted sweater and we’ve already seen him sport a similar blue shade. This outfit looks like it could be from the ’80s without looking like a strict ’80s recreation, something that The Carrie Diaries is fond of doing. Walt has been spending time in New York with Carrie over the summer and this is the perfect attire for Walt to blend in with the city look without trying too hard. Those blue suede shoes are adorable and really set the whole thing off. The sunglasses wouldn’t seem too ridiculous in the 1980s setting either.

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When Cary wore a hoodie last season on The Good Wife my Twitter feed lit up like a Christmas tree. As Cary has set up a new firm with Alicia I think it’s time to bring back some of that casual wear as they’re bound to be working all kinds of hours to get the business up and running. This works perfectly as the hooded knit can be swapped out for a jacket for those all important meetings.

Some of the pieces in this collection by Christopher Bailey for Burberry Prorsum are probably too catwalk for even TV’s most fashion aware characters, but the sharp tailoring is definitely something that wouldn’t look out of place on these shows. Are there any other male characters that you can see wearing these types of outfits?

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