Best of TV Costuming 2013: Borgen, Birgitte Nyborg and the Red Coat of Defiance

15 Dec

Continuing TV Ate My Wardrobe’s “Best of 2013″ costuming series and rather than doing a straightforward countdown we’re going to do a variety of posts that look at which costumes and shows have made a huge impact this year. From items that we want in our own wardrobe to pieces that got everyone talking, we want to look at this year’s TV through the prism of costume.

Borgen has come to an end and while season 3 didn’t hit the lofty heights of the previous years, it has still been one of the most enjoyable watching experiences of 2013. Watching Birgitte Nyborg return to politics reminded me of Coach Taylor taking the helm at the East Dillon Lions on Friday Night Lights and both shows feel like a ray of optimism in a cynical world.

Borgen Red coatThe coats on display on Borgen rival any of the Scandal outerwear and like The Good Wife red is the color of power. Birgitte demonstrated her most political and strong self in the final episode, switching her black coat from the previous episode to the bold belted red. Birgitte’s has a huge decision that will impact the entire political landscape of Danish politics and she works through her options with mentor Bent, in the shadow of the magnificent building the show is named after (it’s the nickname of the Christiansborg Palace).

photoIn an incredibly striking shot Birgitte stands alone in her red coat in the snow looking at her second home; the world of politics where she believes she can make a difference. Birgitte is different to the other politicians on the show (and those in real life) as she does admit when she is in the wrong and her idealism guides her decisions without being the sole driving force. For all the faults of this season (the Kasper/Katrine relationship resolution is a big letdown); one factor is consistent and that’s Birgitte Nyborg. As consistent as her bun of glory.

BorgenSidse Babett Knudsen’s performance has been exceptional from the lows during the debate in which she floundered in a way we had previously not seen, to the portrayal of her breast cancer diagnosis as she at first went at this alone to the various personal and political victories. The reason why I mentioned Friday Night Lights in my intro is I realized last night while I was watching this finale is that both shows give me similar chest bursting feelings of happiness and I’m going to miss Borgen and Birgitte.

First Look at The Americans Season 2

13 Dec

The Americans is one of TV Ate My Wardrobe’s top shows of 2013 and FX has just released the first look at season 2. The teaser reveals the spy show is back February and features a hidden Philip and Elizabeth in a closet with a gun. A fetching purple zip up jacket is the perfect thing to hide behind.

the americans Who is the mystery voice on the phone saying “I didn’t tell them anything?” And is that all going to change when he sees their gun? The silencer and lack of wigs/disguises would suggest that all is not going to end well for this person and even though it’s only a twenty second clip my anticipation for The Americans return has skyrocketed. It might not even be a scene from the show and just a specific promo only clip. Whatever it is, it’s done the job intended and prompts many questions. It’s also pretty hot seeing Philip and Elizabeth in such a confined location.

Earlier this week we showcased the costuming and wig work of season 1, talking about how identity and marriage is just as vital to The Americans as any of their covert missions and season 2 will hopefully bring more of the same, but with less of the on/off status with the Jennings’ relationship.

Scandal 3.10 “A Door Marked Exit” Costume Review

13 Dec

Welcome to the last Scandal costume chat of 2013 and the season 3 midseason finale. As the Pope family secrets continue to unravel, Vice President Sally Langston encounters a problem of her own making (with a little hint of Cyrus and Mellie) and Fitz attempts to deal with Olivia’s father.

Scandal 3.10 shoes offThe frenetic editing of the opening sequence details the Sally and Daniel Douglas confrontation and we already know how this is going to end; the quick cuts of before, after and during the murder heighten the feelings of hysteria. It’s not premeditated and the impulsive reaction is emphasized by how it is shot. We see Sally wondering around in a daze blood-splattered and bare footed, we see the point she takes her heels off and loses the height and power she has been trying to exert over her husband (of course he is still about a foot taller than her even when she is in heels, but he’s lying on the floor dead at this point). It reminds of Mellie’s barefoot drunken Oval Office hangout and as someone who lasts about an hour in heels before I take them off, it makes sense to ditch them when something terrible has happened.

Scandal 3.10 OPABack to the office wear of OPA and it’s a veritable pattern fest; Abby has been wearing a lot of Diane Von Furstenberg this season and here is yet another amazing DVF wrap dress this time in snakeskin, the animal print is another repeated theme emphasizing Abby’s feisty nature. Olivia is becoming increasingly buttoned up in both clothing choices and as she tries to protect herself from the infinite hurt caused by her parents’ duplicity. This charcoal woven jacket is by Armani and like all the coats/jackets in Olivia’s closet it is exquisite. Harrison displays his standard dapper pattern clashing in checks and polka dots. Harrison and Abby are the two associates that I’d want on my team, as at least they’re not going to bring out the pliers and duct tape.

Scandal 3.10 woven jacketLater on when Jake comes to say goodbye, Olivia wears yet another beautiful textured jacket – a Dolce & Gabbana garment combining lace and tweed.

Scandal 3.10 Olivia greyIf you’re wondering where Olivia gets her coat taste from we can look no further than…

Scandal 3.10 MyaMaya! Who also happens to be back in Washington DC and making phone calls from outside Fitz’s house (I’m not even going to start figuring out the logistics of how she got back here) and doing so in a gorgeous belted coat that could have come from Olivia’s extensive collection. Those leather gloves help add to the dastardly, but super stylish appearance of Olivia’s mother.

Scandal 3.10 popcorn and wineOne thing Olivia is still doing is living off the snack her mom made her when she was sad and drinking copious amounts of red wine thanks to her father. So not only did Olivia’s parents abandon her when she was about to enter her teens, they also gave her some pretty bad eating and drinking habits. As always Olivia defies logic with the color and quality of her loungewear. Not a pair of sweat pants in sight.

Scandal 3.10 rowanOlivia’s father spends most of the episode hanging out with Fitz stripped of his coat and tie, which considering what Quinn didn’t get to wear during her interrogation with Huck last week he should consider himself very lucky. It’s all about attempting to strip him of some semblance of power, but for all the “I sleep with your daughter” digs that Fitz tries to drop, Eli is ten steps ahead of him with everything he says in his “You are just a boy” speech. It’s an incredible scene and it takes Olivia asking questions about her mother and the plane to make Eli look small in front of Fitz.

Scandal 3.10 Jake is commandFitz can’t usurp him face to face, instead he can twist Eli’s proclamation that B613 isn’t a person to gain power as he makes Jake the new Command and while it isn’t clear that this is within Fitz’s pay grade, it happens. Say goodbye to the hoodies and leather jackets as suited Jake is here and he looks good. Bonus points for the rugged stubble.

Scandal 3.10 Jake leather jacketHere is said leather jacket as Jake tells Olivia that he loved her, scratch that he loves her and yet he has bigger things to do. That’s not before he plants a smooch on her. Jake needs his own storyline and he finally became more than just the jealous guy as he reinforced the notion that Olivia’s father is still the bad guy to the people that he kept in a hole in the ground for months.

Scandal 3.10 Mellie in blueOver at the White House Mellie is dominating in a royal blue Michael Kors ensemble and you can tell Mellie has her groove back as her costumes have been primary color focused. Mellie is ecstatic about the Daniel Douglas news and even when Cyrus tells her what really happened she uses it as an opportunity.

scandal 3.10 Mellie in mourningThis is Mellie’s best mourning and caring face and the clickety-click inserts included this beautiful shot with Mellie’s game face on.

Scandal 3.10 Mellie in blackThe blue has been swapped out for the more appropriate black and she informs Sally that she knows the truth and uses this to gain some advantage. I still have a feeling that Sally will ultimately run as Leo has just as much control at this point.

Scandal 3.10 Cyrus underwearHe doesn’t have red horns but Cyrus equates his part in the death of Daniel Douglas as being like the devil. Mellie played a much more passive role in the whole affair which is why she can distance herself from the blame game; Cyrus is right in the middle of it as he pimped his own husband out. In yet another excellent turn by both Jeff Perry and Dan Bucatinsky that rivals the wiretap strip from last season Cyrus asks “I’m standing here afraid in my underwear and without a soul and I’m asking you what happens now?”

Scandal 3.10 James barbor jacketJames has the upper hand in all of this and his indignation is more than justified. Cyrus is hunched and his top is wrinkled, in contrast James is rocking the wax jacket scarf combo and Cyrus is at his mercy. James has tried to go to David Rosen, but after the election rigging debacle, David is reticent to help let alone believe this. A test from David’s substitute teaching job with penis drawings all over it is how David tells James he’s not interested.

Scandal 3.10 unhappy bedfellowsLast time Cyrus bought James a baby to get him to keep quiet, now it’s the Press Secretary job – that’s not going to arouse suspicion is it?! Add to the mix the evidence that has been given to David Rosen that implicates both Cyrus and Sally, and it’s going to get a lot more complicated for Cyrus, James and Sally. I’m glad David will have a storyline in the second half of the season that goes beyond helping Abby out.

Scandal returns Thursday, February 27 and we talk about the importance of the white hat conundrum in the TV Ate My Wardrobe Best of 2013 series here.

Out of the Box: Look of the Week

13 Dec

It’s another red carpet and public appearance heavy week for Out of the Box as award shows continue to roll by. We also have a fabulous magazine cover featuring two of TV Ate My Wardrobe’s favorite ladies and some outerwear delights courtesy of Mr Porter and a Downton Abbey star.

Amy Poehler and Tina Fey EW coverIt’s been a while since I last bought a copy of Entertainment Weekly, that all changes this week as Amy Poehler and Tina Fey are covering and guest editing this week’s issue. The pair are presenting their second consecutive Golden Globe awards and they were easily the highlight of last year’s ceremony. It’s a fun cover (though Amy’s pen did look like a pregnancy test upon first glance, which would have been a bizarre concept choice) and I really like the button/zip details on both of their dresses. No matter who wins (and I have OPINIONS when it comes to the nominations, including yay Amy and Parks!) at least we will have their opening monologue. This is also Amy Poehler’s second magazine cover this week and she looks super awesome (standard) on the cover of Paper.

Claire Danes ValentinoOne surprising omission from the lead female in a drama category is Claire Danes – SO happy for Tatiana Maslany though – and both Homeland and Mad Men have fallen out of favor with the HFPA. Danes has spent this week at a variety of Nobel Peace Prize events in Norway and she looks stunning in this Valentino floral macramé gown. It’s a beautiful dress for this concert event and toning down her hair and makeup makes sense as the multi-color pattern is already incredibly bold. Danes might not have got a Globes nod, but is still looks like she’s had a good week. It’s not all snubs as she received a SAG nomination.

Zawe Ashton

In contrast to Claire Danes’ embellished frock is Fresh Meat’s Zawe Ashton and she attended the British Independent Film Awards in this simple, yet elegant Sarah Baadarani crew neck dove grey gown. While I would have probably gone for a strong lip color, the fresh faced no fuss look works on this occasion. It’s a very striking outfit even against a similarly toned background.

Michelle Dockery Erdem

Downton Abbey’s Michelle Dockery wore the most exquisite Erdem check and floral coat on Good Morning America this week and it looks like it was needed in that weather. The hint of the orange Carven skirt and white pumps gives a pop of color that complements the strong design of the outerwear. This gets added to the coat covet list (which currently stands at approximately 78 different pieces).

Zachary Quinto

Serving up model realness and more coat delights is Zachary Quinto for Mr Porter. This is from Burberry Prorsum and it is magnificent. The TV Ate My Wardrobe list includes dudes attire so we just hit number 79.

Best of TV Costuming 2013: Scandal and Olivia Pope’s White Hat

12 Dec

Continuing TV Ate My Wardrobe’s “Best of 2013″ costuming series and rather than doing a straightforward countdown we’re going to do a variety of posts that look at which costumes and shows have made a huge impact this year. From items that we want in our own wardrobe to pieces that got everyone talking, we want to look at this year’s TV through the prism of costume.

It would be impossible to talk about shows that dominated 2013 without talking about Scandal and I marathoned the first two seasons over the summer. This is a decision I am very happy with as not only is the storytelling at the speed of a juggernaut, but it also features some of the most exquisite costume design work courtesy of Lyn Paolo.

KERRY WASHINGTON

Olivia’s wardrobe is a plethora of neutral tones and the white attire of her collection is when she is at her most defiant. ‘Wearing the white hat’ is one of Olivia’s core ideals and it’s a notion that she uses to justify her less than legit methods (election fixing anyone?) and in the season 2 finale “White Hat’s Back On” Olivia received a real white hat from David Rosen. The symbolism is explicit as David is who Olivia tends to have these ethical debates with (this has sadly been lacking in season 3 so far) and the box also contained evidence to implicate Billy Chambers. David at this point is probably the one character who could be described as morally good in this very murky world, he hasn’t murdered anyone (yet) and he still has a strong moral compass; at this point the white hat belongs to him.

While my own relationship with white clothes is rather fraught (I am a perpetual spiller), Olivia has the poise to drink red wine in her luxurious lounge wear and not spill a drop. It’s more impressive when you factor in the occasion when she got super sloshed and drunk dialed her terrifying father. White is Olivia’s armor and this was no more apparent than in the season premiere when she wore this incredible Burberry trench – I’m still riding the high of predicting this piece would feature in season 3.

Scandal 3.1 Olivia Burberry TrenchWhite is a color that suggests purity and while we know Olivia steps way into the moral grey areas, it’s still the image she wants to project to the world. By putting on the white hat both literally and figuratively it acts as justification of those nefarious methods. This season has focused on B613 and Olivia’s parents; hopefully tonight’s mid-season finale will put some of those stories to rest as I miss how Scandal previously balanced the long term arc with the procedural elements. Shows need to evolve, they also need to not get bogged down in shadowy puppet master storylines (see previous offenders Buffy the Vampire SlayerRevenge24Alias).

It’s a show that isn’t afraid to head down some very dark roads (wrist munching/face licking) and while I don’t necessarily agree that these parts are necessary, showrunner Shonda Rhimes justifies these moments to Vulture stating “For me, it’s a reminder that as much as we all love these people, they’re all still monsters. They’re all still monsters walking around in human skin.” Is Rhimes including Olivia in this grouping? If so these monsters also wear some fabulous Prada, Burberry and Armani.

Scandal has become one of the most discussed shows here at TV Ate My Wardrobe and the costuming is a huge part of that. Abby’s Diane von Furstenberg infused wardrobe upgrade would feature highly on our wish list and every coat that Olivia wears is perfection. What these characters wear informs the story as well as my own shopping fantasies and it is a vital part of the big Scandal success story of 2013.

Festive Rewind: Parks and Recreation “Citizen Knope”

11 Dec

It’s TV Ate My Wardrobe’s first festive season and to mark this occasion we are hosting a very special rewind series. What this means is that we will be featuring a whole host of guest posts and in the spirit of the holidays we have asked a variety of writers to discuss a festive episode of their choice. These will be appear on the site over the next couple of weeks and there’s an eclectic mix including teen dramas, science fiction, animation, comedy, drama and more to get you in the celebratory mood. Or to at least give you plenty of suggestions of TV to watch over the break.

Today’s guest post comes courtesy of Elena as we take a trip to Pawnee, Indiana.

ParksandRecreation_GingerbreadHouseLike most Christmas-themed episodes, Parks and Recreation’s fourth season episode “Citizen Knope” introduces a potentially catastrophic setback for Leslie that ends up being solved by the love and support of her friends. While most of the episode strays from a typical holiday-themed plot, the narrative threads all have a sense of optimism and joy that characterizes the Christmas season.

In “Citizen Knope,” Leslie is dealing with the fallout of her and Ben’s affair. They’re officially a couple after the trial that aired all their relationship dirty laundry from season three, but there’s been some pretty huge fallout: Leslie is suspended from her Parks job, and Ben resigned in disgrace and starts looking for new employment. The episode follows the couple as they figure out the next step in their lives. For Ben, that means going on job interviews to be an accounting firm’s accountant, with a boss who laughs a little too hard at corny jokes, as well as trying his hand at some corporate finance with Pawnee’s cologne mogul, Dennis Feinstein. For Leslie, this means circumventing her suspension by forming a citizen action committee to petition the Parks and Recreation department for various community improvements.

In the Parks office, although Leslie is suspended, she gives her friends some extremely thoughtful Christmas gifts. Highlights include Tom’s gift, a tiny throne and a watch with an insert that reads “Baller Time!” because he wasn’t able to go to the Watch The Throne tour, and an oil painting for April, of her victoriously decapitating all the members of the Black Eyed Peas in a Xena-like outfit. The gang think of a present to give to Leslie that will even the gift-giving scale, and come up with making a gingerbread and candy model of the Parks office. After some mishaps with accidentally ingesting poisoned silver M&Ms and a lot of marshmallow models of the Parks employees, the gang creates something that Leslie will most definitely love.

April_BlackEyedPeas

Ben, after a disastrous job interview with Dennis Feinstein (who very much enjoys hunting people for sport), is about to take a job with the accounting firm when he fortuitously runs into Jean-Ralphio, who had just gotten a Brazilian wax from a woman named Kim. Like a puffy-haired Christmas angel, Jean-Ralphio encourages Ben to follow his passions. He wisely reiterates some advice he got from Kim: “She told me, ‘If you don’t love what you do, then why do it?’ Then she ripped the hair from my b-hole.” Jean-Ralphio gives Ben a different perspective on his current situation, and while he does so in the douchiest way possible, Jean-Ralphio saves Ben from a huge mistake. Jean-Ralphio is not the Christmas angel Ben deserved, but he’s definitely the one he needed at that moment.

As Leslie is working in her citizen action committee, she meets with her campaign managers to talk strategy after the trial, but soon discovers that because of the scandal involving Ben she has dropped to 1% in the polling numbers. Feeling defeated, Leslie goes back to the Parks office. She sees the gingerbread house that her friends made her as a present and is touched, but it’s what happens next that truly makes “Citizen Knope” a Christmas episode.

Ron presents Leslie with a small wooden model of her in the City Council chambers, and a banner unfurls from the ceiling behind him with the words “Knope 2012.” Ron tells Leslie that her dream of running for City Council is not dead, but through the compassion of her friends, it’s been revived. A true Christmas miracle. One by one each character offers Leslie help on her campaign: Andy’s the bodyguard, Tom is an image coach, Jerry is clueless to the whole endeavor. As each friend steps up and declares to Leslie that she is a person worth making sacrifices for, it cements the true meaning of Christmas: the importance of family, friends and love, a love that will put others before itself. Leslie’s choked, overwhelmed “thank you” was a beautiful moment from Amy Poehler, sweet and triumphant, all the more resonant now because she did win that City Council seat because of her friends.

The scene reminded me of the end of It’s A Wonderful Life, where the whole town gathered to help George with his bank loan. Each person in the town contributed what they could, because George had helped them so much throughout their lives. Leslie Knope is Parks and Recreations’ George. “Citizen Knope” began with Leslie’s generous outpouring of gifts, and ended with her friends giving her the best Christmas gift a person could have: hope.

Elena frequently live-tweets old episodes of Jeopardy and the rest of the television universe while biding her time until she heads to Spain to teach ESL. Follow her on Twitter at @ElenaIsAwesome and read her blog, http://lostsomewhereinnyc.blogspot.com, for more pop culture musings.

Best of TV Costuming 2013: The Many Wigs of The Americans

11 Dec

Continuing TV Ate My Wardrobe’s “Best of 2013″ costuming series and rather than doing a straightforward countdown we’re going to do a variety of posts that look at which costumes and shows have made a huge impact this year. From items that we want in our own wardrobe to pieces that got everyone talking, we want to look at this year’s TV through the prism of costume.

The Americans debuted in January and like all good spy shows disguise is a key element to the costuming. Today we will be discussing the variety of looks that both Philip and Elizabeth Jennings wore throughout season 1 and how this reflects some of the key issues of the series.

the Americans ClarkOn the surface The Americans is a show about two Soviet spies in an arranged marriage infiltrating the US; this means plenty of missions and costumes. This set up leads to the exploration of broader and deeper themes such as identity, family and marriage. Compartmentalizing is a big part of how these characters deal with their jobs and yet it is impossible to completely deny all feelings especially when a fake family contains two very real children and a connection that goes beyond regular co-workers. Elizabeth and Philip take on a variety of roles throughout the first season, for minor missions and long cons such as Philip’s Clark persona – in the shot above ‘Clark’s’ sweater vest/turtleneck combination is several levels of incredible, as is Elizabeth’s Velma wig.

Picture1The wigs are vital to the disguise and they serve a variety of purposes. This blonde wig in the opening scene of the pilot (TUSK!) is all about seduction and as soon as Elizabeth is in the car out of view, she rips it off as if she’s disassociating herself from the sex act she has just performed to get the information she needs. Ah yes, they must have some super strength Soviet glue as none of the wigs ever come off during these physical entanglements.

The Americans Clark and MarthaI was convinced that Martha would find out the truth mid romp, but Clark’s cover is still safe for now. Clark is the only repeat disguise and in a way he does feel like his own character. Clark is now actually married to Martha, when not even Philip is really married to Elizabeth. There was no ceremony, no real vows beyond those to the country. So the real marriage is fake and the fake marriage is real. Of course Martha is blissfully unaware and she will become collateral damage at some point whether it’s a broken heart or something more grave than that. When it comes to matters of seduction, the methods are similar it’s just the time scale that is different. Philip has built up his relationship with Martha because she is an asset they can use for the long term, whereas most of Elizabeth’s targets involve a brief post bar hookup. It’s all about finding the best way to gather information and they are both using their bodies to do so.

The Americans weddingClark’s fake family is made up of his fake wife and his handler and they share similar hair and glasses style. It’s a testament to the show that one of the biggest emotional gut punches comes in a scene featuring glasses this oversized.

The Americans all that hairOther than wigs that have the power to stay on during rigorous activity, the other magical element is how all of Keri Russell’s glorious hair fits into some of the super short wigs. A state of the art wig cap is the only answer. Dramatic cascading hair fit for a shampoo commercial is on display from time to time.

The Americans goateeFor Philip he gets the bonus disguise option of facial hair and the variety of characters he can take on with all the beard and moustache types is huge; Philip can flip between super sweet Clark to a dirtbag in several easy steps.  For Elizabeth she can rock a hat, but they have to get creative with any additions such as facial scars. Most of the time it is about distraction and the accessories they wear draw attention away from their real features.

The Americans two sketchesThese are sketches of two of Elizabeth’s disguises and while some in the FBI aren’t convinced it is the same person, Stan is. This is based on his experience and having an opponent in law enforcement that is actually smart adds tension to this game of cat and mouse. The stakes are raised and it actually feels like Philip and Elizabeth are in danger going into the final episode of the season.

The Americans mom jeansThe endless stream of wigs and costumes adds to the early ’80s aesthetic and Keri Russell can even make a pair of high waisted ‘mom’ jeans look good. Everything they wear is a disguise in one form or another and this includes when they are at home with their children and it helps create an image. The role of parent is very real even if the foundation it sits on is fabricated and this is one of the most thrilling aspects of The Americans; the spy shenanigans are fun and yet the emotional punches come courtesy of this fabricated life that has become their reality.

The Americans finaleFamily is what matters and it’s scenes like this one in the finale that emphasize the conflict between their duty to their country and the one they have created as part of their job. There are so many different versions of identity in The Americans and at home with their children is the most honest of them all. You know, aside from Henry and Paige thinking their parents work in the travel business.

Season 2 begins next year and we can’t wait to see what treats it will deliver us.

Festive Rewind: My So-Called Life “So-Called Angels”

10 Dec

It’s TV Ate My Wardrobe’s first festive season and to mark this occasion we are hosting a very special rewind series. What this means is that we will be featuring a whole host of guest posts and in the spirit of the holidays we have asked a variety of writers to discuss a festive episode of their choice. These will be appear on the site over the next couple of weeks and there’s an eclectic mix including teen dramas, science fiction, animation, comedy, drama and more to get you in the celebratory mood. Or to at least give you plenty of suggestions of TV to watch over the break.

Today join me as I discuss the My So-Called Life episode “So Called Angels”

MSCL ep15 church

As with Halloween and Thanksgiving, the festive period gives teen dramas an opportunity to explore the wider themes of impending adulthood; Halloween can enhance the exploration of who the characters are and want to be through costume and as with Thanksgiving, Christmas opens up the idea of what a family is. Family can mean many things and the extension of friends as family is an important component.

My So-Called Life heads into “Very Special Episode” territory with “So-Called Angels” as Rickie is beaten up and kicked out of his house; the opening scene is Rickie bleeding into the snow and it’s a very bleak intro to a festive themed episode. This is another thing about the holidays and TV drama; bad things happen and the resolution tends to be a happy one after a series of trials and tribulations. MSCL deals with a wide range of issues in this outing including teen homelessness, religion, privilege, prejudice, holiday related depression and domestic abuse. It’s one of the cheesier episodes thanks to the presence of an actual angel (more on that below) and a well telegraphed message, but at the same time it’s a Christmas episode and so sentimentality is expected.

MSCL ep15 angela phone

Angela has new boots and these become a symbol of the things that people have and don’t have. This goes from sibling jealousy to conversations with dead people; for a show that is grounded in reality there are two episodes in which Angela talks to the dead (the other being Halloween). Singer Juliana Hatfield (cue raspy, sad sounding music which you can hear below) guest stars as a girl who died on the streets because of the cold, a girl who appears to both Angela and her mother to impart an important message. Angel Juliana Hatfield tells Angela that her good boots were stolen and now she can’t get warm. This conversation is all about showing the vast socioeconomic difference between Angela and this girl, Graham has already emphasized how warm Angela’s boots look. Angela leaves her boots for Angel Hatfield and they must be magical as Angel Hatfield manages to wear them even though she is dead. Yes I am only questioning the logic of this aspect.

MSCL ep15 guitar wingsJuliana Hatfield is a guardian angel of sorts for Rickie; she’s there to show Angela where Rickie has been sleeping so she can come to his aid. It’s a Wonderful Life is the quintessential guardian angel Christmas movie and as MSCL’s production company is called “Bedford Falls” it all makes sense. Angel Hatfield is also there to dish out some words of wisdom to Patty; Patty who is wary of Rickie because she doesn’t know him in the same way she knows someone like Brian Krakow. Angela and Patty get into a fight about the Rickie situation and Angela turns the tables exclaiming that “This girl [Juliana Hatfield], she could be me.”

Patty can’t reconcile this comparison until she meets our guitar winged visitor. This is where the episode takes a sharp turn cheese avenue, but it’s also the point where the misty eyes kick in. I’ve seen this episode countless times (it is part of my present wrapping watching playlist) and the tears hit at the same point every single time. I am a sucker for heavy handed comparisons that layer it on with emotions. That’s right Angela could be Angel Hatfield. If that wasn’t enough the combination of the choir and Patty embracing Rickie in the church sends me over the edge.

MSCL ep15 helpline

The B story of the episode is on the lighter side, even if Brian Krakow is on the verge of tears thanks to his feelings of perpetual loneliness. It’s ok because Sharon has enlisted Rayanne to help with the help line (in the all important bathroom location – those who read the This Was TV MSCL posts will know how much I love this) and she distracts Brian by turning his plea for help call into something to distract him. Denying us the future chronicles of Sharon and Rayanne is one of the many reasons why I’m still bummed out that this is a one season show. This plot is an extension of the friends as family notion and the only person alone in the montage is Jordan Catalano, who I assume is lighting a candle for Rickie.

While the Rickie situation has been solved in the short term and he won’t be sleeping in an abandoned building for Christmas there is still a long way to go. The episode ends of a hopeful note and yet it doesn’t suggest that it’s all tied up in a bow; this is why My So-Called Life can indulge in fantastical elements because the next episode will face up to the reality of the situation.

Best of TV Costuming 2013: New Girl and Trench Coat Nick

10 Dec

Continuing TV Ate My Wardrobe’s “Best of 2013″ costuming series and rather than doing a straightforward countdown we’re going to do a variety of posts that look at which costumes and shows have made a huge impact this year. From items that we want in our own wardrobe to pieces that got everyone talking, we want to look at this year’s TV through the prism of costume.

Back in January, New Girl took a giant step with their “will they/they won’t they” couple and in the episode “Cooler” ALL THE THINGS HAPPENED.

NG_Ep215_sc22_1325Nick spent the majority of the episode wearing a trench coat, a trench coat that was delivered to their apartment by mistake and one that also happens to be a women’s coat.* Nick doesn’t take it off for the majority of the episode and he’s given plenty of opportunity to do so, as it’s probably the reason they got kicked out of a club and they later play a game of True American Clinton (strip) rules. Nick keeps reinforcing the idea that the coat gives him confidence and this is why he won’t take it off. Trench coats have several different connotations from London Fog type gentleman, spies and of course flashing dirty pervs. For Nick it embodies the first two, even if during True American he might end up looking like the latter.

[Source]

What the coat ends up doing is it acts as a barrier between Nick and Jess; Nick claims it gave Trench Coat Nick guts, instead rather than kissing Jess as part of a game he chose to exit the room via the window instead of the door. This year one TV Ate My Wardrobe’s most popular pieces has been “The Worthiness of Nick Miller” and this episode backs up the long running notion that Nick has very little belief in himself and his current relationship with Jess is helping him evolve and change into someone who is gaining confidence.

Now I’ve jumped ahead to where the story is in December 2013; back at the start of the year Jess was dating Sam and Nick had just been dumped by Angie after their trip to the cabin. When Nick takes off the trench coat, he takes a leap and delivers one of the most incredible kisses I’ve seen on screen.

Nick and JessIt was one of those moments that you can still best describe as ‘water-cooler TV’ even if the location is social media and not work; it sent my Twitter feed and email inbox into a flurry of excitement. Even 11 months later, rewatching this scene gives me all of the feels as Nick leaps instead of retreating like he would have done in the past. When they are sat behind ‘the iron curtain’ with their kiss challenge Nick doesn’t want to do it “like this” and the tension that has been building for an season and half feels like it could burst.

In the original version of the episode there isn’t even a kiss and it only got added after the table read. The writing process on New Girl sounds rather organic and they will write extra material if it looks like the episode needs it. It’s also a testament to Jake Johnson and Zooey Deschanel as their natural on screen chemistry had the audience clamoring for them to become more than just roomfriends.

Regardless of how you feel about Nick and Jess as a couple in season 3, “Cooler” took a bold leap and stuck the landing. “Will they/won’t they” relationships in sitcoms come with a huge amount of expectation and baggage and like Nick, New Girl ditched the trench coat of protection and made the first big move.

*True story – a male friend of mine is convinced that Liz Meriwether has incepted his life as there are many similarities between him and ol’ Nick Miller – for a period of time he wore a black belted women’s coat and it did look fabulous on him.

Amy Poehler Covers Paper Magazine and the New Golden Globes Promo

9 Dec

Next month Amy Poehler and Tina Fey are hosting their second consecutive Golden Globe Awards and I think it’s safe to say that all the good things I can remember about last year pretty much come from this pair. If my Twitter feed is anything to go by then award season is in full flow and it’s the Golden Globes that I’m looking forward to the most thanks to the hosts, the copious amounts of booze on the tables and the combined TV/film factor. And hey a trailer has been released and it’s awesome (you can see it at the bottom). Amy Poehler is also gracing the cover of the holiday issue of Paper magazine.

Amy Poehler paper magazine

Poehler discusses a whole host of topics including the selfie explosion – “the amount of Instagram selfies seems crazy out-of-control” – what it’s like to be on a show with a unstable future, a New York memory of Lou Reed and her first festive season at SNL and what an amazing/surreal experience that was

“I remember a Christmas show with Elijah Wood… So you say goodnight onstage, and then you run really fast, and put ice skates on, and you get to ice skate at Rockefeller Center. And that was the first time I ever: 1) skated at Rockefeller Center, and 2) skated along with 10 other people that were my friends. It was snowing, it was Christmas and the day before, we all got to go to the The Lord of the Rings premiere. I was a big fan of the films. And I remember thinking, ‘Oh, this is totally awesome.'”

As with most things Amy Poehler related the interview is incredibly irreverent, while also hitting on some touching notes too.  To read the whole piece head here.

The super cute cat hat on the cover photo is from Eugina Kim and the coat is Louis Vuitton.

Check out the Golden Globes promo below.

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