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New Girl 3.07 Review: Time to Grow Up

6 Nov

Coach is back and after a three year absence things have changed for all of the characters on New Girl. For starters they are no longer in their 20s – they very barely in their 20s when we first met them – and their priorities have changed. When you catch up with an old friend it can be easy to slip into an old routine and even though Coach only appeared in the pilot none of these scenes feel forced; this even applies to Winston who has never shared a scene with Coach.

NG_307-3_0365The return of Coach gives these characters an opportunity to join him in that big house of denial. Schmidt moved out and into the apartment across the hall in the last episode, but he’s still dropping by whenever he wants to steal toothpaste and so it doesn’t feel like he has gone at all. His decision to move out was a reactionary move to all the shit that has happened and unsurprisingly he’s still not happy. Coach provides a distraction so Schmidt doesn’t have to think about that stuff, nor does Schmidt have to spend the night in his apartment alone as he can ask Coach to crash with him – maybe he will take a room here?

With Nick it isn’t that he is unhappy, quite the opposite but he’s still having manchild reactions to relationship discussions. Jess isn’t all that comfortable with Nick going to the strip club, a point that she raises in a rational and adult way. What follows is Nick and his ability to dig himself a giant hole as he claims they haven’t had the relationship status talk. This is ridiculous as it’s clear this is more than just a friends with benefits situation and Nick knows that everything that is coming out of his mouth is crazy talk – choice example “I’m just telling her what kind of cake to bake me, son” – but he can’t stop himself because Coach is there and he wants to hang out with his old friend.

Sitcoms love a good misunderstanding and situations that get out of hand fast; the guys at a strip club with Jess going out with an embittered Cece is the perfect formula for this kind of scenario. Cece is understandably cynical about relationships at the moment and she plays the role of mischief maker as she calls Artie (the ridiculously handsome Taye Diggs) to the bar to get his flirt on with Jess. As the Temple Grandin’s (a drink that makes Jess friendly and compassionate) flow and Nick doesn’t know which part of the phone is the microphone the stakes are raised, these are alcohol fueled stakes so anything could happen. Cece realizes that Jess and Nick’s situation is very different from her own and she’s been projecting her own Schmidt related anger onto Jess.

Nick’s main crime is that he couldn’t call Jess his girlfriend in front of Coach, which even by Nick standards of not being able to acknowledge feelings is high on the list of dumb things he has done. The other aspects like his inability to have a day/life plan and leaving himself “Put on pants?” notes (A+ delivery on this line from Zooey Deschanel) just add to Jess’ frustration. Jess is also playing the getting wasted on a Tuesday game (it’s ok the kids are going to watch a movie at school tomorrow) and so it’s not just the guys who are making bad life choices. The list of terrible things that Nick does quickly turns into a Nick is a really, really great kisser list (an excellent reason to link to this) and the revenge plan of really hot conversation time gets thrown out of the window.

Not so fast as Taye Diggs is naked in Jess’ bed and even throws imaginary water at her, as the only sober one in this episode that move is pretty cringe. It also leads to the best Cece delivery of the night with “Men are such dicks.” Even though they’ve been able to say dick on network TV for a couple of years now, it still surprises me when they do.

It’s already occurred to Nick by this point that he needs to go home as they’re all too old for these kinds of shenanigans. This all started because Coach wanted to celebrate being single but he’s actually miserable and brokenhearted; he’s using the strippers and guys night to fill this void. The talk of growing up comes in the middle of a very halfhearted slap fight and there’s a lot of truth spoken among all the nonsense – this being Schmidt’s very terrible interpretation of Raiders of the Lost Ark, or what he believes to be a Nazi propaganda movie – deep and meaningful drunk conversations always contain the fuzziest of logic.

The Nick/Jess relationship hasn’t taken the steps of a usual rom-com relationship even if it has followed the classic “will they/won’t they” and New Girl has been playing with this convention. The big factor here is that they already live together so having the “terminology” talk is already an odd one to broach. So when Nick casually throws in the word girlfriend it’s an organic moment, but it also really means something to Jess. Yes this is a guy who leaves himself a note questioning whether to wear pants (confession sometimes I add “shower” on my ‘to do’ list just to have something extra to tick off) but he also gives Jess the opportunity to explain why there is a naked hot guy in her bed.

Like many, Friends is the sitcom I grew up with and so I have a tendency to think of something like New Girl in relation to this show and with the “will they/won’t they” Ross and Rachel are my prime example. One of the things that made Ross and Rachel hard to root for at times was Ross’ jealousy and the whole Mark of it all; this was meant to be a sitcomy obstacle instead it made Ross insufferable. What I’m trying to say is that Nick and Jess do end up dealing with this head on and even though Nick’s right hook to Artie is pretty much fueled by jealousy, Nick and Jess are on the same side and this is what Friends lacked at times with Ross and Rachel.

Coming back to Coach and while it’s unclear whether New Girl will pull a Mindy Project and make him a regular; it feels like he is part of this friendship group even if things have changed since they last hung out. There is some banter with Winston with the not so kind nickname of “Shrimp Forks” that Winston pulls him up on later. There’s a competitive edge with all of the guys as they’re all trying to prove that they’ve still got it and Winston ends up suffering the most financially thanks to misunderstanding the rules of Bunny Money, but hey that’s enough for takeout and clothing funds at the V Rab (yeah I won’t call it that again) for a good month.

New Girl “Keaton” Review: “I’m the Batman”

23 Oct

Apartment 4D is home to a dysfunctional bunch and this Halloween themed affair explores the long standing friendship between Nick and Schmidt with a little Michael Keaton thrown in. New Girl has been suffering from a Schmidt problem this season and “Keaton” goes a long way to fix this and it also sets up a way for Coach to return next month. By focusing on what makes Schmidt insufferable as a roommate they’ve made him insufferable to watch for most of this season. This week Schmidt’s behavior is tinged with a whole lot of sadness and he stops being a burden as they focus on his friendship with Nick.

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There comes a time when a friend is spiraling that you will resort to anything to get them out of their funk and as Schmidt has entered the nihilistic yelling at the news/eating cold cuts out of a plastic bag stage it’s definitely time for desperate measures. I’m pretty sure I never want to see someone chug mayo as if it is whipped cream or eat a block of cheese like it is an apple ever again. Schmidt’s quest to find out if he is a good person last week did not do the trick, even with the gift of a random candelabra from Winston and so Winston thinks it’s time Schmidt got a letter from an old friend.

The old friend is Michael Keaton and shows that we all need a Batman in our lives when things get tough (there is definitely a paper that could be written about sitcoms to using Batman as a cipher for a character’s emotional state featuring Ben from Parks and Recreation and Community’s Abed). Michael Keaton started with Schmidt’s mother in a flashback sequence that includes a type writer that gives me a lot of Murder She Wrote vibes (it’s the magnifying glass that does it) and she passed the mantel to Nick when Schmidt started college. Nick has been Michael Keaton for 12 years and he’s hit the point where he doesn’t want to lie to Schmidt anymore.

Jess thinks it’s a great idea and this is partly fueled by the desire to have Cece at her Halloween party and so she takes over the catfishing duties. Jess doesn’t know how to utilize the Keaton voice as Nick does (who combines quotes from Nelson Mandela with Batman references) and of course it all falls apart and Schmidt figures out what they are doing. Drunk Jess thinks it’s a good idea to dress as Batman and pretend to be Michael Keaton all while attempting her best Batman growl. Of course this plan is ridiculous and hilarious as Zooey Deschanel shows how good she is when it comes to these super absurd moments.

They even get an out as Schmidt thinks that they have hacked Michael Keaton’s email account (keatonpotatoes@aol.com) but it’s all too much for Nick who reveals the entire letter writing scheme that started with Schmidt’s mother and has long since continued with Nick. Nick has always found it hard to talk about his feelings with both his best friends and girlfriends; last season’s “Models” showcased this with the still incredible “Gave me cookie, got you cookie” scene. Writing as Keaton allowed Nick to be both the best friend he is and the best friend he finds it hard to be and so when tells Schmidt “You don’t need Keaton, you got me” it’s an emotional step too far in the real world.

So what of Schmidt’s decision to move out? I actually don’t think there is much to worry about here as it definitely feels like a semi-organic way to get Coach back and after all he has only moved down the hall. Schmidt’s new roommate might be a ghost. Now that Schmidt won’t be at the loft all the time it means that it will be easier to incorporate Cece and the line about closure was definitely intended as a way to suggest it won’t be so weird if they are in the same room together. The Batmanmobile chat is hilarious as Jess can’t quite get her head around what Batman’s car is called. Adding an extra word to this makes sense as Jess has also been referring to herself incorrectly as “The Batman.”

After many solo storylines the last couple of episodes have been good for Winston as part of the ensemble and his enthusiasm for making pumpkins didn’t seem to be part of the same crazy Winston that we have seen this season. It’s a strong episode for the group as a whole and it plays on the dynamics of the long history of Winston/Nick/Schmidt versus the relatively short time they have known Jess. Oh and Winston, it’s ok as I’ve not seen the whole of The Truman Show either.

It’s Halloween which means costumes and I am not ashamed to admit that I love holiday themed episodes. The costumes on New Girl are just as bizarre as last year with Nick opting for the “what crap do I have lying around?” approach with Paper Mountain Trash King, Jess opts for another costume that is hard to figure out with Joey Ramona Quimby (perhaps topping last year’s zombie Woody Allen), Winston does a terrible David Letterman and Schmidt is a public serpent (which made me laugh a lot). The only one taking the sexy approach is Cece which involves a leopard print bralet and a tricorn hat; maybe she is a 17th century Scary Spice.

Moving forward is something that this episode allows Schmidt to do as he has reached his lowest point and the enabling of his roommates hasn’t helped; they need to call him out on his shit beyond the overflowing douchebag jar. We’re now at a place with New Girl where we know these characters well enough that progression like this needs to occur and it’s a shame that some aspects of this season haven’t clicked into place. While everything hasn’t worked I am glad to see this show attempting a variety of stories and the impending return of Coach will hopefully have a positive effect on this season.

New Girl Review: What’s in the Box?

16 Oct

There were feelings of discontent in the loft on last week’s episode of New Girl and that continues with “The Box” as Nick and Jess get into their first proper couple fight and Schmidt hangs out in the pity pool after his recent (self induced) romantic woes. It’s not all doom and gloom as Winston gets to feature in both of these stories and not in the crazy way we have seen so far this season; setting up a cat brothel was his wake up call.

Nick's box New GirlNick and Jess are fundamentally different and it’s the whole opposites attract thing (plus you know all of the chemistry) that will help produce plenty of stories to stop this couple from becoming old hat. In the last episode Nick’s inability to express his feelings and Jess’ oversharing came up; this was more about Schmidt trying to come between them, rather than them stumbling over these issues. When Nick receives a paper bag with $8000 in cash from his dad it opens up a can of worms, or in this case Nick’s box of things he doesn’t want to deal with. This is primarily unpaid bills and instead of using this money to pay off these he goes on a shopping spree, followed by a drinking binge. Jess can’t resist going through Nick’s box and pays off these bills for him.

This isn’t the first time we have seen Nick’s very random financial situation (after all he has the credit score of a homeless ghost) and his reluctance to face up to things is a consistent character trait. Jess is the loft know-it-all (it is her pogo) and so these two things combined was always going to lead to a situation where Jess meddles and Nick gets mad. Jess realizes that she has made a mistake and her attempts to cover up what she has done is hilarious as she contemplating starting a fire and ends up under Nick’s bed, you know for the shade.

As arguments go they both have valid points as Jess has violated Nick’s trust by going through his private things, but his system is pretty dumb. Nick and Jess yelling things at each other is nothing new, but this is the first time they’ve yelled at each other as a couple and so the stakes are now higher. The word ‘box’ is used for maximum effect as Nick stumbles for a moment before he returns to being mad at Jess again. The random things he picks in her bedroom to question their existence vary from a drawer of night peanuts (a cousin of night cheese?), some bobby pins (or Bobby’s pins), enough yarn to make a mansion and Jess’ vintage purses which he throws out of the window because they don’t have enough gems on them.

Jess insists that she doesn’t want to change him; she just wants him to grow a little which I guess kind of sounds like the same thing. What I think she means is she’s happy with who he is there are just some fundamentals that need addressing. It’s all about character evolution and a lot of Nick’s hang-ups revolve around not feeling like he is worthy. He’s a screw-up but he is willing to address these issues. This episode is dealing with this side of Nick’s personality and how it plays into the bigger picture of their relationship. This is why Nick goes to open a bank account as when he comes out of his drunken haze he realizes that he would do anything for Jess. It goes both ways and Jess plays the Nick role as he resists complaining about the $8 processing fee, but Jess goes all in “I understood at least 30% of the financial crisis and guess what I got from that? You suuuuuuuck. You suuuuuuuck so hard.” And hey they don’t have to pay the fee, free $8!

One issue this episode has is cohesion and there’s something about Schmidt’s quest to find out whether he is a good person that doesn’t fit tonally with the rest of “The Box.” Schmidt is wallowing after his recent love mishaps that were caused by his inability to choose between Cece and Elizabeth and while I understand that his question plays on how selfish Schmidt can be, it doesn’t quite work. It feels like a reason to have him have a slap fight with Jon Lovitz in front of a class full of kids or to save someone’s life and make it all about him. I did enjoy the length of time we spent watching Schmidt run like Tom Cruise; Schmidt is definitely the kind of person who would practice and perfect this style of running but overall this story is lacking something. It feels like they are isolating Schmidt from the rest of the housemates and I wonder if this has anything to do with the former roommate who will be turning up soon?

nick owing winston moneyWinston got a lot of funny things to do that don’t involve him being crazy which is an instant bonus even if he did disappear for the middle of the episode. The gift of the candelabra is random but thoughtful; after hearing Nick’s breakdown of why gold, silver and brass are much better than paper I think he would have appreciated it a lot more than Schmidt did. I can also see why Winston ventures into crazy land with Ferguson the cat as it’s not always fun being the rational one in this loft. Oh and this is not the first time Winston has attempted to get money off Nick and he still hasn’t found a good way to get it back. Bribing Jess is at least more successful than his using the Memento method back in season 1.

This feels like an episode that might work better on rewatch and once again it’s the Schmidt plot that isn’t really flowing. The writers have a handle on Nick and Jess so far as a couple and giving them an episode of dealing with couple problems feels like natural progression, I just hope they can sort out the rest of the loft dynamic soon.

New Girl Review: Talking About Feelings

9 Oct

On New Girl Jess talks too much and Nick doesn’t express how he feels enough. This is a fundamental difference between these two characters and Schmidt attempts to use this to fulfill his promise to break them up. As Schmidt majored in Nicholas studies he knows all of Nick’s weaknesses and he’s also tapped into Jess’ too, so he knows that suggesting something bedroom related will cause problems.

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Jess is still awkward about sex but it doesn’t come across as infantile as it did early in season 1 when she couldn’t say the word ‘penis.’ The incident only added to the eye rolls and criticism that Jess was just another version of the Manic Pixie Dream Girl. Now the writers have found a way to focus on Jess’ sexuality in a way that still relies on the awkward but doesn’t make her come across as a child who has never encountered another person in this way before.

Jess gained confidence in her relationship with Sam last season and chemistry is not lacking between Nick and Jess. When they slept together for the first time in “Virgins” the episode ended with a tag that played on the reality of the moment and I can’t think of another show that has celebrated a couple getting together with 30 seconds of different facial expressions. Jess and Nick have not suffered in the bedroom department until Schmidt manages to get in Nick’s head causing an evening of impotence; the use of “Get Lucky” as Nick and Jess can’t manages to avoid being annoying even though it has been played to death all summer. Jess learns the all important lesson that it’s always too soon to make jokes about penis problems.

What Schmidt ends up doing is fixing the one issue that Nick and Jess have and that’s their communication issues – Jess talks too much, Nick not enough. This is after he has suggested a rather debauched sex move called “The Captain” and while we never find out exactly what this is it’s degrading not just to women but all of mankind. This is one way that network shows work around Standard and Practices (I’m so fascinated by the process of what is allowed and what isn’t like how they decide on how many thrusts are appropriate) and it tends to lend to more comedic moments. It lets the audience fill in the blanks of what Schmidt was saying each time he put the blender on and Max Greenfield shines when he is at his most deviant. Schmidt in his attempt to break up Nick and Jess goes all in and we find out that after he saw Titanic he founded The Zaniacs, a Billy Zane fan club. Winston of course has found memories of this movie for very different reasons. I’m not sure how it would work but I kind of want to see a Titanic themed episode of New Girl.

It’s pretty terrible what Schmidt is trying to do to his best friend and as he mentions he hasn’t seen Nick like this before, he’s too wrapped up in his own drama to see that Nick and Jess are actually good for each other even if their happiness is nauseating. When his initial plan has the opposite effect and Nick opens up – Jake Johnson showing once again that he is the best at random lists of things – Schmidt goes into full on crazy mode trying to physically come between Nick and Jess. Destroying all the condoms and eating Jess’ birth control pills is his last desperate move and counting down the days as he takes the pill is hilarious; “Full wheel bitches.”

This leads to a much needed loft meeting and while Schmidt thinks the pills have taken effect (“I’m so aware of my nipples right now) he also gets to hear some home truths about how he alone is the cause of his misery as he did indeed do a bad thing. It’s a scene that is important of where Winston is right now and each episode this season has put Winston in the role of the loft crazy. He’s still pretty out there in this episode as he misreads flirtation as someone else trying to get their cat laid, but he also speaks the most sense when he discusses boundaries and the personal and public space of a loft. It’s not necessarily a problem that Nick and Jess are happy and having fantastic sex but they also have to be aware of their housemates; this is a new dynamic for them to get a handle on too and they’re not exactly having a great time in their own personal lives right now.

It’s a really funny episode and probably strongest of the year so far and J.J. Philbin – who wrote “Injured” which is still my favorite episode – layers the script with jokes and pathos. We get to the heart of some of the issues that have arisen in these early episodes like Schmidt not taking control of his situation, as well as character flaws that have existed forever on this show like Nick’s inability to reveal his feelings – “If we needed to talk about feelings they would be called talkings.” Highlights include Nick stumbling his way through conversations with the repeated tactic of moving his car and generally grunting or not finishing sentences all while looking mortified. Zooey Deschanel excels when she gets to yell at Schmidt with disgust about what she just did “And my night vision is very good because my eyes are so buggy and big and I saw everything and I can’t erase it from my memory.” The big eye gags are always a winner.

What this season is doing with Nick and Jess is showing that with Nick especially he does have the ability to change and by the end of the episode he won’t shut up about how he feels. One thing that’s clear from these opening four episodes is that the writers have a handle on the Nick and Jess side of the story and it’s the other two roommates that have become the problematic ones in terms of the overall story. There is acknowledgement from Winston that he is having issues (he is after all running a cat brothel out of his bedroom) and Schmidt is aware that he’s also messed up. It will be interesting to see where they take them from here especially as Damon Wayans Jr. will be turning up rather soon for an extended arc.

 

 

New Girl Review: Schmidt’s Dating Mess

2 Oct

At the end New Girl’s second season Schmidt was asked to make a choice between Elizabeth and Cece and he ran away. He’s been doing this since we returned this year and his two timing has come to a head in “Double Date” as he told Nick what he had been doing and it all spiraled from there. This plot has been a bit of a drag as the conclusion was pretty inevitable – that Schmidt would end up with alone – and it’s been a bit of a slog getting here, putting Schmidt firmly in the douchebag category that has been joked about since the pilot.

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“In your little brain how do you see this ending?”

Schmidt’s response to Nick’s question is full of awareness, he knows that he’s gone too far and whatever the end result is, it’s going to be terrible and hurt all that are involved (including Nick who gets not one but two junk punches from Cece). So why the big delay? Schmidt blames it on everything from his upbringing to his former weight; the big surprise is who he blames for this resolution and that’s Nick and Jess. The threat he delivers at the end is enough to lose any good faith that he has earned from the audience as a result of his heartfelt confession to Cece and he’s already lost points because his hand was forced. So they’re going full douchebag with Schmidt and it probably isn’t his smartest idea to try and break up two of the three people he lives with. Delivering this threat with pie all over his face was wonderfully absurd and made the whole thing so ridiculous that you can almost forgive that Nick and Jess didn’t stand up to him over this BS.

There is no one to blame but Schmidt and it’s not like he has been two-timing women who he only met recently; Elizabeth is his first love and his feelings for Cece run deep. Hannah Simone nails the heartbreak of Cece as her eyes tear up and this quiet reaction is the opposite of what she has just done to Nick. Simone’s role within the group is often as the outsider as she is the only one of the regulars that doesn’t live in the loft and it will be interesting to see how they incorporate her now that she doesn’t want to see Schmidt ever again. The last time they had a period like this was between seasons 1 and 2 so that was all off screen.

Tonally this episode was all over the place and the breakup scene in the restaurant was pretty laugh free. Last week I discussed how New Girl excels at balancing the absurd moments with real emotions and while both of these factors were at play in “Double Date” it wasn’t as successful in switching between the two. Something felt off and Schmidt’s delaying tactics help turn him into the loft villain – as much as a villain as a sitcom can have – coupled with his Nick/Jess threat. This is probably just laying the groundwork for some Schmidt self-discovery, but at the moment it just reads as pointless bitterness.

One aspect that continues to play well is Nick and Jess as a couple from their country lawyer sex fantasies to the rather healthy bathroom discussion about how they feel about each other. It turns out that Nick’s driving style (because he totally needs glasses) is more likely to cause contention than their divided BFF loyalty. The funniest moment is as they list all the things that Schmidt might try and use to break them up including being sexually attracted to ladybugs, thinking the Kilborn Daily Show is better and being banned from Lake Ontario. It also turns out that they both think horses are from outer space (and I really want to see all the alt takes for this scene). Oh and Jess happens to know a lot of Spaceballs quotes that are perfect for no kissing sex.

Hanging by himself once again is Winston and this makes the third week where Winston’s story has been mostly solo. Hopefully this is building towards something and they definitely made a point of him realizing that he is the only one of the group who doesn’t have a significant other, unless you count Ferguson the cat. Now Schmidt is also in this position he might try and get Winston on his Jess/Nick breakup team especially if he dangles the prospect of pranks in front of Winston. Lamorne Morris excels at the crazier aspects of Winston so trying to keep hold of a community table for several hours allowed him to showcase this. Winston performed an important PSA too and you should always check that mints in restaurants are in fact mints and not a piece of glass.

This is of course still early in the season and events from the finale are still having a big impact on the narrative. So while it wasn’t the best episode of New Girl there has been it’s a necessary one to sort out the Schmidt/Cece/Elizabeth business. On the whole it made me laugh a bunch and Hannah Simone made me incredibly sad with her reaction to Schmidt’s cheating so it covered the emotional scale. So long Merritt Wever, you’re brilliant and I really hope you will come back on this show in the future.

New Girl: Balancing Emotional Stories with the Absurd

25 Sep

When high school is over you can still end up in situations that mirror the awful not fitting in feeling and Jess ends up in this position on this week’s New Girl after she finds herself friendless in her new teaching job – where is Mary Lynn Rajskub? The adult version of the mean but cool clique isn’t anything particularly new, but it gives the Nick and Jess relationship a chance to breath and shows how they can make them work as a couple without losing the tension that made season 2 so much fun.

I’ve mentioned before how New Girl works best when it walks the line between the ridiculous and grounded emotional moments; this happens multiple times in this gag-packed Kay Cannon script (you can see the rapid fire approach of jokes per page from Cannon’s 30 Rock background at work). There’s a discussion between Nick and Jess about whether he would have noticed her in high school and this leads to Nick’s “Miller Sack Pack” revelation. This coupled with Winston’s big Daisy decision as he now wants to be exclusive and tell her that his “heart is a two man bike and I want you in the rear” demonstrates the many tawdry jokes that exist within the emotional framework.

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This isn’t the first time Nick has tried to give advice to Jess*, the difference now is that Jess is “his old lady” and so the stakes for him are higher (though I’d argue that even if they were still just friends he’d offer free drinks at the bar to help out). Having Nick and Jess’ first real challenge as a couple not being about them is also a good start and while I suspect there will be other relationship drama around the corner it doesn’t need to happen this early. Nick’s original idea is to give some free school supplies to the cool clique, because who doesn’t want $15 and a halfie worth of stuff? Luckily Nick also works at a bar which doesn’t seem to have a problem with him giving away drinks so this alternate suggestion is a big hit.

*Kay Cannon also wrote the season 2 opener “Re-launch” which saw Nick comforting Jess after she was made redundant. On this occasion he gave her better advice than just drink lots telling her “Life sucks and then it gets better and then it sucks again and then it just sucks.”

Following on from Nick’s observation that this is like high school all over again, with Jess being a nerd in both scenarios she takes this to heart and gets wasted. Drunk Jess dances in toilet bowls, sings 4 Non Blondes and gets accepted by the other teachers. The drunk Jess singing moment is topped by the guys performing a rendition of “I Believe I Can Fly,” this is reminiscent of them singing “Time of my Life” in the pilot but under very different circumstances of course. This is where Zooey Deschanel gets to show off her excellent comedic timing as she pulls a good hangover face of pain and discomfort. The guys really should get the band together.

Winston points out that Nick is basically imprinting himself on Jess with his getting drunk suggestion and instead of sending Nick in a tailspin of doubt it spurs him on to rectify this. When Nick gets caught between Jess and Winston both acting impulsively it hilariously ends with Nick stuck in the middle between two potential crimes. When Nick is the sensible one in the scenario it adds another level of chaos as he yells in an exasperated fashion.

Nick is of course smitten with Jess and while her idea to break into her new bosses garden is not the best; this doesn’t matter as Nick tells her that “If you’re going to do something that’s obviously very stupid then I’m going to do it with you.” He’s also willing to take the fall for her and when she steps out from her hiding place the absurd kicks in as the Dawson’s Creek theme “I Don’t Want to Wait” begins to play – I will never not love a gag that features this song (see also Urban Legend).

The Schmidt love triangle plot is dragging along and because there is a short shelf life on Merritt Wever’s guest starring role it’s now entered slightly tedious territory. I think Wever is great and I liked how she reacted to Schmidt’s terrible role play idea, but I also think this whole narrative is tired. The one surprise is that Schmidt didn’t get caught and Max Greenfield played this moment well as it seems he really wants to get caught as this resolve this mess even if he ends up with no one. The 2/3 replica of Don Draper’s office gag worked like a charm as did the competitive chemistry with Beth, reprising a work rivalry from early season 1.

Winston is also having relationship drama and this is the episode where they have to write Brenda Song out because of her Dads commitments (giving me all of the sads). This was another play on the “Winston is crazy” angle but unlike last week’s puzzle adventure there was a point to the crazy even if it did involve potential cat murder. Now there is pet in the loft and the cats love Schmidt’s nipples visual only got funnier as the episode went on (yes there are already gifs).

Everyone being back in the loft gives a sense of familiarity that was missing last week, even if the dynamic has shifted. The scene in the elevator that turns into a relationship discussion between the guys is hilarious because they all forget to press the button; too preoccupied with their romantic entanglements. By the end of the episode Schmidt is still stuck in two-timing hell, Winston goes from having a girlfriend to having a cat and Nick is the only one who is content – this might be a first for him.

One criticism I would have with the Jess plot is that while the guest stars did the best with the material they didn’t really get all that much to do. This can be a problem with these small roles that are serving the central characters and so I hope both Angela Kinsey and Dreama Walker will return later in the season.

This is a much more cohesive episode even with the amount that is going on and while the season premiere was a bit of a disappointment I would say that this is more like the New Girl that was raved about last year.

And because it’s now stuck in my head it can be stuck in yours too!

New Girl Season 3 Premiere: Going “All In”

18 Sep

Season openers can be a tricky endeavor, particularly when the previous episode has culminated in a highly anticipated union and the momentum has been broken by a summer off. With a show like New Girl a lot of hype has been directed at Nick and Jess and if you were wondering what they’re relationship status is the repeated “all in” gets both the characters and the audience used to the idea that they can be a couple.

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The season premiere starts where we left off; with The Vaccines “I Always Knew” playing as Nick and Jess drove away from the abandoned wedding. After making a roadside stop to consummate the fact that they didn’t call it off, they end up standing at their front door. Neither are ready to cross the threshold as they’ve only been a couple for 30 minutes and their roommates are already being incredibly demanding – ok Schmidt’s is the demanding one, Winston just wants to puzzle. The prospect of returning to normalcy is too much and the pair head off to Mexico to spend some quality time together living out of the back of Jess’ car. We don’t get to see exactly how both of their wedding outfits end up quite as wrecked as they do, but it works better this way. The same can be said for the lack of explanation as to why Winston is wearing a hoodie as pants other than his propensity to get weird.

In Mexico away from the apartment Nick thinks that he can make this relationship work and he’s willing to shred his passport so he doesn’t have to go home and risk losing Jess. This is Nick’s irrational side coming out, the part that thinks he isn’t worthy and he’s more likely to fuck everything up if he lets this side get the better of him. As we have seen with Nick’s previous relationships he’s a fan of the self-sabotage and he doesn’t want this one to go the same way. It’s a different start to dating thanks to their roommate status and this is enough to send Nick into a tailspin of not wanting to leave Paradise Nick and Paradise Jess behind. It doesn’t help that Schmidt and Winston are in full on bickering mode, coupled with Schmidt’s relationship drama and so resort jail is of course far more appealing – they let him watch Ugly Betty after all.

Home is where they have to go and Jess delivers a heartfelt speech; Craigslist gets major props and for once it isn’t sex, drugs or murder related. Jess is the voice of reason on this occasion, not just in relation to Nick but with all of them as she points out that they’re “a family” and how “there is no us without Schmidt and Winston.” It’s a dysfunctional dynamic and the loft situation is going to provide a wealth of stories in the coming weeks. As far as this season opener goes the Jess and Nick stuff plays well, Jake Johnson and Zooey Deschanel still have oodles of chemistry and because they are together there is a lot of kissing; we know how well they do that.

One issue with this episode is how disjointed it feels and not just because Nick and Jess are in Mexico while Schmidt and Winston are back home. There’s a lot to cram into 22 minutes and at points it seems like certain aspects of the story have been cut out (the promo photos show that in one cut Nick isn’t the only person to get tasered). It’s understandable why these cuts have to be made for time, but on this occasion it was noticeable – maybe as a result of the promotional materials.

First episodes back are meant to refresh the viewer with what has occurred and lay out where things are headed, so it’s not surprising that the momentum the back half of season 2 created gets disrupted. Schmidt still has his decision to make as he tells both Elizabeth and Cece that he has chosen them. Cece is the regular cast member and Merritt Wever will be making her way back to Nurse Jackie soon so this takes some of the tension out of this process. Considering Schmidt’s duplicitous behavior it’s likely that he will end up with neither of them (for now).

Now to Winston and his puzzling; the main puzzle being will he get his own ‘A’ story this season? While I enjoy the lengths they push Winston too with his love of badgers and forgotten birthdays, there comes a time when Lamorne Morris deserves a bigger piece of the New Girl pie. Over at Vulture New Girl creator Liz Meriwether discusses this aspect of his character saying “That’s the level we like, where he’s on some crazy mission for some stupid thing but the stakes are so high for him. To me, that’s just hilarious, and Lamorne is so good at going to those broad places but keeping an emotional reality at the center of it so it doesn’t feel out in space.” While I totally agree with this notion, I hope there is more for him this year and maybe the return of Coach will give him a source of conflict beyond the realization that he is color blind – points to Schmidt for the line of the episode “If you think those shoes are brown, what color do you think you are?”

Winston does take it too far and not just with his jigsaw obsession as a moment where he has to save Schmidt ends with him admitting to wanting Cece’s underwear because he wanted to sew them into his underpants. Cece reacted accordingly. As we saw in “First Date” last season, Schmidt and Winston together creates these ridiculous scenarios and it gives both Max Greenfield and Lamorne Morris a chance to unleash their crazy; the argument where they literally argue in circles is absurd but brilliant.

We end the episode back at the front door of apartment 4D, flummoxed as Nick doesn’t carry a key – “there’s always someone at home” – and a mini argument ends in making out. We’re back to where we started and this mini adventure to Mexico might not have been a completely satisfying start to the season, but it’s laid the groundwork and I’m confident that the season will pick up from here. It’s also pretty great to be back with these characters and to no longer be tiptoeing around a “will they/won’t they story.”

Zooey Deschanel Covers the September Issue of Marie Claire

6 Aug

The discussion about negative online comments has taken center stage in the media recently after a campaign to feature a woman on a Bank of England note has led to several high profile female writers receiving an increased amount of horrifying threats via Twitter. In the forthcoming September issue of Marie Claire, New Girl star Zooey Deschanel talks about her own experience with the less pleasant side of the Internet in an extract the magazine has released.

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This is a subject that Deschanel has previously discussed and in a past interview with Glamour magazine Deschanel commented “I want to be a fucking feminist and wear a fucking Peter Pan collar. So fucking what?” This stems from criticism about Deschanel including being a so-called real life Manic Pixie Dream Girl (an archetype which has thankfully been declared dead – the article that Nathan Rabin coined the term in is great, everything that followed not so much) and how what she wears or how she talks diminishes the value of her work. I’ve been a big fan of Deschanel since I saw Almost Famous and I was surprised by the amount of vitriol that was dished out when New Girl debuted. It was understandable why Jess the character was receiving flack as there were some issues with how cartoony Jess was in these early episodes, but it was the overtly personal Deschanel laden barbs that were surprising.

In what could be viewed as a follow on from the Peter Pan collar remark, Deschanel says that criticism directed her way is often about how she looks or acts “Everything you’ve done doesn’t matter because you wore the wrong thing or you speak in a way that’s feminine or you identify yourself as feminine. And I just think that’s bullshit.” Deschanel believes negative comments can also stifle creativity as people might not want to put themselves out there out of fear of getting bashed online and this is part of the inspiration behind her site Hello Giggles. While I’m sure there will always be Deschanel detractors it’s also really great to see some with her status happily refer to herself as a feminist and provide a space online like this.

The cover story mentions a new look, which from the styling on the cover is serving up an Almost Famous aesthetic moving from 60s twee to 70s rocker. There’s a dash of the 90s with the plaid jacket showing that grunge is definitely sneaking its way back in this season with Hedi Slimane’s Saint Laurent fall collection. The signature bangs are still there after speculation (yes there was Zooey Deschanel bangs speculation) after the Met Gala that she was maybe growing them out.

New Girl returns Tuesday, September 17.

New Girl Star Jake Johnson Talks Emmys and Drinking Buddies

21 Jun

Following on from Max Greenfield’s Gold Derby chat, co-star Jake Johnson also sat down with the awards prediction hub to talk New Girl, recent plaudits and the success he has had over the last two years. Here at TV at My Wardrobe we are all aboard the Emmy nomination train for Jake Johnson because he’s been New Girl’s MVP this season.

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Jake Johnson has submitted in the lead category and this was originally a suggestion by Max Greenfield, while they joke that Greenfield was just removing the competition it’s actually a smart move thanks to the Nick/Jess focus of the latter half of the season. Johnson has been nominated already for the Critics’ Choice Awards and the forthcoming TCA’s. Johnson is quick to praise creator Liz Meriwether, the writers and his co-stars; the ensemble is an important factor but he would like Meriwether to get some solo recognition as “she’s really the engine behind it.”

As with Max Greenfield they discuss what episode Johnson might submit if he does get nominated. Episodes that get mentioned include “Chicago,” “Cooler” and the first Tran episode (“Menzies”). Gold Derby editor Chris Beachum gives Johnson some advice saying that “Chicago” might be too emotional as an Emmy submission episode and that broader comedic performances tend to be what Emmy voters have previously gone for. If this is the case then “Pepperwood” would be a suitable choice, though I am partial to “Cooler” for obvious reasons.

The trailer for Jake Johnson’s new movie Drinking Buddies was released yesterday and he mentions this in the Gold Derby interview. It’s a project that Johnson says that he is very proud of and hopes that it gets the same traction as Safety Not Guaranteed. The film also stars Olivia Wilde, Ron Livingston and Anna Kendrick and is heavily improvised (plus they’re really drinking beer). Plus Johnson is sporting a rather amazing beard the likes of which we’ve only previously seen on New Girl in his Caroline post-break up video. Really, it looks incredible.

Watch both the interview with Gold Derby editor Chris Beachum and the trailer for Drinking Buddies below.

Max Greenfield Talks New Girl, Emmys and the Veronica Mars Movie

19 Jun

Max Greenfield recently spoke to Gold Derby editor Daniel Montgomery about Emmy nominations, a mix up with episode submissions last year and whether or not he will be showing up as Deputy Leo on the new Veronica Mars movie that started shooting this week.

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Last year Max Greenfield was nominated for his work as Schmidt on New Girl in the Best Supporting Actor in a Comedy category, a category that also featured four Modern Family actors and Bill Hader. This year it is likely to be similarly packed with the Modern Family cast and in a sensible move Jake Johnson has submitted himself for lead actor. While Jake Johnson has been receiving well deserved plaudits this year (including a TCA and Critics’ Choice nomination) and the Schmidt hype has died down a bit, he still delivered a strong and memorable turn in season 2.

In this conversation they talk about a big mix up with last year’s Emmy submission episodes; Zooey Deschanel had chosen “Bad in Bed” and Greenfield “Control,” unfortunately the episodes got switched and voters received “Control” for Deschanel and “Bad in Bed” for Greenfield. There isn’t any resentment for this mistake and Greenfield chalks it up as one of those things that happens. They also discuss what episode Greenfield might submit this year and “Table 34,” “Tinfinity” and “Bathtub” are mentioned by Gold Derby readers. Greenfield likes the Tugg/Tagg Romney episode (“Fluffer”) and if I had to pick I would suggest “Quick Hardening Caulk” where Schmidt is determined to get a lionfish as a surrogate for Cece.

They talk about one of my favorite guest stars of this season – Merritt Wever who played Schmidt’s college girlfriend Elizabeth – and like most of the audience Greenfield wants her back on the show asking an obviously rhetorical question “Isn’t Merritt great?” Yes, yes she is.

It’s a fun conversation and Greenfield is sporting a very un-Schmidt like beard; could this have anything to do with his role of Deputy Leo on Veronica Mars? Greenfield confirms that he will be making an appearance in the new film, but don’t expect a substantial role as he thinks he’s only working on it for a day. Still, this is exciting news and he seems very happy to be part of this reunion.

Watch the whole interview below.

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