Award season is truly here and both the Oscars and the Golden Globes hosted pre-nominations fancy shindigs in the last week. The latter was awash with color and pattern; if you want to see Armie Hammer in florals head here.
Botanics also make an appearance here and if these red carpets are anything to go by then we’re in for a treat come January. 
The second week in a row where I have kicked things off with Zoe Kazan and another stunning ensemble. At the Governors Awards, Kazan wore an ethereal Prada gown. This is something I have noted on a number of occasions, but one thing I love about Zoe Kazan is that she always mentions and credits her stylist Leith Clark when posting about these events on social media. The team effort that goes into the red carpet part of this business has really been made visible thanks to platforms like Instagram and Twitter.
Also I appreciate Kazan answering my lipstick related query and putting me in touch with her makeup artist Kirin Bhatty on Twitter. Because I am still preoccupied with a question from the early days of this blog.
Ditching Dior for Alexander McQueen and this is my favorite Jennifer Lawrence look in an age. This is telling with regards to that Dior deal. Although I do find myself drawn to the print ads Lawrence does for the brand. It just doesn’t translate on the red carpet.
Sarah Paulson is serving up witchy glam in Miu Miu and a berry lip. Reader, I am here for it.
Tessa Thompson’s rainbow pleated dream from the Emmys is definitely one of 2017’s best gowns and while this Altuzarra doesn’t hit that mark, it is a beautiful gown and looks like a tapestry that would normally hang in a fancy manor house/castle/palace.
Michelle Williams was at the Governors Awards while Busy Philipps attended the Baby2Baby fundraiser on Saturday night. Later they found each other and news that will not shock you, I yelped with delight when this photo popped up on my Insta feed. See also when Michelle made an appearance in Busy’s Saturday night Stories. 
Serena Williams has had a very busy week; she attended Glamour’s 2017 Women of The Year Awards and looked stunning in a Versace mini-dress. Then she got married yesterday to Alexis Ohanian in New Orleans. And I cannot wait to see the photos. The party favors alone are incredible. Congratulations! 
Zazie Beetz puts a really fun spin on the ladysuit trend. I now want to see her starring in a 1920s-set vehicle. 
Mr. Robot has got really good again and while season 2 was hit and miss, the women were super compelling. Portia Doubleday’s ability to switch from super steely to eyeliner smudged shakiness has been a pleasure to watch. On the show I am enamored with her high-neck white blouses, but it good to see an injection of color IRL. And I am a sucker for all things pleated skirts.
This Dolce & Gabbana dress feels like the embodiment of the design aesthetic from Baz Luhrmann’s Romeo + Juliet and Anne Hathaway looks great in it.
Dior sponsored the Guggenheim International Gala Pre-Party and Rebecca Hall escapes all things sheer that this brand has been indulging in recently. I do appreciate a tuxedo inspired frock and the star ankle boots are a strong contender for the covet list.
I saw Professor Marston and the Wonder Woman at the weekend and Hall gave a blistering performance (as she always does) in a film that I thoroughly enjoyed. There was a high level of drooling over Donna Maloney’s costume design—especially the jackets—and that both Wonder Woman featuring movies (not including Justice League in this) were directed by women, warms my soul.
The Get Out cast is working the pre-nominations circuit and it would please me no end if this movie was to get recognized. Allison Williams notes that there was some accidental outfit coordinating with co-star Daniel Kaluuya. Both are crushing it on the stripes front. 
GRETA! This Bust cover is every heart emoji.
❤ ❤ ❤
Feeling all the things.
It does look like the #OscarsSoWhite tag will sadly not be retired if this Hollywood Reporter cover is anything to go by and Mary J. Blige gets put to the side of all the group shots. Optics wise it is hard not to notice.
The interview itself gets to the heart of the topic that has dominated entertainment news for the last six weeks and they don’t back away from the conversation. It is important and a topic that will surely be the first question on any of these roundtables going forward.
As a headline, this one is striking and the extract below gets to the heart of the ‘difficult actress’ label:
LAWRENCE Sometimes — I’ve had this happen: I finally made the decision to stand up for myself, and then I went to go to the bathroom at work and one of the producers stopped me and was like, “You know, we can hear you on the microphone, you’ve been really unruly.” Which was not true, but basically my job was threatened because the director said something fucked up to me and I said, “That’s sick, you can’t talk to me like that,” and then I was punished, and I got afraid that I wasn’t going to be hired again.
STONE Yeah, you were “difficult.”
LAWRENCE Yeah, I was called difficult and a nightmare. I think a lot of people aren’t coming forward because they’re afraid they’re not going to work again. You need to be able to say, “This is wrong” and have somebody do something about it instead of saying, “Oh, it’s wrong? Well, you’re fired.”
Read the whole thing at The Hollywood Reporter.
TV Ate My Wardrobe 
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