Tag Archives: 7.08

Understanding Motives on The Good Wife

23 Nov

In the battle of Diane Lockhart versus Diane Lockhart there are no winners and it is becoming increasingly clear that one very rich client may end up being detrimental to the rest of their business. Actually there was one person who did rather well out of this fight as Grace scooped up all of the clients who are unhappy with Diane’s role as Reese Dipple’s mouthpiece. It doesn’t matter how many times she mentions this is First Amendment case when the subject matter is one dealing with choice. Why does Diane go so hard line on it?

The Good Wife 7.08 Diane LockhartPart of this is down to being presented with a quote that came from her own speech to EMILY’s List and there is a certain amount of trying to keep bias out of the courtroom. But I also have to wonder if this is all there is to Diane’s motives and even though this video is against everything she believes in why does she take it as far as she does? Dipple is their most valuable client financially and he has already impacted the firm by laying down stipulations to stop Alicia from returning last season.

So there is this element of Diane bending to accommodate because of how much Dipple is worth. And because it is a First Amendment debate Diane can at least pretend she is arguing for something she does believe in. My main concern with this case and the Dipple relationship (which is being conducted through the always amazing Peter Gallagher) is how much it compromises Diane and what it looks like it might be setting up in the long run; a Diane versus Alicia showdown.

Don’t get me wrong I am thrilled to see Diane getting a story of her own – now can we find one for Cary please? – but I worry that it will result in more animosity between Alicia and Diane. Take last season when Alicia’s campaign got in the way of her job and she had what still feels like a very manufactured fight with her then partners followed by the blow up over the supposed Howard related sabotage. The latter was a misunderstanding and while Alicia and Diane have never been the besties I long for them to be (Alicia’s lack of friends is something I worry about more than I probably should) there has always been a strong level of respect. So it is a concern that the pieces are aligning to put them in conflict especially now Alicia potentially has four of Diane’s clients and the little matter of Jason moonlighting for Lockhart, Agos.

The Good Wife 7.08 Diane and JasonAh yes this is something Jason hasn’t disclosed and the surprised look on Alicia’s face when she heard Diane in the background during a Jason phone call is also steeped in displeasure; I don’t think Alicia wants to share.

When Diane utters “well that was easy” we know it is probably going to be the opposite and the resolution is pretty much Diane pulling a catch 22 and excusing herself from the case. Cary gives her kudos for this conclusion, but I’m not entirely sure what the overall point was other than to show that Diane is good at arguing against something she believes in and to create a rift with some of her clients.

Diane dresses for battle in the way we know and love from one her phoenix like pins to the double chain necklace of glory. Also delivering on the “Who the fuck are you face?”

The Good Wife 7.08 DianeThere is a certain element of feeling slightly unmoored this season and despite this being a creative leap from last season’s messy endeavor it still lacks direction. Every week has been fun and it definitely more enjoyable watching Alicia and her startup than Alicia and her SA campaign, but we are reaching the point of the year where the wheels needs to be doing more than spinning. Especially as this could be the last season (there has been no official announcement but all signs point to this could be the final outing).

In the Florrick, Quinn (not Florrick, Agos) the firm continues to explore their options in making this venture a success with varying results. Quinn meets with Canning in a move to find some clients to poach and this fails spectacularly; they are a formidable team in the courtroom, less so in a boardroom. Maybe talk to each other before these pitches. Meanwhile Grace solidifies her position beyond her mother’s lackey (what about school?) as she uses the many computers in their apartment to create what sounds like a busy office and ends up doing rather well out of Diane’s case. Part of this is luck and good timing, but Grace can’t just be dismissed as she does a much better job than her mom and Lucca.

The Good Wife 7.08 GraceGrace gets points for pattern clashing delights and then some get subtracted for that awful ‘famous’ cushion on her bed. She earns those points back for telling her mother how much she now owes her after scoring these new clients.

The Good Wife 7.08 LuccaIt also looks like Lucca has been taking jewelry tips off Diane and this necklace is like a less intimidating version of the chain link statement pieces Diane favors.

One place where motives take center stage is between Eli and Courtney Page. Eli has a crush and his eavesdropping is no longer about revenge. His desire to get Courtney to change her mind about how/what she pays her employees does relate to the campaign, but really it is an excuse to spend more time with her and seeing a vulnerable Eli always makes for a fun and rare change.

I’m not entirely sure what the purpose is of this courtship or where this storyline is headed and yet I’m thoroughly enjoying the change of pace; aka the perfect way to describe this season.

Mad Men Music Monday: “Is That All There Is?”

6 Apr

Mad Men returns for its final episodes and the end credit music is asking the big question “Is That All There Is?” Peggy Lee’s half spoken track is also heard at the start of the episode in a scene which plays with the setting; is this a flashback to Don’s fur coat selling days? Is he in full seduction mode? Is he dreaming? The answer is none of the above; it is all an illusion and instead Cindy is in casting session with a couch full of dudes (some with new facial hair, oh hi Ted) all eager to take part in this decision.

“Let’s break out the booze and have a ball”

Mad Men 7.08 Sad DonThat’s what we should be doing with these last few episodes and everyone on screen is striving to make sense of what they have or what they want to have. Advertising is about wish fulfillment and these characters embody this idea albeit in a wonky fashion; Ken gets fired and instead of seeing it as a sign to write that novel he maybe dreamed of doing he instead takes another advertising position as big fuck you to the company that has shown him no loyalty. Joan is more than financially secure, but the original source of those funds can’t be forgotten when skeezy dudes don’t take her seriously and Peggy backs up this notion that it’s down to her appearance. So she goes shopping and pretends that she never worked at Bonwit Teller. And yes people will still go shopping even when department stores are being blown up with Joan proving Don right.

Peggy allows herself to dream a little suggesting an impulsive trip to Paris trip with Brian Krakow (!), but then she can’t find her passport and the hangover the next day leads to sourness towards what she deems is a ridiculous notion. But I can’t forget her post smooch smile as it was a joy to see. Groovy looking Stan is quick to point out this is what fun looks like and yet all Peggy can feel is the hangover shame.

Mad Men 7.08 PeggyDon seems to have it all, except for any real personal connections returning to an empty apartment and ringing his messaging service (oh hey a real life answer machine). And while he can still pull his old Don Draper moves there’s something so sad and hollow about it. From women in their underwear almost mirroring Megan cleaning long ago or a back alley hook-up which only takes place thanks to Roger’s $100 tip. Don repeatedly comes back to the diner trying to place the waitress and yes Elizabeth Reaser has more than a passing resemblance to Rosemarie DeWitt; so much so that at one point even I was questioning whether or not it was Midge. Seeing exes all over the place infiltrates Don’s dream world as he sees Rachel Katz (née Menken) modeling the fur as if she is in casting.

What this dream does is prompting a desire to reconnect, which doesn’t quite pay off as Rachel died the previous week and Don’s trip to her apartment doesn’t necessarily provide him with the closure he maybe desires. There was something about Rachel and in a way she was one of the ones that got away even if Don was the one who couldn’t commit. Instant seething at his name from Rachel’s sister Barbara with passive aggressive questions about his family (fair) while pointing out that Rachel had everything (I don’t know how true this is, but also totally understandable why she tells Don this). Barbara wants to know what Don is looking for by coming here and it isn’t surprising Don wants to know what happened to this woman he once loved. ‘The life not lived’ to echo Ken’s sentiment.

Is Don going to find out there is something more or that all there is?

Oh and one quick costuming bonus starting with how much do I want Peggy’s dress that looks like a pre-DVF wrap dress pattern dream?

Mad Men 7.08 Peggy and Joan dressIf you answered with anything less than a “crazy amount” then sadly you do not get today’s prize (today’s prize is a plate full of hot cross buns, may or may not be imaginary).

And Joan’s rage filled retail therapy includes a dress that looks a whole lot like Peggy’s hanging in the background, but there is no way Joan would ever contemplate mirroring Peggy’s style. Not in season 1 when she gave her the tour of Sterling Cooper and not now after that elevator argument that broke my heart. These two women are never going to be the BFFs I so crave them to be.

Mad Men 7.08 Joan shoppingI’m going to leave you with this and pretend they are going off on lunch time missions in a secret spy caper.

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