Tag Archives: Lamorne Morris

New Girl Review: What’s in the Box?

16 Oct

There were feelings of discontent in the loft on last week’s episode of New Girl and that continues with “The Box” as Nick and Jess get into their first proper couple fight and Schmidt hangs out in the pity pool after his recent (self induced) romantic woes. It’s not all doom and gloom as Winston gets to feature in both of these stories and not in the crazy way we have seen so far this season; setting up a cat brothel was his wake up call.

Nick's box New GirlNick and Jess are fundamentally different and it’s the whole opposites attract thing (plus you know all of the chemistry) that will help produce plenty of stories to stop this couple from becoming old hat. In the last episode Nick’s inability to express his feelings and Jess’ oversharing came up; this was more about Schmidt trying to come between them, rather than them stumbling over these issues. When Nick receives a paper bag with $8000 in cash from his dad it opens up a can of worms, or in this case Nick’s box of things he doesn’t want to deal with. This is primarily unpaid bills and instead of using this money to pay off these he goes on a shopping spree, followed by a drinking binge. Jess can’t resist going through Nick’s box and pays off these bills for him.

This isn’t the first time we have seen Nick’s very random financial situation (after all he has the credit score of a homeless ghost) and his reluctance to face up to things is a consistent character trait. Jess is the loft know-it-all (it is her pogo) and so these two things combined was always going to lead to a situation where Jess meddles and Nick gets mad. Jess realizes that she has made a mistake and her attempts to cover up what she has done is hilarious as she contemplating starting a fire and ends up under Nick’s bed, you know for the shade.

As arguments go they both have valid points as Jess has violated Nick’s trust by going through his private things, but his system is pretty dumb. Nick and Jess yelling things at each other is nothing new, but this is the first time they’ve yelled at each other as a couple and so the stakes are now higher. The word ‘box’ is used for maximum effect as Nick stumbles for a moment before he returns to being mad at Jess again. The random things he picks in her bedroom to question their existence vary from a drawer of night peanuts (a cousin of night cheese?), some bobby pins (or Bobby’s pins), enough yarn to make a mansion and Jess’ vintage purses which he throws out of the window because they don’t have enough gems on them.

Jess insists that she doesn’t want to change him; she just wants him to grow a little which I guess kind of sounds like the same thing. What I think she means is she’s happy with who he is there are just some fundamentals that need addressing. It’s all about character evolution and a lot of Nick’s hang-ups revolve around not feeling like he is worthy. He’s a screw-up but he is willing to address these issues. This episode is dealing with this side of Nick’s personality and how it plays into the bigger picture of their relationship. This is why Nick goes to open a bank account as when he comes out of his drunken haze he realizes that he would do anything for Jess. It goes both ways and Jess plays the Nick role as he resists complaining about the $8 processing fee, but Jess goes all in “I understood at least 30% of the financial crisis and guess what I got from that? You suuuuuuuck. You suuuuuuuck so hard.” And hey they don’t have to pay the fee, free $8!

One issue this episode has is cohesion and there’s something about Schmidt’s quest to find out whether he is a good person that doesn’t fit tonally with the rest of “The Box.” Schmidt is wallowing after his recent love mishaps that were caused by his inability to choose between Cece and Elizabeth and while I understand that his question plays on how selfish Schmidt can be, it doesn’t quite work. It feels like a reason to have him have a slap fight with Jon Lovitz in front of a class full of kids or to save someone’s life and make it all about him. I did enjoy the length of time we spent watching Schmidt run like Tom Cruise; Schmidt is definitely the kind of person who would practice and perfect this style of running but overall this story is lacking something. It feels like they are isolating Schmidt from the rest of the housemates and I wonder if this has anything to do with the former roommate who will be turning up soon?

nick owing winston moneyWinston got a lot of funny things to do that don’t involve him being crazy which is an instant bonus even if he did disappear for the middle of the episode. The gift of the candelabra is random but thoughtful; after hearing Nick’s breakdown of why gold, silver and brass are much better than paper I think he would have appreciated it a lot more than Schmidt did. I can also see why Winston ventures into crazy land with Ferguson the cat as it’s not always fun being the rational one in this loft. Oh and this is not the first time Winston has attempted to get money off Nick and he still hasn’t found a good way to get it back. Bribing Jess is at least more successful than his using the Memento method back in season 1.

This feels like an episode that might work better on rewatch and once again it’s the Schmidt plot that isn’t really flowing. The writers have a handle on Nick and Jess so far as a couple and giving them an episode of dealing with couple problems feels like natural progression, I just hope they can sort out the rest of the loft dynamic soon.

New Girl Review: Talking About Feelings

9 Oct

On New Girl Jess talks too much and Nick doesn’t express how he feels enough. This is a fundamental difference between these two characters and Schmidt attempts to use this to fulfill his promise to break them up. As Schmidt majored in Nicholas studies he knows all of Nick’s weaknesses and he’s also tapped into Jess’ too, so he knows that suggesting something bedroom related will cause problems.

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Jess is still awkward about sex but it doesn’t come across as infantile as it did early in season 1 when she couldn’t say the word ‘penis.’ The incident only added to the eye rolls and criticism that Jess was just another version of the Manic Pixie Dream Girl. Now the writers have found a way to focus on Jess’ sexuality in a way that still relies on the awkward but doesn’t make her come across as a child who has never encountered another person in this way before.

Jess gained confidence in her relationship with Sam last season and chemistry is not lacking between Nick and Jess. When they slept together for the first time in “Virgins” the episode ended with a tag that played on the reality of the moment and I can’t think of another show that has celebrated a couple getting together with 30 seconds of different facial expressions. Jess and Nick have not suffered in the bedroom department until Schmidt manages to get in Nick’s head causing an evening of impotence; the use of “Get Lucky” as Nick and Jess can’t manages to avoid being annoying even though it has been played to death all summer. Jess learns the all important lesson that it’s always too soon to make jokes about penis problems.

What Schmidt ends up doing is fixing the one issue that Nick and Jess have and that’s their communication issues – Jess talks too much, Nick not enough. This is after he has suggested a rather debauched sex move called “The Captain” and while we never find out exactly what this is it’s degrading not just to women but all of mankind. This is one way that network shows work around Standard and Practices (I’m so fascinated by the process of what is allowed and what isn’t like how they decide on how many thrusts are appropriate) and it tends to lend to more comedic moments. It lets the audience fill in the blanks of what Schmidt was saying each time he put the blender on and Max Greenfield shines when he is at his most deviant. Schmidt in his attempt to break up Nick and Jess goes all in and we find out that after he saw Titanic he founded The Zaniacs, a Billy Zane fan club. Winston of course has found memories of this movie for very different reasons. I’m not sure how it would work but I kind of want to see a Titanic themed episode of New Girl.

It’s pretty terrible what Schmidt is trying to do to his best friend and as he mentions he hasn’t seen Nick like this before, he’s too wrapped up in his own drama to see that Nick and Jess are actually good for each other even if their happiness is nauseating. When his initial plan has the opposite effect and Nick opens up – Jake Johnson showing once again that he is the best at random lists of things – Schmidt goes into full on crazy mode trying to physically come between Nick and Jess. Destroying all the condoms and eating Jess’ birth control pills is his last desperate move and counting down the days as he takes the pill is hilarious; “Full wheel bitches.”

This leads to a much needed loft meeting and while Schmidt thinks the pills have taken effect (“I’m so aware of my nipples right now) he also gets to hear some home truths about how he alone is the cause of his misery as he did indeed do a bad thing. It’s a scene that is important of where Winston is right now and each episode this season has put Winston in the role of the loft crazy. He’s still pretty out there in this episode as he misreads flirtation as someone else trying to get their cat laid, but he also speaks the most sense when he discusses boundaries and the personal and public space of a loft. It’s not necessarily a problem that Nick and Jess are happy and having fantastic sex but they also have to be aware of their housemates; this is a new dynamic for them to get a handle on too and they’re not exactly having a great time in their own personal lives right now.

It’s a really funny episode and probably strongest of the year so far and J.J. Philbin – who wrote “Injured” which is still my favorite episode – layers the script with jokes and pathos. We get to the heart of some of the issues that have arisen in these early episodes like Schmidt not taking control of his situation, as well as character flaws that have existed forever on this show like Nick’s inability to reveal his feelings – “If we needed to talk about feelings they would be called talkings.” Highlights include Nick stumbling his way through conversations with the repeated tactic of moving his car and generally grunting or not finishing sentences all while looking mortified. Zooey Deschanel excels when she gets to yell at Schmidt with disgust about what she just did “And my night vision is very good because my eyes are so buggy and big and I saw everything and I can’t erase it from my memory.” The big eye gags are always a winner.

What this season is doing with Nick and Jess is showing that with Nick especially he does have the ability to change and by the end of the episode he won’t shut up about how he feels. One thing that’s clear from these opening four episodes is that the writers have a handle on the Nick and Jess side of the story and it’s the other two roommates that have become the problematic ones in terms of the overall story. There is acknowledgement from Winston that he is having issues (he is after all running a cat brothel out of his bedroom) and Schmidt is aware that he’s also messed up. It will be interesting to see where they take them from here especially as Damon Wayans Jr. will be turning up rather soon for an extended arc.

 

 

New Girl Review: Schmidt’s Dating Mess

2 Oct

At the end New Girl’s second season Schmidt was asked to make a choice between Elizabeth and Cece and he ran away. He’s been doing this since we returned this year and his two timing has come to a head in “Double Date” as he told Nick what he had been doing and it all spiraled from there. This plot has been a bit of a drag as the conclusion was pretty inevitable – that Schmidt would end up with alone – and it’s been a bit of a slog getting here, putting Schmidt firmly in the douchebag category that has been joked about since the pilot.

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“In your little brain how do you see this ending?”

Schmidt’s response to Nick’s question is full of awareness, he knows that he’s gone too far and whatever the end result is, it’s going to be terrible and hurt all that are involved (including Nick who gets not one but two junk punches from Cece). So why the big delay? Schmidt blames it on everything from his upbringing to his former weight; the big surprise is who he blames for this resolution and that’s Nick and Jess. The threat he delivers at the end is enough to lose any good faith that he has earned from the audience as a result of his heartfelt confession to Cece and he’s already lost points because his hand was forced. So they’re going full douchebag with Schmidt and it probably isn’t his smartest idea to try and break up two of the three people he lives with. Delivering this threat with pie all over his face was wonderfully absurd and made the whole thing so ridiculous that you can almost forgive that Nick and Jess didn’t stand up to him over this BS.

There is no one to blame but Schmidt and it’s not like he has been two-timing women who he only met recently; Elizabeth is his first love and his feelings for Cece run deep. Hannah Simone nails the heartbreak of Cece as her eyes tear up and this quiet reaction is the opposite of what she has just done to Nick. Simone’s role within the group is often as the outsider as she is the only one of the regulars that doesn’t live in the loft and it will be interesting to see how they incorporate her now that she doesn’t want to see Schmidt ever again. The last time they had a period like this was between seasons 1 and 2 so that was all off screen.

Tonally this episode was all over the place and the breakup scene in the restaurant was pretty laugh free. Last week I discussed how New Girl excels at balancing the absurd moments with real emotions and while both of these factors were at play in “Double Date” it wasn’t as successful in switching between the two. Something felt off and Schmidt’s delaying tactics help turn him into the loft villain – as much as a villain as a sitcom can have – coupled with his Nick/Jess threat. This is probably just laying the groundwork for some Schmidt self-discovery, but at the moment it just reads as pointless bitterness.

One aspect that continues to play well is Nick and Jess as a couple from their country lawyer sex fantasies to the rather healthy bathroom discussion about how they feel about each other. It turns out that Nick’s driving style (because he totally needs glasses) is more likely to cause contention than their divided BFF loyalty. The funniest moment is as they list all the things that Schmidt might try and use to break them up including being sexually attracted to ladybugs, thinking the Kilborn Daily Show is better and being banned from Lake Ontario. It also turns out that they both think horses are from outer space (and I really want to see all the alt takes for this scene). Oh and Jess happens to know a lot of Spaceballs quotes that are perfect for no kissing sex.

Hanging by himself once again is Winston and this makes the third week where Winston’s story has been mostly solo. Hopefully this is building towards something and they definitely made a point of him realizing that he is the only one of the group who doesn’t have a significant other, unless you count Ferguson the cat. Now Schmidt is also in this position he might try and get Winston on his Jess/Nick breakup team especially if he dangles the prospect of pranks in front of Winston. Lamorne Morris excels at the crazier aspects of Winston so trying to keep hold of a community table for several hours allowed him to showcase this. Winston performed an important PSA too and you should always check that mints in restaurants are in fact mints and not a piece of glass.

This is of course still early in the season and events from the finale are still having a big impact on the narrative. So while it wasn’t the best episode of New Girl there has been it’s a necessary one to sort out the Schmidt/Cece/Elizabeth business. On the whole it made me laugh a bunch and Hannah Simone made me incredibly sad with her reaction to Schmidt’s cheating so it covered the emotional scale. So long Merritt Wever, you’re brilliant and I really hope you will come back on this show in the future.

New Girl: Balancing Emotional Stories with the Absurd

25 Sep

When high school is over you can still end up in situations that mirror the awful not fitting in feeling and Jess ends up in this position on this week’s New Girl after she finds herself friendless in her new teaching job – where is Mary Lynn Rajskub? The adult version of the mean but cool clique isn’t anything particularly new, but it gives the Nick and Jess relationship a chance to breath and shows how they can make them work as a couple without losing the tension that made season 2 so much fun.

I’ve mentioned before how New Girl works best when it walks the line between the ridiculous and grounded emotional moments; this happens multiple times in this gag-packed Kay Cannon script (you can see the rapid fire approach of jokes per page from Cannon’s 30 Rock background at work). There’s a discussion between Nick and Jess about whether he would have noticed her in high school and this leads to Nick’s “Miller Sack Pack” revelation. This coupled with Winston’s big Daisy decision as he now wants to be exclusive and tell her that his “heart is a two man bike and I want you in the rear” demonstrates the many tawdry jokes that exist within the emotional framework.

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This isn’t the first time Nick has tried to give advice to Jess*, the difference now is that Jess is “his old lady” and so the stakes for him are higher (though I’d argue that even if they were still just friends he’d offer free drinks at the bar to help out). Having Nick and Jess’ first real challenge as a couple not being about them is also a good start and while I suspect there will be other relationship drama around the corner it doesn’t need to happen this early. Nick’s original idea is to give some free school supplies to the cool clique, because who doesn’t want $15 and a halfie worth of stuff? Luckily Nick also works at a bar which doesn’t seem to have a problem with him giving away drinks so this alternate suggestion is a big hit.

*Kay Cannon also wrote the season 2 opener “Re-launch” which saw Nick comforting Jess after she was made redundant. On this occasion he gave her better advice than just drink lots telling her “Life sucks and then it gets better and then it sucks again and then it just sucks.”

Following on from Nick’s observation that this is like high school all over again, with Jess being a nerd in both scenarios she takes this to heart and gets wasted. Drunk Jess dances in toilet bowls, sings 4 Non Blondes and gets accepted by the other teachers. The drunk Jess singing moment is topped by the guys performing a rendition of “I Believe I Can Fly,” this is reminiscent of them singing “Time of my Life” in the pilot but under very different circumstances of course. This is where Zooey Deschanel gets to show off her excellent comedic timing as she pulls a good hangover face of pain and discomfort. The guys really should get the band together.

Winston points out that Nick is basically imprinting himself on Jess with his getting drunk suggestion and instead of sending Nick in a tailspin of doubt it spurs him on to rectify this. When Nick gets caught between Jess and Winston both acting impulsively it hilariously ends with Nick stuck in the middle between two potential crimes. When Nick is the sensible one in the scenario it adds another level of chaos as he yells in an exasperated fashion.

Nick is of course smitten with Jess and while her idea to break into her new bosses garden is not the best; this doesn’t matter as Nick tells her that “If you’re going to do something that’s obviously very stupid then I’m going to do it with you.” He’s also willing to take the fall for her and when she steps out from her hiding place the absurd kicks in as the Dawson’s Creek theme “I Don’t Want to Wait” begins to play – I will never not love a gag that features this song (see also Urban Legend).

The Schmidt love triangle plot is dragging along and because there is a short shelf life on Merritt Wever’s guest starring role it’s now entered slightly tedious territory. I think Wever is great and I liked how she reacted to Schmidt’s terrible role play idea, but I also think this whole narrative is tired. The one surprise is that Schmidt didn’t get caught and Max Greenfield played this moment well as it seems he really wants to get caught as this resolve this mess even if he ends up with no one. The 2/3 replica of Don Draper’s office gag worked like a charm as did the competitive chemistry with Beth, reprising a work rivalry from early season 1.

Winston is also having relationship drama and this is the episode where they have to write Brenda Song out because of her Dads commitments (giving me all of the sads). This was another play on the “Winston is crazy” angle but unlike last week’s puzzle adventure there was a point to the crazy even if it did involve potential cat murder. Now there is pet in the loft and the cats love Schmidt’s nipples visual only got funnier as the episode went on (yes there are already gifs).

Everyone being back in the loft gives a sense of familiarity that was missing last week, even if the dynamic has shifted. The scene in the elevator that turns into a relationship discussion between the guys is hilarious because they all forget to press the button; too preoccupied with their romantic entanglements. By the end of the episode Schmidt is still stuck in two-timing hell, Winston goes from having a girlfriend to having a cat and Nick is the only one who is content – this might be a first for him.

One criticism I would have with the Jess plot is that while the guest stars did the best with the material they didn’t really get all that much to do. This can be a problem with these small roles that are serving the central characters and so I hope both Angela Kinsey and Dreama Walker will return later in the season.

This is a much more cohesive episode even with the amount that is going on and while the season premiere was a bit of a disappointment I would say that this is more like the New Girl that was raved about last year.

And because it’s now stuck in my head it can be stuck in yours too!

New Girl Season 3 Premiere: Going “All In”

18 Sep

Season openers can be a tricky endeavor, particularly when the previous episode has culminated in a highly anticipated union and the momentum has been broken by a summer off. With a show like New Girl a lot of hype has been directed at Nick and Jess and if you were wondering what they’re relationship status is the repeated “all in” gets both the characters and the audience used to the idea that they can be a couple.

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The season premiere starts where we left off; with The Vaccines “I Always Knew” playing as Nick and Jess drove away from the abandoned wedding. After making a roadside stop to consummate the fact that they didn’t call it off, they end up standing at their front door. Neither are ready to cross the threshold as they’ve only been a couple for 30 minutes and their roommates are already being incredibly demanding – ok Schmidt’s is the demanding one, Winston just wants to puzzle. The prospect of returning to normalcy is too much and the pair head off to Mexico to spend some quality time together living out of the back of Jess’ car. We don’t get to see exactly how both of their wedding outfits end up quite as wrecked as they do, but it works better this way. The same can be said for the lack of explanation as to why Winston is wearing a hoodie as pants other than his propensity to get weird.

In Mexico away from the apartment Nick thinks that he can make this relationship work and he’s willing to shred his passport so he doesn’t have to go home and risk losing Jess. This is Nick’s irrational side coming out, the part that thinks he isn’t worthy and he’s more likely to fuck everything up if he lets this side get the better of him. As we have seen with Nick’s previous relationships he’s a fan of the self-sabotage and he doesn’t want this one to go the same way. It’s a different start to dating thanks to their roommate status and this is enough to send Nick into a tailspin of not wanting to leave Paradise Nick and Paradise Jess behind. It doesn’t help that Schmidt and Winston are in full on bickering mode, coupled with Schmidt’s relationship drama and so resort jail is of course far more appealing – they let him watch Ugly Betty after all.

Home is where they have to go and Jess delivers a heartfelt speech; Craigslist gets major props and for once it isn’t sex, drugs or murder related. Jess is the voice of reason on this occasion, not just in relation to Nick but with all of them as she points out that they’re “a family” and how “there is no us without Schmidt and Winston.” It’s a dysfunctional dynamic and the loft situation is going to provide a wealth of stories in the coming weeks. As far as this season opener goes the Jess and Nick stuff plays well, Jake Johnson and Zooey Deschanel still have oodles of chemistry and because they are together there is a lot of kissing; we know how well they do that.

One issue with this episode is how disjointed it feels and not just because Nick and Jess are in Mexico while Schmidt and Winston are back home. There’s a lot to cram into 22 minutes and at points it seems like certain aspects of the story have been cut out (the promo photos show that in one cut Nick isn’t the only person to get tasered). It’s understandable why these cuts have to be made for time, but on this occasion it was noticeable – maybe as a result of the promotional materials.

First episodes back are meant to refresh the viewer with what has occurred and lay out where things are headed, so it’s not surprising that the momentum the back half of season 2 created gets disrupted. Schmidt still has his decision to make as he tells both Elizabeth and Cece that he has chosen them. Cece is the regular cast member and Merritt Wever will be making her way back to Nurse Jackie soon so this takes some of the tension out of this process. Considering Schmidt’s duplicitous behavior it’s likely that he will end up with neither of them (for now).

Now to Winston and his puzzling; the main puzzle being will he get his own ‘A’ story this season? While I enjoy the lengths they push Winston too with his love of badgers and forgotten birthdays, there comes a time when Lamorne Morris deserves a bigger piece of the New Girl pie. Over at Vulture New Girl creator Liz Meriwether discusses this aspect of his character saying “That’s the level we like, where he’s on some crazy mission for some stupid thing but the stakes are so high for him. To me, that’s just hilarious, and Lamorne is so good at going to those broad places but keeping an emotional reality at the center of it so it doesn’t feel out in space.” While I totally agree with this notion, I hope there is more for him this year and maybe the return of Coach will give him a source of conflict beyond the realization that he is color blind – points to Schmidt for the line of the episode “If you think those shoes are brown, what color do you think you are?”

Winston does take it too far and not just with his jigsaw obsession as a moment where he has to save Schmidt ends with him admitting to wanting Cece’s underwear because he wanted to sew them into his underpants. Cece reacted accordingly. As we saw in “First Date” last season, Schmidt and Winston together creates these ridiculous scenarios and it gives both Max Greenfield and Lamorne Morris a chance to unleash their crazy; the argument where they literally argue in circles is absurd but brilliant.

We end the episode back at the front door of apartment 4D, flummoxed as Nick doesn’t carry a key – “there’s always someone at home” – and a mini argument ends in making out. We’re back to where we started and this mini adventure to Mexico might not have been a completely satisfying start to the season, but it’s laid the groundwork and I’m confident that the season will pick up from here. It’s also pretty great to be back with these characters and to no longer be tiptoeing around a “will they/won’t they story.”

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