This is the last part of the regular column catch up train (see also “Behind the Insta-Scenes“) and so this is a sort of “Look of the Last Three Weeks.”
In this post-Emmys time – I have been writing about Emmys fashion for so long it feels odd now we’re past it – there are still plenty of fancy pants events, premieres, film festivals and magazine covers.
Keri Russell and Matthew Rhys attended the Met Opera in style a couple of weeks ago with Russell opting for Stephane Rolland for the third time in recent months (see also the Emmys and the White House state dinner).
This caped jumpsuit might be my favorite of the three and it brings all the elegant drama. It is also fun watching the reduction of Matthew Rhys’ hiatus beard from the White House through to the Emmys and then this. After all they have started shooting season 5 now.
It was a tossup between this appearance and the fantastic lady suit/pussy bow blouse combination Keri Russell wore to another recent event, but the cape won out this time.
Keeping with the couple faves and a lipstick/dress color delight from Emily Blunt in Prada at the New York premiere for The Girl on the Train last week. Also this live reading of Good Will Hunting pretty much sounds like the best thing ever.
As regular readers will know, I am a big fan of former co-stars who come out to support each other with their new projects so Cynthia Nixon at the Divorce premiere is a big tick in this box. Plus the Miranda/Carrie friendship always hit me in the feelings department (“My Motherboard, My Self” is my favorite SATC episode) so this appearance gets a double tick. There is so much joy in this photo and I also think they both look great.
Oh and one episode into Divorce (which I really liked) and I am already obsessed with SJP’s coat collection – so thankful this show is set during winter – and her bedspread.
This week has been a shitty one politically, but I am so thankful for Michelle Obama for this speech and for taking part in events like Glamour’s “A Brighter Future: A Global Conversation on Girls’ Education.” Here she is with Black-ish star Yara Shahidi and both are crushing it on the pattern front. High fives for all.
Now for the London Film Festival and at the Moonlight premiere Naomie Harris wears a beautiful Valentino in the rare category of “sheer that I like.” Pairing it with a colorful pair of pumps really sets the look off. 
Elle’s annual “Women in Hollywood” issue is here and Lupita Nyong’o scores another fantastic cover shot while also discussing the importance of seeing people who look like you on screen and in magazines:
“I grew up with a very limited mirror of myself. I watched a lot of TV, but the people on it were always light skinned. And now I have a platform that takes me into people’s houses and onto the pages of their magazines.”
“Power of Women” is Variety’s annual celebration of women in Hollywood who are making a difference with their philanthropic work. One of those women is Laverne Cox and she is being honored for “changing the narrative around LGBTQ communities.”
Cox has been on many magazine covers (this is her second for Variety) with visibility being an important factor and Cox explains that “So many people have been inspired to live their truth as trans people, and so many people have begun to think differently about who transgender people are.”
This is another stunning image and the color of the dress and the way this shot is lit gives off a feeling of hope.
Winter is coming and that means all the knitwear and coat editorials; Mr Porter scores an early win with Jon Hamm serving up so much charisma in this week’s profile and accompanying photoshoot. The whole piece is good, but this passage/description of Hamm really stood out to me:
“Even in his baseball cap, at 45, Mr Hamm is as comely as you’d expect from a man whose first credit was “Gorgeous Guy at Bar” in an episode of Ally McBeal. One women’s magazine described him as “astronaut handsome”, not that astronauts are selected on looks, duh, but it does capture his capable, reassuring, 1950s air and captain-like quality. His voice really does insinuate that everything’s going to be OK, but there’s something soulful about him, something indefinable that makes you hope he’s going to be OK, too.”
It is part of the reason why a Don Draper pitch worked so well; the voice and face combined. Also there are photos of him hiding in the sweaters if you really need another reason to click.
TV Ate My Wardrobe 
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